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the-golden-comet · 4 days
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🌈✨Hello, lovelies~✨🌈
I’m The Golden Comet, or goldencomet69 as some of you may know me as. 💫
If you’ve followed me before, and wondering why I’m at this account now, you can check out the PSA blog @goldencometpsa .
I am a positive-posting, LGBTQIA+ friendly, 18+ blog , queer writing GOBLIN with many different hobbies and special interests. These include, but not limited to…
🌈✨Writing LGBTQIA+ Romantasy Novels✨🌈
I have an Archive Of Our Own account, where all of my novels will be published for free. However, I am also a self published author on Amazon Kindle eBooks, if you wish to support me further (no pressure, though!)
Peter Hart— Available on Amazon Kindle eBooks and Archive Of Our Own
✨🎨Digital Art🎨✨
I love to illustrate for my novels. You’ve probably seen my works before, but I’ll post a few examples here:
Peter and Benjamin, the dynamic duo protagonists of my novel Peter Hart:
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The College-Life Graduate students Ali and Noah from my WIP Your Wish is My Command:
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And, from my fanfiction The Wingman on AO3, Ganon and Link from The Legend of Zelda:
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I also draw NSFW, but I keep those pictures strictly to my 🌶️ Twitter (X) Account 🌶️
🎶 Composition🎶
I write music, especially for my novels. I have a soundtrack for Peter Hart available on AO3. However, I’ll share two compositions here:
“Into the Ashes”
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“Hart’s Lament”
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I’ve always been a “Jack of All Trades” type, and I love sharing my creativity and culture with the world and making our lives a little more bright ✨
🎮 Video Games🎮
Yes, I am a gamer. My current obsessions are Legend of Zelda (BOTW/TOTK), Stardew Valley, Spyro the Dragon, Sly Cooper, and Genshin Impact.
I also know about a variety of other video games from my husband, including but not limited to: Dark Souls, Bloodborne, Elden Ring, Ghosts of Tsushima, Remnant (I and II), Armored Core 6, EDF, Helldivers (I and II), and all the ones I mentioned previously as well 💍 ✨
📖 Philosophy📖
My philosophy is as such: It doesn’t take a whole lot of effort to be kind. That means, you may see me positive-posting a lot. The world needs a little more light, and a lot more motivated minds✨
If you are ever troubled, want a friend to chat with, share ideas and stories, and are 18 or older, my ask box and DMs are always open. Just know it may take a little longer to get back to you due to the aforementioned things I’m doing. 🫠
Oh, my kingdom for a cup of joe ☕️
If you made it this far, thank you for reading! Feel free to reblog, share my profile, art and stories….as long as you give me credit for them 💫
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declanlikesmusic · 3 months
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The Best Song on I'll Try Living Like This
In May of 2015, the now legendary & iconic vaporwave trio known as death's dynamic shroud put out what would be the 12th album in their now 50+ discography of full-length records, this one on the then-prestigious Dream Catalogue label: I'll Try Living Like This, produced solely by two of its members James Webster (known as HCMJ) and Keith Rankin (known as Giant Claw). The album was produced in the midst of awaiting cassette production for what would end up being their 13th album in 2016 on Rankin's Orange Milk Records label, produced by the remaining member Tech Honors: CLASSROOM SEXXTAPE.
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From the moment it came out to this very day and beyond, I'll Try Living Like This remains to be seen as death's dynamic shroud's revolutionary, genre-redefining magnum opus and it stands as one of vaporwave's most creative & experimental records to achieve this level of notoriety. There's a lot to be said about each individual track and how it pushes the boundaries of a genre so many people neglectfully view as reductive & derivative. But one tracks I want to particularly highlight is one that isn't often seen as the emotional high point that it is early on into the record.
혼자 남은 지금 꼴이
The fourth track into the record in a short streak of amazing tunes kicks off with two samples: The introductory vocal humming of Avant from his song Separated and the stretched out instrumental to AOA's Miniskirt providing the beat & chords, provided more density & reverberation added to the beat. Beyond that, you hear a whole lot going on. There's a specific recurring vocal sample that gets chopped up & glitchy throughout the song, I can't confidently tell you where that's from, it could be from Separated again for all I could tell. Above that, you hear dialogue from CSI: NY spliced in, coming from Kim Kardashian of all people, some shimmering sounds coming from the intro to Fleetwood Mac's classic song Everywhere and later on, some lesser edited samples of the Legend of Zelda Sound & Drama, which I'll touch on in a moment.
It's an incredibly dense track, but more important than what it samples it how it feels to sample these things. The Miniskirt beat, once an upbeat, sharply produced k-pop track, is paulstretched & echoed out to feel much more lethargic but equally intoxicating. I think even without the added elements, the backing track is absolutely thick & heavy. It's like walking through the city on a packed night and just slowly dragging yourself through an extremely concentrated atmosphere, an opaque fog of urban smoke & emotional weight, and it wouldn't feel that way if it didn't sound so… melancholic.
There's a sadness permeating throughout the song. The strange CSI: NY dialogue, the dragged out & buffering vocal glitches, the lonely Avant vocalizing, there's something about all of those elements, combined with the once sensual love song beat profusely slowed down, that makes the whole experience feel so depressive, like an alcoholic bender. After two and a half minutes of this, you're given even more hints to what all of this is. A Japanese dialogue sample from the aforementioned Zelda Sound Drama plays and it of course reads like a piece of Zelda drama… but one sentence sticks out:
愛が鍵です。(Love is the key.)
A little further in, the shimmering of the Everywhere sample strips away. For a moment, it feels less crowded, but still… sad. Shortly before the four minute mark, Link's cry for Zelda is heard, the beat disappears for that moment and when it cuts back in, you hear something swelling in the background. You feel an emotional tension starting to rise. Then Avant sings.
We never turned our backs on each other But now that we're separated We can't stand one another And when we were together We never turned our backs on each other But now that we're separated We can't stand one another You did me wrong
This is a breakup song. More than anything else, it's a tragic, bittersweet, heart-wrenching breakup song. The added bass synths to the beat and orchestral strings climbing further up in the background for as long as those lines are sung; it feels like the rest of the track that came before was trying to suppress its deeply sorrowing emotions before all that resistance just shatters and every ounce of grief just spills out into tears falling into the puddles of rain below. The song concludes from there and it overall changes the dynamic depths of this album's extremely abtract concepts that are as hard to define, pinpoint or deciphir as this one is, if not more so.
This wasn't my favourite song for the longest time. I mean, for a long while, it was 그대 기억에 지쳐 잠들죠, but that's more of an interlude piece that directly transitions into a reprise of this song, funnily enough, that further elaborates on that Miniskirt sample with a bit of an eccojam. But other times, it was Loving is Easy or everybody's favourite 내 마음은 떨고. It was hard to define what really makes I'll Try Living Like This's best song. Sure, the latter had probably the best production of the bunch and the most energy for it, but an emotional pique or a definitive highly was hard to come by in an album that was always so consistent but always in some way relied on its surrounding pieces or the overall album package. 혼자 남은 지금 꼴이, however, completely stands on its own. As its own song and its own emotional piece.
I think it goes ultimately unrecognised in the grand scheme of this album because of how subtle it all is. Everything I just described to you about the song is subtle in their respective degrees. You really don't come to notice its value at the face; you find it out by digesting it further & more thoroughly, giving each listen its own time to clue you in to what it's about and what it's doing here on the album. It ultimately comes across as the most rewarding song on what is considered to this day to be death's dynamic shroud's masterpiece.
One that is immeditely ruined by the vocal samples on 이보다 좋을 수는 없겠어, but believe me, we do not want to have that conversation today.
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thetoxiccupcakes · 9 months
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Hey Artists, Writers, Musicians! Let's all use this post to support eachother and say hello!! Feel free to share your art, thoughts, or any positivity💕
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judyconda · 2 years
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Happy Thursday to everyone - sending pictures to Papa IV to appreciate ur day
I am just in love this already 🥰🥀🩸🖤🤩
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greyhatch · 6 months
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A hipster prediction:
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Cassette tapes will gain traction again in the next 10 years.
As we all know how valuable physical media is, as at time record labels will take down or paywall any accessable mucic on online platforms. Its just easier and convenient to have CDs or Vinyl because of their portability (if you have a car CDs are fucking superior). Albeit I know people have phones.
So cassettes would be niche for starters and only collectors or retro outlets would have stock. Added to the fact that walkmans and stereos with tape capabilities are becoming increasingly hard to find...
But look:
. Nostalgia is a hot commodity
. Trends usually resurge very strong every 20-30 years
. They are portable, small and lightweight.
. Imagine the sheer amount tapes from mainstream bands in the 70's/80's.
. Once it's cool to collect (ie. Vinyl) capitalism will catch on and try to sell it for you for 3x the price, leading to a new market.
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heyitsellebell · 2 months
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elle’s diary - Page 115 - 09/03/24 @ 7:38pm
heya, hope you’re well ☺️ Today was my day off so I didn’t do too much. Listened to a record (Unamerican Beauty - XYLØ), made a nice lunch, relaxed with Prue - all very chilled things.
It was very hot outside (35•C, sunny and windy) so I kept the house cool and have been drinking so much water lol. It’s still quite warm now, hopefully by the time I go to bed it cools a bit. Anyways, that’s gonna be all for now. Thanks for reading and take care of yourself <3
lots of love,
elle xoxo
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thunderbolt-brothers · 2 months
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We love Sluglord band they are great fun. And we know the guys very well. Check them out on Bandcamp.
Difficult to put them into any one genre though. What do you think?
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cavedwellermusic · 3 months
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SEEKING MUSIC WRITERS!!!
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We are once again putting out the call for new writers for Cave Dweller Music! We have a brand new website and are looking for more music lovers to help us continue to fill it with new content.
You don't need to have any writing experience, we can help with that, all you need is a love of music and a willingness to write about it.
So if you want the freedom to cover new music or classic albums, write articles and deep dive into music and music history, or to interview artists, we are here to support you.
If you're interested in joining a great team then contact us either through the form on our website at the link below or via Facebook or Instagram.
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unitedsongbird · 1 year
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And It's Still Alright
The power of words should never be underestimated – especially when it comes to our daily lives. A single phrase or thought can have a profound impact on our mood, energy level and outlook for the day. Good day dear friends, readers, enthusiasts, and welcome to the latest write-up. With every new day/evening, comes an opportunity for personal growth and self-reflection. Just always note - if your voice is high, only a few people will hear. If your thought is high, then many people will listen.
A song of the moment belongs to American singer-songwriter musician Nathaniel Rateliff, with "All or Nothing". Opinions may vary here, but this tracks gentle string section and dreamy celeste chimes... swings with (wait for it) an unexpected dose of fanciful behavior. Thank you for dropping by and let's explore another artists' soon.
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soapdispensersalesman · 7 months
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chinesefoot-ball · 8 months
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08.20.23
two posts today because why not? i should've been sleeping already, it's late and i have school tomorrow early in the morning, but i can't sleep at all. i actually don't want to sleep, because it's going to be monday when i wake up and on mondays i have to actually do things i don't want to.
i love american football so much, is literally my favorite band ever. i also very much enjoy chinese football, both are fantastic bands with amazing sounds.
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declanlikesmusic · 6 months
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Music is a thing in the music industry and so I would like to talk about music,
Why Plunderphonic Concept Albums Should Be a Bigger Thing, Actually.
Plunderphonics is such a fascinating genre to me. There is so much potential in taking pieces from other peoples' work and using those pieces to orchestrate a new work entirely. Not just that, but taking those pieces and crafting a new story out of them aurally, like a concept album or a sound collage, something of the sort.
When I say that, the first example that comes to people's minds when it comes to sample-based concept albums, it's most likely Everywhere at the End of Time by The Caretaker. If you don't already know, Leyland Kirby produced a monolithic 6-part saga of albums that ran from 2016 to 2019, each part representing a different stage of Alzheimer's disease & dementia and each part taking from super old traditional pop & jazz records and warping them to some degree until the very end where they're no longer intelligible. It's an absolutely staggering work of art and it blew up in the years since its conclusion to stunned reactions.
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But to me, there's a lot more do delve into than creating haunting ambient pieces like this. Not to knock The Caretaker at all, I think it's amazing that this even happened, but it's nothing that I would personally want to listen to regularly, unless I wanna feel spooked by putting on Stage 3, but even then, look me in the eye and tell me you would listen to that kind of thing in the background on a casual setting.
Another artist that kind of fails in this regard is also one of the most important & genre-defining plunderphonics acts. Negativland are an infamous band in one of the best ways possible, using sample-based music to create some of the most biting pieces of satire in the late 80s and even 90s. I love it. They still don't have that replayability to me personally, but I still can't think of songs like Christianity is Stupid and Yellow Black & Rectangular from their Escape From Noise album without chucking a laughing fit.
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Nowadays, plunderphonics music is so much easier to make than with the technology they had back then, so those albums are still miracles to me. Today, they're almost too easy to make. There are more plunderphonics albums in this past decade and a half than at any other point in history. To mention that, I need to talk about vaporwave again. They didn't start off as super detailed conceptual albums, but the way they have presented themselves over the years, you'd think they were conceptual by default.
Vektroid's pioneering albums in this genre are very potently indicative of the sounds, atmospheres and even worlds that they were not only capturing, but deeply exuding in their mere presence. You listen to Floral Shoppe under her Macintosh Plus alias and you are immediately taken somewhere else. It's completely atmospheric in that there's an ambience to the music that's playing and how they're twisted to warp you into its reality.
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I know I've knocked The Caretaker's music for being too ambient, but there's a musicality in the way that Vektroid distorts her samples that still keeps them wildly enjoyable to me. I've especially been tuning into her New Dreams Ltd. project's Initiation Tape: Isle of Avalon Edition a lot recently for this exact reason. I almost so desperately want a visual accompanyment, I want to be in that lonely hotel room in the middle of the night with only this music & my feeling.
I could talk all day & every day about vaporwave albums that capture me and lift me away with their potent atmospheres. Tuning into Vacant Places by Hantasi, which makes me float like a ghost across the halls of its incredibly haunted & dense yet empty shopping centre; or The Path to Lost Eden (ロストエデンへのパス) by Nmesh & telepath テレパシー能力者 whose individual sides take me to two different ends of a journey to a mystical rainforest paradise; or Into the Light by Infinity Frequencies if I ever want to see The Backrooms again.
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I also want to add probably vaporwave's biggest leading act right now into the conversation, who were responsible for some of the genre's most enriching & creative concept albums. death's dynamic shroud.wmv is a supergroup who at a point in time were creating conceptual mixtapes non-stop in 2014, my personal favourite being SEAWRLDハートブレーク from their member Tech, but there are a ton of fan favourites across their discography to choose from.
They didn't stop there either. James & Keith put together the group's magnum opus in their essential I'll Try Living Like This the following year and after a while of slowing down, they've since kicked off the NUWRLD Mixtape Club with new albums almost every month, many of which are concept albums of multiple stripes! It's so impressive how much they've been able to put together as a group.
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But I'm getting ahead of myself, because over the course of its existence, vaporwave as a genre has also grown to have albums sometimes simply be albums without the need for heavy concepts or even samples to speak of to deliver an atmosphere. But I want to talk about a certain artist who bridges between plunderphonics & vaporwave in ways that I think have loads of potential in unprecedented ways.
If you know me, you know I'm talking about christtt. He's one of the most experimental figures in the vaporwave genre and often the most polarising because of it. His 2016 album no lives matter* takes the simplest components of vaporwave and completely flips them on their head by delivering themes & concepts of death and the afterlife in hell. It's the minimal sample editing and yet potent atmospheres that are common in most vaporwave albums taken to some of their logical extremes.
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Along with that, you have his 2018 album deep dark trench, another concept album that delivers in a completely unique way, taking from sound collage to deliver emotions about worldwide tragedies. Not to mention his side-project 아버지 (father2006) and its album reflection, another album about death that is far more ambient, simultaneously dissonant and yet emotionally devastating. These three are among my favourite albums of all time. They are so incredibly captivating, both sonically & conceptually that they make up my most replayed listens ever.
There is so much potential in the music that he's creating that so few people are taking from to create their own concept albums with these approaches to vaporwave & plunderphonics. Especially since the ones that I currently have in mind the most recently are also among the most flawed examples. To bring up christtt again, as much as his best material has some amount of contentious decisions put into them, his lower received material is even more debatable.
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His most recent album last year A.D. is probably his most underrated? It combines many of the styles that he's experimented with in a concept album about the rapture. It mostly centers around the lone survivor, but there's also a suite of tracks titled hell that surround those in the afterlife, which caught many people off guard. Even worse is social justice whatever from 2017, what I see as a love letter to the early ages of the internet paired with subtle sombre & bittersweet moments, most other people see as a compilation of chopped together memes & shitposts, understandably so.
But the biggest example to me of the unforeseen potential in music such as this is made not by him but one of his protégés. This year, a friend of mine RAWINTHEVOID put out their most recent concept album NOTINTHEMOOD, which tells the story of love at first sight turned into a sexual yet eventually bitter & spiteful relationship. There are some amazing tracks on this album that I highly recommend you sit through to find for yourself, but in my opinion, it also has some rough patches. I'm proud to say he's certainly found his edge ten albums in, but it needs some sharpening & polishing to say the least.
Conclusion? No. Concussion. 💥🔨
Overall, I hope this post serves as an inspiration for more albums like these to be made. Plunderphonic music these days is so easy to create, but it's also much more difficult to create great plunderphonic music and additionally, great plunderphonic concept albums. I would kill to see so many more albums like these coming out today. With the state of Bandcamp right now and how slowly the vaporwave scene itself has been progressing since 2017, it's easy to not have too much hope, but the potential I see is incredibly boundless and I implore anybody reading this who's interested in making music like this to get creative and go wild. The music world is your plundered oyster.
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idiotcoward · 10 months
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Do y’all do last fm grids on tumblr? Here’s mine for the first 6 month of the year! Just getting started on tumblr and I’m looking to find more people with bad music taste like me.
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judyconda · 2 years
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Start your mid week today with some cardinal copia / papa IV photos to comfortable with your timeline!
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You love to see this 🖤🤘🏻
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Enjoy and have a great day
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lotus-n-l0ve · 6 months
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