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bi-writes · 2 months

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the lamb experiment

a body is given. and it cannot be taken back.

pairing: ghost (+ tf141) x curvy!fem!reader word count: 6.3k summary: the 141 are not known for their pliancy. in an effort to take back control, they send a lamb to slaughter.

cw: (18+) mature language and content, suggestive language and content, dark!tf141, military criticism, unhealthy power dynamics, graphic descriptions of violence + gore + torture + murder, themes of dubcon (but reader is consenting), piv, cumplay, fear play, size kink, praise kink, curvy!reader with hair long enough to hold

You don't think you've ever been the object of anyone's affections, not really. Although you are blessed with many gifts, even physically, you do not see yourself that way when you look in the mirror. How you feel inside betrays you when you look in one, and instead of staring too long, you always turn away.

This time, you stare. Because her ass looks nice, and her skin looks soft, and her face isn't disagreeable.

This reflection almost terrifies you. In front of you lies a woman you do not know.

She looks good. Your clothes are a size too snug, and it squeezes all the parts of you that normally you attempt to hide. Your thighs, the cinch of your waist, every curve you cover up with your uniform normally is on display, and instead of your hair in a standard bun, it lays free. You are anything but the soldier you always see, and just when you think about running, there is a knock at the bathroom door.

You open it, straightening out your outfit, and you look down shyly when you see the face on the other side of the door.

"It's...a little tight," you say, tugging at the waistband of your pants, but the woman tuts, crossing her arms over her chest as she steps back to look you up and down.

"It's as it should be," she responds, very matter-of-fact. "Now follow me. Need to debrief before your flight."

Her name is Laswell. You have not been graced with any other name, and you suspect it is because she wants you to call her Laswell and nothing else. She is blunt and intelligent, and there is no room for anything but the truth with her. If you answer her with a lie, she waits until she hears what she knows is expected.

When you sit, she spreads a few files out in front of you. Four manila folders, three packed with documents and pictures, one with documents only. You reach for one, eyeing the labeled name.

MacTavish.

You open it, and you're overwhelmed with the information. You see a man with pretty blue eyes and a military history that would put your old squadron to shame. Flicking through the pages, there are numerous confirmed kills, no small list of disarmed explosives, reports written by others and himself that even at a quick glance exude something impressive, utmost intelligence and extensive knowledge. You take note of his unique hairstyle; shaved sides of his head and tuffs of dark waves that run down the middle. You acknowledge how much you like when it gets a little long, falling in curls over his forehead.

The next file is equally as large. You flip it over, and you tilt your head to the side when you see a picture of him. He isn't posing, but his stature is one of confidence, and he's gorgeous. A strong facial structure, dark eyes. He keeps his hair short, and his skin is dark, and as your eyes roam lower, you notice the strong muscles of his forearms as he grips a rifle. His skill sheet is no less impressive than his sergeant counterpart. He has been in so many dangerous situations, and he comes out with nothing but scratches; and he seems to be deadlier with nothing but his hands than any small firearm could be.

Kyle. It's fitting.

You look away from his pretty face to their commanding officer. There is a picture of him with the other two sergeants, and you notice how he stands taller than them, but just as broad, and you think military fatigues suit him well. He wears his sleeves rolled up to his elbows, and you can see the expanse of his strong arms and his large hands, and you take note of his carefully sculpted beard and the hat he wears. When you flip through the history, you are overwhelmed with the amount of ops he carries under his belt. This man is a war machine. You suspect there is a number on his head somewhere, in some distant country, and it makes you shift in your seat when you realize this isn't someone easy to kill.

He does the killing. And that's all that matters to the Crown.

John. That is the one that has to matter most.

"He's the one who calls the shots." Laswell's voice cuts through your heavy thoughts. She takes the last folder and opens it for you, and immediately you notice the lack of photos here. "But this is the glue."

Ghost. That is the name that sits on the official documents, but there is a dirty sticky note pasted next to it with Laswell's chicken scratch.

Simon Riley.

"His name is redacted," she says simply. "And so is his face."

"He has no face?" You ask, and when you realize how you worded it, you think it a stupid sentence, but Laswell only stares.

"Not one that matters," she responds. You look back down at the documents. He is tall, and you observe that he's most skilled with a sniper rifle, although he doesn't lack confidence or efficacy in any other form of combat. Hand-to-hand, smaller firearms, rifles, he uses them all with a terrifying accuracy, and you pull the papers closer to you as you read more.

"The glue," you murmur, not quite understanding. "And what am I supposed to be?"

"The solvent. The hammer. Whatever the fuck I need you to be."

The thing that breaks it apart. The thing that tears. The thing that makes them bleed.

And so you lie. It is what you do, what you are taught. Laswell is good at it, and you are a fish to water with it. You lie until it comes as easy as breathing, you learn to pretend until it is all you know, and when you create your second life, it is easy because it is the only one Laswell tells you to know.

You are a soldier, and you do as you're told. When your orders are to forget who you were and become something else, you do it, because that is how it works. And you know what you are in Laswell's eyes--you are a weapon, and you gave your body to the state, and she can do what she pleases with it.

And you know, really, what she expects you to do.

It isn't spoken of. She never says it out loud. But when you study the files she gives you, you notice there are more details that what is necessary. You learn more about them, in ways that feel intimate, that feel secret.

That John's favorite color is red. That MacTavish likes a traditional meal. That Kyle has a sweet tooth and likes jazz. That Ghost downs two fingers of Kentucky bourbon to unwind.

They are things to help make them agreeable, you think, but agreeable in what way is up to you.

But red looks good in lace. You've been told the stomach is the way to the heart. Chocolate is supposed to be an aphrodisiac. And alcohol is the perfect enabler--and armed with this information, you will divide and conquer.

Break and tear apart. Separate. Sever the bond. That is your mission, that is what you've been told to do, and you will do it because that is what a good soldier does, and this is all you are.

Laswell's pet. Her pretty little soldier. The hammer to her nail, the bone for her dogs, the string that will mend the ones snapped by her own puppets.

She wants control, and she isn't stupid, and neither are you. When you look in the mirror again, you understand why she picked you. No matter how far her men stray, they cannot change what they are at their core.

Men.

And men are fickle.

You suspect, you hope, even these ones are. They are not gentle, and Laswell makes sure that you learn well why it is they need supervision. She shows you pictures, videos, eyewitness statements of their spiral into violence.

It's not that they weren't war criminals before, but they were her war criminals. Unsanctioned ops, sure, but they toed a line that was drawn for them. But then the red tape became too much, even if there wasn't very much of it for them.

They began to ignore orders. When they were told to stay put, a sergeant would slip off, and under the guise of protecting them, all four would end up in a firefight. And when this became a frequent excuse, they stopped coming up with them. They simply showed up in manila folders like the ones you held, enemy casualties sometimes in the hundreds, and they did not appear even when required.

Debriefing? Their connection was bad. A hearing in front of their superiors? They're on a mark, and they cannot move. And then it was just silence. The occasional response to real crisis, and then back underground, until all Laswell could get from them were limbs taken off the enemies they weren't allowed to kill just yet.

They knew how to disappear. They knew how to hide. They knew how to stay put, come back up overground, and then scurry back underneath where no one would find them.

But that wouldn't do. Not for the CIA, not for SAS, not for either of their governments who soon realized they had let loose a group of soldiers-turned-mercenaries who hold valuable secrets that could put their politicians at the forefront of Congressional hearings, NATO violations, and then in the right mess of breaking off relations with a numerous amount of countries they already held fragile relationships with.

The 141 is a liability. They need to be the ones pulling the reigns again, no matter the cost--and they tell Laswell to do it, and to spare no expense and to pull back the curtain on what she believes might be crossing even the lines she has drawn before, to go beyond it.

She draws this line around you. A circle, a fence, wrapping around you as she molds you into what she needs you to be. She is honest. Not always kind, but honest, and because she is, you want to succeed.

Finally, you can be of use. Finally, there is something that will give you purpose. Even if it hurts, even if it kills you, you want to give her what she needs, because it isn't fair.

You have already given them everything, and you have nothing to show for it. So you paint your face, and you zip up the tight pants, you lie and you learn and you listen, and when she tells you that they will not be gentle, all you reply is, "I won't be either."

Men are fickle. And they fucking deserve this.

You are wearing red when John sees you for the first time. It is in your hair, a bright red scarf that keeps it out of your face, and you know he looks right at you and not through you when your eyes meet.

When he eyes the open door of your room later that evening, you pretend not to notice his gaze when he drinks in the sight of you in red lingerie.

It is the first morning you are with them that Johnny wakes to the smell of something in the rec room. You stand there, at the stove, stirring a wooden spoon in a warm pot, and when he steps in, you turn to see him, and you smile. You exchange no words, but when you hold a tasting spoon out to him with a soft potato and a spoonful of wonderful broth, he can't help the way he closes his eyes. There's a beautiful woman cooking stovies in the rec room, and when he opens his eyes, you are looking right back at him.

And then it's the music that plays in the evening that catches Kyle's attention. They are trailing back to their rooms after drills, and he catches sight of you in your room, and he can hear Ella Fitzgerald, and when you look over your shoulder, he is there, and he doesn't shy away.

And then--fuck--it is so easy.

Wherever you go, they follow. Unconsciously, you suspect, but they do, and you live the lie, and it feels fucking euphoric. You know you've won when you run your knuckles down John's cheek for the first time, and he keens, nuzzling the side of his face into your hand and chasing after your touch.

They are animals. You watch them when you join them on ops, rifle in front of you as you follow them, and you keep a neutral face as you observe them wreak havoc. They kill and they maim, and they sleep like the dead at night, as if the heinous ways they kill do not bother them at all. John points, and Kyle pulls the trigger. John nods his head, and Johnny detonates, nothing but a dull reflection in those blue eyes. John clicks his teeth, and Ghost sweeps.

He sweeps, and he kills, and if it wasn't so fucking terrifying, you would have admired the way he did it. The elegance that he took on an entire room of moving targets, how he never let himself be pinned down in one spot. Whenever someone gets too close, he goes hand-to-hand, and it's fucking brutal the way he finishes them off. He keeps throwing knives in his boot, and they sink into eye sockets as if running through tender meat. He puts blades through their mouths and doesn't let them go until the light leaves their eyes.

You hate that it makes you warm. That there is something deep in your belly, that twists there, that tells you that you like it. When he turns around and meets your eyes, wringing the blade out of someone's neck and letting them drop on the floor at your feet, you don't flinch. You simply kick them to the side and step over them, and Ghost watches as you lick over your teeth as you pass by him.

Insatiable. Fucking hungry. He eyes the sway of your hips, and when he finds his next target, he uses his hands again just because he needs to feel flesh under his gloved hands, needs to tear it apart. And when he feels you watching him again, he grunts as he stands to his full height. He's a fucking bear, and you leave him with a hint of a smile before you turn the corner.

You are not sure if you are pretending that day.

They ravage, and then they go back to their beds, and they wash the blood from their clothes with ease--and the worst part of it all is that you do it, too. You come out of the same places that they do, and your face is splattered with their targets. Your jeans have flecks of brain matter, your hands are dirty with someone's singed flesh. When you finally stand in the light back at their base, all John does is sit you in front of the bathroom mirror and wipe at your face with a warm towel.

He tells you how good you've done. How special you are. How he has never seen a woman keep up with them so easily, fit into their pack like she was meant to be.

He says that you belong, but he doesn't say to who. You wonder, for a second, if he means that you belong to them all.

When you report back to Laswell, you tell her this. What you don't tell her is what you've had to do to gain this status. You don't tell her about the blood you spill. You don't tell her about the bodies you see or the men that lose their faces or how worked up the boys get after an op and how it takes them hours between your legs to lose the adrenaline.

You don't tell her this because this is for you. It's all for you.

They tell you things you aren't supposed to know. When you're in their beds, they talk, and you listen. Kyle tells you about the man they are keeping in the cellar. That he's been there for 29 days, and he hasn't said a word, but that Ghost will be next to speak to him, and he will talk then.

Kyle tells you that it is a mercy that Ghost hasn't visited him yet, but they are done playing nice. When he says this, you have the image of Ghost standing over a man who pulled a gun on you in your head, and you remember watching him with a sickening relief as he pressed his thumbs into the man's eye sockets and pushed they were nothing but squished matter. You squeeze your legs together; and this time, you don't feel bad about it.

Johnny begs for you, his bonnie lass, to keep close to him on the next op because you strayed too far today. He fucks you to make you say yes, his lips on your ear as he tells you to promise him that you'll do as he says, and that if you promise, he'll let you come. So you promise, and he fucks you boneless, and the next day, you are glued to his hip when you raid a foreign embassy for nothing but answers.

You know they know. They don't say it out loud, but you know that they all know where you go at night. One night, you are kneeling under John's desk, kissing the pearly tip of him before taking him down your throat for what feels like hours. The next, you are letting Kyle bend you over his desk, rattling it against the wall as he tells you how pretty you are. And in the morning, you are pressed against the shower wall, Johnny holding your wide hips in his hands as he fucks into you, begging you, bonnie, please--give it to me, tha's it, right there, ye can do it, good girl--

Good girl. That's what you are. You're a good girl, and you do as you're told. You smile, and you keen, and you give them big, soft eyes, and you let them have the illusion of control. Maybe they think they're pressuring you. Maybe they think they scare you. Maybe they think this is why you get on your knees for them or let them pool your pants at your ankles or allow them to have you whenever they want, but the reality is that you want it, and you need it, and this is working.

They don't even realize you've fucked them into submission because they're too busy showing off.

A domino effect. You expect them all to fall once you have the captain, but there is one chess piece that does not move willingly.

Ghost.

He is an unmovable object. He stands still and rigid, and he is a statue that refuses to be pushed or pulled in any direction but one he deems. Even in the middle of the nights, when you notice he is awake, he never joins you when you drink his favorite bourbon outside. He doesn't ask for a cigarette when you smoke one, even though you never actually take a puff of it. He passes by you, and he doesn't look at you, and you are invisible.

You want to be content with what you've accomplished, but it isn't enough.

This is the glue. He is the glue, and without him, everything falls apart, and you cannot fail. There isn't room for it. And maybe you feel bad for preying on the parts of Ghost that you think he prefers to keep hidden, but you need to catch him before he gets too far away.

A kitchen accident. A knife that plunges too deep, that draws blood and makes you cry. You are in the bathroom, tears coming down your face, blood in the sink, and your hands are shaking as you try and patch yourself up. You are loud enough to draw the attention of the lieutenant whose door is only just across the hall, and when he sees you there, he doesn't leave you.

One moment there is nothing, and the next, he is behind you, a pervasive warmth at your back, and you whimper when a gloved hand wraps around your injured hand. Wordlessly, he turns the faucet on, running your hand under the water, and you hiccup, looking away and breathing deeply.

He wraps your hand in his room. You sit on his bed, and he works to cover the wound, and you know he has done this before. Soothed another's tears, quieted soft cries, covered up cuts and bruises and things that will scar.

He kneels in front of you, and when he stands to his full height, you tip your head back to look up at him. You think you will meet a soft gaze, but he glares, and he seems angry. When you open your mouth to speak, he tsks, and your tip trembles as you close it.

"Y'can fool the others," he says lowly, finally. "But not me."

You frown, confused. When you sniffle, he snarls.

"I know why y'r here," he murmurs. "Isn't the first time Laswell has sent one of her little...toys."

You clench your jaw. For a moment, something envious rattles you. You aren't like anyone else. You are certain no one has accomplished what you have, that no one has gotten this close to rock the fucking boat or pet the beast. He doesn't get to demean the progress you've made like this, even if he's figured you out, because you aren't going anywhere.

Not until you get everything you need.

"Excuse me?"

"Y'r a spy. You're CIA's whore, and I don't like y'here, puttin' y'r bloody nose where it don't belong," he kneels, his voice low and gruff, and he reaches over and grips your chin hard. "Y'may have fooled them. In their fuckin' beds...in their heads--" He draws you closer, and you swallow. "But y'r not in mine."

You meet his eyes. They are dark, and they are meant to scare you, but the feeling that runs through you isn't one that terrifies you. He is a magnet--and you can feel the field of his presence, and it has you. This is supposed to be your show. They are men, and they are stupid, and you hate them, and Ghost should be eating out of the palm of your fucking manicured hand, but there he is, spitting against his mask, and it is you that aches to see what is underneath the cotton.

"So, little lamb..." Ghost rumbles, and it is with his entire chest that he speaks. "Wot is it you're here to do, eh?"

You shake your head, "N-Nothing. She...all she told me was that this was a joint operation...CIA and SAS--"

"Y'r on the piss, I know that," he hisses, clicking his teeth. "Joint operation," he laughs, but it is without humor. "Is that we're calling this now? Being barracks bunny for the 141?"

"Fuck you," you snap, shoving his hand off. "You're a fucking bastard, and if you think--"

"If I think wot, eh?" He stands, and you choke as he grips you by your throat, lifting you off of his bed and forcing you against the wall. You grip his wrist, but it is useless, because he's a brute, and you are nothing to him. He holds you there on your toes, and you grip him tighter, but he doesn't budge. Even digging your nails into him doesn't make him flinch. If anything, he seems amused. "Wot kind of trainin' she make y'do, eh? Did ya have to practice? Who'd y'shag to get y'r stripes?"

"Eat shit," you spit, and he snickers. There is fire in your eyes, venom on your tongue, you are a fighter, and when the world is so quiet, fighting feels good, and he knows this feeling well. He understands what it means to be nothing and then something, what it means to worthless and then useful in the eyes of government and government alone.

Because you are useful, but only to Laswell, and only as this, whatever this is. Whatever you are. Pet, prize, toy--it doesn't matter what the name is today, but it will stick tomorrow, and you wonder, sickeningly, if that is your destiny.

To be unknown. To be used. To be the property of what you do not know. To be given, to be taken, to not know and to be content with not knowing.

To accept it because it is still better than whatever you were before.

He sees this. He looks into your eyes, he breathes in, and he hums, and when his grip loosens just enough, you put your toes on the ground, and you lean in, and there you are.

One and the same. Bitten, chewed, spit out, two people who are products of their suffering and the culmination of their sheer fucking will to live, even if the living is miserable.

Maybe that is what it is. Maybe it's what's broken that will put you together. Ghost is the glue, you are the solvent, and you will make it so.

Because I can't fail, I can't do it, I won't go back, I can't go back--

"I'm here for me," you whisper. "I'm here for me, and no one else--" You gasp, and it isn't a lie, not really. You are here for you, this is for you, even if it is at the downfall of someone else. If you need to step on necks to get ahead, you will.

Ghost is the last piece. The last one you need to move. He is stuck, but now you know what it is you need to do, you know how to set the game into motion.

"Ghost," you breathe, and it's soft, it's quiet. You meet his eyes, and you lean close, and he feels your breath on the front of his mask. "It's not what you think."

"You're a lamb."

"I don't wanna be a lamb."

"It doesn't matter what y'want, y'are a lamb," he growls, and you whine, and he hums, and you can see the crinkle of his eyes, and you know he must be smiling. "Tha's wot y'are, and y'can't run away from tha'."

You blink, and he stares, and there is understanding. You are prey, and you belong, but you don't know where. But then you remember you are a soldier, and it isn't your job to know. Your job is to lie still and let them have you.

And to not tell my handler how much I like it.

"It's what they made me," you whisper, and when there are tears in the corner of your eyes, he is gentle. He smooths his hand down your throat, rubbing a thumb over your trembling lip, and you know that he understands you. "It's not what I wanted."

"It's never what we want," he murmurs. "Never."

You hold your breath when he cups your face with a big gloved hand. Dark eyes on soft ones, and you wonder what it would be like to have him. He doesn't keen the way John does, doesn't kneel the way Johnny kneels, doesn't follow and listen without objection the way that Kyle does. No, he's a brick wall, and you need to be what knocks him over. You need to shake the foundation, split it in two.

You need to sever the fucking bond and do your fucking job.

"So when can I have what I want?" You ask him softly. "When...when is it my turn?"

He tilts his head to the side, curious, and you slide your hands up his forearms, over the muscle of his biceps. He is everything you cannot have.

And he is everything that you suddenly realize you want.

Forbidden. Unrelenting. The oxygen to a raging fire. He isn't the glue, he's the catalyst to whatever the fuck you bring to the experiment, and even though you know this will be disaster, you want it. You want it so badly.

Destruction tastes so good. Control is victory. Sex is power, and you want him, you want this, you want him to have you, to own you, to make you see what he sees, because it will be familiar because you are the same.

"Y'r a soldier," he says lowly. "Not about what we want. 's about what they want."

"Fuck what they want," you groan, looking away, and then a few tears slip down your face. "Fuck what they do with us. If I die for them, they only tick some fucking statistic. It means nothing. So why can't I do what I want with the time I get before...before I'm just...before I'm nothing again?"

And there it is. The mirror you hold up. The common ground. The level playing field. The two paths that cross, this is it, I have it, I have it, I fucking have it, I have him, he's mine--

He kisses you. You don't get to see his face, but his lips are there, a precious amount of skin that you're blessed with seeing until your eyes are closing.

His bed is warm. He fills it well, the breadth of him almost too much for its size, but it doesn't matter because he fucks so well. He eats your cunt because he's hungry, your thighs on his shoulders shaking as he laps at your wet folds.

He does this different. John is soft and slow, Kyle takes his time, and Johnny is always eager and sloppy. But Ghost watches. He slides his tongue in soft motions, watching, and when your thighs twitch and shake, he does the motion again. He flattens his tongue and drags it, and when you whine and arch your back, he revels in the way you move. He drinks what you spill, he fucks you with his tongue, and this is different because this isn't just attraction.

There is something about him. Something underneath the layers he covers himself with, under the mask, something that you can see that others cannot even though he doesn't take those layers off.

You know this is true when he's inside of you. His mask hasn't come off, but his mouth is on your ear, and he groans, and he talks, and you feel like he spoils you this way. Ghost never talks. You wonder often if maybe he has a limited amount of words, and he never says more than he has to lest he runs out of them. His eyes speak, and it's more than enough, but now, he talks, and it is a gift, and now you know.

He cradles your head as he fucks you, and he kisses you until you can't breathe, and then when he talks, it takes everything in you not to beg for more.

"Such a nice cunt...'s so nice..."

"Fuck--y'feel me, luv? Right there--" And he presses his palm down on your stomach, and you cry when he grabs your face and forces you to look at him, because he's cruel and he's mean, but his cock feels so good--

And you think it can't get better, and you think he can't go any deeper, and then your thighs are wrapped around his waist, and he's leaning over you, and you think you're forgetting your name.

You forget yourself. You forget the reason you're here. It's so hard to think when you're not yourself, when your mind is in the stars, when everything feels far away and so close all at the same time. There is a place for him inside of you now, and you know that even though he will ruin you, even though he already has, you will never be rid of him.

You've severed the bond. You've made your own.

When he kisses you again, and when he grinds his hips down so nice that your clit aches, you know suddenly what it feels like to have real control. The feeling that Laswell chases, the feeling she wants so fucking badly that she's made your body a weapon, your cunt a tool, your brain the hivemind that will make her every wish come true, you understand now.

You will make the sky blue, the birds sing, but you did not realize the power you held until you had Simon "Ghost" Riley buried so deep in you, that you aren't sure you're even really here anymore.

You gnaw on his arm, your tongue tracing the tattoos there. You taste sweat, and you swallow it, and you go numb thinking about having more of him inside of you. You want to bite and eat and take as much of him that he will let you--no.

You will bite and eat and take as much of him that you want, because he's yours, and you get whatever you want.

Your fingers grasp the cotton of his mask, and your grip is enough to pull his lips off of you, and when your eyes meet, the gaze is different. He's desperate. For once, there is something disorderly there, and he pants, and he wants something from you, and finally you have something to give him.

You fuck it out of him. You lay him on his back and let him look at you, and you fuck him because it feels good, because you want it, too, because it's all that matters. You cry into his mouth, sob, "please--! please, please, please--"

And he tugs on your hair in response, guiding your hips as he loses his composure, "'ve got you...y'r mine...'s olright, yeah--nggghhh, fuck, luv, th's it..."

You do want it. You do need it. You need them, but you want Ghost the most, because he is the piece that does not move. He is not willing to do anything except for the sake of his pack. Ghost is impenetrable, even your pretty cunt isn't enough to change his mind, but that isn't what this is.

This is mercy. Ghost, he is the product of all of his misery. You, you are the result of every man to ever betray you, the outcome of your unwavering desire for revenge. You are the same, somehow, and he knows this, and that is why can't help himself. That is why Ghost is underneath you, that is why he bares his mouth to you and lets you lick into it and allows you to taste the forbidden fruit.

Because he thinks you are him, and he thinks you think so, too, and all he's ever wanted in his life is just for someone to see him the way he saw himself.

When he comes, he paints your cunt and fills you, and you collapse, your body on fire as you come down from a high that takes your breath away. His big hands cradle you against his chest, and you don't move, too afraid to let go, and he kisses your face when you whimper. You can taste yourself on his tongue, and when he pulls out, you gather it up on your fingers and suck. He groans, and he kisses you, and then he sinks back to his knees because he doesn't hear the ringing in his ears when his mouth is on your pretty pussy.

You're just a lamb, it's all you are. Handpicked by Laswell to head into the lion's den, a scarred animal that has no one to protect her, straight to slaughter.

He knows what it feels like. He knows what it feels like to be used and forgotten, to have nowhere to go, to be backed into a corner with no way out, and he pities you.

Ghost pities you because there is nothing behind your eyes except fear. But it's a lie. You're so good at it now. It's a lie, and you tell it so well, and you're warm inside. Not from taking the last moving piece, but from the satisfaction of knowing you have done what others cannot. What others never could.

It's late when you finally settle beside him. He leaves you when you ask for something to eat. You watch him slip clothes on haphazardly and leave, the door swinging shut behind him as he shuffles to get what you need.

To provide. To protect. To shield. Ghost is good at those things, you knew he would be. A man does not nurse a brother back to health without it, does not protect his mother and defy his father without being good at being a dog.

He's a good guard dog. And when he goes, and the door is closed, you smile because the dog is mine, all fucking mine--

You reach for your phone, and you pull up the only contact in it. You type a simple message, and then you send it, and for good measure, you shut the device off, tossing it into the pile of your discarded clothes.

>> we have joy.

You are good at pretending. You can tell a lie without blinking. You have been taught to be this thing, and you do it well, because you are a soldier, and this is your mission, and you cannot fail, and you didn't fail.

When you see Laswell again, many weeks later, she is not surprised to see you covering up with long sleeves and keeping your hair down. One tug on the collar of your shirt, and she gets glimpses of the love bites that have marked bruises all across your skin. She lets you go, tells you to sit, and she smirks.

You smile back this time.

Men are fickle. And they fucking deserve this.

"Good girl," she takes out another manila folder, but it's different this time. When you open it, you have schedules of upcoming ops, intel the boys are working, evidence of their reckless abandonment of order in favor of the chaotic success of getting the job done. You have seen this first hand, you know what they do and how they do it. But now there is another factor, another subject, right in the middle of it all. It is you.

Laswell takes a seat, spreading out the papers, and you meet her eyes. This time it's different. This is the truth, and you want to feel bad for your betrayal, but you don't. The fact of the matter is that you and Laswell, together in this room, have more power at your feet than you know what to do with.

A lamb to slaughter, and yet you sleep with the wolves.

"Alright," she says. "Now let's get to fucking work."

#simon ghost riley #simon riley #simon ghost riley x reader #simon riley x reader #simon riley x you #ghost mw2 #ghost cod #ghost call of duty #ghost mwii #ghost x reader #cod #call of duty #simon riley smut #simon ghost riley smut #dark!simon #dark!soap

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PASCAL

male reader x karina & irene

part 1 of two roses, by every other name

28k words

It goes without saying that Karina’s reputation is flawless.

Irene’s is remarkably not.

You're not even staunchly a romantic or anything. You just can’t be assed to manage the distinction between desire and distance. So when the dust settles, the best case scenario is the three of you going around telling people, "all of this is actually a true story by the way."

You don't need the extra helping of moody and foreboding, but the wind picks up enough to chill you to the spot.

It blows some of the longer, darker strands of Irene's hair into her eyes and she shivers, too, against the cold as she tucks it behind her ears. You’ve got both hands balled into your coat pockets, watching her pretend like she isn't about to say something you absolutely do not want to hear. Then, a sigh - the length of which is probably unwarranted. You can feel the frost on the air burning through your teeth as you face back out toward the taxi stand.

It’s gotten late and you're still waiting on an empty cab - you’re realizing there was never a conversation to be had in the first place.

“For what it’s worth,” Irene says, and there’s an indecent proposal just in the way she glances at you. “I had my eyes on her first.”

It’s all on account of some sort of moral quandary, or whatever nonsense Irene pretends to believe every time it comes up. A gross power imbalance; an issue of innocence and entitlement; a threat of abuse. Something, another thing, patriarchal expectations, blah, blah - she fudges around the details, but never ever cares who gets hurt. Not really.

And it’s doubtful Irene believes what she says, not to mention she’s skeptical anyone is even capable of zipping their way down Karina’s denim, working a pair of hands up the contour of her long legs, and making her pant and gasp hard enough that she forgets to breathe.

Well, supposedly - that is anyone, save the two of you. Nevermind the fact she’s always, always been off-limits.

The bottom line is she's a whole decade younger than either of you. This just for starters - only legal for alcohol by some narrow margin. Because between you and your fiancée there are all these rules: no coworkers, no labelmates, no close mutual friends, no personal assistants, no jealous ex-lovers, and absolutely none of her juniors. It’s in poor taste, among other things.

Also, just as straightforward: crossing any number of those lines has its own kind of appeal.

"Okay,” you say, “then maybe you should be the one to tell her we’re taking her home."

Irene's arching her eyebrows at you like a silent rebuttal. She smiles after a laugh, quick and easy, because it's what she's good at. It's what she knows. “Like you weren’t hoping she’d be here, too."

The ash Irene taps off the end of her cigarette falls to the ground like snow. Hitting the pavement as if it might punctuate the thought. That's a rare first mistake from someone like you, and then a second one from her: she thinks she’ll need to defend herself with an explanation, like she’d ever need to justify anything to you.

“Besides, she’s not waiting for me to ask.” There’s a curl to her mouth - and then, she adds, for your benefit, "she'd follow you anywhere."

The twisted irony is that the two of you could pick up any woman, anyone at all.

"I think it’s a discussion for another day," you tell her, serious. She laughs out loud.

"Which one? Who Karina wants, or that you're aching every bit as much as I am to spread her out on our bed and fuck her? Because I'm pretty sure we can both agree that at this point-"

Your palm curls around the nape of her neck with a touch of on-your-feet-thinking: one of these moments that lets Irene sit with the knowledge of how small she really is against you, her head against the collar of your coat, chin angled just so to look up at your face. And there's only a beat that passes between your fingers in her hair, tugging gently as her hand releases to your waist, her teeth clipping against the press of your lips, before a cab pulls up right next to you. You kiss her hard. It probably looks cinematic.

If for nothing other than to give Karina one less thing to overhear when she comes back outside to join you.

"Really not the time," you whisper right into the subtle twist of her grin. Her cigarette's gone out in the snowy mess, but Irene smirks deeper in response before throwing it onto the wet concrete. She grinds it beneath her boot like a reminder, her hand still firm on your hip.

"What, you don't think it’d make her day? Don’t think she'd want to hear all those kinds of thoughts running together through our heads?"

You pull Irene in closer. “She’s not you.”

For context - only so you’re aware how it all starts - it wasn’t actually New Year’s Eve, even though everyone had been drinking like it were.

Also for context, it’s not something you were strictly invited to either. Irene’s company holds this holiday party at the end of every year where all of their employees show up (read: idols; Irene likes to argue about work sometimes - to which you have never contested the value of her labor - but your brain tends to fuzz out in the middle, and instead you mostly just watch her pretty mouth in motion). All of the high-up executives and department heads bring their uptight wives and girlfriends to some restaurant ballroom for a cocktail reception that only really functions for name dropping, or influencing the media, or placing side bets on who is sleeping with the CFO - or whose mistress might show up unexpectedly and meet someone's wife face-to-face for the very first time.

It happens to someone Irene knows, once. You pray every year it will happen again.

Be that as it may, there are a plethora of other terrible ways to spend an evening and a half, but it’s all laid bare in Irene's contract - attendance being mandatory; enjoyment excessively optional.

And sure, it’s taken time, but you have gotten used to it: the industry, all of its excess, the inevitable display, the million and one things required of Irene that you, on the other hand, will simply never be able to relate to.

The machine’s so fine-tuned and tightly wound, like clockwork.

"Yeah, whatever," she had said, leaning her hip against your bathroom sink earlier in the day. Her dress laid out neatly across your bed, already pressed, set with her heels and jewelry, everything set on schedule to the point of absurdity.

And so it goes.

You can hear her brushing her teeth through the open door - and see her profile through the hand-swiped-fog on the mirror. She drags the toothbrush to the corner of her mouth: "And before you even ask, yes, you have to come. That's the deal. That's always been the deal - bored, or busy, or trapped talking to some social climbing board member who’s realized the liquor flows fast and free - I don’t wanna hear about it. You’ll be there."

"Uh-huh," you say, eyes fixed on her reflection in the mirror.

"Look, I hate to be the bearer of bad news,” she adds, spits, and lets the faucet run, “but this one’s shaping up to be a really long night.”

You watch the meticulous effort to pull her dark hair back into a low, neat bun as she turns and comes back into the bedroom, tossing her hair clip onto the bed to reclaim later.

“So I guess, pace yourself or something.”

"Ever the salesman, Irene," you say, facetious.

"Um, saleswoman, thank you." Her words are slightly muffled by a silk tank top pulled on over her head, then down the flat length of her body until it hits the tops of her thighs.

It’s not a matter of opinion that she'll look gorgeous in the stilettos, the dress - those earrings that catch light wherever it dares touch her. She'll smile her practiced grin. It'll probably taste sour after the hundredth person asks how long it's been and she tells them she can't remember. But then look - Irene here, still perfectly disheveled: her damp-darkened hair sticking to the porcelain skin of her neck, skin washed free of makeup. She’s beautiful. In a plain and simple way, simple-but-good. Even with the tight little scowl she shoots your direction. It’s a look she has to know could launch a thousand ships; could start a real, actual war; though you're far too charming to know how to fight - you’ve never seen the appeal.

Irene's teeth tug at the corner of her lip like she knows you'd probably end up dying in it. She puts forward this unassuming, nonchalant, “hey.”

She muses it right into a laugh. Covers her genuine smile with her fingers.

"Hey," is how you answer, always.

You’re noticing, now, the strap of her top has fallen just down the petite slope of her shoulder. You want to get your fingers beneath it. Maybe get her back in the shower. You’re never too picky.

And here: an unspoken demand, the thing that always gets you about her - while Irene stands in front of you, her finger looped between the top buttons of your shirt to draw you close. The bow of her lip perked ever-so-slightly, this soft pucker - all pretty in pink. "Before I slip into this dress, you’re going to push me against something sturdy and kiss me until I'm dizzy," she instructs, calm and methodical.

"A lot," you continue for her. You nod seriously, for a moment. "Dizzying."

She closes her eyes and leans in, and you lean into her, too. "Yeah, exactly," she ends up murmuring under a hot breath. "So, get to it.”

And so it goes, and so it goes.

"Have a drink," someone keeps saying.

As a matter of fact, they all do: four shots together - or one old-fashioned, or two vodka seltzers, or three of these mystery concoctions that come in a tall-stemmed glass you didn’t actually catch the name of, and jesus, it fucking reeks of prosecco. You pace yourself, within reason. You really do.

Irene gets elusive under the surface, which is to say, she doesn't change at all - not even at the edges.

And though everyone is here to be seen, only a few actually do any of the talking. Irene has it covered - you do your time.

Happy New Year, sorta. You wait it out.

She tastes like everything sweet, strong on her heels and sharper on her tongue - and sometimes, it’s not the best mix, given all you can manage is the touch and scent of Irene without actually getting at the insides of her thighs or that tempting stretch of skin under her ear, her neck, down to her chest.

This much, and she has no complaint - hardly seems surprised or inconvenienced - to you stepping her into the wall like it's a matter of instinct.

She just sighs, a short huff. "Don't miss these kinds of parties," she then confesses, right into your mouth, her warm exhale filling you whole. The sounds of people laughing and champagne glasses clicking nearby, a new song starting up, it's all an unnecessary backdrop, and Irene isn't distracted by a single bit of it.

Character, setting, scene; it’s all rather textbook, no?

You know what the sounds mean, the soft hums, the lingering touches, the firm press of your palm into the dip of her waist or the slender line of her back. She knows where all the cameras are because she knows everything that anyone could possibly ever want to know, such as the fact that this empty stairwell is a perfect place to start, that there isn't a real plan as to where this might go - or when it should end.

And you should know where not to press - or bite or grab or leave a mark - not in some liminal space, nor some vacant practice-room, not beneath a desk, not behind a curtain. No, not here, cloaked in shadow and secrecy, another scandal in the making. Not that the knowledge stops you from testing out the lines, from drawing little patterns up Irene's waist, slipping one hand along the barest skin where her dress has hitched up along her thigh. To a boundary, the low pitch of her voice, some suggestion like, "not here, are you serious?" mumbled across your lips like it really doesn't matter what gets said or does not.

She’s pinned so properly, so precisely, that the discord between her gentle coaxing, and your hard, bruising edge - that sheer incongruity between what you should do and what you should not - can make the adrenaline spike.

She kisses you harder - and harder, and harder. She catches the small sigh you let out. She kisses you breathless.

You can’t shake the feeling that you’re wasting an opportunity, given that you’re both dressed to the nines and are usually more homebody than anything else. Isn’t that the irony of fame? You sign up for an escape, and spend your life running away.

Irene eventually sinks back into the soles of her heels, wiping her mouth with the back of her wrist, and she smiles so easy. She tugs at the cuffs of your jacket, sets your collar flat and proper.

"I'm thinking," you hear her say, taking stock for herself, the flush high in her cheeks, the tousled sort-of-curls now bared, "in half an hour, if you feel like leaving early, we could, oh, I don't know - escape?"

Escape to a bed with a door that locks, you assume she means. Irene wants; you deliver - however she'd like.

“Sounds tempting,” you tell her. She laughs against your shoulder. "Are you waiting on someone else to sweep you off your feet, maybe? Another offer?"

"Uh, always," she scoffs. It's the little things, confidence, and certainty, the honest-in-practice; how her palms sit soft and secure, cupping the angle of your jaw, one hand, now, toying with the knot of your tie like she's contemplating just how it might fall off of you later. Irene shrugs, leaning her weight back against the wall.

She taps a finger to her lips. Ends up saying, very solemn: "Thirty minutes."

As if you had any intention of absconding without her.

Irene holds true to her word - she catches you on the second to last pass around the banquet room. Some executive with a slack mouth is just launching into what sounds to be a spiel about a merger - it's unimportant, not well-versed, so Irene sidles up to you, and immediately steals your attention. It doesn't bother you in the least. She curls her finger into the cuff of your jacket sleeve, and without really being prompted or asked - and only, probably, due to the clear discomfort she has being there with anyone else - she begins dragging you out of the room; you, her ticket out of hell.

"I'm so sorry," Irene dons the industry smile and is probably charming. It's difficult for you to tell. You follow her blindly. "So sorry," she tells someone else as you exit, just before you both disappear entirely, "We're leaving. But, we'll see you next year, promise!"

A real celebrity.

The two of you suddenly a duo - and for everyone’s safety, the way it should probably always ought to be - here’s how it’s all supposed to go:

You, standing almost amidst a bank of snow gathered at the curb, your coat fanned out around Irene, shivers racking up her slight frame. All hidden just enough that if anyone were to notice where your hand ends up arriving at the narrow of her waist, they might think: 'it's not really any of my business,' and look away.

Her, curled beneath your touch - even the single press of your fingers over the small of her back as a stranger pulls a car up to the curb; or, the pull of you that ensures the driver can't actually see what you're both up to, what you're hiding; the little reach she makes into your pocket for a lighter, smiling appreciatively as she presses her cold face to the crook of your arm, your jaw, the juncture of your neck; a safe space.

“So.” Irene will look up at you, pale moonlight gathered in her lashes. She’ll make another face: this thousand kilowatt grin or her brow raising - sharp, quick, there-then-gone. She'll turn the lighter over in her hand once, twice, and say, “how long has it been since we’ve done anything social?”

You’ll know it’s not what she means, but you’ll offer her the out anyway: "could go downtown - there's a place you've probably never been to. Might even play your style of music, if you're really lucky."

Irene will arch her eyebrow as she raises the cigarette to her mouth, lit up before you know it.

"Is that right?" she'll say, dismissive, a smoky tendril curling up over city neon and catching starlight.

You're no stranger to what’s actually being suggested - an unspoken sort of arrangement. All because Irene sees herself as being above, hiding her intentions in euphemism, tact; in long, slow drags; in lilting lashes - while she's fully and shamelessly aware there's nothing virtuous about it.

Who the hell else could make it sound dignified, pretty even: ménage à trois.

Then, you’ll do your part. You’ll help interpret: another girl, gorgeous and probably unclothed, another bad decision, or two, the three of you finding yourselves back in your apartment where Irene will not hesitate to run her tongue up the side of a sweat-glistened neck, to tilt her head and whisper out a mantra of, honey, sweetie, anybody ever tell you how good you look between a woman’s legs? Or, fuck, let’s get you out of those jeans, let me take you all in, how the fuck have we not gotten our hands on you before?

Which means the question you really ought to be asking sounds more like, “maybe we can invite someone over?”

You’ll meet her eyes as they flick up - a lazy expression, easy to read. "Bingo," she’ll say, blowing smoke and even more caution to the wind.

Almost to a fault, everything she does draws attention. Every fool with a blog and a camera posted outside of an event will have her labeled on-sight. You can already see the headline - because the only thing worse than everyone thinking you're the antagonist is looking the part. The imagery, red carpet, sexy evening dress, sultry, regal. The caption, Bae Joohyun - they use her government name like they really know her - sulking in smoke, or thirty flirty and thriving? below a thumbnail of her holding the cigarette, with your suit jacket draped over her shoulders. She's a total tabloid darling. Irene the temptress, or Irene, ice in her veins, or Irene - "How does she look so fucking gorgeous without makeup?!" or "Do I wanna hate her, or wanna be her? @RedFlavor_ROYAL," or "In every shot I feel like Irene has me staring into her soul."

Add that to the fact the girl’s utterly shrouded in myth.

Everyone running amuck with speculation; she's the girl-next-door, she’s the fantasy-in-real-life, she's someone everyone could see themselves fucking - she’s the heroine they say, the villain, the perfect wife, the one-that-got-away. They never do decide.

Though there’s only one opinion she’ll concern herself with, and only on occasion: yours.

Her fingers will come in the dark to trail feather-light from your collarbone, between the rise and fall of your shirt buttons, before pressing open palmed to your chest to still right there, and she's such a pretty thing in the plain black dress, all yours and very much in the mood - which you'll already have reason to know, in part from having felt your way around her no more than a hour prior, but also just the way Irene's been looking at you from beneath her dark lashes all evening, that subtle predatory gleam in her eyes.

You’ll hold her close. Irene will have the audacity to comment, “love you,” in this delicate little whisper, quiet like it could go either way - affection or gratitude. Maybe a touch of both.

A car will shortly arrive, pulling up to the curb with snow melting under its tires, headlights in your eyes, and then finally, in no particular order, your heart hammering: the click of the lighter, the falling ash, the sweet easy laugh, the crunch of ice under foot as she steps down beside you, the soft sweep of your arm.

You have no complaints about the proposal. A lack of argument or dispute is basically the same thing as consent, isn't it? For all intents and purposes, as a whole, it's really kind of a win-win:

Irene needs variety, which you're well aware of. It's only natural for someone who can have anything they want. And, sure, you happen to be a willing participant when it comes to satisfying the occasional whim.

So - the conversation will follow you right into the backseat of the cab, simply to iron out the details.

“Tall. Beautiful. Soft, soft, soft - like cashmere, a luxury brand," Irene will have one heel off and her knee braced up into the back seat while the other leg extends across your thighs, fingers running along your coat collar to make idle circles against the exposed skin there. "Or, at the very least, someone with a little more bend to their character - you know how those prim and proper types always get a bit lost in you.”

"And wouldn’t you know."

It’ll sound smooth, probably. Irene will roll her eyes.

“So, okay,” you'll return to her, right after instructing the cabbie how to get to Irene's place. None of the implications here are lost on you. “You have anyone particular in mind?”

"Hm, I’m thinking."

You can picture it, roughly: Irene's whole body sunk into the dark corner of the seat - one leg idling over the other. Her foot bouncing at your thigh. She has her heels in one hand, earrings in the other.

She’ll look wistfully out the window; the intermittent flashes of city lights casting her face in different hues. The curve of her jaw; the stately line of her nose; her thick black lashes - composition and subject. It's this kind of attention to detail that the cameras scramble to pick up. It’d be better if they got it for the right reasons.

You’ll pull out your phone. Start the usual scroll from the top of your contacts. The girls you know, the girls you don't, the ones who might be awake or who definitely are, regardless of time of day or night.

Irene will finally perk up, gleaming.

Someone cute, she might say, only because she'd rather not admit, someone like me. There's limits to her vanity insofar as her taste - in all sorts of things.

But she does like the idea of it. Someone young and pretty and impressionable; someone naive, or tiny and helpless; it's never difficult to find the girl who will fawn over her - all wide-eyed and doe-faced the instant Irene floats her fingers across her collarbone, smirking - when she starts at the zipper at the back of her neckline and says, "we’re going to see how wet I can get you," without missing a beat. Someone who will eventually say please when Irene gets a little stern and tells her, "ask me what I'm gonna do to you," in a rasp so smoky that it would make the cigarette seem blasé.

But that, you suppose, is the nature of Irene. A touch domineering. A little more than just a pretty face.

She always takes, but she takes gently - a push here, a pull there, she knows people will give her anything.

It will be more obvious when there's a small voice trembling between the two of you, twisted up in your sheets and simpering with the gentle sort of affection that Irene deals so expertly: two fingers sliding up, pressing down. Curling, beckoning. Slow and tender, without giving up that she's looking for any soft spot; a weak point. Some vulnerability to exploit.

It'll be right after whichever plaything of the hour pulls her lips off yours, off the length of your fingers - or when she unfastens her mouth from the hard shape of your cock with an obnoxiously loud pop: "do you guys do this kind of thing often?"

And Irene, without even an ounce of hesitation, will rip right into the sheer of her stockings, letting out an aggressively casual laugh. She’ll plant a kiss somewhere deep. Say, "oh, honey," as she nuzzles into the crease of her thigh. "We're pretty new to this too."

Everyone, just - believes her. For the same reason you suppose they believe she's perfect. She’s good, really good at all this.

In the taxi, Irene's foot will continue to tap against your leg, until you're stopping her by covering her knee with your hand. As for now, the evening will remain all but written in stone. You'll run a hand through your hair, you’ll lean an elbow against the window - the whole while, ignoring the sudden itch between your shoulder blades at the thought of something else. At the thought of all the other girls who'll take an instant liking to her. Who wouldn't.

The light will change. The intersection will empty. The radio will turn to static.

You'll eventually offer up a name like, "Jennie Kim," among others. Moving alphabetically down your contacts list. Taking you a long while to make it through the 'K's.

"Hm." Irene's soft hum of disapproval, non-committal. "Are you asking, or telling?"

The difference won't matter. "I'm suggesting," you'll say.

You’ll watch how Irene turns the name over in her mouth a few times before smiling - how she knows, there's the smallest part of you that has her held in a certain light. "Maybe," she'll say, tapping her phone against her cheek in the contemplation of whether or not this is a tentative no or a provisional yes - when really what she'll avoid an answer with is, "aren’t we a little tired of Jen?"

Tough to say.

Good, sweet, and just naive enough to get twisted up between you, in her case. Oh, Jennie’s the type of girl - you'll stuff your cock in her pretty little cunt while leaning into her, taking her arms and pinning them to the base of her spine, so she can't reach and can't claw and can't make an utter fucking wreck of herself. The two of you have known Jennie for too long, is what will strike you then. And a moment later, the idea of sinking into her ass from behind with your palm flat and warm against her hip and your voice husky and deep in the way she likes, and saying, god, fuck, Jen, you’d let me do anything wouldn’t you, you’d let me cum in here too.

And - she would, really.

She wouldn't even complain. Her face would be pressed so firmly against Irene's thighs, and she would whimper, not beg. Even though you know it’s what Irene might prefer; how it makes her look real cute - cheeks stained crimson as the syllables roll around her tongue before being forced out into the open.

"I think she's great," you might say out loud, lowkey.

And in a voice that is louder than strictly necessary, Irene will cut in: "she lets you finish in her ass, and then not even three minutes later she'll say it was the best lay of her life, of course you do."

It’ll make the cab driver clear his throat.

"What you’re saying is ‘no.’"

Irene will frown, thoughtful, but not conceding anything - perhaps she means hold onto that thought for now. If nothing else sounds particularly enticing, we'll call it a maybe. "I’m saying: Jennie is. I don't know."

You can hear the end of her sentence: not quite good enough. Not this time around, but someday, sure, someday soon.

"And for the record," Irene will follow, casual, with a dismissive hand wave. "Just because you got to her first doesn't mean she's ever liked you more."

The few that fall afterwards will never make the cut. Irene will turn them all down. Jisoo - no, sorry, look, she's so, so pretty, Irene will be trying to explain, gesturing in a way that's hard to interpret. "But a little too stuck up for my tastes."

You've been speaking in code for years. She means: way, way, way too straight.

"The blonde though," Irene will try right after that. “Daisy, or Lily, oh god something or another, what was her name-”

"Um, do you mean Rosé?”

“Yeah.” Irene will sink back into the leather, sipping down a memory or two and shifting her skirt up the top of her thighs.

You'll consider the angle. Your options: Rosé on her knees right inside the foyer of your apartment, Irene's hands wrapped tightly in her hair, controlling the rhythm. The way she gets her fingers spread under Irene's knees and draws her forward, pushing up with her eager, prying mouth - licks and licks, nosing against the heat of Irene's pussy until she’s gasping and locking her hands around the younger girl's head to steady the jerk of her hips.

Then, you'll laugh out loud. Because you know, Rosie isn’t anywhere close to straight enough.

And the back-and-forth of what-ifs and could-bes will follow. An endless string, a laundry list. Where Irene makes a face for every name, every suggestion: too messy, or too innocent, or too sweet, or too boring, or not nearly shy or gullible enough, or whatever other bizarre caveat she finds to slot between all of her impassioned criticisms. The cabbie will be shaking his head at some point too, because the question hangs over the taxi at large:

What exact criteria could possibly be good enough for the distinguished tastes and sensibilities of Bae Irene?

(The truth is: it doesn’t go like that at all.)

Enter then, Yu Jimin.

The run-in starts there, downstairs, out standing in a pool of warm, yellow light. The snow flurrying about in the glow of a street lamp - melting into where her smoothed curtain of jet-black hair spills over her shoulder and trickles down her sleeve. She looks a little cold, but not noticeably shivering. There's a red flush to the exposed length of her legs, between a pair of knee-high boots and the short hem of the coat itself. The stockings underneath offer little in the way of wintery protection - nor do the little bows that rest at the the bands of elastic around her soft, pale thighs - though it's obvious to anyone who's looking why she'd choose to wear them.

An assay into form over function. She's never cared for pragmatism.

But the lines around her are pristine, a clean-cut of shadow and substance; you take a step onto the curb, feeling yourself fall right into the foreground.

Look: you know Karina. You both do. Enough to recognize where it’s calmest before a storm.

Irene eventually calls out her name into the silence, and there is a split-second where her fingers reflexively wrap around the crook of your elbow. Almost possessive.

A car rushes by. Karina turns with her ungloved hand holding her cellphone to her ear and she's fucking gorgeous as can be, always pinning you with these big, unapologetic eyes - strikingly and somewhat deceptively innocent beneath her sharp brows. A breathy huff in response; she's otherwise unaffected.

Her shoulders shrug in easy dismissal; a quirk of the corners of her mouth. She slips her phone back in the pocket of her pea-coat. "Oh, how we all doing?"

Not for long, the question lingers.

"Fine," Irene finally replies, though her voice doesn't rise above a disinterested murmur.

"Easier, right? To fight for breath down here than it is up there," she says, pointing her gaze up high into the rafters of the building, and in a lot of ways, you realize, she's just like Irene - sweet, charming, this uncanny ability to make you think she's close, when she isn't actually looking to share anything. When she hasn't exactly decided that she likes you or anything at all.

You squint slightly. Take in where her silhouette appears darker against the backdrop of city lights, blending with the velvety black, bleeding into the ink-smudged night sky.

"There's certainly something to be said for flying under the radar at these things," she continues, taking one step closer towards you as if for comfort. Or privacy - to guard against anyone who might walk by.

"You've still got it easy," Irene says, "that, and everyone thinks you're too pretty to go after. No one even seems to consider the idea, it’s insufferable."

"Jealous?" Her tone is playful. There’s a smirk she’s suppressing - until she can’t hold it in: an unexpected, stunning smile, dimple and all. This incongruously kind face.

Oh, and listen, no one gets it better than Irene.

"No," Irene exhales, hot. “Not at all.” You can see where the thin plume of her breath hangs over her like a cloud for a moment, thinking, before dissipating against the harshness of a frigid December breeze.

"Really." She smiles at you again. Makes a sound that could be a laugh, you don’t know, the wind takes it, far away.

"Are you out here waiting for someone?" you have to ask.

"Loaded question." Karina purses her lips for a moment. Her long eyelashes blink once, twice. "Because, I dunno, aren't we all?"

"Some of us more than others." Irene speaks quietly, moreso to herself than anyone else - but somehow her voice carries.

"Cheeky," Karina says, and this time she does laugh. "No. I'm waiting for a cab. I've had one hell of a night, and no interest in spending the rest of it in some rising socialite's bed, doubters excluded, because - look, I'm happy for you guys, I guess? You're gonna get married," she claps slowly, slow and mocking, slow enough that Irene rolls her eyes, "-or, the two of you will make a statement saying that you are - either way it sounds fucking exhausting - congratulations to you both. But seriously, congrats."

This is sorta how you've always known her.

Faintly-hinted secrets, flirty half-truths. Her love life is an utter wreck, but that’s not something you’re supposed to know. So that's all she gives, which is more or less how everyone knows her. It's the only way to survive, probably, in a world of glitter and glamour, when everyone's vying to look, to feel, to take, and take, and take. Irene knows how suffocating it can be - she doesn’t lie about it, not to you, which is the only reason you're so well-versed.

Point being, no one wants to admit to any cracks in the fantasy; the gold too shiny, the surface too slick, the mirror too smooth for that illusion to slip.

"So go grab a guy with a half-decent smile and get him to buy you a drink about it," Irene suggests, derisive, "arch your back, push your tits out, get creative. I doubt it'll be much trouble at all."

Karina looks down, back up - with a slight chew of her lip, saying, "you just have me beat in all the important ways, I suppose. You got it in the bag, no real competition."

Irene is smiling, but her expression is unimpressed; it doesn’t mean much, really, to be her friend, her colleague, or worse, her opponent. Irene is calm like an evening in July, a low, cool, languid feeling. "I don't mean to be a prick, but, aren't you a little young to be so jaded?"

"Gosh," Karina’s grin doesn’t change, but does turn a touch wicked, like she's biting back. "I'd hate to be around when you do mean to be a prick, but maybe we'll find out - you know, down the line, someday.”

Irene tuts softly. It sounds patronizing. "Please, you'll have to forgive me - for mistaking you for someone more aware of how the rest of us work."

“You're one to talk, Irene."

“Careful,” Irene warns.

"What, you gonna set me straight?"

"Right." The way the word rolls off Irene's tongue, slow, thick, bitter, like molasses; like the coffee she has when she's tired, like the cigarette she swears left and right she’s cutting out and the vodka she needs you to reach for in the upper cabinets, like the person she is after midnight when you've let her keep drinking to find the limits to her inhibition. You understand Irene too well. And no matter what anyone says, you will not have the facts wrong.

There's no kindness to the way she laughs. None.

She tilts her head to you, grinning: an honest grin, her favorite thing - inimitable, unique, and hers alone; her version of cruelty is what will always have them doubting. You hold her gaze as she adds, "of all things, right now - wouldn’t you just love to set her straight?"

Depending on who you ask, you’ll get different results.

Irene insists you kissed Karina first, probably out there in the snow - god knows how cliche would that be.

She also insists that it was you who suggested that “there’s a lot more sense in splitting a cab,” and then minutes later, “please, it'd be no trouble, just let us pay. Our place is five blocks that way," and Irene - being Irene - mentioning it's actually quite a bit further, but hey, it isn’t worth splitting hairs over. And it's not worth explaining - she shuts you up with another kiss, pressing her weight hard up against you, the arm she slings around your neck.

Then in a sort of mythologized version of the timeline, it's you who makes the proposition - invites Karina upstairs, with the charm that Irene knows is usually reserved for her benefit alone: that slight tick of the brow, the delicate slant of your mouth, the confidence you seem to have in thinking no one will ever say no, no matter how brusque the invitation-

"You two are unbelievable. Is this really your standard procedure?" Karina asks, once you're through the door, or maybe during a bout of smalltalk in the kitchen. Something flirtatious; and suggestive, and maybe a little offhand. A pointed glance downwards, back up. All it really will take. "You get some girl into your home and they're just so overwhelmed and dazzled and in love, they can't even make eye contact for longer than a second? Because that's quite a line," a soft huff, the exhale that seems to carry the faintest note of a sigh. You could call it wistful. Just this side of romantic; very attractive.

“That’s more or less the gist of it,” you offer.

“You’d be surprised.” Irene is lingering on it, back against the counter beside you, laughing. "Some people are more than happy to be swept off their feet."

"Imagine that. If that's how this is meant to go, then tell me," and Karina lifts her chin, a breath drawn slow and deliberate, "what exactly do prince and princess charming do next?"

Consider that Karina’s interpretation of events is closer to reality: no pretense. She is not drunk, and in this story, she never will be.

But it's the slow-burn thing, the rivals-to-lovers thing, the sexual-tension-through-conflict thing, the white-hot-blistering-rage matter gone awry. Not a series of happy accidents, but a result of intentional circumstance - this slow arc of descent. She knows exactly how Irene is tightly wound, and which thread to pull to make everything start to unravel. She'd flirt with you right under her nose - say things in this obnoxiously girlish tone, pout a lot, lean into so much innuendo it becomes impossible to miss the meaning, or the sincerity behind it.

If you had to guess - Karina’s been pining since forever, since Irene accidentally etched her DNA into the girl upon saying, carelessly, that she’d always seen some part of herself in Karina. Probably around the time Irene wrapped a palm over an expanse of bare thigh, just beneath the hem of her skirt, telling her, you're getting way too pretty for your own good.

Doesn’t matter who you are, that’ll fuck you up for real.

And it's not just how she looks at Irene when she thinks no one is watching either; swings and roundabouts, Karina probably can’t keep the thought of you sprawled out over Irene’s petite little frame, or Irene kissing you hard while wrapped around you tight. Your hand, her hand, intertwined and picturesque, sliding down Irene's stomach. Together - and so very without her - fingertips stroking lightly over Irene’s clit, gently dipping inside her.

Irene is not stupid. She picks up on everything, and there's a lot to unpack:

"Can you believe it? Minjeong just asked me if I've ever kissed a girl before," Karina had said to you once, ages ago, between a workout or dance practice, something or another - she was wearing a loose-fit tank top and very intent on showing off. She seemed then to be taking mental note of the face Irene put on, the look of someone trying to hold in an aneurysm.

“Well,” you played along, because you’re not really without blame here either. "Have you?"

"Oh my god." Karina knew what she awas doing, the playful slap to the chest, the lingering touches she’d have on you every chance she could get - total fucking coquette - anything to get a rise out of you, your fiancée. She hushed her voice down to this strategic whisper that Irene could just overhear: "of course not."

You better believe Irene broke her composure not soon afterwards, after Karina made her exit.

"Do not fuck her," she demanded, firm, "I don't care how good you think she might be in bed, or what she would probably let you get away with."

You remember the knit of her brow.

“Do not.”

You’re sighing, profoundly. The memory - not to mention its shocking clarity - has put a smug sort of satisfaction into your bones, indulging. The nip to Karina's jaw, a hot, open-mouthed kiss to her shoulder. A hand tracing down the curve of her hips, under the guise of helping her settle between the cushions of the couch. You feel like you catch the color flooding her cheeks. Then, Irene, her pretty little shadow: the steady presence over her other shoulder.

"What." Karina sounds defensive when Irene pulls her lips away, but the hand she has buried in Irene's hair doesn’t appear to be going anywhere. "Are we going to pretend for a minute I don't see the way you're both looking at me right now?"

"Don't be stupid, darling, of course not." Irene leans up close again. Kisses up her neck, behind her ear, and coos, "the two of us, you just seemed like you were needing someone, that's all," and then whispers the words, barely audible: "I mean look, who wouldn't want the three of us right now?"

Karina hums. "Ah, so - you think I deserve to have a little fun."

"Maybe," she draws it out a little longer.

Your hands dip below her knees, running over the silk-slick surface, tugging at the frills lining her thighs - feeling up over the outline of where her body curves under her dress. Over the dark pattern printed across the front.

Karina swallows visibly, her head dropping back against the armrest, the couch cushion; by the way she shudders slightly and starts breathing, you realize that it's probably been a while since she's had much experience being in a position this helpless. You draw your fingers lightly across the bareness of her skin, right as Irene finds that sensitive spot just where her neck slopes to her collarbone. You trace along the fabric until you have her squirming beneath you both.

She sucks in a breath as Irene drags a touch right over the obvious seam, across the expanse of her hip, and despite your fiancée being a tad forward -

"Both of you should know I'm not that type of girl. Who puts out so easily-"

"Likewise," Irene practically sneers, not missing a beat and threading her fingers beneath her jaw, feeling her pulse against the pad of her thumb.

"Yeah, well. If this isn't a setup, then, what-"

“A setup.” Irene breathes the word out, contemptuous, which is almost as if she says yes, you figured it out, and she starts to lean in closer - the distance between the two of them now negligible as her mouth tightens with her derision. "That is awfully conceited of you."

"Ha."

You choose right there to run your palm between her thighs and cup at the front of her pussy through the skirt of her dress, squeezing tightly. There has to be an element of good cop, bad cop to this whole routine, and you'd be remiss not to participate in the former. Irene's glare is starting to become pretty intimidating.

"The way I see it," you begin, and it's so gentle. Easy to slip through, but easy enough to grip - no threat, or indication that she should stop rocking forward to the motion of your fingers, toying idly. "There's no catch. Only: Irene calls the shots. If you end up with a crush, or worse, think you're in love," a light squeeze to illustrate the point, the dig of nails, not too rough, but definitely drawing attention. "You've gotta walk it off.”

Karina just runs her tongue across her lips, sighing.

“No strings attached, no special treatment. Or anything."

"Oh." Karina is looking straight at you, dazed - as your fingers work harder, picking up where her hips started rolling a second before. She licks her lips. "You're telling me that I'm going to get fucked so thoroughly here, that it's gonna be a problem."

"Actually," you pull away, pushing her dress up so you can touch up ever higher this time. Rooting between her soft thighs. "I can't make any guarantees. You'll need to convince us first."

There's a laugh, from a spot inside her diaphragm - and yeah, there's no denying the reality here. She's nervous; or excited; or nervous-excited. Karina just lets it pass, an exaggerated sound in her throat, before gasping on an exhale of breath: "convince you to fuck me?"

"Between us, we've kissed our fair share of pretty girls in the heat of the moment," Irene supplies.

Karina laughs. Starts saying, "in that case, can I start by confessing that this whole exchange has left me pretty fucking wet-"

You slip one finger down the rise of her panties, this lacy little number she probably picked out with sordid fantasy in mind.

"Oh god," she says, voice drowned in her throat, husky, and sultry - it’s really hard not to appreciate the girl, like this - and then she closes her eyes, saying it again, "oh, yeah, like - like that. Okay, thank you."

Irene puts a hot kiss into her lips, and a subjugating silence stills over the living room, softening around her small voice, her breathing. Everything comes together so seamlessly, so effortlessly:

The click of Irene’s heels against hardwood, these soft sounds of wet tongues twisting and bodies grinding, Karina's face, buried somewhere under Irene's chin, letting out the cutest moan. Irene's helping the rest of the dress up over Karina's ass, then up past her waist, pulling down the scalloped elastic of her stockings. She grabs hold of her hips, feeling the draw of her curves there - you watch how your other half does the thing she does best, the thing where she strips a girl down to nothing like she's doing them a favor.

"Pretty," Irene appraises her naked body - not her face, not her mind, not her ambition or the strength of her determination, or god forbid, something banal like her personality, but, "fuck, look at you, look at this figure," her palm skates along the plane of her stomach, "so pretty."

It could be the insinuation: Irene is ready to reduce the girl down to a heap of jumbled nerves; to tears, probably - given half the chance. Like she's telling her a body as flawless and well-manicured and sweetly receptive to being toyed with as hers needs to get absolutely wrecked, among other things.

(Fucked so deeply, and to the point of utter exhaustion - the point is that she forgets her own name.)

Irene knows just by looking, her eyes tracing down each and every one of Karina’s curves like they’re taking inventory. It could be as simple as a handprint seared into her ass, a stinging red stain etched into her soft, creamy white skin, marking the insides of her thighs, her beautiful fucking tits - oh, the things the two of you could do.

"How do you want it, exactly?" Irene's eyes are dancing around her face, in her stare, darting down, then back up. "How, baby."

Karina smiles against Irene’s lips like she knows the answer, the perfect one. She must already have the script prepared. It's no stretch of the imagination: "anything, as long as it means you both keep looking at me."

Because maybe it's down to the pure physicality of it all. Something Karina's been waiting to feel, desperate to have, for some time - as you set into action, dismantling any pretense that you weren’t about to devour the heat of her aching cunt, from running touches all over her slick pussy. It’s a strong theory, you figure, from the visceral response you get when you get start to fuck her, when you slide a finger inside: tight and snug, and so unbelievably wet.

“Oh,” she breathes out, and it sounds sated and needy all at once.

You make sure to glance at her face before pressing another into her. All the way past the knuckles. She looks lost to the feeling, the pleasure; her expression gone hazy-eyed as you start fucking into her with a few steady pumps of your wrist - slow and then faster, then faster again - fucking into her with increasing urgency.

Just to keep her gasping, panting.

Like a woman starved for it.

"God," Irene kisses softly into her mouth. Her hand tangled in Karina's hair, twisting strands between her fingers and tugging just shy of something painful, "you're really sensitive, aren't you?"

Karina nods, slightly. It’s all she can manage.

You have a soft spot for girls who will spread themselves open like they can't wait, but still end up flustered over how your lips ghost across aching flesh. Who can't even form the words - asking for this, and that, and a million little things; and look at Karina - blushing, her eyes fluttering closed, and digging her nails into the couch the moment you finally put your hot mouth on her. Her entire body is drawn taut like a live wire.

"Relax," you coax, speaking more to the muscle - her legs tensed, and knees pulled tightly together. You know just where to place your lips to make her go to pieces, but it's worth suspending pleasure - your own, and Irene's, who won't admit that this sorta turns her on too - so Karina's face might open up, so the tilt of her brow can slack, and the twist of her expression can soften. Like it's the only chance she'll ever get.

When you place your palm across Karina's stomach to steady her and look up, Irene has started peeling off her own clothes, down to nothing but the little panties underneath. That garter-belt thing that makes her ass look like she was sculpted straight out of clay - a reminder she's always worth your time, no matter what mood she's in, or whether or not she'll eventually let you take the lead. She's lifting herself on the couch to throw off the little slip of a dress, the high heels. “Baby," she purrs, teasing, maybe to distract from how she’s gone from dragging circles with her fingernails across Karina’s collarbones to kneading roughly at her tits. And she might even insert something she's never actually had a chance to confess out loud, or even consider much, like: she's been dying to know what Karina's face will scrunch up into, or what her eyes will look like, tears stained across her lashes while you fuck her within an inch of her life. The image you’ll find when you find all those spots that drive a girl wild.

Your mouth drags over the slick, her lips, her clit, and down again - as if to illustrate the point.

"That feels - so," she starts, and bites off the rest of the words.

Irene grabs hold of Karina's hands. Presses their mouths back together, and bites Karina's bottom lip. Kissing the words out of her, the sentences that start in half measures and stifled gasps:

"- so, good, oh. Do - ah, fuck. Oh, god-"

-and vanish somewhere in Irene's mouth.

"-oh, do that again. Oh my god. There. Just - lick- please, keep fucking, exactly that-"

And pay close attention, because here now is how she slips: from the image she maintains for the cameras, the audiences, her admirers, her competition, her detractors, the ones who mean it, the ones who don't mean a damn thing; the girl who shies away from anything overtly sexual, or sensual, or remotely hedonistic; and doesn't act as though she too, just as much as anyone else, needs someone to fuck her stupid - as if it's an eventuality of her own humanity, instead of a concept she's learned to scorn.

Irene picks up on the distinction, all too familiar with the look filling out across Karina’s angelic features.

She ghosts her thumbnail across Karina’s nipple. Tries out: "why don't you make her cum, baby, right here, on the couch.” A look at you, a quick tilt of the chin. Then, her tongue peeking from behind her teeth, and her voice dropping, "just so you can tell Minjeong, or whoever ends up asking - 'you have no idea how good they fuck.'"

And just like that - with Karina’s body laid out beneath Irene’s hands, your mouth - you simply fucking ruin her.

You both do.

Until it's only a mess of whines and shuddering limbs and that lovely look: pure agony. So helpless. So utterly exposed.

Karina hiccups something incoherent - you’re doubling down. You’re working your touches through the torrid mess between her legs. Her pussy is shimmering wet and hot and every bit as pretty as she is. Then, the motion of your tongue, the slow, heavy flick back and forth, relentless and constant - dragging back and forth, keeping her right up, riding the wave. Back and forth, back and forth.

"Oh my fucking god." Karina can only gasp, jaw-slacked open.

Overwhelmed and blissed-out and suddenly awash in this searing and wondrous sensation that the only real way she's able to make sense of is by twisting her hands in your hair and pulling you flush against her cunt while she cums on your lips.

"Ah - you're fucking kidding me. Please, don't stop, please don't-" Karina has her head turned. Voice pitched right into Irene's shoulder. You fuck her on two fingers until she’s got the heel of her palm pressed firm into her forehead, and she’s starting to jerk her hips into your face. Stutter her breathing, her words: “I, I, I- fucking - what the fuck, you’re making me - jesus fucking christ."

Like some delicate and intricate piece of her had just been irreparably snapped. Broken. You hear her expletive-laden screams - and think, better her, than either of you.

And all the way through every last part of it, cresting, waning, quivering, the tremble of her thighs snapped shut against your ears, the grind of her teeth, and each little choked out gasp-

“I'm… fucking cumming.”

Karina spends the entirety of her first orgasm between the two of you, heaving.

The look on her face alone, just from what parts you can see, has your lower gut clenched - it goes from anguished pleasure, mouth pulled wide and brows wound high and tight, all the way to calm and cathartic, the pretty bow of her lips settling into something manic. Eyes softening with a luster, half-closed. A mask, the afterglow: blissed-out and smiling dreamily.

How anyone could say no to a picture like this, you're unsure. Though not particularly willing to test the theory, naturally.

"That was mean," Karina finally huffs, letting a moment pass to even out her breaths. "Both of you, so mean."

"You said to," is all Irene says, amused.

Karina looks down; lifts her head just slightly - as you bring your own mouth off her, catching her glance. Not even your palm and your fingers covered with the evidence - it's her lips that give her away, the swollen, pouting, bright pink lips of her pussy, still radiant with her climax.

She breathes, "god. Irene."

It sounds an awful lot like she's begging for mercy.

Irene hums softly. Leans in for a kiss, with her slender hands cupping Karina's face. Manages to say: "you just look so fucking hot when you're struggling. Can’t fault us for that." She reaches down, and digs her fingernail into the line of Karina's cheek - near the center, just short of the outer curve where her dimple naturally settles. She works her lips to a very soft, "ow."

"Listen," Irene says, "is there anywhere else you've been considering going? Because in the event you're looking to stay for the night-"

Karina replies, "only everywhere I still haven't gone."

Her smile looks honest. Her cunt seeping and slick - there's abundant honesty there, too. And you manage to catch the wicked glint in Irene's eye, like she's a bit obsessed with all that glisten, and what it means - that Karina hasn't felt a real, good dicking in ages. Maybe, probably, never. That she's slept with everyone and filled her quota of playing pretend: of someone just going through the motions, dragging their mouth or tongue or cunt along the most obvious, conventional routes.

It’s written all over her face: the girl between you needs to be touched everywhere, and by someone who knows how. Needs it deeper, more. Has to feel the pressure everywhere all over.

Irene asks her, plainly, “how might we get you moaning like that again, hm? We're both dying to know."

She puts her hand under Karina’s chin, tilts her face towards hers, and kisses her long and deep. Until the both of them are having trouble catching any breath. Until they have to break, only so one can take another in: inhale, exhale, and back in her mouth.

"Maybe." Karina lets go of Irene's lower lip. She sounds almost bashful, "you'll need to let me get my hands on that cock of his. Let me get it inside, want it real fucking deep inside. Tell you if I'm just, you know. Really fucking horny. Or maybe I have some hangups about sex I've never told anyone - and we have to work past that," she takes Irene's mouth into her own again.

It's the short consideration of sure, mm, why not? until the next suggestion is: "he should be on his knees, in bed, those hands around my waist, behind the small of my back and pulling me into every stroke."

“Oh,” Irene agrees, “I love that. Should I play with myself while I watch him fuck you senseless? So hard and rough - you'll start seeing stars. I wanna see him completely railing into your dripping pussy from behind, fucking you so goddamn well until you're screaming so loud it’ll wake the neighbors."

Karina sighs. “Well I’d hate to get all the way here and half-ass it.”

You barely catch it, but there's a lovely note in Karina's voice. It’s saying, and don't you dare treat me like glass, like I’m fragile.

All in all, a filthy, filthy way for a girl with virtually no ill-reputation or ill-gotten gains - no record whatsoever - to describe how she wants you to fuck her, until she’s biting down on the consonants in your name, moaning loud and unmistakably clear, and-

“-sorry, whose cock?” Irene has no intention of letting her off easy.

You draw away from the meat of her thigh, licking your lips clean, and insert mid-conversation with a husky-voiced, "hmm?"

Karina just shoots you a sharp-eyed look. "You heard."

"Only," you play dumb. You run a hand between her legs, using your palm as you go, so you can pull more sound out of her throat; the pleased sighs, a hum. Another. "The part where you want it 'real fucking deep inside,' I think I heard."

"I mean, wouldn't you?" Karina looks satisfied with that. Lets out an easy laugh and turns to Irene. "Besides, I need to know if it’s more than just pretty eyes and a handsome smile that you’ve gotten yourself so hung up on."

The tilt of your fiancée’s brow above her is noticeable and apparent. Not a twinge of surprise; more like recognition. It's Irene looking haughty - beyond the usual - wrapped up in the afterglow. It's the confidence, and not at all humbled by the reality that she is no stranger to fucking a girl this downright gorgeous, knowing the danger inherent in allowing that kind of damage, but if Irene has you figured - she's figured Karina even better: someone willing to push through the burn. Someone, she’s betting, with the capacity to handle pain like it's an artform.

“Karina,” Irene says, and she's really leaning into it, "you really ought to be more careful with that smart-mouth of yours.”

It's the absolute worst way to proposition someone; maybe second only to what Irene whispers straight into her ear:

"If I had to guess, it’s your sweet, pretty face that has everyone bending over backward just to let you fuck them, hmm?”

You’d anticipated this much. You watch how your beautiful wife-to-be eases forward and leaves a slow kiss into Karina's throat, before adding the worst, most awful thing she can manage, “they're eating up this adorable, innocent facade of yours just as soon as you let it slip - letting you straddle their waist, and slide right on, and chase some clout out of oh, she must have this tight little cunt, or how good it would fucking feel to ruin a load just slamming these perfect tits, or. The best of the best, when it comes to pretty things with brains and mouths on 'em: 'fuck, I bet Karina has a face like an angel, she's the kind of girl who probably really, really loves taking it raw - filled and fucked as deep as she can manage'."

“She’s insinuating you’re a slut,” you offer on the next beat, down from between Karina’s knees. “Or something.”

"I put that much together." Karina has that teasingly pragmatic tone in her voice, matching Irene's level. "Your point?"

The joke is that even Irene - after she has the chance to drag her thumb across Karina's lips - looks mildly impressed.

"Sweetheart," the corner of Irene's mouth quips, as if the reason is so, so very obvious, "let’s say you’re just like me, total hypothetical. You're going to have to let us know which part feels better: the praise, or the degradation. I know it’s what makes you tick: all the attention. I know you need it. The same way I know that I could eat this perfect pussy out for hours just to get it slick, and wet, and wanting, and the thing I’m still not sure you’d be ready to learn," she tells her, a light in her stare that flicks upwards, eyes going from Karina's cunt and back to her eyes, her own mouth, and then hers, "the really good sex? Isn’t always pretty."

There isn't room for misunderstanding, let alone any mercy in it. Irene's face is dark; dangerous. Like, seriously. Karina knows better. Everyone does. You know exactly what she's doing. You know what comes next, but this time, you can't shake the feeling like-

Like Karina wants you to look.

She has her fingers on her cunt, spread, presenting - and a small shrug; her response is so fucking coy: "I guess I can't really help it. Besides, it’s common knowledge, isn’t it? The brattiest girls always turn out to be the best fucks. Honest, I get so wet sometimes, you know and then god, I can't think straight.”

She laughs at the premise.

“I dunno, what's a girl to do?"

You can feel the room starting to tighten up, just barely: Karina’s breath still heavy, her chest heaving, the way Irene holds her still, how her arm curls across her stomach, palm flat under her tits; that pose in particular, the power to entice.

And maybe it's the fact Irene is still making eyes at you from Karina's shoulder, the cruel bite to her upper-lip, showing how she's working at the soft skin of her neck - a smirk, before pressing into another kiss there. Your insides are running hot, a shudder racing up your spine. There’s no mistaking what she's getting off on, not just some pretty-as-paint newcomer. There’s your Irene, your fiancée - and her beautiful, adorable, awful little shadow.

So what if, by some pure hypothetical, this all spirals out of control?

You don't know the consequences of taking home what amounts to a coworker and screwing her with a certain reckless abandon. There’s power harassment, a toxic workplace environment, boundary issues, sexual-fraternization. So on, so forth. It's all relative, but watching Irene and Karina make their way up the stairs and admiring the things that only a woman's hips can do, swaying this way, and that - and, following the path from one tight little ass, the other, all the way up their spines - there are no such qualms to contend with, because there's absolutely zero chance that’s the thing that’ll be keeping you up all night.

Irene laments and hopes in the same breath.

She has two pairs of panties in one hand, Karina’s fingers laced into the other, explaining with a quick squeeze, "don't tell me, baby, I already know," a wink, a laugh. She’s such a sweetheart when she means to be; charming, wooing, the coy girl Karina seems to have gotten so drunk off the idea of getting mixed up with. And yeah, when she drops them on the floor, and pushes Karina gently against the wall. Traces her finger up her jaw, then her cheek, and leans into the crook of her neck, into that same spot from earlier; yes, Karina can count herself lucky, or whatever.

"So, don't stop now, baby-" Karina's huffing - the line of her throat so taut and exposed. "You should really fucking try harder if you want me to beg."

"Honey," is how Irene responds, leisurely.

There will come a point in their intimacy, in all things considered, where this act no longer plays itself: Irene, the seductress, and Karina, a deft and innocent prey; of course you, the hammer to a nail, pushed and pulled in one direction, the next. The moments in which her lips leave the crescent of Karina's mouth - hot, hazy, and half-wet with their own spit, their tongues twisting, the muted click, and the telltale wet drag of a body pushing and straining up against her own-

Maybe in her bones, she is begging for it. Maybe, Irene hopes, she'll have to: eyes turned up, watering, tears coming hot, streaming down her flushed cheeks as she cries it from her lungs.

"I wouldn't have you beg for anything."

It's true that Irene is ninety-nine percent grace, one percent child-like wonder; she's easy to read when the mood hits her. The lines of their bodies tousling, twisting and tangling in moon-lit-darkness. There's some irony to it, only a few steps away from the bedroom. At the base of the staircase. In front of the tall windows covered with frost that serve, now, primarily to remind Karina that she's in a part of town she could never afford, in an ostentatious apartment she could only dream of; but most importantly, that the woman in front of her - with her fingers dipping down between her thighs and up again, tracing over her navel and the rise of her hip and her cleavage - can have anyone she likes, without limitation.

Karina can't deny it's everything she wants.

"Karina, I'm curious." You're easing into that spot, where the two of them have coiled themselves up - you’ve got your cock in your hand and you’re stepping out of your pants - in the hallway, the frame of the door, a heavy, long shadow cast: Karina has Irene pinned now, a wrist over her head, against the other side of the wall where the white paintwork is starting to run thin. "Didn't you say something before about how hard you wanted it? Raw, deep, I believe was how you put it."

Irene smirks. It's just the slightest sneer, until she has her hands reaching over the curves of Karina's hips and pulling her fingers into her soft ass. Spreading her cheeks. Touching up, then down, back in the same groove, this slow rhythm that builds - like they were both expecting this exact sequence of events.

You watch Irene whisper something into the girl's ear, and - fuck - the light catches her expression at just the right moment, head lolled to the side.

"Hey," Karina drawls. She lets it come out breathy - on the note, the middle and upper registers of her voice, hitting something near a perfect alto. "How about instead of having some heart-to-heart, and making me out to be some naive-ass kid, you stop asking questions and get to fucking the life out of my little pussy."

She ends it so charming.

“Oh,” you tell her, feeling how fucking drenched she is right at the end of your cock - sliding her slick up and down the length of her cunt, and knowing the feeling will likely stick to your skin and drip to the floor, all of it - "well. If that's all."

Your hand arrives on the lithe stretch of muscle between her waist, right along the ridge of her hip bone, your cock pressing onto the heat of her cunt. Karina turns her head over her shoulder so you can see it all in profile: that pout. That look. That everything.

"There you have it." Irene squeezes the flesh she's got cupped in her palms, drawing circles. "If only everyone else got to hear that sweet, sharp edge you've got underneath, hm?"

Karina opens her mouth with some clear quip to needle, but stops herself, a catch in the center of her throat, her brows shooting up. The pull of her voice is somewhere out and over.

“God, fuck-” she can just manage to sputter. “You’re- ah, ah - your fucking cock-”

Oh, it has you cursing too. You're pushing so far into her tight little cunt - the soft airy moan, that pretty sound, riding back on every last stroke until you've filled her right to the hilt.

“I know, I know - that feels so good, right?” Irene coos.

You just pull her all the way back onto your cock, thrusting deep. Base to tip. So goddamn fucking deep.

Karina probably doesn’t even mean to whimper, but the press of your hips, slowly snapping in and in, has her lungs constricted, as the pressure slides through every hot, slippery inch inside of her - this glide of agonizing intensity.

“I bet you want to just cream all over that cock,” Irene says, fine eyebrows knitting into something like contentment. “All filled up and feeling full, and just fucking letting it go - he’ll take such good care of you. He’ll fuck you so good you won’t ever get that warm, hazy, blissed-out feeling out of your veins ever, ever again, if he has his way-”

All while the head of your cock works over every fucking sensitive part of her, dragging out to thrust all the way into her soft cunt, the round of her ass bouncing back to meet each stroke. Again, and again, until you've worked through that wet stretch of muscle. And the motion isn't exactly elegant. Karina's mouth hangs wide open, catching short breaths that curl inwards when you reach the line of her waist.

“It’s so fucking good,” Karina’s sighing out. She’s all fluster, no bite.

There’s no lack for juxtaposition in the way Irene dotes on her either - these small beguiling bits of praise like, baby, you’re doing so good, these tits of yours are just, you are - just gorgeous. Mouth quirked into a tight grin as her fingers pull and twist around her nipple. The sharp yelp that comes after. The fact that she's kissing the words into her mouth on the very next whimper: “a girl like you needs the time, and patience, and opportunity to have her insides completely, totally, catastrophically ruined.”

Irene had it exactly right on the first read. She’ll say, “I told you so,” when Karina’s washing the cum off her chest or out of her eyelashes in the shower. It’s the praise; it’s the degradation; it’s you leaning down, your hands finding her hair, curling in, and getting her right up against your lips to say it quiet, low, intimate - like a lover, like she hasn't already heard it before, “such a good little slut for me.”

And the girl absolutely fucking keens.

You grip onto her hips. You pull her hair tight. Her throat bobs under your thumb and you can feel the anxiety start to throb, her pulse hot and heavy in her cunt. How it soaks the base of your cock. Jesus, you’ll fuck a load right into her. So easily. Her pussy is so snug, so unbelievably wet. Perfect enough to know if you fuck into her any faster, any harder - it’ll be just that: you'll paint right up to her cervix; you'll fill her to the fucking brim.

"Fuck, Karina, this pussy is such a fucking dream," is what you're making sure she knows, and at that, Karina just finds that bend. Arches more of herself to you, until her ass is slotted into the plane of your stomach, the head of your cock prodding, testing the limit where her cunt is hottest and wettest. "God, this has to feel incredible. Your ass bouncing on my cock" - Karina goes slack on the force, leaning forward - "as I rail your tight little cunt."

If anything, Irene is there to catch Karina's tearful, thankful gaze when she finally starts fucking crying, a litany of yes, fuck yes, yes-yes-right-there, please fuck, and a wet, dazed little "you're goddamn - you're ruining, fucking - fucking, ruining me," every other syllable broken by her shuddering breaths.

"Aw, you're going to cum again, huh? Baby-" Irene's got her head at an angle - their gazes locked, watching - and maybe Irene really gets it: how much of a big, bad crush this gorgeous fucking woman's had on the pair of you all this whole time, with all that faux-romance, and lust, and envy wrapped up inside her - but if she wasn't so obsessed with the shape of Irene's mouth, the contour of her jaw, the lean and sleek lines of her frame and the soft, round swell of her ass - she’d still be left with the shape of your cock, where it’s pounding her apart. Fucking her and fucking her up.

It's more than worth the breath to remind Karina what she came here for. Irene's fingertips brush the line of her lips, part them just so.

“All over him, baby, let him make a mess of you. Just a total fucking mess. We'll fill you up, and fill you up, until your poor, aching pussy is full of cum," and it's probably as well: Karina does what comes most natural to her - with you three, the whole number. Her eyes flutter and go dreamy. There's not even a moment of hesitation:

"-until it's leaking down these fucking thighs-"

"You're doing so good, babe," is your supporting role in all this, murmuring encouragement straight into her ear as you fuck her to pieces. Your breath fans out against her cheek. And then, your hands make a grip under her thighs, holding her steady, making her mouth fall open - this keen, wobbly, vulnerable thing that exposes the naked girl she is, behind all the makeup, and the heels, and her seductive and all-consuming appeal, everything.

“Just so you know: it’s the best fucking part, Karina. I mean, the look on his face.” Irene laughs with her whole body, until the rich, raspy sound of it fills the hall. “The way he bites his lip when he's close, his eyes clenched - and god, I fucking love when he finally cums. It's so good, watching him. Letting him have his way. Feeling his cock throb and spill into you - hot, and still, and just pumping inside you - just so, so good.”

"Fuck, ah-" the little gasp is like she's starting to hyperventilate.

"Because baby,” is the final nail in the coffin, hammering home, “he’s fucking you just like he’d fuck me.”

"Fucking, please, god-."

Irene's hands have her breasts in their grasp and are playing at where she’s sensitive, then pushing into the soft, delicate space beneath, thumbing the indents. "He's so fucking good, isn't he? Are you going to cream and cream all over his hard fucking cock?"

Then - and because it comes so instinctually to her. Because, actually, your Irene has a slight propensity for evil:

She slaps Karina, right across her tits. "Fucking cum on it."

One.

Tugs hard on a nipple. "I swear, every single bit of you is so goddamn beautiful-"

Two.

"That body is built, perfect. So easy to ruin. And god - what a perfect little pussy you've got-"

Three.

Karina struggles to breathe. Her voice is torn, frayed. She barely manages to utter out a very shaky, very desperate, "harder, fuck- you’re fucking making me so- you can, harder-"

Four.

The cruel contact of Irene’s palm pulls this deliciously hedonistic sound in Karina's throat, a loud moan; like she just hit the sweet spot inside that's all her nerves coming alight. Irene plants a quick peck in Karina's hair. Her temples, the ridge of her brows. Slides her thumb across her eyelashes, brushing them clean from whatever tears had sprung free. You don't even want to try, not at that moment, to try and endure the quiver of slippery muscle all over your cock as she shudders into her orgasm. It's simply too fucking much. She's too fucking tight.

"Aw, shh shh, shh," and then Irene's soft hushes are coming down from the other side of her head. Irene kisses her full, straight on her mouth. Karina is shaking, convulsing and caught and fucked from head to toe - and what she needed was someone like the two of you - to watch her cunt swallow your cock like some magnificent and unbelievable sight, taking the whole damn thing. Irene is telling her, "it's okay. You can let it go."

The silhouettes alone. From the end of the hall, and where the afterimage lingers: the smoke-frosted windows, the dim lights, their bare, beautiful forms - this picture that will stick in the center of your head, will probably haunt you-

"God, I can’t, just- ah.”

“Breathe,” Irene says.

"I'll cum again, it's too- I'm so-" Karina can only plead and sigh.

Irene shushes her one more time. "It's a lot. It's alright, baby. He's going to keep fucking you until he's ready to pull out, until he has a whole mess just painted onto your ass, and thighs, and I'm going to make sure that little pussy gets so wrecked, fucked, stretched on every last inch- until the thought of sex hurts, and then we're going to make you cum again, and again- over, and over-"

You're leaning over her, nose buried into the waves of Irene's hair, the curve of Karina's back, and the flush of skin in contrast. That's when you feel the coil in your chest come loose - unspooling, and bursting - when Karina's lids roll into the back of her head and her lips fall open with a pleasured gasp and a stammer, "y-you're, ah, both, you're so, both- oh god."

You're about to just pull her down and absolutely cream her, stuff her full - a mess.

And she wants you to-

"That feels so fucking good," she lets slip out on the cusp of a shiver, just as her inner muscles are spasming, milking your cock with the pressure from one pulse through the next, squeezing.

She’s right. It does. Her, coming undone. You, at wit’s end.

Another breath, and Karina is managing out between these small hiccups - not as much out of breath, just dumbstruck - simply muttering, "I’m cumming, I- oh my god."

You barely manage it; you unbury your cock from her cunt; you’re cumming all over her ass.

A shot of white that streaks right down to her bare-slicked skin, before it gets painted down into the crease of her pussy, all swollen - wrecked and raw.

Just the way it feels on her skin is enough to earn another hushed moan from her, this sweet little whimper as she can hardly stand up straight. She lets her knees buckle, but Irene is right there, to catch. Her eyes are closed, eyelids clenching, as Irene tilts Karina's face her way, to lay one, two, three soft, adoring kisses on her mouth, the angle all wrong.

“Mmm.” The smack of her lips. The pull of whatever breath she still has to give - right out of her heaving chest. "Sore, that, ahhh- um, thank you."

You fiancée wraps a slender hand right around Karina's wrist, and starts whispering to her, unbridled, "just had to. Had to see how you look-"

It’s wicked, for one thing. More than that, it's seamless:

While Irene still has the girl's voice caught in her throat, she reaches around the curve of Karina's hips and drags two fingertips through the puddle of warm cum that sits right at the base of her spine, glistening all over her ass cheeks and inner thighs, slipping and rolling off her cunt, down the center, running in rivulets. Your cum between her fingers is so filthy, so obscene - dripping hot - right off her reddened skin, and Irene can't possibly help it; not after a display as indulgent as that. The trembling that remains in Karina’s thighs does nothing to hide how her legs now jitter and shake under Irene's touch.

“That’s my good girl,” she whispers as her fingertips hover across the apex of her puffy lips. Over and over again, with more force, and more, until you're almost positive it's Karina that leans in a moment later, kissing the rest of her soft assurances right off her tongue.

Listen to her: this incoherent string of words pouring from her mouth, like they can't move fast enough, tripping over each consonant, "are you, oh, oh - oh, fuck."

No one else could make that kind of overstimulation feel so heavenly, you figure, the way she just properly melts. You take a step back, just to let Irene work. Just to watch. To appreciate the craft.

You absolutely get it.

How to touch, how to tease. Firsthand experience has you know she'll ride your cock until you're throbbing and spilling cum and she'll just shh-shh, let you have it - it's okay, sweetie, just let go - until she's rolling her hips just right, or reaching a hand back to massage your balls, or stroking your inner thigh in that exact kind of spot; some method that keeps her all the way on the end of your cock, but not quite off the edge, and your cum leaking down your shaft, spent.

She’ll bite into her smirk. She’ll tie up her hair. She’ll get that serious look on her face because she knows: you’re all hers for the taking.

So she'll sink onto it, again and again, until she's fucking you with the slippery friction only your own spill might provide. "Just a little more," she'll tell you, which is absolutely a lie, "come on, just a bit harder, I'm so close." Irene does this thing - she's had years to refine and perfect - and her voice gets a husky edge to it as her teeth graze the shell of your ear; she makes a small, pained groan into the curl of your hair and breathily hums it: 'I'm almost there.'

Who stands any chance to resist?

And she's always asking you - the same way she's coaxing and promising Karina the world with just the movement of her fingers, this delectable in and out, in and out, pushing that filth up into the red-soaked lips of her pussy - "now, what did I ever do to deserve someone like you?"

Karina blinks, once - a sleepy-lidded draw that leaves her lashes, lush and long, and fanning her flushed cheeks.

The sound between her legs is wet, squelching with your cum, with hers, the barest hint of slapping her tender skin. The beat of Irene's wrist against her thighs - like that's where she needs it most - a deep, primal rhythm, like the last thing she wants is to take a breath. It's fucking hot; her head is tilted, her jaw clenched, and Irene has the tips of her fingers twisted between Karina's legs, swirling your cum right back around in her slick cunt - those plump pussy lips that you've watched stretch out on the first press, the first and the second and the third, as Karina finds what gets her there fast, fast-fast-fastest-

"You can cum for me too, baby."

It’s not a suggestion. There’s nothing but expectation in Irene’s voice.

“Just cum.”

You watch it knock the architecture right out of Karina's legs.

Indulgent, just isn’t quite the right word for it. Careless, reckless, clumsy even-

Look - the tumultuous tangle you three make is all over the fucking place.

One moment, you're at an angle, moreover twisted-limbed with Irene bent over her dresser, then propped up on top of yours the next, your forehead landing against hers, feeling the soft cradle of her shoulders, her legs around you. She has her hands wrapped in Karina's, in that muddled in between: it's a collision of sorts.

There's the chair in the corner of your bedroom that really has only ever known one purpose, a plush rug, all these surfaces, horizontal and vertical for you to take the two most breathtakingly beautiful people in the world on and let your bodies settle into the shape they've needed to ever since your fingertips met Irene's in the cab, ever since she blinked her heavy lashes at you with Karina in-tow, just shy of smiling.

And boy, do you learn that Karina likes to watch herself get fucked in front a mirror. Specifically, the tall one beside Irene’s closet. It's hard to blame her. When you hold her hips tight, and really, truly fuck her, you can’t keep your eyes off how her face twists with the pleasure; or, when you drill the length of your cock into her sopping wet cunt: the wide, glossy rim of her pretty lips pulling back into a wince - and your eyes dropping past the reflection of her shoulders, her collarbones, down to her perfect tits.

The back and forth, the up and down, the way they fucking wobble in their beautifully buxom blur.

Though the eventuality remains unchanged, spread out across your bed. Karina takes a moment, hand pressed to the mattress experimentally like it's all running through her head - this is where Irene gets all that fairy-tale-inspired romance from, really - a quick pause where your future-bride is up on her elbows and staring, watching - your finger sinks in slowly, between where she's soft and warm and wet. She's thinking, you can just read it off her face, 'oh. So that's what you'd do, huh?'

Just for demonstration’s sake, you fingerfuck her in all kinds of ways - show-off and performance and dirty and mind-blowing. Because even better than the whiny, gut-wrenching moan it gets out of Irene, Karina can't get enough of how it’s all presented.

"Ugh," she slides up next to you at the foot of the bed, helping you turn Irene on her side, "why does she have to be so pretty, it's annoying, she's- she's like, made it so fucking far by playing the girl everyone wants to wife, huh?" She's talking directly to you, even while Irene rolls her neck to press her head against the pillow. "Inspirational."

You're drawing circles into her clit. Thumbing the dip, circling in the opposite direction. Karina has her nails biting right into the crease where your knees touch. In tandem, you’ll help your fiancée reach the top of that first wave.

Karina presses, all cheek - a very dry, "cute."

It’s so simple: you eat Irene’s cunt. You hold her down. And Karina slides her tongue lazily against the tight pucker of her ass.

The three of you know she deserves nothing less.

“Oh, christ, you have no idea,” Irene is murmuring into the pillowcase, head tilted at an awkward angle, looking at the wall, almost distant; but her legs are split wide and her hands are reaching forward to rub a circle into your cheek, "you know how sensitive-? Yeah. Like, really, super. Super, super fucking sensitive, okay? So - if you'd keep doing, uh, oh- oh…”

Simultaneous, then slow, and easy - kisses landing right onto Irene's clit. So much so, you can't help but turn a little, smiling right up at your girl as she digs her toes into the duvet and threads a hand into Karina's hair.

The thing is, with Irene: facades fade fast.

Karina gets to measure that fact up close - where the details of Irene's composure are not only sharp, but also readily and openly and emphatically pound to dust by the time the last loose curl of Irene’s hair falls over her collarbone; she ends up on all fours, spread out over Karina - pressed along the length of her stomach, spread over your duvet and fitted sheets, your hand at the base of Irene's waist and tightening into the divots. She’s so small beneath you that when you bury your dick inside her-

“Fuck.” Her cunt is so wet. Her breath uneven - and her words are starting to slur. There’s the gooseflesh on her back that lets you know it’s all already over for her. “Okay,” she tries to steady the ache in her stomach, “okay, okay, just- right there.”

The drag through her pussy is fucking extraordinary. It knocks the wind out of both of you; so soft to the touch, like velvet - she’s unbelievably tight. You pull her hips into you and it opens her right up. Then when you end up balls deep inside your girl a second, third, fourth time:

She simply shudders apart.

Even though you fuck her so slow, so easy - her cunt clenches and squeezes on you like Irene detests the very idea of letting you go. You don’t even need to rail her lithe body to complete and utter ruin just to feel the familiar pent-up tremor starting to build in her muscles, how she rolls her hips back just so-so. How your hands fit that round and pert little ass of hers so well, and when your fingers finally sink in, you’re pulling it all apart to get a good look where your cock shimmers with her slick before disappearing right into her tiny cunt.

Karina mutters something in her ear. It pulls on some thread, somewhere - you feel her wind like a spring, further, and further; your cock edging her so close. The smirk Karina saves for you over your fiancée’s shoulder makes you think she’s figured her out-

“Irene, look-”

Well, at least she’s tuning in on all the right frequencies.

"Aren’t we all about being thorough?" Karina raises a perfectly trimmed brow. She drapes her arm across Irene's neck, their lips sliding together again, and that kiss is drawn-out and languid, albeit needy. "So, say," it gets muffled against the seam of their lips, and comes up, and comes out like a slurry, "are we gonna use everything else too? Your mouth, your perfectly tight ass?"

Irene can hardly muster out, "fuck- fuck- yes, fucking, god," as she takes it, so deep. There’s enough there to make both of you cum, you’re sure.

“Who could’ve guessed - like there’s ever been a more perfect cocktease than bae-fucking-Irene," Karina coos, all lips. She plants a row of kisses along Irene's exposed throat. The tilt of her hips, as she pushes closer - as you press the head of your cock as deep as it can go. "Go on. Cum, baby. Be a good girl, a good hole to fuck, just do it. All over his big fucking cock. Let him fucking have you."

Which is probably about the same time you realize that you, Irene and Karina are all well enroute - becoming this one mind, a single unit. This plurality you know there’s no coming back from.

You look down, with a little more focus, and Irene is being pulled apart in every which way - your cock stretching her out, over and over - Karina’s fingers right under her clit, every circle making her whimper. She’s all sharp edges and delicate angles, but manages to be soft for you in just the right places.

“God, you’re so fucking tight,” you tell her, shifting your hips; pulling her ass flush and filling her completely. Your grip tightens on her waist and she doesn’t flinch a bit. "It's so goddamn easy to cum in this needy little pussy of yours. All wet and slick, and, hah- just pulsing-"

Irene lets out this wanton sound, desperate.

“Oh, right there, huh?” Karina asks. It’s not quite mean, but it’s getting there, fast. “Is that how he’s going to make you cum?”

You thrust on the same angle again, the same depth - you’re hitting all her nerve endings, all her sensitive spots. There isn't even room, now, for some imaginary head-to-head, some verbal volley, the banter; what comes forward is her tiny, broken moan.

How many times had Irene done the exact same, after all. Fucked you without holding back? Fucked you over? The flood of sweet-nothings as you started to approach: honey, you're so perfect, we can go slow, you just have to ask, and if you feel uncomfortable at any point, if you want me to stop-

“Just say please, doll,” Karina tells her.

If Irene told you a quarter of what made it out of the side of Karina’s mouth, you’d have never believed it. "I can't wait to feel what that arrogant mouth of yours will do when he cums inside this cute ass-"

You watch Karina spank her. Hard. There’s a red stain in the round of Irene’s cheek, and her skin is so pale that the imprint of all five fingertips looks stark, glaring.

"Just," Karina presses the rest of herself against Irene's skin and steals a quick glance at you - this half-coy smile pulling on one corner of her lips, "thought I'd do that in the name of-"

"Mmph," Irene’s groan is long, loud, "yes. Fuck, yes- please-"

Karina immediately looks away. An effort to hide the smug satisfaction. She fiddles with the auburn locks behind Irene's shoulder.

You’ll finish the sentiment: "-being thorough," and drive your cock to the hilt. Irene collapses forward onto Karina’s lap.

The sound she makes you swear is a sob. See - for Irene, it’s only about getting control in so far as it is about getting off; she’ll take whatever comes her way so long as it’s directly to her benefit - the theatrics of being pinned, the willingness for surrender, for subjugation, for the sake of telling you, yes, push my knees, spread me apart, hold me there; look at the things you do to me - it's the Irene everyone imagines, when they see the dresses, the gltiz, the glamour, just the brief flash of her grin, or the way she holds her fingernail between her teeth. Everyone wants to put her on her heel and feel a bit powerful. To have you watch the supple arc of her neckline bend, to hear the humility slip off her lips: the notion goes beyond simple kink-

It steps out into pure necessity.

She really, really needs it, and it's written into every muscle and tendon - it's on her breath as it shudders through her whole body. The beautiful, harrowing sound. "I love the way you two fuck me," she murmurs, head buried into the crook of Karina's neck. It's the sort of line, coming from someone like her, you know could raise a few blushes - if either of you was still in the business of such things.

"Honey," her voice wavers. Then, it falters: "please."

The desperation is thick, husky, almost. Karina seems like she's breathing her in, nose tucked against Irene's forehead.

You watch how she runs her nails up Irene's sides, a hot whisper sliding over her skin. You feel it, and so does Irene, this white hot pleasure singing up from the tip of her clit and spreading throughout the soft curves, the sensual lines of her body, this tangible current, a hum, a whine. You see her strain the lean stretch of muscle connecting her neck to her shoulder.

Until her face is tucked under Karina’s jaw, with a hand reaching back and hooked around your wrist and keeping you fucking, filling her, your hips drawn tight against hers, like a second home.

In and in and in.

Fucked-out and outright to the extent she goes completely silent. Almost completely still. The moment she cums all over your waist. Mouth hung open, like she’s in pure disbelief.

It doesn’t really matter, how often or how precisely Karina has imagined the whole thing. It's still a fucking revelation the first time she gets to watch Irene cum.

“No way,” she’s almost laughing, holding Irene’s jaw with both hands. “No fucking way. All the times you- what? No. Nuh-uh. You better fucking explain why this face, you- it’s not fair, the perfect face- I swear, even mid-fucking-orgasm, you are such a fucking doll-"

There's the sheer intimacy - Karina holding Irene's lips open, dragging her thumb down along the center. Quiet and sordid curses slipping from her mouth. And the obvious, her free hand already running down the curve of Irene's spine, her ass: all this sensitive-touching, admiring, appreciating-

"Hey," Karina says, voice raspy and drunk on the sex, the premise, "do me a favor, and tell me this feels as amazing as it looks. Or maybe, for once - just for the sake of fucking argument, is it actually better for the both of us, hm?

Her eyes are half-lidded, heavy, sultry. She's arching up into Irene's warmth - until her palms are spread out against her chest, thumb sliding right over everything sensitive, and she leans right to pull the other breast to her lips, and start all over again. It's clear what she means, spreading her legs as far as she can, pinned beneath the orgasm you're still fucking into Irene. As much as her petite frame will allow.

And in case you missed the point:

"So. What are we waiting for," is what she says a breath later, matter-of-fact, not at all expecting denial. “Or am I not as fuckable as our princess here?"

There's so much wet spill around the base of your cock, and the sound Irene's pussy makes when you finally draw free - all her creamy slick mixed into your mess just fucking leaking around your shaft. Karina holds herself open for you like that, spread wide. All your attention to her pink, raw cunt; you slip right inside.

Karina lets her arms go slack on the mattress, her chest shivering, lips locked around Irene’s panting breath.

And so it goes, and so it goes, and so it goes.

(To anyone taking notes - chemistry, by definition, is the sum total of a certain process; where and when energy becomes matter becomes another.

More relevantly perhaps, it is that race and rise you feel inside your chest.

Nothing about the sensation, it seems, is too exclusive either - Irene, and now Karina, the pair of them equally devastating, all over and again. It has you in communication with a different kind of contentment: to fall apart inside their embrace in particular, and kiss them with enough breath and time to waste until the morning.)

“Jesus,” Karina laughs out loud, “you really believe that? You corrupting me?" she makes another scoff, both hands buried somewhere in the pockets of the sweatshirt you've lent her. "At least do me a favor and cut it out with the solemn tone."

You're leaning over your apartment’s balcony, watching an emergency plow make the slowest grind of progress up the road. It's late. And cold. Or actually - it’s early. The sky is the kind of dark midnight navy you see after all the snow and stars have run through the horizon. Time ticks on, and Irene’s inside sound asleep. A woman that small has no right to snore like heavy machinery.

So,

You and Karina happen to be two things at once: very tired, and very awake.

"What I mean is: I'm sure your manager, or your parents - fuck, someone - would fly off the handle," you say, pulling a cigarette from the pack and offer it begrudgingly. She takes the end and slips it between her lips, a little unsure. You then draw a lighter and offer it, too, and Karina puffs with all her strength. She's no expert, but it looks like the end catches and turns bright.

A bit of color.

"My parents?" Karina flouts, sucking at it, pulling deeply from her chest - smoke pours from her nose.

She finishes with a cough. And says again:

"Um. Your girlfriend had her fingers in my ass - your cock down my throat - and we're worrying what my parents might think?"

Well. She's got you on that count.

"Not to mention: who the fuck thinks they're so virtuous-" a small chuckle as she passes it back. The cigarette is lit, bright. You take a drag. Watch her tap her feet on the snow. "That they need to do that to begin with. It's more trouble, telling me what to think and feel, as if that hasn't just the opposite effect."

“Irene’s protective, albeit in her own sorta peculiar way. So, you know, by extension, she worries-" you pull, and exhale, the smoke blowing past Karina. It gets caught in her fringe, in the wisps. You offer it back when you see her shiver. "That some shit happens, after."

"Your concern is heartwarming, truly - if you want to let me think on it, I might go and write a nice little diary entry tonight. It'll have sparkles and glitter - if you're that worried."

Karina reaches in. Lets her fingers graze yours. Her skin is cool.

“Besides, I don’t need a lesson in image from Irene of all people. She’s her; I’m me.”

She holds onto the cigarette between two long acrylic fingernails, tapping the end so the ash flits out onto the ice. You're caught staring, probably - the dark hair framing her face, all messy and soft, falling about her cheekbones. How that pretty pink blush in her skin seems to never go away.

Your eyes drop to where her mouth is red, a bit swollen - well-kissed; it is snowing again, after all. And it’s easy to be kind of transfixed.

"You're not, I dunno, say embarrassed?" you ask, after a beat.

"Nope." Karina swallows. Brings the cigarette to the pucker of her lips again. You watch how she holds the inhale, holds her wrist up and slacked, head tilted back a little. This exaggerated fashion-model exhale follows, all smooth.

“Because I'm not the type.”

The heavy stream of smoke then blown right into your face.

"Really, I think - sorry, I have always wanted to do that. It felt like a movie. Look," she coughs on the next breath. "I get your dilemma. But also, um-"

There are some quiet moments too, here and there: the heat between your thighs, her pressed up close. She smells like Irene's shampoo and bodywash and that just confuses your head some.

"Who’s to say I’m not just looking out for you," you offer. Every good lie is rooted somewhere in the truth.

"Don't bother," her words hit you square on. "It's about getting off right? You invite me to your bed; I’m so starstruck and enchanted by the very concept of it - Irene and her charming, intoxicating husband. Fuck, I dunno - the way the two of you kiss, look, feel: the experience that you will let me be a part of," she stops and makes another face of amusement, so fucking confident, "you let me play, too, just once, and we're all just a little happier. My version."

“We’re not married,” you correct.

“That’s the part you’re hung up on?” Karina leans over, her upper half across the balcony, staring right up at the sky. “Same difference.”

The moon finds her smile bright like nothing else. It's something infectious. Immediately, it reminds you: of Irene.

"Trust me," she goes on to say. The cigarette slips back into the space where you are connected - the lines of her fingers, her knuckles. "I had a wonderful time, but the sun will rise here, and I'm not gonna stick around to blow you while Irene burns three omelets and finds a spot for me in her fucked up game of house or whatever."

She makes you laugh, free and easy, like a gust of cold air. Something genuine and natural. And as the laugh shakes, Karina makes it impossible not to crumble farther. Not to fucking simper there like an idiot.

“I really thought she was going to make me call her mommy or something, I swear-”

"Hey, I'm sure if you had asked." A spark catches you. The flash of her canine, and those eyelashes. “She’d have done you the favor.”

"Oh, shush." The touch of Karina's fingertip against your hand is delicate, careful - unassuming. But, god, everything with her is just the right amount of heat - it melts you; and when it stops, her touch: that feeling is so cold that you just chase her out of impulse.

"What about New Year's?" you ask. There are still boundaries you really shouldn't be crossing, but here you are, straddling yet one more.

Karina's grin cracks like an old fault line. "You're not allowed to ask me out like that," she insists, batting you away - trying her hardest not to lead with the obvious. You look out on the view, watching a guy in a parka trudge over to a garbage can, a handful of newspaper bundles, then a glance back-

The slightest flush has bloomed up Karina’s face, right underneath where the makeup's been rubbed bare. It's utterly irresistible. "Go wake up your fiancée and ask what her New Year's Eve looks like. Doubt it involves me and my dumb friends."

She’s probably right.

"Karina," you start, watching her push open the balcony door with her foot and walk slowly, lazily, back into the apartment. The window rattles, and she looks back over her shoulder. The bob of her ponytail, the sweeping lashes, that perfect slow-burn smile. That’s how you end up with a title as ridiculous and reductive as ‘original visual’ or ‘the human cg’.

"You’re really going to let them in on what we all got up to?"

"Oh," she makes this low, delighted hum - it sounds so dreamy, how her voice gets the richest sort of rasp, "every last detail."

On Monday: the holidays are officially over.

There's a bunch of stuff on the to-do pile. A lot of loose ends you have to clean up, a ton to catch up on. Irene is judiciously ignoring all of it. She's wearing her glasses - the ones with the big round frames that should look entirely obnoxious - which means she's already decided she's not leaving the apartment; Karina's still wrapping the world at large around her finger and has everyone convinced that she's all femme, no fatale; and you - well, you're back to thinking about how to climb the ladder and maybe how to stay there.

You head downtown with a cup of coffee in one hand and a musing mood in the other.

On your phone, some more choice text messages arrive in the late AM: had a great time by the way, stay out of trouble, this sweatshirt is actually just mine now, duh.

The selfie alongside it is pretty suggestive, but just vague enough to flirt with indecency.

She sends one more at lunch where she's gotten out of the shower, or a hot pool, or maybe a long workout - her breasts squeezed between a towel and an arm - she has the camera all zoomed in and framed tight, almost full body. If her intention is to mess with you, that's what she gets. The texts: ah, fuck off and did you have a nice date with your left hand then, thanks for reminding me, the hotel wifi is shit lmao.

The messages just keep on coming and there's really no better descriptor.

And Irene, later, in a way that's neither diplomatic nor nuanced: jesus, don't let her catch you by yourself. For simplicity’s sake. She interprets being alone with a handsome boy as carte blanche to do absolutely whatever she wants and she's vapid that way.

There’s a chance it fizzles out into nothing. An even greater chance it all goes sideways. You'll have to see what becomes of you three.

Okay, right - new year, new you. The resolution for the past couple remains unchanged, and unfulfilled - less takeaways and eating out; more meal prep, less calories, healthier decisions.

Irene has this cute little apron over her sweater that is fixed extra tight, the belt trailing down the tops of her jeans to accentuate her nice round hips and slim waist. She knows the nature of her charm, her sex appeal. How it occurs, almost, as if by accident.

You say something that will get right under her skin like, “looking real domestic, Joohyun,” as she slides a chopped onion from a cutting board to a bowl.

She presses her hips out just a smidge, just enough. Turns a bit as she opens up the fridge, and the smirk she has for you, that sidelong glance-

“Don’t you Joohyun me,” is her lightest rebuke.

She twists her way onto her tiptoes to fetch at the highest shelf. The crochet corner of her sweater rides up a couple of inches, flashing a hint of the fair, bare curve of her lower back. "You can help me by grating the parmesan, hm? Into that," she gestures back at the table, pointing with the bottle of olive oil.

And so you're ten, fifteen minutes into helping with dishes, with the grunt work - with the realization that Irene is going to chop her fucking fingers off if you leave her to it unchecked.

"Actually, here," you say, "can I?"

She tilts her head, skeptical - still, a quick nod of permission - and her slender fingers surrender the knife and wooden chopping board to you. She's tapping away at her phone, finding the playlist you're both always secretly listening to.

"Wow," Irene says, low, as you start dicing mushrooms, a stalk of celery. "So brave. There’s no way I could do that. Is it safe? Are we, like, in nuptial bliss now, do you think? I fancy you, I fancy you-"

It's always this sorta-delicate dance with her: how much should you step up; how much should you put out of hand; how much she accepts versus how she pushes you aside and gets through you all the same. You're too proud, really - both of you - but fuck. She's adorable; the apron adds insult to injury; and it makes the switch in your head simple.

“I always forget how much I love this song,” she’s saying; the rolling pin she’s grabbed is a reasonable surrogate for a mic. When she’s through singing a verse, she shoves it in your face. You don’t know any of the lyrics.

She doesn’t really care.

You have to laugh at everyone who's ever wasted the effort to theorycraft who she is behind the smoky lashes, the lowered chin, the downturned glance. All the characters and archetypes she'll wear and cast off as she needs.

"Here." She sidles up and tucks her hair behind her ear, the side of her hip grinding into your thigh until she’s pressed firm into the line of your leg. Because she needs to tell you that's way too much garlic, and she's not going to kiss you if your breath is trying to kill her first. She uses the word "pungent" a number of times, just for good measure. Go on - she’s murmuring - taste; right off her finger. If anyone caught this you’d be embarrassed for weeks

“I think, definitely, should open a bottle of wine-”

That’s how you earn all the responsibility for getting the both of you fed; she gets distracted looking through the recipe book.

But there's the way she looks up at you from the opposite of the kitchen island, face held up between her hands, fingers folded underneath her chin. "What?" she asks.

She’s totally caught you staring.

The truth is: Irene only looks this gorgeous when it's just her. When she forgets that she's supposed to stick to a script.

You tell her as much when you end up fucking her right there on the counter.

It's so slow, atleast at the onset. Her panties pushed aside, jeans spilling off an ankle - the fucking apron managed to make it to the floor but her sweater got kinda stuck on the way up. So you're reaching through some overpriced fabric blend to pull down the wire of her bra and get your palm where she most prefers it.

"Say it again," Irene sighs into your neck, clutching to the back of your shirt - white-knuckled at the seam. "Come on, you can be so charming when you want something."

"I wouldn’t push your luck," is all you choose to tell her.

You're hitting all the spots she wants you to hit anyway: her pretty pink cunt, slick, all wet for you already. Everything clenching as she arches her back, until she's hanging off the edge of the marble. You find it’s just enough leverage to fill her completely with your cock - stretching her out and open until her thighs bracket around your waist at the perfect angle.

"Or what?" Irene is out of breath, but hardly at a loss for words. "I know. You'll have to remind me how much smaller I am than you, right? So easy to keep pinned."

Well, if you really wanted: "Hah, ah - right." You get right next to her ear, muttering the words as deep as your chest can go - then take hold of her waist to put her in a spot she can't escape. And, by Irene's usual logic, once that happens, that's as much a victory for her as it is for you. You're being compliant, aren't you? The in and out: fucking her, filling her up, pulling your messy cock out of her pussy and slapping her clit just so she can hear how fucking soaked you make her, merely as a reminder-

"I wonder if she was even half as desperate," she moans against your jaw. "Her heart probably stopped the second you, ah - told her, what? About all of this?"

You stop fucking her, halfway.

"I’m sure you wouldn't be referring to Karina, right?" is where you glance at her. “I remember us both agreeing to chalk that up as a total absolute mistake. That was that.”

Irene just swallows, looks off somewhere over your shoulder. No one wears a blush better than her.

But she won't say it. Her honesty is such a privilege. The prodigy-type. Or at least, that's the word Irene chose. Then again, there’s you and your uncanny ability to turn a blind eye.

To the vice, the virtue, and everything in-between.

"So, can I ask," you press your lips together, finding the point of her chin with a gentle tap - you have her looking you straight back at you. The moment could let you drive back inside and fuck her brains right out, right there, like that - right through, instead: you watch her try not to squirm.

The tension in her upper chest, the rising heat that settles between her thighs, her weight struggling where you spread her knees, as far open as her body can allow. “How long exactly," you choose your words, careful and pointed, "are we going to pretend that she isn't texting both of us?"

You bury the question deep where she’s practically molten - hot and wet and so incredibly needy.

You do, again, and again. You pull her against you, watching that pretty brow scrunch and un-scrunch as your cock bathes in that soak. And hell, Karina had sent her a selfie today, is what she's explaining when you slow down enough - a bit of red, on her cheeks and her lips, and a lot of black, all the rest - the part about a midnight flight that's on hold until tomorrow morning. And then another, an hour later. To you both: her tits, the lace lingerie - so heavy, and soft, and easy to see yourself getting lost in-

Irene gasps at how fast you find all her favorite spots, then repeats - twice and again - hey, Karina said you're "such a cutie," and she sees her as the perfect mistress-material, don't you think? Wouldn’t it be ideal? The perfect fantasy? The perfect toy-

Obviously, that is morally bankrupt, even for the two of you. And you’re making sure she hears about it.

You ask her, point-blank: "are you really so selfish? So callous." It's ground out, slowly, against her hip, into her cunt. You've got Irene dripping wet, she's running everywhere, and you're telling her, "and this is your roundabout way of asking me to validate your twisted little ego?"

Don’t get it too confused: Irene lives for this shit; that sharp, hard-hitting tone - it drives her up the fucking wall.

"Duh. Tell me - just a guess," she presses her hands further back, arching into each push. The slim curves of her chest are bouncing, just under her sweater. "You like to feel so guilty and morose but I bet-" she chokes off mid-sentence, you know exactly how, the exact motion that has her wanting. She gets a leg over your shoulder with no effort at all, and your fingers find their place, digging into her hips as she locks into your thrusts.

Like fucking her is the only thing the two of you ever do.

Your whole body buzzes, it hums in resonance with where her gasps conflagrate to moans - you're pulling her slender frame down into every sloppy thrust and she takes you so fucking well.

"I bet it all sounds like, ah, the prettiest fucking music - in your head-"

“Fucking god, Irene-”

“Mhmm?” she fucking coos.

Because the things she wants to hear never actually leave your lips - your girl, fucking relentless.

Because the line between you fucking her and her fucking you becomes less distinct every time she rocks back and takes you deeper. Or when her mouth catches your next kiss a bit lazily. She takes over to swivel and slide her cunt up and around your length. So good that you have to keep her there. Hand locked onto her throat, digging a bruise or two in her collarbones, fucking her senseless against the countertop-

"Irene, fuck.” Your voice comes out thick, like gravel, and practically as an aside, “you’re going to make me-.”

Irene cuts you off, nodding, shh-shh’ing you into silence. “I know, baby. I know.” This total sigh of agreement - a hushed yes, or maybe uttering something she knows will sink right into your core, two words that sound a lot like “good boy.”

What, is that tacit approval? Probably. It’s hard to think straight.

So you bury yourself inside her, instinctually. Irene tips her chin up when she feels you paint her fucking womb. Every throb - with a fistful of her ass and your face pressed against her chest, sucking and biting and marking her anywhere, everywhere - right through her sweater. Fucking her so full that your mess is dribbling out all over the fucking floor, drip, drip, drip, and-

"Hey, I want you to know that I" - she sounds so amused as she cards through your hair, pressing a kiss to your forehead - "really couldn’t ever ask anyone except you."

(All is fair in love and war, is an adage Irene takes to its logical extreme, tangled in your sheets or with a dress puddled at her ankles. A silk stocking rolling down her leg, the crochet thrown into some dark corner.

You never say yes. You never really have to.)

This all before setting her down, off the edge, back onto her feet and taking another half-step forward and having the awareness not to completely flatten her under the full weight of your body, so she can run a hand down between the two of you and her fingertips can start gathering up all the cum you've pumped inside her. Irene tells you in her sweetest lilt to pay attention as she leans back up against the counter and gathers as much into her mouth as it will allow-

The sight alone.

When her head tips back, tongue passing over her knuckles, and she swallows-

"You are so," you sigh into her temple. Her cheek. You've settled the rest to the space in between. “Absolutely unbelievable."

She reaches out and trails the tips of her fingers lightly along the rise of your cock - her softness up against your hard lines. Her eyes flash when you twitch on the fucking spot. It's so tender all coming from her.

And there, a moment or two more. You can see it in the way she has her lips tilting, dreamy. You've always known what you were signing up for - how she's thumbing the nape of your neck - what her ideal outcome was, is. There's nothing and no one in front of either of you to bar the way.

You’ll make your vows like any other.

"Well, hey," she finally says, slow and husky and curling toward you with a smug self-satisfaction.

You push her hair behind her ears, the dark brown locks. Some part of you understands, unequivocally, that she is the absolute limit of how far you would go for any other person on the planet. No questions. In a heartbeat, without hesitation.

The kiss to the corner of your jaw is unironically chaste - before she’s telling you, "shouldn’t we get a move on it, chef? There’s food to eat, recipes to ignore; aren’t you fucking famished?"

The bolognese reduces down to a scorch in the cast iron. Too much heat, or too long, you got too preoccupied, who knows - there's a moral lesson to ignore here if you're so inclined. So it ends up being over a tray of sushi delivery that Irene explains to you her working theory like it's high-stakes political intrigue.

"Listen," she's got her chopsticks pointed at you, "for one, Karina, to her core, is a total seductress; and she's told me already, more or less to my face - she gets off on the chase, and hates the other shit. To be involved, or invested."

“Okay then why all the go-around; the wait-and-see; what’s her endgame?”

“What’s anyone’s endgame?” Irene shrugs. “Validation." She slips a tuna roll into her mouth.

"I think you might be projecting."

"Or, I'm simply an extremely empathetic person," her sarcasm hits harder through chewing - she almost gets you, and finishes swallowing to say, "look, she's like us if we were pretending to care, okay? Just more, like - explicit about her lack of intention. So. Doesn’t matter if it's to piss her manager off. Or it's like a revenge-slash-extortion-thing against someone she either had or is having an affair with."

"An affair," you repeat, skeptical.

"It's not like it’s an unheard-of workplace hazard, come on," and then the final confirmation: "she’s just into it because it sounds dirty and sexy, okay, like everything else-"

"And you figure we should be the ones to dole it out."

"What I figure," Irene says, doing that same mental calculus she did the first time: how, where, why - it's clear. A dozen different kinds of naked are an old, tired song by now. "I want us to fuck her. However she likes, whenever she likes, for however long she likes. Let her think she’s won something, or think she has you totally fucking hooked - I don't really care. Because it would be so much more satisfying to hear you tell me about it - because the idea of you two being like that for me. It's," her words pitch up a touch.

"That's the fantasy."

And Irene dives into the details. She explains what it could look like, all the more raunchy and ridiculous. This very specific arrangement. It makes no real sense, the conversation alone, and that, you decide - what can't be rationalized - is how she'll take it: by fucking both of you. That's the objective fact. That's the demand.

You listen until it feels less and less like the decisions have already been made.

“Okay, babe,” she’s presenting her case. “Hear me out.”

And she keeps going until you both can see it materialize: "if Karina thinks she can handle both of us, then both of us it'll be." It’s how her fingers end up buried in your boxers and around the throb of your cock. You hear the gentlest laugh Irene has as you start fucking softly into her grip, and she runs her thumb over your weeping slit until she finds you that much more malleable to the suggestion. Effortless almost, she lures the primal part of you from its confines and teases and prods at its wants and desires. Which is also how some charged vocabulary gets thrown in for good measure. Because no, no, no - she's murmuring into your mouth, tipped back, plush lips right above yours - it's not a cuckquean situation, or an open relationship, or anything like freeuse or whatever else might justify the concern. It's not even cheating, Irene’s explaining, strictly speaking, because who said you and I wouldn’t be doing it together?

(Lying by omission is the story you both live - and the difference: she's pathological. You’re just now getting the hang of it.)

"Fuck," is what you exhale out as she opens her fingers, offering. Her thumb glides across the expanse of your head, a trail of pre-cum drawn underneath a nail. And you know all the things her nails can do - can rip your heartstrings. "I mean. God damn. There has to be, like, terms."

There's still sushi sitting on the coffee table, and Irene is placing these kisses into the slope of your shoulder, your sternum, making a show of the movement, how she's traveling down, downward - to her knees. Where she finds the seat between your thighs and tugs your shorts, the fabric gathered down your leg-

"Let me handle it," she tells you, and there goes the cut of your t-shirt, shoved up to your chest. Her grip runs flat, down from the rise of your hip, fingers wrapping around, touching - the flat of her tongue laving across the tip of your cock until she decides to lower her jaw.

"Just think right now. How I want to fuck her and how I'd want you to fuck her, too-"

Right in her warm, wet little mouth.

Jesus, her tongue too-

She has it gliding up, around and against the swell of the underside. Rolling to where you need it, the places she knows you’ve died before. Lapping up the mess she's already gotten out of you-

Like this, Irene's looking at the way that the idea strikes: you and you and you; the only person in the whole goddamn world that can handle her; you fucking know it too - it's the most perfect, hopeless kind of thing. Like the feeling that catches at the apex of your lungs. It burns in your stomach and grips in your gut. She's gone and cut out the nerves - there's the crown of your cock caught in a velvet grip between those pretty pink lips and her fingers twisting at the bottom.

She breathes deep. Sinks her lips so slowly to the base. Anything, everything you want: to put your hands to the side of her head, to weave your fingers through her hair, and coax her, fuck her mouth like it belongs to you, all slow and hard and measured.

To hear all those wet sounds she makes as she chokes on the end of it. The gags as you force your cock into the back of her throat, holding her head tight, her hair pulled up into a fist, to have that mouth hanging around the length of you, tongue stuck to the bottom of her chin as you move her, your fiancée, your toy. To be looking her in the eye and watching her look the fuck back while she revels in every filthy second of it, not a single damn drop of hesitation or doubt.

"Really think," Irene urges, and she's all innocent when she tips her head to kiss her way up your cock.

She’s trying for some grace or finesse, or both - trying, you think, to make a point; instead, you end up watching her gulp and spit into her palm, just to obscure the sensual curl of her tongue with the sloppy-hard rhythmic stroke of her fist. "How hot it would be if you watched us both choke on your cum. Her face fucked stupid - the perfect little fuckdoll, is that not an image for the ages-"

You get a glimmer of that catlike grin - the one you would kill for a picture of. Something for the wallpaper, or the wallet; you've never met a boundary she hasn't challenged. The most depraved ideas in her head are just, as she is, a masterpiece. And so the answer has never changed - there has never been anything she's not been allowed-

"Trust me baby," she presses her cheek against your shaft. You feel her turn and run that mouth all over. The tip of her nose. Her eyelashes. The wet heat of her breath as she nuzzles the length. "Karina's all ours to share."

Her pout, right there, waiting.

You can't stop yourself from grabbing her face, the crook of her jaw, her neck and the tips of her shoulders. Until it all comes with a good, hard pull. The sound of her mouth on your cock, the blowjob she's been perfecting for years. It's starting to fill up the room, her lips wrapping your shaft - the sound of her being so obedient, the most receptive, sweet, pretty thing: letting you guide her pace until she has a steady motion going. Taking the thick base in her hands and working it over between her fingers. There's only enough room for that before you’re all the way inside her, in and out, again: the tip of your cock brushing over the softest curve of her throat.

When you take her at face value, it's fucking wild: your fiancée kneeling before you. Her chin and neck wet with her effort, lips wrapped so pretty, stuffed, used-

There are no questions. This is simply Irene, doing what she loves.

She pushes a hand between her legs and holds herself together as your hips tilt forward, meeting her halfway-

Just letting you get yourself off in her mouth like it's no big deal. It's her throat - it's her goddamn cunt and ass, and whatever else - because you fucking asked, right? Because you gave her the permission, the choice, the agency.

"Hey, where should I?" you’re muttering as you push the hair out of her face, already half-drunk on her slick lips and realistically only a few seconds away from doing some real damage.

There isn't a need; but you want her to tell you, to use her words. In her mouth, on her face, in her palm, you’ll go without thinking. You’ll cum straight onto your own stomach if it’s what Irene says. Even if she’s acting like you already have.

"Make sure you give her,” is what she garbles out around the hard line of your cock, and it’d be impossible to understand if you didn’t know every nuance to her, if you didn’t - you know - fucking love her. To have and to hold - to hold on tight and for better or worse, and this is pretty much as bad as it gets.

The syllables come in-between hollow breaths, all wet and sticky. When Irene wrenches the fuck out of it, the base of your cock- “hm, that same sort of courtesy when, agh, I'm not around-"

Because the image alone is what matters. There, getting your cock sucked like you've earned the privilege - it doesn't have to be real, it just has to look like it's a new truth to believe in. The little motions in her wrist are just - hah, fucking unreal - and the way she sinks down lower on her knees for each stroke, from base to tip - lips pressing over the knuckles she has wet, and squelching, and twisting up and down and up-

She places a hand under your balls, the gentlest cradle, and something of your restraint finally breaks - it snaps - her insistence is ruthless.

"Yeah, god, okay- I’m just gonna go ahead-"

There are these images in your head, of Irene: the upturned brows, the hollowed cheeks, and that slutty-as-shit smirk - and then of Karina: doing the exact same thing. Fuck, your cock is heavy, absolutely leaking cum: you can feel yourself leaking into the press of her mouth. It fills up her cheeks as she blushes into the fuck. Her lips become flush and go soft against the ridge of your shaft - her jaw slack in anticipation.

"Your fucking mouth, Irene" you breathe out, “I'm going to cum-”

Just at half the sentence, you're there, sunk into your fiancée's throat. Fingers across her ears and into her hair and watching her own hands pulling you, guiding you-

It’s all flexed in your back. Every muscle. Every fiber.

Irene hums onto a simple, satiated note. She always does, when she tastes it. When you dump a hot load of cum all over her tongue and straight into her throat.

(And yes, some might claim this is the death knell for all kinds of reasoning, but you’ll go ahead and admit it’s so, so worth it.)

"How thoughtful," she says, low and slow, once she's through swallowing the entire fucking thing.

The corner of her mouth tilts up. Because you're finished: two steps left in the brain from falling out of consciousness, a mess on the couch. You get to watch as she pulls you into sorts and slots each piece back to where it's meant to sit. The underwear, your pants. It's with such careful attention. Your soft cock gets cleaned with a tissue and wiped dry. A tiny parting kiss for the tip, her mouth full-on puckered, like she's kissing out anything you have left.

Though it's a pleasant daze. She prefers you soft like this, really.

All you have left to say is: "fuck me, baby." It sounds sloppy and open-ended as hell. "I guess I'll leave everything to you."

If that's a cue or sign for the evening, the only right thing: it isn't exactly misinterpreted.

The actual logistics don’t arrive for a handful more weeks. You find it surprising they ever happen at all.

// Karina 10:41 pm > i'm bored.

// Karina 10:42 pm > suggestions?

// 10:49 pm > have you tried looking into an incognito tab?

// Karina 10:58 pm > lol, and what is it i'm supposed to be finding?

// Karina 10:58 pm > help a girl out here.

"Send her a picture of your cock," Irene says, like it isn’t a joke. She looks up from the smutty-dash-of-romance-porn novel she's got herself wrapped in, with her best faux-serious expression. The pair of readers that usually are in her top desk drawer have made a new home perched low on her nose. "God knows she hasn't stopped leering since she found out what I'm marrying into."

"Please," you tell her, because she's full of shit. "I'm not sending her a dick pic."

Your laptop is warm on your thighs as you huddle on your side of the bed. That's the point of balance where it feels like Irene isn't trying to look. Though she clearly is. You flick up through a couple tabs just to drive the point home.

// 11:01 pm > sorry. i'm not in the business of just handing out freebies

// Karina 11:07 pm > really

// Karina 11:07 pm > thought we were making progress here

// 11:11 pm > you're funny

"Ask her if anyone's home with her." Irene dogears the page she’s reading and sets her book down. "Or ask if she's, like, tied up or something. Something edgy."

"Something edgy," you deadpan.

"Do you want me to put the readers away," Irene offers. She's wearing the sort-of smirk you always need to be wary of.

"No," you say. “God, no.”

"Ask her where she keeps her lingerie. Tell her she should be thinking about what it'd look like: all naked except a thong. With the straps digging into her. Tied up all nice and pretty-like."

// 11:13 pm > u alone right now?

"What the fuck?" Irene slugs a pillow at you. "That is the creepiest way you could've sent-"

// Karina 11:13 pm > yeah. i am :/

You and Irene are both struck a little dumb by that.

“Sheesh, she must have had her finger hovering over the reply button.”

"Yeah," you say, eloquent. “Who could blame her, though.”

"Uh-huh." Irene exhales, staring a bit pointedly.

// 11:16 pm > cool if I come over?

// Karina 11:17 pm > and… do what?

Irene nudges you with her heel, a questioning glance: the window has just been left there wide open and hanging. She whispers like Karina can somehow hear her through the phone, "you are terrible at sexting."

“Can you fucking leave it-”

Irene rolls her eyes.

// 11:18 pm > do you need ideas

// Karina 11:19 pm > got a couple. i wouldn't be against hearing something that lets my imagination fill in the gaps though

"Text her that you're into her throat and want her to show you her tits," and Irene actually cracks a laugh as she has the audacity to make the request. She's in good form this evening; in nothing but her favorite silk camisole - the navy blue one, which pairs great with all 5’2” of the rest of her. Like the soft curves she wears and everything else isn't bad for your heart. "Seriously, I want you to-"

"How am I supposed to end it?" You ask. The tone is purely sardonic. "Babe. Baby. My future wife. Tell me. You do realize you're basically asking me to bait her, right?"

Someone will eventually put their cards on the table, and Karina, Irene, and ostensibly you will realize you’re all currently having a mental break from reality. Or something along those lines. "I mean. Could that really be a negative," she wonders with an eyebrow quirked and another gesture of her arm like she wants to showcase the night sky beyond the bedroom windows.

"How, what - babe."

"You could promise to let her sit on it."

"Is the cockslut routine an act? Like," you lower your volume, "do you really have a playbook, here?"

"So mean." Irene reaches a hand over. She has her head propped on an elbow, the rest of her sprawled and comfortably positioned on the bed. And you wonder why the fuck you feel compelled to argue a point that so obviously has already been lost. "Just go fuck her already, god damn, I dunno."

Right. So. This was the part that was kind of inevitable - and Irene's impatience aside, you probably were about to win a lottery when you showed up at her door - that golden little interaction: "hey it's me, your rival at work's future ex-husband, I guess - I'm so horny and I think you're so beautiful and wouldn't it be so crazy if we, like, boned, haha, what?"

"Just- have sex. Tell me about it after."

The novel beckons Irene back toward it. She makes herself the picture of someone perfectly comfortable with you walking right into the next most uncomfortable predicament.

The sigh. That long, heavy thing. A leadup you do so often.

The simple idea of sending Karina that sort of message sends heat, low - just under the band of your sweatpants, and right where you've got yourself in the palm of your hand and you're already wondering how this is the result, why your cock is coming to a rise already - god damn - why every thought of Karina's face, and Karina's ass, and Karina's everything, every moment her lip is caught in between those teeth is becoming impossible not to touch. "Okay," you huff, "fine. I'm getting up, I'm going now- I mean it, right now, just give me a minute, I am putting my clothes on."

"Wait," and she's saying, "wait. Wait."

And when you turn around, Irene has this cat-that-ate-the-canary grin all stretched on the canvas of her face. She takes off her readers - her elbows thrown into her lap as she goes to the very edge of the mattress, pulling your shoulders for balance. "Babe-"

"Mm."

Irene likes to get you at a low simmer. The way she runs her thumb pad along your bottom lip. And all those questions - a look into her eyes - it's hard not to fold or break - when she's holding onto that sort of expression, unwavering; no matter how her mouth seems to get soft and curious.

Her lips move onto yours, asking - a push. And your eyes - a brush against a shoulder and you've already gone a whole mile from anywhere decent. There's the touch of her tongue between your parted mouths.

"You'll be good right?"

"I mean, sure," is what you manage, watching her lips close.

"You'll fucking wreck her, and do it exactly how she needs it done." And her brow, knit. She can tell your brain is busy jumping ahead to a hundred different scenarios. "Stop worrying."

There's a brief nod of reassurance. Her fingertips dust down your chest and the rest of the way. You hear Irene tell you to-

"And give her an extra hello from me."

"Okay, I love you, but also you're insane, like certifiable."

"Shush, I know you," and Irene gives your hair a little tousle before pushing you out the door.

You're standing there at the front door of Karina's apartment a little after midnight, bathed in dim, orange wicked fluorescence. Like it knows your sins - past, present and future. There's no obvious answer when you go knocking, and for a half-moment, you're thinking, okay, it's alright, this is how I let someone down easy-

Until she answers and leans out, pulling open the door. It takes you by surprise-

"Well, I'd normally let you in," you hear Karina say, and a smug smile starts to cross her face, "but..."

It's about the degree to which she looks hot and a little off kilter in this tight t-shirt - a snug pair of panties around the sway of her hips - that almost sends you spinning. There's not an ounce of self-consciousness; it's like a punch to the gut.

"Aeri's date went south and she's drunk. She's passed out on her bed, like, right now, I don't think-"

There's no bra. It's hard not to get fixated on every detail. Like her nipples, practically standing out. You have an irrational desire for her to take a step back, further into the room, further out of your vision's reach-

"Uhh," you croak. And you do have the mental faculties for, uh. For telling her. "Maybe, you know, later, could be better, yeah, maybe call me."

Though, unfortunately, the suggestion falls short on delivery.

"No, no." Karina has her hands searching up and underneath your sweater. Her fingers dance flat up, right over your stomach - teasing as she hikes you back inside. Right past the threshold. Your mouth is half-caught and stupid under her, the gentle hum and pressure on her lips. "It means we need to be quiet."

She drags you another step forward, with just the hot flash of her gaze.

"Shut the door behind you?"

"Locking it too," you tell her.

The laugh she makes into it, this one little scoff - it's an acknowledgment: an agreement. It's one of the worst fucking sounds, and the whole damn thing gets to you. Like her ass wasn't the perfect fit for the palm of your hands- like you don't want to trace your fingers under the elastic of her panties.

As if it wasn't fucking clear enough. It's the tongue in your mouth and the hands in her hair. She's kissing you soft, she's kissing you deep; her weight rests and pulls back with each swell of your ribs, pushing her fingertips down until they're skating, slow, low into the grooves of your spine. Like she's getting familiar with you again.

"Okay," you breathe. She laughs on your lips and presses forward - pulls you back, farther- "uhh. Okay."

She must see the confliction you're in-

"Hey." Karina keeps going until you've got her backed against a wall, until your thigh has pressed into the crux of hers and your hand is in her shirt. You don't miss how she lets her head tilt back when her eyes shut. It's her. There's no disputing the reality. "Whatever you want to do to me. That is all I've been thinking about. Do it."

"I- don't really-"

She makes a decent show of crossing her wrists and tugging her shirt right over her head. Tosses it someplace safe enough. "So are you just gonna leave me in suspense, or do you need my explicit, enthusiastic permission?"

Your lips draw themselves a blank on anything useful, while your heart rate accelerates.

"Here try this: you’re going to fuck me until I beg you to stop. Then you’re going to fuck me some more. Or whatever- then we can go somewhere, I don't care," she offers with a half-whisper. In all her goddamned glory - barefoot, almost bare chested - it's not like it could be any other thing.

You’re not exactly supposed to end up on your knees for this.

This isn't quite how you pictured-

Okay, fuck, Karina's making the prettiest noises where her spine is curling up against the wall; those sounds you couldn't even make up. How it feels like the easiest damn thing, because there isn't a question to why. Every inch of you is pressed to every inch of her. You know what you'll taste on your tongue, which of these breasts belongs in your palm and the fingerprints in the dips of her waist - her lips on the curve of your jaw - every mark and bruise on her skin, every hint of it is real; it's fucking you up because you're kissing the woman that Irene picked, the woman you met - it's how you pull yourself away-

Karina, for the longest few seconds, is shocked into stillness.

Because you could, of course, decide to give this one last shot, your head between her thighs and eat her out until she was so fucking wet your cock wouldn’t even enter the equation. This is not actually a new idea; the possibility has run through her mind enough times already.

"Yeah. That would work."

Like it's no big deal-

"Do you need instructions? I can get a bit graphic."

"Actually, you know what?" you choke a little, and - "trust me."

You stand straight up for a moment, a second, an extra fraction. You slip your cock inside her hot cunt, and, yeah. She collapses right into you. You’re holding up her just enough to fuck into - she's starting to breathe deeper, harder; you've got her pinned like that - a hand on her neck, fingers sinking into everywhere she's softest: her tits, her ass, her waist, her throat, and there is nothing that isn't some version of fucking glorious about Karina's weight grinding, heavy onto the tip and onto the ridge and down the thickest length of you-

And her face, jesus christ, her fine brows upturned, the tears heavy in her dark lashes, the little gasping-sobbing sounds that spill across her wobbling lips - this is the both the easiest and the hardest part: seeing her get absolutely fucking ruined-

(You know, god help you.)

Irene doesn't even have to ask. There are hickies and bruises shadowing in on your neck, your chest - these marks you never remember Karina giving you, and a ton of scratches all up your back.

"You know I was going to offer to make you breakfast," Irene says, smug, "but I'm wondering if Karina got to you first."

"What the hell do you think?" you say, dumb.

There are eggs burning on a skillet that are never going to be salvageable, no matter what Irene says. She has no respect for the process. And her voice is full of that infuriating smile: "was it everything you hoped?"

"God," you mutter, trying to mask the embarrassed laughter in your words. You can hardly move an inch on her behalf.

"At least tell me something fun, you insufferable tease," she presses her nose into your hair and tickles the spot on your side, just to be a pest.

You lay it all out for her. Everything she wants to hear.

Surprisingly, there’s still plenty to learn about each other; days to weeks to months. The first real thaw of the year comes, and you’re quick to fall into this odd rhythm.

Karina won't actually join Irene on set or production very often - too much heat. It shouldn’t have taken so long to figure out the two don’t belong in the same room together, and if they’d asked you, they’d know - but no one ever really does ask you. However she does spend more and more time around the apartment. In and out of your personal spaces. And maybe a bit in between, or a little underneath too: how she seems to slot herself right into every possible fold whenever Irene’s away.

Always traveling for this reason or that.

And god, the perfect powder keg Karina is - ticking, short-fused, all ready to explode. It’s ironic, you think, she’s drawn to scandal the way Irene will do anything to avoid it, and here, she's found her ultimate indulgence.

The quick lay, the time and place you know you can be patient in pulling her apart, the everything in between.

In fact, you’ve taken to calling her "babe" just so she doesn’t think twice when she gets your cum pooling deep in her cunt, all hot and sopping. Looking like the picture-perfect centerfold. The fucked-dumb face - all twisted in your grip, flushed-red; and the musky scent of sex; the noises and her presence alone. You fuck her, and fuck her, and fuck her, rubbing a thumb across where the mascara runs thick.

To be the gorgeous girl, cock-drunk and fucked-out in your lap - so simple - so natural: Karina finds her way over more often than not.

After your shower, after your nap; your work, the bar - Karina’s never more than a text away. And you'll keep a hand around her waist as she stands around in the kitchen, stealing Irene’s leftovers out of the fridge. Karina ends up straddling your thigh right there at the breakfast table, holding onto the wood for support as she cums all over you.

The long and short of it is:

She's fucking you. She's fucking your fiancée. She sees no problem in having her cake and eating it too. The only caveat is: Karina thinks neither of you know what's actually going on.

“You gonna say hi to Irene for me?" she's teasing one day, snapping her bra back into place. The t-shirt pulled over all that glossy-dark hair, the shimmy of her hips just to get back into the world's tightest jeans. She presses a fleeting kiss to the corner of your mouth. It's such a stark, clinical goodbye - ending with a flick of a thumb across a screen. "And oh, let her know if she ever wants me to teach her a trick or two. Anytime."

“Yeah, I’m sure she’d love that.”

Karina does the most insipid thing. She fucking winks. “I’m sure she would.”

"Uh, are you kidding me?" you ask Irene.

It's late one night, and Irene is standing in the kitchen in her pajamas with a welt the shape of Karina’s lips kissed right into her jaw. A couple drinks in your system have given you both a false sense of clarity, and also an ill-timed desire to solve all your goddamn problems. You lower your voice. "In her ass?"

Irene has that all-triumphant and dopey grin that makes your heart ache for her. There's a soft curl of her hair loose, thrown across a shoulder. "I’m serious, pull her hair right, hold her wrists until her back has to be arched. Pin her to the bed," she continues to illustrate, "it's all in the finer points of how much. Tell her to count, even. I'm not joking-"

She takes another spoonful of yogurt between her lips.

"-she'll let you do anything, promise."

“That’s fucked up.”

“I know.” Irene wags the spoon at you. “It’s great.”

It's not only the hypothetical-homewrecking that gets Karina so torridly wet for the whole affair; when she's pinned beneath you with her legs spread and her toes pointed skyward, or perhaps later - the same day even - riding Irene's face in a locked dressing room and crying out - "ah, hah, jesus, please-"

In her head, she has you both at her beck and call. Forget semantics - Karina is a fool to her own illusion. Because in her head, not only has she managed to go toe to toe with the industry's reigning monarch, she’s managed to win.

You don’t exactly know how Karina ever intends to keep it casual. Because things are damn near constant:

It’s a weeknight, and the moon is high above the windows, casting a crisp rectangle onto the hardwood; it doesn’t actually matter, as far as Karina is concerned.

Irene’s on television again, the sequin in her dress clinging tight, and she’s found the gaze that never breaks for the cameras. Found the flash of her most practiced smile - that little chime of laughter she has that sounds like striking pure gold.

Then Karina: sitting cross-legged at the very end of the sofa. One leg thrown over your thigh, she’s got these nylons on her feet and she’s poking a toe into your ribs. "Isn't she stunning," you hear her muttering, "honestly. Doesn't it, like, turn you the fuck on?"

Her foot grazes your lap, all casual at first; the impossibly soft-curved heel of her sole. There are so many ways she'd prefer to pass the time and they almost all involve getting under your skin, if not just outright getting into your pants.

“Elaborate.”

"I mean listen, in your case, just knowing your fiancée is up there looking like a total angel and at the same time, thinking about you; how she’s got to be considering every which way she’ll unwind just after the showcase - at least, that’s what I’d be doing." She licks her lips, teeth. "Hell, I’m only imagining how pretty her eyes are when she can barely keep them open, and that’s enough to ruin my panties."

"Are you really."

She shifts her weight. Puts that ankle to good use. Rubbing it into the crease between your legs. "Tell me," her lips curl. She’s looking at you dead-on. "How does she usually prefer it, hm?”

Like a wildcat, you suppose, your Irene - a pretty, little predator. You could tell Karina everything, but you don’t. Instead you let her wander into the lair of her own making. Her eyes: light and curious; it’s written in the lines of her face how she's picturing it all so plainly.

“I’d guess she lets you go slow. Or hard. Or maybe a little rough and then you make her cum, and then maybe, just maybe, after the teasing; after the edging, I guess, that's when she comes in hot. I would hope."

Karina twists her foot around, swings her weight onto your lap, and sucks in a sharp breath when you reach out and grip the lean lines of her hips. It’s as easy to hold her still as it'd be to drag her across the couch and under the rest of your body, fuck the goddamn tension until there was no longer any room left for the pretty smirk in her lips. And her gasp would probably sound a hell of a lot better - than all the needling quips - a much louder and much less-pretend whine when you could throw those thighs open and really pound her wet, aching little cunt-

“Easy,” she chides when you end up taking two handfuls of her chest. "Shouldn’t you be more supportive? For god’s sake, it’s your fiancée’s moment in the spotlight, you know-"

There’s nothing stopping you from popping off the buttons of her dress, one by one by one - and kiss right there, into the swell. Your voice feels all the rougher when you respond, "and what a moment."

Her fingertips skim over the places she's been kissing you, where she's been marking and claiming and trying to, at least, to stamp you like her personal property - when the look is that serious. All cold-burn. Right through to the bone.

“So.”

You can feel her touching into your pants. The heat in her soft, silky thighs; she sits above you, keeping a leg on each side. A part of you feels trapped; another is confused why you aren't turning the tables right now - flip her and ride out her cunt on the couch. Some passing thought, or just a fraction, the only one that matters in that particular instant, wonders what Irene would do, will do - has done - in your situation. How her hips would roll. How Karina’s moan might sound when she dug a nail right into a sweet spot.

You push Karina's skirt a little farther up her body and try to gauge the moment she's finally decided she doesn't mind.

“How about you keep your eyes on her, and I'll suck your cock while you do," ends up being the short and not-so-sweet of it all. “-or maybe you can get off between my tits.”

She wraps those fingers around your base and pulls gently. It's not a decision, but merely a continuation, a culmination: a gesture made entirely to pull the response: the hitch to the throat. Her nails skim that ridgeline as her eyes track across the cut of your features. It makes you groan into her next kiss, to say, "if you wanted it so bad, babe, you could’ve just said. Would save us a lot time-"

"Are you complaining?" she husks, pulling your pants down your thighs. Your cock is in her hands and she smiles like a cat - licks her teeth when it twitches at just the slightest touch. "Yeah, I didn't think so," is how the breathless laugh leaves her lips.

You catch the quirk of her brows, her tone: straight-up, like nothing. You’re almost buying into that until she's got your shirt on the floor, those lips of hers in the divot of your collarbone, and her tits wrapped around the base of your cock, and, well, fuck-

She actually wastes no time - none at all. A couple feet away, Irene covers her laugh with one hand. There's a brass award in her other. And the television casts this soft, pale glow.

Karina tips her head, and a curtain of her dark, silken hair spills across the ridge of her breast. She runs those big eyes over you, all wide and round and vaguely-deviant. There's the perfect amount of motion, of squeeze, just a light-bit of pressure, and she's got a face smug-arrogant in an instant, knowing. Fuck, her hands on either side start pushing into the line of her cleavage as she bounces and rocks and draws every inch of your cock up through her soft tits and back down again.

"Fuck," is the harshest exhale she's ever dragged out from you.

She hums a low sound, all self-satisfied when it's her own namesake: your body wants her, like you know the full weight of her needs, your touch, how badly she's fucking craving to get off and still not admitting to anyone it might be more than sex. Like it's really as easy as her next breath, the flutter of her lashes: Karina wants your eyes, the weight of your attention and she's not going to beg for a fucking thing. The feeling, you think, is mutual.

"Irene," she says, her smile as open as it could ever get. "She's just so gorgeous, right?"

On one hand, she’s speaking between the lines. A perfect tincture of deceit - the bawdiness-by-nature: watch me, look at me - is what she might as well say - look what I can fucking do, the whole lewd display. And, god, how she knows every way to make a guy want it, like she wants you to remember it.

Because on the other, the movement is so, so direct.

Karina twists herself in an upward tilt, just an easy, practiced thing; she lets her tits spill around your cock and through her fingers, full and soft - and her lips part, mouth slacking alongside yours, matching the sounds out your chest with her own. Like she knows exactly which slide of slippery friction will make you moan, or which pull and drag will send your teeth straight into your lip.

"Isn't it crazy," she lolls her head a little, letting her own saliva drip down the center, onto your weeping slit. "How much I want your cum filling my cunt, even knowing she's the one you'd rather put the ring on," the drag and drag and drag - her tits are fucking incredible, and she knows it. She pushes up with her fingers and gives you a long draw right through the press, right where the nerve endings run electric, right where she keeps moving, up and down, and up and down-

“-it must be hard, I mean, jesus christ. Here I am, needy and hot. Begging you to wreck me and my only sin, hm - the sin of being second best, right-"

"Holy fuck, you're-"

"Obsessed," she says, and drops her tits against your waist again. "I know, I know. How could I not be?"

You're left muttering into the titfuck alone, watching her rub your precum up between their soft shape, feeling the slight give, how her skin goes warm. The act itself: such a simple-thing-bordering-on-the-absurd that you notice how you coil and flex beneath her curves, how she feels so soft and warm. The slight pucker of her lips every time your cock escapes her cleavage does little to help. It's probably the fault of the brain-fuck but the wet of her mouth is practically everywhere you look. You could eat her alive right here, spread her legs on the coffee table and finish with a bit of screaming, groaning and tearing, and no one would ever stop you.

But instead,

"-it's a good color on her, really; but then every color is a good color on her, isn't it so unfair?" She's taking your cock into her tits, deeper on every rock forward and back, holding them close - a gentle lock of those long manicured fingers keeping it all together. "Even wearing no color at all; you must just love how all the freckles are so easy to see," she murmurs, squeezing tight. The sound is wet, messy. A filthy chorus between her dirty words and the dirtier action, and just that glimpse of friction when she strokes down again is maddening. You're all slippery. So sticky-slick, so tight.

Of course there's not a fucking inch of a reaction out of her; you want to get off so bad-

"You could close your eyes," she tells you. "She would still be there. The sound of her laughter. The image. In that dress or not," and her mouth furls into a half-smile before she pauses. Reaches down, pulls her tits around you impossibly tight. "Just so damn pretty-"

You cum just like that:

"Babe," is what you let her have. The soft, undercurrent hiss. "Fuck."

You shoot clean up, all thick, hot splatter.

Well, mostly up - along the expanse of her neck and throat, coating where her breasts sit so pretty against the lines of your thighs. Across her sternum and the hollow of her neck - her body's covered in your shared mess: slick-filthy-hot, all strewn across her perfect tits.

"Jesus, Karina, baby you’re-"

"Completely covered in you." She's still smiling. That deep-cut and perfectly symmetrical curl of her lips. The gorgeous fucking shade, and her chin, how her cheeks flush, just a little - they've always turned pink in the most specific places when she gets fucking cum-soaked. “I know, just look.”

And her hands slide across her chest, trailing a path through the thick of your release, spreading the glaze all down her front. Making it messy, making the exact look a guy sees once and is driven to the ends of his sanity - just to spill his load out onto her. To get her all used, and trussed up: just how she likes.

(Sanity is being generous, considering.)

You can't do anything other than what's expected: take her up in a kiss, breathe into the mess you've made on her skin. The gasp is full, surprised - just enough, maybe, to count as genuine.

Such a mess - she murmurs - um, come on then, you can do a girl a favor. Bath bomb, bath towel, bath robe - and really it doesn't have to be a suggestion.

You’ll pin her down and fuck her right over the lip of the tub if that’s what she really wants. Just being in her company is indulgent and excessive and begging you to make a terrible habit of it. Have some self–restraint, she has this tone in her voice sounding more and more like a dare. There's just enough there in her hands: one reaching for you and the other reaching into the porcelain, swirling up the lather - and that look on her face, as if to say, can't believe you have me waiting, like some desperate, depraved pervert - only it’s more explicit than that. Only it feels worse - and her mouth is moving again, speaking into the air that already feels stifling hot, words cutting through the steam: you're not very nice, I mean really, it should come as no surprise how she turns out, having this jerk for a fucking boyfriend-

Nevermind. Not a dare, it's a challenge. She was right the first day you undressed her, the brattiest girls always have the worst kinds of fantasies, the darkest little tendrils of self-destruction. How she's laying there, asking and telling, pushing and pulling; and how she thinks she's so clever too.

Though that is no reason, she laughs, for you to think she won't love having her pretty cunt cockwarmed and spoiled for an evening or more. - And so it goes, and so it goes, and so it goes, and so it goes.

(Really, to Irene’s credit, she had Karina pegged right from the jump. A character study in, well, herself.

She's seen as an ingénue by the press, and an outright savant to the executives. They know her as the obvious successor. They give her the runway, they watch the leggy-girl-turn, the model-posture, chin held high and aloof, looking down at the gathered throngs of photographers.

The protégé, the goddamn heir-apparent:

But her favorite game - that bit of innocence served on a platter, ingenuous when it comes to spinning a flaw to gold, and the deception too - Karina loves and loathes every second she spends upstage from Irene's own, hectic, international production. Because if anyone asks her, that girl would claim it's never been a competition in the first place.

So you see, if you and yours have both decided to ruin her-

It is a disaster-in-the-making, isn’t it.)

#karina smut #irene smut #aespa smut #red velvet smut #male reader smut #kpop fanfic #kpop smut

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navree · 1 year

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started thinking about it because apparently i’m in my complain about brainless tv shows era but my god silas from tvd was such a missed opportunity

#personal #for one i think silas never should have revealed his physical form #hell i think even silas's gender should have been a question mark that was never resolved #because they always just imitate other people with no regard for gender or sexuality #for two i hate that they went with 'first immortal is just a vampire but hates the word vampire' NO #have silas be the first immortal and that's it: immortal #a vampire isn't just a vampire because they live forever they gotta die first and all that and ALSO #vampirism comes with a host of powers like super strength and super speed and a degree of invulnerability #which silas shouldn't have. silas should literally just be immortal. ageless and incapable of dying #the closest we get to invulnerability is that any wound or trauma can harm but it just won't be enough to kill #silas'll never lose too much blood or a head wound will never be entirely incapacitating and any attempt at stabbing #will always just miss the heart #and have the mind control powers come from the fact that silas was a some kinda witch before immortality #since it's ancient greece (apparently? god julie.) just have silas be part of a now extinct coven of powerful witches #and therefore there is no understanding the powers silas has available because the knowledge is just straight up lost now it's not there #and so silas is unkillable and most importantly entirely reliant on powers and mental prowess and trickery #it's not about who can fight the best now it's about whether they can possibly outsmart this insanely old and wicked and shifty person #that they know nothing about they don't even know what silas looks like #that's what it should have been god it's so annoying

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yumeka-sxf · 2 months

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New chapter today, and even though most of it seemed to continue the silly tone from the previous one, the last few pages actually shocked me! 👀

For the first time, ANYA CONFESSED TO SOMEONE THAT SHE CAN READ MINDS! Now this doesn't necessarily mean anything crazy will happen in the series from now on, since Damian doesn't believe her (at first). But proving that you can read minds is easy to do, so the question now becomes, will Anya keep trying to prove it to Damian until he believes her? Or will she regret it later and not try to prove it, and then the plot point isn't touched on again? Regardless, this chapter definitely makes it seem like Damian will be the first person to know about her mind-reading powers.

Then there's the question of why Anya chose to confess this to Damian? I think it's a combination of a few reasons, the main one being that Damian doesn't have any connection to her family, so little risk of him telling them and thus bringing about the fear of abandonment Anya has should they find out. This might also be why she chose to tell him over Becky, since Becky already has somewhat of a relationship with Loid and Yor. The other reason could be that, as time has gone on, she's learned to trust him, at least when it comes to something like this. As hostile as he is towards her, she knows that he's not a double-crosser or a blabbermouth, and deep down he wants to do what's right. And lastly, it was the heat of a moment - her knowledge about him seemed weird so he questioned it, and perhaps at that highlighted moment, when Damian was being genuinely nice to her (since she can read minds, she knows if he's being genuine or not), she wanted to try not lying for once, just to see what happens.

Guess we'll have to wait until next time to see if anything ground-breaking comes from this...will Anya keep pursuing this, will she regret it and let Damian continue to not believe her, or will it just not be mentioned again until later? This reminded me a bit of the Mole Hunt arc where Yuri became suspicious of Loid, but the latter was able to throw him off the track. But the seed of suspicious was planted nonetheless. In this case, even if Damian continues to think Anya was lying, a seed of suspicion may have been planted in him too that could come into play much later on. We'll see!

But besides this big event, a few other notable things in this chapter was super rare soft Damian from the above page. This continues to prove what I've always thought - that Damian acts the way he does to appear "proper" in front of his peers, but when he's alone with Anya, his real feelings seep out. She's a rare person where he doesn't feel the need to put on airs around.

We also got more Henderson x Martha crumbs. Love to see it.

Also loved to see Anya getting cocky and Loid freaking out about it 😅

Overall, even though I'm not as into Damianya as I am Twiyor, I still enjoy seeing their progress, and this chapter was definitely one of the most Damianya-chapters of all~ Despite some of the "dance with Damian" challenges being a bit too silly for my taste (like, how did Emile and Ewen organize all that last minute?) the payoff at the end was worth it! Loid and Yor better get themselves together or their daughter will end up beating them in the romance department 😂

#spy x family #sxf #spy family #spyxfamily #loid forger #anya forger #damian desmond #damianya #sxf spoilers #sxf manga #sxf manga spoilers

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gorgeouslypink · 8 months

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everything about the void state | vanilla explain's

A few things to note. First of all, Vanilla was a very knowledgeable and supportive master shifter on DRA (a shifting amino community). You can read some of their other posts and you'll understand they really know their stuff and have dedicated a lot of time to understand this. Second, after reading this post, you'll understand why the void state isn't "just a method."

Here is the link to the og post: link

hello and welcome to this post! i am currently fighting against all the misinformation about the void state in this community and of course i had to post a full guide about it! here you'll read what the void is, what it's not, why it's extremely cool and multiple guides how to enter it!

table of content

i. intro

ii. the void

- what is it

- what is it not

- why the void state

- what it "looks like"

iii. how to enter it

- the "before state"

- awake

- sleep

- other ways

- affirmations

iv. q & a

v. outro

i. intro

in this post i talk about everything in context of the void state. i explain in deep detail what it actually is, clear up more misinformation, how to enter it in a lot of different ways, why the void is really nice and useful and in the end even have a q&a for everyone that got questions! you will notice how insane many misinformation are here. not just a few but full "guides" and "explanations" with it. please do not blame the creators for spreading them more! if you thought the same, you also could've been one of the people making posts about it.

ii. the void

let's start with the actual topic. to explain what the void is we have to know what exactly we are at first. so, what are we, what are you? you are an awareness. that means you are a tiny swabble-bubble thingy that experience the multiverse. right now you are on the physical plane so you see, hear, feel, smell, and taste. you can do a lot more things but the only important one is that you exist. you have no original appearance or identity (that's another topic) at this moment you are just you. you experience the 3d as y/n y/l/n. there are a few more things of course like your subcons and all that but it is not important for us now.

what is it?

we know that we are an awareness currently on the physical plane. we don't have an original identity we belong to as much as a reality. so what happens if we leave the 3d? is that even possible? yes, yes it is. that is the void state. the void means that you leave the physical plane. that is all. it is nothing special or unusual. the void state is the state of awareness. you, the tiny swabble-bubble thingy, exist there in your purest, most natural form. you could say the void is your home. when you aren't in a reality, you are in the void state. it's where you always return to and there is nothing more natural for you. you are just power, happiness, and peace there. nothing from the 3d can effect you anymore, your mind get's a whole reset. what does that mean? you have to know that you, the awareness, are not meant to doubt, have limited beliefs, worries, fears, trauma. it isn't natural or normal for you. you have them here on the 3d because they are physical circumstances. once you leave the physical plane, it of course means that they don't exist anymore. you enter it and BOOM they get completely erased. you won't even understand how you could believe such stuff after that. as you can see, the void is the state where you exist in your most "original" form, even if you don't have any identity or something like that.

what is it not

this is gonna be a long, long list. i'll actually make bullet points with everything i've ever heard here so you don't have to ask in the comments "someone said it is xy, is that true?". you can be very very sure that everything here in this list got 100% nothing at all to do with the void state. in the end i'll talk about the most drastic thing's but i also explained a lot already in my post about misconceptions.

- "body asleep, mind awake"

- meditation

- dreaming

- sats

- a sleep state

- the god state (mindset definition)

- theta state

- the "before state"

- relaxation

- the thing after you woke up

- being " in your brain"

- any other physical state at all⠀ ⁣⠀⁣⠀ ⁣⠀⁣⠀ ⁣⠀ ⁣⠀⁣⠀ ⁣⠀ ⁣⠀⁣⠀ ⠀ ⁣as you can see, you guys came up with a lot of things! you may already understood, the void means leaving the physical plane, so its being a physical state is absolutely impossible. you do not notice it on the 3d. at all. it is just not possible. many, many ask me "why didn't i shift from the void" but tell me a few sentence later "and i only felt my body a little bit" and i sit there like "okay, i'll start from the very beginning".

so please guys, in the void you leave the physical plane. you have no body. you can't feel anything physical at all. when you "felt your body only a little bit" you weren't even near the void. once you entered it, the physical plane doesn't exist for you anymore. with these very important information we can just ignore 10 things from the list now because we know that they aren't true at all. last but not least "it is the god state". but what is the god state? there are two main definitions here 1. just another term for the void so it's totally okay to say it, but what many here mean is 2. the "god state" mindset. that's a bit tricky, the second meaning is just a mindset. it represents your natural state of mind where you are limitless and powerful. you have it immediately in the void BUT if you have it here on the 3d you are not automatically in the void. you are still on the physical plane. tiny but important difference.

why the void state

you may already thought "damn, that sounds cool" but do you know how cool it actually is? besides that you finally align with your natural state of mind, that the void is pure happiness, peace, and joy, that you can chill there as much as you want, you can also do everything you want!! whatever it is, there are no limits. so here a few things you may don't know you can do:

- change the past

- skip time

- change your whole appearance to your liking

- shift everywhere

- manifest to wake up every night in the void

- manifest the future

- erase things (f.e. racism etc)

- manifest to always shift instantly

- change everything about your life

- manifest to lucid dream every night⠀ ⁣

as you can see, a lot more than many people think of. and the coolest?? it is instantly, in the very moment you want it, 100% reality. in the void the 3d/4d time gap can not exist because you are ABOVE the 3d. in the void you and your subcons work completely together that means that you literally give the commands. what do you have to do for it? want it. you don't even need affirmations or anything. you just want it and it is reality, no other possible outcome. in the void you can not fail, never and with nothing. if you ever thought you were in the void but "didn't shift" this is your clear sign that you were definitely not in the void. you are pure power there, it is impossible for you to fail at anything.

what it "looks like"

a question many, many have! what do you see in the void? actually you see nothing. you have nothing to see, you have no eyes. that's something most people are afraid of, deep, endless black and nothingness. but that's not the whole answer. you can customize your void! you have something called a "mental image". it is a picture you have in your mind and that is what you see. you can change it to your liking, very common here are galaxies. you could compare it to very, very vivid visualization but you don't have to focus on it and it's completely natural. you see whatever you want to see in the void. if you don't want black nothingness, you won't have it. very simple. so please don't be scared!

iii. how to enter it

there are a lot of ways to enter the void! you can basically leave the 3d through everything you want but of course a few things are easier for the mainstream than others. just try what you like and don't think you have to enter it immediately. i always compare it to speaking a language after a long ass break. it's weird and maybe seems hard, but every day you get more confident and notice how easy it is. that's the exact same with the void. everything is progress because every single thing is one step closer to being comfortable.

the "before state"

a term you guys hear extremely often from me. i came up with it because this was also a misinformation. but wait, what is it?? the so called "before state." it describes the time where you, the awareness, get ready to leave the physical plane. it always happens and especially beginner can feel A LOT there. it is the state where you feel like spinning, floating, falling all at once with tingles, dizziness, and confrusion. some time ago people said that this is the void. it is not. that's, as you already know by now, something that happens before you enter the void. many feel it, some do not and that is completely okay. for most people that actually feel it this intense it get's less and less every time they try. like you get more and more used to the idea of the void state, you know? you mostly witness it when you try to enter it awake or through a physical state. if you think you can not stand it, that's okay, you got enough other ways!

awake

made for biginner and everyone else

-before doing anything, ask yourself what you wanna do there? do you wanna chill a bit, manifest something, shift? with the intention or affirmations? if you can answer that you're good to go

-maybe put your phone away really quick to just calm down a bit so you're not full of energy while trying. you could draw something instead?

-lay down in a position where you know that it won't distract you. nothing that hurts or is uncomfortable

-now it helps many (especially when it's your fist attemps) to have a vague "plan". do you wanna visualize? affirm? counting?

-if you wanna relax more you can take a few breaths at the beginning

-after that try to just don't care about your body. don't care about your breath (and DON'T focus on it!!), you can count or start visualizing/affirming till you reach a deep deep relaxed state

-now you'll probably start feeling A LOT. physically and mentally (i don't talk about the itchy-pain feeling, that's just you body). your body will feel like floating, spinning and falling at the same time, you'll be dizzy and "confused". that's okay and totally normal. just stand it, do not fight it*

-if you have trouble affirming while that happen just think about it, it doesn't have to be very specific

-after that you'll feel nothing, absolutely nothing

-then you'll leave the physical plane, you'll just know it because you feel inner peace and happiness and calm

*this is the before state and will most probably get less intense every time you try sleep

you can also enter it with a sleep method! a thing not many people know but that's why we are here, right? just go to bed, now you can do several things

- listen to subliminals

- affirm

- visualize

- have mental conversations about the void

- just set your intention

you can do all, you can do none, just one, whatever you want. it is like the intention for shifting just with the difference that you wanna leavsle the 3d and not change your physical environment. it is the method many people use when they have problems with the before state, don't wanna lay still or have no time for it. you can do it anytime, everywhere. if you focus right now on lucid dreaming? awesome, you can still intend. in fact, the intention is exactly equally progress as when you try it awake. so it's definitely not just a "lazy version"!

other ways

as said, you can leave the physical plane through everything but here are some of your favorites:

- lucid dreaming

you can do it already or practice it right now? awesome! maybe try to enter the void state throught it. once the dream is lucid start to say affirmations, visualize or intend. or whatever you feel called to do

- physical states

you can reach sats easily? the theta state? you meditate or are able to disconnect from your body?use it for the void state if you want. if you can enter one of these and it helps you to disconnect from the physical world, that is really great. do whatever you want to do or ate able to. the same recommended as always, visualization, affirmations, no matter what you like the most

- " is this even real?"

you know the moment when life feels kinda unreal?when you look at the physical world and genuinely question how this can be reality? these are great moments to affirm you are in the void! if it feels unreal, who could proof that you aren't in the void?

- subliminals

got no time or just don't wanna try? there are many good subliminals out there to enter the void state. personally i recommend solars one. just listening to subliminals can also bring you in the void. they send clear commands of what you want to your subconscious mind and it will just say "oh, wanna leave? okay got you sweetie!"

affirmations

- i am pure awareness

- i am pure consciousness

- i am in the void

- i am in the void state

- i leave the physical plane

- i leave the 3d

- i completely disconnect from the 3d

- i can not get influenced by anything physical

- i am just pure awareness

- i have my natural state of mind

- i have my natural power

- i am home

- the void is my home

- i am where i'm supposed to be

- i leave the physical plane behind me

- i leave my body behind me

- i am pure nothing

- i want to leave the physical plane

- i am comfortable with leaving the physical plane

- leaving the physical plane is natural for me

- i am used to leave the physical plane

- i am used to being the void

- the void is my natural place

iv. q & a

just ask anything in the comments and i'll answer it here! or if you want you can take a look at my ask me anything - void state related, there are also a lot different questions!

q: do you feel unconditional love in the void?

a: you could describe it like that. you feel truly happy, at peace, calm, loved, secure, all the positive things you naturally should feel :smile:

q: Hey! Even if I don’t practice it awake and just intent to get into void state and sleep will my body get used to leave the 3D?

a: absolutely!! it's the same amount of progress :smile:

v. outro

this was my post about the void state and the first part of "vanilla explain's" my series where i explain things to you that aren't very common here! if you have wishes and ideas, let me know. please also comment every question you may have about the void state

#void state

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jinjeriffic · 5 months

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DC x DP prompt/ficlet

Throwing my hat in the ring with this idea that has been doing the zoomies in my brain for days. The Tim/Danny Accidental Ghost Marriage to Fake Dating to Friends to Lovers AU:

Pariah Dark was a piece of shit. Before his imprisonment, mortals would sometimes manage to bargain with the Ghost King for scraps of power. One of the "standard" deals was to send PD a "Bride" to play with and feed on (because I HC he feeds on fear and pain) and what better way than a little mortal battery that couldn't get away from him? The deal was sealed with a cursed amulet. Now in one instance, the contract was never fulfilled (maybe the petitioner died before he could complete his half) and the amulet was lost. After Pariah was imprisoned and couldn't make deals anymore the knowledge of the rituals needed was gradually forgotten since they didn't work anymore...

Eventually the amulet gets dug up by archeologists (maybe in Egypt or Mesopotamia?) and ends up in a traveling exhibit in Gotham. A Rogue robs the place (Riddler? Two-Face? doesn't really matter). When the Bats show up to foil the robbery, during the fight with the goons a drop of Red Robin's blood gets on the amulet, there's a blinding flash of green light and the amulet is suddenly glued to him.

While everyone is dazed by the ghostly magic flashbang, Fright Knight pops out of a portal, yoinks Red Robin across his saddle and jumps back through the portal before anyone can stop him. Cue the Bats trying to frantically figure out what in the multi-dimensional occult hell happened and where RR went?!

Meanwhile, Danny is disturbed to receive a ghostly missive in his college dorm to tell him that his Mail Order Bride has been delivered to his Ghost Zone Palace and is awaiting him so they can consummate their Unholy Matrimony.

----------------

Danny: Wtf I have to study I don't have time to get MARRIED

Fright Knight: I'm sorry my liege, but according to the laws of ghosts, gods and magic you already ARE

Danny: Wtf. How did this happen?

RR: I would like to know that too

Danny: Oh shit, you're a superhero. Frighty, you can't just kidnap people! Especially not SUPERHEROES!

RR: While that's good to hear, I would really like to know about this supposed marriage..?

FK: I am not aware of the exact details, I was merely summoned to retrieve the Bride of the Ghost King. There used to be standard magical contracts for this, which went into effect when the Bride bled on the King's Token...

RR: Shit

Danny: Hold on, PARIAH got married? Multiple times??

FK: ...but we can always consult the Royal Archivist, if we can dig him out from under the several thousand years worth of paperwork that piled up while there was no King actively ruling...

Danny: Oh ancients, am I gonna have to deal with that?? I have exams to prepare for, dude!

RR: ...the dead still have to do exams? And paperwork?? *horror*

-------------

Some time and explanations later...

Royal Archivist: It took some digging, but I believe I have found the contract in question. You are one Timothy Drake-Wayne, correct?

Tim: Fml

RA: Ahem. The contract was sealed with your mortal blood, as is standard procedure. Congratulations, you are officially King-Consort of the Infinite Realms! Until death do you part, and all that

Danny: Can I see that contract? ...This isn't in English

RA: Oh dear, looks like we will have to schedule your Royal Highness classes in reading cuneiform/hieroglyphics

Tim: Okay, does it say anywhere in that contract how to dissolve it? What's the procedure for a ghost divorce? Fright Knight mentioned the previous king being married multiple times

RA: Well usually, when Pariah tired of a consort he would simply devour their soul...

Danny: Ewwwww I am so not doing that

Tim: I concur. I can't imagine my soul would taste good anyway

Danny: That's what you took from that??

RA: ...but when you die and your soul passes into the Afterlife proper, the contract will be fulfilled. As long as you're not resurrected again.

Tim: Nuts, there goes that loophole

RA: Until then you are the Consort and duty-bound to fulfill his Royal Highness' every whim; ghostly, spiritual, carnal...

Danny: *sinks through the floor in embarrassment*

Tim: Can't he just... release me from the contract? Take the amulet off me or something?

RA: Not without obliterating your soul, no

Danny and Tim: Fuck

--------------

Some time later, while Danny is away consulting other ghosts on possible ways of dissolving the contract, they discover the nasty little clause that if Tim isn't in regular physical contact with Danny the amulet starts draining his life force. To prevent victims from escaping you see... Danny really really hates Pariah right now.

They eventually return to the mortal plane to explain to the Batfam what the hell is going on and that they're still trying to fix it. In the meantime, Danny can't miss any more classes (studying areospace engineering at MIT or sth) and Tim has to stick close to him because of the curse...

Alfred: Oh dear, looks like Master Timothy will have to go to college after all *unflappable British Smugness*

Bruce pulls a lot of strings to fast track Tim getting his high school diploma and let him attend classes with Danny (he's not officially enrolled yet, but Money, Dear Boy). They never know when Danny has to respond to a ghost emergency or Red Robin to a Bat emergency, so they stay pretty much joined at the hip in their civilian lives. Of course there's gonna be rumors. Why did the Wayne CEO suddenly drop everything to go to college? So they make up a story about Danny and Tim having been secret boyfriends for a while and Tim becoming so smitten that he moves with him to Boston...

Cue the fake dates, interviews with magazines, couple photoshoots to really sell the bit... and the two young men gradually becoming friends... and then "Feelings?? But what do I do?? He was forced into this?" etc.

#dcxdp #dpxdc #dp x dc #dc x dp #dc x dp crossover #dc x dp prompt #danny phantom #tim drake #red robin #danny fenton #ficlet #batman #batfam #accidental marriage #arranged marriage

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inkskinned · 1 year

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the rise of AI art isn't surprising to us. for our entire lives, the attitude towards our skills has always been - that's not a real thing. it has been consistently, repeatedly devalued.

people treat art - all forms of it - as if it could exist by accident, by rote. they don't understand how much art is in the world. someone designed your home. someone designed the sign inside of your local grocery store. when you quote a character or line from something in media, that's a line a real person wrote.

"i could do that." sure, but you didn't. there's this joke where a plumber comes over to a house and twists a single knob. charges the guy 10k. the guy, furious, asks how the hell the bill is so high. the plumber says - "turning the knob was a dollar. the knowledge is the rest of the money."

the trouble is that nobody believes artists have knowledge. that we actively study. that we work hard, beyond doing our scales and occasionally writing a poem. the trouble is that unless you are already framed in a museum or have a book on a shelf or some kind of product, you aren't really an artist. hell, because of where i post my work, i'll never be considered a poet.

the thing that makes you an artist is choice. the thing that makes all art is choice. AI art is the fetid belief that art is instead an equation. that it must answer a specific question. Even with machine learning, AI cannot make a choice the way we can - because the choices we make have always been personal, complicated. our skills cannot be confined to "prompt and execution." what we are "solving" isn't just a system of numbers - it is how we process our entire existence. it isn't just "2 and 2 is 4", it's staring hard at the numbers and making the four into an alligator. it's rearranging the letters to say ow and it is the ugly drawing we make in the margin.

at some point, you will be able to write something by feeding my work into a machine. it will be perfectly legible and even might sound like me. but a machine doesn't understand why i do these things. it can be taught preferences, habits, statistical probability. it doesn't know why certain vowels sound good to me. it doesn't know the private rules i keep. it doesn't know how to keep evolving.

"but i want something to exist that doesn't exist yet." great. i'm glad you feel creative. go ahead and pay a fucking artist for it.

this is all saying something we all already knew. the sad fucking truth: we have to die to remind you. only when we're gone do we suddenly finally fucking mean something to you. artists are not replicable. we each genuinely have a skill, talent, and process that makes us unique. and there's actual quiet power in everything we do.

#also pay plumbers more. and electricians. and other devalued occupations #idk that this makes sense #but im like #people being so fucking pleased with themselves about the fact they can ''fake'' art #n im like #sure #but what if we stop making things for you huh #what if we stop giving u this stuff anymore #what happens to ur ai art? does it keep growing? does it keep making choices?#why do u need to see us as machines?#''i want X to exist but i don't have the skill to do it''#okay spend literally years of your life studying #''i don't want to do that''#okay pay someone who DID do that #''no i don't think it's a real skill''#okay so. YOU can't do it. and a LOT of people can't do it. but you think WE should be able to?#FOR FREE?#either it has value or it dont baby make up ur OWN mind #btw studying here is not used academically. i think if ur like. constantly knitting.#thats studying #do u spend hours reading and find urself taking notes and learning about writing #ur studying #do you follow other artists and spend a lot of your time trying new things (even unsuccessfully)#that's also studying #etc #was weird to write this thing about choices and then be like. wait why DO i like that

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mywifealhaitham · 2 months

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Could I request Dr Ratio and Aventurine being given a cat plushie of themselves made by their partner?

♡: Dr.ratio, aventurine x gn!reader, petnames (dear and doll), reader is drunk in aventurines part, kinda short I'm sorry :(

a/n: I adore these 2 so much I wanna eat them.... I hope u enjoy anon

dr. ratio

- before getting into a proper relationship the great Dr. Veritas Ratio expected many surprises, after all this was his first relationship.

- in secret he reads books about romance and observes the types of gifts normally given to one another; flowers, sweets, accessories. he isn't a fool, he knows you well but still something like this... he wasn't expecting.

Veritas stood still, eyes used to logic and reasoning, solitude and knowledge glaring into the small little plush sitting in your open palms. As he processes this he makes a quick realization; the lovely blue fur, the scowl of the face, the golden accents and the book in the cats mouth wasn't just picked randomly no, it was him. A blush spread across his face as he picks up the plush to get a better look. you're bright smile begins to fade as his silence continues but before you could properly frown a cough rumbles from the man's throat. "The craftsmanship on this plush is amazing, dear. I..." he praises your work a slight smirk on his face before he looks away from you the evergrowing blush on his face getting darker by the second. "I do appreciate it... and I suppose it is adorable." he says pacing over to you and leaving a kiss on your cheek before scurrying off, hiding the Dr. catio plush behind a book. Later in the day you don't fail to notice the way his eyes dart to the cat then to himself in the mirror, his expression almost instantly matching the plush.

aventurine

- like his fellow IPC Co worker, aventurine also expects many surprises in this relationship. he's always been terribly lonely so this new gamble of love is something he's loving so far.

- and this surprise is definitely one of things he loves about you. none has ever even dared to think of him like that, to take the time to make something that looks like him? it has his heart racing.

Aventurine was almost suspicious when after a late night doing his rounds at a local casino you called him up and asked to stop by because there's an emergency he simply needs to come help with. He could tell this wasn't life threatening by the way you'd giggle after every few words but nonetheless he'd comply to your orders and before you know it you hear a few gentle knocks at your door. As the power of a brand new open bottle of wine flows through you your feet stumble to the door and swing it open to meet the man you simply adore. "Aventurineee~! you actually came!" you slurred slightly with a grin and with your free hand you gently took his arm and lead him onto the nearby couch. "Well hello to you too doll" he smiled as let his body be weightless as you plopped him onto the couch. before he could ask what the emergency was you began talking. "sorry for calling you out of nowhere but I have a gift!" you stay speedwalking to your kitchen and grabbing a wine glass for him before pouring him some. "now wait heree~" and once again before you could speak you ran to your room and back out again this time with a small plush. he pulls down his glasses and allows himself to observe the plush you've brought him closely. when he takes it from your hand you plop down next to him and begin pointing out every detail. "lookie here! I made the pupils card suit shapes! since your eyes are so beautiful I made sure I made them justttt right" you said nuzzling into his shoulder more almost like love was pouring out of you. the smile on his face never seems to fade but he does go silent, letting you rant about whatever details you please but his mind goes somewhere else, the fact you love him and all the features he's resented this much to preserve him forever.

#honkai star rail x reader #hsr x reader #honkai star rail #kiana☆posts #hsr x you #aventurine x reader #hsr aventurine #dr. ratio #dr. ratio x reader #dr ratio x reader

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d-targaryenshoe · 2 months

Text

Eternal Hope - Anthony Bridgerton

Word Count: 2053

Summary: When one's best friend tells you a rather complex secret about your husband, doubts start to take over your mind, am I right?

You and Anthony Bridgerton were the perfection of an ideal couple, your marriage a testament to the power of love and commitment.

You were a vision of innocence and purity, your heart as untainted as the snow that covered the ground on your wedding day.

He was the embodiment of devotion, his every action a reflection of his deep affection for you. To the outside world, you were the picture-perfect duo, your lives a fairytale come true.

But your best friend, Philipa Featherington, knew better. Her family had seen Anthony Bridgerton in his younger days before he had met you and settled down.

Back then, he had been known as quite the rake, a man who was more interested in the pleasures of the flesh than in finding true love.

Despite his charming exterior, there was something dark and dangerous lurking beneath the surface.

It was this knowledge that made Philipa feel a mixture of awe, envy, and a tiny thread of worry for you, her friend.

One afternoon, as the two of you sat in the parlor, sipping tea and enjoying the warmth of the sun, Philipa decided to share the past with you.

"You know, y/n," she began, her voice low and conspiratorial, "I sometimes wonder how you ever managed to tame that wild beast of a man."

Philipa nodded towards the golden ring on your finger. "Before you came along, Anthony was quite the scoundrel."

Your eyes widened in surprise. "Philipa, I cannot believe that you would say such a thing about my husband!" you exclaimed. "Anthony is the most loving, attentive man I could ever hope for!"

Philipa smiled sympathetically, knowing that you meant every word you said. But she also knew that there was more to the story than you realized.

"Yes, yes," she said, waving her hand dismissively.

"Of course, he is different now. But you must remember that everyone here has known him for years, and some saw firsthand the things he used to do. He could be quite ruthless, y/n. He never cared about anyone's feelings but his own."

Your brow furrowed in confusion. "Are you sure you're not overstating?" you asked hesitantly. "Anthony has always been so kind to me."

Philipa looked you in the eye. "I wish I were," she said simply.

"But the truth is, Anthony Bridgerton was once a very different man. And while I'm glad that he's changed, and that you're so happy together, I can't help but wonder if you know who he is."

Your heart sank at your friend's words. You wanted to believe that Philipa was wrong, that Anthony could never have been anything but the devoted husband you knew now.

But a tiny seed of doubt began to take root in your mind. Perhaps there was more to Anthony's past than you had realized.

"I-I don't know what to say," you stammered, your voice barely above a whisper. "I love Anthony with all my heart, and he loves me just as much. He's been nothing but faithful and kind since the day we met."

Philipa reached over and took your hand in hers. "I'm not saying that he isn't faithful to you now," she said gently.

"But you must understand that the man you married is not the same man who was running through the streets of London, chasing after any skirt that crossed his path."

You bit your lip, trying to process everything your friend was saying.

You wanted to believe that Anthony was as innocent and pure as you were, but the memories of Philipa's stories kept creeping into your thoughts.

Could it be possible that there was more to Anthony than you knew?

As you sat alone in the carriage, making your way home from your visit to Philipa, your heart felt heavy with doubt.

The wind howled outside, and the horses' hooves clattered against the cobblestone streets, but you could barely hear any of it over the voice in your head.

What if Philipa was right? What if Anthony had been dissatisfied with you in some way?

You tried to convince yourself that it was ridiculous, that Anthony was the most loving husband a woman could ask for.

But the thought lingered, refusing to be shaken off.

Your mind drifted back to the beginning of your courtship, when Anthony had been so attentive, always showering you with compliments and affection.

He had made you feel beautiful and desirable in a way that no one else ever had. But then, as time went on, you began to wonder if perhaps he was growing bored with you.

He had started spending more time at his club, and when he was home, he seemed distracted.

You tried to talk to him about it, but he always brushed your concerns aside, insisting that everything was fine.

You closed your eyes, the tears beginning to well up in their corners. It hurt you to think that Anthony might not find you beautiful anymore, that he might be seeking pleasure elsewhere.

The thought made you feel so insecure, so unworthy of his love. As the carriage pulled up in front of your home, you forced a smile onto your face, trying to convince yourself that everything was going to be all right.

But deep down, you couldn't shake the feeling that something wasn't quite right between you.

You climbed out of the carriage and hurried up the steps to your front door, your heart racing with anticipation and fear.

Anthony was supposed to have returned home hours ago, but he hadn't come back yet.

You knocked on the door, your knuckles white from gripping the handle.

When the butler answered, you forced a bright smile, trying to hide the turmoil within her.

"Hello, Thomas," you said, your voice steady despite the pounding of your heart. "Is Lord Bridgerton inside?"

Thomas, ever the attentive servant, noticed something amiss in your expression. "I believe Lord Bridgerton is still at the club, Lady Bridgerton," he said gently. "Shall I send up a tray for him?"

You hesitated for a moment, your brow furrowing in confusion.

"Yes," you managed to say, "that would be lovely. Thank you, Thomas." You turned and made your way upstairs to your bed chamber, your steps heavy with unease.

You couldn't help but wonder what Anthony was doing at the club for so long, and why he hadn't come home yet.

The thought of him with another woman, enjoying himself in ways he never seemed to enjoy with you, made your stomach churn.

You busied yourself with straightening the bedclothes and rearranging the pillows, trying to distract yourself from the growing ache in your heart.

But as the minutes ticked by and Anthony still hadn't returned, your anxiety only grew worse.

You couldn't shake the feeling that something was wrong, that perhaps Philipa had been right all along.

Maybe Anthony's past truly was catching up with you, and your marriage wasn't as strong as you had once believed it to be.

Finally, you heard the familiar sound of the front door opening and closing downstairs.

Your heart leaped into your throat as you hurried over to the window, peeking out through the curtains.

There he was, striding up the walkway, his shoulders squared and his head held high. He looked every bit the gentleman you had fallen in love with all those years ago.

But as he ascended the stairs and disappeared from your view.

Your stomach was knotted with fear. You waited until you heard the butler announce his arrival before you made your way down the hallway, trying to compose yourself.

When you finally stepped into the entryway, Anthony turned toward you, a smile playing at the corners of his mouth. "There you are, dearest," he said, his voice warm and affectionate. "I was beginning to wonder where you'd gotten off to."

Your heart sank even further. You forced a smile and walked toward him, trying to ignore the voice in your head that kept saying that this wasn't real, that he wasn't truly happy to see you.

As you moved toward each other, you let yourself be enveloped in his embrace, breathing in his familiar cologne, feeling the strength of his arms around you.

For a moment, you let yourself believe that everything was going to be all right.

"I was just waiting in the parlor, my lady," Thomas interjected, clearing his throat. "Shall I bring up the tray for Lord Bridgerton now?"

"Yes, please," Anthony said, stepping away from you. "That would be lovely, Thomas. Thank you."

He turned back to you, reaching out to take your hand. "Come, my dear. Let's go eat in the privacy of our chamber. I have something I'd like to discuss with you."

Your heart skipped a beat. What could he possibly need to discuss? You forced another smile and allowed him to lead you up the stairs and into your bed chamber, following him like a nervous child as he took a seat at the table.

He poured you each a glass of wine before sitting back in his chair, his gaze fixed on you.

"Y/n," he began, his voice gentle but firm, "I need to talk to you about something."

Your stomach twisted into knots. "Okay," you managed to say, your voice barely audible above the pounding of your heart. "What is it?"

Anthony took a deep breath before continuing. "I love you, y/n. More than anything in this world. You are my wife, my partner, my best friend. But I've been feeling...disconnected from you lately. Like something is missing between us."

He paused, searching your eyes for some sign of understanding. "I want us to be closer. More intimate. I want to feel the way I used to feel when I looked at you, the way I felt when we first met."

Your heart ached as you listened to his words.

A part of you wanted to believe him, to believe that you could find your way back to the love you once shared.

But another part of you couldn't help but wonder if it was all just an act if he was only trying to save face.

You took a sip of your wine, trying to steady your nerves. "I...I want that too," you said, your voice trembling. "I want us to be closer, to feel connected again. But...I don't know how."

Anthony studied your face, his expression softening.

"I think we need to be honest with each other," he said. "To share our fears and our desires. To...explore each other." He took a deep breath, his Adam's apple bobbing in his throat as he swallowed.

"I want to make love to you, y/n. Not just tonight, but every night. I want to show you how much you mean to me, how much I desire you."

Your cheeks flushed at his words, your heart racing. A part of you wanted to believe that he meant it, that he wanted you the way he used to.

But another part of you couldn't help but wonder if it was all just a ploy to ease his conscience, to make himself feel better about whatever it was he had been doing.

You looked up at him, searching his eyes for some sign of truth.

"I'm...I'm not sure," you said finally, your voice barely more than a whisper. "I want to try, Anthony. I want us to try. But I need you to promise me that...that you'll always be honest with me. That you'll never keep anything from me."

He reached across the table, taking your hand in his. "I promise you, my love," he said solemnly.

"I will always be honest with you. And I swear I will never keep anything from you. Not again." His grip on your hand tightened, and you could feel the warmth of his palm through your gloves. "I want this to work between us, y/n. More than anything."

You closed your eyes, trying to decide what to believe. Part of you wanted to believe him, to trust that he could change, that you could find your way back to the love you once shared.

But another part of you was still so insecure, still so hurt by the betrayal. You took a deep breath, steeling yourself for whatever might come.

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defrosted69 · 3 months

Text

A line Hook to you

(Danielle Marsh x Male Reader)

A/N: Its been a long time but here's something to you guys. Enjoy!

Note: 7k words

“The invisible string theory is the idea that the universe itself is stitched together with unseen threads, all of which lead us to our destinies.”

You sighed as you finally clocked out of work with your back aching with a pocking pain. Working on heavy machinery for a good 9 hour shift isn't really ideal for you body who's used to be so athletic and is used in locomotive motion. But time just keeps on going forward, not backward so changes will be applied in life. And before you know it, from writing and sleeping at the back of the class to having to deal in fixing heavy engines and inspecting them everyday to make sure they work properly.

"Why the long face? Come, The old guys are going for a drink tonight. You should come with Y/N"

A pat on the shoulder made you sighed as you heard his voice. Despite this heavy loaded schedule and work you had, there was always a friend that keeps you laughing and knows to make your frown upside down and uplift your spirits.

"Ah I'll pass this one Sunoo. Since tomorrow is Sunday, I'll enjoy my 1 day break"

"Oh Bummer. But I understand since I'll pass with them as well."

"Huh? How come?"

"The last time I joined them, they cause a ruckus in a bar. Remember how our pay got cutted because Boss preety much used our checks to pay up their damage."

You chuckled remembering that fragment of your memory like it was yesterday. It was quite funny because despite how Sunoo claim they are, they were actually great seniors to you. When you were still new to the company, they knew you lacked experience when it comes to the actual field so they were open to teaching you stuff you were confused with. And the funny thing is here is that you were above them when it comes to terms relating to work.

Cause you see, the seniors are all mechanics and car parts specialists but you on the other hand are their supervisor. You graduated in college with a degree in Mechanical Engineering and it wasn't that long when you landed a job in this medium sized delivery company. Of course they were first surprised to see that their supervisor was new and unexperienced but you gained their respect when you had to show them on solving a problem in the Pistons of the engine.

Pistons are one thing to fix but to make adjustments on the fly and make the engine working twice as powerful as before made their jaw at Awe. If most of of them before didn't believe in geniuses, we'll you just debunked their belief.

But since then, you had a good relationship with all of them and you got more wisdom from them since most of them are family oriented now and others have unique experiences that preety much makes you amazed and inspired by them.

"Well where you heading too then Sunoo?"

"Duh I'm gonna watch my Drama. That's the only reason why I have Netflix."

"Right. I completely forgot about that."

Kim Sunoo was your very loyal and emotional friend. Everyone in the company knows he's the golden retriever of the bunch since he's just all smiles especially most of the times. But don't let that distract you that he's one of the best employees the company has. Despite only finishing highschool, he worked hard to understand how the engine works and he had to prove everyone why he's also one of a kind. Despite the two of you being born in the same year, Sunoo has more experience and knowledge when it comes to the company and working experience.

But he is also an open armed person meaning he's not afraid to help you whenever you were need. There was a time your window in the apartment got cracked because of a storm, and you couldn't go to work. Sunoo came after the storm passing with tools for replacing windows and he actually gave you a free window without even costing you any expenses at all. All he wants was to see you at work since it's been a while since he's had someone his age to talk too.

"Well enjoy your stranger things drama or whatever it is. I'll see You at work on Monday man."

"Yeah Man see you in Monday."

He waved you goodbye as he went on the opposite of your direction of where you were going. The night was very chilly and the sky was clear as the day. Looking up, the moon was shining brightly with its stars twinkling next to it creating a perfect harmony in the sky. You were used to walking to your apartment since it's usually just 15 minute walk from home and you could admire the beauty of the building around and scenery.

But something had to ruin the beauty of what your eyes admire as couples walk past you showing their affection to their love one as if the sidewalk was their hallway to act all flirty with each other. You had no objection to people being extra PDA with each other since you'll be getting a good show but it just throw you off.

Perhaps since you've never had a female in your life, you've become the bitter old man who gets angry when youngsters and couples exhibit their love in front of you. It seemed like salt was thrown at you, as the cosmos is continuously reminding you of how lonely you are in this world. So taking deep breath, you decided to take a small detour and feed your stomach a bit after all, you didn't have proper lunch since the company cafeteria is serving nothing but sandwiches and energy drinks. And you were never a fan of energy drink especially after that small incident you had when you drinked an energy drink despite only having 2 hours sleep.

You really though you were gonna die when your heart felt heavy and you started breathing heavily. Luckily for you, that attack only lasted for 5 seconds before everything returned to normal but you were glad it didn't lead to something worse.

So after taking a detour of going to your favorite ramen shop, your stomach grumbled one more time reminding you to eat already or you might faint from starvation. Entering the place, there wasn't much people around since it was night time already which you preferred more than a jam packed day time. So ordering your usual bowl, you took your food to your favorite spot, near the window side on a single chair.

That place has hold a significant place in your heart because ever since Highschool that seat has always been your spot admiring the sunset, the cars, the people but more importantly, it's because that solo space gave you sanctuary to the problems of life.

So anticipating it to be unoccupied, you froze when your eyes saw a woman with a smirk showing how proud she was in her position as she spoke.

"I knew you would be here. The Invisible string really is true!"

You were confused at to what she was saying yet she smiled and stood up and immediately taking over your personal space as she got close to you with her eyes glittering like stars.

"I meant to say is that fate us brought us here together. Because I need your signature right here"

She pointed with her pen a piece of paper in a clipboard which had a few signature of some people as well but, it was smudged and the paper looked like it was dried from air after being soaked in water.

"Is this paper dried up?"

"Ohh eer… Dont mind that. Just sign it please. For my extra credit in college. Pleeese Mr. Pleeeese."

She began begging you like a wild Woman as other people anf some staff look at the two of you weirdly. Thier Stares somewhat made you feel embarrassed of her so without even hesitation, you signed whatever was in that clipboard hoping to end this already. Once you wrote down your signature and name, she smiled brightly and giggled cutely.

"Thank you Mr. I'm sure I'll see you again in the sidewalk. See you next week again. Bye bye Mister~"

She happily waved at you and giggled her way away of the restaurant leaving you perplexed and with so many questions than answers.

"Who the heck is she?"

Danielle extended her arms out and giggled joyfully as the sun caressed her face. She was overjoyed once again since she would finally receive additional credit for her completed assignment. That signature from last night was what she needed the most since she was finally able to obtain 100 signatures on her paper, which wasn't easy given the time constraint their professor had set. 5 days to get 100 signatures isn't as easy as it seems. So she was pleased to receive her final signature from someone she knows well.

After doing her usual morning routines, Danielle smiled happily as she leaves her dorm with a sense of happiness amd joy filling her body right now. The sky was clear and the air was perfect for her for a walk so with that she did. She began walking to her university humming her favorite song along the way. The common sidewalk that she has been walking was so colorful in her eyes right now and everything was so just blooming.

"What a wonderful day to eh mate?"

She asked herself as she giggled to herself. Yet among the busy people walking tbe familiar sidewalk, her eyes were looking for a guy who she was very thankful since the first day of her college days. As she keeps looking for that man, from a far and from someone's perspective, she looked like a mole appearing in and out of the crowd of people trying to look for you.

That's right, there was a reason why she waited for you at that restaurant last night although it was mostly just her guess and it was completely coincidental that the events unfolded that night. Never in a million years would she would have known that the stars aligned just to answer her wish to make her last signature poetic. She betted on herself that someone special will sign the last space on her paper and boy was she right.

At the very last second, just when she just admitted that everything isn't a fairy tale and her stupid brain admitted that ideal scenarios will come to reality was a slap and a wake up call for her. But you pulled at the very last second and helped her once again. Just remembering the first interaction you had with her made her blush and squeal in delight which earned a few confused and weird looks from the people.

"Shit. I'm public I forgot.."

Danielle giggled as she continued her walk to university. Although she didn't see you today, she understands that you would have left your place earlier considering your a working adult and she's just a college student yet, in her eyes and brain, she's as equal to your status in society which further more pushes her agenda that the invisible string theory exist. Because there must be some kind of connection in which you would be a part of her huge life. After all, Your first encounter with her was during her first time being in the city.

Being a college student means that you have to choose a college to go to and unfortunately for her, her desired course was far away from her city and her family. And of course, that sucks and is hard to understand but Danielle knew that this was a huge chapter of her life and as much as she didn't want to get away from the hugs of her parents, she had to let go of the meantime and travel to an another city with no friends, no nothing at her silos disposals.

She was starting at level 0 where everything had reseted for her but that didn't stopped her to be productive and she continued to encourage herself everyday that what she's doing is the best for her family and for herself. Life may be hard but you have to got an iron will to keep up with the waves of life and keep on moving forward with a stronger resolve to finish college.

Now is where her first encounter with you was. She wasn't sure if you had remember it but you were the guy who picked up her wallet when she had dropped it on the sidewalk where you and her were usually walking. Although she was to be blamed of why she had let go of her wallet because, she choose to admire than to keep her valuable in check within her reach. Honestly, the moment she realized her wallet was gone from her elbow immediately made her feel a cold shiver down her neck.

Everything she needs in collage allowances was in that wallet filling with bank cards and IDs for her to use in public to identifying her. But more importantly she didn't want a handful of earing coming from her sister about her losing her Wallet. But as soon as she turned around, you stood there returning her wallet back at her.

There was this weird trait for Danielle in where she remembers the people's face of those who showed her kindness so it wasn't such a suprise why she would remember you but if she recalled your reaction the other night, she knew she fucked up big time and leaving a good impression of her.

"Gaahh! Why did I spew that nonsense infront of him!"

Daneille ruffled her hair in embarrassment and irritation from herself for acting like a complete fool to the person…

She might have caught feelings for.

In Danielle's defense for this such claims is that she is attracted to people who shows her kindness even if it's just a small one. So despite meeting you before, Her total times of meeting you was 3 times in total considering the other night. Since the guys who were nice to her was absolutely no one. She was often mocked for being an aussie or her accent was made off back in middle school. They weren't that rampant back in high school yet as time moves forward, that claims are now reversed.

"Morning Dani. Did we sleep well?"

Lily Morrow asked her friend who wore a bright proud smile as she walks with Danielle to campus. Hearing her voice snapped her in her characther emission fantasy about which you were glad because everyone in school would know how much of an idiot she is sometimes.

"I slept well. I'm sure I'll get my credit today hehe."

Danielle smiled brightly as the two of then catches up their weekend drama as Danielle happily explained to Lily what she felt during that time as Lily was on full mode listening to every details eh spoke out off. But as soon as that was done, Danielle proceed to the teachers office as Lily went to attend her class. Danielle carefully knocked before entering the room where her professor was waiting for her.

"Ah Ms. Marsh. I assume you brought in your task I have given you?"

"Yes sir."

Danielle pulled out her clipboard along with it was the signed paper yet it didn't take 10 seconds, her progress was returned to her. And that slowly made her confidence shatter into millions of pieces.

"I'm sorry Ms. Marsh but I can't accept this paper."

"But sir, I completed the 100 signatures under 5 days."

Her professor sighed as He knew this was the reaction of Danielle once he rejected her paper. It's not that like her report was not significant to her course but what irks him, was how obvious that her paper had gotten wet or soaked to be more exact.

"I know Ms. Marsh but you gotta understand. Your already in your 3rd year and yet you can't understand simple instructions. I had given you a clean paper to work on and you returned it to me like a wet Wipes dried up?"

"But sir-"

"I don't wanna hear it but I'll give you on last chance to get that extra credit you want."

Danielle was now in full effect to listening to her professor because she needs to pass this subject without enrolling it next semester. It would be such a waste of time and year of she didn't take college seriously.

" I'm gonna give you another paper but this time it's only 75 person BUT, I need you to pass this in Wednesday."

Danielle widen her eyes knowing that getting 75 signatures in 3 days isn't gonna be easy since her college schedule for this semester was absolute trash. But if it means to pass this subject she would do it. So Danielle accepted it and he handed her a new copy. She thanked him as once she leaves the room, Danielle let out a frustrated groan from her as her task was easy enough yet hard to execute.

Although she still has 2 days to work on it and she could easily fill in that 75 person mark, the requirement for that is people outside of the campus and not students. She wouldn't break a sweat if it was just students since it would be very easy. But for strangers? It might be very difficult for her considering that she doesn't know strangers at all and sometimes they could have intentions and very bad at one.

"What do I do?"

The sun was slowly shining down as you clocked out earlier today. It was quite a suprise for everyone when the boss announced that today would be an early work off day since he had something to do. It was very odd since Mondays are usually a busy day at the company with a lot of the trucks being used as transport for its services. But if it means more time for you to relax and sleep in your bed.

Yes, the bed is your best place to relax and just forget about the reality of things especially in the adult world. Rest is the most important factor because it's an escape for you from all the troubles of society and life itself.

Upon changing into your casual wear, Sunoo got your attention once again as he smiled at you.

"Whats your plan now? It's still quite early."

"Bed."

"Why? You wanna watch porn or something?"

"Nah I just love sleeping."

Sunoo nodded his head in understanding but you can tell from his body language that he was itching to tell you something so not wanting to make him look like a fool anymore, you decide to break his bubble.

"What? What are you trying to tell me?"

Sunoo chuckled in embarrassment as he got caught by your keen observation but then again, that's what makes you stand out from the rest of the guys working in the company and its the reason why your his supervisor. Your eyes always managed to observe every small detail and remembers them which leads to new adjustment and improvement of the engine. And mind you, it's no ordinary engine, it's a truck engine. Those who big and carry a lot of horse power.

"Well you see. My friend hooked me up and he said we need a third player and I was thinking you-"

"Pass."

"Okay."

Sunoo gave up now. Once you set your decision on one thing it means you wouldn't change your perspective on that decision. And he knows your not into relationship as of the moment as far as he knows. But that thought made him question you.

"Say Y/N, why don't you go on a date now? I mean your finished in college right? You have a good job now so why not right?"

"I don't think I'm ready for it. The responsibility of taking care of someone is a Challange especially since I can't even take care of myself."

Although the real reason why you don't want a girlfriend right now is because you thought you don't deserve to be loved after all, one rejection back in the past really pushed you way back into not stepping into the world of romance. The pain of rejection and seeing that girl choose the wrong girl will never be not funny and painful for you.

"I guess your right. But there's nothing wrong in at least trying something new right?"

"It's not new to me, I already have been in that position before."

"Then why stop at one and live a life of repeating cycle when you can add new things in your cycle of life."

You wanted to speak up but you decided to take in what Sunoo said. There was no hint of any lies in his words as they were all pointing at you about your daily life. Yes it was a repeating cycle of sleep-work-eat-repeat and that's it. Nothing was really getting in between your daily cycle of life which was kinda boring in a sense.

But boring life is what you have been accustomed to and somewhat that's what you like to live in. But is that all there is in your life now since your really crossing the late 20s now. At the age of 25 where many people get married and have a family, your still wondering what your life's purpose is. As you walk the familiar street towards you apartment, the question still lingered on your head.

What do you really wanna do?

A simple question yet it has so many possible wrong answers depending on how you read into it. For you, you definetly have no proper answer at all to that question because you yourself was finding that purpose since College and even now, that you have a proper job, that question still lingering on your mind and time wasn't helping you since people your age have already figured out their path in life. Yet for you, you were still trying to pick up the pieces together and look for that glue that connects everything together yet, you couldn't find it.

Sighing was the only response you could get out of your problem but your bubble of thoughts were popped open when you heard a soft voice of sobbing and sniffing from someone. Of course your not that person to mind someone's business but when your eyes landed on the side and saw a familiar girl with her head down, back reciprocating in a deep breathing motion, and her hands cover her eyes. You just sighed at the scene.

Your legs wanted to keep moving forward and ignore her but the voice of Sunoo once again entered your brain. Will you be stuck to mediocrity forever in your life? Will you never cross that path of change that is really needed in your life right now?

"You alright Miss?"

Taking a huge step forward, you kneel down on her level and what you saw is something you didn't know would happen. Danielle literally looked at you with tears and snott coming out of her nose as if she just had the biggest heartbreak of her life. Her mascara was all smudge down on her eyes and it was preety disastrous seeing her Iike this. But one part of you wanted to laugh at her face right now but you took every ounce of your spiritual being not to laugh at her and try to understand her situation.

"M-Mister? The guy from the ramen restaurant? The one I always see in this sidewalk?"

"Yeah but how come I have many nicknames?"

Danielle sat up as you handed her your handkerchief thinking she would wipe her tears away but no, she used it to blow off the snot she had and that made you froze up. She cleaned her nose and felt her cheeks blushing red mad after realizing what she has done.

"Oh no I didn't mean to make your handkerchief all disgusting. I'll.. Umm.. I'll wash it for you."

Danielle began to panic as she didn't know what she would do since she didn't want to look like a complete fool to you after all. You saw the panic in her eyes which was a little puffy from all her crying. After snapping out of your shocked state, you shook your head.

"No need. It's fine, I mean handkerchief are used for wiping stuff anyway."

"Naur but still. I'll wash it for you. As an Aussie, I promise to make it smelling like a jasmine flower."

"You don't have too."

"Naur I'll-"

GRUMBLE

A large lion roared in her belly and as you look at Danielle's face, the color red slowly took over her face as she looked away covering her face and groaning in embarrassment. There's was no way this day could have gotten worse in Danielle's books but it just got worst. The last on her list is to embarrass herself to someone she looks up and this was a sign that today wasn't her day.

You chuckled at her stomach and your laugher was the hidden laughter that you have been keeping since earlier after seeing her face. Danielle immediately looked back at you with a glare which you immediately stopped your laughing but her glaring and with a few tears was amusing to look at. Maybe a little to adorable in your book.

"Stop laughing!"

"I'm sorry the timing was just to perfect. I'm sorry."

But despite your words, you still couldn't control your laughing and this only made Danielle form more tears in her eyes and seeing her glaring while her lips quivering being mad, embarrassed and sad made you shut up at your action.

"Okay I'll stop. Sorry"

You were genuinely apologizing for your action yet Danielle continued to pout glaring at you trying to intimidate you which is failing exponentially because all this is doing is letting you see an adorable Australian pout cutely at you because she doesn't know how to get mad to people. Knowing that she won't stop pouting and glaring at you, you had to take an action to this one.

"Alright. Let's get something to eat instead so your stomach doesn't roar anymore and perhaps we can talk there about what bothering you. Is that fine with you?"

Danielle didn't reply to you but nodded her head. So taking that as her answer you stood up from the bench with Danielle trailing behind you. Honestly speaking, most people would have just ignored her or to be exact, Danielle should be calling for the police or be at least questioning your true intentions to her but no she didn't. And that though in turns question you why Danielle, trust a stranger like you because as far as you can remember, you don't know her at all except the other night where you first met her, in that restaurant.

But as you were thinking about Danielle, She was silently wiping her makeup and adding new ones. She pulled out her lip tint and applied it on her lips by a small portion. Next she made sure her eyelashes stand out and adding a few blush and powder on her face was the final touch. Using her phone camera as her mirror, she smirked seeing how preety she is as she knows she needs to look preety infront of you right now. Because we don't know when will be the next time you two will meet like this.

Upon arriving at the Restaurant you ordered your favorite meal as you turned back to ask her about her dish.

"So What do you want-"

You got cut off by your own words as Danielle looked nothing like what you saw earlier. Infront of you was a beautiful woman who shined bright as the sun. Her sweet smile was so warm and her headband was the icing on the top as you stood there not knowing what to say next.

"Hmm? I'll have what you have hehe."

She smiled and turned her to the side which really made you stare at her for a good while before the cashier snapped you out of your trance. You order two of what you were having as you paid and choose a seat for the two of you. Unlike before, when you would just sit alone in your favorite place, you have to look for a new place since you have company.

"Let's sit there."

You looked at her a bit shocked because the place she picked for the two of you to sit was where you always sit. Danielle grabbed an extra chair and sat opposite to you smiling happily. It felt weird having to share a seat with someone when you were usually alone in that seat. But nevertheless, you sat down as well on your favorite seat.

"So what made you like a mess earlier?"

You spoke up first trying to break the ice between you two as Danielle spoke up.

"Ugh just my signature getting rejected"

"Huh. Was it that the paper I signed the other night soaked?"

"Hehehe."

Danielle scratched the back of her head guilty of what she did as you sighed and Chuckled a bit. No wonder you found the quality of the paper before weird. It was soaked the dried up quickly.

"So what are you doing now?"

"Well now I have to do another one. But only 75 people signature this time and it's due on Wednesday"

"Oh so your boss needs it?"

"Boss? Naur my professer need it."

"Naur? You australian?"

"Yeet."

You smiled by her energetic response as the two of you shared a laughter together. This was quite a surprise for you because unlike a few of those times when meeting a new person, it was always about business and there was no feeling or sense of friendship that could brew between yet with Danielle, there was no such thing like that. It felt like you have known her since you were in highschool. An old friend kind of vibe.

"Can I see those papers miss…"

"Danielle! Danielle Marsh. 22 years old, college student studying management… And hopefully the one you call baby girl.."

Danielle mumbled the last part and you didn't even get a whip of what she said in the last line because Danielle quickly showed her the papers in which your attention went through.

True to her words, it did need 75 signature from strangers and somehow you felt bad for her knowing she had limited time to do this task. Then a light bulb of an idea popped into your head but will you really take that risk of getting out of your comfort zone to help someone?

Once again, the words of Sunoo echoed in your head making you choose the light bulb of your idea. It will be risky but at this point, you just trusted your guts and went with it.

"I'll help you out. By tomorrow afternoon this should be all signed up."

Danielle gasped covering her mouth with her hands as she couldn't believe your making a move on her. As crazy as it sounds, to Danielle's checklist, this was her first strike that the guy was perfect for her. Of course you didn't know this as you read her expression as shocked but what you didn't know was that she gasped because she thought you were making a move on her by helping her.

"R-Really? You'll help me?"

"Yeah sure since my last signature was wasted. I want it this time to be for good use."

"Oh thank you so much.. Err…"

"Y/N. Just call me Y/N"

"Thank you Y/N."

Out of nowhere, Danielle stood up and hugged you with her face deep in your chest. That action made your heart race so fast as you were sure Danielle could hear it. You were about to push her away when a sudden calmness washed over you when you saw Danielle looking up to you sweetly. It really felt weird seeing someone like her keep you so calm and relaxed without even trying. Add in her cute smile and eyes that see your reflection.

True to your words, you managed to get 75 signature from everyone in the company. You even got your boss to sign because Sunoo told everyone a fake lie. Sunoo must have heard it wrong but in reality, he heard it correctly. You were trying to help Danielle with her signature and he began spreading the word that you helping your secret girlfriend in college and everyone ended up signing it so fast to the point your boss even gave you his blessing.

Of course this made you a little annoyed how they signed it just to show their support for you but that also makes you happy that the people your working with was supportive of you. And perhaps it could also be a sign they want you to have a girlfriend already. So since you already have Danielle's contact on your phone you called her and not even a second in she already answered it in a heartbeat.

You told her that you'll be meeting her in the bench on the familiar sidewalk to which she agreed upon. So as the time to leave for work had arrive, you excused yourself to leave early which your boss was all okay about it. So you left work not even realizing your still wearing your work polo with the logo of your company on it. You sat there waiting for Danielle and it didn't take long before Danielle arrived.

Her bright smile once again shined as you couldn't get enough of her smiling beauty.

"Heyya Y/N, you look like a hard working man hehe~"

You blushed in embarrassment realizing that you were still in your work polo as you chuckled about it. Usually you would just brush off the compliment but when it comes to Danielle, somehow those compliments hit your heart in a bullseye accuracy.

"Oh.. Umm thanks Danielle. Ah right, here's the paper"

You handed her her project and truth be told, you did keep your promise as Danielle look so shocked and happy upon seeing the Paper filled with signatures.

"You really did do it! Thank you so much!!"

Danielle leaped unto you forcing you to catch her in your arms as she hugged you tightly. You were already blushing because this is the second time you hugged her and it felt so right to have her in your arms. She giggled as she buried her face on your chest and you really didn't want to let her go but it would very awkward to just keep on hugging her this long. So as you were letting her go, Danielle felt your arms getting loose so she hugged you tighter hoping you would get the signal that she didn't want you to let her go. She didn't care if she wanted to be clingy, because she IS clingy.

"Who said you can let go? Hmph! Meanie.."

Danielle looked up at you with a pout as you chuckled and sigh as you decided to hug her again. And just like that, Danielle was once again happy.

"I need to repay you somehow Y/N."

"You don't have to Danielle It's fine."

"Naur it's not. You helped me alot. I know, I'll make you lunch from now on and you can't say Naur okay?"

"But-"

She placed a finger on your mouth shutting you up as she giggled and smiled.

"Please? Preety pleaseeee?"

"Well I guess that wouldn't hurt."

"Yeet!"

Danielle giggled as she once again buried her face on your chest and at this point, you were getting accustomed to her Being a clingy girl and a sweet sunshine.

Waking up to get to work again wasn't something new you to yet this time it felt more postive in a sense your actually eager to work today. There was that postive aura around you right now and you couldn't help but smile as you looked at yourself in the mirror looking alright. You checked your watch as you stepped out of the door, only to be greeted by ms. Sunshine.

"Morning Y/N. I made you lunch as I promised hehehe~"

Danielle was holding a packed lunch but what caught your eye was her wearing an apron in her clothes and it looked like she just went to a slug fest with so many stains all over her apron. You felt a huge burning sensation growing up your cheeks as you felt embarrassed and happy by her gesture.

"You didn't have too Danielle. I told you I don't-"

Danielle got up close to you placing a finger up your mouth shutting you up as she giggled and puffed her cheeks.

"I told you didn't I? I promised to make you lunch until then. So just please accept it."

Knowing that she went through hell to make you a lunch box and it shows in her apron and in her hands because there are 4 bandaids in her fingers which she was trying to hide under the lunch box. Seeing her and the fact she mafe effort for you just show how serious she is when it comes to keeping her word so you accepted it. And boy the way your fingers brushed against her, Danielle's cheeks burned red and her heart rushed so fast.

"Thanks Danielle. I'm sure I'll enjoy it."

"Hehehe~ Goodluck at work today."

She waved goodbye at you waved back and walked towards your workplace. As you walk your mind couldn't believe that you actually got a free lunch and you didn't have to suffer from the horrible lunch at work and not to disrespect the lunch lady there, but the food they are serving their are so limited and so small. Yes it's delicious but the portion is so small your stomach would be asking for more. So having a packed lunch from someone isn't just a good reason to avoid the cafeteria at work but it also means that someone cares for you.

And immediately that thought made you smile a little and blush as you couldn't believe your own thoughts.

"Gosh what are you doing to me Danielle."

As you look at the packed lunch you saw a sticky note on the top of the cover that says

"You need a lot of vitamin ME"

Which made you chuckle in amusement by her Witty jokes and it was the perfect quote to start the day ahead of you. And this continued on as Danielle continued to make you lunch every morning with witty jokes which are subtle hints of her feelings for you such as the quotes like:

"I am yours, No refund"

"You must be a camera because you make me smile"

"You know it's hard to find a girl who's so smart, cute, preety and top it all, an aussie. So don't Lose me got it mate?"

And there is one quote which really was your favorite of them all as it says:

"Don't you look away, don't pass me by Anything you want, babe, tell me what do you need"

Danielle knew that sending that quote was risky but she was ready to risk it all for you and when you read that quote your heart raced and a huge blush appear on your face. You usually sit away from the crowd in the cafeteria since you got lunch from Danielle and you didn't want to make any rumors about your life and you didn't want anyone to know about Danielle. Except for one guy.

"Gotcha you bastard. Who packed you lunch huh?"

Sunoo finally caught gist of you as you usually spend lunch with him so when you started to isolate from him, he began to raise an eyebrow and this only made him more believe that your doing something fishy which he believes is related to your relationship status. And he could be right.

"Wh-what are you talking about?"

"Don't lie, you can't cook shit. So who made you lunch? Your girlfriend?"

"I don't have a-"

"Or perhaps your dating someone?"

"I don't-"

"You like her don't you?"

"I…. I….. Yeah.. I think I have fallen for Danielle"

"Wait.. Wait so you DO have someone?!"

Sunoo couldn't believe it. His theory was proven right and your walls just crumbled and it was all Danielle's fault. She broke that protective wall of yours that you kept away from romance yet Danielle, pushed through and got it broken down. Her efforts didn't go in vain because you noticed it upon yourself too.

"So the reason you work so hard and happy was because of her dude?"

"Am I really showing happiness at work?"

"Duh. You have been more brighter for the past few weeks compared to the last few months or even when you started here. You were so non chalant and bland yet now, you seem to be shining brightly."

Danielle's bright personality has finally rubbed into you as you couldn't believe the postive impact she has brought upon you and to others.

"But what if she hates me or-"

"Dude, she made you lunch just once?"

"No she's been making me lunch for the past few weeks."

"Fucking marry her and don't ever let her go dipshit."

Sunoo shook you as he said this and you decided to take his words once again. Danielle has nothing but sweet and a ball of sunshine for you. Your usual cycle of repeating boring process has come to an end with Danielle now in that mix. Everyday seems so enjoyable now and you look forward to it more than before.

But are you really ready to take that risk to love again? Will it finally clicked this time and wouldn't end in vain? This questions has been running rampant on your mind as the day goes by. The moment you clocked out of work, you saw the sunset setting and you took in all what have happened for the past few weeks and there you already found your answer.

Just as the universe seems to be setting you up, you got a messaged from Danielle that says,

"I made you dinner. I made too much earlier Lol"

The perfect scenario was upon you and a sudden hit of nostalgia rushed in your mind making you smile a little but instead of leaving in pain, you were optimistic something good was gonna happen so you rushed out of the company wearing your suit and the winds pass you by.

Danielle on the other hand was patiently waiting infront of your door with a bowl and a sticky note which was her last. Because today she was gonna do it. She had consoled Lily about today and it was the day of confession. Her heart couldn't keep it in anymore as it just screams your name everytime she sees you or everytime she makes you lunch. She needs to let her heart speak now and that last sticky note is the last one that speaks her heart.

But she didn't have to wait long as you walked up the stairs and there she stood and as if she was in a painting, the sunset behind her gave her the perfect complimentary to her beauty as ger white Capri sun dress and twin tails just makes so picture perfect. You Stared at her in Awe for a couple of seconds before walking up to her quite nervous and scared. Scared that history may repeat itself again.

"Hey Danielle. That's a huge pot."

"Oh right sorry I made too much earlier. Hehehe."

Her sweet smile really got you smiling and attracted to her and you wished this girl would be in your arms right now. But how will you pull the trigger on what you wanted to say? Anxiety was slowly beginning to creep up to you and it makes you so-

"Ah, I have one last note for you Y/N."

"Last note?"

Danielle nodded and that made you feel so sad and devastated. It felt like the ride was about to end with her and you would go back to your usual boring repetitive cycle. Danielle turned the cover of the pot with the note that says..

"Baby your my special one, cause you're the one I like"

Danielle stared right straight into your eyes not wanting you break eye contact because tonight was gonna be big for her. Her heart was racing quick and her hands were sweating but she took one deep breath as she let her heart do the talking.

"Y/N. You have been such a great person to me. You have helped me a lot of times now and I really am thankful for that. I thought I was crazy at first but I didn't expect that the person I fell in love with was within my view all this time."

You stayed silent listening to her as your heart was pounding so fast.

"We walk the same sidewalk everyday yet before I wasn't aware of you but ever since I saw you, my eyes was all locked in you. Because in that sea of people, I only have my eyes set on you."

"So before I… Before we have our… Meal.. Which I hope is not the last time we see each other because I don't want to make things awkward.. Umm.. I.. I.. I just wanna say-"

"Yeah I fell for you too Danielle. A lot."

"I love you-Wait what?"

You stunned Danielle so fast her eyes went so wide like the sunset as you chuckled at her reaction. Hearing her words was enough to confirm that your heart and her heart screamed the same song called love.

"My life has always been a repeating a cycle but I thought that was enough for me. Until you came into my life and change that. Everyday I See a reason to keep me smiling and motivated to work because you, you Danielle make my world so bright."

Danielle just stared at you with the most loving look as if she was ready to melt under your touch and you decided to do just that. You cup her cheeks and kissed her forehead and said the words that stopped Danielle.

"I love you Danielle."

As soon as those words was spoken Danielle placed the pot on the floor let and hugged you tightly and began bombarding your cheeks with kisses.

"You don't know how much I was holding myself to not kiss your cheeks. Now I can kiss you as much as I can. Hehe~"

You laughed whole heartedly as you let Danielle kiss your cheeks so much as you really felt the love coming from her. Despite having a painful memory of heartbreak, Danielle was the reminder that change is the only permanent thing in the world. But more importantly, Love wins all.

"You know my co-workers will be shocked that your in college."

"Naur they won't. Besides, My friends will be proud I have such a working adult boyfriend. Who will understand my craziness."

"Oh believe me, I have seen more crazier things Danielle."

"Prove it to me babe. Hehe~"

With a smirk, you carried Danielle, princess style making her blush and laugh as you two entered your apartment but aside from being so happy where the strings between you two has finally connected, the pot of food was left outside.

#kpop fanfic #fluff #newjeans danielle #newjeans #fanfiction

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