hayley williams covering dreams by the cranberries......... she did that for me personally<3

Maybe this is a stupid question, buuuuut:

I just can't imagine a world that Rhaegar comes back from the Trident, wins the war and becomes king. No, I'm not a anti Rhaegar, matter of fact I like him very much, I'm just can imagine how would Lya, little Jon, this whole affair, would settle in the capital. The norm that fics (at least those I read) tend to follow is to make Rhaegar:

1. A douche, paranoid and destiny-obessed king.

2. Completely incompetent, aloof monarch, that deep down has a heart of gold, but can't really be understood.

I mean, isn't he supposed to be a scholar since he was a kid? What's are your thoughts about it?

oh, yeah, i can totally understand this! it's is the whole point in canon actually, "the wrong man came back from the trident". you would expect a hero win against his antagonist and have a happy ending w his lady love but it doesn't happen. instead the subversion happens to them with rhaegar being killed by robert who becomes obviously a shitty king and lyanna dying after him. they were never supposed to have happy ending, they were created as tragic and doomed and dead from the beginning for the whole plot to start, jon to have his parentage mystery and dany to take the passed baton as the last dragon, prophesied savoir and the heir who has to carry entire house on her back now.

as for the realistic rhaegar wins aus that's the difficult question. tbh we just don't know enough abt their situation, plans and wishes. you see, e.g. in agot we can be right in ned's head and see his motivations, what he was thinking abt, what he was planning, what he was hoping to do. but if his story was told the way rhaegar's was i bet he would have his own crowd of haters and ~intellectuals~ jumping out every two seconds w their "hot takes" how actually all hints abt what rlly happened (ned being a good man w his own sense of honour, justice and experiences affecting him and the deal w cersei's children) doesn't matter and he was an ambitious prick, planned to grasp the power by being joffrey's regent and make his daughter sansa queen. (you can actually insert there any bullshit and still don't reach the level of stupidity of such "hot takes" this fandom loves so much lmao). also he would be blamed to the hell and beyond for being too stupid and not foreseeing the future and actions of other ppl bc ofc after everything happened it's so easy to say what was so obvious to notice. also they would say that the deaths of his men and horrible fates of his kids are 100% his fault and even straight up say he killed them lmao. i can rant abt it for hours so yeah. this is a situation w too many unknown variables bc it depends too much on actions of too many characters we don't know enough abt. the only thing it's possible to tell for sure is the fact that there couldn't be any perfect solutions since things got too complicated at this point.

such fics as you've mentioned tho are just a part of this dumb fanon where rhaegar is "too prophecy obsessed"/"incapable of love"/shrodinger's rhaegar both smart and stupid at the same time/whatever/all of this combined lmfao. the man was notably intelligent from the early age as you've absolutely rightly mentioned, his guesses abt himself being tptwp have nothing to do w egocentrism as some parts of the fandom would want us all to believe unless he wouldn't be so reasonable abt it and later on, after so many years, wouldn't have changed his mind and thought his son could be tptwp.

and literally fuck all antis that think you shouldn't consider prophecies that hold real power in this fantasy world lol. you know, aegon the conqueror was said to be motivated (or at least partly) to unify westeros by the prophecy and still got the treatment of perfect/maximum close to perfect figure of a leader everyone should look up to from the narrative and grrm. prophecy obsessed much, huh? i don't even talk abt all these parallels between him and rhaegar grrm put there not for bitches to ignore them completely! and i will never get tired of reminding that dismissing prophecies is UNWISE for targaryens of all people. the house whose story is built on the dream of young daenys and her father aenar that listened to her despite common sense (or what local "anti magic"/"anti prophecies" clowns consider to be common sense). targs would be as dead as the rest of dragonlords if not for daenys the dreamer. who else in the world has as many reasons to take prophecies seriously as them?

yet antis out there act as if rhaegar is one dimensional weirdo whose every character trait is abt mf ~prophecy obsession~. like how can they miss one of the main points so badly?? the game of thrones distracts ppl from the real danger beyond the wall, yk, the one rhaegar was aware of and meant to deal with. there wouldn't be such a problem if he became king and had as many years of head start before ice zombies apocalypse as ignorant bobby b did. rhaegar had to die just for westeros to sink in shit and our main heroes to save everyone to make this story more epic LMAO

so yeah, too many ppl portray rhaegar as this one dimensional robotic creature without any knowledge of what feelings are idk even for what reason. it seems these ppl can't read for real bc rhaegar was not only intelligent af as well as dutiful ("it seems i must be a warrior" but "he loved his harp more than his lance") but also. ugh emotional?? my boy had constant emo sessions w brooding at ruins of summerhall, sleeping out there beneath the stars all alone and writing songs that made all women cry. does it sound as someone who "isn't capable of love" lol? folks act as if he was completely heartless from the day he was born (bc he didnt play w other kids ig??) but in reality their emotional range is less than the one of a spoon in comparison to rhaegar's lol. i'm not even gonna address the horrible attitude of demonizing him for his implied depression, vile clowns never listen to themselves when they talk abt targaryens and their "madness".

tldr; these fics are mostly lame af and suck at characterization if they're making rhaegar like that lol. anyway his character isn't abt being a good or a bad king, it's abt being a would-be-king for characters in books and readers in reality to sigh over his tragic aura and pretty aesthetic abt how it could've been. however, grrm clearly doesn't write rhaegar as evil or incapable as some parts of the fandom would want to try to persuade others. realistically speaking in the scenario where he wins there couldn't be any perfect decisions but it's a territory of speculations on thin air and lit nothing more since canon doesn't provide us with enough information to rlly theorize anything instead of building biased headcanons some ppl call "analysis".

but remember what barristan said about rhaegar while practically watching him all his life, from a literal baby to the man grown:

“I know little of Rhaegar. Only the tales Viserys told, and he was a little boy when our brother died. What was he truly like?”

The old man considered a moment. “Able. That above all. Determined, deliberate, dutiful, single-minded.” (ASOS, Daenerys I)

“Prince Rhaegar’s prowess was unquestioned, but he seldom entered the lists. He never loved the song of swords the way that Robert did, or Jaime Lannister. It was something he had to do, a task the world had set him. He did it well, for he did everything well. That was his nature. But he took no joy in it. Men said that he loved his harp much better than his lance.” (ASOS, Daenerys IV)

O5+Itafushi sick/injured/comfort for Anon 😊 totally canon divergent since we still don’t know a lot about their backgrounds and the series is still on going 🙃 Hurt/Comfort, angst w/happy ending. *Does container manga spoiler aspects if you’re not up to date on it.

It couldn’t be helped... logically, Megumi knew this, but what his brain understood didn’t mean his heart could accept. Yuuji was fated from the beginning to die and he knew— Knew that all the man wanted was to die without regret, and saving their world... well how much more honor could one achieve by fulfilling his grandfather’s dying wish? He should be happy for his friend, content in the knowledge that Yuuji gave them a chance to rebuild a better world without the fear of Ryomen Sukuna ever destroying it. Should be... but he wasn’t.

How many times had Megumi convinced himself they weren’t heroe’s, they were just sorcerers. Spiritual police in a sense, there to protect without a desire for acknowledgement. And that their deaths were both inevitable and not immune to regret. All they could do was their best not to garner too much of it and become the very curses they swore to fight. It was why most jujutsu sorcerers learned from an early age not to care about humanity, or at least lie to themselves that it was a possibility. Such bullshit, really.

So, as he stood there staring down at what remained of his best friend’s body, Megumi couldn’t help the regret bubbling up in his very soul. This was literally and figuratively his fault. Yuuji’s, or rather Sukuna’s exorcism was a combined effort in which he’d participated in. That’s not something you can simply set aside. Yes! Megumi was glad that Sukuna was gone, but so was Yuuji! He didn’t care if his friend had been born into, or chosen to, or somehow been trapped in this fate. It wasn’t fair at all. None of this was fair to any of them, just as his own birth had been an unfortunate creation for revenge.

“Fuck!” Megumi gritted out a barely audible utterance as his nails dug into the clenched fists at his sides, and tears trickled down his face. This wasn’t fair at all!

He shouldn’t even be there. If Gojou sensei knew he’d snuck into the morgue he’d be in trouble. But he didn’t care! They didn’t even let him say goodbye to his friend before carting him off to Dr. Shoko. It was for his own good— pfft, fucking uncaring bastards! Yuuji was the first real person he’d ever connected with who gave him back a sense of the humanity he’d lost along the way. The man made him feel, and now. “Fuck...” Megumi knew he was screwed. His heart had crossed the line. Images of a smiling Yuuji play like a movie behind his closed eyes, bringing a pained smile curling on Megumi’s lips. He’d avoided admitting it to himself, but it was true. He’d fallen for Yuuji Itadori.

It had been an unspoken promise Megumi made to Yuuji, one he’d made deep within his heart the moment it had chosen to cross the line. He’d find a way to sever Sukuna from Yuuji and save his love from the ultimate sacrifice. This promise had never been proclaimed from his own lips, but there was no running from the covenant he’d created in his soul. As Sukuna once explained, certain pacts in their works simply could not be broken.

His knees weakened, crumpling Megumi to the floor in a position of summary execution. All of the emotional walls he’d learned to control, gave way in a flood, sending shadowed curse energy to blanket the room. He didn’t even try to stem the flow of power surging out from his pain. It was entirely selfish to lash out with his regret and anger, but Megumi couldn’t stop... didn’t want to let go. “It’s not fair!” He raged into the still darkness. “I should have saved you! If I was stronger, I could have saved you! But I’m too weak... even now, I can’t...” he hung his head head and closed his eyes, “I can’t even let you die properly because you deserve to live Yuuji...” Because I still need you... Damn the consequences, he’ll take whatever comes his way! “Yuuji!!!”

.....Megumi wasn’t exactly sure what happened, how he ended up passed out on his side, or even how long he was laying there. But something gentle brushed against his face, sweeping his hair aside, and caressing it to stir him awake. His body was groggy from the power drain, eyes barely able to focus in the amber emergency lighting. Whatever it was said nothing, just continued soothing him and coaxing with light prodding to wake up. It felt so nice... Wait! Fuck! Was he caught?! Was it Gojou, Dr. Shoko, someone else?!

His eyes flash open wide as he scrambled to sit up, ready to explain himself, but— “Sukuna?!” Megumi screamed in shock.

“What?!” The naked man stumbled back, looking around in a panic. “Where?! He’s supposed to be dead!”

Megumi adjusted his eyes better, because the form in front of him looked like Yuuji, but with all of the same markings as Sukuna, including the second set of open eyes. Although the voice was different... not exactly Yuuji’s, not Sukuna’s, maybe a mix of both. “Who are you?” He asked, noting that the curse energy flowing from this thing was akin to Sukuna in power and this could be a trick from the God of Curses. Is this what his regret had wrought?!

“It’s me,” the figure stepped forward in confusion, a hand over his chest. “Yuuji. Megumi how could you not know it’s me?”

“Because you look like and feel like Sukuna.”

Yuuji looked down at his body and could see the markings too. But that’s when he also noticed something else in the room. His dead body lying on the operating table. His eyes widen as they whip back to Megumi. “Am I?!” His shaky voice cracked.

It was becoming clear. Megumi nodded. “My regret brought you back as a...”

“Curse...” Yuuji breathed out. He was stunned, and yet somehow not surprised. “Wow... but I don’t look like a normal curse.” He could think and feel, “I’m like Mt. Fuji head?”

“I don’t understand it either. I’m so sorry Yuuji— I just couldn’t let you go.” The tears formed again in Megumi’s eyes. “I’d sworn to myself I’d save you, but I failed miserably and for that... n-now you’re a curse.”

“I should be mad at you.” Yuuji knelt down in front of his friend, smiling. “But I’m not. I know all too well how hard it is to let go of people we care about.”

Megumi shook his head. “You don’t understand. I’m being selfish and that’s wrong! I just... I-I just... I love you too much to let you go.”

“You... love me? Like a friend, friend love or...”

Megumi turned away and if it wasn’t so dark his blushing cheeks would be glaringly obvious. “No, the other kind.”

“Brotherly love?”

For a second there, Megumi had to question his own sanity again for failing in love with an idiot. He ran his hand down his face in a huff. “The I wanna kiss you kind! I know you said you like women with big butts and all, but yeah,” he mumbled, “that’s how I feel about you idiot.” His face was truly on fire by this point, only made more difficult by the fact the man he loved was hanging out for all to see.

“Oh!” Yuuji chuckled and sandwiched Megumi’s face between the palms of his hands. “I’m just messing with you. I knew that for a while now.”

“Wait how?!” But dang if seeing Yuuji’s smile again didn’t just melt him. “I kept it hidden.”

“You did, but Sukuna sensed it in you when your domains overlapped, and he showed me.”

Yuuji leaned forward and brought their lips together in an awkward kiss. It was brief, but for Megumi, it solidified how he felt. That yes, he really did love this man and finally! He got to kiss him!

“There was a time I thought Sukuna had a crush on you actually,” Yuuji chuckled. “But then of course, it turned out he just wanted to use you.”

“So... you’re okay with me liking you?” As he spoke, Megumi pulled his coat off and handed it to Yuuji to cover up.

“Why wouldn’t I be?” Yuuji smiled and put on the coat. “But what do we do now? Technically I’m not alive, I’m a walking, talking curse.”

“Fuck,” Megumi sighed, his shoulders slumping, “I didn’t exactly think this through, just lost control.”

Yuuji placed a hand on his shoulder, “hey, we’ll figure it out. We always do.”

Megumi couldn’t hold back any longer. He pulled Yuuji into a tight bear hug as renewed tears pooled in his eyes. “I don’t care what you are, I’m just happy to have you back.”

Yuuji returned the hug. “Me too.”

Suddenly, clapping echoed through the darkened room seconds before the light switch was flipped on, causing Megumi to flinch. Shit! They were caught so quickly!

“I had a feeling this would happen.”

It was Gojou’s voice. Aww crap!

Megumi moved Yuuji and placed himself between the two men. “Leave him alone!”

“Oh, don’t worry your pretty little head Megumi Chan, I’m not gonna exorcise him. I followed you here, so if I’d wanted to stop you, I would have done so sooner.”

“You’re messing with me.” Megumi narrowed his eyes in suspicion. “It’s our job to dispatch curses. Why would you make an exception.”

“Yes, under the old ways, but as you know, those ways were destroyed by us. As long as a curse is not a problem, I don’t care if they exist.” Gojou cocked his head in an evil grin. “Yuuji is now for you, as what Rika is for Okkotsu. I didn’t exorcise Rika, did I?”

“No...”

“Exactly!” He clapped his hands together. “Having powerful special grades on our side is a benefit in my eyes,” Gojou moved his mask to reveal his own, “and these eyes know everything,” he winks before affixing the mask. “Besides, who am I to get in the way of love,” he shrugged.

Megumi rolled his eyes at that last jab, but Yuuji let out a sigh of relief. “Gojou sensei, do you know why I’m like this?” He motioned to his body. “Shouldn’t I be more like Rika? But I can think for myself and talk, and I feel... well, normal.”

“That’s a good question!” Gojou cackled and pointed at Yuuji. “I have no idea!”

“Ugh!” Megumi slaps his forehead. This man never changed.

“But,” Gojou grew serious in an instant, “I can guess there are three factors involved.” He held up one finger, “Number one! You, Yuuji are no ordinary human but created by a curse at birth.” Raising a second finger, “Number two! You and Sukuna were bonded at the instance of death, so you’ve fused with him.” Adding a third finger, “and lastly, number three! When one special grade sorcerer curses another former special grade sorcerer, that amount of curse energy wasn’t going to create a lower lever spirit. So, voila! You were made Yuuji!”

“But is it like I still have control of Sukuna or something?”

“I don’t know, you tell me. Do you still sense him?”

Yuuji paused in thought before shaking his head no.

“It’s likely Sukuna’s soul was fully exorcised, and since Megumi was only thinking of you, it was only you that was brought back. This is just the form your cursed energy has taken. We’ll need to test what powers you’ve retained, but from what I’m sensing, they are on par with Sukuna’s residual energy.”

It’s Megumi who speaks up next. “So, is Yuuji allowed back at school?”

“I’ll allow it, provided your classmates don’t mind. Remember, while you can see him, he’s no longer alive, so normal humans won’t see him anymore. He is just a cursed spirit.”

Megumi and Yuuji looked at each other, then back to their teacher with Yuuji taking hold of Megumi’s hand. “I think they’d get mad if we didn’t return,” Yuuji smiled.

Gojou tipped two fingers as he turned to leave, “then I shall see you in class tomorrow. Try to keep the noise down in your room.” He teased with a cackle.

Megumi flushed red. “He’s so irritating.”

“Yeah, but you gotta admit Gojou sensei’s one of the cool ones.”

“Yeah,” Megumi sighed, but smiled. “Guess we should head back to school too.”

Yuuji squeezed his new boyfriend’s hand and nodded. “I can’t wait to see everyone’s faces when I walk in!”

“Just, no practical jokes like phasing through walls to scare them. We don’t need someone actually trying to exorcise you.”

“Oh, right! I’ll behave.” Without warning, Yuuji then swept Megumi into a bridal carry. “Let’s test my powers! I bet I’m faster than Gojou sensei now!”

“Wait! What are you doing?!”

Yuuji grinned down at Megumi with ruby red eyes glowing. “Trust me.” Cause I’ll kill anyone who dares to hurt you now...

CW for discussion of suicide

- She's the crazy ex-girlfriend - What? No, I'm not. - She's the crazy ex-girlfriend - That's a sexist term! - She's the crazy ex-girlfriend - Can you guys stop singing for just a second? - She's so broken insiiiiiide! - The situation's a lot more nuanced than that!

There’s the essay! You get it now. JK.

Crazy Ex-Girlfriend is the culmination of Rachel Bloom’s YouTube channel (and the song “Fuck Me, Ray Bradbury” in particular where she combined her lifelong obsession with musical theatre and sketch comedy and Aline Brosh McKenna stumbling onto Bloom’s channel one night while having an idea for a television show that subverted the tropes in scripts she’d been writing like The Devil Wears Prada and 27 Dresses.

The show begins with a flashback to teenage Rebecca Bunch (played by Bloom) at summer camp performing in South Pacific. She leaves summer camp gushing about the performance, holding hands with the guy she spent all summer with, Josh Chan. He says it was fun for the time, but it’s time to get back to real life. We flash forward to the present in New York, Rebecca’s world muted in greys and blues with clothing as conservative as her hair.

She’s become a top tier lawyer, a career that she doesn’t enjoy but was pushed into by her overprotective, controlling mother. She’s just found out she’s being promoted to junior partner, and that’s just objectively, on paper fantastic, right?! ...So why isn’t she happy? She goes out onto the streets in the midst of a panic attack, spilling her pills all over the ground, and suddenly sees an ad for butter asking, “When was the last time you were truly happy?” A literal arrow and beam of sunlight then point to none other than Josh Chan. She strikes up a conversation with him where he tells her he’s been trying to make it in New York but doesn’t like it, so he’s moving back to his hometown, West Covina, California, where everyone is just...happy.

The word echoes in her mind, and she absorbs it like a pill. She decides to break free of the hold others have had over her life and turns down the promotion of her mother’s dreams. I didn’t realize the show was a musical when I started it, and it’s at this point that Rebecca is breaking out into its first song, “West Covina”. It’s a parody of the extravagant, classic Broadway numbers filled with a children’s marching band whose funding gets cut, locals joining Rebecca in synchronized song and dance, and finishing with her being lifted into the sky while sitting on a giant pretzel. This was the moment I realized there was something special here.

With this introduction, the stage has been set for the premise of the show. Each season was planned with an overall theme. Season one is all about denial, season two is about being obsessed with love and losing yourself in it, season three is about the spiral and hitting rock bottom, and season four is about renewal and starting from scratch. You can see this from how the theme songs change every year, each being the musical thesis for that season.

We start the show with a bunch of cliché characters: the crazy ex-girlfriend; her quirky sidekick; the hot love interest; his bitchy girlfriend; and his sarcastic best friend who’s clearly a much better match for the heroine. The magic of Crazy Ex-Girlfriend is that no one in West Covina is the sum of their tropes. As Rachel says herself, “People aren’t badly written, people are made of specificities.”

The show is revolutionary for the authenticity with which it explores various topics but for the sake of this piece, we’ll discuss mental health, gender, Jewish identity, and sexuality. All topics that Bloom has dug into in her previous works but none better than here.

Simply from the title, many may be put off, but this is a story that has always been about deconstructing stereotypes. Rather than being called The Crazy Ex-Girlfriend, where the story would be from an outsider’s perspective, this story is from that woman’s point of view because the point isn’t to demonize Rebecca, it’s to understand her. Even if you hate her for all the awful things she’s doing.

The musical numbers are shown to be in Rebecca’s imagination, and she tells us they’re how she processes the world, but as she starts healing in the final season, she isn’t the lead singer so often anymore and other characters get to have their own problems and starring roles. When she does have a song, it’s because she’s backsliding into her former patterns.

While a lot of media will have characters that seem to have some sort of vague disorder, Crazy Ex-Girlfriend goes a step further and actually diagnoses Rebecca with Borderline Personality Disorder, while giving her an earnest, soaring anthem. She’s excited and relieved to finally have words for what’s plagued her whole life.

When diagnosing Rebecca, the show’s team consulted with doctors and psychiatrists to give her a proper diagnosis that ended up resonating with many who share it. BPD is a demonized and misunderstood disorder, and I’ve heard that for many, Crazy Ex-Girlfriend is the first honest and kind depiction they’ve seen of it in media. Where the taboo of mental illness often leads people to not get any help, Crazy Ex-Girlfriend says there is freedom and healing in identifying and sharing these parts of yourself with others.

Media often uses suicide for comedy or romanticizes it, but Crazy Ex-Girlfriend explored what’s going through someone’s mind to reach that bottomless pit. Its climactic episode is written by Jack Dolgen (Bloom’s long-time musical collaborator, co-songwriter and writer for the show) who’s dealt with suicidal ideation. Many misunderstood suicide as the person simply wanting to die for no reason, but Rebecca tells her best friend, “I didn’t even want to die. I just wanted the pain to stop. It’s like I was out of stories to tell myself that things would be okay.”

Bloom has never shied away from heavy topics. The show discusses in song the horrors of what women do to their bodies and self-esteem to conform to beauty standards, the contradiction of girl power songs that tell you to “Put Yourself First” but make sure you look good for men while doing it, and the importance of women bonding over how terrible straight men are are near and dear to her heart. This is a show that centers marginalized women, pokes fun at the misogyny they go through, and ultimately tells us the love story we thought was going to happen wasn’t between a woman and some guy but between her and her best friend.

I probably haven’t watched enough Jewish TV or film, but to me, Crazy Ex-Girlfriend is the most unapologetic and relatable Jewish portrayal I’ve seen overall. From Rebecca’s relationship with her toxic, controlling mother (if anyone ever wants to know what my mother’s like, I send them “Where’s the Bathroom”) to Patti Lupone’s Rabbi Shari answering a Rebecca that doesn’t believe in God, “Always questioning! That is the true spirit of the Jewish people,” the Jewish voices behind the show are clear.

Crazy Ex-Girlfriend continues to challenge our perceptions when a middle-aged man with an ex-wife and daughter realizes he’s bisexual and comes out in a Huey Lewis saxophone reverie. The hyper-feminine mean girl breaks up with her boyfriend and realizes the reason she was so obsessed with getting him to commit to her is the same reason she’s so scared to have female friends. She was suffering under the weight of compulsory heterosexuality, but thanks to Rebecca, she eventually finds love and friendship with women.

This thread is woven throughout the show. Many of the characters tell Rebecca when she’s at her lowest of how their lives would’ve never changed for the better if it wasn’t for her. She was a tornado that blew through West Covina, but instead of leaving destruction in her wake, she blew apart their façades, forcing true introspection into what made them happy too.

Rebecca’s story is that of a woman who felt hopeless, who felt no love or happiness in her life, when that’s all she’s ever wanted. She tried desperately to fill that void through validation from her parents and random men, things romantic comedies had taught her matter most but came up empty. She tried on a multitude of identities through the musical numbers in her mind, seeing herself as the hero and villain of the story, and eventually realized she’s neither because life doesn’t make narrative sense.

It takes her a long time but eventually she sees that all the things she thought would solve her problems can’t actually bring her happiness. What does is the real family she finds in West Covina, the town she moved to on a whim, and finally having agency over herself to use her own voice and tell her story through music.

The first words spoken by Rebecca are, “When I sang my solo, I felt, like, a really palpable connection with the audience.” Her last words are, “This is a song I wrote.” This connection with the audience that brought her such joy is something she finally gets when she gets to perform her story not to us, the TV audience, but to her loved ones in West Covina. Rebecca (and Rachel) always felt like an outcast, West Covina (and creating the show) showed her how cathartic it is to find others who understand you.

Crazy Ex-Girlfriend is the prologue to Rebecca’s life and the radical story of someone getting better. She didn’t need to change her entire being to find acceptance and happiness, she needed to embrace herself and accept love and help from others who truly cared for her. Community is what she always needed and community is what ultimately saved her.

*

P.S. If you have Spotify... I also process life through music, so I made some playlists related to the show because what better way to express my deep affection for it than through song?

CXG parodies, references, and is inspired by a lot of music from all kinds of genres, musicals, and musicians. Same goes for the videos themselves. I gathered all of them into one giant playlist along with the show’s songs.

A Rebecca Bunch mix that goes through her character arc from season 1 to 4.

I’m shamelessly a fan of Greg x Rebecca, so this is a mega mix of themselves and their relationship throughout the show.

*

I’m in a TV group where we wrote essays on our favorite shows of the 2010s, so here is mine on Crazy Ex-Girlfriend, I realized I forgot to ever post it. Also wrote one for Schitt’s Creek.

“The Mandalorian” S2 is a power fantasy with mini Star Wars trailers

The term “Plot armor” is often used by readers and viewers to describe the myriad of ways writers keep their heroes away from any real danger no matter what choices or actions they make in the narrative. It’s typically a derisive phrase for the way a writer’s hero seems to escape death no matter what is thrown at him for the sole purpose of moving the plot forward.

In Disney+’s “The Mandalorian” this term takes a far more literal description in the form of our main anti-hero, played by Pedro Pascal, in his beskar armor which seems to be, by all accounts the most indestructible material in the galaxy far, far away.

(I mean, it still looks really cool too, of course.)

The result of this narrative decision in this series is that action scenes often don’t have real tension to them. In another series you might be able to reasonably believe the hero might be in danger with blaster fire shooting all around them but with beskar it’s almost comically not the case at all. Stormtroopers fire laser blast after laser blast at The Mando and each time they bounce harmlessly off him as if he were fucking Superman. It makes scenes feel devoid of stakes and danger no matter what situation they are in.

The show thus becomes a power fantasy, as action scenes serve as extended highlight reels for the Mando. Where season 1 of the show mitigated the power of the Mando’s plot armor by putting him more often in situations where his beskar alone wasn’t enough to save the day, season 2 goes mostly full power fantasy as The Mando rarely runs into a situation he can’t just quite literally walk through.

(“Aim for his armor, men! That’s his weak point!”)

This isn’t to say the season wasn’t without its high moments or even that it wasn’t enjoyable plenty of times but the series’ devotion to fan servicey action and callbacks to “Hey remember ____” makes it a fairly shallow story. At least for myself.

Season 2 of “The Mandalorian” continues the story of Din and his small Yoda-like companion, The Child (later known officially as Grogu), as he looks to complete a quest to return the burgeoning Force wielder to the Jedi. As he seeks to reunite The Child with the ancient Order, he encounters other Mandalorians who are on a quest to retake Mandalore and right on their tail is the nefarious Grand Moff Gideon who is still bent on capturing Grogu for whatever it is he has planned for the Empire.

Let me start this review by saying power fantasies aren’t inherently bad to watch or read. They can be good, cathartic junk food for the soul and can also be compelling, artistic, or even deeply metaphorical in their own way. A movie series like “John Wick” for instance is a power fantasy that aims to reinvent the wheel in action film-making with Keanu Reeves performing perhaps the best gun kata of all-time onscreen. Another film like Paul Verhoueven’s “Total Recall” can satirize the power fantasy to show how ridiculous it is in concept.

So, making your hero an unstoppable killing machine isn’t necessarily always a bad thing if used properly.

(Seriously, this is one of the smartest action films ever made. Don’t @ me.)

Now that that’s established, however, “The Mandalorian” season 2, despite some strong moments here and there, is a power fantasy that lacks these elements for a more interesting narrative. If you believe killing dozens of stormtroopers onscreen while never suffering so much as a scratch for eight episodes equals compelling storytelling then boy does Disney have a series for you.

Through the first four-ish episodes, the new season is mostly just fine and even quite enjoyable. We have the Mando getting a fun side quest with Timothy Olyphant on Tatooine where they get to wrangle a sand worm in a callback to the Westerns that inspired much of the franchise’s aesthetic. The Mando gets to escort a frog lady to her home planet to give birth to some tadpoles and they run into some actual danger in this episode in the form of kyrnknas/space spiders. And we get the return of Bo Katan from Dave Filoni’s “Clone Wars” and “Rebels” cartoon series, with Katee Sackhoff herself reprising the role in a fun Mandalorian team-up episode.

(I’m just so happy to see my girl, Starbuck, again more than anything honestly ;_;)

But the wheels started officially falling off for me in the next episode.

Episode 5 marked the live-action debut of fan favorite Ahsoka Tano, played by Rosario Dawson, and she meets the Mando by getting the jump on him with her lightsabers. In virtually any other situation we have been told lightsabers can cut through virtually anything. Now, beskar has been shown to be plenty durable throughout the series so far but lightsabers? Surely not.

Well…

It is an overall good episode despite this but it marked the point for me where I badly wanted The Mando to just go the rest of the series without it. Obviously, the writers aren’t going to actually kill our hero, afterall The Mouse needs more money and he can’t have it unless we get 50 more Mandalorian episodes and spin-offs, but at some point I gotta feel like there’s a possibility at least that our hero might actually die or at least is in danger. It is actually super funny to me each time The Mando ducks or seeks cover in a shootout when I know, and the viewer damn well knows, he can literally walk right into the middle of it and shoot all these motherfuckers at his own leisure cause his actual plot armor is the stuff of adamantium and vibranium combined.

Episode 5 is mostly good though, it’s a nice callback to old school samurai flicks and for an old fan like myself it was enough to ignore beskar again saving the Mando’s ass.

(This was cool...This...was...cool.)

If episode 5 marked the point in which the wheels began to come off though, episode 6 is where the show really spun out into the ditch for me. Perhaps, this series worst episode, personally, episode 6 reintroduces fan favorite and series inspiration Boba Fett back officially into the fold and the result was perhaps the most self-indulgent entry of the series.

(I mean, it was directed by Robert Rodriguez so...)

Boba arrives to demand his beskar from The Mando who promptly tells him “no” before they are ambushed by a platoon of stormtroopers. Alongside Ming-Na Wen’s Fennec Shand, the three do battle with the stormtroopers with ridiculous ease. I’m aware that stormtroopers exist to be on the highlight reel of our heroes in this franchise and have a long history of not being able to hit the broad side of a bantha but again, I can only watch these guys die by the dozens onscreen over and over again while our heroes get away without suffering even a bruise before it starts feeling boring and repetitive.

It only gets worse once Boba actually puts on his armor. In a sequence that I would describe as “gratuitously” fan servicey, Boba wastes just about every last stormtrooper in this scene culminating with him destroying their two get-away vehicles in a single shot with a rocket. Considering he was killing them with ease just moments before with nothing more than a battle club and a bathrobe, it seemed almost hilariously needless that he donned his iconic armor.

(It would be tempting to say the stormtroopers fought as ineptly as the Putty Patrol here but even the Power Rangers have struggled a few times against these guys...)

I get that Boba is really important to a lot of fans, based on their perceptions of him in the original trilogy and subsequent books and graphic novels that came out in the following years, but here’s a hot take; this series didn’t need him in it. Maybe they didn’t need to keep him rotting in the Sarlacc Pit but this episode, alongside Ahsoka Tano’s feels more like marketing choices for the story rather than narrative ones. I’ll concede that there is a bit more substance to having Ahsoka there to commune with Grogu but their additions to the plot don’t actually show much of anything about the Mando outside physically helping him in a fight.

The way they tease, in both cases, stories that exist outside the internal narrative between Ahsoka’s search for Admiral Thrawn and Boba taking over Jabba’s palace at the end of the final episode, it feels like Disney threw in mini trailers for fans to nibble on at the expense of telling the Mando’s own story and letting it stand on its own like the first season.

The choice to have these characters shoved into this season again appears to be market driven not narrative. Once more, I get that these characters are important personally to many fans, but the appearance of these characters alone DO NOT equal good storytelling.

(Me when a fan tells me “But Boba was such a badass in *obscurely titled EU book that a handful of general audiences have read*! He deserves this moment!”)

The final episode of the season is truly encapsulating of all these issues “The Mandalorian” has, however. Moff Gideon, played by the always sharp Giancarlo Esposito, has Grogu imprisoned aboard his ship. The Mando and his friends plan a rescue mission to save him and, just like nearly every episode before, it is stupidly easy for our protagonists.

The crew of five, again, walk through every Imperial on the ship. I don’t mean this metaphorically by the way, I mean this literally as Cara, Fennec, Bo Katan and Koshka Reeves (played by WWE’s Sasha Banks) without a single moment of real adversity just blast through every stormtrooper on the ship and never get hit once in the process.

A good action scene needs an element of danger, a sense that our hero might actually not come out of this alive even though we all know they will. An action scene without this has no tension and without tension it becomes booooooooring.

(Even John fucking Wick is capable of bleeding, guys...)

The finale had a chance, however, to add real stakes and danger to the scene in the form of this season’s new enemy; The Dark Troopers. These Imperial battle droids were foreshadowed as these super soldiers at the end of episode 4 and seemed to be billed as a real dangerous match for our heroes to faceup against. When the Mando finally gets himself face to face with one he finds they are not as easy to kill as the nameless stormtroopers from before. To see The Mando briefly face real adversity for a change snapped me out of my cynical mood so sharply for a moment I thought I had turned on another series by accident.

But of course, danger never lasts long in this series as The Mando’s armor again saves him first from getting pummeled to death by the droid’s super fists then he uses his plot spear, cause of course he has one of those too, to finish the job.

Danger over.

Moff Gideon doesn’t fair much better in this episode. This villain who had been built up for two seasons as this calculative monster gets stopped rather easily with Mando and his friends barely breaking a sweat. This character feels wasted because of this, even though I’m sure Giancarlo Esposito will return in the next season. He just feels about as much like a pushover as the nameless stormtroopers in this series.

The episode had one more chance though to show these Dark Troopers meant business toward the end as we found the heroes cornered on the command deck with nowhere to run and a dozen of these droids ready to blast and pound them into the floorboards. But help arrives in the form of a Deus X-Wing Machina.

Without having to face even one Dark Trooper, Luke fucking Skywalker arrives on the ship and kills every droid without breaking a sweat. It plays as inspiring in the moment but again I just found myself bored and irritated. A chance to see the series heroes actually use their wits and show their creativity in a moment of true danger thwarted to please fan boys.

I get that Grogu called out to him in episode 6 but creatively this felt like an extremley lazy way to solve the heroes’ dilemna.

(“Hello my name is Jedi. I enjoy doing...*computes script* Jedi things.”)

This season wasn’t all bad. It certainly had nice production value that made each alien world pop and beautiful to look at. Every actor and actress played their parts expertly well, with what they were given, and made for interesting characters at times. There are also nice homages to both Western and Samurai cinema throughout the season that fans of both will appreciate. And Pedro Pascal is just so good on his own, especially in tender moments with Grogu, that you forget that his character is kind of a Gary Stu.

But the main crux of the issue here that I’m trying to get across is the reason you need to remove the plot armor of your heroes is not just because action scenes need tension and stakes, it’s that when faced with danger these scenes reveal who these characters are. I used to believe that the reason Mandalorians and Jedi had such a fierce rivalry in the lore despite the obvious advantages of wielding the Force was because these famed bounty hunters were just that fucking good at killing. That despite being, on paper, normal people they had great martial prowess, athletic skill, and the tactical wit to outsmart people who can literally sense their feelings. But now with beskar and the way this series is written, it appears the Mandalorians were challenging warriors just because they happened to harness the most OP armor building material in the galaxy.

It makes you wonder how the fuck they were conquered to begin with…

(Maybe they just needed more knee rockets...)

This takes away from the mysticism of the Mandalorians for me. It makes The Mando less interesting to me in the way he fights. Yea he can shoot really good too but really it’s the armor that makes him the fighter that he is and I find that kind of boring. We occasionally get this character to remove the armor during the series, including a whole episode that was easily one of the best of the season, and in every case he’s more interesting once the helmet comes off. I get that fans hold a lot of reverence for that armor, yea it still looks really cool, but making it this impenetrable super material doesn’t add anything to the story.

If anything, it takes away from it.

(Plus how could you not love Pedro Pascal when he’s out of armor? uWu)

I wouldn’t go as far as to say I hate season 2, even though I spent 2000 plus words just now lambasting it but I guess I just want to say I am unimpressed more than anything. I feel like I’ve seen better Star Wars be it in the movies, cartoons, books, video games, etc and I’ve certainly seen better action in the franchise as well.

Considering fan reaction so far appears to be overwhelmingly positive, I am definitely in the minority here and you are welcome to enjoy this series as much as you want in spite of how unimpressed I am with the season. But considering all I have seen of this fandom the last few years, regarding complaints about fan service (“Rogue One”), easily defeated/underdeveloped bad guys (“The Last Jedi”), and Mary Sues (The sequel trilogy in general), I have to ask again what is it actually that fans like or don’t like about new entries in the franchise? It’s not that there isn’t valid criticisms there and “The Mandalorian” is enjoyable in sincere ways too but it has many of the issues I hear commonly said of more divisive entries in the Disneyverse. So why does it get a pass?

I’ve been told it’s not worth my energy to talk too derisively about the fans in one of my earlier write-ups, so I’ll leave it at that but it does make me wonder.

(“Rogue One” admittedly has a simarily self-indulgent action sequence though haha...)

Season 2 of “The Mandalorian” isn’t the worst piece of Star Wars media ever created, far from it, and for most part its solid enjoyable Saturday morning cartoon theater but if the series wants to really take steps to become more compelling in the future it might be good to stop bubble wrapping their heroes in plot armor. Literally.

Until then this is the way…I guess…

Me getting ready for the backlash...

You know, I always look forward to and dread your updates. Don’t get me wrong, I love your writing, your metas and all the fics you have written but ‘What he grows to be’ gives me such an upset feeling. Maybe dark stories are not my cup of tea but I’ve read dark stories before and they haven’t affected me the way yours does. Throughout the whole story my heart feels heavy but I can’t bring myself to stop reading. Also I have a question: could you please explain Harry’s devotion to Tom? Like I don’t study psychology or anything so I’m not an expert (so correct me if I’m wrong) but I don’t see a reason for Harry to sacrifice so much for someone like Tom who is nothing but cruel towards him. He’s been condescending always treating Harry like a helpless thing who needs looking after. He is cruel and manipulative and has a complete disregard towards anything about personal boundaries. I mean he’s basically ,in a loose term, a psychopath. I can understand the way you write Tom, I don’t get the way you’ve written Harry. He’s so weak. He has none of that courage he used to have in the books. He doesn’t have that spirit that made me fall in love with him. He gives in so easily. He forgives easily. He has no morals left. He’s not the Harry I know. Like he literally excused multiple murders Tom committed because he loves him? It’s just so hard to comprehend. I tried to put myself in Harry’s place and instead of feeling sympathetic towards him, I felt angry at how much he has lost himself. I don’t see any thing good in Tom. I would understand for Harry to love him with such abandon if he has anything good in him. But Tom has done nothing but made him suffer. Why did Harry change so much? Just because he only has Tom in this world? Because he raised him? Tom was never a helpless, innocent child for Harry to feel compassion towards him. He was cruel and manipulative from the beginning. It just frustrates me how Harry keeps forgiving Tom and then apologizing to him after his ‘punishments’. It might be cruel for Harry to ‘die’ as a punishment but still does it warrant him forgiving Tom so easily after the atrocities he has committed? It’s a complex situation, I understand and truly I don’t mean to offend you or anything. I’m just trying to understand. I’d love to hear your thoughts on this because you know them better than I do as it is your own story. I don’t know if it makes me a bad person but it always gives me so much satisfaction to see Tom suffer even though it’s for such a short time. Please tell me he won’t get away with everything like always does and that Harry won’t just forgive him easily like he usually does. Because what Tom just did was so cruel and horrifying that I was in shock when I read it. The way he used Harry’s weakeness against him... sorry for the rant!

Hello! First of all, thank you so much for such a long and detailed ask - it's always great to know that my work affects people, even if it evokes so much frustration :D I firmly believe in the death of the author concept, so I don't feel like I can impose my understanding of characters on my readers. Everyone sees them in different ways: some readers think Harry overreacted, others think he should kill Tom and be done with it, etc. What He Grows to Be is certainly a disturbing story, and I think it differs from my other works because Tom and Harry are very different. With Will and Hannibal, violence and manipulations are mutual while here, Harry is genuinely kind and empathetic, and Tom takes advantages of that.

As for my personal view: I don't think Harry is weak. I think he is very fucked up, even more so than in canon because he had to live through even more trauma after the war in WHGTB. In canon, being understanding, forgiving, and empathetic are some of Harry's major traits. It always shakes me to think about how he named his child Albus Severus after two people who caused him so much pain. Yes, Dumbledore loved him in his own way, but ultimately, Harry was his weapon. Years of abuse, every interaction, every test - everything was done with a purpose of manipulating him into being a perfect self-sacrificial hero. And yet Harry still loves Dumbledore with devotion, he still holds awe for him. Same with Snape: yes, he wasn't as terrible of a person as Harry imagined. He suffered a lot, he tried to redeem himself, but Harry never saw anything but hostility and derision from him. And yet he forgives everything to the point of naming a child after him because Snape loved his mother and took care of him. 

Harry didn't hate his relatives after years of abuse. He managed to feel empathy even for Voldemort, and not just once. He tried to give him a chance during the final battle, tried to make him see where he went wrong - that speaks of a unique kind of compassion and a big lack of self-worth. In WHGTB, due to the circumstances, all these traits are amplified.

As it could be expected, the story of Harry's all-encompassing love for Tom started with pity. When he first adopted him, he felt reserved and wary. He didn't like him, he didn't trust him, but he still started to grow attached to him because that's who Harry is: he can't share meals, teach, talk, and decorate house with a person without feeling something for them in the process. When Tom broke the vase and tried to repair it, terrified and guilty, Harry's pity and attachment won out. In that moment, he saw a little fragile boy who was never loved and who craved approval and acceptance. And Harry was determined to give it to him.

For a while, like you said, Tom was rude and condescending. But he showed he's capable of regret and remorse. He tried to heal Harry after hurting him; he listened to him with fascination during lessons and was willing to change his ideas; he laughed and cooked with him. Affection got stronger, and with it, what seemed annoying started to come across like lovable quirks. Harry despised Tom's showing-off at first, but then, after he got used to him and his company, he started finding it funny and endearing. He invested all of himself into this child, making him into his life goal - he couldn't not love him. He started to live for the small moments of Tom's affection and acceptance. His love for Ron, Hermione, his parents, Sirius - it combined and focused on Tom alone because in many ways, Tom was the key to making sure that when these people are born, they live a fulfilling and happy life. In Harry's mind, the more he loved Tom, the more chances of succeeding he had, and then the boundaries of this love started to blur, and Tom began to genuinely outshine every other person he has ever known because he was there and others were not.

When Gringotts happened and Tom's perception shifted, Harry was showered with his absolute devotion and focus. You said that you don't see anything good in Tom, but Harry does - and it's also important to remember that before Beth, Tom was very careful about not letting him see his real face. In Harry's eyes, Tom learned to help others, like when he offered his hand to a Muggle boy. He discarded the ideas of blood superiority and developed a far more moral outlook.  He learned to be caring, worrying about Harry when he's sick, making potions for him, covering him with a blanket at night, helping other students, achieving equality, etc. Tom's devotion is a completely irresistible thing to Harry because he's always been responsive to kindness, no matter how limited it was.

After Beth, it was already too late for him. Love and empathy are a terrible weapon in  Harry's case: he can't just unlove someone who has become his main life purpose. The only way is to try to understand Tom, and as long as this understanding exists, Harry finds an ability to forgive him.

You said Tom has done nothing but make him suffer, but for Harry, that's not true. 80% of time he spends with Tom is the happiest time of his life. Tom became the only person in his world, the person Harry poured of all his love, loneliness, and longing into. Tom is a family Harry never had. He was a child Harry could relate to, so he spoiled him, argued with him, shopped with him, and basked in the happiness of making him smile; Tom was a friend ready to listen and reassure, to discuss how their days passed, to do something fun together; now, Tom has started to slowly growing into something more. The celebrations, the shopping, the holidays, the flying - all these are happy memories for Harry. The only major instances of pain were Beth and now Charlus. Harry feels shattered every time Tom comes close to acting on his darkness, but as compared to the time they spend together, happiness still exceeds the heartbreak.  

When it comes to breaking his limits, Harry doesn't forgive easily. He didn't speak to Tom 6 months after Beth and he subjected him to a terrible trauma as punishment; the thought of Tom killing Charlus almost drove him crazy, but he couldn't ignore the fact that it happened before the system and that Tom has been trying since then. After the ritual, Harry leaves - and yes, I can assure you that forgiveness is definitely not coming any time soon! Although as the toxic cycle of their relationship shows, Harry can't really stay away from Tom indefinitely either.  

Harry is happy with Tom, and he knows Tom loves him. He understands that Tom is a psychopath and that ordinary criteria cannot apply to him, and so he struggles with making sure that Tom follows a lighter path while praising him every time there is some progress. In many ways, Harry succeeded: Tom is not planning on massive destruction. He doesn't discriminate; he made sure that other purebloods became more tolerant; he still wants power, but he's getting to it in ways that don't presuppose violence and murder. Every time Tom shows darkness, it's in an instance concerning Harry.

Harry loves being loved, even though Tom's love is not healthy. He loves being protected because this is something he missed severely in his first life. A big part of him wants to be taken care of, to let go and just enjoy life without constantly having to make difficult decisions. Tom gives him that, and under some conditions, they could be happy together, finding a perfect balance.

Alas, it's not going to happen any time soon (or maybe at all ;)!    

OKAY IVE ACTUALLY PLAYED TWO SESSIONS SINCE MY LAST POST SO IM GONNA COMBINE THEM HERE SORRY FOR THE LENGTH BUT,,IVE COME SO FAR I DONT WANNA STOP NOW

this is gonna be very messy cause i WILL be jumping back and forth as things come back to mind so uhh pls enjoy this absolute ramble <3

anyway. i continued playing omori and boy do i have some Thoughts

so first session; i went through the pyre(something i forgot the full name sob) forest/sprout mole village/sweetheart’s castle in one go and let me TELL YOU. DOING THAT WAS FUCKING INSANE I WENT NUTS holy shit.

so anyway.

pyre forest!!!! the lil race against the big spider coming after u for disturbing the smaller spiders mechanic was very fun i had a lot of fun figuring out the best routes to take. i know normally mechanics like that lead to ppl getting frustrated cause u have to keep retrying but i had a lot of fun!!!! sum annoyance but good natured type, th kind that just makes u try harder u know? i just enjoyed it JKFN;FN; candles in the foggy forest....now That is an aesthetic

the rare bear scared the fuckin shit out of me i remember it didn’t attack me straight away so i was like “aw (:” but then when i press x on him it takes me to a BATTLE SCREEN AND SUDDEN THAT MF IS TERRIFYING I WAS LIKE WHWHWHWHWKJDNJ. very funny i honestly wished i recorded my reaction

also omori is afraid of drowning...................................i am breathing heavily. i think whatever happened to mari is related to at least one of the things omori is scared of. so either heights, spiders, or drowning it seems. spiders doesnt seem super likely as a contributor to her death, and while falling from a height is more realistic, such a senseless way of dying doesnt seem to rlly fit ? with the vibe i get from the kiddos in the real world. which makes me think maybe drowning/otherwise suffocating is how she died...but we’ll see. also due to the forgotten library part, we know omori explicitly feared spiders/drowning before mari died so it’s also probable im jus talking out my ass here but still,,,,thoughts

also this motherfucker?

literally fucking terrifying. IT’S BODY IS MADE OF SUCC’D SPROUT MOLES...i still have no idea what exactly it was doing to them but jesus h christ!!!! evil and fucked up. do not feel bad for curbstomping it

sprout mole village!!!! very cute, im v excited to send that one dude his brother’s care package. i like how, when theyre not lost, sprout moles can be real endearing lil guys,,,theyre not my fav lil enemies but (:

also for some reason omori is the first game ive played where i really care about getting achievements ? so i literally did the back and forth on my save file just to get all the season sprout mole achievements JKDJFJ;. i ended up sticking w spring tho before moving on for real cause spring is my fav season irl (:

also i felt SO BAD for cutting down that one sprout mole’s chistmas tree he was just trying to celebrate but i wanted to see that present and coincidentally becoming a christmas ruiner was an achievement so all’s fair in love and war i suppose

ALSO. th fuckin plant monster thing under the scientist sprout mole’s room. major little shop of horror vibes from the design, absolutely adored it!!!!! originally i did  just cut the wire holding the piano over it, ending it in one go, but i was very curious abt it so i reloaded a save file to actually fight it and

i know it only spread that gas to make the kiddos happy cause being happy reduces attack i think ? it decreases attack/defense but seeing the kiddos smile so much was nice (:

however

omori...sunny....son boy.........u good ?

and now. sweetheart

the way the sprout moles completely adore and depend on sweetheart gives me such awful evil vibes and combined with such a luxurious background was fucking incredible

sweetheart herself, speaking of. bitch (sorta affectionately, certainly not derogatory)

i talked to every sprout mole in the audience before taking my seat and i literally dont know why. even when i picked up the pattern of where the unique dialogue could be found (usually the sprout moles farthest right) i still talked to all of them......just in case ? i have no idea. i dont know why i did that. i feel it’s important that i note it tho

LMAO SO WHEN SPROUT MOLE MIKE DID THE MINUTE OF SILENCE FOR YE OLD SPROUT MOLE

I LITERALLY FELT SO FUCKING BAD LMAO I WAS LIKE OH MY GOD NO!!!!!! I DID THAT!!! I KILLED HIM!!! OH MY GOD!!! I WONDER HOW AWKWARD OMORI KEL HERO AND AUBREY FELT IN THE AUDIENCE HOLY SHIT THEY HAD FRONT ROW SEATS TO SPROUT MOLE MIKE’S MOURNING!!! MY GOD FJKFN;;

also sprout mole mike describing 3′7″ inches as ”towering” was the FUNNIEST shit i have ever seen. also i have to wonder, since sweetheart made up the whole show of sweetheart’s quest for hearts in the first place, if she was seriously down to marry a sprout mole if one suited her fancy. jus v funny to me honestly. SPEAKING of sweetheart’s dating patterns I NOTICED THOSE FEM SKELETONS IN THE DUNGEON!!!!! BI SWEETHEART!!!! SHE’S JUST AS DOWN FOR GIRLS AS SHE IS BOYS

i know TECHNICALLY not everyone is in the dungeon for failing to be a good enough suitor but STILL...COME ON. THIS WAS BEFORE WE KNEW THAT. SWEETHEART BI I WILL DIE ON THIS HILL

anyway

when the lights when out and lightning struck the third contestant, i knew Immediately something was gonna go down. and when the mustache sprout mole was like “oh yes!! u!! in the striped pjs!! u absolute beast ur perfect!!!” i KNEW hero had just been selected as the replacement i was goign completely fucking nuts i was like OH MY GODNFNG; HIS HEART IS ALREADY TAKEN BY MARI!!!!!!! STOP

i ended up taking so many screenshots during this part cause i was going feral so here take a glance just cause i love, uh, hero

OUR HERO IN SHINING ARMOR DJLBH;KFJB

also GOD FUCKING DAMMIT IM SHORTER THAN HERO

hero shaking on the stage when he was introduced...oh my HEART....IM SO FOND FOR THIS BOY WTF!!!!! DKJDN;N

this is not really NEWS to me since it’s implied hero is tall but like come ON..... sorry just every time i find out a character is explicitly taller than me i need to huff about it, moving on,

HERO FUCKS

sorry i just have so many screenshorts during this aprt cause i was going fucking crazy but

literally terrifying! sweetheart bathes in that shit!! christ!

is blood good for ur skin? i imagine, so long as like...gore isnt in it and it’s solely blood it cant be BAD necessarily......but good ? regardless very fucked up. besides the fact that well, uh, BLOOD, blood is also sticky as hell. ur telling me sweetheart willinglhy bathed in that shit? disgusting. at least thin it out

anyway I HAD SO MUCH FUN DOING THE PUZZLES AT SWEETHEART’S CASTLE....FROM THE DUNGEONS TO THE KITCHENS TO THE BALLROOM TO THE LIBRARY TO THE GARDENS JUST EVERYTHING!!!! IT WAS SO FUN I ENJOYED FIGURING IT OUT SO MUCH IT WAS LITERALLY DELIGHTFUL...I LOVE THIS GAME SO MUCH THE GAMEPLAY IS SO FUCKING EPIC I LITERALLY HAVE SO MUJCH FUN.......OH MY GOD I JUST. INCREIDBLE!!!! FUCK

also the lil sir maximus bit.........i honestly felt really awful over having to kill them ): i think i even tried running once but it wouldnt let me...it hurt man ): they were just a family....

um but anyway,

i think it was rlly sweet how aubrey protested to the wedding cause she was worried abt sweetheart,,,like i cant rlly explain it idk how to put it into words,,like sweetheart is clearly not mentally well and having an episode, and aubrey being the only one to say “hey what ur doing is self-destructive and isolating” just mmmh. she cares a lot,,,and *i* care aubrey

also sweetheart’s battle theme fucking SLAPPED...SO GODDAMN HARD IM STILL QUAKING OVER IT....FUCKING BANGER YO!!!!!! INCREDIBLE

ah but alas

BASIL........I NOTICED THAT IT WAS HIS GHOST/SHADOW DURING THE EXIT FROM OTHERWORLD AS WELL BUT JUST FUCK

im so worried about basil ):

and it being so obvious that none of the others can see...........them asking omori if he’s okay.....oh my god. i go nuts

and then...the forgotten library part

i literally cried, again, oh my fucking god

these kids loved each other so much they ADORED the time they spent with each other and im QUAKING to know WHAT HAPPENED TO MARI......HOW DID THE FALLOUT GO. I NEED TO KNOW I NEED TO KNOW I NEED TO KNOW

i know there are multiple endings to this game and on god i am not QUITTING until i get the happiest ending there is for these kids im literally a goddamn fuckign mess oh my god

MARI SHWOING UP IN THE LIBRARY AT ONE POINT AND LEADING OMORI...........IM LTIERALLY GOIGN INSANE OH MY GOD OH MY GOD OH MY GOD HE LOVED HIS SISTER SO MUCH HE’S SO CLEARLY LOST WITHOUT HER I CANT FUCKING DO IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

I NEED TO KNOW WHAT HAPPENED. I NEED TO KNOW I NEED TO KNOW I NEED TO KNOW

GOD

okay sorry i just. ive said ti before but the grief in this game is so real and palpable and it aches, it aches so bad. also the white egret orchids in the library...i see u

but regardless.... session two real world electric boogaloo

LOVE that kel is like “so i need to run errands but u wanna come with me right? of course u do!” like fuck i rlly do. kel is just so delightful i would literally do anything to spend time with him

ALSO i noticed u can just refuse to open the door both times kel’s knocked now and it makes me wonder....if u could choose to ignore kel ? and then venture out urself or just ? i wonder what would even happen if u chose to not open the door. im CERTAINLY not doing it myself at the very least not this playthrough but i am curious...i bet that’s how u get a bad ending, by not talking w kel

but anyway....

aubrey and her gang not saying anything in the pizza parlor........i jus think abt that is all

ALSO!! pet rocks!!!!!!!!! LOVE this lil thing it’s so cute. jus rock paper scissors it babey

speaking of lil bits, love all the mini quests in the real world...it’s just rlly fun and builds up this cute lil town........it also makes me think that whatever happened to mari cant have been anything except an accident, bc no one comments on what a tragedy it was to omori. like if it was murder, there’s no way such a horrific situation wouldnt engulf the town for a bit and sweep over it for weeks at least, but that just doesnt seem to have happened. this is def me reading too into it tho;; point is neighbors nice (: also i got the seashell necklace and i go apeshit

ALSO......THE FUCKING...........CHURCH. I VISITED WITH KEL ON A COMPLETE WHIM CAUSE I WAS CURIOUS IF THE PASTOR WOULD TALK MORE ABT AUBREY BUT NO. INSTEAD HE TALKS ABT THE WEIRD VIBE FORM THE GRAVEYARD HE’S GETTING!!! AND THE DUDE WHO CHILLS IN THE GRAVEYARD SAYS SHIT ABT THE SPIRITS GETTING READY FOR SOMEONE TO JOIN THEM!!!! BITCH WAHT THE FUCK

THERE’S NOF UCKING WAY THIS ISNT ABOUT BASIL. THERE IS NO!!! WAY!!!! I SWEAR ON GOD IF BASIL DIES I WILL LOSE IT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! ESP CAUSE THERE IS LITERALLY NO OTHER WAY HE COULD DIE EXCEPT SUICIDE THAT’S WHAT IT HAS BEEN IMPLYING OVER AND OVER I GO NUTS I GO APESHIT NO NO NO NO!!!!!!!!!!!!

FUCK

OKAY SORRY I JUST. HHHHHHHHHHH

baby has acquired baby

kel’s family is rlly cute,,,,v heartwarming. i trust them

i do worry abt like...the stark difference between recognizing kel’s accomplishments and hero’s...i just idk. i just keep thinking abt that bit in kel’s story abt hero’s depression when his parents focused on hero and ignored him, and i just. kel’s family is good People but i worry if kel has a good support system...i jus........): i am watching

ahh THE BASIL MISSING PART MADE MY HEART LITERALLY FUCKING DROP..I WAS SO FUCKING PANICKED I WAS LIKE OH MY GOD THIS IS IT BASIL IS DEAD

THANKFULLY HE WASNT BUT HOLY GOD HOW THAT WHOLE SITUATION PANNED OUT MADE ME GO NUTS!!!!!!! BASIL...AUBREY...HER GANG.......FUCK OH M YOGD OH MY GOD OH MY GOD

THANK G O D I SNOOPED AROUND KEL’S HOUSE BEFORE LEAVING I WOULD HAVE H A T E D TO FIGHT THEM ALL AT ONCE IM GLAD I WAS ABLE TO JUST PEPPER SPRAY THEM JESUS CHRIST

oh my god kim like asking for aubrey all concerned before deciding to trust her and leaving.....kim i diagnose u with lesbain

the whole fucking. basil almost drowning scene. i seriously feel like ive changed like as a person over it. i am thinking . i am thinking. i am only evee thinking about mari and how omori just loved her so much and how the thought of her gave him strength. th pic of her ghost holding omori’s hand in the water made me cry

MMMM BUT. HERO!!!

I DIE I DIE I DIE HE’S SO PRETTY FUCK ALSO HIM PICKING UP BASIL WOOOOOOOO THIS IS WHAT IVE BEEN WAITING FOR THAT’S WHAT IT’S ALL ABOUT YEAHHHHHHHH

god i feel so bad about leaving aubrey tho. shes so clearly not okay and she so clearly did not mean to push basil in and oh my GOD I JUST...PLEASE....PLEASE CAN WE JUST TLAK TO HER I NEED TO TLAK TO HER!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I NEED TO FUCK

the ghosts of omori and aubrey on the swings made me cry out like i had been physically assaulted

AHH BUT THEN TAKING BASIL HOME AND WHILE HE’S IN HIS BED HE JUST SAYS “oh sunny...there’s not way out of this...is there?” I LITERALLY GO BUCKWILD APESHIT INSANE STUPDI!!!!!! BASIL YOURE PUTTING UP A LOT OF ALARMING FLAGS HERE!!! PLEASE DO NOT FUCKING DIE!!!!!!!!!!!!

FUCK. CHRIST. HELL. SHIT. THIS GAME IS DRIVING ME FUCKING CRAZY

GOD

oh my god but the day ending with hero and kel sleeping over at omori’s house...im kdnd im jkdim im not uhm okay THEY BUILT A BLANKET FORT PLEASE..I LOVE THEM

goddd hero going into the piano room....playing sum........and then asking omori abt the song he and mari used to play on violin...and then THE TITLE SCREEN MUSIC STARTS PLAYING....HI. HI HELLO HI YOU CANT FUCKIGN DO THAT HI!!!!!!!!!!!!!!!!!!! FUCK YOUFBJFGJNGN;EJNE; IM GOIGN NUTS

also the name omori comes from the piano.............interesting...i wonder why sunny likes being called omori in the dreamscape...

god but omori not having a srs hallucination cause he’s w his friends and he feels safe...im gonna sob

However. i did glance into the bathroom mirror. AND INSTEAD OF THE EYE MF IT’S A DISTORTED AS HELL GHOST MARI???IM SO FUCKIGN SCARED. IM SO SCARED. WHAT THE FUCK. WHAT THE FUCK? CREEPY AS HELL!!!

ohh my god this GAME

so finally i ended up in whitespace again. do NOT like that omori is completely alone in the world!!! what the FUCK!!!!!!!! I AM SO SCARED AT ALL TIMES. im literally about to go play sum more tho after dinner so i will see what happens. god i jsut......this game is so fucking good it has me by the balls dude. SO glad i decided to play it bruh

anyway thanks for reading all of this if u did, it’s an absolute monster ik and ur a real one

BnHA Chapter 263: [Immigrant Song Intensifies]

Previously on BnHA: Ujiko sicced five Noumus on Miruko. Rephrase that: Ujiko sicced only five Noumus on Miruko. In hindsight this was obviously a mistake. Miruko proceeded to laugh and jump around kicking all of them and literally ripping the head off of the strongest one’s neck with nothing but her thighs. It was legendary and awe-inspiring and also she lost an arm but WHO EVEN CARES, I’m still pledging my allegiance to her. Miruko once beat the sun in a staring contest. Miruko’s calendar goes straight from March 31st to April 2nd, because nobody fucking fools Miruko. Anyway so also the heroes are finally attacking the League of Pliff’s HQ and Skeptic is running around all “AHHHH” so I guess we’ll see how that goes now.

Today on BnHA: Things finally get started over in Gunga, although for the time being most of the kids from 1-A and 1-B are still sitting around in the woods all pent-up and anxious and restlessly shipping KamiJirou. Meanwhile on the front lines, three-and-a-half-year-old Kaminari Denki is all “SOB I WANT TO BE BACK WITH MY FRIENDS WHERE IT’S SAFE”, to which Midnight, who I would just like to remind you is (1) an adult, (2) a teacher, and (3) a person responsible for this literal child’s safety in any number of other capacities, responds with “SORRY KIDDO WE NEED YOUR QUIRK.” I have yet to see any compelling evidence that they really do need it, but putting that dubious matter aside, Kaminari does kick some ass once he gets over his anxieties. Meanwhile Cementoss tears a building in half, Tokoyami reflects on how he was exposed to Kaminari’s good and pure moral character during their many soulful jam sessions, Hawks is about to kill Twice, and – wait, what.

a few stray thoughts since this chapter is taking forever to come out today. one, the good guys need to take out Twice and Toga as soon as they find them, because they’re currently the deadliest combination in the League. Twice for obvious reasons, and Toga because I’m pretty sure she got some of Aizawa’s blood that one time back during the Basement arc, and that fact coupled with the fact that she can now use the quirk of whoever she transforms into spells big trouble for the good guys since she can basically just cancel out whoever’s quirk she wants. plus she’s probably also immune to Midnight’s quirk. all in all bad news

two, it is interesting that Hagakure is the only 1-A kid we haven’t seen yet! probably just me overreacting, but still interesting!

(ETA: we do see her standing next to Mina in this chapter, so so much for that. you get out of it this time Tooru!)

and three, I’m not clear on whether or not Skeptic has actually figured out that Hawks betrayed them, or if he just suspects it, or if he thinks that Hawks leaked something accidentally and doesn’t realize that this entire time the dude was 100% playing them. I’m sure we’ll find out shortly. but regardless of how this plays out, I’m already dreading Twice’s reaction to all this :/ my sweet innocent baby. HE THOUGHT YOU WERE HIS FRIEND HAWKS. HE TRUSTED YOU. fff I really hope Twice’s inherently good and trusting nature isn’t a casualty of all this. then again I still think Twice himself is very unlikely to survive this. so basically I’m just bracing myself for pain sob

(ETA: oh this is bad.)

(ETA 2: by the way just to clarify, the above paragraphs were all written on Friday, and the rest of this recap+all ETAs were written the next day when I finally got to read the chapter! this is not important in any way whatsoever but now you know and that’s half the battle!)

“it’s time” holy shit finally lol. you all have been camped out over here for weeks now. not that I didn’t thoroughly enjoy each and every second of Miruko’s one-woman murder show, but it is nice to finally check in with you guys over here so we can get to work at last and I can get a better feel for who’s about to die. cuz someone here is dying guys

the chapter is called “I wanna be with the others!!” so. this is gonna be a Kaminari chapter isn’t it. I wonder what fresh new traitorous hijinks he’ll be getting up to this week. that detestable scoundrel

Mineta is being all weasel-y and reluctant, and honestly, I’m a bit annoyed. and for once it’s not directed at him! it’s like... how do I explain it. okay, so like, the manga is showing him being all cowardly and clearly not at all happy about being out here, and the fact that it’s Mineta doing it only adds to the general flavor of this being the wrong attitude to have and just a really shameful way of acting in general, because it’s Mineta and we all know Mineta is vile and so clearly he’s in the wrong here! the only thing is though, I actually don’t blame him even if he’s being a little shit about it, because the kids absolutely should not be here in the first place. are they strong? fuck yes. are they gonna end up being the ones to turn the tide once everything inevitably goes to shit, and thus the others are really goddamn lucky that they’re here? probably. does that make it right to conscript kids and send them out here to a soon-to-be war zone which the adults have very little control over meaning that some of these children will almost certainly be injured and traumatized and possibly even killed? nope! not right at all! no amount of “plus ultra” can justify this, folks. and “we get that it’s wrong but that’s just the fucked up times we live in” doesn’t actually justify it either, even if the HPSC seems to think so

but having said all that, there’s clearly nothing to be done about it at this point, and I’m about to enjoy this chapter of the kids presumably kicking ass even after all that whining, so I’ll just carefully climb down from my soapbox now. but I’m still keeping it handy just in case!

who the fuck is this Thundercats guy who looks like he was part of an old timey street gang in 1920s Chicago

lol can he hear the villain hotel being ripped in half over there in the distance

and speaking of hearing, Jirou is popping her earbuds into the ground to do some reconnaissance of her own I guess!

the heroes?? she better not mean the villains. oh lord I still don’t have the faintest idea how they’re planning on actually containing them all. well, brace yourselves everyone. here comes the shitshow

now Gangs of New York is making the most unnecessary speech in the history of this manga

were any of them actually going to be careless?? I’m pretty sure they understand the gravity of the situation my dude. and if they didn’t, I’d say that’s honestly on you guys and not on them because, again, they’re kids. and if you didn’t want a bunch of teenagers goofing off during your incredibly dangerous and vitally important do-or-die hero mission, then maybe you shouldn’t have brought a bunch of teenagers to your incredibly dangerous and vitally important do-or-die hero mission

“listen makeste are you just going to sit around all day bitching about my cardinal sin of daring to involve your precious little darlings in the actual plot,” the imaginary Horikoshi that sits around trying to keep these recaps from veering off track interjects. and okay fine

sob it feels wrong to see MomoJirou there without their Kaminari

(ETA: and there is Hagakure on the left, FYI. at least I think that’s her?)

their baby boy is all out there alone in the woods. is that why you were really listening, Jirou? you can tell me, I promise not to make a big deal about it

MOMO ARE YOU COMFORTING JIROU WHILE SHE OPENLY WORRIES ABOUT “TOKOYAMI”

I lied, I might make a big thing about it. what a beautiful March day for some OT3

MY INFANT SON!!

HE’S ONLY TWO YEARS OLD!! WHAT WERE YOU THINKING!? MIDNIGHT YOU BETTER KEEP HIM SAFE!! at least until he makes it back safely into the hands of his friends, the League of Villains

meanwhile here’s a fun tip, this manga gets 100x funnier if you scroll back up to that panel of Jirou being all serious and saying “they’re on the move” now that we know that this outburst is almost certainly what she was listening to lmao. “oh, Kaminari is crying, that must mean they’re getting started”

and here they go!!

who is that in the witch hat?? COULD THIS BE THE LEGENDARY MAJESTIC, AT LONG LAST? this person looks like they cobbled together their entire hero costume from Sero’s bedroom. just ransacked it and draped all of his tapestries and throw pillows every which way over some Adidas pants. goddammit who is this person, I need to know everything about them right now

DAMMIT MIDNIGHT

HE’S NOT OLD ENOUGH TO MAKE THOSE KIND OF DECISIONS GODDAMMIT. HE IS YOUNG AND PLIABLE!! WHAT DID YOU DO, OFFER HIM CANDY. DID YOU PROMISE YOU WOULD TAKE HIM TO CHUCK E. CHEESE AFTER IF HE WAS GOOD

SON OF A BITCH ARE YOU GUILTING HIM

I DON’T LIKE THIS, MIDNIGHT. I MEAN, YOU ALREADY KNOW, IT’S NOT LIKE I’VE MADE A BIG SECRET OF IT OR ANYTHING. GUH

and he’s shouting back “no I don’t think you adults are pathetic at all!” while still looking terrified! goddammit how do I cast protection on a fictional character in a manga. I don’t play D&D, but D&D players can do that, right? how do I create a shield around my party. Kaminari you stay put while I try and figure this all out

lmaoooooo Tokoyami’s words of encouragement

A MAGNIFICENT FELLOW. you guys I’m gonna be honest, lately I’ve been enjoying these fan scanlations even more than the official ones at times. obviously Viz’s are fine and good, but sometimes it’s almost like they localize everything a little too much, you know? most people don’t go around calling other people magnificent fellows, but would Tokoyami? yes. yes he would. I believe this in every fiber of my heart

LMAO KAMINARI

“KAMINARI, I REALIZED WHEN WE WERE PLAYING GUITAR TOGETHER... WAY TO WHITE-KNUCKLE THOSE SICK FRETS, HALEN.” thank you so much for that Tokoyami but we are kind of in the middle of something so I’m not sure if right now is really the time to start asking my boy here for his autograph. after, maybe

now Cementoss is literally screaming “ATTACK!” and throwing subtlety to the winds

and now we’re back to this!

and it looks like this is most likely Cementoss using his quirk to tear the building in half! so that’s one mystery from last week solved! holy shit you guys I just realized we’re actually going to see Cementoss in action. so long as the environment is right, dude is a literal earthbender. we may be in for a rare treat

Skeptic is shouting at his minions to alert the Council. it’s okay, Cementoss already alerted them for you I’m pretty sure

so he’s sending Violet and Black to the front entrance, and Cleveland and Carmine to the Assembly Hall (where the Council is). these, if you recall, are the names of the various Vanguard squads, though I don’t recall who is actually on which squad and I really don’t want to go back and look it up... but fine!

okay, Twice is on the Black squad and Dabi and Otter Pop are on Violet. so they’re being dispatched to the front, while Toga, Compress, Spinner, and Skeptic himself (how convenient for you Skeptic) are heading to the Assembly Hall. isn’t that nice that Dabi is heading out to the front, where my son Kaminari “Clapton” Denki is. hahaha. fuck

Lefty Hair is now making a sudden appearance and giving Skeptic some threatening “you majorly fucked up and the only reason I’m letting it slide for now is because we’ve got bigger things to worry about” vibes, which I like. also he has a cigarette. it’s been a while since I’ve seen a manga character actually smoke a cigarette. I guess only villains are allowed to smoke them now

YOU GUYS LOOK HOW FUCKING RAW CEMENTOSS LOOKS HERE HOLY SHIT

HOW MANY PEOPLE IS CEMENTOSS GOING TO KILL TODAY. place your bets. and is cement stronger than fire. please don’t die Cementoss

YOU GUYS HE FUCKING SLAMMED THE FUCKING BUILDING OPEN LIKE ARAGORN OPENING THOSE FUCKING DOUBLE DOORS IN THE TWO TOWERS. I KNOW YOU CAN’T ACTUALLY SLAM A DOOR OPEN BUT ARE WE GOING TO SIT HERE AND ARGUE SEMANTICS ALL DAY OR ARE WE GOING TO KEEP READING??

ARE WE EVEN ALLOWED TO HAVE THIS MUCH BADASSERY IN A CHAPTER THAT DOESN’T HAVE MIRUKO IN IT. LOOKS LIKE SOMEBODY FORGOT TO INFORM THE BADASSERY GUILD THAT THEIR UNION MEMBERS ARE WORKING OVERTIME. I DON’T KNOW WHERE I’M GOING WITH THIS METAPHOR I GOT TOO EXCITED

by the way I like how a key part of their “let’s contain all the villains” plan was to open up their secret HQ and spill them all out like a bunch of ants. everyone knows this is the best way to keep people contained. instead of stationing people outside of every exit, let’s just make the entire building into one giant exit and MELEE AWAY ALL YOUR PROBLEMS

who died and made Lefty the smartest guy in the room

if only they had all listened to you, Mister Smart Guy. you’re so smart. why didn’t they put you in charge. probably just because they were jealous

booooo it looks like Black and Violet are attacking but Twice and Dabi are nowhere to be found! because they’re part of the Council?? boooo

Best Sweaterist can do anything a sweater can do. it’s not a very good power. everyone was all “you look like the number 3 hero you must be really strong” and so she got promoted waaaaay above her skill level and it’s too late for her to do anything about it now so good luck Best Sweaterist

finally some people from the League!

but where is Hawks? AND WHY IS DABI HEADING THE OPPOSITE WAY AS EVERYONE ELSE HOLY SHIT

LOL HAWKS YOU BEST MAKE YOURSELF SCARCE MY DUDE. OH FUCK

(ETA: Dabi is either going to arrive just in time to save Twice, or just in time to witness Hawks murdering him, and I’m not sure which would be worse.)

OH MY GOD EDGESHOT GOT A LINE

I CAN’T FUCKING WAIT TO HEAR THIS WITH MY OWN TWO EARS IN THE ANIME. IT’S GONNA BE SO GREAT AH MAN. but real talk, Miruko should be above him in the power rankings. I’m sorry I don’t make the rules. but unless you kill three Noumus within the next few pages here I’d say it’s pretty clear cut

OH NO MY SIX-YEAR-OLD SON, MY POOR BABY, HE LOOKS SO FRIGHTENED NOW. LIKE GENUINELY AFRAID-FOR-HIS-LIFE FRIGHTENED AND NOT JUST COMICALLY FRIGHTENED OH MY GOD I CAN’T

Kaminari you sweet little lamb, it’s going to be okay. you just take a deep breath and zap some of these PLF fuckers and then you can go run and hide and you’ll be playing tacky arcade games and eating hit-or-miss-quality pizza before you know it

Kami is actually in a lot of danger here what with how helpless he gets after he uses too much of his quirk though. (unless of course you subscribe to the theory that he doesn’t actually go dumb at all and that’s when he’s secretly transmitting his traitor messages to the zetans.) whose fucking idea was it to put him on the front lines, honestly. he’s only four!!

fuck me, Midnight sees him panicking and she’s being all soothing and encouraging while also being ridiculously sexy as usual. dammit Midnight

hey Kaminari if you want to think about Momo and Jirou I’m not going to complain, I just want you to know that. you can even make it all platonic by just saying “my friends.” either way is fine and I will respect your smokescreen

ahh he’s turning around and the camera is zooming back to the woods where the rest of 1-A are!

the title of this chapter is becoming surprisingly meaningful!! well played!

WOW

I don’t even know what to say?! I basically just slapped both of my cheeks and said “AWWW” out loud?! would you fucking look at these two bisexual icons living it up in this the year of our lord 2020. what a blessing

oh hey this guy decided it was time for him to talk again

okay Kami I give you permission to go pikachu on his ass. go ahead and show us why the heroes went ahead and violated ILO conventions in order to bring you here

don’t tell me this guy is also an electric type. lol who could have guessed that, there were absolutely no clues at all in his hairstyle or anywhere else. I would definitely have noticed something like that because I definitely pay attention to these things lol

(ETA: and presumably the heroes knew the identities of the Vanguard squadron leaders thanks to Hawks, and knew they had to have some sort of plan in place for this guy’s quirk, hence them being all “hey Kaminari let’s talk.”)

anyway

OH SHIT YOU GUYS KAMINARI IS ABOUT TO BE A BADASS!?

MOTHERFUCKER WAS THAT A SHOUNEN WOOSH???! whaaaaaat oh shit everybody brace yourselves

and now a Tokoyami flashback to the two of them jamming like little hero Hendrixes

because he prioritized the health of his fingers beneath his desire to learn the guitar to help his friends perform, you realized he was truly a magnificent fellow. aw shit it’s all coming together

yep

look how evil that smile in the last panel is. clearly the traitor. probably this other electric man is his dad

USING AN ELECTRIC ATTACK AGAINST ANOTHER ELECTRIC TYPE CLEARLY WON’T WORK AND THUS THIS IS ONLY A FAKE ATTACK DESIGNED IN ORDER TO MAINTAIN HIS COVER!

LOOK HOW EVIL HE IS

HOW DO YOU EXPLAIN A FIVE-YEAR-OLD HAVING THIS KIND OF RAW FIREPOWER UNLESS HE’S SECRETLY EVIL!??!

OH MY GOD I LITERALLY SAID “OH MY GOD” VERY LOUDLY IN REAL LIFE AND NOW I’M HOPING MY NEIGHBORS DIDN’T HEAR HOW LOUDLY AND EMBARASSINGLY I SAID “OH MY GOD”

FUUUUCK

just. it’s like this weird and crazy feeling that’s a combination of adrenaline and chills-rushing-up-your-spine. that’s the sensation of clicking to a page and suddenly seeing the thing we fucking knew was going to happen, but just because we knew doesn’t mean we actually wanted it to happen, shit

holy shit. does Jin have to die in order for the heroes to succeed? probably. do I want it to actually happen? NO. am I suddenly reevaluating every single thing I thought I knew about Hawks and mentally updating Jeanist’s presumed mortality status in my head?? yes. are Hawks’s eyes here going to give me nightmares for the entire coming week? also yes. am I really unsettled wondering if those eyes were the last thing Jeanist ever saw? listen why do you keep asking me all of these intrusive and deeply upsetting questions like I’m some kind of magic 8 ball?? am I going to be on the edge of my fucking seat now waiting for next week? fuck

So, I finished Stranger Things season 3. The show canonically involves a shadowy government agency abducting and experimenting on children, so, when the shadowy Russian government agent who had captured Steve and Robin started talking about getting Steve a doctor, my mind did not go to conventional means of torture. And that, combined with the credits scene, gave me an idea for a post-canon fic.

Diverges slightly from canon at the point where Steve and Robin are being interrogated. Dustin and Erica take a little longer to rescue them, and when they do get there, something is Wrong with both Steve and Robin. It seems to wear off, and they all chalk it up to the drugs - but that doesn't explain why, when the Gate closes, both Steve and Robin drop like stones. They wake up fine a few minutes later, but...

Fast forward. The Byers and El have moved. August isn't quite over yet, but school and further partings are looming. Somewhere in the background, there's a news report about a nuclear power plant meltdown in the vicinity of the secret Russian lab from the credits scene, the one where they'd been keeping a captive demogorgon. 

And, around Hawkins, people's pets have started to go missing, mangled animal corpses have started to turn up, and Steve's started to catch glimpses of something tall and pale lurking in the woods behind his house and following him in the dark. Something that looks almost human, but doesn't seem to have a face.

The demogorgon seems to be back, and stalking Steve - and, according to how nervous she's been and how she won't walk to her bike alone after dark anymore and how she keeps asking if the Russians could've come back for them, Robin. 

Steve decides that he needs to do something about this before it starts eating people - eating him, and his friends, specifically - and, selfishly, that it'd be nice to be the big damn hero for once, maybe even without getting the snot beaten out of him this time. Using himself as bait to draw the monster out and then hitting it with a bat with nails in until it stops moving may not be the smartest plan anyone's ever come up with, but nobody ever claimed that Steve Harrington was smart.

Surprisingly enough, this stupid plan actually works. Up until the part where Steve actually starts hitting, and very quickly discovers that he hits a lot harder than he ever did before. And can take a lot harder hits than he ever did before. And holy shit what the fuck is going on what is happening to his body what the fuck is happening to his TEETH - 

The fight doesn’t last long. Steve has to take a quick minute to have a mental breakdown, and when he pulls himself together (figuratively and, horribly, literally), the demogorgon has basically rolled over and shown him its belly. 

Turns out, it’ll listen to him. And it’s hungry, but willing to stick to cattle and deer and the occasional unfortunate cat. And actually kind of cute and pathetic, in a horrible-monster-that-tried-to-eat-my-face kind of way. And perfectly happy to just chill around Steve, and he’s training it to not eat people and it’s working, okay?

It’s hard to keep a secret monster pet from an alternate dimension a secret for long. Robin and Dustin both very quickly figure out that Steve’s hiding something (well, a couple of somethings), and, after extracting solemn promises that they will not freak out, he takes them to meet his new...project.

Robin freaks out.

Just a little bit. Just for a second. Just because the demogorgon sees her and goes rocketing straight at her, ignoring all of Steve’s commands. Just because she doesn’t feel like getting eaten - or nearly eaten - by monsters from another dimension. Again. 

Why she freaks out is not as important, though, as what happens when she freaks out. Because the demogorgon goes flying like it got hit by a truck. Only nobody’d touched it. 

So, maybe Steve and Robin didn’t get out of the Russian base with no lasting damage the way everybody’d thought. 

After a few false starts (and a lot of Dustin attempting to explain things through comic book references that Steve insists he doesn’t get), they figure out that Robin can share ‘impressions’ with the demogorgon in a similar way to when El ‘found’ it and it saw her in the first place. It’s lost, and hungry, and lonely, and homesick, and happy to think it’s found two other, stronger, if a little funny-looking demogorgons. 

Oh, and it’s dying.

They immediately tell the others, because if three seasons’ worth of Upside Down-related shenanigans have taught them nothing else, it’s to share information up front. 

(This involves talking to Nancy, which Steve seems to be more scared of than walking into the woods with a bat with nails in to confront a monster he thinks has been stalking him with every intention to eat him. Robin will never let him live this down.)

Nancy remembers that when she and Jonathan went hunting the first demogorgon, it came out of a portal in the woods that closed up after it, not the Gate in the facility. Mike remembers it coming out of the wall at the school, which corroborates Nancy’s idea that it can open its own portals. Will (via walkie) remembers that Brenner&co. had sent Hopper and his mom in after him in hazmat suits, because apparently the atmosphere of the Upside Down is toxic to humans. And they all remember how the Russians’ Gate blew. 

They come to the conclusion that maybe their atmosphere is toxic to the demogorgon the same way the Upside Down’s is to humans, and that it can’t find its own way home because, by closing the Gate, they severed all connections to the Upside Down.

(It seems like somebody on the Russian side of things was smart enough to not put all their eggs in a giant Key-shaped basket, and was looking into ways to open a Gate that would take less power and be less prone to exploding. Since the demogorgon is naturally able to open its own portals, and to tolerate the Upside Down’s atmosphere without needing specialty gear, it’d make sense to try to give a human those attributes.)

(And the two American teenagers in stupid outfits were probably telling the truth about not being highly trained covert operatives, but they still couldn’t be allowed to escape to tell the world what was going on. And their deaths would be no great loss to anyone if the tests went...badly.)

So now they’re faced with a dilemma. If they find a way to open a Gate to let the demogorgon go home, however small and however briefly, they risk letting the Mindflayer back into their world. But if they don’t, their new buddy will die - and, it’s starting to look like, so might Steve and Robin. 

Also, El’s powers still haven’t returned, and she’s half a country away now. But, maybe...maybe Robin can open a Gate.

Some additional thoughts:

Somehow, the solution has to involve Kali or one (or more) of the other nine experiments.

There are now no responsible adults over the age of eighteen who know what’s going on within a reasonable driving distance - except, perhaps, for Murray. This is going to go about as well as could possibly be expected.

Tommy and Carol appear as secondary antagonists, who find out what’s going on, try to take it to the papers, and end up scooped up by the government and interrogated.

This leads to the demogorgon and Steve and Robin all being shuffled off to some top-secret facility that they then need to be broken out of in the climactic episodes. Maybe this is where Kali comes in - she’s been hunting Brenner’s men for years, she’s familiar with the locations of their bases and bolt-holes and with how they operate. Whether Owens is involved or not, I haven’t decided. 

There’s a scene where Steve and Nancy finally fucking talk to each other, and while they don’t get back together, they do clear the air and leave off on a better footing so they might actually be able to be friends.

Also, Nancy and Robin start to become friends, and then Nancy finds out Robin likes girls and is weird about it at first, and has to get her head straight and her act together.

El as the wise old mentor training Robin on psychic abilities. Robin has to try to ‘find’ El, because El still doesn’t have her powers, but El’s practiced enough that she can tell when someone else is trying to get into her head and to let her in. Long-distance communication is a lot easier with psychics. And a supercharged walkie-talkie. 

The B-plot/emotional arc is about growing up and apart while trying to maintain relationships that are important to you, and grieving for the person you were with certain people at a certain time and have now irrevocably lost, while learning to look forward to the versions of yourself and the people you care about that are yet to come and may be better than you could possibly imagine. And also about maintaining long-distance relationships.

Dustin names the demogorgon Gizmo.

And there are many, many E.T. references. 

My 10 Favorite WWE Matches of All Time (updated)

10: The 2001 Royal Rumble No matter how daft and stupid the product gets, I will never not stoke my head in around January. The Royal Rumble is my favorite match, but this one is my favorite favorite instance of that match. The pacing, the beautiful endurance of Kane, the hardcore interval (which Kane just decides to destroy), the Big Show returning after 4 months just to get shit-canned a minute into his run. There is so much to love about this mess. The preview of Rock and Austin that year for their Wrestlemania showdown. The fact that 4 or 5 of them (Rock, Austin, Kane, Undertaker, even Rikishi) could have been main event contenders. The best midcard in WWE history. Scotty 2 Hotty having the worst night of his life. Drew Carey just showing up. Bradshaw just cliffing everyone, because he's gotta get his shit in. Good Rumbles are like a 3 course meal, and this one is like all your courses at once, and then dessert is a treat you could die on. 9. Tyler Bate vs. WALTER - Takeover Cardiff Crowds make a lot of matches for me (thanks, 2020) but this crowd is especially electric, and for 24-year-old Tyler Bate, who is taking on a TANK, and that tank's name is WALTER, a TANK. But I will never not be a sucker for a David vs. Goliath story, and it was never better told than the boy made of thighs vs. the destroyer made of shattering palms. It is SO CARNY, so many feats of strength, so many OOOOOFS AND UUUUUURGHS that make this so great. Tyler was a hero on this night, but everyone knew he wasn't ready to win. Every feat is a magnificent reach. And it all means something to everyone. Make them what they know SHOULD happen and still surprise them with it. His "refusing to quit!" only to get shut down by a fucking chop. HE STANDS but is immediately ruined. It makes me. This shit fucking makes me. 8. Sasha Banks vs. Bayley, 30-Minute Iron Woman Match - Takeover Respect Most of this is just a remix of their epic and warranted classic in Brooklyn. but then Sasha takes the headband off of Izzy. And then they both stepped it up and were *amazing*. We somehow lost Bayley's "RAAAAAH'S and that's sad for me. But then they RAMP IT UP. NOBODY LIKES YOU. FUCK YOU. WE'RE HAPPIER NOW. (WE'RE NOT.) But seriously, Sasha taking Izzy's headband and then THROWING IT AT HER started something special, something grand. THE OUTRAGE. The bastion of heel heat. And then the match got better. They hugged at the end of their encounter in Brooklyn, but then they started poisoning one another. And it all started with this amazing match. (Also, Bayley's amazing red and gold robot tights.) 7. Kurt Angle vs. Shawn Michaels, Wrestlemania 21 Listen. HBK's 'Mania outings with the Undertaker are solid "match of the decade" contenders, piss-easy. They are peerless, they are in a league of their own. But saying they're your favorite? Unless you are an actual wrestler, that's like saying "UH, MY FAVE BAND IS THE BEATLES." Ya boring, ya basic, and we can all do better. And seeing how I'm in my late 30s, I understand wrestling a little different than I did when I made this list in...2016??? Christ. I bet AJ Styles vs. John Cena was on it that year. Two of the best performers, both in their prime, and looking back on it, I just prefer the mix of character dynamics at play. Angle is easily one of the best in the world, but he has such an inferiority complex, because he's an Olympic gold medalist who is told *nightly* that he sucks, and he CAN'T best Michaels. He keeps coming back, and he's so charming, so effortlessly good at this whole "wrestling" thing, and it's slowly making Angle, who SHOULD be all of those things, absolutely *spare.* And that informs so many spots and story moments in the match itself, specifically when Angle LOSES it and starts shouting at him, only to have a superkick partied under his face. Angle is one of the best ever because his wrestling acumen served his character, never once defined it. 6. Vince McMahon vs. Shane McMahon, Wrestlemania 17 I haven't gone back to watch the whole of Vince vs. Shane THAT many times. What I have done is watch the finish about 65 times. There is something so addictive and magical about that one pop, when Linda stands up from her chair, and the ENTIRE crowd stands with her. And I'll 100% agree that Vince's comeuppance - one slap, one hoof to the balls, a Mandible Claw and a Coast-To-Coast dropkick - is not NEAR the actual comeuppance he should have gotten for some of the deplorable shit his character got up to from around the Rumble to this match (two of which they've done their very best to scrub from history, they're THAT bad.) But it's the purest example I can think of, of that pantomime aspect of wrestling. Vince McMahon is a deranged bastard. He likes dumb, cruel, crude things, but his commitment to being the world's 2nd-worst lizard man makes some of the stuff that happens to him more richly rewarding than almost any retribution in any medium, ever. The final 4 minutes of that match, the crowd is a fireworks display. They rise, they explode, they rise and explode, over and over. And again, shoutout to my boy 2020 for making me miss a crowd THAT big having THAT good a time. 5. Adam Cole vs. Johnny Gargano - 2 out of 3 falls - TakeOver New York Now look, I'm not saying that NXT is essentially perfect for me, in terms for what I look for in wrestling. What I will say is that when it cooks, it combines the very best of indie stamina, choreography and stunt work with something WWE sometimes gets VERY right, and that is unabashed, unironic emotion. And it's not even that the intimacy of NXT being a smaller promotion has a denser, more specifically passionate fanbase. It's just the fact that NXT understands that so often, nuance and drama in wrestling doesn't come from promos, or swerves, or endless escalations of said drama, but from getting the FUCK out of the way and letting two of the best in the world *wrestle.* NXT is so good for providing context for the acts of jealousy, pride and entitlement, and then laying out a match that touches on all of these emotions throughout. This main event, built in two weeks, after a terribly-timed Ciampa injury, is actually VERRRY clever booking...disguised to look really simple. Cole starts the match as the crowd favorite, because he's the cool tweener everyone likes (with a catchphrase) to Gargano's unironic Disney prince. Over the course of Cole going all out, making subtle references to Johnny's feud with Ciampa, Gargano fighting from underneath, total fuck-off bastardry from the Undisputed Era (making poor Mauro Ranallo yell "YOU SNAKES!!") Maybe Cole WAS the better choice, but by the end of it, you didn't care. On that night, Johnny refused to lose, and the constant, exciting, *involving* wrestling dragged you to that emotional place. Damn right, you deserve it. 4. CM Punk vs. John Cena, Money In the Bank 2011 It might be a simple choice, but also, sometimes, it's really really gratifying to see a crowd who wants something get what they fucking want for once. A hot crowd makes a good match great, and a great match THIS. A crowd united, either for one guy, and against another, and in this case, BOTH. It makes every. Move. Matter. Trying to find a new angle on this match is like trying to find a new way to say fire is warm. And this crowd created a CAUSE. The no-sold pinfall, the attempted rehash of the Screwjob. Point out the botches if you must. The angle, the promo...it got my friends back into wrestling, a reason to care until the Shield. It's not the best, but it deserves to be. There is no wrestling crowd I wish I was more a part of. And I was at King of the Ring 1998. 3. Kurt Angle vs. Brock Lesnar, 60-Minute Iron Man match, Smackdown of September 18, 2003 It MAYBE was a bit of a "hipster" choice to name this my number 1 in 2016. But you know what? Bloody holds up. Two performers who feel "destined to do this forever," like a Triple H/Shawn Michaels, or a Kevin Owens/Sami Zayn. Possessed of freakish physical charisma, could go for days if pressed. Brock Lesnar, literally at the time ONE OF THE BEST ATHLETES in the WORLD being a lazy fucker and taking DQ points, laying the foundation of what Brock Lesnar would come to be known as. And Angle, in that rare position of everyone knowing he's the best thing going. Brilliant Lazy Asshole Brock and Certified Wrestling Machine Angle are two of my unironic favorite characters in all of wrestling, and it's a buffet of THAT. Like a Royal Rumble, only it's just two dudes, being the best they've ever been. 2. DIY vs. the Revival - 2 out of 3 falls - TakeOver Toronto "Tag team wrestling?" says main roster WWE. "What is this...tag team wrestling?" Well, this is it, at its absolute best. It's up there with Rey Mysterio and Edge vs. Chris Benoit and Kurt Angle from No Mercy 2002 for just brilliant, rock-solid tag team psychology. There are more story opportunities when there are more rules to break, how can WWE *not get behind that?* In terms of chemistry, both between opponents and between teams, in terms of callbacks like Johnny muscling through the exact same inverted figure four that lost them the belts in Brooklyn. It is a perfect match. Not an ounce of fat on it. And that closing sequence, of each member of DIY locking the Revival in their signature holds, and the men now known as FTR clinging to one another. It's probably the best tag match in the history of the WWE, and considering the caliber of tag matches on TakeOvers, is FUCKING saying something. 1. Daniel Bryan vs. Brock Lesnar, Survivor Series 2018 This match is everything I always hoped for. For the longest time, after the 2015 Royal Rumble debacle, when Reigns won, when simply everything we knew about storytelling said "no, of course it should be Bryan," I wondered what that 'Mania match would look like. If it were anything like this, I would have died a happy man. But then again, what makes this match so GOOD is that Bryan had just come back from an early retirement caused by head and neck surgery, and here he is, being dropped on his head and neck by Brock Fucking Lesnar, aka what would happen if the concept of "not giving a shit" gained corporeal form and starting shilling for Jimmy John's. The match gets really ugly, really fast, and Bryan takes us to uncomfortable places with his selling. It wasn't just the retirement angle, it was also the fact that Brock had turned out some REALLY lazy shit by that point in his career, so we had all mentally prepared for another finish-spamming early night. And then. AND THEN... Bryan hoofs him in the walnuts, hits the running knee, gives us the absolute closest 2-count of the decade, and then the fight is fucking on. Bryan went, over the course of 2 minutes, from never having a chance against Brock Lesnar to it being an *absolute certainty* that he was going to BEAT BROCK LESNAR. Anytime you visibly leave your seat every few seconds during a match, you know it's a special one. Again, it took me away, had me absolutely *screaming* at my monitor, elated, invested, and I don't know what more your favorite match can ask of you. But what happens when your favorite match isn't a match at all? No. 0: The Firefly Funhouse - Wrestlemania 36 I'm not kidding, it actually might be my favorite thing. It could be just my brain latching onto the Cult of the New, but I don't think so. It's not a match, I get it. It exists in a weird null-void outside of time and space, but mostly I am floored that they would broadcast something so virulently anti-WWE. Like, we talk of CM Punk and how WWE let him get away with all his little jokes and cut his little Pipebomb promo. But then WWE signed off on Bray Wyatt tearing the soul out of their business. Burying the biggest star of this generation, skewering and laying bare all of terrible WWE's terrible priorities, and also celebrating insider knowledge, wrestling history, and I just...love it. Right now, it's my favorite thing WWE have ever put out, because it did something they've never done before, told a story I didn't think they were capable of telling. And sure, it was Bray who told it, but I still can't believe it aired. But I am endlessly thankful that it did.

IS IT OC DAY YET?!?!?! BECAUSE I HAVE THOUGHTS(tm)

OKAY SO ANYONE WITH A RUDIMENTARY UNDERSTANDING OF STAR WARS KNOWS ABOUT MANDALORIANS RIGHT?

My Mando OC is from swtor and i love him. His name is Ke’ade and he was born on Tatooine to a Republic settlement, unfortunately after an invasion from the Empire left his home in ashes and he himself missing in the desert for several days he became a Bounty Hunter, running from one world to the next (there was an incident on Mek-Sha). now imagine this death-stick-smoking-sith-shit-talking-tiny-motherfucker meeting the-perfect-jedi-embodiment-of-peace-and-serenity — what happens then?? WHAT HAPPENS WHEN THEY FIND OUT HE’S FORCE SENSITIVE?!?!???! WHAT DO YOU DO WITH A FORCE SENSISTIVE MANDALORIAN?!?!?!? (Bounty Hunter)

drinking, drinking happens

Mar’keo is the perfect jedi, serene, calm, understanding and compassionate. unfortunately he is surrounded by seven other dumbasses ranging from chaotic neutral to chaotic slut. He develops what ultimately comes to a little bit of a drinking problem (during the Mek-Sha incident)- he can’t handle this gremlin boy he meets on Nar Shadaa???? He already has Nicky???? he’s like that dad that says he doesn’t want anymore kids and yet adopts the next child he sees. After the Alderaan Accident there’s a nice little rhyme that goes around the family: “what do you do with a drunk-ass Jedi what do you with a drunk-ass jedi what do you do with a drunk ass jedi earrrly in the mooooorning?” (Consular)

And Nicky, sweet, feral Nicky, this kid took down the EMPEROR the goddamn BIG BAD. He’s so done with everything. he’s batshit 25/8. diplomacy???? Lana handles that because there is NOT going to be another Alderaan Accident. He’s married to Theron Shan who (despite refusing to admit it) is just as feral and impulsive. Mar’keo and Nicky have known each other since they were BABIES- growing up in the Jedi Order together and literally the first two members of their weird dysfunctional family that would kill and die for each other. (Knight)

Don’t even get me started on Trii’va. She’s all of them combined in a beautiful blend of chaotic dumbass and pure big dick energy. Did i mention she’s married to He’katia??? Member of the Dark Council and right hand lady to Darth Marr??? No??? Well we shall come back to that. This chick is the loopiest smuggler on the hyper lanes, she taught Nicky how to ride a motorbike and give Mar’keo and Lana an extra 35 heart attacks a month. (smuggler)

He’katia is The Librarian Lesbian That Kills People For Fucking Up The Dewey Decimal System and is the Togruta embodiment of “Books are better than people” she loves the Empire and openly advocates for change amongst the Sith while proudly showing off her feral wife and having tea parties with Darth Marr while they bitch about Vowrawn and Saresh. (inquisitor)

KEL!!!! KEL’KATIS!!!! or as Mar’keo calls him “that slut” because let’s be real he is the SLUTTIEST Sith on the block and there is an ongoing rivalry between Nicky and Kelly to see who has the softest hair in the known galaxy and let me tell you it gets VIOLENT.

we don’t talk about the Water Shortage of ‘07

Karavia- because where did Trii’va learn her sass if not from her mom? Trii’va is adopted, Karavia (or auntie Kavvy as the rest call her) is Cathar and Trii’va is Twi’lek and she is THE most badass mom ever, literally, take no shit. She hates, hates the brass, and so when given free reign over Havoc Squad and her uptight-but-in-a-cute-way lieutenant she uses every chance to piss off as many entitled fucks as she can and well...... Monkey see monkey do right? (trooper)

and then, at last, we have Ahtoan. Tony. Top-Hat-McGee as Ke’ade lovingly dubbed him. The youngest member of Imperial Intellegence and the youngest saboteur to fuck that shit up. He is by far the youngest of all of them (not even hitting twenty at the beginning of the story) and was found by Nicky somewhere between the end of Ilum and the beginning of Makeb. The poor kid is tired, he just wants to go to sleep. He’s never had a real family and so when he meets these seven other fucked up weirdos he is SO happy- and then Mar’keo offers to help heal him, and so breaks down crying and just HUGS the man. (Agent)

It is at that point we reach the collective look of “We’ve only had Tony a day and a half but if anything happened to him we’d kill everyone in the galaxy and then ourselves”

suffer reading all that Darth Mags

lets. fucking. go.

Ke'ade

loving that Tragic Backstory™ and whenever someone says the words Bounty Hunter I always go 👀👀👀👀👀

HES TINY!!??!?!? HE IS SMOL???!!!!?!?!???! he is mine now I am stealing him. AND HES FORCE SENSITIVE??!!?!?!?!

in curious abt this perfect-je si-embodiment-of-peace-and-serenity and now the two would act around each other 👀👀👀👀

Mar'keo

Mar'keo and the Seven Dumbasses sjfsjfsjfsfhzhfsh p l e a s e its like this weird off brand snow white movie I watched at the beach with Hero 😂😂😂

okay so im assuming this is the Perfect Jedi Character you were talking abt?? ok good.

cant wait for chaos slut to make an appearance

aww, poor alcoholic bby, its ok I support him no matter what. also all this talk of mek-sha is scaring me.

NICKY I think I remember nicky jahshshha

I'm assuminf the gremlin is Ke'ade??? correct me if I'm wrong please :))

"that dad that says he doesn't want any more kids but then adopts the next child he sees" ahem do you mean Qui-Gon???? I think you mean Qui-Gon.

THE RHYME I'm in love

Nicky

NICKY !!!!! sweet feral nicky :') I love him already.

Hes just tired, he took down the big bad, let him rest.

done with everything??? batshit 25/8????? sounds like my kind of dude tbh

the alderaan accident 👀👀👀 im intrigued

we stan jedi besties-since-birth

FUCK YEAH JEDI KNIGHT BABEYYY

Trii'va

ma'am pls step on me

I live for chaotic dumbass ladies

honestly she just sounds so cool, 10/10 I love her

MARRIED TO MAULS RIGHT HAND LADY AYYYYY

did someone say badass wives who kick as a while looking hot as fuck? no??

He'katia

I have no words to express how much I love her

LIBRARY LESBIAN

I just zhshhagaggagsga

showing off her wide??? tea parties with maul?????? gimme.

Kel'katis

*bangs fist on table* CHAOS SLUT

I love the him. I want more. please tell me more abt the chaos slut.

lmaooo soft hair battle 😂😂😂 I love it

Karavia

AUNTIE KAVVY P L E A S E THATS SO CUTE

this woman. I just- jdhdhshjshshsh

I love her.

pissing off the entitled and then the gang copies her 😂😂😂 I love it

Ahtoan

TONY

TOPHAT MCGEE

I LOVE HIM

babie

never had a real family 😭😭😭 please let me hug him, that's so soft abt the healing hshsbzbahbzb

in conclusion, I love them all.

its OC day! ~ celebration info post

here’s the thing about kaito momota for me: at first, i didn’t really understand his character and saw him kinda just as the bro character that i loved since he was a hero that always looked on the bright side and motivated everyone around him to keep going. little did i know that this motivational ball of sunshine could actually be a lot more complicated than i first thought.

seeing him break down in chapter 4 for a couple times, i realized that it wasn’t just him being mad that one of his friends was being accused.

kaito lies a ton. he’s selfless and would rather be the person others need rather than what he himself needs. his version of a hero is a person that is just like a huge wall or pillar; something that can’t be broken down and doesn’t need repairs no matter what. a person that is full of constant support and motivation that doesn’t need anyone to share their weakness with and doesn’t even have any evidence of weakness. he’s constantly forcing his happiness in the darkest situations for the sake of others, and he barely talks about the negative parts of himself. i mean, we never hear about him missing his grandparents or space since someone always interrupts or an event ends up snatching the spotlight from him. because of his prideful stature and his care for everyone around him, he only ever seems to talk about the good parts of himself and never his flaws.

what flaws does he have, you may ask? it’s quite literally the way he sees a hero and how he is almost all the time.

kaito’s version of a hero doesn’t have weakness, doesn’t show weakness, and doesn’t even experience weakness. a hero that everyone can depend on without depending on anyone else. his version of a “sidekick” is someone that is “weak” in the sense that they have potential but just need someone to help them grow.

so he did just that with shuichi and harukawa. he helped them grow.

when shuichi finally grew stronger, kaito was obviously proud and happy for him, but he also grew envious of how he could solve all the cases thrown at them and find the truth without his help. it’s two-sided.

in chapter 4, when kaito constantly tries to prove that gonta wasn’t the killer, it wasn’t just because gonta was his friend and didn’t seem like someone to kill. it was also because kaito felt weak and inferior. he tried to scramble back up to the top and prove his worth to everyone, but in those efforts, he showed some of his weakness to his sidekick. to him, it’s the worst thing he can ever do as a hero. showing weakness is legally not allowed in his mind, and his inferiority and desperation bled a little from him.

his greatest strength is his greatest downfall, and he wasn’t ignoring shuichi because of him. he was ignoring shuichi because of himself. his weakness that he showed he tried to hide throughout that time for everyone’s sake but mostly shuichi’s.

in chapter 5, kaito ends up being as powerful as ever when he’s about to die. he comforts everyone and dies smiling, content with the fact that he didn’t die to monokuma’s execution. he triumphed as a hero and it really took some fucking guts to be able to stay smiling as his illness ate away at him. just as i said, he was the person everyone else needed him to be and not the person he needed himself to be. his mindset is quite unhealthy. he needs someone to call him out on his bullshit and be willing to help him grow as a person, which is why i ship oumota so much.

one of the reasons why i don’t prefer saimota or harumota more than oumota is the big factor that, in kaito’s eyes, he isn’t legally allowed to show weakness to his sidekicks. shuichi also dangerously idolizes kaito and kaito would most likely end up staying his hero character around him.

however, a shuichi that calls kaito out on his shit and is willing to help him grow? that’s the kind of saimota i want. they don’t have to be rivals; that’s the base need that needs to be set in a relationship. you don’t hide things from each other and rely on each other. nothing is one-sided.

however, harukawa is a very different story. she goes against everything kaito believes in and tries to kill the mastermind at the end despite that not being what kaito wants at all. she makes him comfort her instead of comforting him before his death and figuratively kicks his gravestone by doing everything he doesn’t want her to do. it’s very toxic in my opinion, and the fact that no one brings it up is even worse.

now, kaito believes in everyone. and i mean everyone. even ouma. he clashes with him so much because he believes in him, wants him to prove him wrong and wants to believe that ouma isn’t bad and that he’s a good person. he wants to believe he isn’t anything that he’s saying and he wants to believe that he can help him. he never wanted him to die and he really, truly did care about him.

and, on top of that, he wants to understand him. being the only one to really see how ouma feels probably fueled his pondering of what if and the question of who really was he on the inside the whole time?

kaito sees people for who they are, rather than what they are. even though ouma may be a liar, that doesn’t stop kaito from believing in him as a person, which is shown from the fact that he helps shuichi and harukawa because of the fact that they have the potential to become strong. he sees what they can be and doesn’t give up when he hits a bump in the road. they’re extremely similar in the sense that they both lie and wear masks.

that’s why they complete each other; they call each other out on their shit and therefore help each other grow as better people. besides, they’re the only ones that can keep up with each other’s energy. even with shuichi, i’m sure it’d still work out, but ouma is a better fit for kaito in that he isn’t afraid of telling him when he knows he’s lying about something. kaito isn’t afraid of doing it, either. and they both really do care.

overall, kaito really truly is the embodiment of a hero; he’s just in the first stages of it. he’s slowly acknowledging his issues one by one, but he’s not at his final resolve just yet, and i think he realized that at the end of the day, he really was a hero with his flaws.

no one is perfect, everyone has flaws, and we all need to understand them. that’s just something we need to come to terms with. it’s one thing to know them, but a mark of a real hero is having the confidence to tell people about their problems and let others in to help them become a better person. while kaito isn’t at that point just yet, he would definitely be able to realize it at one point. he might not have been able to realize it quickly, but seeing him grow is a really good experience for me because i can relate a lot to how he feels.

but understanding flaws and letting people in to help fix them is just another chapter of his story; another chapter of kaito momota, luminary of the star’s story. the hero that stayed smiling no matter how he felt and the hero that’s still learning to accept his faults. the hero that really shines as bright as all the stars combined.

kaito really is an interesting character and is a lot more complex than what’s on the surface; it took me quite a while to really understand his character. it’s probably why he’s the only one i can legitimately write. i’m slowly gaining speed on ouma’s character, but there isn’t a single character out there i understand more than kaito.

being able to write his character and see him grow as a person whether it’s because of ouma, all of his friends or his own ponders through my own writing really is a joy to me. he’s a complex character that truly is a hero and that just needs more time to become everyone’s shining star.

i love kaito for his flaws and for his selflessness; i love him for him as an entire character. he is and forever will be my favorite danganronpa character and, of course, my favorite astronaut.

he’s not perfect like he wants himself to be, and he never will be, even if he desires to not be flawed more than anything.

and i’d like to think that, at the end, he realized that exact fact and grew determined to work on his flaws, no matter what; that’s just the kind of person he is. even with his flaws and the difficulties, he’s determined to keep going and help everyone, and that’s exactly the reason why he’s not only my favorite character ever but also why he’s the brightest shining star around.

our flaws are what make us human, and i think kaito fits that saying perfectly.

my body is here and i am inside

fallen hero: rebirth fanfiction Ariadne deals with the aftermath of ‘helping’ Lady Argent find who was responsible for possessing her. ~3.3k words [ao3] 

Prev: [maybe it will break and maybe it won’t]

Title from [Panic Attack by Liza Anne]

content warning for uh, suicidal thinking 

–––

The wind whips the ends of your jacket about you. Stubbornly hold the halves together rather than zip up. Let the bay air curl around you, toxic smog and all. The Millennial Span Bridge isn’t really meant for foot traffic. There had been plans once, setting up a mini-mall in the bridge supports but the money had dried up not long after the bridge proper was built and the shops never opened.

But the walkway remained. Just had to hop two locked gates. No razor-wire, no electricity. Hardly a real deterrent. By the halfway point you’re high up enough above the water that you can see the occasional boat passing under. The sun is starting to set at this point – it’s been a long day – but you keep your sunglasses on.

Old L.A. would have have never called for a bridge like this, as far as you understand it. But things change when half your geography drops into the sea. There’s a safety railing to run your hand along, because of course there is. No one wants the bad press of your vanity project becoming a hub for jumpers. But it’s half-assed job. Find a joint that hangs down from the river of cars rumbling over your head and you could climb over it pretty easy.

On the other side and there’s even a convenient lip of metal wide enough for you sit on, let your legs dangle over the void. Kicking freely.

Well.

Here you are, Ariadne.

Now what?

It’s been, what? A few weeks? A month? Meeting Ortega in that diner. You haven’t gone back there since. It felt too portentous. And now the rest of the Rangers know you’re here. And you’re ostensibly alive. Hopefully they believe you about being retired. Hopefully Ortega kept quiet about what you babbled on to her about. She’s always been one to understand your need for privacy, but it’s not like she hasn’t screwed up before in the name of trying to ‘help’ you.

It had been a mistaken to listen to her at all. To let her drag you into somebody’s else’s problem. Why? Because you missed her? You miss plenty of things you can’t have. That doesn’t mean you should go for it. Stupid. Stupid. Stupid. And then–

You shudder, hug yourself tight as a wave of nausea washes over you again. God. You’re getting sick of that. Sick of feeling helpless. Sick of feeling powerless. Out of control of your own life. Sick of–

             cables, like snakes in the grass,

             coiled around your feet. the red threads wrapped

                                                         around your wrists pull

      tight and move you forward. so much lighter now 

                   that it’s not you that’s moving it

        but then who’s driving?

and then there’s herald’s goofy smiling face and

doesn’t he understand that something is wrong?

                                   somebody, anybody, help

Is that what it’s been like for every person you’ve possessed over the past two years? You want to believe Argent just got some unlucky combination; an unusually strong mind and the need to keep her not entirely under. She was just… unlucky. Sorry honey, you rolled snake eyes. Nothing personal, honest.

But Argent is the only mind you’ve actually seen the after effects for. How it has stuck on her like plaque on teeth, eating away at what’s underneath. You’ve never cared before. As long as no one immediately raised the alarm, what did it matter? Possession? Who would believe them? Nobody would. No one’s ever heard of such an ability in all the years the Hero Drug has been around, fucking up humanity.

But the Rangers would believe it.

Because it happened to them.

Because it happened to you.

Because coiled snakes and red strings wormed their way into your head and pointed your own gun at your head. Because the puppeteer tossed you through a window and over the edge.

How many people have you done this to already?

How many will never feel right again for the rest of their lives?

You lean your head back against the metal mesh of the protective webbing that’s supposed to keep you on the other side. Feel the hexagons of steel press against the back of your skull. Cover your face in your hands. You want to cry, can feel it in your lungs. But your throat’s too tight, your eyes are burning, the tears not coming.

Was it that you didn’t know or have you just been running away from the truth the whole time?

This is what you are now. A monster. Or no, a ghost. That’s cute. Maybe that should be your villain moniker. Or fuck it, maybe you won’t bother with one at all. Just roll with whatever the press calls you.

Or maybe they won’t call you anything because your body will have turned up on the beach, another waterlogged victim eaten by the city of devils.

Julia might be sad for a little bit, but it’s hard to imagine. It feels selfish pretending she’d care about you at all. Seven years is a long time. Maybe– maybe the Farm had been lying to you about her, about what she’d done, but that didn’t change the fact that having you in her life would only make Julia’s worse. Any passing pain she might possibly have over your loss again would be worth sparing her what’s coming down the line.

Chen would be relieved, you’re certain. All that talk about being happy you’re alive. You know a sack of bullshit when it’s thrown in your face. He wants you staying far away from his precious Rangers.

Lady Argent would rather just kill you herself. Or would if knew the truth. Maybe you should tell her. Let her have that closure, something you never got. Would that help her or make it worse? You don’t know. And then maybe she wouldn’t actually kill you. Maybe she’d just hand you back over.

Dr. Mortum would be confused about the sudden disappearance of her new favorite business liaison, you’re sure. But she’s been working in the underground for years. People disappear without warning all the time. She’ll have forgotten Jane before the end of the year.

Jane herself… without you to take care of her, she’ll wither and die, comatose as she is. There’s nothing you can do about that. She was a dead woman on life support before you found her. You just staved off the final verdict by a few years is all.

Are you missing anyone? You think that’s everybody. It’s not exactly a compelling list of reasons to stick around.

What reasons do you have to not to step off anyway?

So you can burn the Farm down? Expose the Directive? If you don’t try no one else will. No one else is in a position to even guess at what’s going on like you are. This project has literally been the only thing holding you together since you escaped their clutches two years ago. Sometimes you screw up and fall asleep instead of jumping into Jane and–

You drag your nails against your scalp, force yourself to swallow. You can feel your heart pounding in your chest, rapid shallow breaths leaving you lightheaded.

At least out here there’s no one that can see you like this.

A lot more people are going to get hurt before this is over. Unless you stop now.

But if you stop you die.

The water’s far below you. Far enough? You’ll break bones against the water tension on impact. Enough to put you out? You’re not sure on the math. If you live, you probably won’t be in any condition to swim. You’ve always wanted to swim, but you’ve never actually put this body in water, would you float? You don’t know. Would you be able to stay composed until you run out of oxygen or would the animal brain take over and send you in a blind panic?

You don’t want to hurt but… maybe you’d deserve it. 

“Enjoying the view?”

You freeze, head in your hands. Slowly you raise your head to find Herald hovering a few feet in front of you. His complete nonchalance at casually defying the pull of gravity feels a little surreal. You stare at him through your tinted lenses, uncomprehending.

Herald tilts his head with an uneasy grin. “Sorry, I was just passing by and thought I saw someone on the bridge. So…”

You close your eyes, breath out. In a way, this is a relief. You can focus all your anger on him instead. He’s obviously lying. ‘Just passing by’. Please. Bullshit. These assholes. As if you needed more proof the Rangers being aware of you now was only going to fill your life with even more problems.

“Are you okay?” Herald frowns and it’s all you can do not to groan. This is absolutely not a conversation you want to go down, and not with goddamn fucking boy-wonder Herald of all people. 

“Were you following me, wonderbread?” 

“Of course not!”

“D–don’t lie to a telepath, genius. Who put you up to this, Ortega?” There’s a tinge of guilt alright. It’s tempting to delve further, just pry the whole thing out of his head. Is Ortega having you tailed then? You didn’t work with her for five years to not have some idea how she likes to operate.

“Ortega has no idea I’m here, honest.” Huh, he’s telling the truth there. You’re not sure what to make of that. But then, that only leaves on other option.

“Oh. S-so it’s Chen then.” Yep, bingo. “What? Did the Marshal want to make sure I got home safe? How kind.” Why can’t these people just leave you alone to die in peace already?

“That’s– that’s not it,” Herald sighs, you can feel his exasperation. There’s a certain satisfaction in getting to knock that unsettling cheeriness out of his head. “Marshal Steel did ask me to look out for you, okay? But I mean it when I say I was just passing by.”

You open your eyes so you can glare at him.

“To be honest… I… kind of lost track of you three blocks from the building.”

“I don’t a–appreciate being followed.”

Herald dips down before returning back to eye level. “How did you know?”

“Of– of course I knew,” you lie, “I’ve been at this for years.”

“Were you always this cautious, back… uh, before?”

You flinch, scratch your neck as you avoid looking at him. “Y–yeah. Absolutely.” He buys the lie, thank god.

“Doesn’t that get tiring?”

Someone laughs, sharp and bitter and you realize it’s yours. Rub your eyes with the back of one hand. “Look. I value my privacy. O–okay?” You try to emphasize the word privacy, hope he’ll get the hint.

“I can respect that,” says Herald, the man who continues to not leave your presence. “Actually, um…” He hunches down, “I’ve been wanted to asking something, if you don’t mind, Sidestep?”

“Okay first; It’s Ariadne. Second; I do mind, actually. B–buzz off.” You flick your finger at him. God, just, go away already. You’ve got short and shorter futures to compare and contrast. 

Herald frowns, shakes his head as he drifts a little closer to you. “Sorry, I can’t do that. Actually, uh–” He looks away from you again, scratching his neck. “You’re kind of technically trespassing now.”

“Are–are you kidding me.” You grip the edge of the lip with your hands, the metal cold to the touch. Would he actually try to catch you if you pushed off? “The Rangers really need to stoop to enforcing fucking trespassing signs?”

“If you need a lift somewhere I could carry–”

You cut him off with a hand gesture. “Absolutely not.” You grind your teeth. What do you need to say to make him go away? “You’re a hero, aren’t you wonderbread? Surely you’ve seen people brooding before.”

The spike of worry as Herald drifts even closer suggests that was maybe the wrong tact to try. “I heard you had a rough time today…?” He ventures, “I mean, from helping Lady Argent.”

“It’s n–n–none of your business.” Pinch the bridge of your nose, pushing the sunglasses back up against your eyes. “In fact, speaking of Argent,” you glare at him, “Shouldn’t you be off taking care of her? Isn’t she your girlfriend?”

That gets Herald to back off a little bit, a sudden backwash of unpleasant memories rushing back against you. “We’re on… a break right now, actually.”

“Probably because your– your priorities are so out of whack,” you snap. And yep, that one stings. He flinches and there’s a flush on his face now.

“She’s… been through a lot, and she just needs her space right now.” The way he talks sounds rehearsed, like he’s parroting what someone else told him. Not so confident now.

“I know perfectly well what’s she’s been through, thanks.”

“Was it… that bad?”

“God, Herald, that’s not my place to talk about. Try asking your partner.”

“I just want to… to understand what she’s going though?” Herald gives you a pleading look and you want to melt through the bridge and die. Is this really going to be your last conversation on earth? Playing therapist to some rich jerkward busybody with girl troubles? Really? This is how you go out? This is pathetic.

You run a hand through your hair, feel all the little knots and curls pull and snap. “You want to ‘understand?’ Then just try fucking listening for once.”

“I can’t listen if she doesn’t talk to me!” The genuine anger gets you by surprise. Herald blinks, and then his face turns beat-red. Ashamed of himself? Huh.

Maybe this is your chance. “Look, just leave me alone, okay? Go handle your own shit.”

Herald sighs, sits down next to you on the lip of the bridge. Goddamnit. “Did you and Charge go through phases like this, back in the day?”

You stare at him for a solid thirty seconds trying to process what he meant.

“Sorry, I just, I know you two had a thing and–”

“We absolutely did not!” You voice breaks and can feel your heart pounding in the back of your throat, “We worked together, that’s it.”

“Oh? I guess I got the wrong impression, I’m sorry.” Herald doesn’t met your death glare, the bastard.

You glare at him in silence and then… a morbid curiosity overtakes you. “What in the hell could–could–could have ever given you that impression?”

“Uh…” Herald balks, and suddenly there’s a dozen different thoughts running through his head and you can’t get a read on any of them. Finally he says, “Well, I mean, there had been a lot of rumors on the usenet forum back in the day?” Rumors!? “But to be honest, I never believed any of it until that first time when we were all together at Argent’s request and you and Charge walked in.” Herald shrugs, “And then I was like, ‘oh, well, that makes sense.’”

You don’t have a response to that. Don’t even know how to start parsing it.

It was so much easier not to care when you only knew these people from news reports or memories.

“So, I know you said you’re… fine – and I believe you, honest.” Herald’s lying again. “But in that case, do you mind if I just… hang out with you, watch the sunset? This isn’t a bad spot.”

You take a deep breath. In. Out. Push up your sunglasses while you rub the tears and salt out of your eyes. God. Did you smear your make-up? Are your scars visible? Shadow exposed? You can feel your heart-rate speed up again. It takes an active effort to let the thought go. Who cares? Ortega’s not here.

“Yeah, sure.” You say. “Kn–knock yourself out.”

You don’t give a damn what Herald thinks.

“Thanks.” You can feel Herald relax a little as he sits a few inches away from you. Not crowding, but close enough.

You close your eyes, sag your shoulders as you hit your head back against the metal railing lattice. “I know what you’re– what you’re doing.”

That gets a spike of alarm from him. God, his thoughts are like an open book. You hate it. 

“I’m just happy to take a breather.”

“D–don’t bullshit me Herald. We’re both adults here.” You turn your head glare straight at him. “If you breath a word of this to anyone, I will find out where you live and fill your bed with thumbtacks.”

“Okay…” Herald looks away from you, uneasy. “Noted.” He fidgets, hands in his lap. “Hey, can I ask you a question?”

You groan. “I can’t stop you,” you lie.

“Why ‘Sidestep’?”

“Huh?” You blink, stare down at the water far below. little waves beckoning you on down. “Oh, well… Why ‘Herald’?”

He cringes, embarrassed? Hah. “It was my management team that came up with it. Focus testing or something? I was just hap–”

“Stop.” You hold up a hand, dismiss the words with a wave. “I d–d–don’t really care that much.”

“Oh. Uh–okay.”

You sit in silence, kicking your legs up and back under the lip. Take a breath. In. Out. “I wanted people to focus on the fighting skills. That it–it was all trained or something. Reading people’s thoughts is… harder if they know you can do it. Th–throw up obstacles, walls.”

“So it was a strategic thing?”

“Well…” You allow yourself a small smile. Still not looking at Herald. “S–something like that. There… there was, uh… person I–I knew around then. Thought it w–was… too dangerous. She asked if I was g–going to to sidestep my way through every fight. So…”

“So it was… a spite thing?”

“Hah! Y–yeah. I guess.”

“How did they take it?”

You frown, trying to think back. “I… I don’t know. I can’t remember.” Did it ever come up? There was like, a year between when you started the name and Chelsea left, wasn’t here? It must have. “Wh–whatever. Spite can get you pre–pretty far in life if you use it right.”

“I don’t know about that…” Something’s buzzing just under Herald’s thoughts and you can’t quite get a read on it. Suddenly the boy’s a mystery, go figure.

You stay there for another hour or so, quietly suffering Herald’s little questions about your career, and it quickly becomes apparent he knows way more than someone who wasn’t there for any of it should. You’re not sure how to feel about that. Other then old. 

When the sun starts to drown in the ocean, you reluctantly agree to let Herald give you a hand back over to the sane side of the railing. He follows with you back to the foot of the bridge, despite your repeated insistence that you were just going straight home and to buzz off already.

You go through four taxi cabs before you feel confident enough that you’ve lost Herald to actually go home.

Home.

It isn’t much, a singular combined bedroom-kitchenette and a tinier bathroom. Pretty sure the complex had been a tourist trap motel once upon a time. It’s yours though, and there’s something surreal about that. You’ve never ‘owned’ an apartment before. You keep telling yourself you’ll properly decorate one day, but it never happens.

Flip on the lights, greet the cockroach as it scurries under the cabinet “Hi Larry,” stagger over to your bed and fall over face down.

Roll over and grab a pillow, clutch it to your chest, draw your legs up into a fetal position. No more possessions ever again. If you can’t work a mental suggestion or rely on a bribe, you’ll just have to find another way. You’re not inflicting that on another person again.

You bury your head in the pillow.

If Herald hadn’t shown up then, would you be here right now?

You don’t want to think about it.

At least these days, when you don’t feel like being you, there’s a solution.

And you don’t have to worry about Jane being scarred for life; you’re the only consciousness she’s got. 

–

next: [the space between the finish and the start]

Sonic X, Sonic Heroes, and IDW, or: How a bad anime from 2004 spoiled a comic from 2019.

Now, I haven’t been following IDW Sonic all that closely. I get regular updates from Nemesis via Discord, and additional info from some of the Tumblrs I follow that are invested in it, but I don’t really have a desire to touch it myself. Here’s why.

There’s a multitude of reasons for this. Starting with the background of Sonic Forces wasn’t really a good place to begin from, and being based on present-day game lore in general was always going to hurt it, mainly because SEGASonic canon is currently a confusing mess of retcons brought on by Iizuka taking the J.K. Rowling approach.

Wait, no, he’s just saying stupid shit that contradicts previous canon, not trying to score woke points and hoping nobody notices the frankly terrible stereotypes and TERF tweets. Iizuka is taking the Greg Farshtey approach.

Added, as anyone that’s had experience with my opinions will tell you, I started falling out of love with Ian Flynn’s writing somewhere around Issue 200, and moved to outright dislike during Mecha Sally, and to make matters worse I started noticing that some of the flaws in the 200-247 era were also present in the 160-199 era, retroactively making those harder to go back to.

I’ve said it before, I’ll say it again: I kept up with Archie for the SatAM cast. SatAM reruns back in 2004 were my Sonic, moreso than anything else, and even now I still have way more attachment to those two seasons of animation than I do to most other aspects of the franchise, warts and all. So Archie providing me with additional content for said characters was a major draw for me. I’d generally put up with a lot just to get myself more SatAM content.

That in itself is a large part of why I fell off the Archie train during Mecha Sally. The entirety of the SatAM cast were removed from the regular lineup, just leaving three SEGA characters with their personalities stunted, even if that didn’t make sense in-universe. But that’s a discussion for another day.

So being written by someone whom I no longer enjoyed the writing of, set in a mess of a canon with a thoroughly shite game as the main basis, without the cast I read the previous comics for gave me little reason to invest in IDW Sonic. It wasn’t for me, I’d just keep reading Transformers and move on.

Then MTMTE/LL ended with a heart-twister and Ex-RID ended with a giant Unicron-shaped fart, and the new comic is dull as fucking dishwater and started by killing off one of my favourites, who was also one of the franchise’s confirmed LGBT characters. So now IDW is getting none of my money. Which is good because I’m broke.

Tangents aside, my lack of interest wasn’t something set in stone. If it turned out that the comic was actually really good, then sure, I’d try it. I was up for being proven wrong. But so far, I haven’t felt compelled by the responses from the internet. If anything I’ve been more turned off.

I could talk about how zombies are really fucking boring. I could talk about how SEGA’s recent confusion over what to do with Amy has combined with Ian’s need to include a Sally-esque character to make IDW Amy into Sally Lite. I could talk about how Ian seemingly fundamentally misunderstood everything that was cool about Neo Metal Sonic and somehow managed to reduce him to a boring Eggman minion in an arc where Eggman was out of action due to amnesia… But I won’t.

Instead I’m going to talk about how the comic has done something that would legitimately make me think twice about picking it up even if the FF were to debut tomorrow.

Yeah, I would pass up a SatAM fix because of this, that’s how much this ticks me off.

Now, I presume that if you’re reading this, you have a favourite Sonic character. And you probably feel pretty strongly about how your favourite character is portrayed. If they get a bad run in a game or two then you probably get a little salty about that. Tails and Knuckles fans in particular, as of late, seem to be the ones getting the short end.

Well, my favourite character in the entire franchise is Emerl the Gizoid. I will take Gemerl as a worthy substitute, they’re basically the same character. And the comics have been doing them dirty since the Archie reboot.

(Sidenote: I will be referring to Emerl with male pronouns from this point on. The Maria-soul thing isn’t as widely known as I’d like it to be, so I’m going to compromise for the sake of keeping the focus on the actual point)

However, not everything about this can be laid at the feet of Ian Flynn. Arguably his portrayal of said character is merely a symptom of a long-running issue that has plagued Sonic storytelling for roughly 15-16 years now.

But before we get into that, let’s get into something important: Why Emerl is my favourite Sonic character.

Part 1: Emerl in Sonic Battle, or “How I learned to stop worrying and love the Gizoid”.

This game doesn’t get enough love.

Now, I totally understand why it doesn’t get enough love. There are game design choices, like the grinding and the repetitiveness of the story mode that really drag it down, and because of that, Battle can become a slow-going and tedious experience, and that’s a real shame, because the story that’s hidden in this game is a thing of beauty.

Like most Sonic games from the 2000s, this game introduces a new character to join Sonic’s list of friends. Unlike the games that aren’t SA2 and Sonic Rush, this new character is actually good (This is hyperbole, Omega, Silver, and Shade were fine too).

Emerl enters the story as a mute, barely-functional robot that doesn’t do much of anything for a while, and only seems to come to life when Sonic locates it and attacks it. However, as the robot absorbs more Chaos Emeralds, slowly a personality starts to form, largely pieced together from other characters’ traits.

Emerl, as he is dubbed, is initially childlike and naive, but as he grows he develops a sassy streak, and his speech becomes a lot more developed. Maturity sets in, as Emerl grapples with his own nature, particularly the legacy he carries from the ARK, and Shadow’s ongoing turmoil with regards to the whole “Living Weapon” deal. Ultimately he becomes a hero, following in the footsteps of his mentor, parental figure, and closest friend, Sonic.

That’s right, Sonic, not Cream, is Emerl’s closest friend. We’ll get to that.

But this heart-warming story of Sonic becoming a dad for a robot doesn’t have a happy ending. Despite Shadow and Rouge finding a way to neutralise Emerl’s destructive Gizoid programming, Eggman has a way to reactivate it anyway, driving Emerl into a berserk rampage. This is kind of the one sticking point I have with the game’s plot, Eggman shouldn’t have been able to do this after Shadow and Rouge neutralised Emerl.

Additionally, while Emerl was on the ARK getting Maria’s soul crammed into him, Gerald also added a self-destruct mechanism that would trigger if he ever went Ultimate again.

So with Emerl quite literally exploding with all the power of the Chaos Emeralds, but his destructive programming forcing him to turn Eggman’s latest Death Star knockoff on Mobius/Earth/Sonic’s World, Sonic races up to confront his mecha-child, and things take a turn for the Old Robot Yeller.

In a moment that really deserves more attention, Sonic confronts his own child on the bridge of a space station, while Emerl is running on the power of the Chaos Emeralds and outputting more energy than he can physically take, and they fight. In the space of thirty seconds, they have a ten-round knock-down, drag-out brawl, and at the end, Sonic stands triumphant. Without using a single transformation. Yeah, that’s how powerful this guy is, that’s not travel speed, that’s combat speed. Looking at you, Death Battle.

It’s not really clear whether Sonic outright defeats Ultimate Emerl, or just survives long enough for his opponent to reach his limit and self-destruct, but the end result is the same. Sonic cradles a robot that became his own child over the course of the past few weeks, someone he raised from a baby-like state into a mature and heroic individual, and Emerl looks up at him and asks “Sonic… am I going to die?” And despite Sonic desperately trying to get him to keep it together, Not only does Emerl die, but he’s aware that the end is coming, and bids farewell to all of his friends as Sonic pleads with him to hold on. Shadow is equally distraught, his only friend with a connection to the ARK, someone he can call a brother, someone who carries the soul of his deceased sister within him, is dead.

Emerl: “Sonic I don’t feel so good.”

Like it’s canon that Eggman basically murdered Sonic’s kid.

And goddamnit this ending hits me hard. It frustrates me that Eggman was able to pull a means to drive Emerl into his Ultimate freakout mode out of his arse, but other than that, it’s so gutwrenching, I love it.

Gamma’s story from SA1 gets a lot of praise on the Internet, but for me, this is even better. It’s like Gamma’s story, but if Gamma was actually central to the plot of the game and the characters other than Amy gave a shit about him, and gave a shit about him for longer than a single cutscene, after which they are never mentioned again. Hell, due to Chaos Gamma being a thing, Gamma gets more love from the other characters in Battle than he does in SA1.

But, unfortunately, it doesn’t end there.

Part 2: (Sonic) Anime was a Mistake, or: “Sonic X ruins everything.”

I’ve made my dislike of this anime quite clear in the past. The characters are flanderized, Sonic is a B-lister in his own damn show, the villains are weaksauce or boring or both, the plot is only remotely close to good when its cribbing from two videogames which told the stories in question better, and for the first two seasons the entire show actually revolves around not Sonic, but the least relatable audience surrogate ever made. The third season would continue to include him, but shove him (And everyone else) to the side in favour of a Pokemon whose only move was “Flashback”, making audiences the world over question why he was even there in the first place.

Oh, and it also near-singlehandedly destroyed the thin shreds of character development that Tails, Knuckles, Amy, and Eggman had received in Sonic Adventure 2.

All four of these characters had been significantly enriched by the then most recent console game. Eggman had been revealed to be motivated by an admiration for his grandfather, Gerald Robotnik, but in the same game learned that Gerald had lost his marbles and programmed the ARK to smash into the planet and kill everyone on it, probably including his surviving family, i.e. little baby Ivo Robotnik. Gerald betrayed Eggman posthumously, and it’s clear from Eggman’s interactions with Tails during the credits of the game that this is giving him a lot to think about.

Knuckles is a weird case because most of his characterisation in SA2 is conveyed via… the lyrics to his rap music. Yes, really. He gets minor growth through the cutscenes, most notably in his decision to shatter the Master Emerald early on. Having already reassembled it once after it was broken in SA1, he’s now confident that he can do it again, so is willing to break it to prevent Eggman or Rouge stealing it. Via the rap lyrics, however (Yes I just wrote that), we also learn that Knuckles is slowly warming up to Sonic, gaining a greater respect for him, that he is more in-touch with his history and ancestors after SA1 (Though fortunately not in a Ken Penders way), and that he’s also struggling with feelings for Rouge, a plot element that went completely out of the window after this game.

Tails and Amy, however, get it the worst, as both went through arcs in SA1 that are followed up on and expanded in SA2. Amy had come to the conclusion that she didn’t need to rely on Sonic for everything, and that she would make him respect her as a hero in her own right. And while Amy is clearly in way over her head throughout the events of SA2, she still makes a significant difference, not only freeing Sonic from his cell on Prison Island, allowing Tails’ invasion to be a distraction and stealing a keycard to facilitate it, but of course, she later saves the world by motivating Shadow to join the fight to stop the ARK drop.

Tails had a similar plot, about learning to believe in himself as a hero, without having to rely on Sonic, and in SA2 he gets to prove it, not only partaking in the same rescue operation as Amy and fighting Eggman on even footing, but effectively taking command of the heroes and becoming their new leader, and for the first time, Sonic defers to him.

And then Sonic X came along and fucked it all up.

Eggman became a clownish antagonist with no semblance of nuance, and he actually got off the easiest.

Knuckles became a loud, dimwitted loner who got tricked by Eggman constantly, which would go on to be his personality for the rest of the franchise, ultimately culminating in the travesty against all sense that was Boom Knuckles.

Tails was reduced to a wimpy taxi driver, incapable of doing anything without his giant mecha plane to sit in. This was largely exacerbated by the presence of Donut Steele, who usurped his role as Sonic’s best friend and sidekick for two seasons, a problem which only got worse in the third season when Donut Steele suddenly became a genius inventor too, encroaching even more into Tails’ territory. Tails did get himself some more focus in S3, but only to make googly eyes at the Pokemon, a role which frankly could’ve gone to literally anyone else and would have made no difference on the plot. I would say that Tails being involved in a romance story at all is weird, but given the comics and Boom the weirdest thing about this latest tragic love story for the kid is that the Pokemon was actually close to his own age, because outside of this it really does seem like Tails goes for older ladies. Though she did turn into an adult at the end so I guess that counts?

But Amy arguably got the worst of it. Not only was her crowning moment in SA2 taken away from her and given to Donut Steele, but the poor girl had her promising character arc cut short and replaced with an obsessive, unhealthy fixation on Sonic, combined with a violent temper and an eagerness to smash anything that displeased her, Sonic included, with a giant hammer. Her admiration and crush on Sonic were warped into her being a possessive, mean-spirited stalker, whom only got away with it because she was an anime girl and therefore it was cute rather than creepy.

I want to take the time at this point to stress that stalking is not okay, under any circumstances. A girl obsessively following an older guy and threatening him and everyone around him with violent assault if they ever so much as imply that he isn’t interested in her is not cute, it means it’s time for a restraining order. Sonamy is not cute.

Now that I’ve swatted that particular hornet’s nest with a cricket bat, let’s move on!

I’ve always found it ironic that, despite being the adaptation with the most oversight from SEGA and Sonic Team, and the most endorsement from them too, Sonic X had easily the worst characterisation of any of the shows at the time. But, for all its faults, I can’t blame everything that went down in the aftermath on it. It had a comrade-in-arms. Mediocrely-written arms.

Part 3: Partner in Crime, or “Sonic Heroes also ruins everything.”

Sonic Heroes has a lot to answer for. And I mean a lot. It was the beginning of the franchise’s obsession with references to the classic games, it codified the really awkward ages for certain characters, and it seemed to be dedicated to completely unpicking everything established in the Adventure duology.

Shadow’s sudden resurrection is one thing, at least they had the graces to include a means to preserve his sacrifice via having him be an android, the blame for that not taking should be laid at the feet of his own game.

But the rest of the cast? Ohhh boy. Sonic’s still fine, he didn’t change much in the Adventure games, but then there’s Tails. Despite all the development he went through in SA1, in this game he needs to turn to Sonic when Eggman returns, and honestly this whole setup could’ve been fixed if Tails sought Sonic out not for the sake of having him lead the charge, but rather simply to recruit him into the counterattack he was already planning. Nevertheless, throughout the rest of the game Tails is almost as wimpy as his X counterpart, not helped by the voicework he’s given. No offense to William Corkery, who was probably like six when he recorded his lines, but this what you get when you choose actors via nepotism, rather than talent. But at least he does something.

How about Knuckles? As the other side of his derailment, Knuckles just turns up in this game, buddy-buddy with the characters he was only just starting to warm up to before, and blatantly not caring about the Master Emerald until Rouge mentions she’s going to steal it at the end. This will combine with his becoming a dumbass in Sonic X and become basically his entire character for… ever. Even in Forces, where he’s supposed to be doing slightly better as the leader of the resistance… but he’s a dumbass, and even Ian Flynn, who kept Knuckles as competent and intelligent in the Archie comics (Making the best version of Knuckles we’ve had in forever), kept this ongoing in the IDW comic. The Forces prequel portrays him as deciding to become leader of the Resistance (To an empire that hasn’t actually formed yet) purely to be a glory hound, and then goes on to establish that he was basically a figurehead while the real work was done by Amy, of all people.

And speaking of Amy…

Yeah, poor Amy is basically her Sonic X counterpart. But worse. I didn’t think that was possible, but at least X’s Amy seems to care about her friends. In Heroes, we’re treated to an equally violent and stalkerish Amy, who ostensibly starts searching out Sonic because he’s implicated in the abduction of Cream and Big’s pets, but when they actually catch up to him, Amy clean forgets why she is looking for him in the first place and tries to force him to marry her. Despite being twelve.

Y’know when Amy said she wanted to marry Sonic in SA2, she was joking, right?

This is why I find the idea of Amy being the real leader of the Resistance frankly absurd: Because the only time she led anything, it was a team that consisted of herself, a small child, and a man less intelligent and aware of reality than said small child, and she completely forgot their actual objective the moment she set her eyes on Sonic. Add in an unfortunate stint of very poor eyesight that got less and less understandable with every instance, and we got Amy’s rough personality for the next decade.

While Knuckles mostly stagnated at the same level of stupidity during that time, Tails got worse and worse, losing all of his badass traits with every game, a factor only increased by the “Sonic only” mentality costing him playable status, until he reached his nadir in Forces, cowering in terror from Chaos 0, and crying out to Sonic to save him, despite knowing full-well that Sonic was captured already.  Amy, meanwhile, limped along at the same level until about 2014, where it seemed someone at SEGA finally realised that A) Having the only female character you regularly use be a pink-coloured gender-bent version of your male hero whose only function is lusting after said hero doesn’t and shouldn’t fly in this day and age, and B) violent stalkers aren’t cute, and dropped this trait. Unfortunately, this has been more of a lateral move than a fix, as, much like Antoine in the comics, they forgot to give her anything substantial or fitting after she lost her negative traits, leaving her a bland and dull character, and when you’ve had a character be consistent for ten years, even if they were consistently bad, then changing it without cause or warning is still going to be jarring and awkward.

Part 4: Two Wrongs Don’t Make a Right, or “Why the fuck did this happen?”

As I said in Part 2, Sonic X was made under heavy oversight from Sonic Team, and was heavily endorsed by them at the same time. There were promos for the show inserted into Sonic Adventure DX, a few episodes were released on GBA cartridges, and it received a long-running comic from Archie that ran alongside the main book, even after the show had ended. Additionally, characters that debuted in games from 2002-2004 were restricted from appearing in Archie’s main book for years afterwards (Which will become relevant later). The third season was commissioned solely off of the response to the first two, and primarily overseas response, hence why the original sub was never aired in Japan.

Sonic X was huge. And with that in mind, it’s plain to see that the portrayals of the characters in Sonic X were intended by SEGA. Yeah, all that horrible characterisation was intended as the vision for the franchise going forwards, and subsequent games were adjusted to match it.

And unfortunately, not only did this have a serious impact on the main cast of the games, but it had an even worse effect on Emerl.

Part 5: Emerl in Sonic X, or “Emerl vs. ‘Emel’”

Sonic X’s original mission statement was to adapt Sonic Adventure, Sonic Adventure 2, and Sonic Battle. Why they skipped Sonic Heroes, despite Shadow being a major player in Battle’s story, I don’t know.

For whatever reason, the show took a full season to actually get to the first game adaptation, SA1, and instead spent the first 26 episodes on bland episodic “adventures”, in some kind of strange reverse-Isekai series. However, once it got there, the adaptation work was fairly faithful to the source material, which the exception of Donut Steele’s being crammed in to the plot. However, he mostly followed Big around, and since Big was the least involved in the game’s plot, he didn’t disrupt too much.

Sidenote, after 26 episodes of filler, the actual SA1 adaptation only lasted six episodes.

SA2 was likewise only six episodes, but with the exception of Amy’s big scene, it likewise wasn’t too bad. Tails suffered this time around too, which is somewhat surprising since he was mech-dependent in the anime anyway.  

After some more filler, which introduced the Chaotix and then did nothing with them, Emerl finally made an appearance, albeit they got his name wrong.

‘Emel’ looks like Emerl, and somewhat works like Emerl, but might as well be completely  different. ‘Emel’ stays completely mute for the entire time he’s around, never advancing much beyond Emerl’s initial silent, pre-first Emerald persona. He does get better at fighting, but he’s limited to only absorbing a single skill at once (Except for when he isn’t).

Dispensing with Battle’s interesting, rich, and heart-twisting plot, Sonic X instead has ‘Emel’ linger in ensemble for three episodes, before condensing the entire game’s premise into a two episodes of really bland tournament arc, where Sonic himself doesn’t actually fight and we get two rounds of Donut Steele being a dick to his friend and his father.

‘Emel’ wins the tournament, and is given a Chaos Emerald, and just when you think it might kickstart him becoming an actual character, instead it just drives him insane and he immediately becomes a pathetically weak version of Ultimate Emerl. After kicking the crap out of the entire cast, he is defeated by Cream and Cheese, because even though he can take on Sonic, Knuckles, and Rouge at the same time and win, along with Tails, Amy, Donut Steele and everyone else, he… can’t handle two opponents at once.

This is stupid.

You’ll notice that I haven’t talked about Sonic’s relationship with ‘Emel’, and that’s because he doesn’t have one. The wonderfully-written parental bond that these two characters share in the games is completely excised, and instead the focus is put on Cream. Bare in mind, Cream is so inconsequential to the actual game that she doesn’t even get mentioned individually in Emerl’s dying speech like Sonic, Tails, Knuckles, and Shadow do. Instead she’s just grouped in with Amy.

This is also stupid.

And as a result of this, it means that what is arguable base form Sonic’s most impressive feat just doesn’t happen in the anime, instead Emerl dies because he is lightly kicked a bit by Cream. Yeah, unlike the Advance games, Sonic X’s Cream is not an unstoppable engine of destruction, she’s basically just a small child who can sometimes fly.

Instead of Emerl’s tragic speech and Sonic’s desperate attempts to keep his son alive, we get treated to a prolonged scene of Cream crying over the death of her “friend”, something that is probably meant to tug at heartstrings but doesn’t because Cream’s voice sounds like nails on a chalkboard.

And Shadow isn’t even there! He doesn’t come back until a third of the way through Season 3, and never meets ‘Emel.’

This is really stupid. And, for those keeping track, that means of Sonic X’s originally commissioned 52 episodes, and the full series run of 78 episodes, a stunning total of seventeen of them were actually adaptations of the games that the series was supposed to focus on, leaving us with 61 episodes of what might as well be filler.

And, unfortunately, that franchise-wide initiative had damning consequences for Emerl.

Part 6: Gemerl and Sonic Advance 3, or: “An incomplete resurrection.”

So, Gemerl. I know his name is apparently G-Merl now but fuck that I’m calling him Gemerl. If the comics can do it then so will I.

Gemerl is the worst thing Eggman has ever done to Sonic. Like, there is no contest. Some of his other schemes might be more destructive and generally evil, but in terms of personal pain inflicted, nothing has topped this.

Eggman salvaged Emerl’s corpse, and brought him back to life as a mindless murderbot under his control. So not only did he kill Sonic’s robo-son, but he also brought him back as a weapon.

Come the conclusion of the game, Gemerl predictably betrays Eggman, steals the Chaos Emeralds from Sonic, and goes on another rampage. I have… headcanons about this fight, but that’s something to worry about later. What’s important is that, once again, Sonic is victorious, and Gemerl’s defeated body plunges into the atmosphere.

Fortunately, Tails is able to bring Emerl back properly this time, presumably using the Chaos shard that was left over at the end of Battle’s finale. So, it’s all a happy ending, right? Sonic has his child back, Shadow has his connection to his history restored, and Emerl is alive and well, right?

Wrong.

See, the vile spectre of Sonic X rears its ugly head once more, and sabotages this conclusion. Gemerl doesn’t return to Sonic, in fact we never see him reunite with his father. Instead, Sonic X’s version has enough clout now to take precedence, so Gemerl is now Cream’s playmate.

Bear in mind that Emerl’s idea of a fun game is all-out combat against his friends, and Cream doesn’t like fighting (Even if she’s really good at it in Advance 2 and 3).

And then he never shows up again. Even when Cream is part of the game’s plot, like in Rush or Generations, he’s not there, and most egregiously, in Sonic Chronicles, where Cream is not only an active player in the plot, but so are Gizoids, the creators of said Gizoids are the main antagonists, and Emerl himself is mentioned… Gemerl is not there.

But he did make it into the comics, for better or worse. Mostly worse.

Part 7: Embargos, knock-offs, and misused tropes, or: “Ian Flynn dun goofed.”

For a long while, Emerl/Gemerl was barred from the Archie comics, due to the Sonic X embargo, and when it was lifted, he didn’t appear until the reboot. We did, however, get a suspiciously similar substitute in the form of Shard.

Shard was the original Metal Sonic, but when he was brought back and rebuilt for the Secret Freedom arc, he was given a colour scheme ostensibly derived from Metal Sonic 3.0, but one shared with Gemerl, and a personality that was a lot like a watered-down version of Emerl’s own.

On some level I can understand Ian’s decision to bring back Metal Sonic v2.5, rather than use the character that seems to have been an inspiration for this new incarnation in some way. He’d need a fully-formed Emerl, necessitating a skip over the whole story, since there wasn’t room for an adaptation during the Mecha Sally arc that the Secret Freedom story was framed within. Heck, for all we know, the similarities between them may simply be a pretty sizeable coincidence.

But then the reboot happened and Gemerl finally joined the comic cast. And to say it was underwhelming would be an understatement.

You’ll notice that I said “Gemerl” rather than “Emerl”, because his entire story was indeed skipped. The events of Sonic Battle and Sonic Advance 3 had both happened already. This wasn’t Ian’s decision, as far as we know, his intention was for the comic to start over from the beginning. However, due to the interference of Paul Kaminski, who wanted a softer reboot, Ian was forced to fill the characters’ active histories with a large chunk of the games’ stories. Battle and Advance 3 were among those that had already happened, so Emerl made cameos in both incarnations via flashback… which unfortunately led to a plot hole.

See, Advance 3 and Sonic Unleashed are rather difficult to keep in the same continuity, because both share a common plot element: The world breaking into seven pieces.

For a long while, it was generally assumed that the handheld games and console titles were only semi-canon to each other. This avoided the awkward question of “If the Gaias were already there, why didn’t they emerge when Eggman broke the planet in Advance 3?”

Ian shoved them blatantly into the same continuity, and gave no attempt to explain what was different about the Advance 3 world-break compared to the Gaia incident, which served as the backbone to the reboot’s three year long Shattered World Arc. Why didn't the Gaias wake up during Advance 3? Because that's now a question we have to ask of the comics' world.

When Gemerl finally showed up doing something other than yard work for Vanilla (Despite allegedly being Cream’s friend, Cream spends all her time with the rest of the cast, and Gemerl is basically Vanilla’s maid), it was to get effortlessly dispatched by a brainwashed Mega Man with a terrible name in the extremely lacklustre Worlds Unite event.

This one was more than a little bit of a slap in the face, considering that Emerl and Mega Man are very similar in concept- robots that can copy the abilities of other characters- but Emerl is demonstrably more powerful. Now, if Ian had established that Gemerl had been nerfed when he was rebuilt, either by Eggman or by Tails, that would be fine. But he didn’t. In fact, Gemerl is given the title bubble “Super Gizoid”, implying that he’s stronger than a regular Gizoid.

Worlds Unite is generally pretty bad for having its corrupted heroes easily curbstomp every other character around, to the point that the only thing that can stop them is each other, but in Gemerl’s case it really serves no purpose.

This is the only thing that he actually does in Worlds Unite. He shows up to get beaten up and make Mega Man look stronger. That’s it.

This is something that TV Tropes refers to as “The Worf Effect”, a trope wherein an established powerful character is defeated easily by a new character, in order to demonstrate the latter’s power. Now, there’s nothing wrong with using this trope, but please note that I said establishedpowerful character, which Gemerl wasn’t.

At the point that this comic released, Gemerl’s last appearance in any Sonic media was over ten years prior. None of the comic’s intended target audience would remember him, and they wouldn’t know why defeating him was impressive. And this was, in addition, a terrible way to introduce him to new fans. Though the worst part is easily that this was unnecessary. Mega Man had already defeated everyone else, and had established his power pretty well just on them, and he was about to get removed from play permanently in the next issue. There was really no reason to throw Gemerl under the bus for this.

He made one more appearance in the event, getting controlled by the Zeti along with every other robot, and after that he got bopped on the head and just flew away.

Later, he’d make another appearance in the Panic in the Sky arc, and while his portrayal was far from the worst thing about Panic in the Sky, it only adds to the issues caused by the previous showing.

Gemerl makes one appearance, and promptly gets pinned down by the Witchcarters and Team Hooligan. Bear in that one of those groups are the joke villains who nobody takes seriously, and the other are a gang that was defeated by Tails before he met Sonic.

Archie Gemerl was a character who only existed to lose to villains in a vain attempt to make them look better, and that’s legitimately all Ian ever did with him, which makes me wonder whether he disliked the character. And it didn’t even make the villains look good, when you think about it. For anybody that was actually the intended audience for this book, Gemerl had no significance. He was just a robot that got beat up all the time. But for anyone like me, who does remember the games he appeared in, it stands out, not as good writing, but as a blatant narrative device and misused trope.

In this situation, I would simply rather Gemerl never appeared in Archie. At all. If Ian wasn’t going to give him time to shine, or at the very least be an adequate member of the supporting cast, he shouldn’t have used him at all.

Part 8: A Fresh False Start, or: “Wait, how did this get worse?!”

And now we arrive at IDW.

The one nice thing I can say about Archie Gemerl is that at least his personality was mostly on point. He read like a generally accurate take on the character that Emerl was at the end of Battle, which is what he’s supposed to be.

The same cannot be said for IDW.

In the pages of IDW, Gemerl acts like the most generic robot. He speaks in emotionless, stilted sentences with little in the way of actual grammar, leaving him to read like a poor man’s Soundwave, or Soundwave in one of those comics where the writer can’t decide whether they want him to speak normally or adopt his speech pattern from the G1 cartoon, so they just sort of do both.

Emerl pretty much never talked like this, as far as I can recall. His speech development is much more reminiscent of a child learning words, and the only time when he did adopt a more robotic speech pattern, it was a clue that he was slipping back into his destructive programming. He only spoke like a generic robot when he was in mindless destroyer mode.

He gets thrown for a loop by a simple logic flaw, unable to reconcile “Protect Cream and Vanilla” with “Don’t kill the zombots”, and has to be talked out of killing everything around him, when the entire point of Gerald’s modifications to the Gizoid was to make him a bringer of hope rather than destruction, and give him a compassionate heart.

The part of Battle’s story where Cream imparts a pacifistic mindset doesn’t frame her as being right. In that part of the game, they are cornered and under attack by hostile but ultimately mindless drones, and when she convinces Emerl to stop fighting, he almost dies. It’s Cream that learns the lesson there, that sometimes fighting is okay.

This character is already compassionate, he shouldn’t need to be talked into not killing the zombots by a small child, nor should he need her to point out that they’re innocent people who have been made this way by Eggman, because he was made into a killing machine by Eggman twice, and the first time he did die because of it. The character that lay dying in Sonic’s arms, scared and bidding his last goodbyes to his loved ones shouldn’t be the one experiencing this struggle when Omega is also in this arc.

That’s it, really. He’s not Gemerl. He’s a second, less goofy Omega. And it boggles my mind that, despite getting Gemerl’s character, if not his combat abilities, down almost perfectly in Archie, Ian is now subjecting us to this travesty.  

Like with the Archie example above, therein lies the crux of why the steady decline of Emerl/Gemerl that began with Sonic X is pushing me away from IDW: I don’t want to read Ian’s take on this character, because, to me, No Gemerl is better than Badly-Written Gemerl,

This isn’t the first time I’ve said this, either.  Way back in 2016, when I complained about Ian’s portrayal of Gemerl in Panic in the Sky, I said that the way he handled characters that I liked tended to make them the least likeable parts of the stories he wrote. As well as stating my dislike for his handling of Gemerl, I also stated that I used to really like Fiona Fox, moreso in concept than in execution, but under Ian’s pen she was largely an insufferable antagonist, little more than a trophy to make his pet recolour look better, and almost every story she was in only added to the “List of reasons she needs to stop lying to herself and just start the redemption arc already”. Additionally, I said that I didn’t want to see him bring back Neo Metal Sonic or Mephiles in any context, and we got the former, and it was exactly as bad as I thought it would be.

So, that’s basically why I don’t want to read IDW. That’s why, even if the aspect that was a big sticking point for me back when the comic launched was to be undone soon, I still probably wouldn’t pick it up. Because I don’t want to see my favourite Sonic character continue to be written badly by a guy that should know better, and has done better in the past.

If he were simply screwing up Gemerl’s personality the first time he wrote him, I would file it away under the same category as “Emel”, but the fact that he’s done better before, in a book where he had greater restrictions on what he could do with the characters, really settles this as an interest-killer for me.

Well done, Mr. Flynn. I legitimately didn’t think you could make me actually miss SEGA’s tighter control, but you somehow managed it. I would be impressed if it weren’t so sad.

Thoughts from my recent LOST re-watch

There is absolutely no coherence to this, so please forgive me. It’s just a very long list of all of the random thoughts I’ve had throughout my re-watch of LOST about my opinions on characters, ships, plot lines etc. and how they’ve changed or stayed the same. Feel free to send me an ask if you want me to expand on any of these points. 

Season 1 is perfection. Literal perfection. I can’t find a single criticism for it. The mystery, the suspense, the anticipation, the characterisation, the plot, the build-up. Just everything. It doesn’t matter how many times I watch it, it’s still so impactful and the pilot is one of the best pilots of any show I’ve ever seen

It’s still so funny that all of the characters so happen to have the perfect combination of skills to survive - Jack the Doctor, Locke the Hunter, Sayid the Soldier and Kate the Tracker

I always knew it anyway, but the Jack/Kate/Sawyer triangle really is awful. And the fact that they (attempted) to bring Ana Lucia into it and then actually did bring Juliet in to make it a love square is even worse. 

Jack and Juliet actually kind of make sense as a romantic pairing and have good chemistry (but Suliet still rule all) 

Kate is the worst character on the show. I’m sorry, I’ve tried to like her but I never have. She doesn’t undergo any development until around the time she gets Aaron in season 5 - she kills her father in cold blood and justifies it by saying he was a violent drunk (hello, there’s nothing that can justify murder with maybe the exception of self defence), she then goes on the run where she constantly lies, schemes and manipulates to get what she wants, which ultimately leads to her best friend getting killed in the crossfire. From the second she lands on the island she consistently plays Sawyer and Jack off one another by taking advantage of their feelings for her without any consideration to how that impacts them 

John Locke is an asshole a majority of the time and I really don’t like him (this doesn’t include pre-island and flash-sideways John, who’s a sweetheart) 

Charlie Pace is also an asshole and I don’t know how I didn’t see this sooner

I’ll never be over Boone’s death or the fact that he died for nothing because of Locke

Walt getting taken from the raft is still one of the most shocking and haunting moments of the series

Hugo Reyes is the definition of cinnamon roll, I love him with every fibre of my being and LOST wouldn’t be what is is without him

Kate treats Sawyer like shit from the beginning and he deserves so much better. I’m not gonna lie, I still don’t understand how or why Sawyer falls in love with her

Also what is that bullshit with them having sex in the cage? I know it’s supposed to be this hot-we-could-die-at-any-moment raw sex but it just comes across as very weird?? Even if they don’t know there’s cameras on them, they’re outside in the open where anybody could see them at any time

Shannon is a very misunderstood character who deserved better. So. much. better.

I still hate Ben, but he’s one of the best written villains in television I’ve ever seen

Charlie/Claire is the worst romance in the world. They have no chemistry, Charlie develops an obsession with her and practically stalks her, forces her to do what he wants her to do, constantly tries to take over with Aaron despite having absolutely no right to. There is just nothing even remotely redeeming about this ship and I still don’t get it

Locke’s musical theme makes me cry every single time 

And following on from that, as much as I dislike Locke, his flashbacks always make me cry. “Don’t tell me what I can’t do, ever!”, when he gets in the wheelchair in the hospital after his father has pushed him out of the window and when he cries in the car after his father tells him he’s not wanted. It’s heartbreaking 

I still can’t get over all the amazing character connections - Charlie saving Nadia, Sayid meeting Kate’s father and Kelvin during the war, Jack meeting Desmond before the island, Christian being Claire’s father, Christian and Ana Lucia going to Australia together, Sawyer meeting Christian in the bar etc. - it’s all so beautifully done in a way that feels authentic and links the characters (even the ones with more superficial ties) together so well

Michael is not a bad person and is unfairly hated. He’s just a father that did what any parent would do to keep their child safe 

Hurley and Libby are sweet but severely underdeveloped

I actually really dig the episode about Paulo and Nikki

Eko has such a touching and emotional arc, which although short, is very well rounded

The Other 48 Days is still one of the most chilling episodes of the series

It’s sad that the Tailies were all killed off so prematurely, I feel like they all had potential to be more

Jin’s development is so unappreciated. He’s probably the character that goes through the most amount of growth from the pilot to the finale

I know I should feel sorry for Claire (and part of me does), but I still find her too annoying to feel anything but dislike for her

Desmond and Penny’s love story is freakin’ beautiful and nothing can compare

Also how cute are Rose and Bernard? I’ve come to appreciate their relationship so much. They’re literally just two people who love each other in the purest way and want to be together. It’s so beautiful

Sayid is one of the best characters on the show and my love for him has been reaffirmed 

I understand the appeal of Sayid and Shannon but Nadia was Sayid’s soul mate and no one can tell me otherwise

Jack is probably the most unstable character on the show but it’s never acknowledged

Am I the only one that notices that Charlie flat-out lies about not being able to swim? In season 1 when Joanna is drowning Charlie tells Jack he can’t go in to help her because he can’t swim, but he consistently dreams about swimming to save Aaron, Desmond has a vision of him saving Claire from drowning and in season 2 he flat out tells everyone he’s swimming junior champion and swims down to the Looking Glass. Is this Charlie being a liar or simply a fault of the writers, I wonder? 

The episode where Sawyer, Jin and Hurley fix up the Dharma car still makes me so happy

Sun and Jin’s relationship is one of the best developed fictional ships I’ve ever seen. It’s so rare that we actually get to see a married couple who are on the verge of breaking up actually love each other enough to work their asses off to make it work and end up being happier and more in love with each other more than ever before

The Others are still absolutely terrifying in seasons 1 and 2 before we find out who they are

Charlie and Hurley’s friendship is overrated 

Adding to that some underrated dynamics are - Sayid and Desmond (in The Constant Sayid blindly does everything in his power to help Desmond despite not understanding what the hell is going on with him), Kate and Sayid, Hurley and Sayid, Michael, Sawyer and Jin, Shannon and Walt, Boone and Shannon, Eko and Ana.

Jack is by far the most flawed protagonist I’ve seen in any show

I’m intrigued to know what direction Ana Lucia’s character would’ve gone in if she’d survived

The musical themes are still the best of any show I’ve ever seen. I love that each character has their own theme which perfectly encapsulates them

The way that everyone just forgets about Claire after she goes missing and don’t even attempt to find her is so bad. Particularly when you consider the fact that whenever anyone else has gone missing or were kidnapped - Jack, Kate, Michael, Hurley - they’ve gone on a rescue mission immediately 

I’ve always been indifferent to Sun but I realise now that I don’t like her. She’s very hard to connect with and in the last seasons she becomes completely irrelevant and has no personality what-so-ever

Jack reacts so coldly to finding out that Claire is his sister. Like he finds out, he’s shocked, has tears in his eyes but nothing changes in how he behaves and thinks about Claire and Aaron, which makes no sense (but I’m glad we got to see this explored in the Flash Sideways)

Danielle and Alex Rousseau deserved better. So much better

All these people that accuse the show of having an abundance of plot-holes just aren’t paying attention or want everything to be spoon fed to them. There’s actually only about 1 or 2 inconsistencies big enough to be considered a plot-hole (the main one being that Danielle actually sees Ben face-to-face when he kidnaps Alex, but later on doesn’t recognise him when she captures him in a net) and everything is tied together perfectly

I didn’t realise before but season 5 is actually a pretty bad season. The most redeeming aspect is Suliet

Did anyone else notice that Naveen’s (Sayid) accent regresses into his own English accent in season 5 and 6? 

I actually hate the entire concept of Jacob and the MIB and what was done with them

Jack really does become Locke in seasons 5 and 6 

Following on from that, I really can’t blame Sawyer for wanting to murder Jack in season 5/6. He saunters back onto the island like he’s King of the Island thinking he’s some hero who’s going to save everyone he left behind whilst also fixing himself without any consideration to the repercussions. He completely destroys the life Sawyer and Juliet have spent 3 damn years building which results in a lot of people dying, including Juliet and he doesn’t even really seem that aware of how badly he’s fucked up 

We were robbed of a Frank Lapidus centric episode and flashbacks. Robbed, I tell you

I love Jack and Kate as a ship, but when they get back to the island in season 5 they’re very OOC (which is a writing problem imo). Kate wanders off and leaves Jack behind all the time and they don’t really stick together which is just not like Jack and Kate at all. No matter what they always stick together 

Sawyer’s character development is amazing. I love him so much 

The Temple is dumb. The concept of it, the people we’re introduced to - everything. It should’ve just been scrapped 

I also don’t understand what the hell happens to Sayid when he’s drowned in The Temple???? It’s so random and inconsistent, it makes no sense

I still love the concept of the Flash Sideways and don’t understand how people can hate on it or claim it doesn’t matter. It’s so important in so many ways 

But I still don’t quite understand why Jack and Juliet have a son in the Flash Sideways? I understand why Jack has a son, because it makes sense for him to work out his ‘daddy issues’, but I don’t understand why Juliet is the mother and what the significance is of that

We really should’ve got more Desmond centric episodes

The Constant is still one of the best episodes of television ever made

The older I get the more I understand and appreciate the religious and theological meanings of the show

I still don’t understand how or why Hurley starts being able to see ghosts. Like that ability just comes out of no where with little to no explanation 

It also gets very confusing trying to distinguish between literal ghosts and when the MIB has taken on a dead person’s form

I understand now that one of the many reasons LOST speaks to me on a personal level, and always has, is that I too have felt lost (both metaphorically and literally) throughout my life and I’m able to connect to every character on that basis regardless of whether I like them or not

The characterisation on this show is still second to none. The way each character has distinct lives that are fully fleshed out by flashbacks and that we get to understand every intimate detail about them - the worst thing they’ve ever done, their happiest moment, their greatest fear, the person they love most - I’m yet to find another show that writes its characters in such a complex and fulfilling way

I will always love the show and stand by it being one of the best shows ever, but as the seasons progress it does decline in quality, especially seasons 5 and 6 

The finale is still perfect though. I cry like a baby every single time - the church, the way Jack cries in his dad’s arms, it’s just too much

And now, from the rewatch of Batman Vs Superman: Dawn of Justice (Ultimate Edition because I love myself):

-I am reasonably certain that Clark’s emotional state during 98% of this movie is just ‘WHY THIS?’ with a dash of ‘CAN YOU NOT?’

-I can understand people who are annoyed we had to watch the Waynes die AGAIN, and yet, I cannot imagine this movie without this scene in it.  Because this movie is the very first time I feel like a Batman-having movie actually made Bruce’s motivation have any true meaning outside of kind of excusing why a man with that kind of resources would be Batman.  It makes it clear that the equation isn’t “boy loses parents, decides to fight crime”; it’s “boy loses his whole world, decides to fight LOSS” and that is a vital VITAL difference, especially for this movie.  

-also this is the most beautifully shot thing, and again I applaud Snyder’s tendency to reintroduce the importance of the mother in this situation.  Also that shell casing hitting the ground gets mirrored later and it kills me.

-and that Bruce’s father dies after curling his fist, dies in anger when he was a doctor, sworn to do no harm, feels like foreshadowing, like a warning; when a good man breaks his vows, goes darker, nothing good comes of it.  (And yes, I understand he was defending his family, totally reasonable, but we’re talking about this moment as metaphor, as how Bruce REMEMBERS it).

-oh god, I forgot Jimmy Olsen was Grant Gabriel on Smallville.  *FACEPALMS FOREVER*

-hey Bruce, when TEENAGE GIRLS are afraid of you, perhaps time to reconsider your life decisions.  The fact that he doesn’t even try to take care of them or comfort them says SO MUCH about where his head is.

-I feel like if there was justice in the world, every time someone described DCEU Superman as an ‘unfeeling god’ they would have to watch the 10 seconds where Clark comes in to see Lois bathing with his goobery little glasses and his grinny face like she hung the moon and his little bag of groceries to make her dinner and the flowers just for her and how he’s literally just so in love with her he can’t stand not stepping into the tub to kiss her Right Then.  Still didn’t get it?  Again.  Nope, you don’t get the abs.  You don’t DESERVE the abs.

-Alfred deserves all the scotch.  All of it.  And a raise, if only for dealing with this betta fish of a human being we call Batman.  I feel like Clark should have been able to hear Alfred screaming ‘fuuuuuuuuuuuuuuuuuuck’ the entire movie at registers too high for others to hear because that is definitely how he feels.

-I will defend this Lex Luthor to my dying breath because this motherfucker scares me.  And he scares me because unlike the other kind, I’ve MET this motherfucker.  This motherfucker ran a company I worked for.  All douchbro and open door policy and casual workplace until you don’t give him what he wants and then the knives come out.  And I think the reason why he doesn’t work for a lot of people is that we’re still in the era where this kind of businessman villain hasn’t been villainized properly yet.  We have the mental templates for the oil tycoon or the 90s environmentally disastrous CEO, the 00s real estate-stealing asshole, and now the 10′s Wall Street wolf, but THIS kind of monster is the one we’re still getting a feel for.  The (I hate to make this comparison) Mark Zuckerbergs, the tech moguls who are increasing human suffering in less direct, less easy to define ways while always pretending to help us.  In ways that to some degree people still admire.  Lex Luthor as a competent-Donald-Trump analogy is easy and familiar in comparison.  This is one step forward and while I wouldn’t say it’s without it’s faults, it’s brave as hell and real as hell.  This is OUR monster, folks.  

-Following up on the ‘Perry totally knows’, I’m pretty sure Perry gave him the sports piece to try and take his mind off of All The Terrible and was fighting him because goddammit, son, you can’t take on the world, it is KILLING YOU.

-I was absolutely livid with the original cut, I’m gonna be honest, and the reason boils down to (well, the parts where the plot literally doesn’t make sense re: blaming Superman but mostly) the fact that without Clark investigating the Batman, meeting people who are scared, who feel cornered, who have lost a husband and a father to that brand... Clark would never actually fight him.  Clark doesn’t GET angry at personal slights or personal threats.  He gets angry because Innocent People Are Living In Fear From This Asshole, that innocent people are dying either because the Batman hasn’t noticed that his brand victims die or DOESN’T CARE.  Without these pieces, Clark’s rage makes literally no sense and even his ‘civil liberties’ argument makes so little sense since ‘how would he know?’

-Clark’s little smile as Lois is Lois at him, basically going ‘why yes, I’m going to throw myself into this pit of snakes to find a needle in the haystack UNDER these snakes’ mixed up with his concern and just UGH these two UGH

-the little sound clips of the world engine at various points, like when Bruce is going to the grave in his dream.  *SHAKES FIST TO THE SKY* AAAAAART

-and the angel in the stained glass with a blue tunic and a red cape.

-Okay, Bruce? Comparing Superman to the Joker is like... just flat unfair.

-Lex and Bruce both leave that little threeway meeting with purpose while Clark is just so clearly like ‘...what the fuck just happened?  What the- WHY ARE RICH PEOPLE LIKE THIS?”

-The amount of loathing Bruce has for the Bruce Wayne act conveyed purely through face acting is FABULOUS.  Bathroom excuse bathroom excuse OH MY GOD KILL ME I HATE EVERYTHING ABOUT THIS JACKASS I APPARENTLY AM.

-*insert me crying about How Unhappy Clark is re: all the people around him treating him like a savior and the whole reference to the skulls thing and just Clark, honey-*

-Clark needs to watch some cartoons.  Someone should just like... set his dial permanently to happy joyful things because the news is just Not Good.

-Once again, those people with the ‘unfeeling god’ nonsense, what with this unfeeling god calling his mother because he’s feeling lost and confused and he doesn’t know what’s the right thing to do.

-Bruce trying that Selina and Talia line on Diana: LOL.  Diana’s response: ALSO LOL.

-ngl, after certain things happened in GoT, I cannot imagine Clark standing in the flames at the capitol building without the subtitle of ‘...dammit Cersei’

-I will never understand how they ever thought cutting Clark bringing bodies/survivors out of the Capital Building was a scene they could cut.  It is So Vastly Important.  

-Alfred’s just... gonna stand here and watch Bruce become literally everything he hates, yup, up, this is great, this is Scotch scotch scotch scotch scotch scotch scotch and I Don’t Blame Him.

-Back to the ‘Perry White Totally Knows’ comment, that look at Lois while Lois begs for a helicopter?  Right after referencing that Superman is CLEARLY at the ship?  Hell yeah, Perry knows.  Also Perry is the man.

-I will also defend this fight to my dying goddamn day because Snyder knows how to do some beautiful things with cinematography and this is the ugliest, most brutal, painful fight to watch and it GODDAMN SHOULD BE.  Because heroes fighting heroes is ugly, because Bruce is ugly at this point, Clark is so lost and there is nothing really noble or ‘good’ in this fight.  Even Clark who’s fighting to try and save his mother is giving in to his frustration at everything, at the world, at this GUY who’s a giant douche to him in person and hurts people to make them do what he wants and doesn’t care when they die.  And I feel that’s a huge portion of this fight, that both of them feel the other one is apathetic to suffering and it makes them ANGRY.  

-...though I snerk every time at Bruce realizing the Kryptonite’s worn off.  Yeah.  Yeah, buddy.

-Also this most recent rewatch honestly completely changed my view on the Martha line.  I have, since the beginning, thought it was a good, meaningful scene that worked in the context of the movie, but I always thought it was clumsy.  It’s only now, watching it again, really taking in everything around it that I realize it DOES in fact make absolute sense, and it works perfectly.  Because Bruce has just been TALKING about Clark’s parents.  He doesn’t CARE that Clark has parents, doesn’t care that he has a mother and father.  Clark doesn’t say ‘save my mother’ because Bruce is That Far Gone.  But Clark called Bruce by name, KNOWS who he is: he doesn’t just say ‘Martha’ to save his own mother, he says ‘Martha’ because this is literally Clark’s last ditch effort to appeal to the human being named Bruce Wayne inside that batsuit.  He is trying to snap him out of this.  And he is trying to make his mother into a random bystander for Bruce to save so he WILL save her.  He is pointedly disassociating himself from his mother to try and save her; he is saying ‘fine, kill me, but you have to save this innocent woman’.  And it’s only the combination of these things that actually breaks through the 18 months of obsessive hatred.  Honestly, Lois telling him it’s his mother’s name is just icing on the cake, a quicker end.  Clark might have been on his back, with a spear in his face, but Clark Wins That Goddamn Fight because he pulled the play that made Batman into Batman again.

-you know, I’ve been looking forward to Clark coming back and seeing Martha see him and Lois and Bruce but DAMN if I can’t wait for Lex Luthor to see Clark returned to life.  *insert gif of Jason Momoa with the folding chair* 

-Martha waves to the Batwing flying away and that is adorable.

-You’d think the US government was dating Superman considering how many times they decide to fuck him.  FFS, guys.  Let him throw the monster into space without shooting him in the back just ONCE.

-Best. Enter. Player. 2. Moment. Ever.

-Watching Batman play ‘hoooooly shit, dodge dodge dodge dodge’ with Doomsday feels like a kind of karmic return like.  Look, asshole, THIS is what a Kryptonian monster who wants to raze the entire Earth is like and you are SO not even remotely prepared for that fight.

-...I forgot he actually pulls the spike in deeper so that he can stab Doomsday properly because I needed that heart, you know?

-Bruce trying to cover that hole in the suit as he bundles Clark up, totally not thinking about another suit in a glass case in his house, not thinking about the woman he just saved so she can bury her son.  Nope, nope, nope, Bruce Wayne is JUST FINE, thanks for asking.

-The Worst (read most painful) Look Ever between Lois and Diana and you know there’s a part of Diana that’s like ‘at least you get to bury him’.

-AND THERE GO THOSE SHELLS HITTING THE CONCRETE AGAIN, thanks symbolic things that hurt me down to my soul.

-you know, in the comics, Bruce REALLY REALLY hates Lex, like enough to be all right with helping to murder him (yeah, legit) but imagine, if you will, how much he’s gonna hate him NOW.

-Still a goddamn hopeful ending even if it breaks my heart.  ‘Men are still good’.  UGH.  UGH THIS UNIVERSE.