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#like even just Knowing that the female equivalent of that actor would never get this famous

cinemabuffoon · 7 months

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rant incoming!

I fully believe that the expendables series is one of the biggest wasted potentials of a movie series in recent cinema history. This series could have (and should have) leaned heavily into the energy of the expendables 2, which is the best one imo so I might be biased, where it leaned into the fact that it was a bunch of action stars from various eras and embraced it instead of constantly trying to hand things over to younger cast members or botching what could have been one of the most entertaining franchises to exist. I mean for goodness sake Jean Claude Van Damme is literally named Vilain and is generic villain™️!!

I personally enjoy these movies because I'm there to watch some of my favorite action stars be cool and shoot up crap and pal around, and thats what it always should have been. Now, it can be as serious or unserious as it wants to be (like I've stated before I lean towards 2 so that's my preference of the ratio) but it should have been focused on this cast of characters. I understand that Stallone had stated with the third movie that he wanted it to open to a wider/younger audience but I really think that was the wrong choice. As far as I've seen from various fan response, we are all here to watch this cast! these guys! Not some younger actors we don't really care about. They should have ham'd it up! Maybe they kill off some mebers every once in a while if they want to keep it interesting. They are the expendables after all! They could bring on so many cool actors too. Imagine if in the expendables 3, instead of being what it is, they brought in some of the female action stars from the 80s / 90s! They could be new additions to the team, a mercenary squad that has a cool, friendly yet competitive rivalship with them, or even as villains! Sigourney Weaver, Linda Hamilton, Uma Thurman, Michelle Yeoh, etc!! So many cool ladies that would have been a fantastic and fun way to keep the movies fresh while staying on brand. Now if they wanted to bring on younger crowds then maybe bring on some more established "modern" action stars then. Ronda Rousey kinda makes sense to me because to my understanding she's fighter in real life. I do think you can bring on newcomers and I'm welcome to it! But I wish they didn't want to hand it over to them. I understand many of these actors are aging and may not want to do this forever and thats completely fine, but i feel that there is a better way then how they went. Also! longer standing villains would be so great! Not necessarily like Thanos but maybe keep them on for more then one movie. Allow establishing time or allow more time to have the battle of good v evil! I.e Vilain was two movies and not one, Stonebanks (who was wasted in 3 smh) given 2 or 3 movies due to his connection with barney or 4 if they had a really good concept/reasoning/writing, etc. There's so much I could probably add and maybe I will later if i think of it but it saddens me to see the state of where this franchise is heading. I hate that Tool hasn't been back once, his arc will never be finished. I hate that so many actors that should be in this arent any more or never will get to be due to its decrease in quality. I hate that the latest movie feels like the lacroix equivalent of a tangerine. I hate that these movies have had more bad than good recently. I know they were never masterpieces, but as someone who loves action films and enjoys many of these actors movies, it was such a fun franchise and one that's potential has been squandered. It's just sad. This is also coming from someone who is relatively new to this series. I didn't grow up with this so I have no nostalgia or anything, I'm not blinded by rose tinted glasses. I'm just a fan who wishes better for this series. I hope we get a movie that absolutely revives and revitalizes this franchise but after 4, I'm not betting anything on it.

feeling like we should have gotten sequels to the A-Team (2010) instead right now

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farlynthordens · 3 years

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Is Gen gay-coded or just an entertainer? ¯\_(ツ)_/¯ random thoughts/observations about his speech in Japanese

Warnings: LONG. mentions of gendered language and homophobic characterizations

The concept of “role language” is super important in Japanese fiction, because how a character talks can tell you a lot about their personality. Unfortunately, it’s often lost in translation because languages like English don’t have the ability to play around with formality levels, pronouns, etc as much.

Ever since I first watched the dcst anime like a year and a half ago, I’ve had no idea if Gen is intended to be the “gay friend” character or just the “quirky famous guy,” or maybe both? I figured that writing out my thoughts might be interesting for some people! Take everything with a grain of salt tho since I’m not a native speaker

1. Backwards speech

I want to first cover backwards speech (localized as pig latin in the English manga) because this used to confuse the fuck out of me. It felt like a quirky teen thing or internet slang, but it’s actually [zuuja-go] (“jazz” written backwards + “language”) which originated in the 40s-50s.

It was revived primarily by male TV stars and comedians in the 80s-90s, and to this day zuuja-go is regarded as a type of [entertainment industry-specific language]. However, it’s hardly used anymore. It’s kinda weird then that Gen, who’s too young to have lived in the revival period, would use zuuja-go, but my guess is that it’s a funny and somewhat original way to show his “popular entertainer” background. I personally don’t know any other characters who use it as regularly.

2. Choice of pronoun + speech patterns

Gen ends nearly every sentence with ~ne, ~yo ne, ~yo, or ~sa, or otherwise no particle at all. Questions almost never have an ending emphasis particle, putting the rise in intonation on the final word (the standard is to end with ~ka, ~no ka, etc). He also always contracts the verb ending ~te shimau into ~chau/jau (Senku always uses the contracted form too, but a more boyish derivative (chimau). It probably sounds crazy but trust me). There’s more I could list, but these are the most notable points lol

This kind of speech pattern is associated with teen girls/young women, so when it’s applied to a perceived male character, it’s used to indicate that they’re an “effeminate man”. In most cases, “effeminate” = gay/trans (yeah it’s shitty and outdated thinking). It’s also been applied to male characters who are idols or internet stars, possibly as a dig at their masculinity or making fun of their attempt to appeal to female audiences.

One example of the latter is Pyotr from Carole & Tuesday, who’s their universe’s equivalent of an Instagram celebrity. His sentence structure is almost identical to Gen’s, with the girlishness turned up to 11 because of the very high pitched, nasal-y voice given to him in the show. More on this later.

We also can’t forget how he calls everyone -chan. It’s diminutive and cute, but literally no one uses -chan that much. Even in fiction, female characters normally use it for female friends or children, and guys almost never use it except for children and maybe certain girls they’re close with. It’s definitely the most exaggerated cutesy trait he has. “Effeminate male” characters often address others - regardless of gender - with diminutive honorifics or cute nicknames even when not necessarily appropriate, so this is just gay-coded behavior from what I can tell lmao

One thing that’s different about Gen compared to other characters with the same "effeminate male” speech pattern (that I can recall, at least) is his pronoun. He uses the masculine “ore”, like Senku, Chrome, and most of the other young male characters. In text, his “ore” is even in kanji (俺) like theirs. Had it been written in hiragana or katakana, it would have given more of a casual or stylish vibe. Just as a sidenote, this is also why his name itself is written in mixed hiragana/katakana instead of kanji! It’s a typical thing for Japanese celebrities to do with their names to seem cool.

Anyway, characters who are meant to be portrayed as “effeminate men” will almost always use watashi or atashi, the standard “female” pronouns, or at least “boku” which is generally male-aligned but softer than “ore” (Pyotr uses boku, as an example).

Pronoun usage is way more nuanced in real life, but for fictional characters, it tends to be broken down into these kinds of stereotypes based on Tokyo-dialect Japanese.

He also is missing some other key points in his speech pattern that would more clearly identify him as gay/trans-coded, like using the feminine ~kashira (”I wonder...”) instead of ~kana.

3. Voice acting in the show

I love Gen’s Jpn voice honestly, but it does play into the “effeminate man” stereotype a little. His voice is a bit higher pitched than the other guys and somewhat nasal-y, which are both common traits of this stereotype when used with the speech patterns I talked about above. The way certain syllables are stressed also highlights his feminine speech pattern. However, he’s comparably tame to “effeminate” characters in other series. For example, his Jpn voice actor does raise the pitch of his natural voice for Gen, but it’s not a falsetto imo. It’s pretty common for male voice actors to do falsettos for “effeminate” characters.

Gen also doesn’t fall under a lot of the tropes that plague many gay/trans-coded characters and quirky celebrity types - such as being a “diva” or uncomfortably flirtatious - which tend to get amplified in voice acting.

---

This stuff combined with my previous post about his clothes makes me wonder even more about what was intended for his character. There’s a lot about him that is notably “feminine” without him leaning too hard into gay stereotype territory. And it’s just like, why did you do that.

If you survived reading this far, I’d love to hear your thoughts<3

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aster-ion · 3 years

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Sylvie x Loki Might Not Happen and Here’s Why

***SPOILERS FOR LOKI TV SHOW***

1. They are basically siblings

Even though they have different personalities, backstories, and physical appearances, that doesn't change the fact that they are the genetic equivalent of siblings. No matter what Timeline you're looking at, both Sylvie and Loki are the offspring of Laufey and whoever he had children with. We know this because they are Variants of the exact same person, meaning that if either of them were born to someone other than Laufey, they would have been pruned as a baby. And since they weren't, that means they must be just as genetically similar as siblings are.

Because of this, the idea of Sylvie and Loki engaging in any kind of romantic or sexual relationship is extremely disturbing to a lot of fans. It's too big an oversight to brush past, especially when the show has continued to remind us over and over that they are, in fact, both Lokis. Maybe if them being the same person wasn't such a major plot point, it would be easier to ignore the facts, but it is, and that means that Marvel is basically pushing either an incest or selfcest (depending on how you look at it) type relationship. And that’s extremely risque for a corporation as large as Marvel, especially with a character as beloved by fans as Loki.

2. It is terrible LGBTQ+ representation

And before anyone says anything, no, it is not because Sylvie is portrayed as female and Loki as male. I've seen a lot of Sylvie x Loki shippers say that the reason people don't like the couple is due to it being one between a male and female, but that's not true. Loki and Sylvie were both confirmed to be bisexual, meaning that they can engage in a relationship with anyone of any gender. It would be completely valid for either of them to pursue romance with someone of a different sex and still be bisexual. No one is arguing against that, and if they are, I definitely do not agree with them.

However, the problem comes in when you take into account Marvel and Disney's (who owns Marvel) long history of queerbaiting. There have been countless times that Disney advertises their "first gay character!" only for it to be a single line of dialogue or a brief shot. Marvel in particular has used the popularity of certain LGBTQ+ ships and headcanons in their fanbase to generate media popularity that they don't actually follow through with in their movies/shows. So when Loki was confirmed to be both genderfluid and bisexual in Episode Three, lots of people felt like they were finally getting a win for representation.

But those people, myself included, appear to have been let down again. The first two official queer characters had so much potential to go off and be with anyone they wanted, but instead, the show has set them up to be in a romance with each other. Now, this wouldn't be problematic on it's own, but when you take into consideration the questionable nature of their romance from Point One as well as the fact that the show has explicitly referred to it as "twisted," it raises the question of whether or not this is actually good representation. Because the fact is, in one episode the writers went “look, it’s two queer people!” and in the next, they said “their relationship is disgusting and demented.” Marvel’s first bisexual characters being borderline incestuous/selfcestuous does not sit well with me at all.

All of this is made even more confusing when you take into account the background of the Loki crew, most notably, the director Kate Herron. She also directed the Netflix series Sex Education, which has quite a bit of very well done representation of all kinds. So how is she managing to fail so badly on this project? It makes me wonder whether she truly is just losing her touch or if this is all a misdirection. Personally, I'm hoping for the latter.

3. It does not send the "self love" message people seem to think it does

The writers, director, and cast of Loki have said multiple times that the relationship between Sylvie and Loki is meant to act as a metaphor for self love. And in a way, that makes a lot of sense. Despite creating different identities for themselves over time, they are still ultimately the same person and therefore share a special bond because of it. And there's a lot of potential that can be done with that concept.

Loki is an extremely complex and intriguing character. He has experienced a lot of trauma in his past that has shaped him into the person he is today. And that person is clearly very broken. He has never given away or received any kind of love, with the exception of his mother and possibly his brother, Thor. Other than that, he's had no healthy friendships, romances, or perception of himself. It makes sense for him to be confused by this pull he feels towards Sylvie, who is both alarmingly alike and vastly different from himself.

Something this series does exceptionally well is breaking Loki out of his comfort zone. He is finally forced to see himself from other people's perspectives. It started with the file Mobius showed him in the first episode. Loki was able to view his actions apart from himself, and was hit with the realisation that he had been hurting people, and he didn't like that.

Loki is also confronted by the existence of the Time Keepers and the TVA, who describe him as an antagonist and nothing more. To them, his role is to make those around him look better, even if that means he repeatedly gets the short end of the stick. Mobius mentions that he disagrees with this and that Loki "can be whoever and whatever he wants, even someone good," adding another layer of depth as to who Loki could be in the future of the series.

Another huge moment for Loki's character development is while in the Time Loop Prison with Sif. Though he starts out annoyed with the situation and recalls not feeling apologetic when he cut off Sif's hair, the longer he is in the loop, the more he changes. Loki admits things to himself that we have never seen him say aloud, such as the fact that he is a narcissist that craves attention. Sif telling Loki over and over that he deserves to be alone makes Loki question whether or not he believes that to be true, allowing him an introspective moment where he really has to think about who he is.

Now with all of that being said, I'd like to tie in why this is important to the writing of Loki and Sylvie. They act as a mirror to one another, representing both the flaws and strengths of "what makes a Loki a Loki." For once, Loki gets an honest, unbiased look at himself without layers of expectations or self doubt. On Lamentis, he calls Sylvie "amazing" and praises her for all her accomplishments. That's a huge moment for him because it shows that despite also finding her irritating, he can look past those traits and see someone worth being a hero underneath. And through that realisation, he begins to understand that he can also grow to love himself. That kind of character development for Loki is incredible to watch, and it's the kind of character development I want to see from this series. Unfortunately, them possibly engaging in a romantic relationship will ruin it.

Whenever I'm feeling insecure about myself and my abilities, the solution has never been to look at who I am through a romantic lens. Self love is an entirely different type of love from romantic love, so if the series tries to push this relationship as a romance, it will fail to truly represent the arc that they are trying to show.

4. Nobody likes it

This one's a little on the nose, but it's true. Almost no one likes this ship, and more than that, most people actively hate it. Yes, there is a small minority that like Loki and Sylvie together, but there is an overwhelmingly larger group that is disgusted and angry by the fact that the show paired them up.

After Episode 4 aired, I ranted for about an hour and a half with a friend about how much we didn't want them together. My aunt whom I have never texted reached out to me to say that she hated their relationship. My homophobic neighbour came over and told me that she would prefer any other romance to this. Friends that I haven't talked to much since school let out for summer have all agreed that they collectively dislike Loki x Sylvie. This ship has brought people together purely because everyone hates it more than they hate each other.

There is no denying that the general feedback for Loki and Sylvie being a couple has been negative, even if you support them getting together for some reason. So if there are so many people out there who don't like it, I'm confused as to how it would be approved by a team of professionals.

5. The contradicting information we have gotten so far

Before the release of Episode Four, Kate Herron said that the relationship between Loki and Sylvie was “not necessarily romantic.” During the interview, she continued to refer to them as friends and people who found solace and trust in each other.

However, after Episode Four, the head writer, Michael Waldron, and other members of the crew spoke up about Sylvie and Loki. They said things like “it just felt right that that would be Loki’s first real love story” and “these are two beings of pure chaos that are the same person falling in love with one another.” These kinds of comments very heavily imply something romantic, directly contradicting what Kate Herron said. Even Tom Hiddleston, the actor for Loki, has assessed the situation, highlighting the differing viewpoints. He’s also said before that the end of Episode Four ultimately has Loki getting in his own way.

Now, this could all just be a misdirection on either side to build suspense for the show, but as of right now, it is entirely unclear who is telling the truth. Though it is more likely that the statements made by Michael Waldron are more accurate (as he is the writer), there is still a slight possibility that Loki x Sylvie won’t happen. I’ll link the articles I’ve found on this topic below so you can read them and decide for yourself.

Kate Herron Statement - https://www.cbr.com/loki-sylvie-relationship-not-romantic/

Michael Waldron Statement - https://www.marvel.com/articles/tv-shows/loki-sylvie-in-love

Tom Hiddleston Statement - https://thedirect.com/article/loki-tom-hiddleston-sylvie-romance

6. It is still salvageable

The odds are not in our favour, I’m afraid. It is highly probable that the show will put Loki and Sylvie in a romantic relationship with each other. Yet there is still a way to salvage it and turn their bond into something incredibly satisfying. Like I mentioned in Point Three, the relationship between Loki and Sylvie has the potential to be incredibly empowering and provide both characters some much-needed growth. And I believe that while unlikely, it can still do that.

The only mention of them being romantically interested in each other came from Mobius, who at the time was angry, betrayed, and doing anything he could to get Loki to talk. Then, at the end of the episode, right before Loki is about to confess something important to Sylvie, he is pruned. This results in no explicit confirmation from either Loki or Sylvie that they are in love with each other. The audience is left not knowing whether Mobius was correct in his speculations, and honestly, I don’t think Loki knows either.

Loki is no expert on love, as I explained earlier. It is entirely possible that he doesn’t grasp how he feels about Sylvie and defaults to romance because of what Mobius said. There is undoubtedly some sort of deep bond forming between them, and I would love to see that being explored in the next two episodes. I would love to watch Loki’s journey of realising that he doesn’t want anything romantic with Sylvie, and was simply confused by the new things he was feeling towards her. Loki even says “this is new for me” when talking to Sylvie at the end of Episode Four. Him momentarily believing that he wants to be a couple with her then shifting into them becoming friends who help each other grow is still a reality that could happen. And ultimately, I think that would benefit them both as characters as well as strengthen the overall message of the show.

In a show about self love, acceptance of yourself, and figuring out who you want to be, Loki very much needs people who support him. He has that in Mobius already, and now he’s beginning to have it in Sylvie as well. I just hope that it is done in a way that resonates with the audience and subverts expectations, which just cannot be done through some twisted romantic relationship. I’ve spoken to others watching the show and seen people talking online, and everyone seems to agree that Loki and Sylvie work much better as platonic soulmates or found family than a couple.

Of course, my hopes aren’t that high up. While I’d love for this to happen, I’ve been let down by Marvel before and wouldn’t be surprised if they went for the easy route of pairing characters up rather than dealing with the emotions correctly. Still, I have hope for this series. Everything else about it is wonderful and perfect in every way. It has the potential to become a masterpiece and easily the best thing that Marvel has ever done. However, this romance would ruin it for me and so many others. We already feel incredibly disappointed by Loki x Sylvie being suggested, so I can’t even begin to fathom how people will react if the show makes it canon. I’m begging Marvel to please do better than this. They have a wonderful story to tell and a wonderful team to do it, and I hope from the bottom of my heart that they don’t throw that away.

#marvel #loki #sylvie #mobius #loki x sylvie #loki x mobius #kate herron #michael waldron #disney #lgbtq #representation #tva #loki tv

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howaboutalittlehelpneos · 3 years

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What are everyone’s teams in your Pokemon au? Do you have a plot set out or is it a more causal au?

Oooooh this is a fun one

You'd better fucking BELIEVE we have a plot set up, I have poured so much effort into the Pokemon au

Okay, so: when it comes to teams, I decided that everyone should have at least one legendary Pokemon in their party as a way to be faithful to the ace monster concept, but it wasn’t until much later into the au that I realized I’d failed to do that with Sora’s team, which led to a very fun plot point involving his secret 7th Pokemon he keeps in his box

Teams under the cut because it’s gonna be a long one, boys

Yuya has: Groudon, Sandshrew, Popplio, Hippopotas, Aipom, and Ekans

In his box, he’s got Phanphy, Charmander, Politoad, Ducklett, Liepard, Skorupi, and Lycanroc (Midnight form)

I wanted him to have as many Pokemon as he could that reminded me of the monsters in his deck, and since Yuya is a coordinator in this au instead of a regular trainer, it just felt right that he’d have a lot of different partners he could swap out for various contests

Also I’m mad that there isn’t a legendary dragon that looks like Odd Eyes, so I had to give Yuya Groudon instead, making him the only Yu boy in this au to not have a legendary dragon type Pokemon

Yuto has: Eternatus, Bisharp, Aegislash, Aggron, Lucario, and Shadow Rider Calyrex

Okay listen, I know I was supposed to only give everyone One legendary Pokemon, but with Calyrex I feel justified because it looks So Much like it could be one of Yuto’s Phantom Knights, I mean

Just look at it

Yuto gets to have two legendaries to make up for Arc-V killing him off so early into the show

Aside from this guy, the rest of Yuto’s team just felt like it should be comprised of steel types ow the edge so that’s what I gave him. His Pokemon are as edgy as he tries to appear to be and that is enough to amuse me.

There also weren’t exactly many good Pokemon equivalents of his archetype, so I made do with what I had.

Yugo has: Latios, Scizor, Claydol, Porygon 2, Ponyta (Shiny), and Sudowoodo

Yugo was honestly so hard to come up with a team for because all his Speedroid cards are just like... toys and stuff for the most part, so I agonized over what I should pick for him for a Long time. In the end, I feel like I got close enough to his general aesthetic with the Pokemon I picked.

(His Ponyta is there because of Speedroid Horse Stilts, and while it is a shiny, the dumbass has no idea about it, and thinks he just happened to get a special blue horse that was born a little differently- he never claimed to be smart.)

He also deadass thought Sudowoodo was a grass type for the longest time. Rin had to be the one to tell him it wasn’t.

“Yugo. Sudowoodo? It sounds like pseudo? As in fake wood?”

“Ohhhhh is that what its name means? Wow Rin you’re so smart.”

No Yugo you’re just exceptionally stupid.

Yuri has: Naganadel, Seviper, Victreebel, Toxicroak, Vileplume, and Roserade

For the most toxic of battlers, I felt it only necessary to give Yuri an all poison type team. I included an even mix of plants in there to tie into his Predaplant deck, Seviper for the snake eye vibes, and Toxicroak... just feels right, you know. I couldn’t find any other poison plant themed Pokemon that seemed like they’d fit his vibe, so he gets a poison frog instead.

Yuzu has: Meloetta, Sylveon, Meowstic (Female), Gardevoir, Florges, and Jigglypuff

I tried to stick with Pokemon that had very feminine vibes for Yuzu, since her deck is comprised of pretty singing ladies, so Meloetta and Jigglypuff in particular feel very fitting in that regard.

Serena has: Cresselia, Delcatty, Glameow, Lopunny, Persian, and Pyroar (Female)

The moon vibes with Cresselia felt perfect for Serena, and as for the rest of her team, all cats and a bunny to pay homage to her Lunalight deck ^^

Rin has: Celesteela, Mismagius, Hatterene, Glaceon, Froslass, and Chimecho

Her team vibes with the witch part of her Wind Witch deck, at least for Mismagius and Hatterene. Glaceon, Froslass, and Chimecho are there due to the etymology of her name, where possible meanings of it include “cold” and “bell”, which I thought was pretty cool, no pun intended.

Ruri has: Galarian Articuno, Pidgeot, Noctowl, Chatot, Altaria, and Unfezant (Male)

Some softer birds for the soft bird girl, for the most part. I liked the thought of her team being all birds like her Lyriluscs, and just... yeah. They’re all very friendly birds that Ruri’s bonded pretty closely with. Also I made sure she had Galarian Articuno for no reason other than it is purple like her, and I think that’s all the reason I need.

Gong has: Kartana, Machoke, Samurott, Golisopod, Hariyama, and Conkeldurr

Gong was really easy to assign a team to- just had to find as many samurai themed Pokemon as possible, and fill in the rest with really strong fighting types, like Machoke, Hariyama, and Conkeldurr.

Shingo has: Type: Null, Dusclops, Misdreavus, Spiritomb, Decidueye, and Cramorant

With Shingo, I tried to go for Pokemon that had the same vibes as some of his Abyss Actors, and I think Dusclops is the best example of this. Tbh I am very proud of giving him a Type: Null because Type: Null is an amalgamation of other Pokemon, something that was created in a lab to be a fighting machine. There’s nothing natural about Type: Null, and it’s kind of terrifying to Yuya specifically, who’s always viewed Pokemon as creatures to befriend. This experiment created purely to kill... unnerves him, and serves as a very good foil to his beliefs when it comes to Pokemon.

And they were narrative foils

Oh my god they were narrative foils

On a sillier note, I chose Cramorant purely because of this quote from its bulbapedia page: “Cramorant are also rather unintelligent as they can't remember which Pokémon they fight in mid battle, but never forget Trainers that they trust. However, they try to attack their Trainers if they steal food from them.”

I just thought the idea of Shingo having this dumb bird that occasionally pecks at him over food would be funny tbh, gotta dunk on the rival at least a little bit.

Sora has: Banette, Vanillish, Swirlix, Stufful, Litleo, and Buneary

In his box, he has a Guzzlord

I feel like Sora’s team is very straightforward, as it’s a mix of sweets themed Pokemon, and Pokemon that represent monsters in his deck- Stufful for Flufflal Bear, Litleo for Fluffal Leo, and Buneary for Fluffal Rabbit. Guzzlord... is relevant later on in the plot after shit goes down, that’s all I’ll say for now.

Masumi has: Diancie, Sableye, Corsola, Aurorus, Tyranitar, and Lycanroc (Dusk form)

Gem Knight girl deserved to have a bunch of good rock type Pokemon, and Diancie is like. The best possible legendary I could have given someone like her lol, the crystal aesthetic is just perfect for her. Not much to say here honestly, I just really vibed with these specific rock types and thought they’d make a good team for her.

Yaiba has: Zeraora, Kecleon, Pangoro, Scyther, Purugly, and Stantler

So I actually threw this list together just now because I realized Masumi was the only member of her trio to have a full team, and that just wasn’t right. I tried to base this team off the XX-Sabers as well I could, but it was a little hard with how many humanoid cards Yaiba has. With his legendary, I actually chose it based off this monster right here!

I think they’ve got similar enough vibes aesthetically for Zeraora to fit him. Scyther is based on Emmersblade, Kecleon on Ragigura, Stantler on Garsem, Purugly on Gardestrike, and Pangoro... Honestly, it just makes me think of Yaiba himself when I look at him. I think they’d get along well.

Hokuto has: Deoxys, Espeon, Grumpig, Starmie, Lunatone, and Malamar

Psychic type Pokemon just sort of felt right for him to have, considering that his deck is based on constellations and has an overall space theme to it. Not sure why that translates over to psychic in my brain, but you know what, it looks right, I love this team for him, and I’m not gonna question it.

I especially think Deoxys makes a good legendary for him considering it is literally a space alien, and Hokuto’s whole thing is space, so yeah, he gets to have the space alien.

Shun has: Galarian Moltres, Skarmory, Fearow, Dodrio, Staraptor, and Talonflame

Pretty straightforward team I feel- it’s all birds of prey for the Raid Raptor boy, and I just thought the Galarian version of Moltres was neat. Makes me think of his Blaze Falcon since they’re both black and red.

Dennis has: Hoopa, Mr. Mime, Delphox, Zoroark, Alakazam, and Hawlucha

Hoopa seemed like a very good legendary for Dennis to have, given his deck archetype and all, he just kind of looks like a little circus dude. Its unbound form makes me think about the swap Dennis has when it gets revealed that he’s actually been a double agent the whole time, and the play gloves finally come off.

The rest of his team... I feel like they speak for themselves. I tried to give him Pokemon that matched up with his deck archetype, so there’s Delphox to rep the fire themed monsters, Mr. Mime because it just fits Dennis’ general personality- and I love the thought of those two being friends and just copying each other’s theatric poses. Chaotic dynamic duo.

(Also: Zoroark's ability letting it disguise itself as another Pokemon is just another parallel to Dennis pretending to be one of the good guys at first, and I love it)

Shinji has: Buzzwole, Beedrill, Vespiquen, Ribombee, Kricketune, and Leavanny

I tried to give the bee man all the bees I could, but there are only so many bee Pokemon out there 😔 I knew the rest of his team had to be insect types to make up for it, so I picked Kricketune because he is just... a friend... a musical buddy who definitely gets along well with the kids. Leavanny is just a bug mom who also helps patch up the kids’ clothing when they get tears in them, which I just love the idea of. Sweet bug mom whose dex entry talks about how they sew for other Pokemon looks after her trainer’s kids when she’s not battling.

Buzzwole: witness the fitness

Throwback to the Smash Bros mains lmao

Crow has: Murkrow, Braviary, Starly, Swellow, Pikipek, and Corviknight

Bunch of birds for my Blackwing user... This team was partially picked out by June, and it was mostly meant for the Other Pokemon au, but I don’t really see a reason to change his team here. Crow is the one person without a legendary on his team, which makes me sad, but there really isn’t a legendary bird out there that fits his vibes, so as much as I wanna give him a legendary, he will have to make do without one. Sorry Crow.

Hoo... that’s finally all the teams down. Now I can talk about the plot! So, as I briefly mentioned in a previous post (I think), this particular au is inspired by Pokemon Diamond/Pearl/Platinum! It’s the era where contests really became a big thing, which is perfect for a lot of these characters because it’s easy to translate dueltaining over to coordinating in this world. Much like in canon, Yuya aspires to be as great a coordinator as his dad was, and strives to entertain people the way Yusho could. He’s not much for battling, and far prefers getting to show off his Pokemon’s talents in contests than anything.

Academia is going to play the role of Team Galactic in this au, which is incredibly fitting with their mission in canon: to remake the universe in their leader’s image. In this case, with Leo Akaba taking on the role of Cyrus, his intent is, presumably, to either destroy the universe that took his daughter from him, or create a new one where she can live once again, no matter the cost.

Sora being a key member in Team Galactic is a very big part of the plot in this au: his mission was to capture one of the lake legendaries, Uxie, since Leo needed all three of them for his plan to remake the universe, but things don’t exactly go well for him, and he ends up losing his battle against Uxie, resulting in all of his memories being locked away, and essentially making him a blank slate.

Side note: the Galactic grunt haircut reminds me a lot of Sora, I mean just look at it

Practically same bangs as him, just add an upturned ponytail and you’ve got my son.

This post is getting very long... but I will add one last plot related thing to it before I go: Uxie can erase memories, Mesprit can erase emotions, and Azelf can erase willpower. All three of these lake legendaries play a very important role in the plot, due to being the keys to Leo Akaba’s plans to remake the universe. Sora was touched by Uxie, effectively doing away with all memory he has of being in Team Galactic. Yuya ends up touched by Mesprit in an attempt to save them, and subsequently loses his emotions as a result. Riley?

Riley had been affected by all three of them before the plot began, which is why she is the way she’d been in Arc-V: Emotionless, unable to remember anything about her past except for those brief, fleeting flashes of memory when put into certain situations she’d experienced before, and without any will of her own. She’s so dependent on her older brother because she quite literally has no clue what to do with herself without being told to, and needs orders to function.

Hoo, if you’ve made it all the way to the end of the post, congratulations! I think this is the longest one I’ve made... ever lmao. I hope you guys found it enjoyable! If anyone wants to know more about certain aspects of this au, feel free to ask! I look forward to talking about it more c:

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lilydalexf · 4 years

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Old School X is a project interviewing X-Files fanfic authors who were posting fic during the original run of the show. New interviews are posted every Tuesday.

Interview with Syntax6

Syntax6 has 17 stories at Gossamer, but you should visit her website for the complete collection of her fics and to see the cover art that comes with many of the stories (and to find her pro writing!). She's written some of the most beloved casefiles in the fandom. I've recced literally all of them here before. Twice. Big thanks to Syntax6 for doing this interview.

Does it surprise you that people are still interested in reading your X-Files fanfics and others that were posted during the original run of the show (1993-2002)?

I’m delighted but not surprised because I’ve written and read fanfic for shows even older than XF. Also, I joined the XF fandom relatively late, at the end of 1999, so there were already hundreds of “classic” fics out there, stories that were theoretically superseded or dated by canon developments that came after them, but which nonetheless remained compelling in their own right. That is the beauty of fanfic: it is inspired by its original creators but not bound by them. It’s a world of “what if” and each story gets to run in a new direction, irrespective of the canon and all the other stories spinning off in their own universes. In this way, fanfic becomes almost timeless.

What do you think of when you think about your X-Files fandom experience? What did you take away from it? What did you take away from your experience with X-Files fic or with the fandom in general?

(I feel these are similar, at least for me, so I will combine them here.)

First and foremost, I found friends. There was a table full of XF fanfic writers at my wedding. Bugs was my maid of honor. I still talk to someone from XF fandom pretty much every day. Lysandra, Maybe Amanda, Michelle Kiefer, bugs…these are just some of the people who’ve been part of my life for half my existence now. Sometimes I get to have dinner with Audrey Roget or Anjou or MCA. Deb Wells and Sarah Ellen Parsons are part of my pro fic beta team. I have a similar list from the Hunter fandom, terrific people who have enriched my life in numerous ways and I am honored to count as friends.

Second, I learned a lot about writing during my years in XF fandom. I grew up there. Part of this growth experience was simply due to practice. I wrote about 1.2 million words of XF fanfic, which is the equivalent of 15 novels. I made mistakes and learned from them. But another essential part of learning is absorbing different kinds of well-told tales, and XF had these in spades. Some stories were funny. Others were lyrical. Some were short pieces with nary a word wasted while others were sprawling epics that took you on an adventure. The neat thing about XF is that it has space for many different kinds of stories, from hard-core sci-fi to historical romance. You can watch other authors executing these varied pieces and learn from them. You can form critique groups and ask for betas and get direct feedback on how to improve. It’s collaborative and fun, and this can’t be underestimated, generally supportive. The underlying shared love of the original product means that everyone comes into your work predisposed to enjoy it. I am grateful for all the encouragement and the critiques I received over my years in fandom.

Finally, I think a valuable lesson for writers that you can find in fandom, but not in your local author critique group, is how to handle yourself when your work goes public. Not everyone is going to like your work and they will make sure you know it. Some people will like it maybe too much, to the point where they cross boundaries. Learning to disengage yourself from public reaction to your work is a difficult but crucial aspect of being a writer. You control the story. You can’t control reaction to it. It’s frustrating at first, perhaps, but in the end, it’s freeing.

Social media didn't really exist during the show's original run. How were you most involved with the X-Files online (atxc, message board, email mailing list, etc.)?

I participated in ATXC, the Haven message boards, and the Scullyfic mailing list/news group. For a number of years, I also ran a fic discussion group with bugs called The Why Incision.

What got you involved with X-Files fanfic?

I started reading XF fanfic before I began watching the show. I had watched one season two episode (Soft Light) and then seen bits and pieces of a few others from season four. I’d seen Fight the Future. Basically, I’d seen enough to know which one was Mulder and which one was Scully, and which one believed in aliens. An acquaintance linked me to a rec site for XF fanfic (Gertie’s, maybe?) so that I could see how fic was formatted for the web. I clicked a fic, I think it was one by Lydia Bower dealing with Scully’s cancer arc, and basically did not stop reading. Soon I was printing off 300K of fic to take home with me each night. I could not believe the level of talent in the fandom, and that there were so many excellent writers just giving away their works for free. I wanted to play in this sandbox, too, so I started renting the VHS tapes to catch up on old episodes (see, I am An Old). After a few months, I began writing my own stuff.

What was it that got you hooked on the X-Files as a show?

I had to be dragged kicking and screaming to The X-Files. I’m not a sci-fi person by nature. I think my main objection is that, when done poorly, it feels lazy to me. Who did the thing? A ghost! Maybe an alien? I guess we’ll never know. You can always just shrug and play some spooky music and the “truth will always be out there…” somewhere beyond the story in front of you. You never have to commit to any kind of truth because you can invent some magical power or new kind of alien to change the story. I think, by the bitter end, the XF had devolved into this kind of storytelling. The mytharc made no kind of sense even in its own universe. But for years the XF achieved the best aspects of sci-fi storytelling—narrative flexibility and an apotheosis of our current fears dressed up as a super entertaining yarn.

What eventually sold me on the XF as a show is all of the smart storytelling and the sheer amount of ideas contained within its run. At its best, it’s a brilliant show. You have mediations on good versus evil, the role of government in a free society, is there a God, are we alone in the universe, and what are the elements that make us who we are? If Mulder and Morris Fletcher switch bodies, how do we know it’s really “them”? The tonal shifts from week to week were clever and engaging. For Vince Gilligan, truth was always found in fellow human beings. For Darin Morgan, humans were the biggest monster of all. The show was big enough to contain both these premises, and indeed, was stronger for it. The deep questions, the character quirks, the unsolved mysteries and all that went unsaid in the Mulder-Scully relationship left so much room for fanfic writers to do their own work. As such, the fandom attracted and continues to attract both dabbling writers and those who are serious craftspeople. People who like the mystery and those who like the sci-fi angle. Scientists and true believers. Like the show, it’s big enough for all.

What is your relationship like now to X-Files fandom?

I look at it like an old friend I catch up with once in a while. We’ve been close for so long that there’s no awkwardness—we just get each other! I love seeing people post screen shots and commentary, and I think it’s wonderful that so many writers are still inventing new adventures for Mulder and Scully. That is how the characters live on, and indeed how any of us lives on, through the stories that others tell about us.

Were you involved with any fandoms after the X-Files? If so, what was it like compared to X-Files?

I ran the Hunter fandom for about five years, mostly because when I poked my head back in, I found the person in change was a bully who’d shut down everything due to her own waning interest. A person would try to start a topic for discussion, and she’d say, “We’ve already covered that.” Well, yes, in a 30-year-old show, there’s not a lot of new ground…

Most other shows, Hunter included, have smaller fandoms and thus don’t attract the depth of fan talent. I don’t just mean fanfic writers. I mean those who do visual art, fan vids, critiques, etc. The XF fandom has all these in droves, which makes it a rare and special place. But all fandoms have the particular joy of geeking out over favorite scenes and reveling in the meeting of shared minds. It will always look odd to those not contained within it, which brings me to the part of modern fandom I find somewhat uncomfortable…the creators are often in fan-space.

In Hunter, the female lead joins fan groups and participates. This is more common now in the age of social media, where writers, producers, actors, etc., are on the same platforms as the rest of us. Fan and creator interaction used to be highly circumscribed: fans wrote letters and maybe received a signed headshot in return. There were cons where show runners gave panels and took questions from the audience. You could stand in line to meet your favorite star. Now, you can @ your favorite star on Twitter, message her on Facebook or follow him on Instagram. In some ways, this is so fun! In other ways, it blurs in the lines in ways that make me uncomfortable. I think it’s rude, for example, if a fan were to go on a star’s social media and post fanfic there or say, “I thought the episode you wrote was terrible.” But what if it’s fan space and the actor is sitting right there, watching you? Is it rude to post fanfic in front of her, especially if she says it makes her uncomfortable? Is it mean to tell a writer his episode sucked right to his face?

Do you ever still watch The X-Files or think about Mulder and Scully?

I own the first seven seasons on DVD and will pull them out from time to time to rewatch old faves. I’ve shown a few episodes over the spring and summer to my ten-year-old daughter, and it’s been fun to see the series through her eyes. We’ve mostly opted for the comedic episodes because there’s enough going on in the real world to give her nightmares. Her favorite so far is Je Souhaite.

Do you ever still read X-Files fic? Fic in another fandom?

I don’t have much bandwidth to read fanfic these days. My job as a mystery/thriller author means I have to keep up with the market so I do most of my reading there right now. I also beta read for some pro-fic friends and betaing a novel will keep you busy.

Do you have any favorite X-Files fanfic stories or authors?

I read so much back in the day that this answer could go on for pages. Alas, it also hasn’t changed much over the past fifteen years because I haven’t read much since then. But, as we’re talking Golden Oldies today, here are a bunch:

All the Mulders, by Alloway I find this short story both hilarious and haunting. Scully embraces her power in the upside down post-apocalyptic world.

Strangers and the Strange Dead, by Kipler Taut prose and an intriguing 3rd party POV make this story a winner, and that’s before the kicker of an ending, which presaged 1013’s.

Cellphone, by Marasmus Talk about your killer twists! Also one of the cleverest titles coming or going.

Arizona Highways, by Fialka I think this is one of the best-crafted stories to come out of the XF. It’s majestic in scope, full of complex literary structure and theme, and yet the plot moves like a runaway freight train. Both the Mulder and Scully characterizations are handled with tender care.

So, We Kissed, by Alelou What I love about this one is how it grounds Mulder and Scully in the ordinary. Mulder’s terrible secret doesn’t involve a UFO or some CSM-conspiracy. Scully goes to therapy that actually looks like therapy. I guess what I’m saying is that I utterly believe this version of M & S in addition to just enjoying reading about them.

Sore Luck at the Luxor, by Anubis Hot, funny, atmospheric. What’s not to love?

Black Hole Season, by Penumbra Nobody does wordsmithing like Penumbra. I use her in arguments with professional writers when they try to tell me that adverbs and adjectives MUST GO. Just gorgeous, sly, insightful prose.

The Dreaming Sea, by Revely This one reads like a fairytale in all the best ways. Revely creates such loving, beautiful worlds for M & S to live in, and I wish they could stay there always.

Malus Genius, by Plausible Deniability and MaybeAmanda Funny and fun, with great original characters, a sly casefile and some clear-eyed musings on the perils of getting older. This one resonates more and more the older I get. ;)

Riding the Whirlpool, by Pufferdeux I look this one up periodically to prove to people that it exists. Scully gets off on a washing machine while Mulder helps. Yet it’s in character? And kinda works? This one has to be read to be believed.

Bone of Contention (part 1, part 2), by Michelle Kiefer and Kel People used to tell me all the time that casefiles are super easy to write while the poetic vignette is hard. Well, I can’t say which is harder but there much fewer well-done casefiles in the fandom than there are poetic vignettes. This is one of the great ones.

Antidote, by Rachel Howard A fic that manages to be both hot and cold as it imagines Mulder and Scully trying to stay alive in the frosty wilderness while a deadly virus is on the loose. This is an ooooold fic that holds up impressively well given everything that followed it!

Falling Down in Four Acts, by Anubis Anubis was actually a bunch of different writers sharing a single author name. This particular one paints an angry, vivid world for Our Heroes and their compatriots. There is no happy ending here, but I read this once and it stayed with me forever.

The Opposite of Impulse, by Maria Nicole A sweet slice of life on a sunny day. When I imagine a gentler universe for Mulder and Scully, this is the kind of place I’d put them.

What is your favorite of your own fics, X-Files and/or otherwise?

Bait and Switch is probably the most sophisticated and tightly plotted. It was late in my fanfic “career” and so it shows the benefits to all that learning. My favorite varies a lot, but I’ll say Universal Invariants because that one was nothing but fun.

Do you think you'll ever write another X-Files story? Or dust off and post an oldie that for whatever reason never made it online?

I never say never! I don’t have any oldies sitting around, though. Everything I wrote, I posted.

Do you still write fic now? Or other creative work?

I write casefiles…er, I mean mysteries, under my own name now, Joanna Schaffhausen. My main series with Reed and Ellery consists of a male-female crime solving team, so I get a little bit of my XF kick that way. Their first book, The Vanishing Season, started its life as an XF fanfic back in the day. I had to rewrite it from the ground up to get it published, but if you know both stories, you can spot the similarities.

Where do you get ideas for stories?

The answer any writer will tell you is “everywhere.” Ideas are cheap and they’re all around us—on the news, on the subway, in conversations with friends, from Twitter memes, on a walk through the woods. My mysteries are often rooted in true crime, often more than one of them.

Each idea is like a strand of colored thread, and you have to braid them together into a coherent story. This is the tricky part, determining which threads belong in which story. If the ideas enhance one another or if they just create an ugly tangent.

Mostly, though, stories begin by asking “what if?” What if Scully’s boyfriend Ethan had never been cut from the pilot? What if Scully had moved to Utah after Fight the Future? What if the Lone Gunmen financed their toys by writing a successful comic book starring a thinly veiled Mulder and Scully?

Growing up, I had a sweet old lady for a neighbor. Her name was Doris and she gave me coffee ice cream while we watched Wheel of Fortune together. Every time there was a snow storm, the snow melted in her backyard in a such way that suggested she had numerous bodies buried out there. How’s that for a “what if?”

What's the story behind your pen name?

I’ve had a few of them and honestly can’t tell you where they came from, it’s been so long ago. The “6” part of syntax6 is because I joke that 6 is my lucky number. In eighth grade, my algebra teacher would go around the room in order, asking each student their answer to the previous night’s homework problems. I realized quickly that I didn’t have to do all the problems, just the fifteenth one because my desk was 15th on her list. This worked well until the day she decided to call on kids in random order. When she got to me and asked me the answer to the problem I had not done, I just invented something on the spot. “Uh…six?”

Her: “You mean 0.6, don’t you?”

Me, nodding vigorously: “YES, I DO.”

Her: “Very good. Moving on…”

Do your friends and family know about your fic and, if so, what have been their reactions?

My close friends and family have always known, and reactions have varied from mild befuddlement to enthusiastic support. My father voted in the Spookies one year, and you can believe he read the nominated stories before casting his vote. I think the most common reaction was: Why are you doing this for free? Why aren’t you trying to be a paid writer?

Well, having done both now, I can tell you that each kind of writing brings its own rewards. Fanfic is freeing because there is no pressure to make money from it. You can take risks and try new things and not have to worry if it fits into your business plan.

(Posted by Lilydale on September 15, 2020)

#new post #old school x #xfiles fanfic #xf fanfic #xf fanfic author interviews #syntax6

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bestofblackwidow · 3 years

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The "Let me go - it's okay," she told him the last time we saw the Black Widow, it was - to say the least - emotional. "Let me go - it's okay," she said to Hawkeye, plunging to her death on the arid planet Sleeping in Avengers: Endgame for the ultimate sacrifice to save the world. While the deaths in the Marvel Cinematic Universe go on - sorry, Iron Man - there was probably no more heart-stopping moment, since the former SHIELD spy who became Avenger gave her life to recover the Soul Stone.

Still, it left the MCU in a bind. For years, a Black Widow film had been mooted, right back to 2004 at Lions Gate Entertainment before the rights reverted to Marvel. When Scarlett Johansson first appeared as Natasha Romanoff - the former KGB assassin with a very particular set of skills - in 2010's Iron Man 2, it didn't take long before questions were asked about a solo outing. Marvel Studios conductor Kevin Feige even held discussions with Johansson, who was then only 25. But there was a caveat, he said. "The Avengers comes first."

While others - Thor, Captain America, Black Panther and even Ant-Man - had their moments in the spotlight, the Black Widow was forced to wait. And wait. And wait. Not that Johansson thought that her character demanded the same treatment; if she was going to be in front of a Marvel movie, there had to be a reason. "Is there anything exciting to do creatively, as an actor?" she says. “Will we be able to do something extraordinary and strong? And something that stands on its own? "It's what makes the independent Black Widow an intriguing prospect: an inauguration of Phase 4 of the MCU promises to step back in time before her dramatic death to answer the provocative questions that still hover over her Crucially, the script transports audiences back to the events right after Captain America: Civil War, after that huge internal confrontation of the Avengers.

Without relatives or an organization that employs her, the Black Widow is alone, says Johansson. "It gave us the opportunity to really show her when she's kind of out of her game, you know? Because of that, anything was possible." The actress was there "from the start" at the script meetings, as they began to figure out how to delve into Romanoff's origins. "You are trying to map all of this ... which is extremely stressful," she laughs, "because there are no guidelines."

Fortunately, Johansson was not alone. In another inspired choice for the MCU canon, Feige recruited Australian director Cate Shortland, best known for discreet dramas like Somersault and Lore. While she was surprised, Shortland was encouraged by the creative freedom that Marvel was offering. “They allowed me to be myself and encouraged me to make a movie that I was passionate about,” she says. "We were allowed to have a lot of nuances and make a character-oriented film."

After several Skype sessions with Johansson, who also receives producer credit, Shortland worked with a Russian researcher to embody Romanoff's dark story: "the red in my ledger", as she told Loki in 2012 in Os Avengers. As she sings in the trailer, "We have to go back to where it all started" - the promising teaser clips of Romanoff as a young man (played by Ever Anderson, daughter of Paul WS Anderson and Milla Jovovich) in a childhood that seems far from idyllic. That's what makes Black Widow a family reunion of the kind that only Marvel would have the courage to conjure. Joining Romanoff is Yelena Belova, a sister-sister and fellow murderer who trained alongside her in the so-called Red Room, the punitive Soviet facility that produced 'Black Widow' spies.

"Their stories intersect," promises Shortland. "They clash." Played by Lady Macbeth's British star Florence Pugh, Belova is more than a physical match for Romanoff. Still, emotionally is where it really matters. "What Yelena does is kind of point to Natasha's pain," says Pugh. “She is part of Natasha's story. And I think that's why we have an opportunity to look at Natasha's story, because Yelena has been knocking on the door and says, 'Hey, let's deal with this pain. ”As Johansson comments, Belova is not just a carbon copy of his own character.

"She is completely alone. She is strong and different. She is so different (from) Natasha." Beside them are Melina Vostokoff (Rachel Weisz) and Alexei Shostakov (David Harbor), two father figures whose own stories intertwine with Natasha and Yelena. "This is the coolest thing with this whole group of people. They all had parts of their past that they regretted," says Pugh. “They’re older. They’ve had more life experience. They know more about the system, about this world they’re all living in.” Harbor, the Emmy Stranger Things nominated star, managed to put an indelible mark on the muscular Shostakov, better known as the Red Guardian super soldier, the Russian equivalent of Captain America. "There is a gangster quality to him," the actor smiles. "And he's covered in tattoos. He's got a beard and those gold teeth. He's crazy." But after years of making bad decisions, he's also full of remorse.

"He's in a bad situation," adds Harbor. "And he needs redemption." Weisz's character, Melina, is another who experienced the rigors of the Red Room, a place that put her in contact with Natasha and Yelena. Marking his first dive at the MCU, Weisz acknowledges that the film addresses the idea of discovering his favorite family. "It's definitely about finding out where you belong and where you came from, and what your background story was, and who you really are, and what matters to you - your ideology, I think." Along the way, Feige made reference to The Kids Are All Right - the 2010 Lisa Cholodenko film about a same-sex couple raising two teenagers. "Which is so weird," laughs Johansson. "You would never expect that from a Marvel movie." no it was the only strange nod to the film. Harbor speaks of Shostakov in terms of Philip Seymour Hoffman's drama teacher in the dramatic black comedy The Savages.

Or even expressing "the pathos of a small town, independent, family-run, weird movie... like Little Miss Sunshine". More understandable cinema references include "things like Logan and Aliens and The Fugitive," says Shortland. "We saw movies like that." Certainly, it's easy to see comparisons between Sigourney Weaver's determined Ripley, from James Cameron's masterpiece Aliens, and Johansson's Romanoff, an Avenger who has no superpowers. "We saw it as a force," says Shortland, "because she always has to dig really deep to get out of shit situations." According to the director, everyone in the production invested in deepening Romanoff - even Scottish composer Lorne Balfe (Pennyworth, His Dark Materials), who replaced Alexandre Desplat's original choice. Balfe looked at the character's origins, says Shortland. “He said, 'I want to put it on the ground, because it has been dug up in the movies in the past. I want to give her that flesh and blood. 'And he created this soundtrack that is really Russian."

However, perhaps the real blow here is to recruit Shortland, the first female director to face the Black Widow (and only the second, following Captain Marvel co-director Anna Boden, to enter the MCU). "This film would not be what it is without Cate Shortland," says Pugh. "I think having her eye, and having her mind with this script, has taken her to a whole different realm." Johansson agrees. "" You can feel it was made from a female perspective ... cooked there. "Although Ray Winstone's casting as Supervisor of the Red Room Dreykov (whose daughter contributed to the abundance of red in Romanoff's book, according to Loki) add more to the psychological battleground that the Black Widow will explore, it also deals with victimization, a very pertinent topic in the current climate. The Red Room itself is where trainees are brutally sterilized. "You will see that these women are hard working and strong, and they are murderers - and yet they still need to discuss how they were abused," says Pugh. "It is an incredibly powerful piece."

Judging by the 2020 Oscars, where Pugh and Johansson had their own private relationship session on the red carpet, the two actors got along very well. "She has a really beautiful career ahead of her ... she's a very special person," says Johansson, excited when Pugh's name is mentioned. More specifically, Pugh may well have more Marvel to chew on, if it is rumored that her character will take on the 'Black Widow' mantle for new adventures. By learning Parkour, kickboxing and knife fighting for role, Pugh can safely cut things physically, though she's reluctant to claim that the Black Widow is just a setup for future outings. "Even though it is obviously where everyone wants to go and want to think - think about what comes next - this film never really seemed to be what he was trying to underline." According to Johansson, however, test the audience who saw the film thinks otherwise. "Her character and her performance are so dear." Now, after more than a year of pandemic-related delays to July 2021), it will not be just a few lucky spectators who will be able to see. Black Widow will even be the first Marvel movie to debut simultaneously on the Disney+ streaming site (with a 'main hit' fee), an understandable move considering the uncertainty that still exists around the world. And in fact, after the success of the Marvel TV shows WandaVision and The Falcon And The Winter Soldier, it doesn't seem like such a strange home. Johansson believes that fans will respond to Black Widow, with this flashback of an earlier part of her life, bringing more poignancy to the Endgame's outcome. "Our goal was for them to be satisfied with this story; that maybe they could have some solution, I think, with the death of this character, in a way. It seemed like people wanted this." Shortland agrees. "We felt that we should honor his death," she says. And the Black Widow will surely honor him.

#blackwidow interview #totalfilm black widow #scarlett johansson interview #cate shortland blackwidow #scarlett johansson #florence pugh #david harbour #rachel weisz

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bigskydreaming · 3 years

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#video#important content#aight so fun fact#when I was getting certified to be a Victim Advocate#they dead ass had us watch the Unconscious People Don’t Want Tea video#I am not joking#in a nationally certified course#videos like this matter#a LOT tags via @desperatecheesecubes

Oh I absolutely believe you. Most of the most useful and informative and accurate content about rape culture, consent, victim advocacy and the like IS indie created and produced.....precisely because of how much of society’s entertainment content is produced by literal predators.....who actively gatekeep content that would cast their own in an unfavorable light from being professionally made and circulated.

I mean, its literally the heart of why I stress the importance of having these kinds of conversations in fandom spaces....because the only people actually capable of barring these kinds of discussions are....other fans.

But at pretty much every level of professional media and entertainment, there are predators in positions of power - whether they were already predatory when making their way up the ladder or simply grew to like it once they realized they were in a position to exploit their power predatorily like, literally doesn’t matter.

The point is just that they’re THERE, and we’re talking about the people who play some of the largest roles in actively SHAPING our culture....hence why rape and abuse culture have such large footholds and footprints in our society. Because it was actively shaped to be that way by people who literally have a vested interest in eroding perceptions of consent and victim advocacy and overall just making society in general more vulnerable to BEING preyed upon, whenever it suits predatory culture shapers’ desires.

Its like why I so often go back to the example of the infamous ‘sexually charged’ scene from X2 between Logan and Bobby Drake, one that never actually turns into a kind of teacher/student trope but which hits all the same beats and thus was perceived and received as EXACTLY that by fandoms of the time.....like, this scene was written and directed by a known predator. Bryan Singer has been directly accused of preying upon underage actors on his sets going all the way back to the 90s -

(and I swear to god if any idiot comes into my inbox on anon to try and make this about homophobia when I’ve literally been gaybashed by homophobes and thus am more than aware of how easy it is for homophobes to make USE of something like this to advance their own agendas, but is also equally aware that homophobes don’t actually need SHIT to be homophobic and advance their agendas anyway, and thus I’m actually in no way obligated to defend or distract from an actual predator just because we happen to share a marginalization, like fair warning, try that with me and I will attempt to set you on fire with the power of my wrath)

- but like point being.....this isn’t a coincidence? Singer’s predatory behavior has been a known quantity since even BEFORE the X-Men movies, and that scene in X2 is thus a classic example of someone like I’m describing using their extremely wide-reaching platform to actively shape culture according to his own vested interests. He’s literally using pop culture and entertainment to make the kind of dynamic that HE is interested in perpetrating with underage teens like, seem enticing, harmless and socially accepted all at the same time. This is LITERALLY normalization in action.

And its everywhere in our entertainment, and its the precise reason there’s barely any counter narratives to this in actual widespread media.....because many of the gatekeepers of Hollywood are literal predators themselves. It doesn’t mean that every creative in Hollywood is, just that they exist....and that they also exist in positions of power on the executive or studio side of things, thus making it fairly impossible to get actual counter narratives made on a culture-shaping level of equivalent platform....because they block such narratives from getting produced at all, or else use their influence to dilute or water down the point of such a narrative to the point of being all but useless.

Its like the same thing as why sex work is criminalized in the first place. People can go on all they want about how its to act as a deterrent and to protect people from being exploited, but like....I’m a former sex worker and while I’m a male one, I’ve certainly known tons of female sex workers and even with society’s sexism to factor in, like....no. Every female sex worker I’ve ever known or talked with is someone I’ve known to say the exact same thing as I’m outlining below.

That’s never been the reason for criminalization. Its to make it impossible for sex workers - whether they do sex work simply because they like it or are need-based sex workers, with the very existence of any need-based sex workers thus putting the lie to criminalization of sex work as a deterrent (like if people are going to do sex work anyway because the consequences of not doing it, like homelessness or starvation, are everpresent, then the comparatively lesser risk of being CAUGHT doing sex work renders it utterly useless as a deterrent) -

Like point being, the criminalization of sex work on the whole has absolutely nothing to do with deterring shit....its literally to make it easier to EXPLOIT sex workers. I mean, my ACAB feelings aren’t arbitrary or ideological. Even as a guy, I hate cops for deeply personal reasons that stem from my time as a sex worker and the fact that I can personally attest to just how many fucking cops directly target and exploit sex workers in various ways because they more than anyone know that criminalization means THEY CAN GET AWAY WITH IT, because a sex worker has literally NO legal recourse against that, other than opening themselves up to potential legal consequences as well, just for admitting to being a sex worker when trying to report a cop or someone else for rape.

Cops ‘frequent’ sex workers more than pretty much any other ‘client group’ I can personally think of, because the ones who only seek out a badge in the first place because they WANT the ability to throw their weight around with the added perks of institutional power backing them up? They are like, first in line to engage with sex workers in various ways, because they know damn well that they can do literally whatever they want to a sex worker, consent be damned, and there’s pretty much nothing that sex worker can do in recourse without running smack into that Big Blue Wall and an arrest warrant for their own crime of solicitation.

And all of THIS in turn stems from the fact that another major source of ‘clients’ for sex workers is.....politicians. The actual literal law makers who ENACT these laws that criminalize sex work, for example, and thus ensure a ready, reliable victim pool ripe for exploitation by virtue of having no legal protections or opportunities for redress.

But yeah. It doesn’t surprise me on any level to hear that indie vids and tiktoks and the like are utilized in the programs you’re talking about - in fact, that more than anything makes me confident that the course actually knew what it was talking about and was making a sincere effort at empowering and educating people to act as advocates for victims and survivors.

Because the way our society was built from the ground up - by people interested in exploiting power in various ways against the many, many groups of people vulnerable to such exploitations - like, literally rewards and empowers people seeking to do the exact same thing. Thus resulting in predators being entrenched in the halls of power and at the table of culture-shapers like, on practically every level.

Which in turn makes the only spaces available for ACTUAL education and countering the narratives that shape and spread rape culture....literal counter-culture spaces like indie environments. And like fandom COULD be, if more fans would just....LET it be that.

*Shrugs* But whatevs.

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winetae · 5 years

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wall to wall (m.) 01

↳ in a pornographic movie, refers to a series of sex scenes with no plot.

⇁ female reader x hoseok

⇁ smut, porn star!au

⇁ sex work, insecurity, jealousy, slut shaming/objectification (not the sexy kind), role played scenario that includes: d/s dynamics - dom!hoseok, porn star level dirty talk, stuff that should never happen in a kitchen bc hygiene, daddy kink, impreg kink, rough sex, spanking, a lot of finger sucking, this fic is a poor attempt at social commentary

⇁ 22.5k

. . .

Temporary popularity is the biggest threat to your career right now. Without a solid core fan base you’re doomed to be forgotten. If not now, then in a month or two, and if not then, surely by the end of the year. That’s how quickly the adult film industry cycles through their actors, especially when you’re a woman. Your agent comes forward with a proposition to help put you back on the map.

↳ or, my contribution to the lights, camera, action collab : )

part 01 | part 02 | part 03

author’s note | inspired by the piece ‘slut-shaming: pornstars are humans too’ & the life after porn documentaries on netflix. thank u to jordan, eva, amy, venus, addie and lu for being a part of this collab !! *inserts a million heart emojis and a big fat NUT emoticon*

re:warnings, the slut shaming is done by others and can also be considered as internalized oppression. it’s something the reader struggles with and eventually works to overcome. this first part isn’t as smutty as the second but regardless i hope u can bear with me lol. ty, as always, for giving my writing a chance. i hope u enjoy it or at least take something from it !

wall2wall can be read as a sequel to my fic money shot. same disclaimer applies: this story does claim to accurately portray the world of adult entertainment

SCENE 01 - YOU’VE GOT MALE. TAKE 01. ROLL A.

Today is just one of those days you wish you had slept straight through. Maybe if you had, you wouldn’t be dying from the sheer dullness of having nothing to do.

You huff out a sigh, bored out of your goddamn mind.

Head cradled in the crook of your left palm, you use your available hand to refresh your instagram feed. Much to your disappointment, nothing new shows up. The same video of a dog chasing its own tail plays on but you pay it no heed, the novelty having worn off after the first few times.

The next half hour passes by in a similar fashion, each result proving to be as unavailing as the last. You’d think that after a while you’d give up and find a new distraction to pass the time but whether out of habit or boredom-induced insanity, you persist with your fruitless attempts.

Today really fucking blows, you think glumly, the curve of your mouth thinning into a grimace. As the adorable corgie keeps the infernal cycle going, yapping and running around incessantly, you’re struck with a terrifying thought. Maybe this is how you will die - condemned to live your life stuck in the worst sort of monotony imaginable.

What you had expected to be a “quick and easy” shoot has turned into a tedious ordeal that you don’t see ending anytime soon. And whilst on-set complications and prolongations are frequent enough that they’re almost expected, today really takes the cake. Even during your rookie days, you can’t recall running into delays of this scale.

To top it off, the weather app announces a record-breaking heat - which in itself is bad enough. As luck would have it, it gets worse. The place rented out for today’s filming lacks proper air conditioning, equipped instead with electric fans that look like they’ve been around since the 1980s.

A quick glance into the vanity mirror confirms that you look as frazzled as you feel. Because of the humidity level that weighs down the air, your hair is in a right state. You fight a grimace off your face. The straggly hair coupled with the oily sheen on your face...it’s far from your best look, to say the least.

And to think thousands of people will get to see it up close in 1080p resolution... It’s a terrifying concept.

You’re already dreading the upcoming sex scenes that you’ve yet to film. It’s always a messy affair - fluids of all kind end up literally everywhere - but the sweltering heat undoubtedly makes it ten times worse. A shudder works its way down your spine.

Frankly speaking, the mere thought of having hot and wild sex in these less than ideal working conditions kills your libido. Under the glaring studio lights, surrounded by sweaty crewmen and pressed up an equally feverish body - it’s basically the porn equivalent of a fuckin’ barbecue party.

Yeah, no thanks. You’d rather be at home, with the air conditioner at full blast, nestled in the comfy cushions of your sofa as you marathon a series of your choice on netflix. Only the promised sum of money keeps you from bolting and calling it quits altogether.

“So when are you gonna drop the new boy toy?” a voice buzzes in your ear not unlike a pesky fly.

Tempting as it is to ignore it, you peel your eyes away from your reflection just in time to catch Seokjin shoot you the most unimpressed look in his repertoire, one perfectly groomed eyebrow arched in judgment.

In the background, an old ceiling fan whirs on but does nothing to cool you off. If anything, its constant rattling only exacerbates your growing headache.

“What are you talking about?" You flick a piece of imaginary lint off your dressing robe, your tone neutral.

Seokjin’s brown eyes see right through your feigned air of indifference. Months of working by your side have made him an expert at reading your body language, be it naked or clothed. A wolfish grin adorns his face as he swoops in for the kill.

“Oh come on. You know exactly who I’m talking about. Jongmin. He’s short - comes up to right about here.” Seokjin holds a hand up to his chest to illustrate his point, deliberately shaving off a few inches off your boyfriend’s height in order to antagonize you.

You bite the inside of your cheek, careful not to spit out the retort that’s perched on the tip of your tongue. It takes a great deal of effort to unclench the muscles in your jaw but you manage to school your features into an expression of polite confusion.

Seokjin frowns, dissatisfied with your lack of response. You don’t need to be a mind reader to know that he’s currently thinking of new ways to provoke you.

When the silence stretches on and he’s yet to riposte, you allow yourself to relax again, believing that he’s given up on being an asshole.

To your chagrin, you’re sorely mistaken. The last of your self-restraint is finally put to the test as his next words do nothing to quell your irritation.

“Jongmin.” He repeats slowly, like you need it spelled out for you. “He follows you around everywhere like a lap dog. It’d be cute if it wasn’t so, you know, pathetic.”

“His name is Jimin,” you correct for the nth time.

Instantly, you reprimand yourself for playing into his games and granting him the attention he so craves. Fulfilling his twisted desire is the last thing you hope to achieve. Staying silent would be the sensible thing to do but your brain completely bypasses the memo. The moment your mouth opens it’s impossible to quash the urge to justify yourself.

Maybe it’s your pride coming into play. Maybe it’s Seokjin’s uncanny ability to get under anyone’s skin at will. Whatever the case may be, you stammer out, on the defensive, “And he’s not my 'boy toy'. We - it’s not - we’re dating.” But the word feels like a weight on your tongue. You swallow.

The statement earns you a scoff of incredulity. “Dating? Him?”

You finally set your phone down and aim a glare his way, abandoning all pretense at being indifferent because—Jesus. Is the idea of you dating that unfathomable? He’s never been this worked up over any of your other relationships. Granted, none of them have ever lasted this long but is it really any of his business who you choose to see in your free time?

“I don’t get what your problem is. What’s so wrong with me dating?”

“Have you seen who you’re dating?”

“And what’s that supposed to mean?!”

While this isn’t the first time your agent lets a judgmental comment slip from between his pearly white teeth, it’s usually not laced with spite. Seokjin is never outright hostile, preferring sweet words of manipulation and thinly-veiled insults to shows of aggression. The attempt to get a rise out of you does not go by unnoticed. His anger, this time, feels personal.

You wrack your brain, quickly sifting through your recent memories to try and figure out why he’s chosen to be such an ass today. You’re certain that you’ve filled out all the necessary paperwork required to proceed with today’s filming, and yes, after thinking it over, you know that you went to the obligatory medical checkup last week. So there really is no reason for him to bitch at you unless—

The proverbial light bulb flickers on and it all suddenly makes sense.

You’re willing to bet a hefty sum of money that the high-paying gig you turned down two weekends ago is to blame for his abnormal crotchety behavior.

Yes, that would explain it.

Due to Seokjin's well-known propensity to hold a grudge for longer than average, the odds that he’s still hung up over the lost deal are pretty high. And as much as his disappointment and frustration are understandable from a business standpoint, you don’t appreciate being used as a verbal punching bag for him to expel all those pent-up feelings.

Seokjin hums, a knowing smirk pulling the sides of his mouth upwards. Fleetingly, and not for the first time, you find it a shame that his cockiness tarnishes his otherwise handsome face. “I give it another couple of days until you get bored. How long has this gone on for? A month? How are you not yanking out your hair from the sheer boredom of dating...that."

A muscle in your jaw ticks.

“He’s not Voldemort, you coward. Would it honestly kill you to say his name?” Seokjin’s expression begs to differ. You cut him off before he can add fuel to the fire. “And I won’t get bored. Jimin’s - he’s a perfectly nice guy. We’ve been seeing each other just fine—not that it’s any of your concern.”

“Yes, he’s nice,” Seokjin concedes easily, brushing off any attempts at putting an end to the conversation. He grins, wide and smug, like he knows you can’t refute what he’ll say next. “Perfectly nice and boring. The kind of guy you’d bring back home if your parents were straight-laced folks that wanted to marry you off to a choir boy. Seriously, how the fuck did a guy like him end up in the porn industry? He belongs in a church or, I dunno, maybe some neighborhood book club - not behind a camera filming you getting flogged by a daddy dom.”

You sniff. “Just because he tucks his shirts in doesn’t—”

“It’s not just the shirts, honey.” He leans over to pat your hand in a gesture of consolation. Used to his antics, his attempt is easily blocked by a swat of your hand.

You muster the dirtiest look you’re capable of, the kind of look that sends men to early graves, but he simply smiles in response, completely unfazed.

Any person with the minimum amount of tact would know to politely change the subject. It’s unfortunate that your agent does not belong to that pool of individuals, choosing instead to be selectively blind to overt social cues.

He continues on, unperturbed, like he has a point to prove. “Believe it or not, I know you. Sometimes, for whatever reason, perhaps a lapse in judgement but who the fuck knows, you like to venture out of your comfort zone and experiment. Like with the chickenshit gingerbread spice concoctions they come out with at Starbucks to celebrate turkey season and Christmas or the cream cheese makis they make for the white crowd who want to eat sushi but don’t like anything other than white rice and seaweed. And, trust me, while I’m all for diversity and broadening your personal experiences, don’t you think there’s a reason why you always go back to your preferred choice of an iced latte with two sugars?”

“Did you just compare Jimin to a gingerbread latte?”

Okay, so admittedly you’ve made some questionable food and beverage choices in the past, but the comparison is a fucking reach.

“You’re absolutely right." Seokjin gives a firm nod of his head, his expression serious. "Now that you mention it, he’s definitely a vanilla soy. Bland and boring. Targeted towards the middle-aged soccer moms that think veganism is a trend, not a lifestyle. Wants to be a people-pleaser but misses the mark.”

“I didn’t know it was Share Your Unwanted Opinion Time,” you grind out from behind a strained smile. “If I had, I would have said something about your receding hairline earlier.”

It’s a low blow but the way Seokjin’s plump lips curl in displeasure makes the dig worth it. One of his hands automatically shoot up to flatten the bangs that are usually slicked back with copious amounts of gel.

Offended, he spits, “It’s not receding! There’s a difference between premature balding and a bleach job gone wrong.”

"I'm not sure people care to differentiate. Looks like a receding hairline to me." You shrug while picking at your nails. “You’re nearing that age, too, so.”

“You just try looking this good at 30. Fucking try.”

He waits for a reply but your interest has already waned. You scroll through your phone, bored once more.

Seokjin makes a disgruntled noise in the back of his throat at the clear dismissal. You swear you hear him grumble under his breath - something along the lines of never going blonde again - but can’t find it in you to care, not when he’s finally ceased his nagging.

"Filming in twenty!" someone shouts from outside the door.

"They’re running behind schedule," Seokjin notes after glancing down at his gold wristwatch. "How can they take more than an hour to fix the lighting? Tch. Bunch of fuckin’ amateurs."

He aims a glare in your direction as if their incompetence is somehow your fault.

You have half a mind to glower back but miraculously withhold your sentiments. Admittedly, he isn’t wrong - the team you’re working with today keeps committing blunders even rookies wouldn’t dare perpetrate - but you’d rather get your driving license revoked forever than to acknowledge that Seokjin’s right and inflate his already unnaturally huge ego.

Something heavy plops into your lap. When you look down, the glossy surface of a magazine reflects the harsh lights suspended over the vanity table back at you.

“I didn’t want to resort to this but you leave me no choice,” he says in response to your look of confusion.

“What’s this?”

You hold up the magazine expecting the worst. It’s heavy in your hands, the pages thicker than the gossip rags you’d find in a dentist’s waiting room.

“’s the newest issue. Came out this morning. I’d actually like it back once you’re done because I haven’t finished reading it and God knows how hard it was to get my—hey, you can stop flicking aimlessly, I saved you the trouble and bookmarked the page,” Seokjin explains a bit impatiently.

When you shoot him a glance, his attention is trained on your face, not the magazine. He barely blinks. Like a snake honing in on its prey. And that kind of intense focus - that can’t be good. After all, you’ve known Seokjin long enough to suspect that whatever trick he has up his sleeve will give him the advantage he needs to deliver the killing blow.

Gingerly, you flip through the pages like you’re afraid the magazine might self-destruct in your hands. Which would be a waste, in your opinion, since Exquis is a damn good magazine - perhaps less intellectual than Playboy, but definitely classier than Hustler. Its reputation speaks for itself. Known for hiring the best photographers and carefully combing through their models, it’s selective, only picking the cream of the cr—

Everything around you stills.

Your eyes narrow at the spread because there, on the page Seokjin’s taken great care to bookmark, a model poses provocatively on a lounge chaise near a crystal clear pool. It’s similar to a shoot you’ve done in the past but you can tell right away that the quality of this is above and beyond anything you’ve ever done. The lighting is better, heck even the barely-there-swimsuit looks like it costs ten times more than whatever you had been told to throw on at the time.

The vexation you feel only worsens once it finally registers who the model is. Her youthful and pretty face carries a permanent haughtiness that not even makeup or acting can entirely mask.

The pages crease in your hold as you flick through the rest of the spread dedicated to the up and coming talents. With every new page that has her plastered on its glossy surface you feel your stomach sink.

2...3...4...

“Five pages,” you curse under your breath. For a magazine this renowned, it’s...a lot. Commendable, even. Your nose crinkles. “Well, fuck. me. sideways.”

Seokjin gloats, reveling in your outrage. “Hmph. I told you, didn’t I? Passing up the opportunity to work with Kim Namjoon would come and bite you in the ass.”

“Aha! So you have been a little bitch because I refused to shoot with Namjoon.” You whirl around in your chair and use the magazine to jab him in the chest. He easily steps aside, avoiding your attempt at wrinkling his trademark Armani button-down shirt.

“It was the chance of a lifetime and you knew it.” He turns his nose up and sniffs.

“That��s what you said about filming with Min Yoongi last month.” You roll your eyes. “I can’t take you seriously if you’re gonna say the same thing every time a new guy shows up.”

“Shooting with Agust D did help you gain some mainstream popularity. You’ve gotten love calls for catalog printings and your name is now automatically on the invite sheet for every C-list event in town. Namjoon would have given you another needed boost.” Seokjin folds his arms, lecturing mode switched on. You struggle with the instinctive urge to tune him out. “Sure, he’s got a niche audience, but he’s famous in his field and it would have helped expand your fa—“

“Not to kink shame or anything because we don’t do that, but Namjoon is a freak. And don’t deny it, I’ve seen his videos.”

“He’s specialized in particular—“

“You were the one telling me not to film all sorts of shit right off the bat,” you cut in, refusing to back down from your stance. There’s no way you’ll let him sweet-talk you out of this one, not after the multiple videos of Namjoon you’d binged one weekend. “Stick to one story.”

“Well, we’re not exactly ‘right off the bat’ anymore, are we? We’ve passed that stage. Right now is a crucial time in your career so you’ve got to make it count. Filming rehashed videos of the same pizza delivery guy scenario gets boring and fast. As pretty as you are, you’re not offering anything new to the table, are you?”

Fuck him. He’s right and you know it. Temporary popularity is the biggest threat to your career right now. Without a solid core fan base you’re doomed to be forgotten. If not now, then in a month or two, and if not then, surely by the end of the year. That’s how quickly the adult film industry cycles through their actors, especially when you’re a woman.

Still. “I refuse to work with a guy whose porn alias is Cock Monster.”

“Beggars can’t be choosers.”

“Well I said no,” you insist stubbornly.

“Well if you had said yes, maybe it would be your ass cheeks getting their own two page spread in Exquis instead,” jabs Seokjin, hitting you where it hurts.

Ugh. The reminder that Joy’s bested you yet again riles you up even more. That, coupled with the likelihood of your career ending imminently, makes you stop and think.

Your agent goes on to say, “Don’t you want the AVN for best newcomer? Where did that competitive edge go? At the rate this is going, Joy’s going to steal it from right under your nose.”

“Like fucking hell,” you hiss. The magazine bends under the strength of your grip. “That one’s mine.”

You absolutely refuse to lose out to her. Every fiber of your being rejects the idea of letting her one-up you again.

“Not if you don’t start branching out. The last time you did anything substantial or interesting was about a month ago. It’s already old news. People are going to forget you shot that sequence altogether if you don’t do anything that puts you back on the map.”

A pause. “…I really don’t want to film with someone who willingly named himself Cock Mons—”

“Fine.” Seokjin heaves a resigned sigh. “You don’t have to fuck the monster willy. Willy monster? Hm. Wouldn’t it make more sense to name himself Monster Cock and not Cock Monster? Wonder why he does th—”

You suppress a snort. “Please spare me while you can. It’s amazing, that talent for making everything sound a lot worse than it already it is.”

“Why, thank you.”

“It wasn’t a compliment.”

“You trying to insult someone who’s willing to find you someone else to work with? I can always ask Monster Meatstick if he’s up for—”

“No! No, that’s - not necessary.” You force out a smile that wouldn’t fool anyone into thinking its genuine. “Why would I ever insult you? You’re the best agent one could ask for.”

“That’s what I thought.” He takes your compliment, forced or not. When he smiles, smugness rolls off of him in waves. “One day you’ll realize you’re taking my talent for granted. I’ll find you another onscreen partner even though you don’t know what you’re missing out.”

“Thank you.”

“But!” He interjects and this time you don’t bother swallowing down your groan, already dreading the stipulations he has in store for you. “You have to promise to hold up your end of the bargain and try your best.”

Indignation colors your face. Your mouth falls open, retort at the ready. “When do I ever slack off on the job?! I’ve never given a half-assed blowjob in my life - and trust me, the temptation was there. Do you have any idea how hard it is to stay focused when the guy can’t cum on command? I once had to get my jaw realigned.”

“I’m not saying you’re slacking off,” he backtracks, switching tactics. His expression is soon replaced by the business-like smile you’re used to seeing on the regular. Tone buttery and appeasing, he tries to convince you through flattery instead. “You work hard and do a good job… I wouldn’t have signed you on otherwise. The problem isn’t with the quality of your work but with - all the rest.”

“The rest?” you parrot back dumbly, trying and failing to comprehend.

Seokjin scowl returns, unable to keep his genuine emotions under wraps.

“D’you honestly think you’re at a point in your career where you can pick and choose your jobs like this? Ever since you started dating that - that thing - your workload has significantly decreased. And not because you lacked opportunities. You had them but you turned them all down.” Visibly getting worked up over the issue, his voice rises an octave, then two. “What should’ve been a good spring board, only brought you back to square one. I know I can’t force you to take jobs if you refuse to, but I can say that your potential is going to waste. I’ve never seen someone sabotage herself like this before and it’s driving me up the wall. While I get that you’re under the delusion that you’ve found true love or whatever Disney fantasy Jungmin has sold you, you can’t turn down projects over and over again without there being serious repercussions. You’re smart enough to know this. I shouldn’t have to remind you.”

Seokjin’s chest heaves as he takes in several big gulps of air, visibly out of breath after his monologue.

For him to explode like popcorn kennels in the microwave... You reckon he’d let his feelings pile up inside him for a while, silently stewing.

You’ve never seen your agent look so visibly distressed. He’s normally the picture-perfect image of composure so the sight that greets you is enough of a shock to render you speechless.

Deep down, Seokjin probably means well. There aren’t a lot of agents like him; you’re one of the lucky ones. Most girls are discarded by their agencies as quickly as used tissues once they get milked for all their worth.

Thankfully it’s never been that way with Seokjin. He claims that he’s in it for the long run. According to him the quick buck isn’t worth seeing the light die out in girl after girl. Perhaps that’s why he takes the task of ensuring your safety so seriously. How many times has he warned you to steer clear of this or that seedy director or ban you from attending drug-heavy parties? While his behavior can come off as overbearing on the worst days, at least he cares.

Sadly, it’s more than you can say for most.

In a way, he’s the only one in this business rooting for your success—if only because his paycheck depends on how well you perform. You like to pretend there’s more to it than that.

“I’m not - what’s Jimin got to do with any of this?” you splutter, still digesting the long tirade you’ve just been subjected to.

“Are you serious? That’s all you got from what I said?”

“Well, no, but I still fail to—”

“Do you think me a fool?” He crosses his arms tightly across his broad chest. “The only scenes you’re willing to shoot are when he’s on set. Are you a kid or something? Since when do you need supervision to shoot a sex scene?”

“N-no. It just worked out that way, okay?” In reply to his dubious expression, you force yourself to explain. “Okay, okay - I get it. Maybe I might’ve lessened my workload recently but it has nothing to do with Jimin, alright? My vagina needs rest from time to time. Just because it’s my job doesn’t mean I don’t need a break. I’m human too, not some blow-up doll.”

“You expect me to believe that he has nothing to do with it? You were perfectly fine before he entered the picture. And now that you’re all loved up you only pick—”

A knock, so timid you barely catch it, cuts off the rest of his sentence.

“Yeah? Come in, I’m decent!” you yell - not that you care whether someone sees you naked or not. The concept of modesty has long been lost on you. Some might call it shamelessness or vanity, but you take pride in how you look. And why wouldn’t you? Your body is your bread and butter. You spend hours in the gym every week so that your ass looks good no matter what camera angle.

“It’s me.”

The door opens a crack and the speaker tentatively sticks his mop of hair through the small opening. As soon as you recognize him, your heart leaps at the sight and you quickly tighten your robe together.

“Oh, speak of the devil,” Seokjin mutters under his breath.

You resist the urge to throttle him and plaster on your brightest smile instead.

“I wanted to see how you were doing. Sorry I took so long... I would’ve come earlier but they needed my help.” Jimin scratches a spot behind his ear, sheepish. “Someone tripped over the cables and smashed a camera lens so we had to find a replacement. The director threw a fit and wanted to call it quits so we’ve been trying to calm him down this entire time. He did - eventually, anyway, after he called his dealer on set.”

A disapproving frown tugs at his mouth corners and mars his otherwise perfect appearance.

You take a moment to swoon internally. You’ll never get tired of admiring your boyfriend. Unlike the majority of the on-set personnel, he doesn’t reek of weed or booze or stale cigarette smoke. His ironed clothes and immaculate appearance always make it easy to spot him amidst the hungover crew.

“That’s fine! I kept myself busy.”

Jimin returns your smile, his eyes creasing into beautiful half-moon crescents. You don’t know what kind of love-struck expression covers your face but next to you Seokjin makes a noise that sounds like a cross between a gag and a cough.

“Oh! Here, I brought snacks. I didn’t know what you liked so I just grabbed everything I could get my hands on.” He holds up a paper plate stacked with treats no doubt stolen from the catering service. “I know I kind of went overboard but I wanted to make sure you kept your sugar level up.”

“That’s sweet of you,” you coo, reaching to take the plate from him. He’s piled on the sweets so high that it’s a miracle nothing has toppled over yet. You aren’t especially hungry but take a bite out of a chocolate candy to show how much you appreciate the effort. Its gooey consistency melts on your tongue, the taste so sweet it sticks to your teeth.

“How adorable,” chimes in Seokjin, his hand grabbing a licorice stick from the mountain of candy before you can swat him away. “Thanks Jongmin.”

“Jimin,” he corrects good-naturedly, his smile not budging an inch. You think, privately, that’s what you like the most about him. Not many have the ability to block out Seokjin’s bullshit so effectively.

“Mmh,” your manager says around a mouthful of candy. “Seokjin. Pleasure.”

You elbow him while gritting your teeth. “Can you...give us a moment?”

Seokjin swallows down the treat and opens his mouth in protest. He has the audacity to look betrayed. “You’re kicking me out of our room so the two of you can get it on? Really?”

Jimin’s cheeks flush and you quickly cut in before your agent can make matters worse.

"I just want to talk without you breathing down my neck. Weren’t you going off earlier about how I didn’t need adult supervision anymore? Well?”

“Fine. Fine! But you owe me. Again.” He grabs his portable phone charger from the vanity table before making his exit. “And don’t forget what we talked about!”

What a fucking drama queen. You have no idea why he always insists on making a scene when you know for a fact that he would’ve left of his own volition in five minutes anyway. For reasons he has no trouble disclosing, he can’t stand Jimin’s presence.

“I won’t,” you grumble just so that you can get him out of your hair faster.

The door slams shut with more force than strictly necessary. Silence hangs in the air for a brief moment before Jimin turns his warm gaze towards you.

“What was that about?”

“Uh, nothing. You know how he is...” You play with the ends of your braided hair. “He can’t go very long without throwing a tantrum.’

“He seems very protective of you,” remarks Jimin, a thoughtful expression painting his angelic face. “I think that’s why he’s not that fond of me.”

“Nonsense,” you rebut immediately as you take his hands in yours. “Who could ever not like you?”

Jimin allows his lips to quirk into a small, self-deprecating smile that you promptly erase with a kiss. His lips feel pillow-soft against yours, and you let yoruself indulge in the feeling before pulling back.

You sigh, remembering the scene you’ve yet to film. “If only my co-star was you.”

He laughs at that. “Seokjin would probably throw a fit, huh?”

Jimin treats you to dinner that night.

He chooses the restaurant. It’s a small, quaint place, tucked into a hidden corner just minutes away from the bustling main street of the shopping district. It’s not the kind of place people stumble across by accident but judging by the occupied tables, business is doing fine by reputation alone.

The owner comes out to greet Jimin by name. They exchange warm greetings, the woman asking him how his brother’s been doing and whether he’ll stop by anytime soon.

“Ah - I’m not sure... You know how he is... I’ll let him know you said hi.”

“Tell him I’ll give him an extra serving of ribs. That was his favorite, right?”

When her eyes trail over Jimin’s shoulder and spot you, she grins so wide you’d think she won the lottery or something. “Park Jimin! You’ve gone and found a girlfriend! And so pretty, too. Ah, really...time sure flies by. I remember when you first started coming here - and now!”

You smile back, greeting her with a polite handshake. The owner is quick to usher you into a small booth in the back. She hands you the menus while patting Jimin on his shoulder. “I’ll get you drinks. It’s on the house.”

“You don’t have to do that!” protests Jimin, shaking his head. “Really. It’s not—”

“Nonsense.” She waves a hand at him. “You’ll get two more if you keep that up, Park Jimin.”

Once she knows she’s earned Jimin’s compliance, she leaves with a satisfied smile. You can tell by their genuine interactions that she’s close to Jimin. Family, perhaps? Either way, this isn’t a place Jimin tracked down on yelp. He flips through the menu with ease, like he’s done it hundreds of times before.

“Sorry about that,” he says once she’s out of earshot. “I used to come here all the time with my family when we all still lived here. They moved and live in a different town now so we haven’t had a meal together here in years, but. I still come here. The food is good, of course, but - I dunno. I have good memories here so I thought I’d share it with you. It sounds stupid now.”

He laughs quietly, cheeks flushed a pretty pink.

“I love it.” You can’t help but smile, cheeks hurting from the force of it. Invisible liquor runs through your bloodstream, a ball of warmth unfurling in your belly. “Thank you.”

A pause ensues. It’s one of those moments in which you’re unsure if you’ve said too much or not enough. Being here with Jimin means a lot. You’re not the most verbose person but you hope that Jimin can feel your sincerity.

Maybe your stare comes off as too intense because Jimin breaks the eye contact and clears his throat.

He fiddles with his earring and says, “The food is really good!”

Pink dots his cheeks as he attempts to change the subject. “I don’t know how long the place has been around for but the food is exactly the same. Apparently it’s the sauce they use? Auntie still won’t share the recipes with me and I’ve known her since I was a kid.”

He chatters on, gaining confidence when he notices you’re not put off or bored by his numerous anecdotes. As time passes by, he’s visibly more relaxed. His laugh is more natural, less restrained, like he’s using all the muscles in his face and not just the ones near his mouth.

It’s a stark difference from the first date, you think. Back then he had come off as quite shy, preferring to let you lead the conversation, only offering up tidbits from time to time. Now the conversation flows easily. Nothing feels forced or awkward and - it’s nice. The normalcy of it. Like a hot cup of tea before bed or the scent of the fabric softener your mother uses. It’s something you find comfort in, that you can see yourself coming back to and not growing tired of.

Seokjin can say what he wants - that Jimin’s too uninteresting, that you’re too mismatched of a couple - whatever.

Jimin likes you for you.

When you’re out on dates or when the two of you talk on the phone late into the evening, he rarely brings up your job. Instead, he asks you questions about your favorite TV shows, your dipping sauce preferences, the first album you purchased. These small details might seem inconsequential to others but to you, they’re a welcome breath of fresh air.

For all the talks of Jimin being too average and too normal, men like him are in reality surprisingly hard to come by.

Because what you haven’t failed to notice since you began your career as a porn star is that people love the idea of you. People who avidly watch you from their laptop screen in the comfort of their own home think that you’re some type of sex goddess - that you’re basically up for anything. In their minds, you’re a fun girl who loves sex, all kinds of sex, any kind of sex, and who doesn’t have any qualities or attributes other than making people cum until their limbs go numb.

Your feelings? Not really important. Feelings would make you human and being human would ruin their favorite fantasy.

That’s what takes you a while to learn - you don’t get paid to have sex, you get paid to sell dreams.

It doesn’t bother you at first. In a way, you think, it’s like acting. The porn star people jerk off to daily is a character you play, a mask you can take off at your leisure once the camera director yells ‘cut!’.

Very quickly, you learn people don’t share the same sentiment. To them, the line that distinguishes you from your job persona isn’t blurry - it simply doesn’t exist.

In the beginning, you’d stayed optimistic. Once people get to know you past the image they’ve built up in their heads, surely they’ll realize you’re not a sex-craved addict who only has dick on the brain, right? But with every new date you accept to go on, the reality of your situation only leaves room for disappointment and barely reigned in revulsion.

Even in non-romantic situations, people let you down. Old classmates, neighbors... It pisses you off that they assume you have no self-worth just because you’re a sex worker. Stevie from 308 down the hall once tried throwing crumpled bills at you, expecting you to crawl over to him for a fifty. The memory is enough to set your blood boiling. You can’t wait until you earn big enough bucks to move out of your shitty apartment into a nice high-rise penthouse, away and above all the scum of the Earth.

“You okay?” asks Jimin, noticing the crease that burrows your brow. “The food alright?”

You blink several times, belatedly realizing you had zoned out. Guilt and embarrassment well up within you.

“M’yeah,” you swallow down the spoonful of stew stuffed in your mouth. “Sorry.”

Jimin chews his bottom lip. Finally, he settles with, “Tell me if I’m boring you.”

“No, no! You’re not.” His evident doubt does nothing to alleviate the sudden nausea swarming your lower belly. “I’m serious, Jimin. I’m - Sorry if I gave off that impression. I just - I have a lot on my mind but you’re lovely. I’d tell you if you were - you know. Promise.”

“Would you? Sometimes I think you’re too nice.” It’s not delivered as an insult, but it doesn’t exactly sound like praise, either.

You force out a snort. “Heh. Wish you’d tell Seokjin that.”

“He’s not too cross with me, is he?” Jimin’s expression looks awkward, like he’s forcing his facial muscles to stay relaxed and mien nonchalant.

“Wh- oh, you mean because of earlier? He isn’t. That’s not him being angry. It’s not even you. It’s me. We just have - a slight difference in opinions, I suppose. If you can even call it that.”

“He doesn’t want you to date me,” concludes Jimin.

The frustrations you’d repressed earlier in the day come back. Why does Seokjin’s opinion matter? You huff, putting your spoon down.

“He’s not my dad. And even if he was, I’m grown. I can make my own decisions.” You roll your eyes. “Don’t worry about him. He’ll get over it... It’s not like it’s any of his business in the first place.”

“Still...” Jimin says, unsure. “He’s your agent. I wouldn’t want the relation between you to sour because of me.”

“Honestly, I’m convinced it’s not even you he has a problem with. We talked about it today and I think he’s getting antsy because, um, you know, I haven’t accepted any big offers lately. Like, I’m staying too much in my comfort zone or something. He says that in the long run that can be detrimental to my career.”

It’s a bit strange, discussing your work with Jimin. You both work in the same industry, Jimin as a second camera assistant and you as an adult entertainer, but outside of filming sets, you rarely acknowledge what the other person does for a living.

“Oh.”

“Yeah. He wants me to branch out and try new things.”

“What, you mean anal? Gangbangs?”

“Um, yeah. All that, probably...” You have to blink several times because of the shock of hearing Jimin say that so casually. “...Is that okay?”

“Huh?” Jimin in turn blinks at you, like your question doesn’t properly register. “Oh, yeah, sure. I’m fine with it. You said it’ll be good for your career?”

“Apparently.”

“Then, yeah.” He shrugs like he isn’t bothered by the news at all. “Of course that’s okay.”

A part of you wants to push the issue, ask him why he’d be fine with his girlfriend filming intense sex scenes with random men, but that inner voice is snuffed out before the poisonous thought has time to take root.

Isn’t this what you always wanted? A boyfriend who is accepting and understanding of your profession?

You wash down your worries with a gulp or two of soju, determined not to let your own insecurities ruin the rest of your night.

Less than 24 hours after you’ve agreed to work on a worthwhile project of Seokjin’s choosing, a slew of texts blow up your phone.

Unsurprisingly, it’s your agent. A quick scroll through your phone reveals that your agent has left you with no less than 15 messages, 1 voicemail, and 3 e-mails.

It’s...a lot. You’ve grown to expect that kind of fanfare with him. Like any man who deals with legally binding contracts on a daily basis, Seokjin ensures that you keep your word. He can be extremely persuasive when he sets his mind to it. You’ve seen men and women alike succumb to the force of his magnetism. Back when your filmography had solely consisted of amateur sex tapes shot in bad lighting with low-grade filming equipment, Seokjin's charms alone had been sufficient to win over lukewarm casting directors and book you jobs.

SEOKJIN : hey!!!!!!!!

SEOKJIN : ???

SEOKJIN : wow. you’re leaving me on read.........the audacity.

SEOKJIN : i raised you on my back and this is how you repay me?

SEOKJIN : do you not respect your elders in your household?

SEOKJIN : i swear if you’re blowing me off for jimmy instead of answering your calls .........

SEOKJIN : or blowing jimmy. either one.

SEOKJIN : ok it’s been 10 min. i’m chill but not that chill.

SEOKJIN : can you please stop sucking dick and read your emails. it’s important.

YOU : ever heard of multitasking? god gave us two hands for a reason

SEOKJIN : oh. nasty.

SEOKJIN : way to ruin my lunch.

SEOKJIN : well. suck down that nut sauce asap

SEOKJIN : cos what i sent you needs your undivided attention

YOU : i’m nasty?? me????

YOU : you don’t hear me saying nUT SAUCE you freak

SEOKJIN : nutté sauce

SEOKJIN : there. fixed it.

YOU : ...that’s not even a thing

SEOKJIN : well it should be!

SEOKJIN : adding accents makes it instantly classier, don’t you think? nutté sauce. has a nice ring to it.

SEOKJIN : honestly. sounds like some fancy four star french starter now.

YOU : ???? it absolutely doesn’t but ok

SEOKJIN : imagine. during a scene you just yell out

SEOKJIN : “i’d like a serving of your nutté sauce to go”

YOU : dicks would shrivel up on the spot

SEOKJIN : what? i think it’s brilliant!

SEOKJIN : my talent is wasted as an agent. should’ve been a scriptwriter instead.

YOU : yes i’m sure the oscars are weeping over the missed opportunity

He takes your sarcasm at face value, feeding you more ridiculous variants of faux french cum lingo—that which you very wisely choose not to reply to. Instead of humoring him, you open the .pdf file he’s sent your way, ignoring the near-constant buzzing of your phone as he’s no doubt pestering you for an immediate answer.

Had it not been necessary for business, you’d have blocked his number ages ago. In fact, after that nut sauce comment you’re seriously reconsidering, business obligations be damned.

To his credit, the film project he suggests you work on doesn't sound half-bad despite its questionable title. Why anyone would choose to name it THE SPERMINATOR is beyond you.

As you read through the proposition, you’re surprised to find it’s tamer than the initial imaginary scenario you’d played out in your head. Expecting to read through a long list of unnameable kinks and dicks, the scene description is rather domestic all things considered.

Your shoulders sag in relief. You enjoy sex as much as the next person, but even you have limits you’re not willing or eager to cross. You’re a human being, first and foremost, and, contrary to popular belief, not competing in the sex olympics.

From what you’ve read so far, nothing in Seokjin’s offer seems too strenuous or perverse. The scene in question is centered around a young, newly married couple trying to conceive for the first time and the sex acts are described as “romantic insemination” - whatever the fuck that means. The only complication you can think of is that you’ve never played the part of a married couple before. None of your previous films specifically target couples or women. Is romance something you can sell accordingly?

You’re quick to shake the concern off once you remember that no one cares if your acting is shit or not. All you probably have to do is yell out ‘Daddy’ a few times mid-thrust and call it a day.

Honestly, you’re a bit disappointed in Seokjin for choosing such a safe, no-risk project - especially since he constantly advocates the risk-return trade off as the way to live by. But you’re not about to start complaining. You’d rather shoot this type of innocuous scenario than ridiculous, hentai-like scenes involving freakish get-ups and toys of monster proportions not realistically made to fit in a vagina.

The deal is perfect. Almost too perfect.

Subconsciously, you must realize something is wrong. Maybe Seokjin’s many lessons have finally rubbed off on you because there’s a persistent voice in your ear warning you that the film proposition is a trap, one that you’ve unfortunately walked straight into.

Your wariness increases when he refuses to send you the script upon request. Alarm bells ring off but by then it’s too late.

“The thing is... Director Ryu wants to try a new type of project," Seokjin says over the phone once you call him up for answers. "He thinks he’s going to pioneer a new genre of porn and revolutionize the industry - his words, not mine.”

“What the hell does that even mean?”

“How do I explain this without you getting the wrong idea..."

“Is this meant to reassure me?!” Dread drips from your tone. You should’ve suspected something was off from the very moment Seokjin suggested to shoot vanilla porn as your next big project. What a joke.

“Calm down, it's not as bad as - whatever you're thinking.” Too bad that his attempts to calm you down have the opposite effect. “He’s been wanting to try out a new improvisation format for his porn movies.”

“Come again?”

A beat of uncomfortable quiet passes. Reluctantly, Seokjin explains, “Which means - there isn’t an actual script to go off of. That’s why I couldn’t send it to you - because there is none. He wants it to be as realistic and natural as possible so he’s looking for actors who can go with their gut and create their own scenario instead of ones who need to be directed.”

Your resounding silence speaks for itself.

Sure, sometimes they provide scripts to act as guidelines, roughly giving the actor an idea of how the scene will unfold, but no one is expected to follow it word for word. Most porn films rely on improvisation rather than scripts because of how notoriously bad porn stars are at acting and memorizing more than a few lines at a time, and the introduction scene never lasts very long anyway for it to make a noticeable difference. Besides, after filming a handful of movies, you’ve noticed the dialogue is more or less all the same.

What bothers you is that this director wants you to carry out a movie that relies heavily on improvised dialogue. Convincingly.

“C’mon,” Seokjin tries when you refuse to deign him with an answer. “It’ll be fun. You like acting, right?”

“Seokjin...” You pinch the bridge of your nose and try to keep your composure in check. “How do I break this down for you? I think you’re forgetting the most crucial detail here - I can’t act! The closest I've ever gotten to acting is faking an orgasm and I’m pretty certain that doesn’t count."

“And you do that very well!" says Seokjin encouragingly. "You'll be fine. Don’t stress over it. Your scenes with Min Yoongi last time were perfectly acceptable!”

“That’s the thing.” Stress makes your voice raise a half-step. “He did, like, 90% of the acting! Back then, all I had to do was moan and act like a slut! Which hardly counts - I was being myself. Whatever this - thing - you’re attempting to rope me into - I’m not qualified for it.”

“Sweetheart, we’re not aiming for the fucking Oscars here.” When he laughs, it’s practiced enough to sound sincere. “At the end of the day, it’s still porn. Nobody’s expecting you to be the next Meryl. And besides,” he presses on, clearly refusing to change his mind. “This is exactly what you need right now. Something fresh, something new. If you pull this off, you’ll gain exposure.”

“If I pull it off. Big if."

“I know it sounds like a gamble. I get it, I do. But remember what I always say? High risk—”

“Yes, yes. High reward. I get it.” Your frown deepens. “There’s no way to know this will work, though.”

“A good co-star already guarantees you half of the success. And luckily for you, the guy they signed on seems like the real deal. He’s hot, you’re hot. People will pay money to see you two fuck regardless of how good or bad the acting is.”

“Well. That’s reassuring,” you say, voice as flat as a board. “Although I suppose watching porn on mute is always an option if it comes to that.”

“It was a joke!” What worries you is that it doesn’t sound like it is. “You have nothing to worry about. I’ve seen some of your co-star’s tapes. He’s got a mouth on him, if you know what I mean. Just let him lead and it’ll go swimmingly.”

“It’s one thing to follow someone’s lead during sex but you want me to - to improvise for God knows how long! That’s just asking for a disaster to happen.”

“You said you were up for a challenge!” Seokjin throws your words back at you, his tone accusing.

“And you said this would be beneficial for my career! How is making a fool out of myself going to help me any? I don’t want to be remembered as the girl who can’t act to save her life.” You want to cry in frustration. If you had wanted to act you would’ve chosen that as your major in college. “I don’t - I can’t do this. I’m not - this isn’t what I signed up for! How do you expect me to convince viewers what they’re watching is real...”

“Just—” Exasperated, he takes a deep breath. Exhales. “Trust me. When have I ever been wrong about film projects.”

Is putting your career at risk really worth it? You’re not sure anymore.

On the bright side, it’ll finally get Seokjin off your back, you reason, trying to remain positive. That in itself is worth celebrating, right?

Fine. You’ll agree to it out of pettiness. Once Seokjin realizes what a terrible idea this entire ordeal is, you won’t hesitate to rub it back in his face. He’ll never hear the end of it.

"Who am I working with, anyway?”

"Ah, hm, well." Hesitation creeps up his voice for the first time, putting you instantly on edge. "...You won't know him. He's new to the scene - got started a month or two ago, I forget."

"Great. Not only am I being used as a lab rat for this director to experiment on but you're also pairing me with a fucking rookie. Jesus.”

"He’s not half bad! He’s not bad at all, actually. I wouldn't be insisting if I didn't trust him not to blow his load early."

"Aren’t I lucky,” you deadpan. “So I don't have to worry about him busting a nut before the director gives the signal?"

“All you’ll have to do is act like a married couple with baby fever,” he talks over you, ignoring your overflowing sarcasm. “And how hard can that be? You’ve been loved up with Jumin for a month now - that’s plenty enough practice if you ask me. I know you’ll be able to sell that romantic shit to the public without too much trouble.”

“It’s Jimin,” you correct from force of habit.

You’re promptly ignored — not that you expected anything less from him.

"Just give it a thought? And get back to me when you make up your mind. The sooner the better. The offer won't stay on the table forever." Even over the line, you can picture Seokjin raising his eyebrows at you, expectant. “If you’re serious about this job, you know what you have to do.”

You both know that you’ll accept the offer. Seokjin’s got you all figured out. As much as you don’t like being pushed around, the need to prove yourself is your main driving factor. The acquaintances who sneer at you, the family members who’ve shun you, the peers who expect you to burn out after the five month mark—you’d rather roll over and die than prove their misconceptions right.

It’s a matter of pride when you sniff and reply, “I’ll think about it.”

But the decision is already made before the call ends.

SCENE 02 - THE SPERMINATOR. TAKE 02. ROLL B.

Eight days later you find yourself squeezed into a brazenly short dress that zips in the front, more fit for a night out in a club than a dinner at home. It’s so ridiculously tight, you feel like a prey being swallowed down by a snake. There’s no room to breathe. You can’t wait for the scene to start, if only so you can dispose of the piece of fabric and never wear it again.

Unfortunately, your outfit gets worse because thrown over the clubbing attire is a frilly apron with small hearts embroidered along the hem. The mismatch is jarring. You’re not sure what look the stylist is going for but the end result is very...peculiar.

You comfort yourself with the knowledge that it could always be worse.

A quick glance at the digital clock on your phone confirms that you’re running on time. Good. After your last gig, the last thing you want is to spend hours waiting for the personnel to set up the cameras and sound equipment correctly.

Thankfully, today’s team works like a well-oiled machine. All that’s left are the last-minute preparations before the shoot begins.

Your false eyelashes are still drying when Seokjin elbows you sharply in the ribs. You crack open an eye to glare at him. “Ouch - ah, seriously? What is it now?”

“That’s him, that’s him!” Seokjin whispers under his breath, his gaze glued to a point somewhere beyond your shoulder. “Wooow. Aren’t you a lucky bitch? I’d gargle his nutté sauce for breakfast, if you get what I mean. He looks way better in person, damn.”

“Firstly - please never say that out loud again.” You fake a gag. “How do I buy myself a new set of ears?”

Seokjin ignores your dramatics. He shoots you a look. “You let that last guy draw a starfish on your face with his crème de la nut but did you hear me go sick?”

“That’s not the same and you know it!” Your jaw drops in indignation. “And can you stop trying to make nut cream a thing for the love of—”

“What’s this about nut cream?”

You whip your head around, mortification already etched onto your features. Your mouth opens, defense at the ready, only for your throat to clamp up.

“Oh.” You blink up in surprise because - well, Seokjin’s earlier assessment isn’t embellished. The guy is fit as fuck.

You’d seen photos in passing, had even googled his name out of curiosity, but the two-dimensional version of him pales to his real life physique. There’s a sharpness to his features that the camera fails to pick up on, a vibrancy that gets lost in the medium.

“Hey. I’m Hoseok.” His grip is firm, assertive, and your eyes naturally wander over his form. The loose muscle tee he’s thrown on puts his toned arms on display and makes it easier to admire the seemingly endless expanse of sun-kissed skin. He’s neither too thick nor too spindly, his muscles lean and firm instead of bulging. Strong but not intimidating. “I look forward to working with you.”

“Likewise.” You swallow, mouth dry.

You expect him to leave it at that like most of your past co-stars usually do. Or worse - for him to abandon all pretenses and cross lines that aren’t meant to be crossed. As someone who has experienced it all - from standoffish to creepy and vile - nothing surprises you anymore.

But unlike your, admittedly low, expectations, his gaze is warm and friendly. He speaks smoothly, leaving no time for an awkward silence to instill itself.

“Yeah, I know who you are! I saw a video or two of yours before - you were featured on the agency’s main page last month, right? Fuckin’ genius, by the way. Best stuff I’ve seen in a long ass time.” An easy grin sits on his face, nothing about it fake or contrived. “I hope we get along today. I haven’t done much work myself - yet anyway - but I hope this can be a good experience for the both of us.”

“You’ll be in good hands,” Seokjin assures, patting your shoulder like a proud parent. “_____ here is the best talent I’ve signed on.”

“That I can believe,” Hoseok chimes, his smile never waning. “I’ve heard good stuff about you. I won’t lie - it reassured me a fuck ton when I heard I’d be working with you. The stuff we’re doing is, well, it’s a bit of a gamble at this point, but I’m sure it’ll go well because I’ll be working with you.”

For a brief, embarrassing moment, you’re robbed of words, unable to respond to his flattery. From experience, you know to be wary of guys like him. Whenever someone lays it on thick they always have an ulterior motive. But what could possibly be his?

“Seokjin’s saying that because I’m the only one who can stand his nagging,” you finally say, your shoulders stiff. Maybe it’s because you’ve just met, but it’s hard to figure him out and it doesn’t help that you’re naturally wary of strangers.

“Oh hush. You love me.” Sensing how guarded you’ve become, Seokjin mercifully offers you an out. “It was nice meeting you, Hoseok. Wish we could stay and chat but she has to get ready to film the pre-interview portion.”

“Oh yeah, that’s cool. Catch you later.”

You offer a quick smile he returns tenfold, its brightness momentarily dazzling you.

Slightly dazed from the intensity of it, you stagger behind Seokjin, sun spots dotting your vision. Your surroundings blur together as your mind tries to recover from the interaction.

“Sooooooooo?” Seokjin sing-songs once you’ve walked far enough to be out of earshot. His brows are raised knowingly, an infuriating type of smugness clinging to his features. “What did I tell you! He’s hot enough to single-highhandedly melt a glacier, huh?”

You scoff, not willing to admit anything. “He’s okay.”

“Oh c’mon. He’s baby daddy material for sure. Which works out well for you since he’s gonna pump one into you later.”

For once the grimace that crosses your face isn’t exaggerated. “Please. Stop. Talking. I’m this close to heaving out my lunch.”

You’re not even joking with that one. Attractive as Hoseok may be, any talk of baby-making is enough to dissipate any smidgens of lust.

The reminder of what the upcoming scene entails and the expectations people carry crash down on you like a pile of bricks. Although you’ve done your best to ignore the fact you’ll be acting today, the meeting with Hoseok yanks you harshly back to reality.

You’re going to act. As a married couple. Trying to conceive a baby.

Three things that have never, ever been on your bucket list are now about to be crossed out in the span of the same afternoon. To that you can only say - what the fuck is my life.

Like a mounting wave before the inevitable crash, panic crests within you. You feel it gradually build and build, flooding your lungs and every crevice of your body with overwhelming anxiety.

Seokjin sighs. “How are you going to make it through today? The whole point of the sex scene is to get you pregnant. Or fake pregnant. You know what I mean.”

“Um...” You try to laugh but it comes out shaky. Seokjin shoots you a concerned look. “I’ll be fine! Really! I can do it. It’s just acting like you said, right? It’s not like he’s actually gonna knock me up in real life. So. Totally fine. It’s fine. Perfect.”

Seokjin’s concern grows. His eyebrows pinch together and his expression turns serious. He asks with no trace of mockery, “Are you okay?”

“I’m okay!” you reply. It’s too rushed of an answer to convince him. Your palms feel clammy and you wipe them off your damned apron. “Just. Nervous. Y’know.”

His steps slow to a halt and he places a warm, heavy hand on your shoulder. The weight, familiar and comforting, grounds you to reality. “Hey. What’s there to be nervous about? You got this.”

“Yeah.” You nod. Maybe if you say it enough times you’ll trick yourself into believing it. “I’ve got this.”

“Look. Let me be honest for a second. I’ve been an agent for eight years now and I’ve seen a lot of talents come and go. No pun intended.” You smile back at him weakly. “You’ve got something...extra a lot of them lacked. I knew the moment I saw you on film you’d go far. The energy you bring onscreen is insane. I know today might seem new and strange - but so was your first ever professionally shot film, right? And you got through that fine. You’ll do great. I know it. And, not to toot my own horn, but I’m always right.”

That earns him a laugh. The nerves are still there but thanks to his pep talk it’s easier to breathe.

Despite being a big pain in the ass, Seokjin is exemplary at his job. Without him, you’re acutely aware you wouldn’t have gotten half as far as you have. Having him by your side is a reassurance in itself.

Someone calls your name, pulling you from your thoughts. When you turn around, you’re face to face with the round, bespectacled face of Director Ryu. You reckon he’s in his early forties but he acts younger than his age. It’s your first time working with him but so far he’s been nice enough, if a little full of himself. Not that you’re unaccustomed with working alongside conceited colleagues.

“Oh good, you’re back. You can get seated for the interview bit.” He points over to a chair placed in front of a pale yellow wall. From close up, you can see a paint job is in order, the old coat chipping off in several places. “Alright, this won’t last long - just need you to answer some questions on tape and we’ll be good to go.”

“Sure thing.” You nod and follow his directions, sitting still while the hair and make-up artist steps up to give your lips a final touch-up.

Strictly speaking, the before and after interviews aren’t a necessity. In your experience, directors mostly film the short question-and-answer sequence when you’re set to film hardcore sex scenes as a way to show viewers everything is consensual and that you thoroughly enjoyed the experience despite whatever might have transpired on screen.

You reckon the director wants to film you today to document the process behind his “groundbreaking film project”. Cue roll of eyes.

Somebody needs to tell him he isn’t inventing anything, you think while watching him fiddle with the camera until he’s completely satisfied with the angle. All he’s done so far is add unnecessary pressure on you. You hope Hoseok is faring better because the amount of performance anxiety you’re experiencing is an instant boner killer.

“You nervous?” the director asks once he’s done adjusting the camera lens.

While by some standards you’re still considered a newbie in the industry, you’ve done this enough times to fall into a routine. Wake-up, breakfast, get ready, arrive before call time, fill out all the paperwork and get ready to shoot your solo stills. It’s familiar enough that you’ve long stopped getting pre-performance jitters.

Today’s rush of anxiety is as surprising as it is unwelcome. They don’t want to hear that particular truth though, so you keep your reply sweet and bubbly.

“Nah,” you grin, wide and easy. “I’m super excited to film today!”

“Oh yeah? Is it perhaps because of your co-star?”

Your smile freezes for a second. Somewhere over the director’s shoulder you can see Seokjin nodding enthusiastically while giving you the double thumbs up. “Hoseok? He’s hot, sure.”

“Ooh. Already on a first name basis?”

“Hm?” you let out a noise of polite confusion, only belatedly realizing that his viewers know him better as his porn alias, J-Hope. But there’s no way in hell you’re going to yell that out loud while he’s fucking an orgasm out of you. Not only does it sound ridiculous but it’ll shatter whatever carefully crafted illusion you manage to build. “Um, yes. We’re getting to know each other. He’s very friendly.”

“I’m sure he is.” And there’s an implication there that doesn’t sit too well with you but thankfully Director Ryu chooses to move on and put that particular subject to rest.

“You ever shoot an insemination scene before?”

“Not yet.” You make sure to keep the smile on your face even if your cheeks are beginning to hurt. “I can’t wait to get to it. It’s a fantasy I’ve always had but never tried out for myself. I’m excited to film a first on camera!”

The director has yet to call you out for your bullshit so you slowly start to relax. Acting is a bit like lying, isn’t it? Maybe you can get through today after all.

You breeze through the rest of the questions, forcing out practiced laughs here and there all whilst keeping your voice syrupy sweet. It’s quick work, especially when you know what to expect. Before you know it, it’s already time to film the pièce de résistance. Everyone that’s allowed on set during filming filters into the kitchen, conversations between crew members dying down as they use their last recreational moments to check their phones.

The director’s filming style exempts you from shooting the customary pre-shoot sex stills which are essentially promotional pictures of you and and your partner in every sex position that you’ll be filming for real later on. You’re thankful for that, at least. Even with all of your on-camera experience, staying perfectly silent and still with someone’s dick inside you is no easy feat. It’s worse when you have to keep eye contact with your co-star and fake sexual gratification because the shot calls for it.

Hoseok waves at you from the other side of the room, the hair and makeup artist dusting some powder across the slope of his nose.

How can he look so relaxed?! You’re barely holding your lunch down. Honestly, it’s a miracle you’re able to now tat the butterflies are back in full force, making a mess of your stomach.

You feel queasy but try not to make it too obvious even as Seokjin comes around to check up on you. The last thing you want to do is make a scene, especially when your onscreen counterpart's demeanor is making you look amateurish in comparison.

Maybe Hoseok is a better actor than you’re able to give most porn stars credit for because try as you might, you fail to detect any nervous undercurrent in his tone. For someone who is supposedly starring in his first major project, he doesn’t seem all too bothered about how it might play out.

How does he do it?! In all honesty, if Seokjin hadn’t informed you of his rookie status, you would be none the wiser.

There’s an ease with which he carries himself, a fluidity in his movements that belies no anxiety or awkwardness. Even from this distance you can tell that there’s never a hint of hesitation in his movements or speech; he doesn’t seem self-conscious in the least. He talks and moves with the assurance of someone who has been in the industry for months, not weeks.

In that moment you envy him. You’re so nervous about the upcoming scene that it’s hard to feign an air of professional detachment.

His boisterous laugh is loud enough to carry across the room and interrupt your line of thought. When you look over at him again, you find him folded in half, hands clutching his sides, and wearing a grin so bright it eclipses the entirety of his face.

“He seems nice.”

You jump, startled by Jimin’s sudden appearance. You hadn’t even heard him draw near. With a sheepish expression, you turn to look up at him only to find him already staring off into the distance. There’s a strange look painting his face, and a small crease in his brow that usually isn’t present. When you follow his line of sight, you’re met with the image of Hoseok talking animatedly to the the small crowd that’s flocked around him.

“Yeah.” You aren’t sure what else to say. Although there’s no sarcasm attached to his words, you can’t help but find Jimin unnaturally tense.

Which makes sense, you concede guiltily. A mere stranger is minutes away from dicking down his girlfriend. You’re not sure how you’d feel if you were to stand in his shoes.

You breathe in deep, silently willing away the knot of distress in your belly. There’s nothing wrong with what you’re doing. It’s just a job. A profession that Jimin has always been fully aware of, even before you’d begun dating.

Even as you remind yourself of the facts, it does little to dispel the lingering feelings of doubt and guilt.

“Hey.” Jimin frowns at you in concern. “You alright?”

“Yep!” you say then immediately sigh, knowing that lying to your boyfriend is pointless. “I’m just a bit nervous.”

“Nervous?” Jimin’s worry grows, the crease in his brow deepening. “What about?”

“Just—” You gesture around with your hands. “All of this.”

“Oh.” He looks genuinely surprised. “But you don’t usually get nervous... Is it the impregnation thing you’ll have to do? I know you’ve said you’re not a big fan of that. Or... Is it something else?”

“I don’t know,” you answer truthfully. It’s a bit of everything yet at the same time nothing you can clearly pinpoint and put a finger on. In all logic, you know that you’re feeling disproportionately stressed out but you can’t stop yourself from feeling how you feel. “It’s not that I don’t want to film. I just - I’m worried I won’t do well.”

Jimin takes your hand between his, running a thumb in soothing circles across the surface of your skin. He repeats the motion several times until your heartbeat is completely synced to his touch.

“You’ll do great. You always do.” The lines of his mouth bend into a smile. “I’ll be on the sidelines cheering you on.”

“My very own cheerleader.” You allow yourself to relax and and smile back fondly.

As much as you worry about Jimin being upset with you filming sex scenes with other actors, he’s never been anything less than the supporting boyfriend you’ve always dreamed of. Seokjin calls Jimin’s constant presence on set maddening, but you’re thankful that your boyfriend sticks by your side while others might flee or shame you.

Suddenly, you’re overcome with emotion. Maybe it’s the stress, or maybe today you’re more hormonal than usual, but your eyes threaten to well up as you grip his palm tightly in your own. “Jimin, I—”

“Okay, lovebirds!” Seokjin claps his hands once, effectively ruining your moment. “Hand-holding time is over. We’re moving onto the more R-rated stuff.”

“Seokjin!” you hiss, upset over his horrible timing.

“It’s fine.” Jimin shakes his head. “He’s right, shoot’s about to start anytime soon. I need to get ready, too.”

“Right.”

Reluctantly, you let go of Jimin’s hand.

“Don’t pout.” He laughs and presses a quick, chaste kiss to your mouth. “I’ll wait for you after filming and we can go grab dinner. Italian sound fine?”

“Yes, yes, yes.” You bob your head eagerly. “I’m literally dying for carbs. Italian sounds more than perfect.”

“Good.”

You can’t resist sneaking in one last peck before Jimin retreats behind the cameras and you’re pulled to stand in front of a granite kitchen tabletop. Director Ryu is waiting for you, Hoseok already by his side.

From close-up, your co-star looks even more striking. The make-up artist’s work highlights his features without going overboard. The lines of his face are sharp, like every single one has been meticulously drawn. What usually would give someone a hostile and unapproachable impression is balanced out by the liveliness that lights up his eyes and his wide smile that looks almost too big for his face.

“It’ll start in the kitchen and then we’ll work out way to the bedroom.” Director Ryu points down the hallway. “I was thinking of keeping it all in the bedroom but nothing screams domesticity more than kitchen scenes, right?”

“Uh-huh.” You give a polite nod. Next to you, Hoseok coughs into his fist.

“Depending on how this goes we might have to take several takes - just keep that in mind.”

That’s nothing out of the ordinary. Sex scenes are never filmed in one take. There’s always one thing or another - a smoke break, a flaccid dick, a lighting fixture that needs to be changed. A 45 minute porn movie is the result of the editing team that painstakingly goes through, cuts and assembles hours of footage.

“Remember,” Director Ryu instructs, one hand cocked on his hips. “You’re still stuck in that honeymoon phase. All the two of you want to do is fuck like horny bunnies but your husband’s been away all day. Both of you have been waiting for this reunion for hours and hours. I want to feel that level of tension, got it?”

Hoseok nods like a dutiful student, his expression comically serious. You’d laugh if it wasn’t so inappropriate.

“Yep. Ok. Got it.”

You just want the director to stop talking so that you can get this over with quickly. The monologue is just delaying the inevitable.

Director Ryu spends extra minutes setting up the scene, emphasizing how in love and passionate the two of you should behave, describing how long you’ve been wanting to try for a baby, going into explicit detail about what the sex scenes should convey to the viewers. He just goes on and on and on with no end it sight.

At this point even Hoseok is growing restless. His feet refuse to stay still and his eyes dart around the room as if his attention is drawn elsewhere. It’s Hoseok’s constant fidgeting that draws Director Ryu out of his monologue. He finally senses that there’s a unanimous decision to start filming and retires behind the camera to settle himself in his appointed chair.

Hoseok shares a long look with you. “Is he always like that?”

“God, I hope not.” You lower your voice to whisper, “Seokjin - my agent - he says apparently Director Ryu wanted to make a career off of documentaries once he graduated from film school but quickly switched genres once he saw how little filming the mating habits of koalas was earning him.”

“Ah,” Hoseok nods conspiratorially before his features shift into something more serious. “Hey. Before we start, is there anything you’re not comfortable with? I know this scene is supposed to lean towards vanilla but you never know... I’d rather make sure. Just in case.”

You blink, taken aback. Hard limits aren’t really discussed outside of hardcore scenes. Sure, everyone is given a safeword before shoots begin but even screaming out “STOP!” or “Can we take a break from filming?” is enough to put the filmed scene on hold.

“Ah... No. I’m okay. But thanks for asking.” A moment passes and you add, “Is there - are there any words or kinks that bother you?”

Hoseok shakes his head. “Not for this one. Just - if there’s anything you’d rather me not say or do, don’t hesitate.”

You nod in reply, not sure of what else to say. Unfortunately your past experiences with men have made you suspicious of any form of flattery or kindness.

Soon, though, you relax. What reason is there for Hoseok to deceive you? Maybe he still has that rookie mindset. You can relate to the eagerness and the desire to do well you’d had in your early days of filming.

“Alright. Good luck, Hoseok.”

His smile is so bright that it erases your previous doubts. Surely someone with ill-intentions wouldn’t be able to smile like that, right? You return a tentative smile of your own. Something akin to understanding seems to pass between you. Although you don’t know Hoseok and he doesn’t know you, you trust him enough for this scene.

The moment is broken when Director Ryu directs Hoseok to wait outside the camera’s line of vision and you’re left alone in front of the kitchen stove.

Any moment now, you think. A telltale silence falls over the staff members as they all anticipate the director’s signal for the scene to start.

The first few seconds are always tricky. You’re no actress. There’s no switch inside of you that flips on and off as soon as the director commands “ACTION!” and “CUT!”. The world around you doesn’t fade out, your ‘porn star persona’ doesn’t claw its way out from within you and lunge for the nearest available dick. Sometimes, if you’re not attracted to your onscreen partner, you find your mind drifting off, making an inventory of your fridge and wondering what you’ll be able to cook up for dinner with two eggs and leftover rice.

When Director Ryu shouts “ACTION!” and slams down the plate, you freeze up. Usually you have an idea of what to say or do, but the words and actions won’t come to you this time.

Someone behind the cameras lets out a light cough. Oh right, you blink down at the simmering pot of water in front of you. The cameras are recording you making an utter fool out of yourself.

The spike of humiliation forces you into action. You’re more professional than this, damn it. You give the water a tentative stir, movements wooden and stiff. It’s hard to concentrate. All you can do is watch as the water simmers to a boil, the sound of bubbling water like a roaring current in your ears.

A door creaks open, signalling your onscreen husband’s return home.

To your horror, you find that you’re unable to move, as if your limbs had forgotten their primary function.

Before the scene had started, you had envisioned yourself throwing yourself into the arms of your loving husband and welcoming him home with a shower of kisses and words of affection. You had internally rehearsed it, had even thought of what you could say to him between pecks, but the reality is far removed from what you had practiced.

“Darling?” Hoseok’s voice is soft but loud enough for you to hear him over the angry sounds of boiling water. The vowels he uses are rounded, different from the bright pep in his tone from earlier.

You want to respond but your tongue feels like lead, too heavy in your mouth to articulate and form the proper reply. What are you supposed to call him, anyway? Honey? Hoseok? A nickname derived from his name? What do newlywed spouses call each other? Why couldn’t you give this more thought before the cameras began rolling?

Panic balloons inside you, threatening to burst. For a terrifying and mortifying second, you think that you’ve gone and ruined everything. The muscles in your shoulders bunch up and you half-expect the director to shout ‘CUT!’, give you a public scolding for missing your cue and berate you for your overall ineptitude.

Hoseok’s arms wrap around your middle before you have time to agonize any further. Just as you suspected, his arms are strong, the lean muscles flexing as he readjusts his hold around your waist. What you don’t expect, however, is the unadulterated warmth he radiates. His body burns hot; even through the layers of clothing separating the two of you, his warmth seeps through. But it’s strangely comfortable, not unlike basking in the afternoon sun during the last days of summer. You let yourself melt into his embrace.

“You’re not even going to say hi?”

With your back turned to him, you can’t be sure, but you imagine the pout playing at his lips. He tucks his chin in the crook of your shoulder. If he feels any awkwardness, he doesn’t let it show.

Miraculously, your mouth seems to be in working order again. It takes you a few seconds too long to find the appropriate answer, but it finally comes before the director can cut in to make any remarks.

“If I turn around right now, I won’t be able to keep my hands off of you,” you explain. “And - I don’t want to ruin our dinner.”

Just to keep up the pretense, you add a handful of spaghetti into the pot of water.

Hoseok lets out a hum from behind you. He’s standing close enough for you to feel the vibrations low in his throat.

“I hate it,” he says after a stretch of silence.

You pout. “What? My cooking? What’s wrong with it?”

“No, silly. I hate -” he sighs, buries his face in your neck before looking back up so the camera can capture his expression. “I hate not being with you. I missed this.”

He hugs you from behind before kissing your neck. It starts off innocuous - his lips pressing short, chaste kisses down the column of your throat. Quickly, however, his mouth lingers on your skin.

“Ah - don’t. I’m cooking!” you shriek when his teeth scrape over a sensitive spot under your jaw. Your protests are half-hearted and go by unacknowledged. The pot of pasta could overflow right now and no one would care, least of all you.

Hoseok noses your neck while he tightening his grip around your waist, the movement bringing his hips flush against your lower back. You give the pot in front of you a very unenthusiastic stir, attention focused instead on the way his lips tenderly skim the surface of your skin, testing and teasing. The sensation feels nice - and keeps your mind off of the several cameras directed your way.

“But I went all day missing my princess,” he sighs, open mouthed against your neck. “Spent all day thinking about you.”

“Y-you did?”

“Mhm.” He gives your exposed shoulder a peck. Then another. “Thought about your cute little laugh.”

His line catches you off guard. Your mouth opens but no sound comes out.

Porn is often crude and to the point. You’re used to men complimenting your body parts or praising your skills in bed. You’d never minded, either. But Hoseok’s choice of words make you eager in a different way.

“What else?”

“Well, your cooking, for sure. Without you I’d be eating out of ramyeon packets for breakfast, lunch and dinner.”

You let out a snort.

“That’s true. Your cooking is so horrible it’s offensive.”

“Hey now. Don’t be mean.” He pokes your cheek before pinching your chin to turn your head towards him. “I can cook a decent omelet.”

Hoseok’s a good few inches taller than you so you have to strain your neck to be able to look him in the eyes. The slight discomfort barely registers. You’re too transfixed by the way he stares at you. It’s hard to place the expression because you’ve never seen it on a fellow actor before. Normally, the men you work with stare you down with hungry and lustful intent, but there’s none of that in Hoseok’s gaze.

The expression on his face cannot be described as innocent, either. He licks his lips, drawing your attention to the pretty lines of his mouth delicately curved into a smile.

“I missed the way you feel in my arms.” His voice sounds deeper, this time. “I missed holding you close to me. Kissing you. Reminding you how much I love you. I missed the look in your eyes when - “

“When?”

He smirks. “You sure you want to hear it? What if you can’t keep your hands off of me after? I don’t want to be held responsible for soggy pasta.”

“Hoseok,” you whine, one of your hands reaching down to slap at the hold around your stomach.

He tightens his hold around you and your breath hitches, suddenly all too aware of how firm his body feels behind you. The smirk on his face widens as he leans forward to confess his next words.

“I was thinking about how I miss the look on your face whenever I make your pussy sloppy with my cum.”

“Hoseok!”

One moment he’s crooning sweet words of affection, the next he’s spitting out filth. The quick back-and-forth gives you whiplash but you can’t say you dislike it. Unlike the tired and overused clichéd porn scenarios you’ve filmed in the past, Hoseok’s unpredictable behavior has the advantage of keeping you on your toes.

“You missed it too, hm?” He kisses your neck, lips soft and warm. “Kept thinking about how pretty you sound. So, so pretty. Especially when I give you what you want.”

“How would you know what I want?” You turn your head forwards so you can pretend to check up on the cooking pasta. “You were away all day.”

Hoseok’s eyes flash dangerously.

“How would I know?” he parrots back, his tone sweet and mocking. Something about it sends tingles down your spine and has you standing up straighter. “I always know what my pretty wife wants. I know because your body can’t lie to me.”

His hands wander, one of them inching up the material of your frilly apron to reach between your breasts. The movement is slow enough for a camera to zoom in and follow its trail. Hoseok rests his hand on your left breast and gives it a squeeze.

“See?” He repeats the action. “Your heart’s racing like crazy.”

You swallow audibly, finding it hard to come up with a witty riposte.

He continues with a chuckle, “You can’t deny it, can you? Your body’s too honest for your own good. It’s okay. You don’t have to say you missed me. I know.”

His self-assured way of talking makes it easier for you to react. This - the cockiness, the playfulness - you’re familiar with.

You roll your eyes and continue to give the pot in front of you a few additional stirs only for your breath to hitch when he starts to grind his hips against your lower back in time with your stirs.

Fuck is your only coherent thought. He rolls his hips so well it’s impossible not to imagine them doing something else. Your bottom lip grows numb from how hard you bite it.

“Of course I missed you.” You keep your tone as light as possible, determined not to show that his words and actions affect you.

Hoseok’s eyes narrow. He removes his hands from around you but keeps his front pressed against your back. He smiles again, dimples poking through.

“You don’t sound convinced... That’s fine.” It sounds like the beginning of a challenge and you soon learn why.

His nimble fingers play with the knot of your apron and you tense, expecting him to make quick work of your clothes and dive straight into dessert, so to speak. Once again, he surprises you by leaving the apron alone, hands falling to his sides.

His knees hit the floor, the noise startling you. Before you have the chance to truly react, he’s quick to pull your hips backwards until your back is arched. The sudden change in position forces you to adjust your stance so as to keep your balance.

“Hoseok?” you start to question but he cuts you off with a tut and light smack to your ass.

“You just keep your eye on dinner like you were doing before.” His fingers play with the hem of your short dress, stretching the fabric until it bunches up around your hips and leaves your lacy thong on display. “You can do that, right?”

Flustered by the position he’s maneuvered you into, with your hips thrust back obscenely, legs splayed wide and pussy on show, you grip the wooden spoon in your hand with more force than necessary. “It’s just pasta. I can manage.”

Maybe you sound less indifferent than intended because Hoseok seems more amused than offended by your feinted nonchalance. He barks out a laugh, his hands spreading the meat of your cheeks aside to get a better view of your lace-covered bits.

Privately, you wish you could witness his reaction. If there’s anything that turns you on, it’s knowing how much someone else wants you. If feels good to know that you’re wanted and desired. Even if fucking is part of your job description, the act needs to be mutually enjoyable for you to be completely satisfied.

“Sure.” The lilt in his voice is so sweet that it borders on condescending. “While you do that, I think I’ll have my appetizer.”

It’s corny, overused and a little degrading - exactly the type of one-liner you’d ordinarily find in porn - but he gives you no time to call him out for it. As soon as he’s done talking, he wags his tongue out and drags it across the red lace, and the repeated up and down motions quickly dampen your panties.

You notice with great frustration that he takes care to avoid your clit, focusing instead on licking broad stripes over slit and, to your surprise, around your rim. He doesn’t stop until your underwear drips with the accumulation of your essence and his saliva. The soaked lace rubs against you, the rough texture adding pressure to your most sensitive zones, until you can’t tell if the extra sensation is a blessing or a curse. Your hips jerk forward every so often, unsure if you’d rather lean into or escape his torturous games. Because as amazing as Hoseok’s tongue feels, you know your body well enough to be able to tell that this particular tempo won’t bring you to your peak.

An appetizer, he had called it. That’s exactly what the teasing ministrations feel like - a small sampling before the main course. It’s satisfying and maddening in its own way. Good, but not enough to satisfy your ravenous appetite.

He unearths himself from your dripping core, chin shiny with your juices.

“Keep focus,” he instructs as he slots two fingers inside of you. You’re wet enough that they slide in without too much difficulty, the stretch making your stomach clench. “I thought you said you knew how to cook pasta.”

Against your will, you force yourself to focus on the bubbling water in front of you. As much as you want to push your hips back and ride his fingers until you’re pushed over the edge, you can’t take the humiliation of messing up pasta - even if it is for the sake of a porn scenario.

It’s fucking pasta! You have to be seriously inept to mess up such a simple dish...

But what should have been an effortless task becomes more challenging than expected. Hoseok refuses to go easy on you. If anything, your stubborn silence is all the motivation he needs to thrust his fingers inside of you harder, curving them at an angle that makes your knees wobble. You struggle to keep any incriminating noises at bay but despite your best efforts, several muffled moans slip out one after the other.

Somewhere in the back of your mind, the logical side of you points out how dangerous all of this is. What if, during your impending orgasm, your body seizes up and knocks the boiling water everywhere during the process? You quickly switch off the gas stove at the thought. Better be safe than sorry.

Just then, Hoseok adds his tongue to the mix, his fingers relentless in their pursuit of your pleasure. You bite back a curse as the wooden spoon slips from your hold and clatters to the floor.

“Ah fu - Oh God,” you stutter, hands holding on to the edge of the counter for dear life.

You’ve been eaten out God knows how many times in your life, but not many have instinctively known what really gets you going. Hoseok laps at your core, tongue collecting the moisture that seeps through the fabric of your ruined panties, while his fingers scissor you open for his cock.

Your stomach clenches as you imagine how well he’d fill you up. Who the hell would ever want pasta for dinner when Hoseok could feed you his cock instead? Definitely not you, that’s for sure.

It’s easy to picture it. All he’d need to do is stand up, unzip his pants and spear you open with a practiced roll of his hips. Maybe he’d make you toss a salad while he fucks you from behind, slapping your ass whenever you forget to keep stirring the ingredients together. Or perhaps he’d let you ride his dick on the kitchen floor, too impatient to make it to a more comfortable surface.

Your imagination knows no bounds. Once you start, you can’t stop thinking of more lascivious scenarios, each one more daring and debauched than the last. The heat between your legs becomes unbearable and still, you ache for more.

Hoseok pulls away from the apex of your thighs and snorts, the sound pulling you out of your depraved thoughts. The pace of his thrusting slows down without stopping completely, his fingers still pressed deep within you. Your arms tremble as they try to keep you upright, knuckles white from the strength of your grip around the counter’s edge. You exhale shakily.

A whine works its way into your voice. “Why - why’d you stop?”

Ignoring your protests, he pops his fingers out of you and indulges in one last lick of your swollen pussy, before gathering to his feet. He rolls down your dress back over your bum and peers over your shoulder, acting as nothing had ever happened.

“Thought you said you’d take care of dinner, hm?” Hoseok has the gall to hum in disappointment.

Your mouth opens in outrage. “You!”

Hoseok pouts. “I thought we said you wouldn’t blame me for any soggy pasta.”

“You’re impossible,” you say without any real heat to your words.

“But you love me that way.”

He smiles as he leans in to kiss you, lips sticky and warm. You follow the pace he sets as best you can, unaccustomed to the way he takes his time - like you’re a delicacy that demands to be savored and not gulped down. On-screen kisses are usually rushed, messy, with too much tongue. They’re a scripted affair, more for show than out of real affection. When men tuck back your hair behind your ear or palm your cheek, it’s only to better angle your face for the camera.

There is something intimate about the way he holds you, the way he looks at you. Inwardly, you can't help but admire his acting skills. There’s something tender about the way he handles you that’s distinctly different from any of your previous onscreen partners. Sure, you’ve shot vanilla sex scenes before, but never of this variety. None of the male actors’ performances have made you wish, even fleetingly, foolishly, that the scene was real.

Hoseok pulls up for air before your mind can wander off completely, his panting mouth a hairsbreadth away. Lips touching but not quite.

Blearily, you blink your eyes open. You’re close enough that your noses brush against one another, your breaths mingling together. Hoseok’s eyes remain closed throughout, like he doesn’t want the moment to end. He looks so content that you can’t bring yourself to do anything else but melt further into his embrace, gaze drinking in the minute details of his face - like the tiny moles dotting his cheekbone and upper lip and the pretty curve of his eyes.

“And cut!”

You both jump away from each other, startled. For a second there, the storyline you’d been instructed to follow had slipped from your mind. You’re unsure if the lapse in judgement is good or bad but you don’t let the question linger in your thoughts. You’ll have plenty of time to dissect your performance at a later time.

“Good, good. That wasn’t what I was expecting but I don’t think anyone has any objections?” Director Ryu claps his hands. “Fifteen minute break sound good everyone? Then we’ll relocate to the bedroom to shoot the next part.”

There’s a general hum of agreement from the crew members. Chairs and various other equipment scrape the floor as the personnel prepare to migrate to the other room for filming. Jimin’s gaze meets yours briefly but all he can do is smile weakly in your direction before he’s ordered to help push some of the equipment down the hall.

Someone comes up to you with a bottle of water while another steps closer to blot the beads of sweat near your hairline and reapply a layer of lipstick. The make-up artist knits her brows in concentration until she’s satisfied with the touch-ups. She then moves on to Hoseok, make-up palette and brush at the ready, and grumbles loudly about the sticky residue covering his face. You hear Hoseok bellow a laugh, the sound so infectious that even the make-up artist joins in.

You sip your water through a straw, careful not to smudge your freshly applied lipstick, and check your phone for any missed messages.

“Was all of that okay?”

“Hm?” You look up and are surprised to see Hoseok stare at you expectantly. “I, uh, know some girls aren’t into ass play. I’m sorry. I should’ve asked before jumping the gun but I figured - since you said there wasn’t anything major you were adverse to filming...”

His voice trails off.

“I liked it.” The admission is an easy one. “It did take me by surprise, but - I don’t have any complaints.”

“Ah, really?” Hoseok’s mouth corners upturn in relief. “That’s good to know. I was thinking - for the next scene - what if - I mean, are you okay with calling me Daddy?”

You tilt your head as you mull over the proposition.

“Daddy?”

“It’s not - you don’t have to. But listening to Director Ryu go on earlier made me think of something we could do. I think it fits well with the general idea. What do you think?”

“I’m fine with it.” Using the title doesn’t make you squeamish so you shrug in compliance. It’s not the first you’ve had to incorporate a daddy kink into the scene and it likely won’t be the last. You don’t see why you wouldn’t or shouldn’t do it with Hoseok. “I’ll follow your lead like I’ve been doing.”

It’s only as you’re following him towards the bedroom that you recall that you’ve yet to get to the crux of the scene - the damned impregnation kink. Even though you’re considerably less nervous than you’d been an hour or two ago, the thought of begging someone you barely know for something so intimate makes your stomach flip-flop. You don’t even have unprotected sex with Jimin and he’s your boyfriend.

Speaking of Jimin, you try to sneak in a peck or two before filming but Director Ryu intercepts you before you can make a beeline to where Jimin’s stationed behind a camera.

“How are you feeling?” The overhead light reflects off his round glasses and makes it impossible to hold eye contact unless you want to become semi-permanently blind.

“Good---”

“Wonderful. Well, we’ve positioned cameras here, here, and over there. There’ll be another camera man who’ll film with a handheld camera for closeups. Just keep that in mind. I know we’re giving you free-range to do what you feel is best and most natural but I’d hate to ask you to re-shoot because the camera couldn’t capture the both of you properly.”

You nod and he continues, “Also - please remember that you’re acting as a horny young married couple. I remember at that age I was up for anything, you get what I’m saying? People think just because you put a ring on your finger the sex automatically becomes stale. Fuck that. Show people married couples are freaks in the sheet.”

“Uh... Alright. I’ll keep that in mind.”

He claps a hand over your shoulder. “That’s the spirit.”

Freaks in the sheet? What did he expect you to do? Try out all the sex positions in the Kama Sutra?

“What did he want now?” Hoseok leans over to whisper once you’re seated comfortably on the bed. You’re hoping the mics don’t pick up the conversation but would rather not take the risk of being overheard bad-mouthing the director.

Shrugging, you say, “Just that this scene should be spicier.”

Hoseok raises his brow, lips quirking into a smirk. “That so?”

The same cockiness you’d caught a glimpse of during your escapade in the kitchen is back and the memory you associate it with makes the back of your neck prickle with heat. You clear your throat and avert your eyes.

Thankfully Director Ryu interrupts before Hoseok has the chance to fluster you further. You follow each of the director’s voiced directives until you’re comfortably seated on Hoseok’s lap, dress hitched around your waist because of how far your knees are spread on either side of Hoseok’s thighs. There’s a quick, last minute adjustment as Director Ryu ensures that the camera in the left corner picks up on everything it’s supposed to.

Satisfied, he lets you take the reins from there, then gives the cameras the signal to begin rolling.

You don’t waste a moment, taking his earlier commentary to heart. It’s your turn to pepper kisses all over Hoseok’s golden skin, leaving faint traces of rouge behind like an artist signing their own painting. You stop a few times to admire your work. Lip prints and lavender bite marks color his skin and the sight awakens a possessive streak you didn’t know you had.

Your enthusiasm to mark him up gets a little out of hand.

"Mhm." Hoseok grunts when you lick over a sensitive spot under his jaw. "Slow down, princess. There's no rush. We have all night."

He cups his chin between his hands so you have no choice but to relent and direct your gaze up at him. You’re pleased to see that he’s not completely indifferent to your touch; despite his instructions to take it slow, the smoldering look in his eyes tell a different story.

He runs the pad of his thumb over your lower lip, the pink flesh no doubt swollen. You take the digit in your mouth, unprompted, and run your tongue against its underside, wishing that his cock could fill your mouth instead.

Hoseok makes a noise low in his throat, not quite a growl but close.

"And I intend to take my time with you." The look he levels you with promises a night full of mind-numbing pleasure. Ribbons of heat curl around the base of your spine. "Want to make you feel good."

"You do," you agree, words muffled around the thumb you refuse to let go of.

You take a hold of his wrist and free your mouth, only to quickly replace it with his forefinger and middle finger. The stretch of two digits makes you moan lewdly.

Hoseok’s eyes darken. He lets you play for a few more seconds before he takes back control, his fingers pushing deeper into your mouth until they hit the back of your throat. You swallow down a gag, but his fingers don’t let you rest for long. He drags them over the flat of your tongue, watching as spit dribbles down past the sides of your mouth, and repeats the motion, pumping into your mouth steadily like he would a cock.

As nice as it feels to be filled with his fingers, whether in your cunt or mouth, you’re ready for more. Subconsciously, your hips grind down in his lap, shifting this way and that until you’re perfectly seated over his hardened length.

Drool is pushed out of your mouth as Hoseok squeezes a third fingers in with the other two. You suck harder, hoping that all your efforts will spur Hoseok into finally fucking you. The knowledge that he has to, at one point or another, keeps you from whining and begging pathetically for his cock. You can exercise patience if you put your mind to it; you’re sure of it.

Your on-screen husband decides to test that resolve.

His other hand starts to wander south, his fingers toying with the short hem of your dress that’s been rucked up even higher with all your rocking and grinding. The movement of your hips slow, your brain unable to keep up with the stimuli coming in all directions.

A crack resounds in the room, the sharp sound startling you more than the sting that accompanies it. Hoseok’s palm rubs over the heated area, only inflaming it further.

“And who told you you could stop?”

The second slap is notably harsher than the first, and your hips automatically lurch forward hoping perhaps to lessen the impact of the sting.

You know he doesn’t expect a verbal answer; his second hand keeps your mouth plugged up, making any attempt at talking unintelligible. It doesn’t stop you from trying, only because you know the muffled protest are greatly appreciated amongst viewers. And if the way Hoseok’s digs his fingers into your smarting ass cheek is any indicator, you’re confident that he also enjoys your squirming and messy display.

“Keep moving, princess. I need both your holes nice and wet.”

The way his voice dips an octave makes your stomach twist in arousal. You long to tell him that you’re sufficiently wet enough for him to slide his cock inside right away but all you manage are pitiful garbled words.

He raises an eyebrow at your delayed response and your hips move before he can smack the globes of your ass for a third time. You have an inkling he’ll only hit harder with the intention of leaving marks of his own all over your skin.

It’s a careful balancing act, but you figure it out as you go. Bounce too fast and the fingers in your mouth will make you gag. Move too slowly for his liking and he won’t hesitate to add to the collection of handprints on your ass.

You lose track of how long he makes you play this game. Your mind focuses on sucking while keeping your jaw slack enough to accomadate the width of three digits. Drool pools down your chin, and you’re certain whatever the make-up artist had done to your lips is now ruined. Worse off are your panties. At the stage they’re at now, you’ll have no choice but to throw them out. Hoseok’s pants might need be as unsalveagable as your thong, you think inwardly, judging by the large, dark wet spot you’re currently sitting on.

“Mmh, good girl.”

He gently slides his fingers out, strings of saliva attached. He hums in satisfaction at the lewd sight and rubs his fingers across your swollen lips and shiny chin, spreading the fluids and what’s left of your lipstick over your mouth. You swallow, mouth sore from being used roughly for so long.

“This hole is sufficiently wet, I think,” he appraises, eyelashes fluttering before he casts a long look down your body until it reaches where you’re seated on his clothed erection. “Let’s check this one too.”

The way he smirks at you but makes no move to check himself lets you know that he expects you to do the work.

You let your hands trail down your body slowly, cupping your breasts as you do, enjoying his hooded gaze and the way his cock twitches beneath you a bit too much. When you reach the hem of your dress, you lift your hips up to pull the fabric up to your navel giving an unobstructed view of your lace-covered pussy.

Hoseok stare intensifies but you don’t feel any embarrassment from the scrutiny. “Well you certainly look ripe.”

His fingers toy with the delicate string of lace around your hips. He lets the material snap against your skin a few times before he grows bored or impatient with his own game and gives the lace a harsh yank. It tears easily and the leftover scraps fall into his lap.

“... But just to be sure -” His hands grip your waist and manhandle you onto your hands and knees. Your head spins from how suddenly he’s moved you around to his liking that your arms give out and you fall face first into the clean smelling bed sheets. “Gotta give my favorite hole of yours a better look.”

His hands hoist your hips at a higher angle so that your soaked center is visible for the cameras to pan onto. Hoseok slides in two fingers easily, then a third. Loud, obscene noises echo in the otherwise quiet room, noises that are quickly joined by your unabashed moans of pleasure.

Your core is on fire. Hoseok’s fingers are just as good as you remember them to be. No, better. The three fingers pump into you in measured strokes, the drag slow enough to keep you dangling over the edge without pushing you over.

Hoseok spanks your ass, hissing between his teeth as you clench around his fingers, no doubt imagining your inner walls hugging his cock instead.

“Christ. You’re always such a soft, wet little thing down here,” he croons in dulcet tones. “I could play with you all day.”

You thrust your hips back, shameless.

“Please! Please Daddy, I’ll be so good, I just - please - I nuh, need it. Need your cock fucking me full. I’ll take it so good, you know I will. Want you to - please! Daddy, I need your cum.”

“Shit.”

He fumbles in his haste to flip you onto your back. He crawls over your body, and you watch fascinated as he dives down to kiss you like a man starved. He looks almost feral, pupils so dilated the brown of his eyes is almost gone.

Heat blooms in your stomach as he kisses you deeply. The press of his lips against yours renders you a little less coherent as time ticks on, every brush of his tongue making you a little more dizzy with want.

Everything about him burns. It feels like being kissed by the sun itself. Every caress, every lick and nip leaves you feverish all over, like your drunk off his touch.

"Let me," he says, pinching the zipper of your dress between his thumb and index finger.

You wrap your hand around his and guide his movements. His gaze never leaves yours and it makes shivers run down your back. Even though you're the one controlling his movements for the time being, the look in his eyes makes it abundantly clear that the control you wield is only temporary.

When your dress finally falls open, you try not to preen too much under the reverent look that falls over Hoseok’s face. Your back arches a little off the bed, pert breasts thrust towards him - an appealing offer he doesn’t dare refuse.

Hoseok circles a thumb around your nipple, rubbing and flicking until it hardens into a stiff peak.

You wonder, distantly, how this looks like from the outside looking in. The man in front of you is a stranger in all senses of the word. Yet the way he touches you - like there are years of built-up affection behind every gesture - makes you second guess everything you know.

"Fuckin' love your tits.” He sighs, awe reflected in the dark of his eyes. "Love playing with them. Love how wet it gets you, how hungry your little pussy gets."

"Please,” you mewl, his words igniting a new wave of heat. It rolls over your body, leaving no extremity untouched. You burn from the inside out with raw desire.

You squeeze your own breasts in a bid to get him to touch you more. Hoseok merely chuckles, finding your desperation entertaining. One of his hands reach down between you to play with the wetness that clings to your core like a second skin and it takes everything inside of you not to rub yourself against him like a bitch in heat.

"What is it, princess?" His lips quirk into a smirk like he already knows the answer. "You're looking quite needy. How did you manage to hold it in all this time?"

“Stop teasing,” you growl, the lack of friction making you irritable. "I need your cock. And why - why do you have so many fucking clothes on?”

He chuckles, chest vibrating in amusement.

“Take them off,” you insist. Then, you grudgingly tack on a “Please” for good measure.

As hot as Hoseok looks like in his “work clothes”, he looks infinitely better naked, you decide as he chucks off his button-down shirt and gets started on his leather belt. With each new piece of clothing that gets discarded, the anticipation building inside of you skyrockets.

You take a moment to soak in his lithe figure, not bothering to hide how affected you are by the view. He’s nicely sculpted; you can tell right away that he takes care of himself. Swimming or dancing maybe? You hesitate between the two. His muscles are lean, nothing like the bulging biceps and thick forearms typical of the stereotypical gym rat.

Hoseok’s dick is, unsurprisingly, as pretty as the rest of him. It’s long and curved, a prominent vein running along its underside. The thatch of pubic hair that rests above his dick is neatly trimmed, the dark hair contrasting with the tan skin of his abdomen and the rosy hue of his erect length. Your eyes swoop down his thighs, licking your lips unwittingly at the alluring sight presented to you.

“Daddy,” you say, the whine in your voice unmistakable. “Want your cock.”

For a brief moment you’re tricked into believing he’s given in to your demand, but find yourself disappointed when he contents himself with rubbing his hardened member between your thighs, the glide slippery thanks to the copious amount of your essence that’s pooled there.

“Like this?” Hoseok asks, tone too sweet to be anything but mocking. The head of his cock bumps into your swollen bundle of nerves one, two, three times. You keen, your hips canting upwards in a bid to get more friction. “Want to rut against me until you get nice and creamy?”

He uses his right hand to spread your slick lower lips so that he can nestle his cock snuggly between them. He rolls his hips, the undulations fluid and dirty, and smirks at how you moan brokenly beneath him.

Your stomach clenches. “Need it in me."

"You'll get it," he promises after kissing you sloppily, lips sucking on your tongue. His breath is ragged but his voice steady, firm. "I'll give you everything you need. Make you cum so many times you know who owns this sweet pussy."

He speaks so surely, carries himself with so much confidence, that in the moment you can't help but believe him. The line between staged and reality blurs and you find yourself nodding eagerly, begging him as best you can to give you what you want.

The first tentative push of his dick wipes you clean of coherency. He slowly eases himself into you, reaching forward to lace his fingers with yours. It’s - more intimate than you expected. He squeezes your hand tightly in his when he finally manages to bury his entire length inside of you.

“Perfect.” He kisses the side of your temple before drawing back, his hard cock dragging deliciously against you. With a fluid hip thrust, he slides back in and you feel the stretch moreso this time around. The curvature of his cock has him pressing up against your walls in a way that robs you of breath.

"Daddy! Hh - ah, oh God. You're too b-big."

"Mhm, that's right. Daddy's fat cock is splitting you open. I'll plug you up with it later so none of my cum will leak out."

Every time he pulls back, your pussy clamps down tightly around him, unwilling to be empty even for a second.

Hoseok’s nostrils flare in arousal. He grabs your left tit and squeezes, using it as a hold to better fuck into you. With his body hovering above yours, his hand staking claim of your breast, and his cock drilling into you, you have nowhere to go. Pinned to the bed and unable to do anything but take everything he delivers, you wrap your legs around his waist and moan.

"Daddy's gonna fuck some babies into you,” he rasps, his eyes dark pools of lust. "Gonna breed your sweet pussy over and over. You'll be so full of my cum that you'll be pregnant with my babies for sure."

“Oh fuck. Yes, yes - oh my nhhg.” You sob as Hoseok drives his cock into you with more force. While the piston of his hips isn’t rushed, he pulls out to the tip only to slam back in to the hilt every time. The stretch burns in a good way and the sound of your moans are rivaled only by the wet, obscene sounds from your coupling.

"Fuck. Your cunt just - shit." He cracks down a hand against your ass and you shriek, not expecting it. "You're so tight, holy shit."

"Want it. Want you to fuck me good."

"I will," he says lowly, the promise reverberating deep in his chest. "I'll fuck you until you're begging me to stop. Fill you up so much, you'll be bloated with it."

And it should freak you out, the imagery he paints with his words, but the thought of laying there and him fucking you so well that you won't be able to feel your legs has you gushing out more wetness.

"Mmmh.” Maybe he can feel how soaked you are because he comments, “This is my favorite hole of yours, princess. Always so fuckin' drenched. I bet we’ll have to throw out the sheets again." He chuckles. "You must be hungry for it, right? I made you wait so long. No wonder your pussy is clenching like that. It needs a big, fat cock to milk dry."

“I missed it,” you cry, body skidding a little higher up the duvet each time he fucks into you. Your eyelashes flutter, lids heavy. It’s hard to concentrate, let alone form words, when your brain feels like complete mush. “I - I need your cum. Daddy, please.”

"Don't worry, gorgeous. I've got you. Daddy will feed your cute pussy his cock."

"Th-thank you, Daddy."

"Love you," he murmurs. It’s a quiet confession, lost somewhere in between the mattress creaks, the loud slaps of Hoseok’s hips slamming against yours, and the string of whimpers and groans pulled from your throat. It’s quiet but you hear it.

One of your hands reach up to pull him down by the neck so that your lips meet. He kisses you open-mouthed. It’s a filthy kiss, one that makes you moan into his mouth. You’re certain that if you had been standing your knees would have wobbled.

When you let up for air, Hoseok’s staring you down, his red-bitten lips plump and shiny.

"Love this pussy. So sweet and wet for me. Always for fucking swollen, like it's waiting to get a pounding. Love that. Love how eager you are to be bred by my thick cock."

The impregnation kink is - a bit much. You've never really imagined having kids, at least not anytime soon. You can’t even keep your plants alive for fuck’s sake.

But the way he suggests it is nothing like what you had imagined. His suggestions are - vulgar and primal. Like the urge to fuck you full of his cum is biological and he can’t smother it.

For a moment, you let yourself entertain the thought of being his breeding bitch - of laying on your back and letting him fuck load after load of cum inside you until your pussy physically can't accommodate any more. Of not having any other worries or thoughts but take his cock every moment of the day.

"You just got tighter.” He curses under his breath, voice thick with arousal. "Such a warm little hole. Taking everything I give it. You'd take anything if it meant getting bred by me, right?"

“Yes, yes,” you chant, pleasure coiling inside of you. “Give me more! I need it."

"Shit. You can't handle more, princess," he tries to reason. "Daddy needs to be gentle with you. Your hole is so small, it'll hurt if I go harder."

"Daddy promised to fuck me.” You whine, uncaring if you sound too bratty and demanding. "B- Breed my hole. It's yours. Puh-please use me."

"God." Hoseok groans, his features twisting in what looks to be pain or pleasure. With tremendous effort he pulls himself out of you and your eyes widen in panic.

“What? Daddy why? I thought—”

He shushes you, reaching somewhere overhead to grab a fluffy pillow. "Just wait a sec, okay? There you go.”

The pillow is placed underneath your hips, keeping them elevated. When Hoseok takes his glistening cock in hand and directs it back in, you both moan in unison.

"Oh fuck, I’m gonna, ah,” you gasp as your mind goes blank with pleasure. The new angle is heaven on earth. It’s almost too much, too quick, but Hoseok’s firm grip on your hips prevents you from alleviating the pressure.

"Take it." He grunts, brows knit together. Every powerful snap of his hips makes your breasts bounce, your breath hitch. Without his hands keeping you pinned down, your head would have collided with the headboard by now. "Be a good princess and take your fucking."

He gains momentum, the new angle facilitating the slide of his cock. He drags the flat of his palm down your thigh and takes a hold of your knee before hoisting it up over your shoulder. The stretch burns the back of your calves but you’re so fucked out, you can’t even find the words to complain.

When you glance up, it’s to fall upon the sight of Hoseok brushing his sweaty fringe out of his face. His cheeks are flushed pink, his skin dewy from the film of perspiration wrapped around his body. Beads of sweat trickle down his heaving chest but he chooses to forgo a quick break. On the contrary, he pushes in deeper like he’s determined to carve out a permanent space for his cock.

"Just gonna keep you here,” he huffs, his eyes the shade of cloudless night sky. “Everyday I'll fuck my cum back inside of you so that you'll always stay full. Want to fuck you forever. Don't want this to end."

"Want it too," you sob, orgasm hovering just on the periphery. "Want you to keep me full forever. Ugh - oh fuck! Hoseok- I'm—"

"You gonna cum around my cock, princess?" He angles his hips downwards, relishing in the wanton cry it elicits. "Gonna give me everything?"

"I'm yours," you profess, jaw slack with pleasure.

It doesn’t take much more for the orgasm to crash over you, Hoseok fucks you through it, groaning as your inner walls spasm around him. He breathes out curses, lip drawn tight between his lips, and doesn’t wait for the last waves of your orgasm to abate to chase after his own end.

In the throes of your pleasure, it doesn’t register then that Hoseok has been holding back all this time. If you thought he had been fucking you hard before, it’s nothing compared to now. He growls and bends forward, forcing your leg to stretch even more, and pushes in and out of you at a pace that makes you scream.

You don’t even have time to come down from your first high that you’re already thrown towards your second. Hoseok plugs your mouth up using two digits, his fingers a firm pressure against your tongue. Your eyes roll back, too overwhelmed from the feeling of being stuffed on both ends.

“God, I could fuck your holes all fucking day.” His rhythm begins to falter as the pressure inside of him grows, his movements frantic and less controlled than they’ve ever been. “How about that? I’ll fuck my princess’ mouth properly next time, stretch it out nicely. Then you’ll let me have your ass, hm?”

Shit, shit, you whimper around his fingers, spit bubbling down the sides on your mouth. It’s scary knowing you have no way to stop the oncoming destruction.

“Yeah, I can tell you love that. You’re gonna cream my dick again, aren’t you?” You can’t tell if the sound he makes is a laugh or a grunt. All you know is that you feel like you’re about to burst. “C’mon, be a good girl and milk my cum out. You better get every last drop.”

There’s an underlying threat in his command. You do your best to obey his words, not wanting to disappoint.

Hoseok pushes his cock in as deep as it can go and grinds his hips into yours. His cock reaches so deep that you swear he might hit your cervix. And considering the nature of the scene you’re portraying, maybe that’s what he intends.

He swipes his fingers through the mess of your cunt, zeroing in on your sensitive clit. He swirls some of your fluids over it before giving it a sharp pinch that makes you cry out. Your hips fly off the pillow but Hoseok is quick to pin you back down. The never-ending drag of his cock along your walls paired with the rough ministrations to your clit is all you need for the pressure inside you to snap.

Above you, Hoseok moans, low and throaty, as he finally dumps rope after rope of warm cum inside of you. He throws his head back, exposing the collar of purplish bruises you sucked onto his skin earlier. Something about the view satisfies you immensely - not that you’d dare voice these thoughts out loud.

Hoseok’s strength gives out and he sags onto your body, his breath warm against your skin. He feels hot, like a furnace, but strangely it’s not uncomfortable. It’s almost like having a personal heating pad; the soreness of your muscles melts away with each passing moment.

Much to your displeasure, your post-coital bliss doesn’t last forever. He's given the signal to pull out and obeys, careful to keep your hips propped up so that his load of cum won’t slosh out. He’s still got a role to play, after all, and the end goal is to get you pregnant.

A cameraman walks forward to zoom in on your swollen and used pussy - physical proof of your exploits. The haze lifts. You become more aware of the people standing on the outskirts of your vision, lighting or sound equipment in hand.

“And that’s a wrap!” Director Ryu calls, his cheeks stretched to accommodate the width of his grin. “Good job everybody!”

You breathe out a sigh, glad your day is finally over. Seokjin walks up to you with a robe for you to throw on and you nod in thanks, slipping the satin gown over your sweaty body.

Around you, the staff start milling about, putting the equipment away and gathering their belongings. You pay them no heed, your attention focused on getting changing into showering and changing into comfortable clothes. You’re in the middle of taming your messy hair when your stomach erupts into growls, reminding you of your hungry state. What you’d do for a big slice of piz—

You remember your date with Jimin and speed up, not wanting to make him wait around for you any longer. It’s not hard to spot him - he’s waiting outside of your dressing room, can of coke in hand.

Something about his smile feels off.

Maybe it’s the way his eye corners don’t crease or the slight strain the curve of his mouth that betray him.

Your expression falls. “What’s wrong?”

“Nothing - it’s nothing, don’t worry,” he says after a short, tense moment of silence. The look on your face must have reflected your feelings of doubt because he proceeds by reaching out and pulling you tight against him. Pressed up against his shirt, you can smell the faintest trace of the fabric softener he uses and its scent, familiar and sweet, mollifies you somewhat. “You did amazing today, baby. As usual.”

The compliment you’ve been waiting for makes the sides of your lips rise automatically. “I did, didn’t I?”

“Almost too well.” He hums, one of his hands stroking the back of your head.

“Well, I can’t take all the credit, “ you admit. “The results wouldn’t have been half as good if Hoseok hadn’t been my partner. He’s new in the game but he doesn’t act like it, does he?”

“He doesn’t, no.” Jimin agrees. “He’s... he’s something, alright.”

Your grin widens. All your worrying had been for nothing, in the end. The shoot had gone without a hitch, all of the set members coming up to you with praises of a job well done. You can’t recall the last time any of your performances had elicited such a response post-filming. Even Director Ryu looks particularly pleased, a permanent grin etched onto his features as he reviews the tapes. The knowledge that you’ve done well fills you with a pleasant giddiness that warms your insides and makes your cheeks hurt from how wide your smile stretches.

“Oh good, you’re still here.” Hoseok beams. A damp towel hangs around his neck and the ends of his hair are wet like he’s just gone and doused his head under the bathroom faucet. “I was worried you had left. I just - thanks for earlier. I had a lot of fun! If the chance presents itself, I hope we can work together again.”

“Thank you.” You want to praise him too, know that his performance deserves it, but your next words are cut off before they have the chance to form. Jimin steps closer to you, his grip on your hip tightening suddenly.

When you glance up to check on your boyfriend, he’s sporting a serious expression that you’ve rarely seen before. He doesn’t look angry, but it’s clear as day that he isn’t too pleased with the present situation. His face is closed off, cold, unwelcoming - so drastically different from the usual cherubic sweetness you’re accustomed to seeing.

You’re at a loss for words, unsure of who to address first. What’s going on?

Hoseok senses the sudden change in atmosphere and chooses to tactfully retreat.

“Good work, man.” He nods at Jimin and then shoots you a wave. “See you around sometime, ______ !”

Your eyes follow his exit before you turn to face Jimin again, hoping the smile on your face masks the worry you feel bubbling on the inside.

“Jimin what - I mean, are you sure you're okay?”

Jimin returns a strained smile of his own. “I’m fine.”

Your gaze lands on his right hand that’s still squeezing your waist. It borders on uncomfortable but you try not to let it show. You must not do a very good job at schooling your features because Jimin quickly apologizes for his behavior.

“Sorry.” Jimin lets you go once he notices your discomfort. “I just - I don’t know. You’re right, I’m not acting like myself. I think...seeing you say that stuff and act that way just - I’m not sure why, I guess - Since usually the sex isn’t like that, it caught me off guard.”

“You didn’t like that I acted like I was in love with him.”

“Would anyone?” he shoots back, smile sardonic. “It just looked so convincing in the moment. I guess it got me worked up.”

Sure, Hoseok is hot. If you had to work with him again, you would in a heartbeat. It’s not often you land a colleague you’re so sexually compatible with, who also happens to be so well-mannered and good-looking. It’s like hitting the jackpot, really.

But - just because you’d fuck him again for professional reasons, doesn’t mean that you’re interested in him beyond that.

“Jimin. I don’t want to be with anybody else but you.”

“Yeah. Yeah, I know.” The muscles in his face relax. “I love you.”

“Love you, too.”

It’s not until later, as he fucks you uncharacteristically hard in the backseat of his car parked in the back lot of the film studio, that you begin to wonder if things really are as idyllic as you believe them to be.

#wow so this took a decade and a half to finish but it's finally here !#final part should be up by the end of the month : )#bts smut #hoseok smut #hoseok #also warning i didn't proofread the smut scene yet so rip if there are any mistakes

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taco-and-mango · 4 years

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everyone else was making Shlorpian OCs, so here’s my lil family. more info under the cut!

so because I never half ass anything that’s not important, I thought way too hard about what it would be like if they appeared on the show and how they’d fit into the mix so here’s some fun facts, including potential voice actors:

Viyma - would be voiced by Chelsea Peretti - worked as the Shlorpian equivalent of a doctor, specializing in the process of cutting plant material off of people to use to create replicants - on Shlorp she was a total bombshell, I mean look at the curve of her head godDAMN - used to using her looks to get stuff/favors - actually really smart and works hard on things she gives a shit about (her job, family, bocce ball) - was in the same class in the Academy as Korvo - they fucking hated each other - they also hate fucked each other - robe looks like it flares out for dramatic effect but really she's just got A Fat Ass - Big Top Energy -started growing her replicant later than others in her age range because she was Married To The Job and didn't prioritize creating her own as opposed to helping others create theirs - Wine Mom, but never says no to vodka - has a soft spot for replicants (not just hers, she's pretty nice to Jesse and Yumyulack as well) - makes fun of Korvo for not having his ship repaired by now and refuses to help - partially because she has no idea how because she had someone do her Ship Repair classwork in the Academy but Korvo doesn't need to know that Xechee - probably voiced by Kristen Schaal idk lmao - Viyma's replicant - struggled to grow during her incubation and emerged from the soil earlier than normal - real pipsqueek - not actually dumb but def naive - never knows wtf is going on but is just happy to be there - chose female pronouns relatively early for her age - likes flowers a whole lot, hence why she wears one (it's not fungus from lack of handwashing, Viyma's checked) - her fingers never grew properly, just her thumbs, so her hands look like little mittens - will only eat food if you put maple syrup on it first - too young to really be helpful on the mission as of now but she's fun to have around Phin (full first name is Zelphin) - would be voiced by Joel McHale - pupa expert, and unlike Terry, he actually knows shit about the pupa - he and Viyma were kind of into each other before news of the asteroid came out - was friends with someone on the committee to assign mission partners and might have... influenced him to partner him and Viyma together - used to be a huge fuckin dweeb - Terry pantsed him at the Academy once but considering they wore robes nobody saw anything and it wasn't actually that funny - he's still salty about it though - Shlorp version of Be Careful Who You Made Fun Of In High School - Terry doesn't hate Phin but Phin definitely hates Terry - gets into microbrewing at some point probably - really into the Rugged Camping Dad aesthetic, owns 12 flannel shirts - petty af - cocky and constantly overcompensating - a pretty good dad to Willow and Xechee regardless - Don't Talk To Him Until He's Had His Coffee Willow - would be voiced by Ilana Glazer - Phin's replicant - mellow as hell, kind of a hippie - doesn't wear shoes - won't eat meat, and won't even eat fruits or vegetables bc they're technically living - eats straight up dirt to survive (Shlorp version of a vegan) - still smokes weed, and will eat anything while high - a little older than Jesse and Yumyulack, like 16-17 in earth years - discovered yoga pants and can never go back - was training on Shlorp to work in the Solarium and take care of incubating replicants - as a result, she's really into gardening and plants on Earth - got made fun of a lot on Shlorp for picking a dumb name like Willow and not a proper Shlorpian one like Xanthiolix or Greg - probably has a yoga and mediation Instagram

Yeah but then I was like ‘wait why would they interact with the Earth fam if they’re supposed to be on another planet? so here a basic summary of what would go down:

A new neighbor moves in across the street from Terry and Korvo named Brent and they NEED to get to know him better.

Korvo believes he would be able to assist with ship repair because he saw him changing the oil in his car once and I mean, come on, he would definitely be able to lift things Korvo couldn't. With those arms?? (also basically he wants to be friends with him and maybe fuck him but doesn't want to admit that). Terry wants to be friends with him because he saw the big screen tv in his living room and also thinks he'd be into doing butt stuff. He doesn't seem offput by aliens either, so that's a plus!

After a few failed attempts to befriend him they notice a space ship, very much like theirs, in his driveway. Was Brent in disguise this whole time?? Could he be a Shlorpian who could help them with ship repair??? And then Terry doesnt have to hear Korvo complain about how he never helps with ship repair???? Even better!

Then they find out the actual Shlorpians are Viyma and Phin, Korvo and Terry's respective rivals from their homeworld. Not only would they never help them with ship repair or the Pupa, but apparently they're both dating Brent? And they're going to constantly be around to spend time with him???

GREAT.

Yeah I haven’t drawn Brent yet but I like poly couples and I figured it’d also give these clowns an excuse to visit earth and annoy the Solar Opposites fam. They met Brent at Trader Joe’s because their uninhabited planet doesn’t have one so they would make the trip idk shut up

I’m new to digital art (and it’s been a while since I’ve drawn at all because of reasons but I’ve been wanting to get back into it) and I drew Viyma first, so she looks kind of rough but I think I’ve already improved! I did Willow and Xechee (pronounced Zee Chee btw) last and I feel like I was starting to get the hang of what tf I was doing. Hopefully I’ll be able to draw the canon characters soon (and maybe Brent and their pupa)

#solar opposites #solar opposites oc #solar opposites ocs #these took way too long #Xechee has my entire heart btw #Willow too but #c'mon look at Xechee

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thesharondefenseleague · 3 years

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mlm imo werent sexualized to the degree that wlw were in most canon media mostly because of the male gaze. Gay and Lesbian relationships or moments got very limited representation. One was probably more sympathetic but also heart breaking like say brokeback mountain. One was explicit but depicted as grotesque or twisted or perverted or immoral in some way. And the last version was the titillating version. In western media because of the assumed straight male gaze lesbians making out to titlate guys was a common thing like say in Jennifer's body. The equivalent of that with guys wasnt really that common not in western media. Not that wlw couldn't like that content but it was made to be fanservice for men .

So thats what I kind of mean by wlw were sexualized at least in western media. This equivalent with mlm in fandom never really existed they never made out for girls to find hot in the same way. It was never marketed like oh look hot guys making out. Fandom did that but not canon.

As for comic book men being sexualized kind of. There is definitely the unrealistic beauty standards but theres that debate of was it for the purpose of titillating women? Or a result of toxic masculinity putting this unattainable unsustainable goal for men. Maybe both? But both in comics and the movies they are based on the posing and clothing and moments with women get made to clearly sexualize them . It especially ovbious with comics with them twisting their bodies so their boobs and butts are jutting out. Or like movie moments like Bruce landing in Natasha's clevage. Or angles where you are staring down a female character's shirt or she has a boob window for some contrived reason. Or just reasons to give full page spreads of them in skimpy clothing.

Its rare men get depicted like this or posed like this. And when they do it often stands out because its not the norm. It's something unique. Not true with men. Even in form fitting spandex they are often posed and framed to make to make them look powerful or intelligent or to reveal things about their character.

Again not that men never get sexualized or that fanservice is always bad. Or that its not a concern that men are having these terrible body image issues. But just that for women for the sexualization its so pervasive and constant was my point.

Its just as bad in wlw in canon as it is for women in relationships with men in canon when it comes to that sexualization but i hear so much more about the problems about the wlw ship than the mlw ship. Like to use DC as a example i hear so much about how people sexualized or mishandle harleyivy but compared to that i hear very little about batcat in comparison even though Catwoman is often just as sexualized in that ship.

As for misogyny in shipping wars yes it definetly exists and is a problem as is racism and homophobia. But my issue is mostly that the problem isnt because the main popular ships are mlm. But so often I see the argument framed that way.

Like shipping wars existed between m/w ships and still do today. And they are still often pretty misogynistic towards the woman in the other ship. I don't even have to look at other fandoms I remember Steggy vs Starton getting real ugly.

Mysogny in fandom doesn't uniquely pop up when mlm are the more popular ship. Its often just as bad in fandoms where m/w is the popular ship. But people just bring it up alot more they make it bout valuing the men over the women .

Well i mean that goes both ways you could say its homophobic for valuing the straight ship as better than the gay one or liking it more. But either way its stupid they dont care bout sexism or homophobia only that their ship is more popular.

Thats the sentiment of all ship wars the gender dynamics and racial make up change nothing. Nothing except the bullshit you use for the ship war.

The problem is that people are being homophobic and mysogynistic and racist not just in regards to fictional characters but towards real people just to win a ship war. It comes out so easily. Thats the problem imo.

Mysogny for example i think isnt discussed as much when its a m/w vs m/w ship war or drama because as both ships have women it can't be used to slander the other ship. But when its drama between fans of a m/m and m/w it comes out alot again not because anyone really cares but because now because one ship lacks a woman it can be used as fodder for what people actually care about. Tearing down the other ship.

Again not that mlm fandom doesnt have mysogny. They definetly do. But they aren't mysogynistic because they ship two guys together. Thats not proof they hate women. Having a ship with women isnt proof that you aren't sexist towards women. There might be homophobia in fandoms of mlm ships and mysogny in fandoms of m/w ships.

But in the drama between a m/w and m/m ships that doesn't get brought up because no one cares if that problem can't be used to show that someone only doesn't ship your ship if they are bigoted against it. Who cares about misogyny if your ship is two guys? Who cares about homophobia if your ship is straight?

No one because they cared about the popularity of their ship not the actual issues.

Gonna under under the cut for length again.

This is a lot to read so I'm gonna respond paragraph by paragraph and hope for the best in terms of comprehension.

When it comes to media made about the LGBTQ+ community, you have to keep in mind when it was made, who made it, and who was it made for. And that it's been shown that straight women have had the same reactions to mlm content as straight men to wlw content. QaF was dumbfounded to find that the majority of their audience was straight women when the show's sex scenes were 95% between two or more men and yet that's what they ran with because hey, it got the views. The views of mlm and wlw content in the mainstream media before then was minimized, despite how fucked a lot of the other content could be. If by "most canon media" being directed at the male gaze being summer blockbusters, and more specifically comic book movies, then sure. If we step out of that box, then not really. The film examples you chose are interesting because BB is portrayed exactly how the author of the original short story wrote it which was meant to be heartbreaking since it was a tragic dramatic piece while JB has a woman who wrote and another woman who directed it while purposefully trying to allow to actress to have a level of sexuality without exploiting her as past directors have (also neither of the main characters are lesbians - one is bi, the other I think is straight but maybe questioning?).

The sexualization of wlw in modern western media is definitely a thing. I mean, the first Iron Man film has stewardesses on the private jet pole dancing if I remember correctly. It took until 2016 to stop sexualizing Scarlett in every movie: the changing scene in IM2, the lowered zipper in A1, the ass shot in Cap 2, the boob faceplant in AoU (in your third paragraph, but mentioning it here anyway). It's a joke that you know when a man directs a wlw indie film during the sex scenes. But the mlm equivalent did exist alongside it, and it's what kicked off the century.

Comics and their movies were always for men. The male bodies are male wish fulfilment for their physical appearance. The women are male wish fulfilment for their dream girls. Funnily enough, one of the least sexualized women in comics I've ever read is Sharon. She's rarely, if ever, drawn to be sexualized for the audience. I'm not even sure she's even been in those swimsuit issues Marvel did years ago. And it shows heavily that Marvel struggles to know how to appeal to women without being aggressively in your face about it. The best example of them appealing without pandering is WV, and the worst is the group shots the Russos did in IW and Endgame, especially the latter.

But the men get those poses in the movies too. Thor bathed shirtless for no reason in TDW. There's a scene in Endgame dedicated to talking about Steve's ass. Pratt in GotG. Rudd in Ant-Man. Most actors are expected to look good shirtless and put themselves through intense shit to look that way. So do the women, but they aren't doing it to have the glamor shots of their muscles. And the MCU is not the only film franchise like this. Most, if not all, franchises with majority or entirely male leads expects them all to look like bodybuilders. And I'm gonna take back that it's just for the male audience, because these bodies are meant to appeal to women who are intended to thirst for these actors too. They think these bodies is what will bring women to the theaters.

None of this will change, as you say, that women's sexualization is "constant and pervasive". The film industry is just a part of the larger whole of media. Television and advertising have a treatment of women that's beyond whatever you or I say because there are decades worth of shit to go through that would take dozens of essays worth of writing to fully divulge beyond "please stop it's gross".

Now DC is a whole other ballgame. They're pretty infamous for their artists' sexualization of heroines and villainesses. Harley, Ivy, and Selina are definitely pretty bad, but when I remember what I've seen drawn of Kara, Kori, or sometimes Barbara... But outside of one artist, I think Harley and Ivy as a couple have been drawn tamely. Can't say the same for Selina, because they just can't not draw every part of her body even when she's fully clothed.

I think it's hard not to talk about fandom misogyny outside of m/m ships because of how often popular m/m shippers have rooted their shipping into misogyny. And even with m/f ship wars, a lot of the time the "faulted" character is always the woman when majority of the time it's the man who sucks. I don't get why everyone is fighting for who should kiss Steve because Steve sucks and they'd be better off without him. But because Steve is the object of affection for our fave, we have to fight off everyone else.

Don't look at other fandoms for m/f ship wars. We don't appreciate how tame we were, even at our worst. I'm serious, I've seen so much worse.

I think why the topic of misogyny comes up more with m/m ships is because they follow a similar principle of the male characters being more developed in canon and fanon so it's who people gravitate towards.

There is definitely layers of homophobia in fandom, but there's many versions of how we see it. Homophobes who won't ship anything that's not m/f. Homophobes who ship m/m but won't support IRL rights. People who love m/m but abhor f/f, and vice-versa. The shippers who use them for personal fodder. But the sexism is more prevalent than the homophobia. And the racism way more than both combined.

And it does cause a lot of ammo, and much of it severely unjustified, in ship wars. Literally the bullshit I've seen pulled out of thin air to accuse Sharon of not being worthy because someone said she's a racist for [they literally had no reason just called her one because we said Sam and Sharon are friends because they are] and other nonsense.

The real world repercussions of the homophobia, the sexism, and the racism in fandom... there's just so much. Like we are all still people, and yet we decide because we hide behind screens to be antagonistic, and use homophobic, sexist, and racist shit to attack each other over ships just because we want to paint the other person as crazy, I guess? If you can't see that there are no enemies in ship wars and that the other side is still people, maybe you need to sit out and log off. It's baffling how often it still happens to people. Then it's no longer about ships, it's about who is an asshole.

I will say that Steve and Peggy vs Steve and Sharon is probably the only m/f ship war I've seen where misogyny is talked about. Is, not was, because it still is. Both sides call the others misogynistic. I don't think either side is, but you can see in individuals. Those who tweeted at a certain actress that she was a slut for kissing her costar certainly are though.

You are right that shipping m/m isn't inherently sexist. But tearing down women in those ships to prop up m/m has made me stop shipping certain characters altogether. People, seriously, we don't have to justify why we like them! We can just like them! And other characters can still exist! It's never been that deep.

And you're right, the popularity of the ship helps people ignore any deeper issues within them and this is a power used to silence valid criticism if it pops up.

(I hope I answered everything well for you.)

~Mod R

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secretly-a-nerd · 3 years

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Destiel is bad for mlm. An essay with comebacks.

CLARIFICATIONS BEFORE I START: DESTIEL FANS DON'T INTERACT WITH THIS OF COURSE!!! Btw, I am mlm, I have a loving boyfriend who acts like Castiel while I act like Sam a lot... so yeah, I'm a Sastiel shipper so this post may come off as a little biased but I want to help other shippers who are against Destiel. So if you're not a Sastiel shipper, still, don't leave- I'm not forcing you to ship it. That's wrong to force someone to ship. I'm also anti-Dean person. In this post, there will be spoilers for Supernatural.

Ight let's put this show on the road... first off...

WHY DESTIEL IS BAD: -Yes, the ship is mlm and if canon, will be a mlm ship... but it’s bad rep. Why? Because if you want good representation, you gotta have a good relationship and not be queerbait for about 12 years. Dean literally beat Castiel up multiple times (even without the Mark of Cain). Let me ask you this fellas in a relationship... do you beat your partner? Bark commands at them 24/7? See them as a monster at times? I don’t think so.

-Stepping away from the ship itself, the fans are toxic and normally straight cis women who think they know what’s good for mlm or fetishizes mlm. (However, I’m not saying everyone who ships Destiel is straight and a cis woman) Also, the Destiel shippers will often times force others to ship that ship with them.

-What is mlm fetishization? People who solely love mlm ships- they barely have any wlw ships or straight ships. Just... mlm... or forces two males together, even if they are straight. They are or the equvialent of asking a gay male to be their 'gay friend'. That is very toxic. Destielhellers... get a new hobby, something healthier than reading/watching sexual assault, emotional abuse, and physical abuse.

COMEBACKS:

-When Castiel raised Dean from hell, he didn’t do it because “he loves Dean!” It was because Castiel is a soldier, a perfect soldier too, created by God to obey orders without question. When Castiel was first introduced to the show, he didn’t understand human emotions nor actually feel them so how could he quickly love Dean? Castiel also raised from Sam from hell.

-“#Theysilencedyou” on Instagram... the CW didn’t silence you, no one did. It was never canon in the first place. If Destiel was canon in the first place and Dean says “I love you too” OUT LOUD to Castiel, then killing Castiel off and NOT GIVING Dean a happy ending would be a “they silenced you” moment. But did that really happen? No. In the end, Castiel and Dean got a happy ending, just not together. And WOAH WOAH WOAH DON'T PULL CHARLIE INTO THIS. The show does a good job of giving her a lot of screentime about her sexuality and whatnot. She got a girlfriend multiple times. Her first death... she died in a Joan of Arc kind of way too which is awesome to me- but that's not the point with Charlie. She didn't come back in the finale because of covid and it's heavily hinted that everyone in the alternative universe place did go to heaven. I bet you anything she's in heaven right now.

-Castiel’s last words were the words he said in 15x18. He was dying. The empty was getting him. Those were his dying words, if he had said those while not dying, I would understand “they silenced you” there too. But Castiel didn’t say it while NOT dying, right? Also, there are different types of meanings behind "I love you" such as the friendship kind, which I say "I love you" to a lot of my friends, there's the family kind, and yes, there's the lover kind. Castiel most likely meant it in a family way since he said- same with Dean- that the Winchester brothers were like family to him.

-The CW writers aren’t homophobic. Here’s a list of the lgbtq+ characters from their other shows:

-Sara Lance (Arrow) -Alex Danvers (Supergirl) -Clarke Griffin (The 100) -Nyssa Raatko (Arrow) -David Singh (The Flash) -Anissa Pierce (Black Lightning) -Toni Topaz (Riverdale) -Teddy Montgomery (90210) AND MORE.

Granted, there aren't many gay men in that list. That's because they haven't found an actor who would feel comfortable playing a gay man... toxic masculinity happens guys... Reminds you of a certain character in Supernatural?

-“Kill Sam/Jared!” Sadly, I’ve seen that comment. Firstly, if you kill Jared... that’s literal murder and... dude that’s so extremist... you shouldn’t wish death upon anybody. Secondly, Sam is a main character in the show. He’s Dean’s brother. If Dean was left alone with Castiel, it still wouldn’t happen. Why? Because like we saw in the finale (15x20), Sam was mourning after Dean and it left him to FOREVER remember his brother. Dean would be the same if Sam were to die and go to heaven. Dean’s and Sam’s brotherly relationship is the glue that keeps it all together in the show. One brother is very rarely without the other in screentime.

-“Sam is Destiel’s number one cheerleader!” Okay, no, I get where they get it from... the episode, Fan Fiction (10x5). But Sam was messing with Dean because he knew how squirmy he’d get. Dean sees Castiel as a brother... and imagine being shipped with your friend that you see as family. Horrible, right? because it’s getting rid of the aspects of your relationship? Sam even shipped himself with Castiel in one of the scenes. So how would that make him a cheerleader of Destiel?

-Destiel fans admitted to being queerbaited, which is bad and can lead to other shows in the future doing that. I’m gonna add the definition of queerbaiting: "a marketing technique for fiction and entertainment in which creators hint at, but then do not actually depict, same-sex romance or other LGBTQ representation." -from Wikipedia. I'm sorry but there was little queerbaiting with Destiel... because Dean would CONSTANTLY be a jerk to Castiel then we'd have like... one scene where Dean wasn't a jerk to Castiel in the episode, then never see a scene where Dean was kind to Castiel until two episodes later.

-"Dean isn’t straight!!!" Yuh he is straight, have you seen him with a man? Let alone, feel comfortable with one romantically? I'll type up all of the episodes in which he was passively homophobic later on... AND don’t push Sam into this saying some stupid stuff like “he’s homophobic!”

-“Jensen is homophobic!” I actually used to believe this until I woke up and did some research on that. How that started was by Dean, the character Jensen plays, not saying "I love you" back to Castiel/Misha. They're practically forcing the ship to happen. Jensen was just following the script, same with Misha. They're under a contract guys, they don't have much say in it. However, there have been some rumors saying Jensen is homophobic even before 15x18. I cannot confirm this but I've heard that Jensen did decline a fan's request to hold a pride flag... but there's not much context behind it because the fan themself could of been weird and creepy and harassing Jensen, or forcing Jensen to say Dean is something so he needs to hold up that pride flag. Or... yes, Jensen was lowkey being homophobic...

-Destiel fans are signing stuff to change the ending... like??? That won’t work. The cast's contract with CW is done. Also, this like the equivalent of Trump’s “STOP THE COUNT!!” and “I won the election!!!”.... changing stuff to make people believe you are right. That's hella manipulative. -[Insert that one shot of all of the crew together at the end of 15x20.] Destiel fan: "WHY WASN'T CASTIEL THERE?!! WITH DEAN IN HEAVEN?!?!!?!?!" Okay, firstly, Jack wasn't there too and he's now God, covid happens and the writers really wanted Bobby's actor to be there ((I forgot why, I'll add it in later!!! BUT THERE'S A REASON)). Mary and John Winchester could of been in that finale... there are so many characters that could of been in that finale guys, but COVID-19 happened. The lack of characters was for the actors' safety. I don't know about you but some show isn't more important than my own safety. Besides, the contract is about to be lifted, and they had other shows to act in.... Jared with Walker... Jensen with The Boys...

-"How is Destiel bad for mlm...? It's gay ship..." I already answered that question, but I just wanted to remind you guys that Destiel fans WILL ask this. But I'll sum it up for you guys: it's fetishization because you're pairing up a toxic man who sees that other person as another brother/best friend. Also, that 'toxic man' isn't bisexual. He always has been with females and makes lowkey homophobic remarks. On top of that, Dean has beaten Castiel up sooooo many times, both physically and mentally. ***This essay is a WIP... and I take constructive criticism. However, if you are a Destiel fan and write about this, I will ignore you.

#destiew #anti destihellers #stop fetishizing mlm #i will literally die with these opinions #dni destiel fans

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period-dramallama · 3 years

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So I watched some of Reign season 4....

no offense if you like the show, you do you, but rant below cut. Also, spoilers!

I know what you’re expecting, you expect me to complain about the prom dresses.

Here’s my take: the prom dresses are not the actual problem.

The problem is the mix of aesthetics. If all the costumes and sets, for reasons of budget, were modern day, I could adjust to it, in the same way I adjust to say, Ian McKellen’s Richard III where everything was 1930s. You could even be creative with it by picking a thematically relevant aesthetic- like the 1930s fascist aesthetics in McKellen’s Richard III. But the sets often look very sixteenth century and they look great, but there’s whiplash because then there’s prom dresses, and china tea cups and TEA and then Mary is living in a sixteenth century castle while Elizabeth is living in a cheap knock off of Versailles. Yes, shows like Game of Thrones mixed styles from different eras and cultures but they (mostly) could blend them effectively. And they had a massive budget.

Like there’s a dinner scene in Reign and they’re fuckign drinking from goblets while eating off china, that’s the level of confusion we’re at. My brain is flip flopping between time periods because of the confused aesthetics and I feel like I’m about to have an aneurysm, it’s like the time period equivalent to an optical illusion.

The vocabulary of the script is really basic?? like it’s so simple it sticks out like a sore thumb. “Protestant” is probably the most complex word in the show. Like 7 year olds could probably follow this show easily. Some of the lines are hilarious out of context. Also pronunciation is really off, they pronounce Orleans or-leanz rather than orleh-on but then other times they pronounce names Frenchily PLEASE BE CONSISTENT

The political intrigue is better than in The Spanish Princess, the characters are less stupid than in TSP but the acting is much better in TSP.

HENRY IS SUCH A LIL SHIT I LOVE HIM even tho he’s australian. I think the actor is having a ball playing him. I like that his cross-dressing doesn’t make him less badass. I’ve seen some people praise Mary’s acting...to me it’s like she’s in a school play. Sorry Rachel Skarstan, I’m sure you’re nice and doing the best with what you’ve been given but my GOD you’re far and away the worst Elizabeth I that I have ever seen. (In terms of character, not morality).

She is so WHINY and she seems boy-crazed as well. I get why shows focus on Elizabeth’s love life but STILL it weakens the show because I’m not getting the sense that Elizabeth is a formidable opponent of Mary. I never thought a day would come when I’d watch Elizabeth I in a show and FAST FORWARD her scenes.

Catherine de Medici I love, I think her character is inspired because she’s so watchable and i know i’m biased because I love female antiheroes but her actress is the best and her struggles are far and away the most compelling, yeah she’s shady AF but you want to see how she gets out of a sticky situation, how’s she going to play everyone off against each other, and her situation has serious stakes because her baby boys are this close to cain and abelling each other. I like that she’s so interesting and not just another generic Evil Queen. She and John Knox are far and away the smartest characters.

#reign #cw reign #reign cw #period drama

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dontasktheradiodemon · 3 years

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((that ask about fanfiction just made me wonder what would happen if someone wrote in-universe rpf about these guys. not curious enough to make a blog and write it but curious enough to imagine the like 400k deep character arc of alastor getting a cellphone and voluntarily logging into voxblr.))

((Oh believe me, every time someone tries to allude to the idea of someone making fanart/fanfic about Alastor to Alastor on this blog, I’ve gotta sit here and think about where to draw the limit between “sure that hypothetically makes sense given that RPF fanfic exists” and “nah you’re leaning too hard on the fourth wall”))

((The thing about RPF is that it’s never going to be based on what a person is actually like. It’s all always going to be about some constructed fictionalized character invented out of what a fan hopes that celebrity is going to be like, based off of what little bit of their personality and interior life they willingly share in interviews, social media, etc. Imagine the versions of yourself that you construct for mainstream public consumption—the version of yourself you wear at work to face customers, or the version of yourself you wear when you’re talking in class to teachers/professors, or the version of yourself that you put on Facebook where your extended family is watching—and ask how accurate that public-facing version of yourself is re: expressing your entire history, your interior life, your likes and interests and secret thoughts and feelings. You know, the stuff that a writer would need to know to fully write a fictional character. And when a fanfic writer doesn’t get that stuff from canon, they make up interesting headcanons. Your public-facing self is the “canon” that a hypothetical fanfic writer would be basing their headcanons off of. How much are they gonna get right?))

((And that’s the issue at the root of a vast majority of “characters discover RPF about themselves in-universe” concepts that I’ve run into in the past. For characters running into RPF of themselves to be true to a hypothetical real world experience of a celebrity running into RPF of themself, that character’s RPF has to be just... wildly fucking wrong. And I don’t just mean “humorous over-exaggerations of their real personality traits,” I mean WRONG personalities. I mean “I don’t know this guy’s background so I made up his entire childhood and INVENTED a tragic backstory for him.” I mean “I decided his five top hobbies, the three languages he speaks, and that he’s got a secret child somewhere.” You can easily invent a childhood for a character that doesn’t have one, but a real person always has a real childhood, whether you know anything about it or not.))

((As real fans of fictional characters, we’re privy to far more of a character’s private life than the fictional fans who know these characters as public figures, because we get to see the fictional media that produces these characters. And, more than that, as real fans who are writing both the fanfics about the characters AND the hypothetical in-universe RPF about these characters, the versions of the characters that exists in one writer’s head are going to be the versions of the character that inform both the fanfic and the RPF inside the fanfic. And so there’s going to be an inclination to make the in-universe RPF more IC than it would realistically be if you don’t stop and go “actually, whoever’s writing this wouldn’t know a goddamn thing about what this person is like.”))

((Plus, the way it’s written would be different. Generally, people don’t play with celebrities in RPF the same way they play with characters in fiction-based fanfic. There’s an even greater focus on shipping, primarily either “I want these bandmates/co-stars to be gay together” or else self-shipping/reader-insert content. You’re gonna get a lot less, like, character study sort of fic. A much greater portion of the fanworks are, like... celebrity crush daydreams in written form. Which, yeah, makes up a lot of fan works for fictional characters—but not to as high an extent. You don’t need to write a whole fic sharing your headcanon childhood for a real living person who HAS a childhood you just don’t know, you just sort of need to know that headcanon childhood for the daydream you’re writing that person into.))

((And finally—you’ve got to consider who gets RPF written about them. IRL, it’s almost exclusively entertainers. Movie stars, pop bands, etc.—and what’s more than that, entertainers that appeal to the portion of the population that writes fanfic (typically female) and the portion of the population less likely to go “it’s really weird to write about actual real life people like they’re characters I can just play around with” (typically younger)—so, entertainers in teen-oriented boy bands or actors in movies/shows that appeal to a large, feminine, young fanbase. Hazbin’s main cast contains two entertainers: Angel Dust and Alastor. Gay adult film star Angel Dust definitely appeals to a queer audience but is probably not drawing a young, female fanbase. Sure, out here in the real world he’s got a lot of young female fans—but how many 15-to-22-year-old fangirls do you know who have a passionate interest in specific IRL gay adult film stars? So Angel’s got a big fanbase but it’s probably not much of a fic-writing fanbase. Alastor is, more than anything, a former entertainer; and although he’s got female admirers, they seem to be restricted to the “stuck in the 1910s” part of town and thus probably not getting online to write fanfic. Plus those admirers seem to be people who know him personally, and usually the RPF that gets shared in public is written about celebrity strangers, not one’s own acquaintances. And those are the only two in the main cast that even come close to appealing to the usual RPF demographics.))

((And more importantly than the entertainer thing: Alastor is a figure of fear. Alastor is nearly-universally reviled. Out here in the real world Alastor is the perfect figure to draw a large loving fanbase because he is the perfect embodiment of the Tumblr Sexyman trope. But inside the Hazbin universe? In Hell? He’s basically equivalent to a mass shooter who gunned down hundreds of people and then was allowed to walk free because the cops were too scared to try to arrest him. His claim to fame is mass carnage. The one thing everyone knows him for is hurting as many people as possible. Doesn’t quite have the same broad popular appeal as a boy band that sings cute pop songs, does he?))

((Yeah, there are some folks out there that treat true crime like a fandom, write love letters to serial killers, etc.—but that’s a LOT more fringe than the majority of the people churning out RPF fiction. You don’t see common fanfic tags stuffed with mass shooter reader-insert fic the way you see them stuffed with k-pop reader-insert fic.))

((tl;dr: is somebody somewhere in Hell writing RPF about Alastor? Yeah, probably somewhere? He would be well-known enough that it would be weird if absolutely nobody anywhere with a taste for RPF happened to have a penchant for him. But the numbers are so low that it would be really weird for the phenomenon to get big enough that somebody would come TELL Alastor that he’s getting fanfic written about him; and what those fics look like would probably be so OOC & incorrect they’re barely even recognizable as Alastor because the fictional writers writing them wouldn’t have the out-of-universe insight into Alastor’s personality that we real world fans have.))

((Which is why even with “what about RPF?” if someone comes at this blog going “hey Alastor people are writing fanfic about you” my reaction is generally just to go “nah, you’re leaning on the 4th wall, we’re not doing that.” Because I don’t expect the average anon to put THIS MUCH THOUGHT into who would realistically be writing RPF about Alastor, how common it would really be, and what it would probably look like, and I don’t want to try to course-correct a bunch of anons acting like Alastor’s hypothetical fictional fanbase in Hell looks the same and writes the same as his real world fanbase.))

#anonymous #ask #ooc #((can you tell I’ve put a lot of thought into the logistics of this))

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phantom-le6 · 3 years

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Episode Reviews - Star Trek The Next Generation Season 1 (3 of 6)

As we draw close to crossing the first month of 2021 off the calendar to make room for February, which in my view is only of use for Pancake Day and nothing more, I’m back with yet more reviews from the first season of Star Trek: TNG. Will these episodes prove any better than those of the first two rounds, or are we looking at more lemons with warp engines? Let’s find out…

Episode 10: Hide and Q

Plot (as adapted from Wikipedia):

The Enterprise is en route to Quadra Sigma to aid colonists caught in a methane explosion when Q re-appears and demands that they abandon their mission to compete in a game. He teleports Commander Riker and the bridge crew, with the exception of Captain Picard, to a barren landscape and appears in front of them wearing a uniform of a Napoleonic era French marshal. He explains the rule of the game is to stay alive, and after Lt. Yar refuses to compete, he transports her back to the bridge of the Enterprise in a "penalty box".

Q returns to the bridge too, to talk Picard into setting a wager. He explains that the Q Continuum is testing Commander Riker to see if he is worthy of being granted their powers. Picard, having the utmost faith in his First Officer, takes the bet, as winning it would mean Q would get off their backs. Meanwhile, Riker and his team are attacked by what Lt. Worf reports as "vicious animal things" wearing French soldier uniforms from the Napoleonic era and armed with muskets that fire energy bolts instead of the classic projectiles. Q returns to Riker and tells him that he has granted him the powers of the Continuum, and Riker promptly returns his crew mates to the ship but remains behind with Q to ultimately reject the powers. Q brings the crew back to the landscape, this time without their phasers and with Picard. The crew are attacked once more by the aliens, and both Worf and Wesley Crusher are killed. Riker uses the powers of the Q to return the crew again and bring both Worf and Wesley back to life.

Riker makes a promise to Picard never to use the powers again and the ship arrives at Quadra Sigma. A rescue team beams down and discovers a young girl who has died. Riker is tempted to save her, but in the end, he refuses to do so out of respect for his promise. However, he quickly shows signs of regret at this decision, which he expresses to the captain. Tension between Picard and his first officer grows as Riker now seems to be embracing his powers, and his behaviour toward the crew begins to change. At Q's suggestion, and with Picard's blessing, Riker uses his powers to give his friends what he believes they want, turning Wesley into an adult, giving La Forge normal sight in place of his visor, and creating a Klingon female companion for Worf. All the recipients reject their gifts, however, with Data even anticipating and declining Riker's attempt to make him human. Picard declares that Q has failed, and when Q attempts to go back on his word, he is forcibly recalled to the Continuum. Picard is pleased to see Q gone, and praises Riker for confirming his trust in his "Number One".

Review:

There are two main reasons to enjoy this episode; Q and Picard. This is the first time since the pilot that we’ve seen Q and Picard interact, and it’s much better this time because both the actors are a bit more at grips with their characters. The scene in the Captain’s ready room between the pair where they both quote Shakespeare is one of the real highlights of the first season, a veritable miniature diamond in a season-long run of rough. In some respects, it’s almost a pity Picard-Q meet-ups aren’t more frequent, but ultimately, I think that they have to be done as little as possible to retain some impact in the later seasons.

Unfortunately, the episode lacks sufficient subtlety in trying to convey a story about power corrupting. The key reason why the Dark Phoenix story in the X-Men comics is a classic that no adaptation has ever effectively captured is because it involves Jean Grey being corrupted by power slowly, inch by inch, until circumstances push her over the edge. When the Primarch Horus is turned to Chaos in the Horus Heresy novels that form part of Warhammer 40,000 lore, it’s not an overnight transformation from the noble being he was to the power-mad tyrant laying waste to Terra years later. It’s a slow, gradual seduction by power, and a single episode of any TV show doesn’t give that.

As a result, the idea of Riker’s shift in character and attitude seems too rapid and falls flat. The only thing that doesn’t fall flat is how the rest of the cast reacts when Riker tries to act with benevolence. It’s a testament to each of them how they resist being granted their supposedly fondest wishes. I especially applaud Geordi and the autistic-like Data for their choices. I never like stories that try to push the idea that characters who are somehow differently abled, either blatantly or through the metaphor of a genre-specific concept, should always want to eliminate that difference. Maybe Geordi can’t see like everyone else, but considering all the different things he can see with his visor, it’s not like the vision he has is any better or worse. It’s just a pity his reason for saying no was more about not liking a Q-style Riker than about accepting himself and all the goodness inherent in that.

Add in Troi not being around at a time when her character could be very annoying without much effort, and you’ve got an episode that has many saving graces propping up a poor execution of a decent core concept. End score for this one, probably 7 out of 10.

Episode 11: Haven

Plot (as adapted from Wikipedia):

The Enterprise arrives at the planet Haven, where the ship's half-Betazoid Counsellor Deanna Troi has been summoned by her mother Lwaxana. Deanna had previously been set into an arranged marriage to the young human doctor, Wyatt Miller, and his parents have since tracked down Lwaxana to enforce the marriage. After Lwaxana and the Millers are welcomed aboard the Enterprise, the parents argue over whose cultural traditions will be honoured at the ceremony. Deanna and Wyatt attempt to get to know each other but find it difficult, as Deanna is still in love with Commander William Riker. Wyatt has had numerous dreams of another woman with whom he has fallen in love, and had initially believed her to be Deanna communicating telepathically with him.

The Enterprise then learns of an unmarked vessel approaching Haven. Captain Picard recognizes it as Tarellian, a race they thought to have been wiped out by a highly lethal and contagious virus. When they contact the ship, they find a handful of Tarellian refugees who have been travelling at sub-light speeds to Haven in hopes of finding an isolated location to live out the rest of their lives in peace. Picard insists that they cannot go to the planet for fear of spreading the virus, and has the Tarellian vessel placed in a tractor beam. Wyatt discovers that one of the Tarellians, Ariana, is the woman from his dreams, and she too recognizes Wyatt. Wyatt tells Dr Crusher that he will transport some medical supplies to them, but transports himself along with the supplies. When the crew discovers this, Wyatt's parents demand that Picard bring Wyatt back to the Enterprise, but Denna insists that he cannot return, as Wyatt would now carry the Tarellian virus. Wyatt promises his parents, Deanna, and the rest of the crew that he knew that this would be his destiny, and is happy to try to help cure the Tarellian virus. Wyatt convinces the Tarellians to leave Haven and search for help elsewhere. Picard orders the tractor beam to be dropped and allows the vessel to depart the system.

Review:

When it comes to Majel Barrett in the era of the TNG-DS9-Voyager shows, her best work as a guest star is her voice work as the voice of any given Starfleet computer. Her worst work is when she’s guest-starring as Deanna Troi’s mother. Her whole character is the very definition of nails on a chalk board, and it’s very rare if ever that an episode featuring her can be anything good. That said, her presence does help to improve Deanna’s character just because it means Deanna’s suddenly no longer the most likely to irk you with her characterisation. Basically, anytime Deanna’s on the screen at this early stage in the show, all I can think is “please don’t have her go all over-sensitive like she did in the pilot.”

Leaving the Troi family aside, the episode isn’t much to get excited about. Just a run-of-the-mill b-plot about a plague ship that interconnects with the main plot nicely to save us from the Trek equivalent of a shotgun wedding. Frankly, I’d have preferred it if they’d done a plot exploring the arranged marriage idea and casting it down as the terrible idea it is, but then I suppose it wouldn’t be politic to do that with a culture that is part-and-parcel of the Federation instead of being the guest-race-of-the-week. I’d give this one about 3 out of 10.

Episode 12: The Big Goodbye

Plot (as adapted from Wikipedia):

The Enterprise heads to Torona IV to open negotiations with the Jarada, an insect-like race that are unusually strict in matters of protocol. After practicing the complex greeting the Jarada require to open negotiations, Captain Jean-Luc Picard decides to relax with a Dixon Hill story in the holodeck. Playing Detective Hill in the holo-program, Picard takes up the case of Jessica Bradley, who believes that Cyrus Redblock is trying to kill her. Picard decides to continue the program later and leaves the holodeck to affirm their estimated arrival at Torona IV. He invites Dr Beverly Crusher and historian crewmember Whalen to join him in the holodeck. While Crusher is still preparing, Picard and Whalen are ready to enter the holodeck when Lt. Commander Data arrives, having overheard Picard's invitation. Entering the holodeck, the three discover that Jessica has been murdered in Picard's absence. As Picard explains that he saw Jessica at his office the day before, Lt. Bell brings Picard into the police station for questioning as a suspect in her murder. Meanwhile, the Enterprise is scanned from a distance by the Jarada, causing a power surge in the holodeck external controls. Dr Crusher later enters the holodeck, first experiencing a momentary glitch with the holodeck doors, and joins her friends at the police station.

The Jarada demand their greeting earlier than the agreed time and are insulted at having to talk to anyone other than the Captain. The crew tries to communicate with Picard in the holodeck but finds it impossible; the Jarada signal has affected the holodeck's functions, preventing the doors from opening or allowing communication with the crew inside. Lt. Geordi La Forge and Wesley Crusher attempt to repair the holodeck systems. While inside the holodeck, the group returns to Dixon's office. Mr. Leech appears, having waited for Picard, demanding he turn over an object he believes Jessica gave him. When Picard fails to understand, Leech shoots Dr. Whalen with a gun, and the crew discovers that the safety protocols have been disabled, as Whalen is severely wounded. As Dr Crusher cares for his wound, Picard and Data discover that the holodeck is malfunctioning, and they are unable to exit the program. Mr. Leech is joined by Redblock, who continues to demand the object. Lt. McNary arrives and becomes involved in the standoff. Picard tries to explain the nature of the holodeck, but Redblock refuses to believe him.

Outside, Wesley finds the glitch; however, he cannot simply turn off the system for fear of losing everyone inside. Instead, Wesley resets the simulation, briefly placing Picard and the others in the middle of a snowstorm before finding themselves back in Dixon's office. With the reset successfully clearing the malfunction, the exit doors finally appear. Despite Picard's warnings, Redblock and Leech exit the holodeck, but dissipate as they move beyond the range of its holo-emitters. As they leave the holodeck, Picard thanks McNary, who now suspects that his world is artificial and asks whether Picard's departure is "the big goodbye", to which Picard replies that he simply doesn't know. Picard reaches the bridge in time to give the proper greeting to the Jarada. The Jarada accept the greeting, heralding the start of successful negotiations.

Review:

The Big Goodbye has a special place in the era of holodeck era of Trek as the first example of a “holodeck-gone-wrong” episode. Later episodes of this series and the spin-off shows Deep Space Nine and Voyager would return to the premise of holodeck malfunctions time and again as either minor or major plot points. Unfortunately, the holodeck is already going wrong as a plot device in the show just from a technical realisation standpoint.

The basic idea of the holodeck is that it creates 3D images that resemble whatever is programmed into the computer, with some kind of force-fields giving the images substance while other aspects of the technology fill in the proverbial blanks (e.g. special programming to create interactive characters, localised environmental controls, etc.) However, everything that exists within the holodeck can only exist within the range of the room’s tech; if anything created by the holodeck moves beyond its walls, it should instantly cease to be. However, in the Farpoint pilot, Wesley Crusher fell into water on the holodeck, and when he walked out into the corridor, he remained wet and dripping when all the holographic water should have disappeared the instance he walked through the exit.

Likewise, in this episode Picard picks up a lipstick mark when he first tries the holodeck’s new upgrades, and that should have disappeared when he later briefs the crew in the observation lounge. Instead, Dr Crusher has to wipe the lipstick off for the captain, despite the fact it should have disappeared from Picard’s face long ago. It’s an annoying issue, and one that could have been easily fixed even back in the 1980’s when this show was made; evidently, this was just another example of how bad the show was at this stage. If TNG ever gets the kind of reboot the original series did, I sincerely hope any use of the holodecks pays attention to and rectifies this error in the application of the holodeck concept.

Otherwise, this episode doesn’t do much more than give Brent Spiner a bit more to do with Data by having him impersonate a 40’s-style gangers and give Patrick Stewart someone else to be besides the captain of the latest version of the Enterprise. It’s a fairly well-made episode for season 1 of this show, and it really sells the illusion of the holodeck program for the most part. The people who made the show just needed to learn that anything that gets made in the holodeck stays in the holodeck. I’d give it about 5 out of 10.

Episode 13: Datalore

Plot (as adapted from Wikipedia):

While on the way to Starbase Armus IX for computer maintenance, the Enterprise arrives at the planet Omicron Theta, the site of a vanished colony where the starship Tripoli originally found the android Data. An away team travels to the surface and finds that what had been farmland is now barren with no trace of life in the soil. The team also finds a lab which they discover is where Dr. Noonien Soong, a formerly prominent but now discredited robotics designer, built Data. The team also find a disassembled android nearly identical to Data and return with it to the ship. As the course to the Starbase is resumed, the crew reassemble and reactivate Data's "brother" in sickbay. He refers to himself as Lore, and explains that Data was built first and he himself is the more perfect model. He feigns naiveté to the crew, but shows signs of being more intelligent than he is letting on. Later, in private, he tells Data that they were actually created in the opposite order, as the colonists became envious of his own perfection. He also explains that a crystalline space entity capable of stripping away all life force from a world was responsible for the colony's demise.

Lore then incapacitates Data, revealing that he plans to offer the ship's crew to the entity. When a signal transmission is detected from Data's quarters, Wesley Crusher arrives to investigate. He finds Lore, now impersonating Data, who explains that he had to incapacitate his brother after being attacked. Wesley is doubtful, but pretends to accept the explanation. Soon after, the same crystalline entity that had attacked the colony approaches the ship. Lore, still pretending to be Data, enters the bridge as the object hovers before the Enterprise and explains that he incapacitated his brother by turning him off, causing Doctor Beverly Crusher to be suspicious, since Data had previously treated the existence of such a feature as a closely guarded secret. Lore then explains that he can communicate with the crystalline entity and suggests to Captain Jean-Luc Picard that he should show a demonstration of force by beaming an object toward the entity and then destroying it with the ship's phasers.

Lore's attempts to imitate Data are imperfect, though initially only Wesley is suspicious, and his efforts to voice these concerns only draw rude rebukes from Picard and his mother. However, Picard does ultimately become suspicious, especially when Lore does not recognize Picard's usual command to "make it so". Although Picard sends a security detachment to tail him, Lore overpowers Lt. Worf and evades pursuit. Meanwhile, the suspicious Dr Crusher and Wesley reactivate the unconscious Data, and the three of them race to the cargo hold to find Lore plotting with the entity to defeat the Enterprise. When Lore discovers them, he threatens Wesley with a phaser and orders Dr Crusher to leave. Data quickly rushes Lore and a brawl ensues. Data manages to knock Lore onto the transporter platform, and Wesley activates it, beaming Lore into space. With its conspirator no longer aboard, the crystalline entity departs, and the Enterprise resumes its journey to the starbase.

Review:

This episode very heavily relies on answering the mystery of Data’s origin and giving him a villainous brother in a manner similar to the Thor-Loki dynamic of Marvel superhero lore (pardon the inadvertent pun) to make it worth watching, because goodness knows it falls down everywhere else. Spiner is remarkable playing the treacherous Lore alongside his regular character of Data, and it’s fun to see him make the best of what ultimately becomes a poor episode on other fronts.

I know some reviewers have stated they don’t understand Lore’s motives for allying with the Crystalline Entity, but as a Marvel fan, it’s actually fairly easy to deduce. Much like Loki in Marvel’s Thor franchise, Lore is a bit of a trickster, an android Q but without the pseudo-godhood or ultimately benign motives of Q. Also like Loki, Lore is the unfavoured son, one who was basically cast aside in favour of something supposedly better, so he’s turned against the humanity his brother admires and emulates out of jealousy and the pain of rejection. It’s not a hard motive to grasp, but with Lore not explicitly saying it, you need that knowledge of another fictional reference to make the deduction. Given that Marvel lore was largely overlooked by the adult world until superheroes were made into a legitimate cinematic genre at the turn of the century, it’s unlikely many original reviewers would have made the link.

However, as I’ve noted, the episode falls apart in other respects. The crew’s haste to reassemble Data’s brother mid-flight is very risky behaviour more akin to the cowboy antics of Kirk’s crew from the original series than Picard’s more measured approach, and they are remarkably stupid in failing to catch onto Lore’s threat. Only Wesley shows the requisite insight and intelligence, but expresses it poorly because at this time no one on the show could write Wesley with any kind of competence. As a result, Picard ends up looking like a total git for his outburst at Wesley, Wesley’s mother comes off almost as bad, and when it turns out that, as ever, Wesley was right, there’s no apology from Picard at all. On balance, this episode rates about 5 out of 10, which can be taken as the anti-Wesley acting having a severely detrimental impact on a great Spiner performance, or a great Spiner performance saving the episode by some horrid Wesley-bashing.

Episode 14: Angel One

Plot (as adapted from Wikipedia):

The Enterprise arrives at the planet Angel One, which is ruled by an oligarchy of women. The ship is looking for survivors from the shipwrecked freighter Odin, over seven years after having been evacuated. The freighter was missing three escape pods and the only planet in range was Angel One. An away team consisting of Commander William Riker, Lt. Commander Data, Lt. Tasha Yar, and Counsellor Deanna Troi beam down to the surface. They attempt to negotiate with Mistress Beata, the "Elected One" of the native inhabitants, to let them search for the survivors. Time is of the essence however, as the Enterprise must travel to a Federation outpost near the Romulan Neutral Zone (where a group of Romulan Battlecruisers has been detected) as soon as they resolve their investigation into the Odin survivors.

Beata reveals that they are aware of four male survivors of the Odin who have caused disruption in their society, and are considered fugitives. Beata requests Riker stay with her (and later requests that he order Troi, Data, and Yar to track down the survivors' camp and their leader Ramsey, while staying and dining with her). After some back and forth, Data concludes Ramsey and the survivors of the Odin would have platinum with them, and Angel One is naturally devoid of platinum, allowing the Enterprise to easily detect them. Meanwhile, Riker dresses in the garb given to him for his dinner with Beata, Troi and Yar tease him for dressing in clothes that sexualize him and, in some ways, demean him. He responds by saying he is honouring the local customs, and acknowledges Beata's beauty, and that the garb is rather comfortable.

The Enterprise searches while in orbit around Angel One. Doctor Beverly Crusher relieves Captain Jean-Luc Picard of duty after he and most of the crew have fallen ill to a random virus on board. The Captain leaves Lieutenant Geordi La Forge in command (Geordi's first time in acting command of a starship). Shortly after, they find Ramsey and transmit his location to the Away Team, who beam directly to there.

When confronted by Data, Yar, and Troi, Ramsey and his men, having taken wives and started families during the seven years, refuse to leave. Data points out that as the Odin was not a star fleet vessel, its crew is not bound by the Prime Directive and the Enterprise cannot remove them against their will. Geordi informs Yar of the medical situation on board, and that more Romulan ships have been detected near the Neutral Zone. Riker gets close to Beata as they compare how gender roles differ between Angel One and the Federation. On the Enterprise, systems are becoming harder to maintain with more crew succumbing to the virus. Geordi (after a friendly reminder from a sniffling Worf) remembers that in command, he must delegate tasks so he can stay on the bridge. Dr Crusher finds that the virus is an airborne organism that produces a sweet smell, to encourage inhalation, after which it becomes viral inside the body.

Riker gets up to date with the situation, and decides that while Ramsey and his group are at large and refusing to leave the planet, there is little they can do. Before leaving they find that one of Beata's fellow mitstresses, Ariel, has married Ramsey, and was followed by Beata's guards to their camp, where they arrested the survivors and their families. The Away Team attempt to explain to Beata the reason for Ramsey's refusal to leave. Beata and her council reject his reasoning, and threatens to execute them the following day. After failing to convince Ramsey and his group to leave with them, Riker contacts the Enterprise in hopes of transporting Ramsey and his group without their consent (despite it being a violation of the Prime Directive, and almost certainly an end to his career). However, Dr Crusher (while treating an incapacitated Geordi in the Captain's chair) refuses to allow anyone to beam aboard for fear of them being infected, but allows Data, an android, to return. Riker orders Data to take command and get the Enterprise to the Neutral Zone before it's too late.

The following morning the Away Team is invited to witness the execution of Ramsey and his followers. Moments after Riker rejects their invitation Data makes contact and informs them that there is a 48-minute window in which Dr Crusher has to find a cure, and Riker must defuse the situation on the planet before the ship must leave for the Neutral Zone. On the planet, Ramsey and his men are prepared to be executed by disintegration despite Ariel's pleas, while Dr Crusher discovers a cure for the virus. Riker is prepared to have the away team and the Odin survivors beamed to the Enterprise, but makes a plea that execution will do Angel One’s society little good. He contends that Ramsey and his men have simply become a symbol for pre-existing dissatisfaction with the current society on Angel One, an evolutionary change that execution may only accelerate by turning Ramsey’s group into martyrs.

After deliberating with her fellow mistresses, Beata announces that she will stay the execution and banish Ramsey, his men, their families, and any others that support them to the far side of the planet. She explains that their banishment will not stop the fall of the oligarchy, but will slow it down enough that Beata will not be around to see its end. The away team return to the ship and Picard, already recovering from the virus but hardly having a voice, orders the ship to the Neutral Zone at high warp.

Review:

Apparently, the idea of this episode was look at South Africa’s apartheid system, but using a gender-based schism in a female-dominated society to explore the concept along gender lines rather than being more direct and using anything akin to a racial divide. As a result, the intention is lost behind some very horrendously sexist rubbish that makes the show seem more like a bad parody of feminism. The episode also has a lousy b-plot of a virus story that adds nothing to the episode, and again showcases how badly the holodeck concept was being handled at this time. A snowball from a holodeck skiing program should not be able to go through the holodeck doors to hit Picard and Worf in the corridor. 2 out of 10 is all this episode deserves.

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somethingusefulfromflorida · 3 years

Text

TLDR: Republicans believe themselves to be infallible and cannot be convinced otherwise

Republicans think America is perfect and always has been, while simultaneously believing that America is DOOMED and ON THE EDGE OF COLLAPSE at all times and want to bring us back to the Before Times™ when men were men and women were household appliances and minorities were someone else’s problem. If you bring up a genuine critique of American culture or history they throw a pissbaby shit fit and start spewing nationalist platitudes, “America: Like It or Leave It!” All their complaints stem from their perceived self-importance being eroded; they don’t like to realize that other people with differing opinions exist and should have their voices heard. If a “brown” or a “black” or a “red” or a “yellow” is allowed to speak, that just means there’s one less space for a “white.” All their complaints come from a slippery slope argument that if we don’t model our society after their specific cherrypicked interpretation of The Bible then we will degenerate into amoral savagery.

They say being gay is an abomination and allowing it will damn our children to hell; what they really think is that it’s gross and they don’t want to see things they think are gross. There’s literally no good argument against marriage equality besides “I don’t personally like it.” America is not a theocracy, so the belief system of Christianity should not be construed as the law of the land. This stems from their belief that the Bible is infallible, “because the Bible says so.” They don’t know and don’t want to know about the history behind it, nor the very contentious political landscapes at the times the books were written, nor the personal biases of the very human authors. If the Bible is a literal textbook, then why? What makes it so special? By whose authority were its contents collated and designated THE Good Book? If the Bible is literal, why not the works of Homer, or the Epic of Gilgamesh? Just because the Bible says the Bible is right doesn’t make it so. For the record, I am a Christian, and I think the Bible is just an old book. I’m a Christian in that I follow the teachings of Christ, which can be summed up as “DON’T BE AN ASSHOLE.” I live by that, and All the ChrINOs (Christians in Name Only) need to learn it. Jesus would be ashamed of what he saw today.

They say that abortion is baby murder, on par with ritual human sacrifice and Satan worship. They don’t understand biology, they have a Sunday School understanding of philosophy, and live in a world so black and white that they can’t even imagine a reason someone would have an abortion besides that they’re a terrible person; a woman who would have an abortion is unfit to be a mother in their eyes because they see abortion as equivalent to smothering a baby with a pillow because you don’t want to take care of it anymore. “He or she is alive, he or she has a heart beat!” Well, at this point is is just a blob of tissue, not a living person; a heart beat alone does not make something alive or dead. Your life comes from your brain, not your heart. If someone is alive the moment their heart starts, then they must be dead the moment is stops, so CPR is necromancy. A person isn’t considered dead until their brain is dead, so if they wanted to argue that life begins at brain activity they would have a stronger argument, though still weak because brain activity is not personhood either. Patients in permanent vegetative states on life support may have some brain activity, but they are effectively dead. There is no way a judge, appointed by senators elected by the people of the United States, can prove that not only do souls exist but that they are created the second a sperm fertilizes an egg. If “souls” exist, they aren’t so much created as built up over time as we gain new experienced and our brains develop. What we are is electricity in a ball of meat jelly in our skulls, and that comes to being at a point after which abortions are already banned. Conservatives also just want to control women; Roe v. Wade isn’t explicitly about the right to an abortion, it is about the right to body autonomy. Do women have the right to control their own bodies, or do they defer that right to their fathers and husbands? Are women people or property? Can a man make decisions on a woman’s behalf? “You must forgive my daughter; as a simple minded woman she’s fallen into a stupor of female hysteria. We’ll have the family doctor bring out the smelling salts and leaches.”

They say that certain vices are crimes against God, but only when some people do it. Divorce is a sin because marriage is sacred, except when a conservative does it, then it’s totally justified because of such and such explanation. Tattoos are the mark of the beast, worn by degenerates and lesbians, except when a conservative does it, then it’s just art and harmless self expression. Marijuana is a gateway drug and we need to lock away its addicts and throw away the key, unless a conservative does it, then it’s just recreational, no big deal, we don’t want to ruin the [white] boy’s future because of it. A black person who does cocaine is a criminal, a white person who does cocaine is a public figure (you’d be surprised how many actors and politicians regularly use coke; they have to have high energy 24/7 in case there are any cameras, so they need uppers to keep themselves presentable). This all springs from the fundamental conservative philosophy of “it’s okay when WE do it, but not when YOU do it.” That’s the long and short of it. The in-group is allowed to do things, but the out-group isn’t. It’s the Us vs Them mentality taken to the logical extreme; WE are people, THEY are monsters. WE are allowed to have faults, THEY have to stay in line and follow all the rules. OUR lives matter, THEIR lives are lesser. When you strip away the showy bits and get down to the core of their beliefs, everything stems from their desire to hurt anyone who isn’t them. They want power, they want to be special, they want the Good Guys™ to always prevail over the Bad Guys™, and they want to be the ones to decide who is good and who is bad. Their opinions are the only ones that matter, everyone else is wrong because they’re not them. Now, it’s not like you could solve every problem by opening up your mind to new opinions; there are some issues that are indeed black and white with objectively right and wrong answers, but they live in a world where they are incapable of being wrong. They see personal growth as a betrayal of the self, that admitting a fault is terrible, that apologizing and learning from a mistake is traitorous. No, they have to double down on every single one of their beliefs to re-instill it in their minds. They can never doubt themselves, because God will punish them forever if they ever have doubt. They can’t ask questions or look at things from other perspectives because that would be an admission that their perspectives are fallible. They are afraid of changing their minds so much that they refuse to even listen when someone explains their opinions because they don’t want to have their minds co-opted by Satan’s LIES! If they hear something convincing, it’s all over, their entire world collapses, everything they believe is a lie, they lose, they go to hell forever, The End.

That is the dichotomy under which Republicans live their lives. Nothing matters but what they believe. They don’t believe what they believe for logical reasons, so no amount of logic will ever make them not believe it. They’re making up their own rules to win. You’re playing Rock-Paper-Scissors and they throw Nuclear Bomb, which defeats all three, so you lose. You say that’s not fair, they say tough. You throw Nuclear Bomb, and they say they have a bomb proof shield, so the bomb doesn’t hurt them but kills you, so you lose. You can’t even beat them at their own game because they’ve been playing it longer, and they cry foul when you stoop to their level, suddenly saying that you need to be the bigger person, walking right up to the line of admitting that what they do is wrong but not quite getting there, simply reverting to the complaint that you shouldn’t be allowed to do it. “I can, but YOU can’t.” That’s why it infuriates me when nobody ever calls out a Republican for their hypocrisy. They do something, a Democrat does that exact same thing, they cry foul, but nobody ever says “well, you didn’t have a problem when you did it,” they just try to excuse their own actions rather than demand justification for theirs. Democrats are always on the defensive, they always look like they’re losing even when they’re winning, so the Republicans can use that to build their base and rally together for the occasional victory (Democrats won 7 of the last 8 presidential elections; the last Republican to legitimately win the presidency was George H.W. Bush in 1988).

I don’t know how you’d even begin to fight someone who is this far down the rabbit hole of self denial.

Democrats self-reflect, Republicans self-deflect.

Democrats are progressive, Republicans are regressive.

Now I’m sure there are no Republicans reading this, but if there are they’ll make themselves known and “totally refute” everything I’ve said with some paper thin argument that doesn’t stand up to scrutiny, but they don’t care because it stands up to them. They only need to show one example of a Democrat failing to write off the entire party; they only need to show one black Republicans to deny the existence of racism; one gay Republican denies homophobia; one women denies sexism. They are the party of tokenism.

They will point out the mote of dust in your eye and ignore the plank in their own.

Debate me, I have nothing better to do with my time, I’m a dirty libtard cuckflake soyboy beta with a case full of participation trophies and handouts paid for by other people’s tax dollars (funny, they think handouts are for degenerates, except when they get them. Inheritance? Privilege? Never heard of them!)

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