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#nathalie markoch
oblakdark ยท 2 days
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๐–‚๐–๐–Ž๐–˜๐–•๐–Š๐–—๐–˜
โ€œ๐šƒ๐š‘๐šŽ๐š›๐šŽ'๐šœ ๐šŒ๐š˜๐š–๐š๐š˜๐š›๐š ๐š’๐š— ๐š๐š‘๐šŽ ๐š ๐š˜๐š˜๐š๐šœ ๐š๐š‘๐šŽ ๐šœ๐š–๐šŽ๐š•๐š• ๐š˜๐š ๐šœ๐š˜๐š’๐š• ๐š–๐š’๐šก๐šŽ๐š ๐š ๐š’๐š๐š‘ ๐š›๐šŽ๐šœ๐š’๐š•๐š’๐šŽ๐š—๐šŒ๐šŽ ๐š๐š˜๐š ๐šŽ๐š›๐š’๐š—๐š ๐š๐š›๐šŽ๐šŽ๐šœ ๐šŠ๐š›๐š˜๐šž๐š—๐š ๐š–๐šŽ, ๐š ๐š‘๐š’๐šœ๐š™๐šŽ๐š›๐š’๐š—๐š ๐š๐š˜ ๐š›๐šŽ๐š–๐š’๐š—๐š ๐š–๐šŽ ๐š๐š‘๐šŠ๐š ๐™ธ, ๐š๐š˜๐š˜, ๐šŒ๐šŠ๐š— ๐š‹๐šŽ ๐šœ๐š’๐š•๐šŽ๐š—๐š."
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perceptionshifter ยท 7 months
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AM I BEING AUTHENTIC?
Every time I ask myself if Iโ€™m expressing authentically in a specific situation, I find aspects that respond positively, but others that I feel are still suppressed, or being expressed in a distorted way.
Life can be seen as a quest to find our suppressed aspects due to neglect (or self-abandonment). Sometimes we know they are there, hidden and peeking from the shadows, but in the majority of cases, we donโ€™t even know they are there.
They are left unrecognized until we become aware of what they really are. Then, we have the opportunity to heal the organic part of us into our compassionate understanding, and let the illusion dissolve. We learn to let go.
When the neglected and unwanted aspect of ourselves hits us in the face from all angles, we cannot continue to suppress it, avoid it, run away from it, deny it, or project it anymore. Thereโ€™s nowhere else to hide it, and nobody else is coming to save us from the agony of experiencing it.
So, what if we think we are not ready to face it? If we are not ready to listen to it, our bodies start to scream at us to get our attention (pain is the language of the body). If we become a stranger to ourselves, disconnected from our true Source of boundless energy and inspiration, then we turn outwards to seek that which we think we lack/need.
Overvaluing external information over effortless knowing (cellular mind, non-cognitive, clear from programming), allows misleading information to be the one running our bodies, minds, hearts, and ultimately, our lives.
We need to come to terms with the fact that weโ€™ve been lied to. Over, and over, and over. We are so used to giving credit to anybody that portrays they know better than us. Governments, organizations, institutions, industries, the so-called โ€œexpertsโ€, authorities, family, friends, bosses, gurus, etc.
Yes, itโ€™s a hard pill to swallow, but itโ€™s true we take external information at face value while disregarding our authentic source of inspiration. Why? Because weโ€™re a stranger to the voice of the Infinite, which is the voice of Inner Guidance, and True Authentic Inspiration.
We donโ€™t listen to it, because we donโ€™t really know how it feels like, how it ripples through us, how it resonates with our core. All we know is that someone elseโ€™s titles, studies, experience, and expertise have more value than our aware experience at the moment. For most people, our surrendered trust in ourselves and the Infinite + our inner guidance and intuition are unreliable.
The fear of the unknown, the fear of our vastness is too strong. and itโ€™s unimaginable to really feel that life is benevolent. How can it be benevolent when XYZ happened in the world, and ABC happened to me. Right? Well, no. We are our environment as much as we are our bodies. Our experiences are shaped by what we express in authenticity, and by what we suppress in illusion/distortion.
Many people hold their authentic expressions back, which dampens the immense power of the voice. The idea that our life experiences can diminish our self-worth is fraudulent. Our worth has nothing to do with how much weโ€™ve studied, our titles, and our expertise.
Feeling you are worthy, that you are good enoughโ€ฆ that should be a given. No matter what is that you do, where you are, who you are. All are equally valuable, worthy, and unconditionally loved by the Infinite. You are worthy because you exist.
Weโ€™ve been conditioned to question ourselves. Due to trauma, belief systems, traditions, habits, indoctrination, programming, and social conditioningโ€ฆ all of this (and more) creates the prison walls of our minds and the self-imposed limitations of our expression in life. This creates incredible amounts of density and blockages that generate illusions and distortions in our lives. Authenticity cannot be expressed in these conditions.
When we are in that stage, the dark night of the soul, we come to the conclusion that itโ€™s either giving up or allowing ourselves to see behind appearances, raise our eyes above the storm, and surrender to the Infinite Being. When we give ourselves permission to alter our perception, change comes immediately. We realize we need to take responsibility for the state of our bodies, mind, emotions, and our environment. To become, one step at a time, self-sovereign in all aspects of life.
How can a change in perception alter life to such an extent? We start looking inwards, as we realize that we are the cause and not an effect of external circumstances. We stop listening to our reflections. The ones we forgot we generated in the first place.
In physicality, we have the ability to listen to our bodies. If we are in silence and aware of our inner nuances, we become receptive. We cultivate the desire to assimilate the subtle inner whisperings. We see our environment as extensions of ourselves. We slow the pace of life, we pay attention to the symbols, and we see life through a poetic perspective. Nothing is personal, nothing is literal. We focus on the details and see beyond appearances.
Sometimes, awakening an aspect of ourselves that was deep in stasis feels like dying. Because we need to let go of the security of our comfort zone, there is a tremendous amount of fear that needs to be let go of first to be able to see what is truly going on within/without.
We know people are exhausted, and so are we. All of us are doing the best we can, but still, it feels as if itโ€™s never enough. It feels like a never-ending treadmill of rules and responsibilities, expectations, and promises that need to be fulfilled. How could we have the time and clarity to process all these things? To realize weโ€™ve been tricked for so long? That weโ€™ve tricked ourselves in unimaginable ways?
Yes, taking responsibility for our actions requires โ€œenergyโ€. If we are always in survival mode, how can we comprehend that weโ€™ve been living in an illusory reality within an elaborate control system? Itโ€™s almost impossible to detect unless we are making unfathomable efforts to be courageous enough to free ourselves from the massive amount of mind programming, parasites, and infiltration weโ€™ve been subjected to.
Silence is required to achieve this. How can we be comfortable in silence, if we are constantly being bombarded left and right with distractions, and noise? Struggling with emotional pain, trying to avoid being present in the moment, by using addictions and distractions to just cope.
We think that emotions include frustration, depression, anxiety, disappointment, anger, sadness, emotional pain, guilt, shame, blame, joylessness, hopelessness, etc. But those are not pure emotions, they are distorted emotions.
Distorted emotions are felt because of blocked meridians (there are 12 ordinary ones). We donโ€™t fully understand what that entails, yet we attribute them to an outside source. Weโ€™ve been accumulating them, over the years, and eons of time, without ever really processing them, or letting them go.
The reservoir of darkness within/without is so uncomfortable to look at, to feel, that try our absolute best to suppress it temporarily with all sorts of gimmicks, only to watch it surface again the next moment. We run away from it and pretend itโ€™s not there. We get ourselves busy to distract ourselves from the inevitable. We use food, drinks, and drugs to suppress the darkness rising until we temporarily canโ€™t feel it anymore. We avoid people, places, and situations that unconsciously remind us of our darkness because we cannot deal with being triggered and the resistance to life it creates.
That darkness has nothing to do with the devil. The unwanted, unbearable, unforgivable, dreaded, shameful, disappointing, unlovable aspects of ourselves we know exist within us, but even more, the aspects of ourselves we donโ€™t even know exist. Those parts of ourselves that we cannot accept, are what create the spaces in between where even etheric parasites can dwell to create even more chaos.
We were forced to accept, consciously and unconsciously, a reality ruled by a complex control system that resulted in mass insanity from the disconnection from the One and the Only One, our true organic nature and source, our organic habitat. We forgot an undeniable truth. The indivisibility and interconnectedness of life.
Identifying with the tribe, the masses โ€“ social structures โ€“ only suppresses our authentic expression of a being as vast as the cosmos having a human experience. Itโ€™s understandable to feel one is like โ€œlosing their mindโ€, due to the standards that only know how to divide and manipulate for the sake of the few.
Social conditioning systems projected by massive inorganic artificial intelligence systems do not support true health, wellness, joy, passion, creativity, cooperation, communication, assimilation, satisfaction, growth, peace, inspiration, love, trust, etc. The masses overlook, ridicule, and reject the undeniable truth that we are each unique, and that we are diverse, but we still are within Unity. Understanding weโ€™ve all been subjected to this hijacking of our organic nature is key.
In such a passive-aggressive environment, โ€œthe powers behind the powerโ€ know that someone who expresses his/her true authentic self is dangerous. Their goal is population control and domination. They have been launching their operations to support their hidden agendas left and right, for ages. To make mankind fearful, sick, powerless, confused, enslaved to be drained of their energy, and ignorant enough to be eager to give their consent to them to withstand and even promote such infiltration.
Being authentic, strong, fearless, confident, having trust in the Infinite Being, and loving is the most rebellious act we can do to dissolve and dismantle such mind-controlling games. Itโ€™s the key to reclaim our true sovereignty, to live masterfully, as a clear conduit of Infiniteโ€™s Intent.
It all starts to change when we grasp a little bit more of the concept of self-sovereignty. My being is my sustenance. Taking full responsibility means really letting go of all the constructs of our minds and truly, with humility, embracing that which we couldnโ€™t embrace before. Our darkness is the unknown parts of ourselves that beg for inclusiveness in our compassionate understanding.
When we express the bold Song of the Self (our own authentic symphony), that is unique to each of us, without questioning it, without doubting it, we are expressing in authenticity. When we listen to our true inspiration and express it unapologetically, we are being authentic. When we say NO, when things donโ€™t resonate with us, we are being authentic. When we command our space and put healthy boundaries physically, mentally, emotionally, and energetically, we are being authentic. When decide to put ourselves first, we are not being selfish, we are being authentic.
ยฉ Perception Shifter "Illusions shatter as perception shifts." Art by VALMARK Writings by Nathalie Markoch
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loudunity ยท 6 years
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Nathalie Markoch on NMK's album, Iceland and maintaining health
Nathalie Markoch on NMKโ€™s album, Iceland and maintainingย health
Clean and extreme, Nathalie Markoch from Melodic Death Metal band NMK, can do both. As the vocalist and founder of NMK sheโ€™s delivering some sick guttural sounds blended with a powerful clean voice. Hailing from Peru she started singing in a high school choir and developed her own sound through the years. 2018 started nice for NMK with the release of your debut full-length, any other big plansโ€ฆ
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metalshockfinland ยท 7 years
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ANCESTRAL DAWN - Feat. Ralf Scheepers, Fabio Lione, Rick Altzi, Mark Boals, Roland Grapow - Announce New Album, Release New Video "Stormhaze"
ANCESTRAL DAWN โ€“ Feat. Ralf Scheepers, Fabio Lione, Rick Altzi, Mark Boals, Roland Grapow โ€“ Announce New Album, Release New Video โ€œStormhazeโ€
FC Metal Recordings is proud to announce the signing of Peruโ€™s leading heavy metal band, ANCESTRAL DAWN. FC Metal Recordings will be releasing the bandโ€™s debut album, โ€œSouldanceโ€, on March 17, 2017. A definite contender for metal album of the year, ANCESTRAL DAWNโ€™s โ€œSouldanceโ€ mixes ancient South American instruments, international world class guests, and Inca culture-based storytelling into aโ€ฆ
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oblakdark ยท 11 days
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๐•พ๐–Ž๐–‘๐–Š๐–“๐–ˆ๐–Š
"๐š‚๐š’๐š•๐šŽ๐š—๐šŒ๐šŽ ๐šœ๐š๐šŠ๐š—๐š๐šœ ๐šœ๐š๐š’๐š•๐š• ๐š’๐š'๐šœ ๐š‹๐šŽ๐šŽ๐š— ๐š‘๐šŽ๐š›๐šŽ ๐šŠ๐š•๐š• ๐šŠ๐š•๐š˜๐š—๐š ๐šŒ๐šŠ๐š—'๐š ๐šข๐š˜๐šž ๐š•๐š’๐šœ๐š๐šŽ๐š— ๐š๐š˜ ๐š’๐š? ๐š’๐š ๐šœ๐šŠ๐šข๐šœ ๐šŠ๐š•๐š• ๐šข๐š˜๐šž ๐š‘๐šŠ๐šŸ๐šŽ ๐š•๐š˜๐š—๐š๐šŽ๐š ๐š๐š˜๐š›."
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oblakdark ยท 10 days
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๐•ฎ๐–”๐–˜๐–’๐–Ž๐–ˆ ๐•ด๐–“๐–“๐–”๐–ˆ๐–Š๐–“๐–ˆ๐–Š
โ€œ๐™ป๐š˜๐šŸ๐šŽ ๐š๐šž๐šœ๐š ๐šœ๐š™๐š›๐šŽ๐šŠ๐š๐šœ ๐šŠ๐š ๐šŠ๐šข ๐š๐š‘๐š›๐š˜๐šž๐š๐š‘ ๐šŒ๐š˜๐šœ๐š–๐š’๐šŒ ๐š ๐š’๐š—๐š๐šœ ๐š’๐š ๐š๐š›๐šŠ๐šŸ๐šŽ๐š•๐šœ ๐š’๐š—๐šŒ๐š•๐šž๐šœ๐š’๐šŸ๐šŽ๐š—๐šŽ๐šœ๐šœ, ๐™ธ ๐š๐š›๐šž๐šœ๐š ๐š ๐š’๐š๐š‘ ๐š’๐š—๐š—๐š˜๐šŒ๐šŽ๐š—๐šŒ๐šŽ ๐™ธ ๐š ๐šŠ๐š—๐š๐šŽ๐š›."
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oblakdark ยท 14 days
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๐•ฏ๐–Š๐–˜๐–™๐–—๐–š๐–ˆ๐–™, ๐–™๐–๐–Š๐–“ ๐•ฎ๐–—๐–Š๐–†๐–™๐–Š
"๐šƒ๐š‘๐šŽ๐š›๐šŽ ๐šŠ๐š›๐šŽ ๐šŒ๐š˜๐šž๐š—๐š๐š•๐šŽ๐šœ๐šœ ๐š ๐šŠ๐šข๐šœ ๐š๐š˜ ๐š•๐š’๐šŸ๐šŽ ๐š’๐š—๐š–๐š˜๐š›๐š๐šŠ๐š•๐š’๐š๐šข ๐™ธ๐š๐šœ ๐šš๐šž๐šŠ๐š•๐š’๐š๐šข ๐š๐šŽ๐š™๐šŽ๐š—๐š๐šœ ๐š˜๐š— ๐š˜๐šž๐š› ๐šŠ๐š‹๐š’๐š•๐š’๐š๐šข ๐š๐š˜ ๐šŠ๐š•๐š•๐š˜๐š  ๐š†๐š‘๐šŽ๐š—๐šŽ๐šŸ๐šŽ๐š› ๐šข๐š˜๐šž ๐š๐šŽ๐šŽ๐š• ๐šŠ ๐š–๐šŠ๐š๐š›๐š’๐šก ๐šข๐š˜๐šž'๐šŸ๐šŽ ๐šŽ๐š—๐šŒ๐š˜๐šž๐š—๐š๐šŽ๐š›๐šŽ๐š ๐™ณ๐š’๐šœ๐šœ๐š˜๐š•๐šŸ๐šŽ ๐š’๐š ๐šข๐š˜๐šž ๐š–๐šž๐šœ๐š ๐š๐š˜ ๐šŽ๐š–๐š‹๐š›๐šŠ๐šŒ๐šŽ ๐š๐š›๐šŠ๐šŒ๐šŽ๐š๐šž๐š• ๐š๐š•๐š˜๐š ."
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oblakdark ยท 15 days
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๐•พ๐–š๐–‡๐–™๐–‘๐–Š
โ€œ๐™ฝ๐š˜ ๐š–๐š˜๐š›๐šŽ ๐š•๐š˜๐š˜๐š”๐š’๐š—๐š ๐š‹๐šŠ๐šŒ๐š” ๐šƒ๐š‘๐šŽ ๐š๐š›๐šŽ๐šŠ๐š– ๐š’๐šœ ๐š˜๐šŸ๐šŽ๐š› ๐šƒ๐š‘๐šŽ ๐š™๐šŠ๐šœ๐š ๐š’๐šœ ๐š‹๐šŽ๐š’๐š—๐š ๐š›๐šŽ-๐š ๐š›๐š’๐š๐š๐šŽ๐š— ๐š๐šŠ๐šœ๐š ๐™ฝ๐š˜ ๐š–๐š˜๐š›๐šŽ ๐š•๐š˜๐š˜๐š”๐š’๐š—๐š ๐š‹๐šŠ๐šŒ๐š” ๐š„๐š—๐š’๐š–๐šŠ๐š๐š’๐š—๐šŽ๐š ๐š™๐š˜๐šœ๐šœ๐š’๐š‹๐š’๐š•๐š’๐š๐š’๐šŽ๐šœ ๐šƒ๐š‘๐šŠ๐š ๐šŽ๐š—๐š๐šŽ๐š›๐š’๐š—๐š ๐š๐š’๐š–๐šŽ๐š•๐šŽ๐šœ๐šœ๐š—๐šŽ๐šœ๐šœ ๐š‹๐š›๐š’๐š—๐š๐šœ ๐™ฐ๐š– ๐™ธ ๐šŠ๐š‹๐š•๐šŽ ๐š๐š˜ ๐šŽ๐šก๐š™๐š›๐šŽ๐šœ๐šœ ๐šŠ๐šž๐š๐š‘๐šŽ๐š—๐š๐š’๐šŒ๐šŠ๐š•๐š•๐šข? ๐šƒ๐š˜ ๐šŒ๐š˜-๐šŒ๐š›๐šŽ๐šŠ๐š๐šŽ ๐šŠ๐šœ ๐™ธ ๐š๐š›๐šž๐š•๐šข ๐š ๐š’๐šœ๐š‘? ๐™ป๐šŽ๐š ๐š–๐šŽ ๐š—๐š˜๐š ๐š‘๐š˜๐š•๐š ๐š˜๐š— ๐š๐š˜ ๐š๐š‘๐š˜๐šœ๐šŽ ๐š๐š’๐š–๐šŽ๐šœ ๐š˜๐š ๐šข๐š˜๐š›๐šŽ ๐™ป๐šŽ๐š ๐šŠ๐š•๐š• ๐š›๐šŽ๐š–๐šŠ๐š’๐š—๐šœ ๐š ๐šŠ๐šœ๐š‘ ๐šŠ๐š ๐šŠ๐šข ๐š ๐š’๐š๐š‘ ๐š๐š‘๐šŽ ๐š๐šŠ๐š ๐š— ๐™ป๐šŽ๐š ๐š๐š‘๐šŽ ๐šœ๐šž๐š‹๐š๐š•๐šŽ ๐š•๐š’๐š๐š‘๐š ๐™ธ ๐š๐šŽ๐šŽ๐š• ๐š๐š‘๐š›๐š˜๐šž๐š๐š‘๐š˜๐šž๐š ๐š–๐šŽ ๐™พ๐šŸ๐šŽ๐š›๐š›๐š’๐š๐šŽ ๐šŠ๐š•๐š• ๐š’๐š•๐š•๐šž๐šœ๐š’๐š˜๐š—๐šœ ๐š๐š‘๐šŠ๐š ๐š๐š’๐šœ๐š๐š˜๐š›๐š ๐š–๐šข ๐š›๐šŽ๐šŠ๐š•๐š’๐š๐šข." ยฉย OBLAK
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oblakdark ยท 18 days
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๐•ญ๐–‘๐–”๐–ˆ๐–๐–†๐–Œ๐–Š
โ€œ๐™ธ ๐š”๐š—๐š˜๐š  ๐š๐š‘๐šŽ๐š›๐šŽโ€™๐šœ ๐š‹๐šŽ๐šŠ๐šž๐š๐šข ๐šƒ๐š‘๐šŽ๐š›๐šŽโ€™๐šœ ๐šŠ๐š•๐šœ๐š˜ ๐š™๐šŠ๐š’๐š— ๐šƒ๐š‘๐šŽ๐š›๐šŽโ€™๐šœ ๐šœ๐š˜ ๐š–๐šž๐šŒ๐š‘ ๐š–๐š˜๐š›๐šŽ ๐™ธ ๐š ๐šŠ๐š—๐š ๐š๐š˜ ๐šŽ๐šก๐š™๐š›๐šŽ๐šœ๐šœ ๐šƒ๐š‘๐š˜๐šž๐š๐š‘ ๐š—๐šŽ๐š’๐š๐š‘๐šŽ๐š› ๐š๐š˜ ๐™ธ ๐š•๐šŽ๐šโ€ฆโ€
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๐•ถ๐–Š๐–Š๐–• ๐–š๐–•
โ€œ๐š๐šŽ๐šŠ๐š•๐š’๐š๐šข ๐šŒ๐š‘๐šŠ๐š—๐š๐šŽ๐šœ ๐š–๐šŠ๐š—๐šข ๐š๐š’๐š–๐šŽ๐šœ ๐šŠ ๐š๐šŠ๐šข ๐šŠ๐š›๐šŽ ๐šข๐š˜๐šž ๐šŠ๐š‹๐š•๐šŽ ๐š๐š˜ ๐šœ๐šŽ๐šŽ ๐š๐š‘๐šŽ ๐š˜๐š•๐š ๐š๐šŠ๐š๐š’๐š—๐š ๐šŠ๐š ๐šŠ๐šข? ๐š๐š˜๐š˜ ๐š–๐šž๐šŒ๐š‘ ๐š๐š˜ ๐š™๐š›๐š˜๐šŒ๐šŽ๐šœ๐šœ, ๐š๐š˜๐š› ๐šŽ๐š๐š˜ ๐š–๐š’๐š—๐š ๐š๐š˜ ๐š๐š›๐šŠ๐šœ๐š™ ๐š‹๐šž๐š ๐š”๐šŽ๐šŽ๐š™ ๐šž๐š™ ๐š ๐š’๐š๐š‘ ๐™ธ๐š—๐š๐š’๐š—๐š’๐š๐šŽ'๐šœ ๐šž๐š—๐š๐š˜๐š•๐š๐š’๐š—๐š ๐š ๐šŽ ๐š–๐šž๐šœ๐š.โ€
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๐•ณ๐–Š๐–†๐–‘๐–Ž๐–“๐–Œ
โ€œ๐™ณ๐šŽ๐šŽ๐š™ ๐š ๐š’๐š๐š‘๐š’๐š— ๐š๐š‘๐šŽ ๐š›๐š˜๐š˜๐š๐šœ ๐š˜๐š ๐šœ๐šŠ๐šŒ๐š›๐šŽ๐š ๐š๐š˜๐š˜๐š•๐šœ ๐š›๐šŽ๐šœ๐š’๐š๐šŽ ๐š๐š‘๐šŽ ๐šŒ๐šŠ๐š๐šŠ๐š•๐šข๐šœ๐š ๐š๐š˜ ๐š๐š›๐šŽ๐šŽ ๐š–๐šŠ๐š—๐š”๐š’๐š—๐š ๐š๐š›๐š˜๐š– ๐š๐š’๐š›๐šŽ ๐šŠ๐š—๐š ๐š‹๐š›๐š’๐š–๐šœ๐š๐š˜๐š—๐šŽ. ๐™น๐šž๐šœ๐š ๐šœ๐š˜๐š๐š๐š•๐šข ๐š ๐š‘๐š’๐šœ๐š™๐šŽ๐š›๐š’๐š—๐š ๐šŠ ๐šœ๐š˜๐šž๐š—๐š ๐š๐š‘๐šŠ๐š ๐š’๐šœ ๐šœ๐š˜ ๐š‘๐šŽ๐šŠ๐š•๐š’๐š—๐š ๐š๐š›๐š˜๐š– ๐š๐š‘๐šŽ ๐š˜๐š—๐šŽ๐šœ ๐š๐š‘๐šŠ๐š'๐šŸ๐šŽ ๐šŠ๐š•๐š ๐šŠ๐šข๐šœ ๐š‹๐šŽ๐šŽ๐š— ๐š ๐š‘๐š˜'๐šŸ๐šŽ ๐š‹๐šŽ๐šŽ๐š— ๐š–๐š˜๐šœ๐š๐š•๐šข ๐šž๐š—๐šœ๐šŽ๐šŽ๐š—, ๐šž๐š—๐š—๐š˜๐š๐š’๐šŒ๐šŽ๐š."
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๐•ฎ๐–‘๐–”๐–˜๐–Ž๐–“๐–Œ ๐•ฎ๐–ž๐–ˆ๐–‘๐–Š๐–˜
โ€œ๐™ธ๐š'๐šœ ๐š–๐šข ๐š๐š›๐šž๐š๐š‘, ๐™ธ ๐š‘๐šŽ๐šŠ๐š› ๐š’๐š ๐šŒ๐š˜๐š–๐š’๐š—๐š ๐šŠ ๐š™๐š˜๐šž๐š—๐š๐š’๐š—๐š ๐š๐šŽ๐šŽ๐š•๐š’๐š—๐š ๐™ธ ๐šŒ๐šŠ๐š—๐š—๐š˜๐š ๐š๐šŽ๐šœ๐šŒ๐š›๐š’๐š‹๐šŽ ๐š•๐š˜๐š๐š’๐šŒ ๐š๐šŠ๐š’๐š•๐šœ ๐š๐š˜ ๐šŠ๐šœ๐šŒ๐š›๐š’๐š‹๐šŽ ๐šœ๐š˜๐š–๐šŽ ๐š–๐šŽ๐šŠ๐š—๐š’๐š—๐š ๐š๐š˜ ๐š๐š‘๐šŽ ๐š’๐š—๐š—๐šŽ๐š› ๐šœ๐š๐š’๐š›๐š›๐š’๐š—๐š๐šœ ๐š˜๐š ๐š–๐šข ๐š‘๐šŽ๐šŠ๐š›๐š ๐™ธ ๐šœ๐šŽ๐š—๐šœ๐šŽ ๐š’๐š ๐šœ๐š•๐šŠ๐šž๐š๐š‘๐š๐šŽ๐š›๐š’๐š—๐š ๐š‹๐šŽ๐š•๐š’๐šŽ๐š ๐šœ๐šข๐šœ๐š๐šŽ๐š–๐šœ ๐šŒ๐š•๐š˜๐šœ๐š’๐š—๐š ๐š๐š˜๐š˜๐š›๐šœ ๐™ธ ๐šœ๐š‘๐š˜๐šž๐š•๐š'๐šŸ๐šŽ ๐šŒ๐š•๐š˜๐šœ๐šŽ๐š ๐š•๐š˜๐š—๐š ๐šŠ๐š๐š˜ ๐šœ๐š’๐š•๐šŽ๐š—๐šŒ๐šŽ ๐š’๐šœ ๐š—๐šŽ๐šŽ๐š๐šŽ๐š ๐š๐š˜ ๐š‹๐šŽ๐šŒ๐š˜๐š–๐šŽ ๐š๐š‘๐šŽ ๐šŸ๐šŽ๐šœ๐šœ๐šŽ๐š• ๐š˜๐š ๐š๐š‘๐šŽ ๐šœ๐šž๐š‹๐š๐š•๐šŽ๐š—๐šŽ๐šœ๐šœ ๐š˜๐š ๐šœ๐šž๐šŒ๐š‘ ๐š’๐š—๐š–๐šŽ๐šœ๐šž๐š›๐šŠ๐š‹๐š•๐šŽ ๐š๐š˜๐š›๐šŒ๐šŽ."
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๐•ฌ๐–š๐–™๐–”๐–’๐–†๐–™๐–Ž๐–ˆ ๐•ฌ๐–ˆ๐–™๐–Ž๐–”๐–“
โ€œ๐šƒ๐š‘๐šŽ๐š›๐šŽ ๐š’๐šœ ๐š—๐š˜๐š๐š‘๐š’๐š—๐š ๐š๐š˜ ๐š๐šŽ๐šŠ๐š› ๐š๐š‘๐šŽ๐š›๐šŽ ๐š’๐šœ ๐š—๐š˜๐š๐š‘๐š’๐š—๐š ๐š ๐šŽ ๐šŒ๐šŠ๐š—'๐š ๐š˜๐šŸ๐šŽ๐š›๐šŒ๐š˜๐š–๐šŽ ๐š ๐š‘๐šŽ๐š— ๐š–๐š’๐š—๐š ๐š•๐š˜๐šœ๐šŽ๐šœ ๐š’๐š๐šœ ๐š๐š›๐š’๐š™ ๐šŽ๐š๐š๐š˜๐š›๐š๐š•๐šŽ๐šœ๐šœ ๐š”๐š—๐š˜๐š ๐š’๐š—๐š ๐šŒ๐š˜๐š–๐šŽ๐šœ ๐š›๐š’๐š๐š‘๐š ๐š๐š‘๐š›๐š˜๐šž๐š๐š‘."
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๐•ด๐–“๐–“๐–”๐–ˆ๐–Š๐–“๐–ˆ๐–Š
โ€œ๐™ธ๐š— ๐š๐š˜๐š›๐š–๐š•๐šŽ๐šœ๐šœ๐š—๐šŽ๐šœ๐šœ ๐™ธ ๐šŠ๐š– ๐š–๐šข๐šœ๐š๐š’๐šŒ๐šŠ๐š• ๐šŽ๐šก๐š™๐šŽ๐š›๐š’๐šŽ๐š—๐šŒ๐šŽ๐šœ ๐™ธ ๐š๐šŠ๐š’๐š— ๐š๐š˜ ๐šœ๐š™๐šŠ๐š›๐š”๐š•๐šŽ ๐š•๐š’๐š๐šŽ ๐š ๐š’๐š๐š‘ ๐šŠ ๐š๐š’๐š๐š๐šŽ๐š›๐šŽ๐š—๐š ๐š๐š•๐šŠ๐šŸ๐š˜๐š› ๐šŠ ๐šœ๐š˜๐š—๐š ๐š˜๐š ๐š’๐š—๐š—๐š˜๐šŒ๐šŽ๐š—๐šŒ๐šŽ ๐™ธ ๐šœ๐š’๐š—๐š ๐š ๐š’๐š๐š‘ ๐š๐šŽ๐š›๐šŸ๐š˜๐š› ๐šœ๐š˜๐š๐š ๐š๐šž๐š—๐šŽ๐šœ ๐š๐š˜ ๐š˜๐šŸ๐šŽ๐š›๐š›๐š’๐š๐šŽ ๐š’๐š—๐š—๐šŽ๐š› ๐š ๐šŠ๐š›๐šœ ๐š๐š‘๐šž๐š—๐š๐šŽ๐š›๐š’๐š—๐š ๐š๐š›๐šž๐š–๐šœ ๐š๐šŽ๐šŠ๐š›๐š’๐š—๐š ๐šž๐š™ ๐šŠ๐š•๐š• ๐š•๐šŠ๐š ๐šœ ๐š‹๐š›๐š’๐š—๐š๐š’๐š—๐š ๐š‘๐š˜๐š™๐šŽ ๐š๐š˜ ๐š๐š‘๐šŽ ๐š‘๐šŽ๐šŠ๐š›๐š๐šœ ๐š˜๐š ๐š–๐šŠ๐š— ๐š๐š˜ ๐š๐š’๐šœ๐šœ๐š˜๐š•๐šŸ๐šŽ ๐š๐š‘๐šŽ ๐š’๐š•๐š•๐šž๐šœ๐š’๐š˜๐š— ๐š˜๐š ๐šœ๐šŽ๐š™๐šŠ๐š›๐šŠ๐š๐š’๐š˜๐š— ๐šŠ๐š๐šŠ๐š’๐š—."
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๐•บ๐–—๐–‰๐–Š๐–—
"๐™ต๐š›๐š˜๐š– ๐š๐š‘๐šŽ ๐šŒ๐š›๐šž๐š–๐š‹๐š•๐šŽ๐šœ ๐š˜๐š ๐šŒ๐š‘๐šŠ๐š˜๐šœ ๐š–๐šŠ๐šข ๐š˜๐š›๐š๐šŽ๐š› ๐š—๐š˜๐š  ๐š›๐šŽ๐š’๐š๐š— ๐š’๐š'๐šœ ๐š๐šž๐š๐š’๐š•๐šŽ ๐š๐š˜ ๐š‘๐š˜๐š•๐š ๐š˜๐š— ๐š๐š˜ ๐š˜๐š—๐š•๐šข ๐š˜๐š—๐šŽ ๐šœ๐š๐šŠ๐š๐šŽ ๐š ๐š‘๐šŽ๐š— ๐š๐šŽ๐šœ๐š๐š›๐šž๐šŒ๐š๐šž๐š›๐šŽ ๐šข๐š˜๐šž ๐š–๐šž๐šœ๐š ๐š๐š˜ ๐š‹๐šŽ ๐šŠ๐š‹๐š•๐šŽ ๐š๐š˜ ๐š‹๐šž๐š’๐š•๐š."
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๐•ฌ๐–‘๐–‘ ๐•ท๐–Ž๐–›๐–Š๐–˜ ๐•ธ๐–†๐–™๐–™๐–Š๐–—
"๐™ธ๐š— ๐š๐š‘๐šŽ ๐šœ๐š๐š’๐š•๐š•๐š—๐šŽ๐šœ๐šœ ๐š˜๐š ๐š–๐šข๐šœ๐šŽ๐š•๐š ๐š’ ๐š๐š’๐š—๐š ๐š’๐š—๐š—๐š˜๐šŒ๐šŽ๐š—๐šŒ๐šŽ, ๐š’ ๐š๐š’๐š—๐š ๐šš๐šž๐š’๐šŽ๐š๐š—๐šŽ๐šœ๐šœ ๐šŒ๐š˜๐šœ๐š–๐š’๐šŒ ๐š•๐š’๐š๐šŽ ๐š’๐šœ ๐šœ๐š˜ ๐š๐š’๐šŸ๐šŽ๐š›๐šœ๐šŽ ๐š’๐š—๐šŒ๐š•๐šž๐š๐š’๐š—๐š ๐šŠ๐š•๐š•, '๐šŒ๐šŠ๐šž๐šœ๐šŽ ๐šŠ๐š•๐š• ๐š•๐š’๐šŸ๐šŽ๐šœ ๐š–๐šŠ๐š๐š๐šŽ๐š›."
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