"At times revealed, hidden at times.
I saw my beloved in all I saw."
While Sufism and I, irrefutably, may never share the same page, it has parts that will always intrigue me. Beloved//محبوب, is an abstract concept. Even a relative one, atleast for me. During my language classes, I loathe this word. Having to paraphrase poems (نظم/غزل) to fit in the most mainstream 'drunkard of a poet' stereotype, the infatuations over a beautiful woman or the betrayal of a romantic lover is clearly not my favourite thing to do. But in My Hours, when I'm rendered mildly sober due to sleep and fatigue, I do think of it, yet again, merely as an abstract. An abstract I may or may not understand, an abstract I'll never be able to explain. But what I do understand are these lines.
I read these lines within the hands of a beggar, who recieved alms outside a mosque. I read these lines with the heart of a martyr. I read these lines in the supposed fortress of an ascetic. I read these lines in prostration, and with my head raised towards the sky. Where do I see the beloved, and how? Do I close my eyes for it or I force them open? Do I need to find the beloved, or it just needs a name? I used to believe a muse ruins you, it becomes your vice. Time and again, I've been severely wrong.
We are full of love, in all its essence. Rightly, what stands distinct is the love for the Divine. It is The One True Muse, which who denies of is left alone, stranded and unguarded. The rest of the love is fluid. This muse, except rarely, is variable. Mostly we find new things, new people to love, and very rarely we attach unconditionality with them. However if you do, it finds its place second in the hierarchy, a concept which, I suppose I failed to mention, is very, very abstract to me.
[key words: Sufism, ghazal, poetry, urdu, academia]
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hi vienna!! <33 i hope you’re well!! could you please do amber and purple for the ask game? i hope you have a great day/night!! 💗
amber: favorite poem?
i don't have much i like written in english bc they just feel so bland compared to those i have read of persian or turkish or arabic or urdu or hindi poems (really im realising that i was never exposed to western poetry as a child lol) but i do love "still i rise" by maya angelou! i read a collection of her poetry once a while ago and her words are just beautiful.
"biliyorum sana giden" by cemal süreyya is one of my absolute favourites :') i wish i could give you a proper translation of it it's just so </3 "utansın" by necip fazıl kısakürek is another one of the classics that i adore with my entire being :( he also wrote this one short line that had me gutted for an entire day when i read it called "affet", which translates to "forgive (me)" and it's so, so heartbreaking to me.
"acılara tutunmak" by hasan hüseyin korkmazgil is heart-wrenching as well and i think about it all the time as well ;-; "seni saklayacağım" by özdemir asaf?? gorgeous and disgustingly beautiful.
some noteworthy lines from those that make me feel my feels:
biliyorum sana giden yollar kapalı/ üstelik sen de hiç bir zaman sevmedin beni (biliyorum sana giden)
roughly trans. "i know, the roads leading to you are all closed / and that you never even loved me in the first place"
ölümden ilerde varış dediğin, geride ne varsa bırak utansın (utansın)
roughly trans. "what you called arrival is ahead of death, let what remains back be ashamed"
göz kaptırdığım renkten, kulak verdiğim sesten, affet senden habersiz aldığım her nefesten... (affet)
roughly trans. "for the colours i have seen, for the sounds i have heard, forgive me for each breath i took without your knowing..."
sonra, sen de ölünce kavanozuma gelirsin. ve orada beraber yaşarız / külümün içinde külün, ta ki bir savruk gelin / yahut vefasız bir torun / bizi oradan atana kadar... [...] vazgeçtim toprak olmaktan, vazgeçtim çiçek olmaktan / senin yanında kalabilmek için (ben senden önce ölmek isterim)
roughly trans. "later, when you also die, you'll come to my jar. and we'll live there together your ash in my ash, until a careless bride or an unfaithful grandson throws us out of there... [...] i renounced from being part of the earth, i renounced from being a flower to be able to stay with you."
seni saklayacağım inan / yazdıklarımda, çizdiklerimde, şarkılarımda, sözlerimde. / sen kalacaksın kimse bilmeyecek / ve kimseler görmeyecek seni, yaşayacaksın gözlerimde (seni saklayacağım)
roughly trans. "i'll hide you, believe me / in my writings, my drawings, my words. / you'll stay, nobody will know / and nobody will see you. you'll live in my eyes."
acı çekmek özgürlükse / özgürdük ikimiz de (acılara tutunmak)
roughly trans. "should suffering mean freedom / we were free, both of us"
these poets have such incredible and heart-stopping way with words and i simply cannot even begin to express how touching all of these are when you truly understand the language :')
there's also this one poem from shahryar that goes: no, she has not yet died, because i am still alive / she is alive in my sorrow, my poem and my fantasy / whatever poetic heritage i have is hers / can the center of love and beauty be ever silenced / and that sweet woman die – she, who bore shahriyar? / “never will die the ones whose heart is alive with love.” and that ish breaks me on a regular basis ;-; i still feel so disappointed sometimes bc i will never get to experience his poems in their original language bc i know that some things just CANT be translated or else they will lose their magic ;-;
purple: what makes you nostalgic?
there is this tree on my way back home that i walk by and it has a very distinct smell that catapults me back to the school i went to during my first and second grade and it sucker punched me in the gut when i first smelled it :') it's mind boggling how smells are so closely related to memories </3 marina diamandis' music also throws me back in time and i always reminisce upon my childhood and the time i spent with my best friend ;-; also pictures oml last time i went on a Google earth deep dive and almost broke down crying bc i saw the old cities i lived in and my old houses and the apartments we used to stay in ;-; it was so wild
color ask game.
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Cork in Verse | Ana Spehar interviews Fahmeda Naheed
Fahmeda Naheed holds several academic degrees, including an M.Phil from UCC, Certification in Mental Health in Communities from UCC and Policing and Human Rights Law in Ireland from the University of Limerick. Fahmeda Naheed is a former Graduate Intern for Diversity, Executive Officer, An Garda Siochana, Regional Office, Anglesea Street, Cork, Ireland. She writes for Garda Review Magazine. She is a tutor of Fusion Cooking (Irish-Pakistani food) with Cork City Partnership. She is a member of Faith of Sanctuary and an Ambassador of Schools of Sanctuary.
Fahmeda Naheed is currently working with Doras on SALAAM Project. She is a registered teacher with the Teaching Council of Ireland. She worked in different capacities and roles as a trainer, Intercultural Dialogue facilitator, translator/interpreter, community and researcher and has a few publications. She remained involved in a number of projects for migrants and integration, including running diversity recruitment campaigns for An Garda Síochána, political participation of migrants in Ireland, training projects; policy initiatives, providing training on Domestic and Gender-Based Violence, campaigns through involving schools, and college students in raising awareness on diversity issues through public speaking, research and writing projects.
Your poem was recently published as a part of the Protest Poetry collection and you wrote an essay for the Pathways collection, both for Good Day, Cork. When did you start writing? Do you prefer to write poetry or prose, or both?
I started writing at my school age. I use to write in my own language which is Urdu and expressed my thoughts in both poetry and prose. I tried to look at the world in the shoes of others which helped me to make many friends from different age groups who shared their encounters. I feel writing in any form is beautiful but through poetry, many messages can be sent across and readers imagine them according to their own lived experiences.
Can you tell us more about your creative process? Do you have a favourite writing space?
I have always things going on in the back of my mind which is never planned. Any reading, listening to other stories, experience, overwhelmed emotions, cause and effect impact, environmental influence, day-to-day life and family challenges – all contribute to my creative process. I do not have any specific writing space. If I get in the mood to write, I write while sitting on a bus, park, room or anywhere. I just need a feeling and mood as a stimulus and of course time.
Would you look on writing as a kind of spiritual practice?
Yes, writing is a spiritual practice. It is a reflection of body and soul needs which need a sense of attainment, attention and eagerness. It balances the needs, aspirations and soul journey. We have to discover our soul pathways through reading, writing, listening and expressing through spiritual learning practices. Anger is a very strong emotion which needs to be translated into a good expression and poetry, art, writing, creativity makes this possible. Also dealing with mental health, we need to reflect on ourselves that all senses of learning are working together, with full potential for smoothness of our mental and physical world.
Where do you seek inspiration from?
Just like life, you learn in multiple ways- people, books, places, nature, feeling, success, failure, religion, relationships, news, conversation, dialogue, work, research, love, knowing yourself, dreams, movies, ideas, and sometimes no idea where I get ideas too! I definitely look into that idea that challenges me as a person, questions my presence, and touches the soul, asks questions to reason my own creation and creativity and character. There is not a single person in my life, I met and did not get inspiration from. If you ask me my first inspiration, I would name Allama Iqbal, a 20th Century poet, South Asian writer, philosopher, politician and man of vision. I was so addicted to his philosophy of life that it boosted my morality, self-reliance, courage and resilience, dedication, confidence, self-respect, sense of achievement, dignity and hope. The language he used, worked as a spiritual revolution for me. Just a short quote from his poetry
‘Delve into your soul and there seek our life’s buried tracks;
Will you not be mine? Then be not mine, be your own right/your own self!’
What book would you recommend to our readers?
I would recommend readers read the English translation of the Quran, not by considering it as a religious book but by analysing it from many perspectives. I read it every day and derived the essence of my life -it consists of stories, ups and downs of nations, sociological aspects, language and literature, civilization, rise and fall of civilizations, character-building, love, care, right and responsibilities, the guidance of life and quality of life. It helped me to set up my priorities, sense of real life, hard work, timetable, and work-life balance. It gave me the purpose that humanity starts from yourself (self-kindness), and spreads to family and then to the community. It developed my love of nature and understood the delicate messages it gives. I developed research methodologies from Quran – from investigations to the highest aspects of intellect. There are parts in it that credit the wisdom and vision in understanding the universe. It inspires the readers through monologue, historical and contemporary themes and character-building to community-building.
Tribute to women
(Tribute to all women - Vicky Phelan, Sandra Boyd, Mary Bergin, Ruth Lohse, Alyson Nelson, Louise Muckell, Margaret Una Noone, Lisa Thompson, Larisa Serban, Miriam Burns, Hollie Thomson, Lisa Cash, Iona Mihaela Pacala, Sharon Crean, Bruna Fonesca, and Natalie McNally)
Who you are
Where are u
No matter what planet u belong to - Part of the planet u belong too!
We share ,we care ,we love, we uplift, we grow ,we touch the sky
We are creators
We are reformist
We are saints, we have spirituality
We flourish
We sustain We together Or alone
We are a masterpiece of nature
We are superior
We are the universe and the universe is in us
We laugh and the world sparks!
We open our eyes to make the sun arises!
We close our eyes and the darkness come
We are not a misery but a cycle of change
The world will definitely realise the beauty We have
We are not shame but we are fame
To the whole world and mankind -we are not defeated as we are warriors of an unending war
Which will end on the dome’s day!
We are courage and never failed
We are struggling to make our ways
We are seeds, plants, trees and shadows in the rain and severe weathers- all seasoned
We are spring but autumn is the time when we all get ready to grow
We are fertile though few try to barren us!!! Something is wrong which must be changed and stopped…. You can't ignore us, you can't avoid us
We are stars, always shining, sometimes dark makes us see
We are cure
We are not a drama episode but we are here from start to the end and before start to after the end!
We are romance and poetry, the world can't live without us
We are souls of the body of this planet
Nothing can work without us
Nothing will grow without us
Heaven is under our feet
We will change the world - we are conquerors
Come forward, grab yourself and shout ‘We are time and never will die’
We are colours
When u accept yourself
Whole world will accept u
Embrace your self
In your own arms-lift yourself from your own power
Never see outside, inner is your existence
Plan your plans-make them real as real as you are
No worries, love yourself, find your soul, find your ways, fly with spirit-
love resides in you- Care yourself as kindness begins from you!
Laugh with soul and dream your dreams-Your eyes are yours to find you- Your hands are yours to build yourself- Your taste is yours, taste the taste
Sketch yourself, build yourself,
with your hands, create yourself!!!
What if there is no Hate
What if there is no hate
The planet will be one belonging to all- blacks, whites, yellows and browns
Wisdom would be everywhere with no exaggerations
All birds will fly free
Live free, breathe free
no conspiracies
no destruction
no judgments and injustice,
no biases, no stereotyping and hypocrisy
no blames, no claims
no violation of human respect, dignity and rights
No ignorance, no fear, no wars, no damage
AS
Hate is the greatest enemy of peace
Hate is the lowest display of power
Hate is insecurity for everyone, hate is a troll
Hate starts from self-hate-hater’s self
There is hate, there is no life- If there would be no hate, unlimited numbers of dead would be living today or have had longer lives- Lizzie o Neill, Catherine Cooper, George Applebe, Sarah Frances, Michael J.Reynolds, Elizabeth Plunkett, Seamus Quaid, Patrick Gerard Reynolds,Father, Niall Molloy, Marilyn Rynn, Brian Murphy, Ashling Murphy, Lisa Cash and ….
Let’s love, leave no space for hate
hold hands not guns- love is the peak of glory
As hate is a crime, its an evil, a Satan’s dictionary word,
Hate is racism, hate is an ugly projection; a failed word, the most unwelcomed gesture
unlearn hate- “Knowing is not enough, we must apply. Willing is not enough, we must do.”- bruce lee
Embrace love, hold love, hug love, sow love, grow love, source love, come and dare to love!
Love is natural, it is nature, it is God!
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Any Asian, Middle Easter, or Spanish authors/poets you could possibly recommend? I would love to start reading outside of my comfort zone this year.
I don’t know if you had any specific country or culture in mind so I’m just going to include all of my favourites across the whole, plus what’s been recommended to me (I’ve included some diasporic authors and a few anthologies too)
Asian (East, South-East and South):
Arundhati Roy
Andal
Rabindranath Tagore
Kiran Desai
Agha Shahid Ali
Faiz Ahmed Faiz
Han Kang
Banana Yoshimoto
Haiku by Basho, Buson and Issa
Kenji Miyazawa
Takuboku Ishikawa
Li Po
Yu Xuanji
Can Xue
Eileen Chang
Xiaolu Guo
Viet Thanh Nguyen
EDIT: More South Asian writers, courtesy of anon:
Mirza Ghalib
Nazir Akbarabadi
Hasan Manto
Premchand
Adi Shankara
Chanakya
Kalidasa
Middle Eastern (and some North African):
Rumi
Mahmoud Darwish
Saadi Youssef
Maram al-Masri
Hafez
Forough Farrokhazad
Sinan Antoon
Nathalie Handal
Etel Adnan
Nawal El Sadawi
Marjane Satrapi
Ahdaf Soueif
Dunya Mikhail
Khaled Hosseini
Amal el-Mohtar
Adonis (would start with Songs of Mihyar the Damascene, or The Pages of Day and Night)
Nizar Qabbani
Khaled Mattawa (not just for his poems, but his tireless translations which honestly, are a gift beyond measure)
Spanish / Spanish-language
Homero Aridjis
Octavio Paz
Alejandra Pizarnik
Julio Cortázar
Eduardo Galeano
Andres Neuman
Enrique Vila-Matas
Silvina Ocampo
Norah Lange
Dulce Maria Loynaz
Gabriela Mistral
Valeria Luiselli
Isabel Allende
Gabriel Garcia Marquez
Rosario Castellanos
Josefina Vicens
Alejandro Zambra
Lorca
Julia de Burgos
Additional Anthologies:
The Colombian Anthology of Modern Korean Poetry
The Ink Dark Moon: Love Poems by Ono No Komachi and Izumi Shikibu / Women Poets of Japan: An Anthology
Frontier Taiwan: An Anthology
We Sinful Women: Contemporary Urdu Poetry
Breaking The Silences: an Anthology of 20th-century Poetry by Cuban Women.
ÜL: Four Mapuche Poets / Poetry of the Earth: Trilingual Mapuche Anthology
Victims of a Map: A Bilingual Anthology of Arabic Poetry
Inside / Outside: Six Plays from Palestine and the Diaspora
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