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#keep hoping and losing
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movies with yrf after years
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working in the bollywood directorial debut of already established people from the industry
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working with critically acclaimed directors for the first time after previously rejecting offers from them
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Jumpscare Balloon boy returns in FNAF 2 movie..
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ruporas · 14 hours
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your love returns in tragedy (ID in alt)
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violottie · 4 days
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Day 200. This post is for the burnt out activists. There is hope. Don’t let them convince you otherwise. “It starts with Gaza.” from Lets Talk Palestine, 23/Apr/2024:
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isjasz · 5 months
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[Day 148 - Day 4: Poppies and Lilacs]
🪻🥀
@desert-duo-week
Timestamp for reference these flowers plague me till this day (I swear someday I gotta rewatch to follow the journey of these flowers in DL and figure out exactly what the fuck happened to them)
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stil-lindigo · 3 months
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You'r eunder no obligation to reply but I'd like to ask, how do you keep your head up these days considering the genocide? It's been nearly five months now, my entire family is giving up the stirke and falling into propoganda, and every time i think "surely this is the end, no way the us will keep supporting this, israel is on limited time" i keep seeing no end in my twitter feed to the countless losses, i keep seeing gore and childrens butchered on my tiktok. i dont wanna lose hope or faith but ive started feeling so depressed these days that i dont even wanna open my social media because i know what ill see. it might sound selfish but i hope i can open up my tiktok and see silly little people doing trends again instead of seeing one between 6 posts asking to use filters so that they can donate and detailing the necessities that israel banned from palestine and it just feels so soul crushing and hopeless. it makes me feel worse because if im tired of it then how do palestanians cope being in it? if you have any tips or good news id be grateful
hi anon. A lot of what Palestinians report first-hand is graphic, and horrifying, and would contribute to that soul-crushing feeling. But they are so tenacious, they have so much love for their people, their country. Often, Bisan or Motaz or Plestia when she was still in Gaza will share little slices of joy from displaced Palestinians. It reinvigorates me, and I'll often return to watch them when things seem dire.
A baby in Gaza, blessedly unaware of the horrors. Look at that smile!
A Palestinian mother makes donuts for her children, and offers Bisan one as she prepares for an interview. She (the mother) talks about how she makes treats like this to try to cheer up her children, how she keeps herself busy like this so she can't feel the grief of the situation. It is expensive to buy firewood these days, and flour. At her side, her children chip away at a block of wood to help her.
if you'd like to support people like this family, donate to CareforGaza, which directly distributes supplies and money to families in need. They have stopped donations to their Gofundme campaign due to overwhelming support, but you can still donate via the paypal link in their bio.
Young Palestinians parkour in the ruins of Gaza, to show that Israeli bombing will not kill their spirits.
Mo, a Palestinian man, buys cat food after searching for two days straight, and feeds the stray cats in Gaza.
Palestinian children at a refugee camp filming a cute video.
Although they've lost their home, a Palestinian family gather to celebrate their youngest child's birthday, complete with a small cake and a birthday hat.
Bisan makes bread in Khan Younis.
Palestinians celebrate the birthday of an injured girl in hospital, with a small cake. One of them has dressed up as a clown.
After losing 22 members of his family and being injured in a bombardment, a Palestinian man named Mohammed Al Ghandour marries his fiance in a tent.
A Palestinian journalist plays with a baby who survived an airstrike.
@/nisreendiary on TikTok documents the process of making fresh bread in a tent in a calming video.
I got most of these off twitter, from this thread. Twitter is a hellscape at the best of times, but the easy communication it provides is a blessing. I'll try to share more of the good news here, as they pop up. In the future, I recommend you follow Eye on Palestine, or Al Jazeera if you'd like to stay informed on the situation in Gaza with minimal scrolling.
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poorly-drawn-mdzs · 7 months
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Embrace the truth
[First] Prev <–-> Next
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galaxystt · 5 months
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finished double life... so naturally i've started working on an animatic ;v; the lads are tragic and its their fault (and i love it)
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melonnade · 8 months
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bklily · 1 year
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Harveston was a very fun event (that I really wanted to post about before lmao life got in the way)
I never expected this wacky group of individuals to have such a fun dynamic but then again, such is the nature of TWST innit
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mrkgrl · 8 months
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Can I still tag it with TW movie--- or uh... TW movie The Aftermath, maybe. I have so many more of these doodles/comics.
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kr-yoongi · 2 months
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Merlin, from every episode | Season 1 Episode 1 “The Dragon’s Call”
(Timelapse below)
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il-predestinato · 5 months
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lestappen is literally dead stop pretending it's a thing. how does it feel to lose every poll on twitter? 🙄
Oh no, not the Twitter polls. 😭😭
How will I possibly cope -
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Anyway -
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brittlebutch · 6 months
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btw Still thinking about the moment where Tula first realizes she's literally, mechanically unable to keep up with / catch Jaysohn when he bolts and runs his full speed. That revelation that she's not fast enough to stop him, or get alongside him, much less get in front of him to protect him if he needed it. The dread terror of it. :(
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alienssstufff · 9 months
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ANALYSING Q!SLIME'S FINAL BIRTHDAY GIFT [12/08/2023]
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With the addition of the underground railway within the mines of q!Slime's Eggxile base, the choices on the birthday build (from the lead-up, the threshold, to the house itself) adds so much on to q!Slime's character as well as gives hints on the bigger picture of the Federation and the new wave of codes.
Prior to today's Birthday stream, the two significant builds in Eggxile are the Altar to Lil J and the Basement - two builds that represent q!Slime's religious devotion and his familial devotion respectively. I did an analysis comparing the two in another post HERE as a Part 1 - big recommend to read through that one before this one when you can!
This time I'll be going into detail specifically about the underground railway and how it represents q!Slime's 'devotion' to the island itself and the Federation.
long rambling ahead be careful [EXPLANATION UNDERCUT]
PREVIOUS KNOWLEDGE: Quick SparkNotes summary about Slime's way of building:
Slime's builds are simplistic, symmetrical layouts (preferably circular)
Comprised of mostly local, easy to obtain/manufacture materials
A lot of flora interior
NO security, little-to-no input from the Create-mod
These characteristics were derived from the similarities between Slime's existing builds of the Altar and the Basement. The uncanniness of the Birthday Build is that it is an extension NOT built by Slime, but instead is the Federation's attempt to imitate his style and forcibly insert itself into his life.
We can presume that this is the Federation's doing and by extension JuanaFlippa's current identity by the context clues during the scavenger hunt. The main giveaway being the location of the START placed at the QSMP Dinner Hall: the first sightings of the Egg Codes and the location of Gegg's assassination. The detail of the FIRST CLUE as well being Slime's train ticket to the island supports this theory in assumption that it was the Federation that both brought the original 17 residence to the island and is currently withholding the tickets themselves.
The scavenger hunt goes as planned, all in all directing Slime back to his Eggxile base. (Note the poster being placed IN FRONT of the school's only exit)
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THRESHOLD BETWEEN THIS WORLD AND THE NEXT: Not much of Slime's actual base is touched in the scavenger hunt other than the nook in the Basement Slime had originally designed to be JuanaFlippa's area. Here it is decorated with the carpet, two chairs, and two presents. Everything before that (lamps including) was made by Slime.
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After Slime collects what he believes is the last of the presents the lamps in the Basement are progressively removed directing him to the only other light in room being the black wool platform and chest. These lamps were destroyed NOT turned off. The contents of the chest read as follows:
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Hostile architecture is defined as a design strategy to purposefully guide or restrict movement (targeting mostly the homeless. it sucks). And by limiting Slime's vision here is the first of many examples of the Federation restricting Slime's movement as the path progressively becomes more and more forced.
From here to the mine entrance Slime is still given a physical choice whether or not to follow the light. This is the Federation's way in giving Slime the illusion of free choice. 'You chose to follow the light' 'You chose to break that wall in the mines' 'You chose to activate the train carriage'
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The train carriage and its small, difficult to move around, interior being the last direct choice Slime makes. It locks him inside and sends him on a trip that goes no where but down, deeper into the mines.
It's worth noting that originally these mines originally belong to Slime. He made this entrance and he was able to freely explore any part of these caves. What the train carriage does is give Slime a strict path to follow and a very limited window to look through - no straying from the path here. Look only where the Federation tells you to.
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Given the connection between codes and trains, symbolically this can also represent Slime's gradual spiral (the shape of the tracks) into hell - the madness that is the island led on by the Federation.
JUANAFLIPPA'S HOUSE: The road ends at a small house at the very bottom of the lush caves. It's a nice house! Supposedly trying to replicate the arched partition walls in the Basement... But not quite perfectly imitating his style of build. The giveaways being its asymmetry and the choice of materials: a variety of different wood types, most NOT local to Eggxile (also the fake house just looks prettier wwww)
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Here's the two houses for comparison (Slime's house is an 8x8 block square)
Stylistically, the vibe of this house given the location and purpose remind me of that one Cold War bunker in Las Vegas. An underground mansion designed to look like the outside world - a secluded, controlled paradise for a family to live in.
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The confirmation that the underground house being a facade becomes clearer the deeper Slime explores the inside.
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Normal interior. Normal kitchen. Normal table: 4 chairs (like the outside bonfire), 3 mugs (Slime, Mariana, Juanaflippa). Shelves like Slime's old house in Sacapuntas. A passageway in the wall leading to Juanaflippa's room.
All these things portraying the life Slimeriana and Juanaflippa could have lived. A happy family tucked under from all the dangers of the outside, far far away from the world. Until you look deeper into the cracks only to find out it was all fake, there is nothing back there. A mockery in disguise of a gift.
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THE FEDERATION AND SLIME: Prior to the birthday stream with the assassination of Gegg, Slime had initially come to terms that Juanaflippa was well and truly dead and had told ElQuackity (a member of the Federation) that he no longer had any attachments to the island, and because of that would try to be himself. The Federation responded to this twice: the first being ElQuackity offering a position to work with them and ElQuackity win the Elections (this fails as ElQuackity is assassinated by q!BBH); the second being this birthday stream.
So far the Federation has not destroyed anything Slime has built but instead added on top of it. These decisions both give Slime a reason to stay on the island whilst pushing him to do things aligned with the Federation's goals shown by the gifts he gets in the scavenger hunt (Ghillie suit, landmines, grappling hook, dark metal ingots).
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Interestingly the 2nd prize during the scavenger hunt is quite literally called the CHARLIE Flag and is the nautical symbol for YES. While the purpose of this flag is for whatever mission the Federation is about to send Slime on, this is also metaphorical as the only response Slime can give right now is YES.
Additionally the flag metaphor could be applied on the controls at the beginning of the tracks: Red flag both socially and in Nautical terms (BRAVO) meaning danger/carrying dangerous cargo.
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These are literal red flags in the world in the architecture that are warnings to Slime that once he 'agrees' to these terms and conditions, life for him will only get more dangerous with no way in turning back. Deliberate decisions made by the Federation in guise of Slime's actions and the places he's impacted in the world.
In the end, Slime is a product of the early QSMP and how its history shapes a person and is represented physically by the builds he makes. By the interference of the new tech and prettier structures, the Federation overwrites Slime's creations against his will, creating a world unfamiliar to him - blending what is the truth of the past with the new, augmented present. In another context, change like this can be a good thing - but in this circumstance presents itself as an invasive decision into Slime's private life. This is the Federation forcibly applying itself as one of Slime's priorities in sacrifice of rewriting everything Slime has gone through.
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valentjin · 3 months
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i regret (?) to inform you that. yurgir. is massively caked
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