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twobrokenwyngs · 9 months

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Jackie I'm still saving the last ep but. I need to hear your thoughts about TD. Is there a tag where you've screamed about it? Or feel free to do it again!! What do you love about it. Tell meeee

screaming and crying over this ask tbhhh

firstly - I do have a true detective tag! and a rust cohle tag! and a rust x marty tag! and although I don't have a distinct tag for meta & such, I infuse most of my reblogs with an insane amount of unhinged raving in the tags, so, lmao. it's def there if you want it! XD

secondly - there is actually a lot I can't say without you having seen the last episode, in particular the way the show ends. one of the things I love is the fullness of their arc(s) and the way they're changed by the end, for which you gotta see how it wraps up!!!

all that aside though... man. why I love this show is almost too big and amorphous to answer lol, but I'll give it a shot!

lmao whoops this got long

I mean... one obvious variable is Rust himself. I am so endlessly compelled by both the tragedy and the potential of him. by thinking about who he used to be - when he had Sophia, when he had Claire. he tells Papania and Gilbough that the job didn't make him that way but that being that way made him right for the job, but was he always that way? was he always a lonely jaded cynic, a product of growing up in the Alaskan wilderness with nothing but his imagination and his synesthesia to keep him occupied? is his nihilism baked into his DNA or was it carefully constructed after a lifetime of being abandoned and disappointed, used and discarded? the thing about him is that he wears that nihilism on the surface, almost like a badge of honor, but there is always this pervasive sense that he is in a state of grief for the things he no longer allows himself - love, desire, softness, comfort, hope. he has made himself into this target for other peoples' pain and bullshit because it slides right off him, so he might as well, right?

like, the whole thing with Crash... that REALLY fucks me up. episode 4 is actually my favorite, and Crash is definitely a huge part of that. he accesses a whole different part of himself to inhabit that person. you can tell that during his time with the Iron Crusaders, he was like... their pet. fed drugs and passed around, used and abused, all for the sake of "the job," but it so clearly was a way to exercise self-punishment, an excuse to remove himself from polite society and just give in to his baser nature. when it came time to put Crash back on, he donned him like a second skin, confident to the point of mania, in a way that breaks my fucking heart. I could go on and on about Crash tbh, it almost warrants its own post lol.

and then there's like, the way he has somehow both no relationship with his body and yet a strict routine for its upkeep. he keeps the engine running (or at least he did, for a while) but he doesn't allow that body so much as the dignity of sleeping with a bedframe. he doesn't use it for pleasure, he barely knows how to control it when he's not using it for his job. and yet, every single thing about his physicality compels me. his slouch. his gait. his little mouth noises. matt mcc I can take or leave, but I think Rust specifically is one of the most beautiful creatures I have ever seen or ever will see.

okay... let me move on to Marty. Marty is fucking fascinating to me. he's a bastard and an asshole and a hypocrite and I think so much about the way insecurity rules his life. he makes all of his choices based on what he thinks he should want, what kind of man he thinks he should be, and he will delude himself to the point of absurdity in order to realize that vision. (it's why, in my headcanon, comphet plays a huge role in his relationship with Rust and with himself, but that's another story.) like, Marty doesn't actually want to be a family man lmao, but, he has to want to be one. where Rust has given up all illusions of being any sort of person at all, Marty has made pointed decisions about what kind of person - what sort of Man - he is, and that's that. so, nothing slides off him, because everything challenges his fragile sense of self. he overcompensates, he's a product of generational toxic masculinity - by all accounts he's a total stereotype. but like... that's what makes his relationship with Rust so goddamn irresistible.

there's just so much going on there, constantly. Marty claims not to want to get to know Rust, but he can't stop digging and prying, and his protests about what he finds are so... performative. he can barely show up for his own family in the most basic of ways but he's constantly bringing Rust food & coffee, voicing concern about the way Rust lives, trusting him, vouching for him - he cares. so much. and because there's no road map of Expectations to dictate that care, he never becomes suffocated by it. and Rust, despite himself, can feel all of that. it is no small thing for Rust, the eternal lone wolf, to have a partner. he most definitely knows Marty thoroughly - knows when he's lying to himself, knows when to call him on it and when not to. for Marty, he makes a space. carves a notch into the solid rock of his soul and reserves it for Marty alone. after their split, he never really recovers. neither of them do. Rust never fixes his taillight, Marty lets everything dissolve once and for all and spends years alone with his microwave dinners, because what's the point? what they felt when they were together, what they had, was incredibly profound and deeply beyond articulation (they're not willing to do it, even if they could.) and it is truly in the finale that you see the veracity of that change, what means to unexpectedly reclaim the thing that changed you.

anyway, this was just sorta a stream of consciousness, not particularly considered and very off the cuff, and therefore barely skims the surface of why I love this show. I'm sure I'm leaving out so, so much. and of course, it doesn't even touch on the baser reasons I love it/them - I love stories about bitter washed-up old men!!! I love the idea of what they could mean to each other! theirs is some of the only fic I've ever cried at or reread. their happiness, their future, is so ridiculously important to me. and I love the music! and the southern gothic vibes! and Rust's scraggly long hair and his insane mustache and how good he looks in that black shirt when he takes Marty to the storage locker!!! I love that from that first episode, the moment Rust showed up at Marty's door plastered and crying, I knew I was done-for. I mean. y'know?!?!?!

welp lmao. I don't think all THIS is what you asked for but it's what came outta me, so, hey. thank you for giving me a reason to think about them tonight!!!

#true detective #forreal lemme know when you finish!

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jeannereames · 2 years

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What do you think were some of ATG’s biggest/best innovations in warfare? Additionally (and this is kind of a thought more than a question) I thought it was incredibly fascinating how quickly he took to naval warfare despite most Macedonian military expertise being land-based (although I might be wrong)

It took him a while to catch on to naval power, actually—perhaps not surprisingly as Macedon was never that sea focused. Some recent archaeology suggests Pydna was a Macedonian port from way back, and certainly Archelaos moved the capital from Aegae to Pella in order to get a protected port on the Thermaikos Gulf. Later, Kassandros would combine several old settlements NE of Pella into Thessaloniki. Yet the goal of all these seems to have been trade more than military, albeit by Kassandros’ time, he was thinking military too, and certainly the Antigonids did.

Philip rather famously had to retreat his own “navy” (essentially a bunch of pirate-type pentakonters) when only about 20-30 Athenian triremes showed up during one of his campaigns in the north. He would manage to seize over 200 triremes when they were beached but couldn’t take them on the water. The non-Athenian boats he freed, but the Athenians ones? Did he use them himself? Nope, he broke them down for siege engine timber. As we’ll see, siege engineering is where he threw money.

He did realize he needed a better navy before going up against Persia, but his solution was to use Athens’, not build his own—despite owning acres upon acres upon acres of perfect ship timber. It still takes money to build those ships, even if not paying for the timber, and ol’ Phil just didn’t have it then. Plus, navies have to be maintained (ships deteriorate), and I’m not sure Philip cared enough to make that sort of long-term commitment. Alexander is the first Macedonian king (that we know of) to invest significantly in building warships, not just borrowing other people’s, and that wasn’t until late in his career, India forward.

Why the change? I’m about 90% convinced his real next target (before his death) wasn’t Arabia, but Carthage. So obviously, he needed a huge navy, and Persia’s navy (which he was now responsible for) had been famous. Yet he was also building boats for trade linking India back to Asia, specifically Babylon, which is why he made the whole Gedrosia trek in the first place. Baloney on him trying to outdo Cyrus and Semiramis. That’s largely imposition by later authors. He was looking for trade routes.

I do find it curious that the nation who supplied Athens with such copious amounts of ship timber that it became the 3rd front in the Peloponnesian War was not, herself, a naval power.

In terms of military innovation, Philip did more with basic equipment. He created the sarissa, devised the hammer and anvil tactic, and employed combined arms in a masterful way. He’s also the one who invested in artillery. That’s where his extra money went, instead of into ships. Alexander largely refined technology.

Alexander’s military innovations were more in the realm of ideas. Philip had made a few moves towards advancement on ability (not birth). Alexander pushed that forward post-Gaugamela. If he couldn’t touch the highest positions (and may not have wanted to right then), he did introduce advancement on bravery and ability with the lower-level offices among both infantry and cavalry. Especially with cavalry, this would have been tough to force through, as cavalry was traditionally for the elite (who could afford horses). Naturally, they expected to advance based on family connections. Also, following the downfall of Philotas, the cavalry was divided up into increasingly independent units. It started with the division between Hephaistion and Kleitos, but after Kleitos’s death, Alexander broke down the Companions into six hipparchies…not unlike the way the infantry taxeis were each under the command of a single general, who then answered to the man in charge of that wing of the army (Parmenion or Alexander, or later, Krateros or Alexander). This both allowed the army to operate more efficiently, but also prevented too much power concentrated in the hands of any one person. AND it rewarded ability, which tied the receiver to the king, breaking down mini-family dynasties within the army. (Such as Parmenion’s.) Philip had tried this a bit with the Pezhetairoi (later called Hypaspists), who were selected for size and courage. Alexander really expanded it, and renovated how the army command structure worked.

Likewise, Alexander had a rare ability to come up with, on the spot, new ways to use old toys. So, for instance, he put siege engines on boats to attack Tyre. In Thrace, earlier, he used a turtle (and gravity) to break apart carts rolled down on troops from above. He also used sarissai to “mow” down a big wheat field to attack the enemy from an unexpected direction. He built ginormous ramps all around Gaza to bring his machines up to the level of the walls. In India, he used “junk” from the countryside to fill in “impossible” ditches and construct a causeway to attack a mountain fort. Etc. Basically if somebody told him, “You can’t do that,” he figured out a way to do it anyway.

Militarily, he was the ultimate problem-solver, and he was brilliant at military organization. But Philip was more the innovator when it came to the tools of war, from weapons and armor to artillery, even if his son would then use that artillery in ways he hadn’t thought of.

#Alexander the Great #Philip of Macedon #Philip II #Philip II of Macedon #Macedonian military #Macedonian artillery #military history #ancient Macedon #ancient military history #ancient combined armies #Macedonian military innovations #Macedonian army structure #Classics #ancient history #tagamemnon #asks

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seek--rest · 1 year

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Just out of curiosity, do you still write any irondad fics?

I think the better way to phrase your question is, would I still write irondad fics?

Which is yes, if an idea moves me or is interesting. But as a blanket statement, the answer would be no.

For several reasons.

To anyone who’s been around here for a minute, it’s no secret that I got my start in fandom writing more IronDad. I have never once considered myself an IronDad writer but a Peter writer, specifically within the MCU and using the relationships that mattered most to him at that time period. I showed up here around 2019, right before EG and FFH so naturally the outgrowth of what I wrote revolved more about where Peter canonically was at the time. I used to rant and rave at how annoying it was to love Peter because I never felt like either “fandom” (irondad and spideychelle in this instant) ever really cared about him as a central point; it was either Tony being the center of his universe or MJ, neither of which vibed with what I was feeling nor fit what actually felt important to Peter at the time.

I have my own misgivings and Experience with IronDad fandom from 2020-2021 that doesn’t need to be listed in detail here (tl;dr white irondad writers hate to be forced to contend with how racist and sexist they are) but that, along with being further removed from Tony being relevant to Peter (as he is dead) felt less interesting to me. Now, a whole year after NWH where Tony is NOT relevant or important to Peter in any capacity (except in ways and meta that would make huge subsets of irondad angry to think about), I am WHOLLY uninterested in creating some kind of canon adjacent story that ties him into it as a general role. NWH satisfied me as a media and if I don’t write the kind of fluffy fix it’s that spideychelle wants (from someone who has loved Peter and MJ for decades), than I certainly don’t want to do that for IronDad.

I don’t care about living in the “imaginary beautiful period” post HOCO pre IW for the possibility of IronDad because 1) I think too much of fandom uses that as an excuse to completely eliminate both Ned, MJ and May as vital components of Peter’s life which was sexist and racist then and is even WORSE now considering where canon is and 2) i don’t care to rehash the same derivative tropes of living within a set time period. Not to be a bitch but I like to see characters Grow and Change and Adapt and there is only so much that I’m creatively interested in them creating more “Peter and Tony work in the lab” kind of fics that I hardly created even when I wrote irondad regularly.

That being said, it’s not like I don’t currently write Tony in stories or haven’t. Tony is still a fascinating character to me but he’s also 1) dead and 2) not the person I care about re: IronDad. Peter is. If he’s being included in a story, especially at this juncture, it’s how he can serve Peter’s narrative and growth— which I’d like to think I always wrote it in this way, I just use the tag less and don’t make an active effort to think of ideas to write irondad because of the fandom’s refusal to move forward.

And the racism and sexism of 80% of the fandom who still, to this day, refuse to acknowledge it and/or get irritated when anyone brings up canon vs fanon.

tl;dr sure, if i have an idea. I have 3 WIPs with Tony + IronDad I’m actively working on / being published.

However, the fandom is rancid and filled with so much unchecked racism and sexism— along with a refusal to let go of the past— that even if I did actively tried to create, I don’t feel welcomed anymore.

#seek speaks #irondad #fandom racism #fandom sexism #I’ve been wanting to talk more about this #without being accused—again— of starting bullshit #2020-2021 killed my desire to be nice to people anymore my #I WAS nice #I refuse to play nice anymore #but this was a nicely worded ask so it deserves a nicely worded response

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k-s-morgan · 3 years

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Hi! I've been in the Hannibal fandom for two years now. Rewatched the show many times and yet Will Graham still confuses me like no one else. Hannibal's design is complex but somewhat understandable after watching the show again again. But Will's design is like a loophole. He can empathise with the killers. That means he can understand them. If he can understand them then why does it feel good for him to kill them? How does it work for him exactly. Does he feel for the killers? If he felt for the killers then what about his violent tendencies towards them?

I've always thought that he is like a God. A God of the killers. The killers offer him their design and he takes sacrifice in return of understanding. But how does his psyche work exactly?

Hello! Oh yes, Will is a very confusing character - it’s his defining trait, and I think that’s because he lies to himself, to others, and to us as an audience. He wants one thing, wants to want another thing, does the third thing, and making sense of it is a complex process.

I think Will’s empathy is a big red herring. I agree with Freddie here: he understands killers because he’s one. He has an almost supernatural gift that helps him recreate the situations almost exactly as they happened. He understands what motivates killers, he might sympathize with them, but I think he might also envy them their freedom to be what they are. They are a reminder of what he is and what he can’t allow himself to have. But most importantly, they are a way for Will to find a compromise with himself and feel better about his true self. Killing bad people is an excuse to justify his darkness, but I don’t think it’s a part of his design per se.

I agree with you that Will is like a God - he and Hannibal both are. That’s one of the things that separates them from others and elevates them above everyone else. Let’s make an overview of Will’s victims.

1) Hobbs. Hobbs was a monster and Will killed him. But it wasn’t about justice and righteousness, not according to him. Killing a person and feeling pleased that you saved someone versus liking the act of killing itself are drastically different things. Many police officers have to kill in their line of duty. Very few of them get off on the act of murder. Those who do are killers, and they are especially dangerous if they immediately try to follow it up with another murder. Will never once says he liked killing Hobbs because he made this world better. When asked, he says that he felt a sense of power. This is a motivation of many actual serial killers. If Will was just glad that he saved Abigail, he would know it's normal. He wouldn't have been almost on the verge of a break-down and haunted by Hobbs. So it’s not about helping others, it's about murder, even if the victim was a monster.

2) Stammets. Will had no reason to try to kill him (which he admits to doing). Based on his and Hannibal’s talk, he understands that he just wanted to feel what he felt after killing Hobbs, and this makes him panic. So again, no someone. He’s chasing the high of killing someone, and Stammets is the most appropriate victim.

3) Ingram. On the surface, it looks like Will wanted to avenge Peter and himself by proxy, hence pulling the trigger on Ingram. However, after Hannibal manages to stop him, days later, Will complains about losing a chance to feel how he felt when killing Hobbs. Murder high is his main motivation again - everything else is background or an excuse, depending on your reading.

4) Randall. Will threw away the gun on purpose to make the murder more intimate. This is not about justice and this is not about protecting himself because by doing this, he reduced his chances. Will also beat Randall up until he wasn't moving. There was no reason to snap his neck. Mutilation, cannibalism that followed, keeping his suit, admitting he enjoyed the murder and calling it his design - this is about murder and WIll’s love for it primarily. The design part is especially important: based on it, we can conclude that Will loves a performance just like Hannibal.

4) Chiyoh and her prisoner who Will set up. Chiyoh was innocent and didn't deserve to die. Her prisoner might not have been guilty - in fact, Will was the one to suggest that, and yet Will still set him up. It was a game and he was an observer - he lied in waiting for Chiyoh’s scream. He then turned the body of a losing party into art. Very creepy and very like Hannibal.

5) Chilton. Will clearly explained his motivation: he wanted Chilton to pay just because he wanted to be famous and messed with Hannibal by writing his ridiculous book. Will showed no remorse and admitted he did it on purpose.

6) Police officers he set up to be killed by cooperating with Francis. The ones he stepped over without a second look. They were innocent and they were a collateral damage. Will is a cruel God who doesn’t bother with mere mortals as long as it fits his purpose. In this case, his purpose was freeing Hannibal. Everything else was still a blur in his mind.

7) Francis. Enjoyed the murder, admired the blood, called the situation beautiful.

8) Bedelia. She's innocent in comparison to Will and his body count. If Will faced no repercussions and continued getting more and more people killed, she had every right to go free. But God doesn’t have to be fair, and Will proves it by targeting her.

What does it all say about Will’s design and philosophy? Apart from Godlike attributes and indifference toward collateral damage, I think Will is led by his bloodlust - he just tends to control it and direct it at specific targets.

Will might prefer to kill “bad people” in the first two seasons, but it’s the process of murder that excites him. So I see his righteous choices as a preference that helps him justify his dark nature partly, not the core reason for his violence. Hannibal seems to be moved by his interest in human nature and his hunter instinct, but Will, I think, is a truer killer because he actually feels drunk on murder. Unlike Hannibal, he looks downright euphoric when/after he kills Randall and Francis. In TWOTL, Hannibal is more focused on the fact that his dream came true and he and Will killed someone together, but Will seems primarily caught up in the murder after-shocks themselves. Hannibal thinks about Will, Will thinks about how beautiful blood looks under the moonlight.

So, post Fall, I believe that at first, Will will stick to killing bad people like murderers, but once some times passes, his need for justifications will fade. He’ll move on to rude people, only his rude will differ from Hannibal’s. Hannibal doesn’t differentiate between genders and ages, but I think Will will. He’s interested in a feeling of power, like he himself says, in a sense of dominance, so he’ll look forward to a fight. He won’t be interested in attacking a teenager like Cassie, for instance, because the power imbalance is too prominent. But as soon as someone more equal does something Will heavily dislikes, something that wakes his bloodlust (a personal insult, physical or verbal abuse toward other people/animals, etc.), he’ll attack. He’ll be careful - he knows how to avoid being caught, but it will still be unpredictable and passionate. Will is a storm to Hannibal’s calm.

Then there is unpredictability. Hannibal tends to plan everything methodically. The only times we see him being impulsive is in Europe, where he’s descending into self-destructive mode, so it’s not a norm for him. For Will, though? Will consists of unpredictability, and Hannibal is fascinated by it.I think Will is going to kill when an impulse strikes. For example, he might go shopping, without having any dark plans, and end up murdering someone because the circumstances pushed some unfortunate soul onto his path. Will might or might not display the body depending on his mood. Today he can be in an artistic mood, but tomorrow he’ll be in a violent and impatient one, wanting to destroy the body entirely and leaving a total mess behind.

How Will would prefer to kill? In my opinion, in an intimate way. It doesn’t mean he’ll be weaponless, but something like a knife would fit his tastes well. He’d be able to feel it plunge into his victim’s body, tearing through skin and muscles, etc. - personal and intimate. Akin to what he did with Francis - his feral half-snarl, the way he paused after stabbing him before opening him up - it was dark and mesmerizing. Will might get into strangling, too, because it takes a lot of time and it is even more intimate. It might end up being his favorite. So, I can see him using his hands or small weapons to fully sense what he’s doing to a victim. This is something that he has in common with Hannibal because from what we saw, Hannibal also enjoys more intimate and prolonged murders that give him a glimpse into a person’s pain and struggle for life.

#hannibal #hannigram #will graham #hannibal lecter #meta

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makeste · 3 years

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I like Bakuguo but his attitude is starting to really piss me off. He's talking about Daku as if he's just ~crazy~ and as if he isn't partly to blame for Deku's toxic self-worth issues. It's infuriating to watch. If Bakuguo doesn’t admit out loud and in front of his friends that his bullying of Deku played a part in Deku's current destructive state and if he doesn’t verbally apologize and reaffirm Deku's worth then I can no longer like Bakuguo's character or Hori's writing.

tbh I don't really know why this is the discourse of choice for people all of a sudden, but this is already the second ask I've gotten about it, so I might as well address it lol.

I think fandom is conflating fanon!Deku and canon!Deku here again. fanon Deku is of course much more sensitive and woobified and has much shakier self-esteem. fanon Deku is the one that turns evil in so many AUs because of Kacchan's bullying. fanon Deku is the one that actually jumps off the roof in so many fics, as opposed to fishing his notebook back out of the pond a few minutes later grumbling about how Kacchan needs to think before he speaks or else he could land himself in serious shit one day if god forbid anyone actually does take his cruel words to heart.

and just to clarify before I get any further, I am not saying this to excuse Kacchan's actions in any way, because what he did was still completely terrible and unacceptable and WAY over the line, and what's more he knew it, too. the bullying was still shitty and horrible and awful, and definitely impacted Deku and made him miserable. I fully acknowledge that, and that Kacchan has a lot of atoning to do for it. this is not a "Kacchan did nothing wrong" post.

but that being said, I don't think canon Deku's reckless self-sacrificing nature actually has anything to do with the bullying. I think they're two completely separate things. canon Deku actually has pretty decent self-esteem in spite of everything Kacchan did to him. canon Deku doesn't think he is useless. canon Deku had a wholeass fight with Kacchan less than 10 chapters into the series in which he explicitly spelled it out for Kacchan that he had a lot of worth, and was going to prove it to him. canon Deku was persistent in wanting to become a hero and hoping and believing that he could find some way in spite of being quirkless. canon Deku never let go of that dream even when no one else supported it. I don't think he would have even given up on it after being told no by All Might, tbh -- we just never got to see how it would have played out because of everything that happened with the sludge monster shortly afterward. but he's not the type to ever give up on something that easily, and we've seen that. canon Deku never thought he was useless, but rather wanted to prove to everyone else that he wasn't.

the drive that Deku has to save and protect others even at the expense of his own safety is something entirely separate from that. he doesn't break his body for others simply because he has no self-esteem and thinks that his own life isn't important. he does it because he can't stand the thought of someone else getting hurt, and knowing that he could have done something to prevent it. it's as simple as that. like, Spider-Man has the whole "with great power comes great responsibility" thing, right? and he doesn't have low self-esteem; he simply believes that if he has the ability to help someone else, then he has a responsibility to help them. it's a personal creed. and Deku is based on Spider-Man. his philosophy is based on that philosophy, which was one of Horikoshi's core influences and is one of the core creeds in superhero fiction.

Deku is self-destructive not because he doesn't value himself, but because he is literally physically incapable of standing back and doing nothing if he knows that he can do something. he's the type of person who sees a car speeding towards someone and leaps in to push them out of the way. NOT because he wants to get himself fucking pancaked by a speeding car, but simply because he can't sit back and watch the other person get hurt without taking action. his body moves before he can think. and that's where the whole "doesn't take himself into account" thing comes in -- the fact that his thought process simply stops at "get them out of the way of the car", and never extends beyond that to "hey, and maybe I should try to find a way to do this that doesn't involve me getting hit in their place." to him, that's simply less important than the first priority, which is getting the other person out of the way.

and regarding that last part, while that may seem like a self-worth issue if he's prioritizing everyone else above himself, I think what it actually is just selflessness taken to extremes. like for instance, when a parent sacrifices themselves to save their child, them placing the child's life above their own isn't necessarily because they don't see themselves as having value. rather, it's that they love the child so much that they place their well-being even above their own. and that's what Deku is like as well. except that in his case he cares about EVERYONE, and so is willing to sacrifice himself for anyone. and that selflessness is his defining character trait, and simultaneously the most admirable and the most terrifying thing about him. it's both his greatest strength and his greatest weakness, which I think is fascinating to explore.

but anyway, so that's also why we never really see anyone thoroughly chewing him out for this behavior either. because the thing is, it is admirable how selfless he is. it's just that there's also a reason why most people are at least a little bit selfish. and that's because too much selflessness will ultimately and inevitably wind up getting you killed. at some point you either have to learn when to put the oxygen mask on yourself first, or else find yourself a loyal group of friends (or classmates) to watch your back, and make sure that mask gets on you when you need it. and maybe help you land the plane too while they're at it.

anyway so that was a lot of rambling, but basically it all boils down to three things:

when Deku berates himself for being useless (for instance at the end of the War arc), he's doing it out of frustration for not being able to push the others out of the way of the metaphorical car. that's the kind of uselessness he can't stand. the sitting-back-and-doing-nothing uselessness.

Kacchan's bullying was terrible, and it might have indeed played a part in Deku's choice of the word "useless" as a way of berating himself in these instances, but he is not the one who gave Deku this mindset of taking himself out of the equation. that's something that was already inherent to Deku from day one. (but that said, Kacchan has a lot of things to apologize to Deku for anyway, so if he wants to add this to the list I certainly won't stop him. he gets mad about Deku's suicidal attitude because it worries him, but that doesn't necessarily mean that he doesn't feel responsible for it. people underestimated his feelings of atonement before 284/285, and I think they're still underestimating him now.)

and lastly, one last important note, which is that Deku's current "saving" mindset isn't wrong, just as Kacchan's "winning" mindset was not wrong either. the lesson to be learned here is NOT that being selfless and wanting to save other people is bad. rather, it's the fact that he's trying to do it alone that's got him all fucked up right now. basically when you think about it, selflessness is really just selfishness on someone else's behalf. which means that in order for Deku to be saved, it isn't necessary for him to change his outlook or his selfless attitude, even if it is pretty crazy lol. rather, all he really needs is a good group of friends who are willing to act selfishly on his behalf in return. protecting each other through mutual selflessness lol. teamwork as self-preservation. hence why the U.A. kids are here now.

anyway so yeah, I think that's everything. sorry this got so long and out of control lol. this is just a very specific nuanced thing that's hard for me to express, but which I feel is very important when it comes to Deku's character. Kacchan didn't unleash Depressed Nomad Deku on the world (or at least not in this respect). but that being said, he and the others will hopefully be the ones to nudge him back on the right course again.

#bnha 319 #midoriya izuku #bakugou katsuki #bnha meta #deku meta #bnha #boku no hero academia #bnha spoilers #mha spoilers #bnha manga spoilers #makeste reads bnha #asks #anon asks #long post

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into-daylight-hope · 3 years

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Qui-Gon Jinn: Certified Hypocrite, Fascinating Failure, Mass of Contradictions

For starters, I am just going to let direct quotes from the man speak for itself.

Some excerpts from Master & Apprentice

Wise words.

Wait a minute...

😯😯 What the hell is happening here? All quotes are from the same man in one book.

Qui-Gon Jinn doesn't have an ounce of self-awareness and it is so hilariously terrible.

What is even better (or worse), this is perfectly in line with The Phantom Menace characterization .

I mean,

Remember when he said all this than spent the rest of the movie obsessing over prophecies, the chosen one and literally the future?

"He still has so much to learn of the living force." Qui-Gon Jinn about Obi-Wan in the council scene

After that scene

"The boy is dangerous. They all sense it why can't you?" Obi-Wan Kenobi about Anakin Skywalker to Qui-Gon Jinn

You see Obi-Wan, Master Jinn here has completely lost any sense of "here and now" between his crusade against darkness and divine mission to save the Galaxy.

This in turn, unsurprisingly blinds him to the fact Anakin is not suitable to become a Jedi. Or at least not ready to directly move on to becoming a padawan.

Anakin himself would suffer in a road that is not meant for him. But he is not planning for Anakin the child. He is thinking about The Glorious Chose One.

He is the chosen one. You all must, see it.

And yet from Qui-Gon's perspective it is Obi-Wan who doesn't understand the Living Force.

I have to say if he is truly a student of the living force as many fans claim he has been failing the class for at least 8 years.

Let's move on to another set of entertaining and horrifyingly oblivious quotes from M&A.

If you look upward you can observe Mr. Here and Now in his natural habitat.

He really acts like future is set in stone than thinks he is the right person to talk about about concentrating in the moment. Unbelievable.

Let's look at this dialogue again. In contrast with the excerpt from above.

He is all about the future when it suits him. But when Obi-Wan makes a remark on it he obviously should just focus on the moment. This is actually the third time in this post where he contradicts himself while specifically chastising or criticizing Obi-Wan for something Qui-Gon actually does.

Now I don't think Qui-Gon acts with malice. But it is important to point out his obliviousness has become a way of ensuring he is never in the wrong.

He suffers from an immense hubris. And a man obsessed with prophecies and chosen ones definitely has some kind of savior complex.

But notably Jinn doesn't actually want to put any effort into enacting real change with his limited yet existent capabilities.

He turns down a council seat in M&A because he thinks it would hold him down. From what? Dear God, the reason they offered him a seat was for different opinions. Qui-Gon can complain all he wants but one time he actually had a chance to make his opinions a reality he freaking bailed.

Why? He doesn't want to face his own limits. He can't bare to try and fail. It is much easier to sustain a superiority complex when you are complaining from the sidewalk.

So he fixates all this belief onto prophecies, visions that will magically cure the Galaxy. And of course his place to help fulfill them. To the point where it is the one thing that keeps him standing.

He has binded meaning of his life and belief for goodness dangerously close to his supposed importance in the Galaxy. (You can feel the influences of his former master)

His absolute refusal to engage with reality turns him into mass of contradictions. Cause he doesn't know what he will find or become if he is mistaken in his belief of himself.

He can't face reinvention on the event of defeat.

But this situation was different. It had to be, because the only thing Qui-Gon knew to be absolutely true was that his vision was real.

Oh by the way, it turned out he misunderstood the vision. But when does being wrong ever stopped Qui-Gon Jinn?

No words.

Only Qui-Gon could have come near declaring himself a prophet after making a mistake. Maybe stop and reflect man? Just stop and think about your actions.

Obi-Wan Kenobi: I have a bad feeling about this.

Qui-Gon Jinn: I don't sense anything.

Of course you don't.

Honestly he doesn't have much to speak for in the cosmic force department either.

(There is the whole force ghost thing I guess. But I have no idea if that is more connected with living or cosmic force. It seems to be more about spiritual enlightenment. Which is ridiculous when you consider Yoda had go through so many trials, face his darkside, learn to truly let go just for Force priestesses to deem him worthy enough to study immortality. Yes Qui-Gon never became a force ghost but he had started his training before he died. And much of Yoda's tests on TCW was about self-awareness. It is not just about being a good person. How did Force Priestesses approve Qui-Gon "I was meant to misinterpret this vision." Jinn? I would understand if he became wiser after death and faced his flaws and all but he never was on that level before he died. You might say even Anakin became a force ghost. But I would remind you, Anakin in the end broke out of denial, acknowledged the wrong of his ways and took that leap to the light side. Self-awareness seems such an important key to becoming a force ghost. Right there with selflessness. Personally it doesn't quite feel right for a character whose biggest flaws are their lack of introspection and hubris which we never see him rise above to be the one that discovers immortality again. It feels more like a rushed plot point to explain how we get from A to B.)

This post got out of control 😂. I honestly just wanted to point out lack of communication might be one of the reasons Obi-Wan and Qui-Gon have trouble understanding each other but it is sometimes even harder to understand Qui-Gon when he actually says something. Cause ration is not what drives him.

Qui-Gon is such a complex character. He is undeniably good especially compared to other SW characters. Yet for all fandom's deifying he might be the most flawed Jedi we see on the franchise. (The ones that fell to the dark side not included.)

It is a shame wider fandom completely write off his flaws to the degree I can't even recognize the character when they talk about Jinn. Cause that Qui-Gon is so hard to feel empathy for.

When people constantly make statements like "He is The Wisest sw character." his hypocrisy stops being amusing. It doesn't end on screen or page instead often used to bash other characters.

An unbelievable analysis from Wookiepedia:

When Jinn saved the Gungan exile Jar Jar Binks, who in turn swore a life-debt to him, his compassionate nature was such that Jinn took the hapless Gungan under his wing, much to Kenobi's dismay. His empathy toward all life forms, including the most pitiful and unfortunate, was Jinn's greatest strength. Additionally, he remained understanding and patient with Queen Padmé Amidala. During the short time they knew each other, he never asked for her to do more than she was willing to.

You know out of the two, Qui-Gon was the one who insulted Jar Jar to his face. And he didn't took Jar Jar under his wing. They forced him to take them to a city where Jar Jar could have been punished for entering. Now it was the pragmatic thing to do. For all three's survival not for their own gain. Understandable. But compassion is just pushing it.

Also he never asked Padme to do more than she was willing to do?

Padmé : Are you sure about this? Trusting our fate to a boy we hardly know? The Queen will not approve.

Qui-Gon Jinn : The Queen does not need to know.

Padmé : Well, I don't approve.

And he is aware she is the queen, herself. Padme was nearly tearing out her because of this man in TPM.

What is weird, Jinn in his bewildering hypocrisy probably thinks he is being admirably compassionate with Jar Jar, highly understanding and patient with Padme. We clearly see he is not.

Out of universe he has been a force ghost for decades now but fandom is nowhere near acknowledging his flaws than he is.

And honestly SW doesn't have that many major morally complex characters. People like Maul, Palpatine, Anakin,Ventress don't think they are serving a higher purpose or oblivious to the evils they commit.

Emotionally complicated, yes. Going through moral dilemmas, no.

Three major characters come to mind who make huge mistakes, condone or commit atrocities while thinking they are in the right/with good intentions/for a greater cause. With varying degrees of culpability.

Qui-Gon. Padme. Dooku.

In that order.

Let these characters be interesting instead of demonizing nearly inhumanly selfless Jedi characters. (They make mistakes too but funnily enough they are still way better beings than most people on our planet.)

By the way I found the epitaph "Fascinating Failure" from the article here. Especially the last paragraphs make some interesting points. ⬇️

👀

This post might seem harsh but that is expected since it focuses on Qui-Gon's flaws.

"People are more than their worst act,” Quote from Qui-Gon Jinn in Master & Apprentice

#qui gon jinn #Qui-Gon Jinn #obi wan kenobi #Obi-Wan Kenobi #meta #character analysis #pro jedi #in defense of the jedi #long post

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llamagoddessofficial · 3 years

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Thank you @eldritch-and-tired for commissioning this lil’ /Reader piece of @megalommi‘s Sans, Baggs. I will ALWAYS be a simp for this sexyman. Enjoy!!

Tw: injections, unwilling hypnosis/mind control

...

You giggled.

The light was so pretty. Swirling, undulating, cyan and magenta warping and shifting in and out of one another in an endless hypnotising rhythm. It made you think of a funfair... spirals everywhere, from the tops of the stalls to the decorations on the rides, to the signs leading you around to those huge lollipops that tasted tooth-meltingly sweet. Happy memories, carefree, far away and non-solid but still wonderful. What were you doing? You couldn’t remember anything. You liked blue and purple, they were everywhere, all around you, such pretty colours.

Pretty, pretty...

“... there we go. easy now.”

... You didn’t realise he was even there until he (somewhat cautiously?) spoke. Your senses were just colours. The voice was odd and a bit disembodied at first but slowly, slowly, you became aware of its source- a face hovering just over you. The awareness spread to your body, too... you were bent at an odd angle with your feet just barely lifted off the floor, your back flat on a rather uncomfortable table, gravity pulling your hair and cheeks. And he... he was just a few inches over you, pinning you by one of your wrists.

...

A tight and tense, cutting smile, clear signs of stress around his face and shoulders making it obvious that this was the smile of a man on the edge and not one of any particular joy. Deep sockets, so wide they looked borderline painful, glaring down at you with so much intensity...

... You could feel his body heat. And his breath against your face. Your heartbeat, your slightly itchy nose, how tight he was holding your wrist.

“... Mh... Huh?” You said, ever-so articulately, vision spinning in the same direction as the swirls emanating from his left socket. A similar way to how the world rocked when you were dizzy... except for you, it never righted itself. It just kept spinning and spinning and spinning. Everything was so bright, as you fell under a pleasant fuzzy sensation burrowed into your chest and mind, blanketing your thoughts as if you were just in the middle of a nice dream where nothing much mattered.

“shh...”

When he gently closed his gloved fingers around something you had gripped in your pinned hand, you put up no fuss, loosening your hold and allowing him to take it... when did you pick up a scalpel? What an odd thing to have. The back of your head hurt and your knuckles felt the telltale aches of having been tense a few moments ago, even though they were now just an unwound coil like the rest of you.

... Dr. Baggs let out a long slow, breath. You could feel it against your nose and neck, he was that close... his mouth open barely a crack, the magenta hue of his tongue glinting against his fangs.

“... alright.” He said, voice silky, gentle on your thrumming ears and head, sockets easing around the edges as he calmed down. The bluish shadows of sleep deprivation under them became more apparent as the tension in the room, face and posture waned. “that’s better.”

... Yeah. You thought, relaxed and calm. It is.

... He gave you the bare minimum of personal space, leaning back and helping you to sit, lifting you with the perfect combination of gentle but firm as if he knew you’d immediately feel so dizzy when you became upright. Your hands moved up and held onto his shoulders to steady yourself- the fabric of his lab coat was surprisingly soft, it was very nice to touch.

... He was so close. Supportive but strict hands on your elbows, your knees on either side of him, he smelled like... the artificial flavouring they added candy that just wasn’t quite natural. And a specific, scented brand of antiseptic; clean and sterile and prepared.

“... well.” He hummed, reaching out of sight for something with one hand. Your forehead would bump his collarbone if you leant forward any more. His voice was so soothing and calming, especially since you were only a few inches from his clavicle... you were getting pretty close to shutting your eyes at this point, but a prick in your arm kept you from completely nodding off- you barely noticed it, too busy studying the aesthetically pleasing purple trim to his coat and enjoying the funny fuzzy sensation in your chest and temples. Oh, he suddenly had a full syringe in his hand that he was putting a cap on... where did he get that?

“i knew from the start you’d be uncooperative, but... not that kind of uncooperative.”

He held something up to your face. You opened your mouth, (wait, why am I opening my mouth...) and he quickly placed it on your tongue. You swallowed, again, without knowing why... it was like your body was following a list of instructions that you couldn’t see or hear. Someone else had taken the wheel; tugging the right strings to make the right parts of you move when they were needed.

... You didn’t think about it much. No panic, no confusion, no considering the implications. The thoughts were disconnected... just ships in the night, sailing by your muffled brain. All you could really think about was how whatever he’d given you was very strange and bitter and ew, you cringed, an odd acrid taste lingering in the back of your throat.

... Another prick in your arm. That’s weird, he keeps pricking me. Oh well. This time, you looked just in time to see him removing a now-empty syringe; he wiped where he’d poked your forearm with something very cold, then placed a little circular red band-aid over it.

...

There were six other band-aids on that forearm. Two green, three navy, one black... and now the red one.

Hm... I feel like I should be alarmed by that...

Again, all you could think about was how nice you felt right now. Dizzy, warm, safe. Like you’d had a little too much to drink, but now you were laying out in the sun with your friends... I miss the sun...

“most of my ‘patients’ are at least... consistent.” Baggs hummed, continuining to hold you carefully by the elbows, predicting your post-jab swaying. He didn’t seem to realise he was talking aloud, just a scientist observing his experiment, and you weren’t really paying enough attention to what he was actually saying- too many words to process, boooring. “uncooperative awake, uncooperative under. you’re always displaying aggression toward me... and yet as soon as you have no control, there’s an obediency so immediate it’s borderline subconscious. rather fascinating.”

Instead, you...

“... Sexy voice.”

...

“... what?”

Apparently, that was enough to finally break him out of his thoughts. You glanced up at Baggs’ face, still only a few inches away, you kept forgetting where things were around you... the cushion around your soul never wavered but for a moment there was a little blip in the swirls. A slight interruption.

“Mmmhm.”

...

... His expression sort of... well, ‘melted’ was the wrong word. It was more akin to the sun peeking out from between two clouds. The detached, observational, scientific air to him thinned and began to evaporate... revealing something a little more warm.

The razor and unfriendly edges of his smile were rounding into something organic. Perhaps even, daresay, resembling forward.

“my.” He purred. “how forward of you.”

“S’very nice. Very smooth...” Your tongue felt... eh. And your arm, where he’d poked you, was starting to itch. “And you have a nice face too... handsome man. I think so.”

...

His smile started growing even more, and he leaned back an inch or two as if to look at all of you and make sure you were really the same person he’d brought into this examination room less than an hour ago. “... oh really?”

“Yeah...” ... Your hands had been just holding onto his coat... but, spurred on by your sudden drunken confidence, you properly looped them around his neck.

... He blinked, but he only let himself appear taken aback for a moment or two. Despite how ominously his magenta eyelights glowed in his dark, shadowed sockets... you could tell he was enjoying himself, and this sudden turn of events. “i’m flattered.”

You laid your head on his chest. It was getting kinda hard to stay upright.

... Your nose scrunched.

“Funky smell, though.”

That was enough to get an actual laugh out of him- albeit shortlived, his skull cocking like a curious mirthful bird. “are you... genuinely telling me that i smell, darling?”

“Yeah. Because it’s true. You’re gremlin.”

“i’m... gremlin?”

“Mhm.”

“stars. i wish i could tell pap about this.”

Your body shifted, enough to make you lightly squeak- things were spinning so much that it took you a minute to realise Baggs had picked you up, an arm hooked under your legs and another around your back.

“you’re all done for the day, pet.” His eyelights had become a thrumming, almost amethyst colour as he looked at you, a far gentler shade of purple than his previous headache-inducing magenta. You weren’t sure what’d caused that but you weren’t complaining. You weren’t sure what’d caused him to carry you either, considering he usually just brought someone to collect his ‘patients’ for him... but, again, not complaining. “it’s time to get back to your room.”

“I feel funny.” You mumbled.

“that’s normal.”

He started walking. The halls all looked the same, as he moved through them, blending into one another... white and sterile, a few doors dotted inbetween if you were lucky but mostly just the exact same tiles and patterns and lack of anything that would clue you into the fact that people had actually (at some point) existed in this area.

“Hm... is this where you work...?”

A little chuckle. He was sounding further and further away. “yes. this is my job, dear.”

“It’s so g... ug-ly.”

“oh? you think so?” Baggs’ tone had become... light? Perhaps a little teasing.

“Jus... put up some nice posters, or something.” Your head was so heavy. Since when was it this heavy? You had to rest it against his chest, feeling that nice fabric against your cheek, hearing an equally nice humming sound from inside his ribcage. “Paint the walls. It’s so... white. Clini... ...clinicic... Calic...”

“clinical?”

“... Yeah.Tthat.”

A gloved phalange touched your arm. It was probably an attempt at a comforting gesture- stroking the skin. “good to know. i’ll make sure to pass that eloquent advice along to the decorating team.”

“Good.”

He brought you to a cell-like room. It was... vaguely familiar? A bed with one pillow, thin white sheets... some strange posters and a window with bars over it. You felt like you’d spent a long time in there, but it was impossible to think straight enough to actually muster up any memories.

Baggs laid you down on the bed, slowly, handling you like you’d fall apart at any moment. You made a little noise- it wasn’t a very soft bed... but it was good enough. And your body felt so strange and tired that any soft surface honestly was nice enough to lay down on forever.

“comfy?” He asked. Since when did he inquire if you were comfy?

“M... no. S’whatever.”

...

You peeked at him, crouched by your bed... and you reached out, pressing your inexplicably heavy finger against the top of his nasal cavity in a booping motion. You mumbled a little victorious “Silly skeleton.”

...

He took your hand in his gloved one, gently, before it could go limp and flop down. You couldn’t really make out his expression at this point.

“don’t tell the other subjects...” He murmured... he sounded amused, at least. “but i think you’ve become my favourite.”

“Course.” You shut your eyes. “I’m... m’amazing.”

“... yes. course.”

A feeling, like a kiss on your hand, before he placed it by your side.

“... go to sleep.”

...

And just like that, your body obeyed him before your head could even process what he’d said, and you were asleep.

#commissions #megalosomnia #baggs sans #not my sans #but damn #i wish i was his [pensive emoji]#i fuckin LOVE writing hypnosis if you couldnt tell hfsdkjf

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incorrect-ikevamp-quotes · 3 years

Note

i saw your post about Charles and what his personality past and part in the story line so i was wondering if u could do the same for vlad? :)

Ah, well, I can at least let you know what I’ve seen so far? I haven’t delved too far into Vlad, and some of his general impressions can be confusing, so I’ll do my best to make it sensible and unbiased! Here you go lovely <33333

Fair warning, there will be mentions of a lot of JPN app content since Vlad and his boys aren’t around much in the ENG app yet.

My general sense of Vlad is basically discount vampire Sasuke Uchiha.

What I mean by this is to say–according to what I’ve read so far–his clan/family were murdered by vampire hunters in cold blood when he was just a young boy. Presumably as a result of that traumatic event, he harbors a sizable enmity towards humanity and kind of lashes out on them in weirdly specific moments of violence. Another aspect of his motivation is something that’s mentioned within Comte’s route; which is that Vlad went through the timespace door on his own one day and allegedly saw a devastated future, where nothing remains of life on earth more or less.

I guess the reason I find him to be so perplexing is that he speaks about his actions in terms of efficiency, while most of the things he does just feel like unhappy outbursts (v often a product of unresolved trauma symptoms, I’d wager.) I also say this because he appears to have no larger pattern to his fury beyond the original event of his loss. Most of the human beings he attacks aren’t much of a threat to him and hurting them really doesn’t bring him any dividends beyond revenge.

For instance, he insists his disdain for humanity and insistence on controlling them is for the sake of ensuring they do not destroy the future–the horrifying wasteland he witnessed when he traveled through the timespace door. However, I’m not really sure how his current movements really speak to that goal? I mean sure, maybe he’s relying on Faust to create an immortal human so that humans will be forced to care because it will be their future too, but he doesn’t allow Faust to draw his pureblood blood for experimenting. (One can most certainly argue this was more about a lack of trust, and perhaps for plenty reason: Faust is vindictive enough to try to turn the tables and exert control over Vlad, or act on his own whims with his findings.) But if that’s the solution he’s waiting on, turning the rivals of the men in the mansion doesn’t really bring him any closer to that vision either? I mean, what good does it do to bring back Gilles de Rais–a prominent French serial killer? How would unleashing him on the populace help humanity “realize the error of it’s short-sighted and wasteful ways” and move to a brighter future?

Can’t help it, I ask these questions as I read.

In Comte’s main story, Comte hammers home that Vlad is not somebody to be taken lightly. One day when MC goes out to buy flowers, Vlad poses as a human florist to sell them to her–which is how Comte finds out he’s in France, and that he’s made contact with MC. When prompted, Comte describes him in a very particular way; and I think people really overlook this when they talk about their relationship. He says that Vlad is frighteningly pure in terms of the way he thinks and acts. The way I understood his description (given what I’ve seen of Vlad) is that Comte really does mean it point blank: Vlad is very simple in terms of why and how he does things. The issue with this is that nuance and context are lost on Vlad as well–and that’s where the problems start to flood in. Vlad is angry at humanity for what they’ve done to him. Baseline? That’s fair, they killed his damn family. However, Vlad thinks that by extension he has the right to decimate the general public and attack people completely uninvolved in his hurt.

And that isn’t right either–it’s ignoring so many factors here. He’s ignoring how much vampires use and toy with humans as pawns, it’s ignoring the massive power imbalance between him and his victims (this really isn’t a case of self-defense most of the time, nobody but Comte/Leo is a sizable threat to him), and he’s ignoring whether or not a person even did anything to deserve his retributive violence. While murder is never okay, it is perhaps more understandable when we see Jeanne’s frenzied and violent belligerence in response to a man who murders a boy’s mother for the sake of his own amusement/convenience. Vlad literally sees almost every single one of the rivals he created begin to heal/improve and murders them in cold blood because they are no longer of any use to him. That’s uh……..that’s a little messed, not gonna lie to you chief.

While part of me understands the efficiency here–he doesn’t want to leave any traces of his involvement, he doesn’t want any loose ends–it’s also just kind of foolish and cruel ultimately. From my understanding of the narrative, all the people he turned had some visible sign that indicated their origin to Comte. So even if he claims it was for the sake of concealment, it was more likely about his personal convenience. Which…..also yikes.

[Comte clearly does not trust Vlad to be reasonable, and I think there’s plenty of good reason enumerated above, but I actually don’t sense quite so much hatred? I think he’s just given up on the idea of Vlad growing up, even if he doesn’t like giving up on people. And considering Vlad’s behavior, I think it’s overkill to say that Comte just abandons him because he doesn’t care lmao. Even when Comte expresses real anger at the end of his own route, it was more because Vlad was fine with endangering MC’s life just to get back at him. I think Comte’s unhappiness with Vlad has more to do with Vlad’s treatment of human life as meaningless and worthless. It’s fascinating but also kind of sad? Vlad’s traumatic experience results in behavior that is a direct exacerbation of Comte’s trauma, and as such--no matter their potentially fond history--they can’t stomach each other.]

In Comte’s route, Vlad also has Shakespeare abduct MC and take her to the cathedral. Later on in the castle, we see an immediate display of Vlad’s shocking powers: he has the ability to manipulate people’s desires/thoughts. I’m not exactly sure how this works, but he is able to give MC visions of the mansion and Comte coming on to her–which shocks her into realizing it’s all just a dream. It’s not reality; it’s all manufactured by Vlad.

After that...weird introductory note...Vlad gives MC the rundown on his life together with Comte, which as always is subject to a question of bias. My assumption is that he did not lie, only because he was trying to convince MC that he was “right.” Furthermore, he does not omit the most damning evidence of his erroneous judgement, which suggests a continued inability for him to see where he went wrong.

We get a series of three flashbacks. The first is them as young kids. I don’t know if Vlad had already experienced the horrors of his family being destroyed, but this particular flashback focuses on Comte. His parents, in an effort to teach him that vampires and humans have no ability to co-exist, send away all of his teachers/mentors/nannies/the servants--pretty much everyone and anyone he was closely bonded to. Think about it this way: we can see that Comte is very sociable and affectionate by nature. He was living in a house full of people, all of whom cared about him and looked after him in their own way. Now the house is entirely empty. Naturally Comte is very very upset, and Vlad appears to try to cheer him up with little success.

[When I look back on this scene I don’t think I initially registered the sheer dissonance of Vlad’s reaction, versus Comte’s catatonic misery. There was a very solemn feeling to that memory, and the correct choice in terms of extending comfort is to hold his hand believe it or not. There is a sense that he feels very alone. When young boy Vlad enters one can argue that it was the proper thing to do; he was trying to cheer up his playmate and friend. But at the same time, I think I need to double check. Because I’m beginning to wonder if I was wrong. What if Vlad was happy to see someone as alone as him, and that joy is accordingly dissonant for that reason? He can’t see what Comte needs or how he’s hurting because he’s so glad he isn’t alone anymore in a way.]

The second flashback is the war nurse scene that I have spoken at length about. The important thing to focus on here is Vlad’s surprise that Comte would opt out of turning her out of respect for her wishes. The way Vlad frames the situation is starkly different from Comte’s. Comte sees himself as an outsider, somebody who invaded her life as a result of the timespace door and therefore has no right to suddenly change the course of her fate. He had no idea if she even wanted to live (considering the horrors she’d have to cope with and remember) or leave that time period at all, for that matter (considering the only thing keeping her going was helping the wounded/victims). Comte really was listening to everything she had to say, and he was taking her concerns and motivations seriously.

Vlad simply says: if you want her, take her. It’s as simple as that for him. And in one way that’s not entirely wrong--assuming Comte would have every intention of looking after her and actually cares a lot about her. But what’s being ignored here is her agency and the fact that they really don’t know each other that well? Something like that could begin and be rocky, if it doesn’t end in complete disaster. Worse, I get the feeling Vlad is perfectly fine with the notion of turning her and if things don’t work out, just kill her or get rid of her. Again, the simplistic thinking comes into play here: it ultimately comes down to Vlad being self-centered. He’s thinking only in terms of satisfying his needs, he doesn’t seem to have any concept of a larger pair or group feeling. There’s an inability to bend/be flexible for the sake of maintaining a greater harmonious feeling.

[For the record, I don’t think this makes him irredeemable? Only that it makes it very hard to live with him or love him, probably. There’s an inability to live at a joint pace? It’s always answering to what he wants without room for anything else most of the time, which to me is not living and it’s not love ;;;;]

Following their escape back to their own time, Vlad explains how he wants to use the door to turn geniuses and control humanity. He eventually wants to create a surveillance state, which would mean everyone is forced to move with his explicit approval, more or less. (He almost reminds me of Louis XIV, can’t tell if that’s what they were going for.) I have my doubts that his abilities could extend that far, but human history shows us that we are plenty susceptible to fascist and totalitarian rhetoric. In a shocking display of anger, Comte draws the line at controlling humanity and forcing them into a regime in which, and this is Vlad’s description not mine, “we (purebloods) would be like kings.” There’s definitely a concept of evolutionary superiority at play here, which echoes what I mentioned earlier; vampires seem to have this awareness that they’re apex predators in a sense, and enjoy the power that comes with that. Unfortunately, that probably makes for a fairly toxic/uncomfortable larger species culture, which is exactly what Comte and Leo hate lmao.

Vlad does not seem to find any issue with this sort of outlook, and asks MC to decide which of them--Vlad or Comte--is right. Who is more realistic, who best understands the future? As expected the MC replies that it's Comte, and Vlad goes from beseeching to big mad at record speed. He's p much that gif of the teddy bear that smacks its head down on the tables and then has the angry eyebrows.

This is where Comte intervenes, firing a warning shot that grazes Vlad's cheek and demanding he let MC go. In response, Vlad shoves MC into the turbulent timespace door--p much guaranteeing MC's death. (Essentially timespace is a void of sorts, a human being could never survive in that environment for long. Vlad fully knew this, and yeeted her anyway.)

So uh, yeah. Disagreement? Death. Moving on? Death. Nuanced approach to reality? Death. Beginning to think he doesn't really have a lot of patience or open-mindedness or any other kind of problem-solving approach.

He raises flowers and gardens like a fiend, and he openly plucks any single flower with a blemished leaf. Even if a single petal is slightly damaged, it will be removed and destroyed. So one could argue his extremism reflects a kind of perfectionism as well. No room for errors or troublesome dissent. No ugliness of any kind. I mean in all of his interactions with Faust and Charles this is the overt undertone. Don't ask more of me than I'm willing to give. Behave like good children, mommy's busy. Is that insubordination? boss music begins

One thing I actually don't understand very well is his decision making in Dazai's route. Dazai finds out about what Vlad's doing in a nanosecond when he senses MC is in danger, and yet Vlad makes absolutely no move to eliminate Dazai? He just watches from the shadows. Even when Dazai grills Charles about his loyalty to Vlad, no retribution.

My best guess for this specific situation is that Vlad does derive some level of satisfaction thwarting the future of human beings/former humans. Dazai--being somebody with no great desire to live, no rivals to speak of as far as we can tell, and no larger aspirations--is a life that is easily extinguished. There's no satisfaction in it. When Vlad's clan was murdered and he saw the future decimated, it could be that he felt humans had invaded and eradicated every potentiality that was important to him. Where he might have lived happily with his family, that future was ripped from his grasp. Where he might enjoy his flowers and the creation of an immortal for the rest of conceivable time, that too was ripped from his grasp with a desolate future.

So much about who Vlad is is about control, so it's very possible his lashing out is an extension of that. Dazai does not awaken any of the disdain he feels, and he does not succeed in overthrowing Vlad's control over Charles, so Vlad simply lurks in silence.

And last but not least, I've seen the preview to Vlad's newest birthday event story. The contents are incredibly revealing, in that MC wishing him a happy birthday and offering him a gift has him saying that it was "the best birthday ever." Granted idk if that’s sweet or just...beyond sad, but here we are. It’s only compounding my curiosity about the wound on his chest--I really do wonder if he was attacked and locked away by vampire hunters or hostile human beings or something. I say that only because that line speaks to a lot of isolation, and given how little he seems to care about turning people/subjecting them to his whims it feels odd. Why the isolation or lack of people who care about him? Is it a perceived lack where his actions alienated all the people who wanted to be close to him, or is it a more involuntary lack?

When she says let’s celebrate again next year, he seems a pleasantly shocked by the notion, and remarks “Ah yes, it’s a promise c:”. The preview was also mega horny: “You make me feel so loved, I don’t think I can be gentle with you tonight. If you enjoy it so much, then I won’t stop. I want to see you completely lost for me. I’ll teach your body what it means to be loved by a pureblood.” Aaaaaand pretty sure the CG was alluding to him licking the good stuff from her basement, though not entirely sure given it was only the preview.

The brief POV they give us is also very revealing:

“You always keep your promises, and I think I underestimate all the time how much you saved me. You are good, only you are good in this world.”

“Will we continue to make promises to each other in the future? Well in that case--you will always, always be mine, my vampire.”

Tbh he’s...v sweet? In his own way? Honestly he feels like a crabapple that is just so sick of the world and wants softe wife to take comfort in. While granted that’s not really my thing, I know a fanbase appeal exists for these types--so if that’s your thing, have at it!

So now that we have reached the end of my ridiculously long analysis (when am I ever brief, I’m so sorry. If you made it all the way here you deserve a cookie at the very least, if not the right to chase me with a bat) perhaps it’s more clear why I said discount vampire Sasuke Uchiha? “My clan is gone, every other second I’m going to be in retraumatization insanity, when I’m not I’ll be seeking power/hobbies, planning the demise of people who wanted the best for me, building a team to my advantage and unquestioned control, and eventually settling for a lifelong love who sees the best in me despite my more difficult moments and perceived hollowing loneliness. Not the most ideal comparison, but I will say if Vlad was not already named the historical figure, would have pointed and yelled Uchiha.

That’s all from me folks, hopefully this was a fun way to get introduced to him? And again, hope I didn’t alienate--I fully respect what people do and don’t enjoy o7

#asks #ikevamp #ikemen vampire #ikevamp meta #ikevamp vlad #ikevamp comte #ikevamp saint germain #ikevamp leonardo #ikevamp faust #ikevamp charles #ikevamp dazai #i hope this was helpful!#i had too much fun writing it jkahlgkjhgdf i love meta #but thank you for submitting <33333 #oh discount vampire sasuke uchiha we really in it now #rambles #not incorrect quotes

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dreamii-yume · 3 years

Note

For Malleus’ birthday can we get a date exploring abandoned buildings with him.

Note : This takes place back when you still don’t know what Tsunotarou’s real identity is.

Malleus couldn’t sleep.

Not like he needed much anyway, someone as powerful as him wouldn’t submit to something as primal as sleep. To him, it was irrelevant and the darkness of the night just so happens to be his favorite time of the day. So, he had to do what he always do the best; Escape from the surveillance of his retainers and explore a world he had never been to before. It’s the same old routine every time and yet, the unknown never cease to fascinate him.

However, it was strange to say that no matter how much he walks, his feet would always carry him back to a place that he knows all too well. The Ramshackle Dorm whose only occupant is a petty monster, and a lone human that could not use magic. It used to be his favorite place, although he’ll never actually admit that to anyone. It was a shame that there is now someone to disrupt that atmospheric peace it had. There would be more people that’ll visit that place and soon, it’ll lose all the qualities that made it special.

But even so...Malleus found himself gazing at it tonight as well.

He...Doesn’t really know how he got here in the first place, nor does he ever understand why. It felt like it’s a huge responsibility, to visit the dorm in every way he can. Maybe it was because he’s still attached to the place? Maybe he had already explored everything he has to in this island? No, it’s not that. He was simply waiting...and hoping for a certain someone to come out every time he comes to visit.

“My, my...It’s a surprise to see you still out in the cold at a time like this. Have you had any fear at all?”

One of the residence in that same broken down dorm, a child of a human. She had no powerful magic to compare to his, the odd one in a school focused on honing a wizard’s magical capability. Honestly, she was just an unfortunate creature, a bystander that shouldn’t have gotten involved in the first place. Malleus almost feels bad for her, having heard of stories from his supervisor about all the things that this human had to go through with the other dorm leaders mysteriously overblotting. She was a well-developed young woman by human standards, but in his eyes, all he sees is a little girl still in need of guidance.

She was nothing special, and yet, she never fails to put a smile on his face.

“Ah, Tsunotarou...!”

What a ridiculous nickname. If his people were to hear this one human call him, call The Malleus Draconia by such terms, there would be a riot, a controversy. Honestly, if it were anyone but you who would dare to call him by that name, a shot of lightning would’ve probably executed them right on the spot. Guess it was a good thing that you got permission beforehand, huh? Even if you yourself hadn’t realized so, it was charming to say the least.

“I could say the same thing for you too.” You said, with your head held up high to look at him in the eyes. Malleus could not see the tiniest bit of fear in your eyes, it was clear that you did not see him as a threat at all, unlike the others. “Say, didn’t you say that you were a fan of exploring around? I’m kinda in a mood to do just that so, would you like to accompany me?”

Malleus couldn’t help but chuckle at what you said, not one person had ever said that to him with a straight face before. “Was that an invitation, Child of Man? How curious...” He asked, in which he received an eager nod from you. “Very well then, I accept. Honestly, I could never find a gloomy moment with you.”

His comment only left you raising your eyebrow in confusion, something that he had already expected. It was no use on confusing the ignorant any further, after all. Either way, you carry on along with him accompanying you wherever you plan to go.

Some of the places that you both ended up visiting had already been old news to Malleus, having all the time in the world to explore them. However, that radiant in your eyes prevented him from saying anything that would spoil your excitement, your reaction was far too amusing. You were a curious human child, having the courage to look at every crooks a place had without worrying about the risks for traps. For that short time he had with you tonight, he already lost count of how many times he had to use his magic to move away debris away from you, without yourself even noticing. From the large boulders that could actually seriously injure you, to the tiniest of rocks that you wouldn’t even feel, it became a reflex for him to keep a look out for any other danger that may come your way.

Malleus even found himself secretly using magic to lead you to a specific part of a place, one that would make your eyes shine in amazement once you found it. You would go up to him, feeling proud by thinking that you found such treasure yourself when it truth, he played a major role in it. But still, he could never say that, he enjoyed your enthusiasm way too much to do so.

“Exploring like this really takes the energy out of you quick, huh...” You said as a yawn escapes you. Initially intending to take a break, you and Malleus sat beside each other in a nearby bench, a lamp post illuminating the surroundings.

With his arms crossed, Malleus observed the way you rubbed your eyes, as if to fight the urge to sleep. It was clear that you’ve already reached your limit for tonight, and although he feels rather disappointed that it would end so soon, you needed to rest your eyes. “Isn’t it about time for you to come back to your dorm? It has gotten quite late.” He suggested with his eyes closed, still in dismay that his time with you is over. Truly, the difference between the endurance between a human and a fae are both far and wide.

“Yeah...” You listlessly agreed whilst nodding off, it made Malleus smile slightly actually. Honestly, you’re hopeless, and with that extreme vulnerability of yours, just imagine all the things that he could do. He isn’t as friendly as you think after all, but revealing that now would simply be boring in his standards, not to mention quite pointless. With only a few months of talking and meeting up like this, you already had come to trust him so much as to never raise your guard up when it comes to him. He should be offended, but there was a certain charm around it when it’s you. “It’s really late, and...”

Suddenly, you looked up, coincidentally seeing a clock post nearby and Malleus had to tilt his head in wonder with that pause in your words. Then, you widened your eyes. “Ah! It’s already passed midnight!” You blurted out in panic, which made Malleus face palm gently, so that’s what this is all about? Just realizing that, you’re such a... “Here!”

This time, it was Malleus’ turn to be caught off-guard as you handed him some sort cloth, no...It was a scarf. “...What do you intend on giving me this?” Malleus asked, looking back at your smile.

You blinked repeatedly. “What do I intend...? Well...” You trailed off, scratching the back of your head before looking back at him with a cute blush on your cheeks. “...It’s your birthday today, isn’t it?”

It took him a moment, slowly widening his eyes as realization came by him. “Birth...day?” It didn’t even occur to him, he completely forgot the importance of this new day that came by. “...How do you know about that?”

“Lilia-senpai told me! Since he seemed to know you.” You beamed up at him. “Though...I kinda panicked a little, and I don’t really know too much about you to actually know what kind of gift you would like...”

You scratched your cheek in embarrassment, looking away from him. “...So, I ended up knitting something and before I knew it, it turned into a scarf, haha...” You sheepishly explained, face burning at how low your reasoning was. “Y-You don’t have to wear it if you don’t want to, but I’d really appreciate it...If you can at least take it...”

Malleus stared at your face, your usually bright expression had suddenly been overpowered by sheer embarrassment. Your face was red, the way you were biting you lips slightly was a new side of nervousness that he didn’t know about you, nor he had ever known that you were capable of expressing. It was honestly...refreshing to see that, adorable even. Looking at the scarf in your hand, it was true that it looked like it was hand crafted. You still didn’t seem to have a full grasp in knitting yet, judging from the few loosely strands sticking out here and there, but it still wasn’t exactly bad.

Then, Malleus just couldn’t help it anymore. A booming laughter escaped his throat, it was more than a chuckle, he was actually letting out his entertainment right there. “Haha! Oh, Child of Man...You are truly the most interesting human I’ve ever encountered!” He exclaimed, a large smile sprawled on his face.

“I-I am...?” You muttered in a flinch, not expecting him to say anything at all.

“Very well...I shall take it.” It’s not like there was any trouble anyways, Malleus would’ve still gladly take it from you if you were so generously offering it up to him. Regardless if it was his birthday or not.

“R-Really...!?”

“I don’t see why not.” Malleus said, raising his eyebrow with a smirk that can never disappear from his face for some reason. “I’ll even give you permission to place it around me and let you see how it looks.”

“Yay!” You cheered, scooting closer to him with the scarf on your hands. Malleus instantly noticed the gesture you gave him and lowered his head slightly, just enough for you to wrap the fluffy fabric around his neck. Tying them up nicely, you marvelled at the way your horned friend look. “Wah~! Tsunotarou, you look adorable! And comfortable too!”

A twitch displayed on his eyebrow, but you playfully dismissed it. “Is that so...” He said and you nodded vigorously. He huffed, the cold was not an enemy to him at all, he has a natural tolerance when it comes to it. A scarf was something that is normally pointless to him but surprisingly, he felt warm. Maybe not because of the heat it provided, but because he could feel the immense care and loving effort that you put into making it. “Well...Whatever makes you happy.”

Giggling, another sleepy yawn escapes you, but it sounded way more exhausted than the previous one. Without thinking, you lay your head on Malleus’ shoulder, startling the fae. “Hehe...Tsunotarou’s so warm...” You said, leaning your forehead against him, with your hands clenched around his sleeve. Malleus kept quiet, he couldn’t say anything back as he just stared at your form, waiting for your next response.

...But what greeted him next were just a batch of soft snores, suggesting that you had finally succumbed to your battle against the overwhelming slumber. Malleus blinked a few times, before chuckling at your behavior. Even in your sleep, you sound so chipper, probably because of the fact that you’ve accomplished something for tonight. He raised a hand and hanged it around your shoulder, pulling you closed for more comfort. He glanced down at your sleeping figure, still can’t believe that you fell asleep in his presence.

Sometimes, Malleus wonders what you would be like if you’ve met in an alternate universe where you’re aware of who he is. Would you be scared, or would everything stay the same as always? When it comes to you, he still couldn’t determine which would be the exact answer. But if he were to ask you that same exact question, a part of him could just laugh and sit back as it wouldn’t really matter. He already knew what you were going to say, after all.

“Tsunotarou would always be Tsunotarou”

...That was what you told him before too, right? Malleus liked that answer, it was really something to expect from the strangest human he had ever meet. So, until then, there was no reason for him to doubt you. He’ll believe your words as he continues to wait for the inevitable day that you will come to know of his real name. He doesn’t have to rush, he’ll cherish these moments for a little longer, while he still can.

It was funny, for the first time in his long years of fae life, he was fine putting his arms around a human like this. He even go as far as to keep you warm from the cold, making your slumber a little more comfortable. Closing his eyes gently, he leaned his head close to your own, foolishly basking in a human’s warmth himself...How scandalous for the future heir of the Valley of Thorns, being so intimate with a mere human like this. The very fact that he’s enjoying this moment right now is a sin of itself, he’ll be in so much trouble...

...And yet, for the very first time, Malleus could not care less.

MALLEUS AND YUU INTERACTIONS ARE THE BEST SCENES IN THE WHOLE ENTIRE GAME.

CHANGE MY MIND.

...Actually, no. You can’t, it’s too late. I’m already feeling so girly for this ship.

#twisted wonderland #malleus draconia #Birthday Crumbs (Malleus)

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lilover131 · 3 years

Text

Chapter 55 Thoughts

It’s been a while since I’ve taken the time to actually write down my reactions and thoughts about a chapter, but after a agonizing 3 month wait for a new chapter, I had a lot of time to think about a lot of things. The final day was certainly the most difficult, and I slept horribly trying to wait for this chapter to come out (it’d be nice if companies could regularly list like....a release time on a certain date so people aren’t literally refreshing the page every 5 minutes to see if it’s up. Or at least have some consistency!). My lack of sleep and constant thoughts about CCS though did manage to stir another CCS related dream, which I will talk about in a separate post.

But hot damn was this chapter worth the wait! It certainly wasn’t what I expected, but it was really great in a lot of ways!

ANYWAYS, I’ve rambled enough. My thoughts on this chapter are below the cut!

So I will start off by praising the hell out of Sakura for her quick thinking in using SIEGE. That was definitely a wow moment for me and really shows her growth as a magic user and as a person honestly. This action not only spoke to her skill but also to how quick thinking she is in such an uncertain situation. Surely, having never had any reason to doubt Kaito or question his abilities before, It is almost unbelievable that she managed to think of that and do that in the mere seconds she had to respond after Syaoran made his accusation of Kaito. I’ve noticed as of late that her instincts in particular seem to be really really on point. She starting to trust herself and her feelings, and because of this, she is able to act without hesitation, and I have a feeling that is going to be extremely vital later on.

Sakura starts off by asking the real important questions and things I would ask myself in her shoes having just met another magic user, especially one with unclear intentions like Kaito. She seemed like she was studying him to gauge him and the reasons for his actions or what he might do. What intrigues me about this part is she first asks him if he knows about her being able to use cards. He answers with a simple “Yes”. But when she asks about if he knows about Syaoran, his answer is far less simple, and that might potentially be telling. Kaito stated that he knows Syaoran to be a “extremely gifted sorcerer” and “the next head of the Li clan”. Now, perhaps I’m overthinking this, but he could have just answered ‘yes’ like he did with Sakura, but instead he listed specific details about him that shows Sakura he has done his research and knows a lot about him. Now, we already knew that he had this information of course, but why does he want Sakura to know this in that moment? I’m fascinated by this and what he was trying to tell Sakura by telling her he had this sort of knowledge. Additionally, why is it that when it pertains to Syaoran, Kaito behaves so much differently than he does with anyone else? I’ll probably delve into that in another post, but I have some theories on that.

After making this statement, Sakura and Kaito exchange some meaningful looks, though it’s unclear what the both of them are thinking in that moment. Sakura turns to look back at Akiho and Syaoran and appears nervous, like she’s concerned about something (I have a theory to that as well, but I’ll leave that for another time). Then, Sakura mentions Momo and asks where she went, indicating that she has not forgotten about the other person around earlier. Sakura seems to really be evaluating her situation with these questions she’s asking, but unbeknownst to her, Momo has been cut off from her tv drama and is pouting in the mansion. hahahaha!

Momo, while upset that she can’t see what’s going on anymore, praises Sakura for her for her quick thinking and mentions that neither she or Akiho’s mother accurately predicted how powerful Sakura would become. The implications of this are unknown as it is unclear what they are trying to stop to begin with.

The scene changes back to Kaito and Sakura’s ‘standoff’, and Kaito states that Sakura cannot stay hidden in SIEGE’s field forever. I believe he was trying to stir a reaction and speed things up as probably the longer he has his time spell up, the more it affects his body, so he cannot afford to waste any more time. In what appears to be his way of showing desperation (at least in my opinion), he points his staff in Syaoran’s direction and threatens Sakura by stating that “He will make the first move” if she won’t. My jaw dropped a this, and though I don’t believe he actually had any intentions of hurting Syaoran, just the implications and threat of it was enough to make my blood boil. Lmao.

BUT ONCE AGAIN, SAKURA IS QUEEN and reacts ridiculously fast to protect her man and uses one of her newest cards, TRANSFER, to switch places with Kaito and....well...she put him in a box. Hahahaha!! Seeing Kaito all crammed in that small space inside of SIEGE was honestly so satisfying and it was nice to see him on the losing side for once. I can’t imagine he was happy about it either. He’s used to things going his way, and in this particular venture, it has been anything but.

However, this unfortunately also becomes Sakura’s downfall. By switching places with him, she put herself out of the protection she had before and was now affected by Kaito’s time magic. She managed to take a few steps, running towards Syaoran, before she ultimately was stopped. Kaito makes mention of her progress. When you think about it, she’s gone from being able to move a pinky to moving as far as she did this time, so it’s a significant growth.

He goes on to talk, though it’s unclear if Sakura could hear him at all, about a phrase Akiho had learned in her Japanese dictionary one time about “growing leaps and bounds”. He seemed lost in a memory where Akiho spoke of how she wished to improve her Japanese so she could become even better friends with Sakura and the others, and how happy she looked when she spoke of this. Honestly, this sentiment from Akiho is super relatable and resonated with me. I am fortunate to have so many friends in so many different parts of the world, and I absolutely love learning about their cultures and words of their native language so that I can become closer to them. But what also makes this moment so meaningful is that in this particular moment, Kaito is thinking about Akiho and her smile. One may wonder “Why is he saying this right now?”, but it really does display how much Akiho is on his mind and how much he cares about her and his reasons for doing all of this.

Shortly after saying this, he seems to be in pain again, showing once again the deterioration of his body the more he uses time magic, and it seems clear that he really is getting closer to his own demise. He even says as much when he pleads to Sakura to please make the card he needs soon, before he runs out of time. I don’t think he’s necessarily displaying a will to live or anything yet, but more a “I have to get this done before I perish, or it will all be for nothing”.

Disappointingly, time is rewound once again, and he takes it back to before he and Akiho decided on a location for their outing. @meimi-haneoka mentioned this, and I agree with her, but he could have rewound to any point in time and could have completely undone their entire day, but he chose to still have that outing with her anyways. It was a conscious choice he made, though he quite casually made sure they changed the choice of location (for obvious reasons). Lmao!!!

Now we get to the really exciting part. So after Kaito rewound time, I gave a big sigh and thought “Well, here we go again”, but something was very different this time. Sakura’s serious expression standing in her hallway said it all, and she suddenly grabbed her phone from her purse and called Syaoran, saying “We need to talk. It’s important”.

So Syaoran, being the most adorable worried boyfriend he is, runs into her house literally in the next panel and immediately asks if Sakura is okay. I can imagine that he probably ran the entire way to her house too, and it’s just so wholesome I can’t even. It’s crazy how well CLAMP shows the strength of their love just through small actions like these, and it really is a work of art with its subtleties.

Kero and Suppi have not been told why Sakura’s behaving so seriously, as she was waiting for Syaoran to get there first, but soon enough she tells them all at once about how she remembers using SIEGE at the botanical garden. This understandably confuses Syaoran, since in his mind they haven’t even gone there yet. But, she goes on to explain that she remembers using SIEGE, but more importantly that she remembers seeing Kaito using magic. This is HUGE. Not only is this progress (have we finally gotten out of rewind hell?), but this means that Sakura likely will not be nearly as affected by any time magic in the future. And if Kaito cannot make her forget about him using magic, that makes every action he does in the future very precarious. It’s unclear what the implications are of this revelation, but it’s going to entirely change how she reacts around Kaito, perhaps how she reacts around Akiho, and the dialogue she has with Syaoran. Syaoran should theoretically be able to talk to her now about Kaito and what he’s done so far and what they know, and I’m so so curious to see what Sakura will do with this knowledge. Will she be upset? Will she be mad? Certainly she won’t be happy to know that Kaito’s been forcibly keeping Syaoran silent, but Sakura is a forgiving person in nature, so it’s hard to say what she’ll do.

Anyways, this chapter was incredible and I cannot wait to see how this develops from now on. I have a feeling things are going to get real intense here soon now that Kaito can’t control things like he’s been doing a majority of the series. Things are definitely different now, and honestly it’s about fucking time.

#cardcaptor sakura #clear card #chapter 55 #spoilers #chrissy talks a lot #theories #analyzation #summary #thoughts #kaito #sakura #syaoran #akiho #momo #manga #clamp

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ascalonianpicnic · 3 years

Text

so the twisted marionette is back and it seems like a good time for this~ @mystery-salad requested I do an essay on Scarlet and discrimination in STEM so~

Warning: discussions of sexism, racism, and ableism. If I got anything wrong (in terms of real world issues) or was disrespectful in any way about certain subjects please let me know

Hey, let's talk about Scarlet Briar.

More specifically, I wanna talk about Ceara, and how she became Scarlet Briar. Because I'm a gay mathematician and former computer science major, and I think Scarlet is cool.

So let's start here. STEM (science, technology, engineering, and mathematics) is a heavily male dominated set of fields and career paths. A few decades back in the real world, there was this deep set societal belief, at least in western society, that cis women were just "worse" at STEM related things like math and chemistry. It's not as visible of an issue now, but, like I said, STEM fields are still really male dominated, and that's because STEM fields still have a massive issue with sexism. Women have full on left the field due to the sexism they faced in workplaces in just the last decade. Trans women in STEM share really interesting and important personal accounts about how before transitioning, they were treated with respect, offered high level jobs, and entrusted with loads of responsibility, and how post transition, despite having even more experience, are offered significantly lower level jobs, worse pay, and are all around treated like they know less. STEM has a sexism problem.

So, why is this important to Scarlet? Well, her backstory and her life before Omadd's Machine actually tie in to this real world issue in a really fascinating way. It's about Respect. And Scarlet's story is about how she was denied respect over and over, because she was a sylvari, because she was a woman, and because she was neurodivergent. Let's talk about Ceara.

Ceara was a sylvari secondborn, and an engineer from the start. She emerged from the Pale Tree when her race was still brand new to the world and largely unknown. She spent 8 years of her life studying all the Grove had to offer her about mechanics and nature and the universe. She was born curious and as such, was determined to learn everything and anything she could get her hands on. After her time in the Grove, Ceara left, off to find new teachers and extend her knowledge further. After the Grove cane Beigarth, a famed norn smith. He gladly took Ceara under his wing, seeing her genius and potential. For a year, she trained under him, his best student. Then, much to his dismay, she left, feeling she had learned all he could offer about what she wanted to know. She moved south, going to study under iron legion gladium and demolitionist Asagai. Asagai was an old charr, and it took some convincing on Ceara's end, but she eventually took the sylvari in and taught her about gunsmithing and artillery. And after two years, Ceara moved on again, this time heading for Rata Sum and its colleges.

The asura of Rata Sum did Not like Ceara. She had to fight to be allowed to study at the colleges. She won in the end, being admitted into the college of Dynamics. Within a year, she finished the course work, and, feeling like she was finally getting somewhere, she applied again, this time getting admitted to Statics. Two years and two colleges down, at the top of her class both times, Scarlet still wanted more. The Arcane council was curious now if she could keep this streak up, so they let her enter Synergetics. This was what she had been looking for, and she got deep into her studies, taking her time. The Arcane council was unimpressed with her work at best. While not driven from the colleges, she found herself being walked off and looked down on more and more, so she sought other sources. These other sources, both of knowledge and support, came from the inquest, and it wasn't long before she fell in deep. It didn't last, however. When the krewe she was working with ran into trouble, she was abandoned as a scapegoat, and thrown out of the asuran colleges. She wandered on her own for a while, taking the time to study alchemy with the michotl hylek, but mostly keeping to herself. Until Omadd found her, pulled her back into his personal research, and, with her help, built Omadd's machine. Once it was finished, Ceara walked in, and Scarlet walked out.

Sexism in STEM means that people perceived as female are often perceived as knowing or understanding less than they actually do. It's because of this that you'll find young cis male students in STEM classes trying to correct or speak over their female presenting professors. It's why you'll find men at science conferences telling the women presenting for certain topics that they don't seem to understand the topic they're covering or grasp the basics that well, and then recommending or referencing books and research papers written by these women. It means that women will often be overlooked for internships, research positions, and grants. And that is the sort of thing Scarlet faced as a young woman trying to learn everything she could. She had to work for the apprenticeships she could get, and with Beigarth, despite how highly he thought of her, she had to work harder to prove she was ready for more each step of the way. Finding anyone to teach her at all among the charr was a struggle, until an older woman took her in. And no one in Rata Sum took her seriously.

There was more than just the fact that Scarlet was a woman at play with Rata Sum though. As stated, STEM has a bad sexism problem. But that's not all. STEM isn't just mostly men, but also mostly white men, and as such, the fields have a bit of a racism problem as well. Personally, I can only speak so much to this as I myself am white, have never faced racism, and never will face racism. I do know that the intelligence, skill, and effort of people of color goes largely unacknowledged. They will be denied the same opportunities and respect that their white peers receive, and their work and contributions will be ignored, exploited, and stolen.

Racism in Tyria isn't the same as it is in the real world, though it is still present there, and prevalent. And it is something Scarlet has to face and struggle with repeatedly as a sylvari. The sylvari are young and new to Tyria. Because of this, the other prominent groups all tend to think of sylvari as innocent, ignorant, and overly naive. The asura are especially bad about this. They already think of themselves as the smartest of Tyria's inhabitants, above everyone else. And when they first encounter the sylvari, the asura refuse to believe this new group could even be sentient. So, when 11 year old Ceara shows up at the colleges, the Arcane Council and the asura in general doubt she could possibly understand asuran studies. She's a sylvari, after all, and just a girl on top of that. There's surely no way she could keep up.

So when this young sylvari girl finishes at the top of her class in just a year, not once but twice, the Arcane council is intrigued. They don't respect her. They don't hold her work in high esteem. But they do want to know if this is some sort of fluke or if she can do it again. So she's admitted into the third and final college, and when she gets caught up in her studies, genuinely interested and invested in what she's learning and wanting to take her time to take it all in, the Council is disappointed. Never mind that Scarlet has already done what no other non-asura has. She took too long doing what she loved, learning, so the Council dismisses her, and dismisses her hard work. Her theories are looked down upon and ignored, and she is left with only support from Omadd, who can use her and her theories for his own gain, and the inquest. Omadd and the inquest make her feel valued and respected. The inquest let's her try anything she wants, it lets her really explore the fields of study she's most drawn to. The inquest makes sure to profit off her hard work and, when it comes down to it, the inquest leaves her to take the fall for everything. It's easy, after all, to pin the blame on someone already so looked down on by the society she's in. Scarlet is kicked out of the colleges and the city. She loses her access to information, her belongings, and even her own research and findings. All her hard work, taken from her because the inquest was more than glad to use a sylvari.

And then of course, there's Omadd. He was glad to have Scarlet as a lab assistant, and endlessly fascinated by and supportive of her work. So once she's gone from Rata Sum, he leaves too, taking her research and starting on his own personal project. He gets stuck, he seeks Scarlet out, and he convinces her to help him again. Once Scarlet is back on board, the project goes smoothly and the two construct Omadd's Machine. Omadd's. Despite being built off Scarlet's theories and research, despite her being integral to the construction of this machine, it's Omadd's and it carries his name. Funny how that happens, isn't it? And once the machine is up and running, he thinks Scarlet should test it first. Who knows what could happen in there, better to leave it up to the assistant to try it out, and frame it as her getting the honor of the first try. As we all know, it goes poorly. Scarlet learns so much more, all the knowledge she had been seeking for over a decade, but in return, the seeds of Mordremoth are planted in her mind and slowly take over, destroying her.

Now Scarlet, who has been used and devalued and disrespected and infantilized every step of the way, her whole life, is going to start tearing down the things that held her back for so long. She just needs a plan, and with the help of a certain sleeping dragon, one begins to form.

There's something I glossed over earlier that is so important to note, and that's how Scarlet was treated in the Grove. Now, it's been stated explicitly by Scott McGough, a narrative designer for the fame, that Scarlet emerged with lacking empathy. Low empathy doesn't make Scarlet, or anyone, a bad person. It's sometimes a symptom of autism, as well as some personality disorders, and it does affect how Scarlet is treated. As an autistic person myself, Scarlet very much reads as autistic to me, between low empathy, a one track mind, and an intense special interest in the universe and its mechanics. She has a hard time connecting with others, is easily bored by subjects that don't relate back to her special interest, can focus intently on and get caught up in her work, and doesn't really get social graces or expectations. Regardless of any diagnosis she would have if she existed in our world, Scarlet is treated differently due to her low empathy, a trait she cannot help about herself.

From the moment she emerges in the Grove, she is treated differently. She is talked down to. Her desire to take in her first sights and how it overwhelms her is dismissed as overconfidence and rudeness. Her own brother, barely older than her, talks like he knows so much more than her. Scarlet is an outsider among her own people. How does it feel to have low empathy among a race connected to each other deeply through empathy? Probably not great. Her studies in the Grove are limited, she is treated as rude and prideful for wanting to be independent and needing space. Rather than being accommodated, rather than being understood, Scarlet is infantilized, dismissed, and disregarded. She isn't neurotypical. She was born different. She's punished for it.

When she emerges from Omadd's Machine, made from her own hard work and creativity, Scarlet Briar is a young woman who has frequently been overlooked and rarely understood. All these thoughts and ideas, all this passion, and the only people who have ever even seemed to understand her have used and betrayed her so thoroughly. Scarlet Briar has always had to look out for and take care of herself, as a woman, as a sylvari, as someone who is neurodivergent and is in a field that doesn't respect a single aspect of her identity. The world won't accommodate her and the world won't take her seriously. So why shouldn't she show the world what she can do? Why not force everyone to recognize her for who she is? Why not give in just a little to that voice that has been calling to her in her nightmares since she left the machine? After all, it promises power and recognition and a sense of belonging.

#gw2 #guild wars 2 #scarlet briar #my essays #anyway uvu

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kitkatixx · 3 years

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kirukiyo headcanons (long ish)

If you haven’t noticed-- these two are my otp, and v3 did them both dirty... both in terms of plot and their few interactions (hi, utdp, i’m surprised they didn’t have an event with direct interaction)

I haven’t done these formally but figured I’d drop a few of my headcanons as of now, since the ideas I have for these two are fluid, but the base nature of their relationship remains about the same. You’ll see below the cut, they’re fairly in depth and give some flavor to the characters (especially Kirumi)

general summary

Subtle, subtle, subtle.

These two are experts at keeping their relationship under the table, and it takes the rest of the class--perceptive ones included-- quite a bit of time to figure out they’ve been together, even though many a student (Kokichi, Miu, Rantaro, Kaede) have made jokes about their likeness to a married couple.

While they are more than capable of adapting to the scenario, both of them are private individuals at heart, in spite how their talents require them to be around people nearly at all times. So for Kirumi especially, she prefers someone mature who can respect her desire to keep the limelight out of her personal life. After all, she prefers to keep her home and (incredibly taxing, chaotic) work life separate...

That being said, it is no secret to Class 79 (what I’ve dubbed the v3 cast in my HPA AU) and the upperclassmen (SDR2, DR3, THH) that the Ultimate Maid is a stubborn workaholic.

Thus, it takes a specific type of person to ‘get through’ to her-- specifically requesting her presence at refreshments, politely stopping her in the hallway for a conversation, all as cleverly disguised ‘breaks’ without infringing upon her time and duties. Even if it’s only momentary, small steps, persistence, and patience are key with her, as there is a fine line between obligation and devotion to one’s craft.

Korekiyo happens to be able to see past the professional ‘selflessly devoted’ front that Kirumi maintains nearly at all times, having had the opportunity to observe numerous types of people in his time as an anthropologist, and given what was seen in canon, it’s fairly evident that he was intrigued, speaking highly of her post trial (he even has a FTE in her lab!)

Initially, her insistence on wholeheartedly embodying the values of a proper maid piqued his attention, leading to him to take an interest in getting to know her more-- what makes Miss Tojo who she is, exactly? What motivates her to behave in such a way? And what of the human side of the Ultimate Maid? Such were the questions he wished to answer, and as any good researcher would do, it was necessary to approach this in a straightforward, concise manner.

Because of this unorthodox approach to getting to know her (indirectly) for a scholarly reason, Kirumi had no reason to decline his invitations to converse or shoo him away from observing her everyday duties as she would have done under normal circumstances. This in particular gave Korekiyo an advantage over many of his other peers, who would have had difficulty a) approaching her b) maintaining a sizeable conversation with her before moving onto her next task.

Eventually, the two would find they share similar interests (Victorian customs, tea preparation, etc), and get along well with each other; the meetings that began as strictly for research evolve into moments where two friends are talking.

Down the line, someone catches feels.

Now as for who that could be... let’s move to the next section to answer that.

a few typical who does/is relationship headcanons:

1. Who makes the first move and how?

Korekiyo does. While Kirumi eventually does develop feelings for him first, she won’t act on them out of concern that the quality of her work will be compromised, and stays quiet. Korekiyo, however, takes a little longer after mulling over whether his emotions can be chalked up to his general adoration for all of humanity or genuine feelings for her. He does pick up on small changes in her behavior and routine-- serving his preferred meals and tea at just the right temperature, being especially open to assisting him even when she’s terribly busy, and so on, which motivate him to make the first move. Very small, but incredibly thoughtful of her. He’s always liked the details.

The anthropologist is quite capable of being romantic if he so desires, but decides that with her in particular, it would be best to be polite and to the point. Of course, this is Korekiyo we are talking about, so he’ll still put his own twist on it-- so most likely discreetly slipping her a letter with a proper wax stamp on it expressing his feelings and a carnation, which in Japanese flower language is associated with fascination and distinction.

The letter’s contents include notes of the uniquely human aspects of her he finds especially beautiful, and are highly specific: the faint curve of her mouth that appears for a split-second (when she thinks no one is looking) after someone receives retribution for their antics, her deft, graceful movements as she slices into vegetables and pours tea, the glint in her eye that appears after a particularly challenging request is given... the list could go on and on, he writes, but it would be far too long to be appropriate for this letter, yet Kirumi Tojo’s identity is so much more than only the Ultimate Maid.

Lastly, it finishes with an attached sketch depicting one of the moments ‘when she is the most beautiful,’ showing her in her element... broom in hand, small frown on face, and scolding someone (read: Kokichi) After all, while many miss it, Korekiyo has picked up on the angry micro expressions that flit across her face after something particularly irritating has just occurred, and he loves them-- they make her humanity shine through.

Subsequently, it would prompt her to meet somewhere secluded in the evening if she reciprocates-- her missing presence would be more than enough for him to take the hint. Not that she intended on doing so.

2. Who is the most insecure and what makes them feel better?

You’d think it would be Kirumi, but no, Korekiyo is, beneath his unusual charm and charisma, by a margin. After the passing of his sister, it left him hesitant to get close to people at a personal level, which contributes to how he ended up choosing anthropology-- not only to travel and experience the world when she could not, but because it allows for one to be ‘close’ to humans in a removed manner. So while he can easily wax poetry about nearly anything about humans, cultures, or a person, he does this in a very ‘scientific manner’ at times, preferring to view things as an observer rather than a participator. Of course, this aspect of him was integrated into his identity long before HPA, but it is this distanced nature that contributed to his initial indecisiveness about whether his feelings are organic, and the occasional concern about how much emotional intimacy he is obligated to show in a relationship. Luckily, Kirumi isn’t the type to absolutely need direct communication in a relationship, and is more subtle in demeanor as well.

Having been in the service industry for years and hiding her own emotions (from herself as well), Kirumi is proficient at recognizing others’ needs, and picks up on these issues seamlessly. She isn’t exactly the best at opening up either (this is an area of improvement for both of them), but still makes attempts to directly talk to him about this. Generally, their form of communication is largely nonverbal, being highly in tune with each other-- to this couple, actions speak louder than words, but issues like these are best addressed face-to-face, with words, before they fester.

3. Who is the most romantic?

The anthropologist takes the cake here by societal standards-- his love language is giving gifts and words of affirmation, whereas Kirumi prefers acts of service (no surprise there!) but both share quality time as a commonality, and are very attentive towards each other. Regardless of the gift, Korekiyo is always sure to pick something thoughtful and practical, the way she likes things-- though now and then there’s something more material with emotional value in the mix, which she secretly likes. Kirumi is not used to people being so direct in this department with her, so while she’ll politely cite her preference for gifts as something useful, the silk gloves and other paraphernalia he gets her are a nice way to validate she has an identity outside of being a maid.

Not to mention that he has a way with words, and is incredibly proficient at finding 50 unique ways to compliment her in public, much to her chagrin (and hidden embarrassment,) but he takes pride in, citing that she should be more proud of her accomplishments. Nevertheless, Korekiyo still finds her indirect way of showing affection endearing, especially when she attempts to politely deflect compliments as ‘doing what any maid worth their salt would have done.’

Some things never change... even though he and the other members of Class 79 have slowly gotten her to be more open about accepting assistance from others (she’s overworked herself and passed out once!)

4. Who can’t keep their hands to themselves?

Again, while both of them are capable of (and prefer) being lowkey in public, it’s free real estate in private, so once again, this goes to Korekiyo. His official love language isn’t physical touch, but he embodies all five of them quite well, this one very much included.

Kirumi, on the other hand, doesn’t like PDA out of professionalism, which makes her a bit hesitant, even in the privacy of his or her room to be comfortable with it. This isn’t to say she isn’t curious or won’t even consider the possibility, but it takes her a considerable amount of time to warm up to it. Initially, the most you’ll see from them in public is subtle touches on each other’s hand-- little playful taps here and there-- which then morph into holding hands when no one’s around to see it. In private, they’re more willing to be physically close (think head in lap while reading), and Kirumi’s brushed his hair on more than one occasion. It should be noted that one of the most intimate moments the two have had was holding hands in private without any sort of fabric acting as a barrier.

However, Korekiyo does have a cheekier side that slips out (more slyly playful to incite something interesting/fluster her) and is known to slip an arm around her waist, pulling her in close. If you squint, you might catch a faint flush on the usually unflappable Kirumi. Bonus points if this is during the evening, and a breeze blows by. Bonus bonus if this is in public, during broad daylight.

The ‘class dad’ has to assert his dominance every now and then over the unruly children, no?

5. Who says ‘I love you’ first?

Love comes in a lot of different forms and of course, at each person’s pace. Both of them circle around this topic and have essentially said it nonverbally before, but the first to vocalize it is most likely still Korekiyo. It’s not in Kirumi’s nature to be direct about her emotions (but for duties and professional matters, absolutely), so it’s up to him to say he loves her first.

It’s most likely uttered in private, accompanied with a small kiss, and very quietly-- so quiet you can barely catch it, but that doesn’t matter, because only the one who needs to hear it the most will.

conclusion

Three words best describe this relationship: mature, meaningful, and synchronized.

Both of these individuals are aloof and formal on the surface level, but if one takes the time to truly get to know them, there’s quite the intense fire burning underneath in the form of being utterly devoted to each other every step of the way. Of course, this is all done in a very reserved manner, and if they don’t want you to know about it, you won’t.

Well, if you got here, thank you for reading all of this. I’ve liked this ship for a while, and I remember being nervous to create content-- I’m sure know how volatile fandom life can be, no? Hope you enjoyed my take and spins on their relationship, and I might post more later.

Feel free to request or drop something in the askbox for these two.

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jajanvm-imbi · 4 years

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Headcanons of Krel living on earth because he’s my favorite and I love him and I haven’t seen anyone do this yet so I feel like I have to

^^^^^because of this very moment I love the idea of Mary and Darci befriending Krel.

Since Aja,Vex and Eli went back to Akaridion-5, Mother was destroyed, and Claire was busy with Trollhunting stuff, earth gets pretty lonely. So Mary and Darci adopt him into their friend group.

At first Krel was a little apprehensive to joining their friend group, but he quickly warmed up to it because, he, being Krel, loves the attention.

like I can totally see Mary and Darci taking Krel to like a mall or something and doing those like teen romcom movie shopping montages where he goes into a changing room and the girls judge the outfit until they find the perfect one.

I personally believe Krel would adopt a soft boy look, with like oversized button ups and t shirts tucked into jeans, but thats just me.

anyway, because he’s friends with Mary and Darci, Krel has a new found social popularity in Arcadia.

because of this, Krel would prolly get nominated for Spring Fling king and shit

I would say Krel wouldn’t really care about being nominated, but seeing how he cared so much about the science fair and the Battle of the Bands, he would definitely care

Steve is conflicted because he wants to be Spring Fling King, but he can’t mess with Krel like he did with Jim and Eli cause Krel is his girlfriend’s brother

Krel notices this and takes advantage of it to mess with Steve and actually tries to win.

like Krel would just dominate the contests, and his theme presentation would be the flashiest and most appealing and people would just generally like him, and that would really worry Steve

like Krel, with four arms would be really good at the Touch-a-Truck-athon or whatever its called.

Krel would prolly let Steve win anyway because watching Steve squirm and freak out over prolly losing the crown and not being able to do anything about it cause he's Aja's brother is much better than any highschool dance crown

also the school 100% asks Krel to DJ future dances and events to save money, and Krel absolutely loves it

He would also definitely do the school play. Seeing how much he enjoyed being in Toby and Eli's short film, and again, he loves the attention, he would totally be down

Also it would just be another chance to mess with Steve to be the lead.

Because of this, Ms. Janeth would do another Shakespearean play, but do one of those modern renditions. Like it's the same play just in a modern setting, to take advantage of Krel's Akaridion form like they did with Jim's armor.

If not in the play he would do stage crew/tech.

Like he would create elaborate settings for them using A5 tech and Ms. Janeth would adore it

moving on, because home life is pretty lonely with just the Lucy and Ricky for company, Krel loves to host his friends for parties and sleepovers and whatever

and since Krel lives in the coolest house on the block, they love coming over

He hosts girl’s night every other week with Mary, Darci, and Clarie (becauuse she deserves a fucking break)

since we’ve all agreed that Krel is 100% a gaylien, I love the idea that he casually comes out during a girls night

like Mary would be like “So Krel, are there any girls you like?” and Krel’s just like, “*snort* Girls? Who ever said I like girls?” and the others are like “….....?“ and Krel just rolls his eyes and says "I like boys, ladies” and they’re like “ooooohhhh, okay. Cool.”

So now they spend girls night talking about boys. Claire and Darci about their mans and Mary and Krel about cute boys.

One day the girls give Krel a little rainbow pin and Krel’s just like “what’s this?” And the girls tell him that it’s an earth symbol for the gays and he’s like “theres a symbol for that here? I didnt think it was that big of a deal. On A5 it’s pretty normal” and the girls explain why theres a symbol and he’s like “oh shoot wow, thanks" and he put it on his backpack.

He’s pretty confused the first time someone is homophobic towards him cause like that kind if behavior doesnt happen on A5 and hes just like, “why does this bother you? I hardly know you” and just brushes it off. Its doesnt really bother him, mainly cause he doesnt know the earth insults towards gay people so he doesn’t even realize, but if the girls (or Toby, or even Steve, too) catch anyone being homophobic towards their friend they will attack that asshole on sight. Especially Mary and Steve

Random person on the street: Ha, *slur*

Marry: WHAT DID YOU SAY TO HIM BITCH???

Krel: Marry its fine, it’s not that big of a dealoHSEKLOSANDGAYLENMARYGETOFFOFHIM

Marry: SAY IT AGAIN ASSHAT, I D A R E YOU

Claire and Darci: *trying to hold Mary back* maRY NO

Steve: THATS MY NINJA KICKING SPACE ANGEL GIRLFRIEND'S BROTHER BUTTSNACK I'LL END YOU

Toby: *now chasing after Steve to stop him* stEVE NO

Mary would 100% find out who the rando is and destroy their life on social media. Like she would leak their job, phone number, email, school/college (if applicable) to her thousands of followers and absolutely ruin them with no remorse. And honestly, good for her

Also whilst on the subject, Krel can not drive or cook for 2 reasons: 1. Hes gay and 2. He’s a prince so he’s never had to do either before

Like he can obviously do math but that’s it.

Proof? That one scene in Wizards when Douxie had him drive the airship. You know the one.

Coach Lawrence refuses to get in a car with him at Drivers Ed after the 3rd day Krel shows up.

Krel gets addicted to sugary coffee shop-esc drinks thanks to Darci. Not coffee cause we saw in 3Below Part 1 that he doesnt like coffee, but refreshers, coolattas, frappuccinos etc…? Definitely.

As for warm drinks, he’s more of a tea person.

Moving on

He face calls Aja everyday because he really misses her

He tells her all about school and his friends and whatever and Aja tells him about the changes she’s making to the A5 government

Thanks to the wormhole they visit each other often. Sometimes Steve tags along cause he misses his ninja kicking space queen angel girlfriend. (And Eli, but that's also for another post)

They take turns housing Luug.

Krel genuinely loves it on earth, but he hates the primitive technology so he begs Aja to send him supplies and materials for his projects.

He would 10000% apply to HexTech for an after school job. Seeing his reaction to HT in Wizards and the fact that “Akaridion tech and magic are so compatible”, he would be the perfect addition to the HT staff.

The Wizards wouldn’t be sure at first but after he shows them A5 tech and Douxie’s email of recommendation about the time loop thing they made together, the wizards are like “oh yeah we definitely keeping this kid. This is going to be so much fun.”

Their inventions become more and more extravagant because Krel can and he's just extra and the wizards love it.

He would definitely find a way to use magic using A5 tech. But he would have to study magic in order to figure out how, so the wizards help him learn all about magic. And since he's learned everything there is to learn about science and technology and whatever, he's super excited to learn about something completely different and interesting. The wizards are happy to teach him. He would be the first Akaridion to learn and use magic

Like he would make his own staff with his serrator and everything. He's like "earn a staff? Nah fuck that going to make my own"

Speaking of which he really likes human swear words. But he doesnt know when it is and isn't inappropriate to say these swear words so he's gotten in trouble a few times for swearing at the wrong time

For example:

Ms. Janeth: excuse me Mr. Tarron?

Krel: what the fuck do you want?

Everyone in the room: krEL NO

Anyway, back to Krel at HT, thanks to Toby, he would definitely have a bowl of candy in his little lab. More like multiple jars of different candy just scattered around the room. Small candy like fun sized chocolate and skittles and jelly beans and whatever

And a mini fridge, of course.

Steve, Toby and Arrrgh come over to the lab alot to mess around.

Toby has a lot of sci-fi requests for Krel to make

Toby: do you think you can make a shrink ray? Laser blasters? Invisible ray? My own hoverboard? My own serrator *gASP* WITH A WARHAMMER SETTING???? WITH SPACE ARMOR TO MATCH???!!!???!

Krel: Toby you already have a warhammer and armor why do you need more?

Toby: I dont have a space warhammer and armor Krel!!!!!!

Going back to school life, I feel like Krel would take an interest in Spanish class. I mean, his human form is latino and in Trollhunters (I'm pretty sure the lightning in a bottle episode) he said "Si" in response to a question someone asked him, so I feel like he would like to learn another human language.

I also feel like he would just like to learn about Latin American culture in general since Mother gave him that form. He'd like to get in touch with his human self.

Claire (when she isnt busy Trollhunting with Jim and the gang) is happy help him learn about Latin American culture and help him with his Spanish.

Krel, being a fast learner, becomes fluent quickly with a perfect accent.

Señor Uhl, who already liked the Tarrons to begin with, would really appreciate this.

Claire's dad would also appreciate this.

Since he has such a fascination with human music, Krel would especially love Latin American music. Specifically reggaeton, since its kind of like techno music in a way and he already likes techno music.

And naturally, he learns to dance. All the styles of latin american dances. And he becomes quite the favorite on the dance floor.

He and Claire become great dance partners cause they both have the natural Latino rhythm and because Jim respects and trusts his girlfriend he doesnt mind them dancing together at parties and stuff

Although, Jim does ask for dance help at some point cause it looks like fun and he wants to dance with his beautiful talented incredible amazing gf and Krel is happy to teach him and anyone else who wants dance help.

GUITAR LESSONS with Douxie cause in 3Below Krel said he really wanted to learn how to play guitar, steals Shannon’s guitar from the bonfire and is seen multiple times strumming it throughout the series. So of course this is included.

Toby introduces Krel to YouTube and Krel instantly makes his own channel.

of course his channel is called DJ Kleb and he posts his tracks and remixes. and maybe even some vlogs

its a little slow at first, only Arcadia Oaks students are subscribed to it but Mary blows it up by posting one of Krel’s tracks on her own social media and now he has thousands of subscribers

he also gained other forms of social media like Instagram and Tiktok, platforms to post his music

At this point every girl in school wants to be friends with Krel but not in the toxic GBF (gay best friend) way, girls just genuinely think he's 10x more interesting than every other boy in Arcadia Oaks

I think that's it for now sorry this is really long I just really love Krel and I had so many ideas. Feel free to add on!!

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caguaydreams · 4 years

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A thorough analysis on why Vah Medoh’s dungeon theme makes me want to cry

Yep, that’s an accurate title. Hi there! do you have a moment to hear about Breath of The Wild soundtrack? posting for yet a third time in hopes that tumblr won't hide it. I'm so tired

What started as a quick and harmless post, pretending to simply point out a couple of things, rolled downhill, out of my grasp and turned into a massive snowball of a short essay. How and why did this happen? Well, I assume a lot of people know about this song, and know what I’m talking about when I say that it makes me tear up and sob uncontrollably with every change in key as the seconds tick by and I spiral down into a dwell of misery from where I struggle to find the exit and to later recover.

……No?…..At the VERY LEAST it makes you a little uncomfortable. And I state this with much certainty, because after reading hundreds of comments everywhere online where this song is present, I picked up on a vast majority of people who expressed to feel the same way I did when it came down to our current music subject. See, statistics don’t lie… normally. So, naturally, my intrigue got the best of me. I wanted to find out exactly why this soundtrack was mercilessly stirring up everyone’s emotions, so I caved in and we ended up with this.

Buckle in, fellas.

Out of all Divine Beasts’ dungeon themes, Vah Medoh’s is the one that I can’t sit through. Not without growing antsy and wanting to turn it off as soon as possible. I find it genuinely difficult to listen to, and it’s not only because Revali is my favorite character and the song is just, plainly put, depressing, mind you.

We’ll start from 0 terminals activated.

It opens up similar to the other three dungeon themes; the pace is slow but eerie, gives off the impression that it sounds broken somehow. Something is off here, and it’s easy to figure out what that is from the get go: you’re basically entering a majestic, ancient, mechanical mausoleum, where everything went terribly wrong a century ago. Someone is gone, someone you knew, someone who was probably close to you, but it’s impossible to be sure. You don’t remember a thing, and this entire ordeal is confusing at best, and terrifying at worst. It’s your duty to make things right again.

It’s the same for all four Divine Beasts upon entering, save for the obvious little differences that separates them from each other and make them unique. Ruta’s is played on a major key, adhering to a sense of hopefulness. Naboris’s begins with a startling smashing of the piano keys, much like thunder of a sudden lighting strike. And Rudania’s theme starts threatening, dangerous, like scalding lava.

But now, back to Vah Medoh. The tone here is… alienating. The dissonant chords are all over the place, and feel disconnected, cold. It’s almost as if someone doesn’t want us to be here, or just like the elusive key, our presence is unexpected. Fitting, for a Divine Beast that’s high above the land, impossible for most to reach, yet we somehow made it. Apart from the piano, we have the occasional hint to rito culture, in the shape of a short, synthetic version of the rolled chords at the very beginning of Rito Village. A quiet reminder of where we come from. There is also, of course, the morse code distress signal, but we’ll talk more about that later.

As soon as this formal introduction is over, we finally get to the more, say, intimate stuff. Oh, and wouldn’t you know, it’s just tragic.

One terminal activated.

There’s no better short way I can describe this passage, other than anxiety-inducing. Especially when the strings come into play, and there’s two reasons I can think of why I feel this is an important thing to point out:

1- Characters and Symbolism.

I tend to associate stringed instruments, all of those which compose the violin family, with rito culture. And Revali, most specifically. In Creating a Champion we can see the early concept art and designs for all or most major characters in the game, and Revali’s highlighted rough design might be the one that changed the most throughout proper development of the character, out of all champions. He looks quite different from our usual depiction of him, it’s fascinating. What truly catches my eye, however, is the design of his bow.

You thought bird puns were bad? Oh boy, how do you feel about Revali having a bow that looks like a violin/cello/viola??? And do you need a bow to play it also??? Like, is it even an instrument or it’s nothing more than a mere fashion statement?-

Anyway. I believe this was originally going to be a not-so-subtle wink to rito culture, being heavily musically inclined as we can see and conclude for ourselves. Perhaps Revali was going to be a musician as well, now how cool it that!

Needless to say, the idea was eventually scrapped. But one detail I am CERTAIN carried over to the character we know and love today(okay not all of us love him but seriously if you dislike him why are you still here lol): strings. The association between bows(weapon) and stringed instruments, aside from being a quite clever and creative one, goes beyond the concept art and remains strong as part of Revali’s character, settling for having a presence via score. After all, Revali is a master of archery, so in that way it makes sense to keep strings as symbolism to reinforce the idea and drive it home.

But can you guess what other thing Revali excels at? That’s right: flying. He’s the only rito we know of who successfully managed to take advantage of wind currents and bend them to his will. And do you know what musical instruments are often used to evoke the feeling of flight and gale? If you thought of bowed strings, you’re correct! Unfortunately, I couldn’t find much support on this topic online, so you’ll have to take my word for it. I am most certain that this is fact, although not something worth discussing on the Internet, by the looks of it.

Anyhow, violins/cellos/etc are ever-present whenever we’re close to Rito Village or dealing with a rito related mission. Attack on Vah Medoh, for example, features a sequence of strings that is meant to evoke the strong winds we’re fighting against in that particular moment(*). Another great example is The Final Trial, the song that plays at the shrine of resurrection nearing the end of the Champions’ Ballad. Preceding the activation of each terminal, you’ll notice that a new instrumental element joins the crowd: the first one corresponds to the tambourines, related to the zora and Mipha; the second one are strings, referencing the rito and Revali, etc. I tell you, the moment I heard this during the trial I almost started crying like a baby. And, although strings have a lot to do with Rito culture in general, they tie most strongly to Revali, since he was the champion of his people, and his legacy carried over throughout the years. His accomplishments became material of folk tale, a legend, a source of pride and inspiration for the village. And let’s not forget that, at the end of the day, Revali is the crucial and foremost connection Link has to this place. Other than appeasing Vah Medoh, Link’s responsibility here is to free his past fellow champion’s spirit from Ganon’s malice. The soundtrack is referencing Revali first, and by extension his devotion to his home.

With all that in mind, let’s move on to our next point:

2- Nowhere to Go.

You shoot the canons, land on top of the Divine Beast, do what you gotta do, activate the first terminal and the soundtrack goes off unannounced. Like some sort of surprise anxiety bomb. The rhythm turns fast, the melody erratic, incredibly desperate in its execution. There’s this sheer despair, fear, this feeling of suffocation almost, which are so well achieved in this particular piece.

And that is, partially, because a quite familiar resource is used here as well; one that we’ve heard before in songs such as Rito Village or Revali’s theme. You could even think of it as a motif: two notes are played in an semitone interval, repeatedly and in quick succession. For the sake of later convenience, we’ll call this the Flight Motif, now let me explain why. In Breath of The Wild, this semitone loop is often followed up by some form of resolution. In Rito Village, formerly known as Dragon Roost Island(**), that resolution consists of a graceful descent of the melody, from a high that was built up previously during the motif. On the other hand, if you listen to Revali’s theme, you’ll notice that the interval repeats itself for a couple of times as thought charging up, to then rise fast and determined into a triumphal reprise of Revali’s distinctive assigned melody. This juxtaposition supposes the difference that lays between common rito flight and Revali’s trademark ability; both musical sequences are speaking of flight, albeit in two different languages depending on the way to achieve it. While the rito traditionally use their wings to glide and let themselves get swayed by the air currents Buzz Lightyear style, Revali takes full advantage of his flying capabilities to somehow create an updraft of his own, rising meters above the ground whenever he likes or needs to.

So, now that I layed out my base of thought when focusing on the strings, this’ll be much easier to explain. We’ve settled what the instruments themselves are a symbolic representation of Revali, in this scenario specifically. He was the only one inside Vah Medoh, and the score is, in a way, a retelling of what we can vaguely assume went down here during the Great Calamity, as much as it is what sets the tone and ambience for Link’s mission. But what are we hearing exactly? What we talked about, the Flight Motif, is being repeated nonstop. And that’s the thing, remember how I mentioned that this sequence usually finds resolution at the end? Well. Inside Vah Medoh,… it never does. The melody picks up in numerous occasions, but it’s not nearly as graceful, or calculated, as we’ve grown used to by now. It gets tangled and lost, and then inevitably falls to the ground in disarray. The pattern repeats itself, reaching higher after a handful of failed attempts, but no matter how much it tries, the cycle never ends. What used to tell us about flying and freedom in the skies, has morphed into an almost sinister musical incarnation of a tornado, and there is no way out of this trap. What do you think it must feel like to mindlessly flap your wings against wind currents so strong and violent, that it is impossible to get anywhere nearby, let alone take off every time you lose your balance. Or every time you’re shot down. On top of that, trying to aim and fight back in whatever short breaks and opportunities you get, at an enemy that’s much more powerful and relentless, who’s using your own element as a weapon to destroy you… it’s a risk Revali surely had to take in order to put up a fight. Even knowing full well that the odds were not in his favour, that he was most likely going to lose this battle, that he was going to die. Let that sink in. I’ll skip the activation of the second terminal, since there’s barely any change registered in the theme in general. So-

Three terminals activated.

I know this post is supposed to be a breakdown of the song purely, but that doesn’t mean there’s no place for a little theorising, and the following scrutiny is also quite relevant for our discussion. Bear with me for a bit. I’ve read almost everywhere about people’s most common interpretations on the Divine Beasts SOS signals, and how everyone thinks that Revali’s coming in last (a few seconds later than the other champions) has to do with him holding on for longer. Or, also, overconfident as he was, it means that the idea of calling out for additional support didn’t cross his mind until it was too late, and that’s why the beeping sounds more frantic and panicked than the others’ when it does appear. After giving it some thought myself, I’m betting on the latter option holding more ground, and that’s not all. I want to touch upon a detail of the piece that I never acknowledged was there until very recently(after seeing myself obliged to listen to this song fully and a handful of times, suffering every minute of it for the sole purpose of this analysis. It’s okay I didn’t need my heart anyway). Soon after activating the third terminal, the SOS signal disappears, or grows distant and faint enough that we can’t make it out from the background anymore. In its place, we’re confronted by this… shrill, piercing and painfully slow tune. It sounds synthetic, artificial, devoid of life. And it’s funny, because you know what it reminds me of? I’ll tell you:

A heartbeat flatline sound.

And I want to highlight that this doesn’t happen in any of the other Divine Beasts themes. All their SOS signals carry on, but Medoh’s is no more. This abrupt stop, followed by this bone-chilling tune…. makes me believe that Revali was the first of the champions to fall. A few days ago I came across SuperZeldaGirl’s video on a similar topic, theorising that this could very much be the case. There is not much evidence to support this claim other than some visual cues that could be suggesting to it, but after I found this in the soundtrack, and if we’re to rely on it for anything, I believe Revali was either the first champion to be ambushed by Ganon, or well…. the first to be killed. It is plausible, because short after Calamity Ganon unleashes his power, Revali parts from the group and flies directly to Vah Medoh, and he very well could’ve been the first pilot to arrive.

On this note…. we’ll have to wait and see for ourselves, when Age of Calamity provides long-awaited answers to many of our questions.

Four terminals activated.

An interesting melody is being played on what, for me, would qualify as a glockenspiel or a celesta, which are keyboard based instruments that produce a sound similar to that of a music box(***). If you want to pay more attention to it, I suggest listening to Vetrom’s Instrumental Mix Cover of the theme, where they practically zoom in on this part of the song (keep in mind that it uses the All Terminals’ time signature so it’s being played faster). For some reason, this particular addition makes me feel profound empathy. The sound of this instrument could be described as cute or childlike, magical, even. It is more often than not used to represent innocence, but I highly doubt that’s specifically the intention here. Much like the leading strings’ melody, the melodic contour of this one is trapped in a loop of going up and down constantly, but the difference is that this time around it sounds more under control. And much more uniform too. It doesn’t lose focus or takes risky, fruitless leaps, but rather chooses to stay on a path of waves that consistently rises and falls without taking detours. Like a determined battle strategy, giving it your all. You fall, but get back up again, and try again, and again. It reminds me of Revali’s approach to training, being persistent to the point of overworking himself. He had discipline nailed down to a tee, which I also think served him well in combat. It’s not just about being hard on yourself, either, but being confident and having complete faith in your abilities; believing that you’ll make it. For this to appear now, that the SOS signal is almost completely gone, is significant because it means that by this point, being so close to success on Link’s behalf, the music is sparing genuine encouragement for once, in spite of the tragic outcome of the past and the danger of the current situation. But, in all honesty, this is probably just me reading too much into it. Perhaps the composer just thought this addition sounded pretty bitching and there’s not much else to it, which is completely fine. Although, intentional or not, sometimes coincidences do happen, and at the end of the day, interpretations like this are a form of appreciation for an artist’s work and for what they can unknowingly accomplish.

All terminals activated.

This is the moment when the song finally lightens up. Notice how the strings abandon the wave pattern for a more even contour. The beat quickens, the melody stabilizes. At first I thought, coming from our flight analogy, that this meant a cease in movement entirely, and it was partly one of the reasons why the song in general makes me anxious. But thinking about it now, …there is something different going on here. The strings are playing on a steady rhythm. It resembles a march, it’s like a pounding heart. It’s a lively, hopeful statement. And what’s interesting is that, up until this point, there was so much fear and helplessness present in the score, even going as far as to reach a dead end when we activate the third terminal. But that’s it, isn’t it? the music just keeps going further.

It’s saying: this isn’t over yet. Even after complete and utter defeat, there’s still hope and an underlying wish to overcome this predicament, and we started to hear this as soon as a fourth terminal is activated. The melody we previously talked about? it’s here as well, and its beat is much more daring and confident.

And I just want to say… this is so powerful. Because this sentiment is deeply tied to the game’s story and Revali’s character arc. You see, he is introduced as someone who resents Link for being the manifestation of his failure, in a way, because Revali has trained arduously his whole life to be where he is, to be recognised. And yet… this hylian gets chosen by a magic sword and some tale of divine destiny and, apparently, that’s all it takes for him to be deemed the hero that will save the land. In Revali’s eyes, Link has done nothing to prove his worth before him, so it is easy to see why he despises the silent knight so much; he is yet another individual that was born into their destiny. Meanwhile, Revali has had to build his reputation from the ground up, earning him a place among the greatest warriors of Hyrule, and even then he finds himself surrounded by people who grew up praised for being born gifted. We can see how Revali is the odd one out, and can map out the reason for him acting so antagonistic towards Link.

But once we’re on Medoh, things start to change. When Link enters the Divine Beast, Revali greets him with disdain, as per usual. Of course, Link has no recollection of whatever happened a hundred years ago, other than a small glimpse of the rito champion talking down to him, a memory that came and went in a flash. So as Link, we more than expect Revali to act cold and mocking, which he does. He provides us with as little help as needed in order to free Medoh, reluctantly, shielding his wounded pride over having to wait for Link, of all people, to come to their rescue. But you can hear him starting to open up bit by bit(I wish I could translate his dialogue directly from Japanese but I’ll make do with a couple of dubs and other numerous sources from translators online). With each little step Link takes towards success, activating the terminals, the perception Revali has of him shifts from one of resentment to one of genuine admiration and respect. By the end of it all, he is willing to not only cheer on Link during the boss battle, but to trust him with his life’s worth achievement. And once left alone, he admits defeat and lets go of his bitterness, realising that he was wrong to underestimate Link, and later wishes he could’ve had a chance to measured up to him. To take all of this into consideration and work with it in the soundtrack I think it’s genuinely splendid. And for once, I am grateful that it ends in somewhat of a positive note that puts my soul to rest. I still have a hard time listening to the first two thirds of the entire thing, but now I can look forward to a hopeful and earnestly heartening conclusion for all the pain that this composition puts me in. I must admit that it’s beautifully and brilliantly crafted, and that I am enamoured of it regardless.

That is why I wrote roughly 4k words about it! I hate myself!

If you’re as crazy as me about the soundtrack of this game, I recommend you read the published cd interview with the composers themselves! if you haven’t already. I just found it yesterday(unbelievable but it’s true) and… after writing all of this and checking it out, I felt validated. It sure is a one of a kind feeling.

Alright folks, we’ve made it to the end. Congratulations for sticking around and thanks being interested in my nonsensical rambling!

I also hope that you, like me, will now be unable to listen to bowed strings without being reminded of Revali. Good luck!

————– Annotations/Sidenotes/Whatever

(*)The Flight Motif(in point number 2) is also present in this track. We can hear it in the background right after the Rito leitmotif, as per usual. It starts with a clarinet, I think, before the strings take the lead. (**) Note that the Flight Motif only comes into play in the Breath of The Wild rendition of the song. (***)I strongly associate this instrument with Mipha, given that it is used in her theme, in every “response” to the initial melody. It can be heard in Attack On Vah Ruta, as well, it enters the scene when the notes Mi(E) and Fa(F) are played. The initial tune, Si and Do(B and C) are played on a clarinet or oboe, wind instruments just like the flute that leads Sidon’s respective theme. The celesta can also be heard inside Vah Ruta, activating the first terminal…. when the song really takes a turn just like Medoh’s. Mipha has nothing to do with the song of this analysis, however. We must understand that instruments, although they are attached to characters/various story elements in some cases, can always be used outside of that context, for that is the nature of an orchestral soundtrack. If you have this many tools at your disposal, you will make good use of them.

#Revali #Vah Medoh #botw #loz #aoc

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ask-whitepearl-and-steven · 4 years

Text

Alright alright alright

You’ve all been asking for it, so here it is!

This will be (edit: HELLA) long and obviously spoiler-y, so everything is under a cut.

Are you ready?

Before we get to it, I want to mention that for the sake of keeping things organized, I will NOT be talking about my AU (@ask-whitepearl-and-steven) in this post. I want to just analyze the show as a viewer and a fan first. I’ll make a seperate post for AU-thoughts a bit later.

Without further ado:

EP 1: LITTLE HOMESCHOOL

This is a great way to open up the episode and show the changes through the lens of someone who has been a bit out of it for a while (we are all Cherry Quartz, fresh from the hiatus, aren’t we?) but I’m sorry, this post still takes the cake:

Okay, okay, back to the program.

“That used to be a loaded question...“

Right off the bat, Steven is SO much more confident about saying that he’s... HIMSELF! What a good feeling. I’m very proud of our boy.

I love the name “Gemglyph” for the gem language! I’ll need to know who wrote these, though. And who the heck drew the diamonds? Hopefully it was BP.

And I’m not the first one to point this out, but MORE ANIME REFERENCES!

Which can be seen as either a reference to the Chill Low-Fi Hiphop Beats to Study To OR Whisper of the Heart.

And absolutely no one cares but something that caught my eye is the fact that they have an EARTH FLAG at Little Homeschool! How cool is that!

Earth 4ever!!!

Off-note - I love how INVESTED they are in this conversation Pearl is having with Holo-Pearl.

Peak entertainment.

I love Professor Amethyst and I love the random human who snuck in to apparently take lessons on Not Giving A Single Shit About Anything, Ever.

And here we FINALLY are in the FUTURE

Where we FINALLY get Jasper as a functioning character

And

She’s

SO DRAMATIC, I LOVE HER.

This is literally SO funny like she... she was just... laying on top of her house... under a blanket..... FOr WHAT? To stand up dramatically and throw it off when Steven inevitably paid a visit?

Is that just what she dOES?

“It’s FINE I don’t need any HELP, I’m FUNCTIONING, I’m just having a SELF CARE DAY OK”

Also I’m sorry but

Jasper: “It took forever to yank those puny green earthlings out of the ground.”

Steven: “You mean grass...?“

THIS. RIGHT HERE. is peak Jasper.

It’s also curious how INVESTED Steven is in this:

“I’m TRYING to give you [a purpose]!“

Why are you... trying to do that, though? Isn’t the whole idea for gems to surpass their ‘purpose’ and just kinda... do whatever? Isn’t Jasper just kinda... doing whatever?

I mean, sure, it’s not useful to anyone, but she seems relatively happy. Aside from. You know. The whole laying on rocks under blankets until she’s disturbed thing and-- okay, you’re right, maybe an intervention would be healthy.

I’m not gonna talk at length about the rest of the episode - although I think it’s really good, I don’t know what I can say about it that hasn’t already been said. Jasper is definitely poking Steven’s buttons and rephrasing a LOT of what WHITE has said to Pink: “You surround yourself with inferior gems because it makes you feel better.”

And Steven REACTS to this. The taunt WORKS.

And yes, he gains some extra powers for it, but something tells me this AIN’T the only thing he will get. It feels like a two-edged sword. Like it’ll be his own downfall somehow....... maybe at the end of the series.

Ashes to ashes.... hole to hole.

And oh wow I thought they were gonna bond but LMAO

“Consider your fight back there your first and ONLY lesson.“

Basically:

I love you Jasper.

EP 2: GUIDANCE

I LOVE YOU AMETHYST.

sHE’S doing SO much and she’s SO good at it!! Look at her!! Organizing stuff!!!!

RUBIES IN SUNGLASSES. IN SQUARE SUNGLASSES.

I need 20.

And I also need 20 of Larimar because holy shit that’s hilarious.

Larimar: “I want to hear the human screams forever.”

Steven: “Okay that’s kinda troubling.”

I love the reference to Monsters Inc here and I love the callback at the end of the episode when Larimar switches to Human Laughter to get her fill of that particular erm... need.

And honestly the ensuing chaos is equally predictable and entertaining.

I’m SO glad to know that Rubies are just... Like That and that actually Navy is not a deviation from the norm but rather a different flavor of the chaotic energy all Rubies naturally seem to possess.

Amethyst is also super relatable:

“Ah yes, the fool comes crawling back. Come to beg for forgiveness, have you?”

In fact, the episode’s WHOLe HUMOUR is just very much My Brand

“Sometimes you save all the people but the rollercoaster still crashes into the ocean...... and that’s okay.”

Including the Running Gag that is Onion. Who... does not appear to have aged. At all. And that’s okay.

EP 3: ROSE BUDS

Okay where do I even begin with this one. Um.

I have to openly admit that I spent the majority of this episode wheezing with laughter. Let’s start with the Zoomans:

Who are CLEARLY STILL SUPER SALTY AT GREG ABOUT REJECTING THEM??? Which is hilarious.

And also this paradise is fascinating in and of itself.

But the next scene is basically where I started losing my shit.

Okay, okay, alright so. Uh. I have... a few questions.

Like Why. WHY. Does she look. SO MUCH like Rose?

Clearly Rose Quartz differ in coloring and etc. But She literally looks. Like THE Rose. VERY explicitly.

So here’s several options here:

1) Pink made Rose Quartz way before any of the Rebellion happened and Pearl just basically pigeonholed her into THIS specific Rose Quartz appearance because she (???) had a crush? Or somehow saw this specific Rose, thought ‘hot, i can make my sympathetic Diamond wear this exact costume and that would be EXCELLENT fanservice for ME’

2) Pink didn’t have any Rose Quartz until the Rebellion, and thereafter quickly decided ‘I need these gems as an alibi, so we’re just gonna make them” and she and Pearl basically inclubated Rose Quartz like a pokemon trainer hatching for a Shiny until they got one that looked Exactly Like That.

3) There was no Thinking involved because this is Pink we’re talking about, and it was all just a huge coincidence for the sake of this Very Hilariously Uncomfortable Episode.

While we ruminate on that, let’s look at some Relatable Reactions.

And here we have the holy trinity of “I have just seen the clone of my deceased parent/parental figure/lover.”

Featuring: Bonus ‘I’m Almost Over It’ Pearl

Also, I need y’all to make this into a meme:

For example:

Anyway, alright, alright.

That relatable feel when your (hot) dead lesbian lover’s clone asks you if you’re okay after another one of the (less hot?) clones offers you a whole ass stick of butter to eat.

And then you and your friends all hide in the bathroom to talk about your feelings:

Okay, the rest of the episode gives me FEELINGS and I love how hard Steven is trying, so I’ll just close it off with:

I LOVE THEM. Unironically, they are EVERYTHING I had hoped Rose Quartz would be. They’re SO MUCH like Rose herself - did she model her personality after them? Or are they just like her because she WAS like that, and they’re made from her essence? WHO KNOWS?! They’re adorable!

And the conflict between them and Steven is honestly so gooD! I don’t know if it’s completely relatable but I’m glad they ended up talking it out.

I wonder if we’ll ever see Her again... you know who I’m talkin’ about.

Her....

I’m madly in love with Rose, ok, I don’t need a callout post. Just leave me be.

EP 4: VOLLEYBALL

Alright, alright, alright.

OKAy,.... It’s fine. It’s FINE. I’m fINE.

Confirmed: 8000 years. That’s. UH. A LOT? That puts our timelines quite a ways back. We kind of estimated as much, but still, it’s so jarring to think about. And PP is VERY casual about it.

She’s also VERY casual about the injury.

“This is all Pink Diamond!”

It doesn’t seem like it bothers her to talk about it at all. She’s not even trying to keep it a secret. So I’m almost wondering - was there a connection to her being taken by White and the injury at all or not?

She came to Steven to get healed - she clearly wants it gone. At the time she was injured, did Pink not even attempt to heal the injury?

Follow up question: If she DID care, why didn’t she try to heal it?

Follow up to the follow up: Was it because she didn’t know she could? Or did she simply not have the time to (White removed her before she could)?

When Steven goes pink, she gasps - but makes no further comment. It’s presumably because she’s seen this happen before. She doesn’t try to move away, weirdly enough - she asks him if everything is alright. Perhaps the context is too different for it to be triggering for her. Perhaps there’s more layers to it? HMMM.

What follows is, perhaps, the SALTIEST we’ve seen Pearl since Greg rolled around.

“Did you come to compete?”

This is doubly curious to me because Crewniverse has previously explicitly stated that Pearl was NOT in love with Pink Diamond. She was in love with Rose. So if this is true, why would Pearl care about her place as Pink’s Pearl? She is supposed to be past all that, isn’t she?

And yet as time goes on, the salinity grows exponentially. Alright, you two, I know you’re Pearls but tone it down with the sass.

(Also, I’m sorry but I will NEVER call her Volleyball. That’s all. Bye.)

Also it’s worth noting that... PP is clearly VERY much in love with Pink.

This is, perhaps, where the lack of a grudge plays into it. She’s completely enamoured.

Moreover, she’s VERY casual about how she talks here. This isn’t exactly how one talks of their Diamond. This is how people talk about their romantic partners. She calls Pink silly, calls her ‘funny’. That’s not exactly a term of respect - it’s way more intimate than that.

Also, did anyone else notice how, although CG Pearl’s gem is usually shaded in teal, it’s in Pink in this episode? VEEEERY subtle, Crew.

Also, we can’t quite see Pink Pearl’s expression fully here because her working eye isn’t visible, which makes it hard to get a read on things like

“I’m older than you.“ Is she just saying it casually? Or is she fully aware that she’s poking fun at CG Pearl?

HI SHELL. ISN’T IT FUNNY HOW YOUR VOICE AND YOUR NAME ARE A SUBTLE NOD TO PORTAL, WHICH IS FORESHADOWING HOW BADLY THIS IS GONNA END.

Meanwhile, Pearl continues to be in character.

“No need to be overly... attached.”

And this has nothing to do with anything but

she cute

Aaaand now it’s creepy again.

The rest of this is super important so let’s get to it:

“Oh, no. Pink did this.”

“What did you say?”

“It’s a funny story, really. Once, Pink got tired of asking Yellow and Blue for her own colony, so she went straight to White. Of course, White told her she wasn’t fit to run one... and well! That set her off.”

“Set her off? What are you talking about?”

“You remember how she was! With her destructive powers, throwing tantrums left and right! She had a scream that could crack the walls. She didn’t mean to hurt me! (giggle) I just happened to be standing too close to her that time and--”

And then Steven interrupts.

We get more CG Pearl arguing for how wrong this image of Pink is to her. What CG Pearl knew was a totally different (or, well, same, but VERY changed) Pink.

But what we have to prove our point is Steven himself. He rolls into the EXACT same state as Pink presumably did - and begins to over-use his powers.

(This isn’t the first time we have seen him use this attack.)

The reactions from the Pearls are telling - this is clearly not Pink Pearl’s first rodeo with this type of Mood.

And it’s important to note that Steven clearly didn’t direct any attack AT them. He simply yelled - and the whole dang place literally started to crack. There’s weight to the argument that possibly, Pink really DIDN’T mean to hurt her Pearl - that she was just collateral damage.

Which doesn’t make it any better, obviously. Even if Pink had no direct intention of hurting her Pearl (and there are theories that Pink purposefully hit or threw Pink Pearl or somehow physically acted directly to damage her, which I was skeptical of) the result of it is still the same.

If you raise your voice and yell, even if you’re just yelling because YOU are hurt/have feelings, you might still hurt the people around you. If you throw a tantrum, even if your direct goal was just to let off some steam without aiming to harm anyone, whoever gets in your way is still the victim.

And this is all very much On Brand for Pink’s timeline as we know it. We already knew this about her - we KNEW she tended to throw tantrums (like in the flashback on Jungle Moon) and that she was childish. The fact that she accidentally hurt her Pearl in the process because she had no self-control at that period in her life comes as no surprise.

(Although it’s important to mention that perhaps hurting her own Pearl WAS the breaking point during which she finally realized how her emotional outbursts could have negative consequences on those around her.)

And this is a very beautiful message - even if Pink Pearl still doesn’t want to blame Pink for what was done to her (”But... she didn’t mean to!”) Pearl brings the point of it back around to her (”But you were still hurt!”) The point isn’t the person who did the hurting - the focus is on the victim and how they were affected.

And the rest, I daresay, is history.

I like the fact that they managed to still bring it back around to the main message:

It isn’t about just “Pink was bad”. It’s about how she did bad things. And there were multiple sides to her - multiple stages. And the Pearls who knew her knew different sides of her - the side that didn’t know how to be a good person, who was selfish and childish and unrestrained... and the side that was, arguable, too restrained. Who hated her own past, her own character and her own mistakes so much that she would rather bury them and keep secrets from everyone.

And neither of those things were good, and neither were healthy, but they are a GREAT contrast to a GREAT character arc that is, arguably, still being unearthed. And we have so much more context for it all now.

I, for one, can’t wait to see and discover more of Pink through Pink Pearl - no matter how ugly that side of her might be. I think it gives great perspective to her later growth.

And if you ship the Pearls.. .well, I get why.

Personally I’m not interested in it that way. Call me unromantic - I don’t think their relationship NEEDS to be shippy in order to be satisfyingly deep. I love the idea of them having a deep bond over this - a shared past, a shared experience, and gaining confidence through one another.

Cheers and thanks for listening!

#steven universe future #steven universe: future #steven universe future spoilers #su:f spoilers #suf spoilers #su spoilers #steven universe spoilers #spoiler warning #pink pearl #volleyball

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