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#its very tired okay
silverskye13 · 1 year
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Hello it's me, back to rant about books I'm reading in the tags because it's a relatively unpleasant rant
#spazzcat barks#rant#delete later#book rant#im leading strong so ill just get the thought out of the way#🎵if youre writing a new female lead and think she needs assaulted for a plot point think again🎵#reading a new book series and for the most part im really liking it#but its just [sigh] its a pet peeve okay#it happens /so much/ in fantasy and probably other books as well but i see it a lot in fantasy#where you switch to a new lead who is female vs your previous male lead and suddenly s.assault has become a plot point#i understand its a thing that happens in the world i do understand that thats not my problem#my problem is its very obviously author bias#theres this Idea in media that if you want to show something Truly Terrible happening to a male lead its generally like... personal#but if you do the same with a female lead its s.assault#and especially if its written by a man who is trying to make a Strong Female Character said assault will be followed by a monologue#about how the woman is no stranger to the attentions/affections of men but this was Different and Scary and shes Never Been This Scared#its very tired okay#Strong Female Leads can have the same personal/existential fears as men#if s.assault against women specifically isnt a Major Plot Point that gets dealt with alongside your book's themes -- DONT PUT IT IN#no one wants to read about your Badass Swordswoman who is Just Like The Guys except she gets assaulted and they get to white knight#it feels very hypocritical#youre telling me this female character has equal character status to the men but her major fear is sex#while theirs is losing everyone they love or being a failure or a coward or whatever?#does that feel like theyre being treated the same?#it is was my same beef with The Deed of Paxinarian#youre telling me the main female lead gets assaulted as a major point of her every formative experience#meanwhile the male leads deal with like. the consequences of well intentioned follies and family deaths?#it reveals author bias on what The Worst Thing That Can Happen To Certain Gendered Characters are#the only book i will ever give a pass on this is The Blacktongue Thief -- because it happens to the male lead as well#showing the bias is not 'this is the worst that can happen to women' but instead 'this is a heinous act against everyone'
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ruporas · 1 year
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can’t talk about it
[ID: Black and white comic of Vash and Wolfwood from Trigun Maximum. The comic starts with the sounds "thud, thud, click". Vash, mid-action of peeling an apple, turns to the sound, noticing who it was that entered, and says, "Oh, Wolfwood, you're back." He resumes back to his apple in the next panel as he speaks, "Where'd you go? You snuck out of bed quickly this morning..." Wolfwood's hand then enters the panel, hovering over Vash's cheek and Vash looks up as Wolfwood asks, "Can I?" Vash responds, "Not going to talk about it?" while using a hand to gently hold Wolfwood's hovering hand and presses a kiss to his inner palm.
Vash then gets up fully, setting down the knife down on the table and the apple onto a plate, He leans into Wolfwood as Wolfwood explains, "Had to meet someone. Nothing interesting to talk about." Vash kisses Wolfwood's left cheek and a hand moves to cup his other cheek while muttering, "You're being vague." Wolfwood says neutrally, "If yer really that curious, keep askin'. We  can talk about that instead of doing this." Vash leans back and responds, "Let's talk after, since... You look so tired."
The panel pans to a close up of Wolfwood's downcast eyes, bags heavy underneath his eyes. He doesn't allow Vash to sit in that moment for long though, then saying, "Yer not helping, Spikey. Being all slow with it... I could fall asleep right now." He moves his hand to start unclasping Vash's coat, starting from his collar. Vash with red cheeks, responds briskly, "Oh, shut up. I'm worried about you. I can't be worried?"
The final shot shows Wolfwood's back to the viewer while Vash's softened expression can be seen as he holds gently onto the side of Wolfwood's face and a hand firm on his waist. Wolfwood responds, "I'm fine, seriously," pausing for a moment before continuing, "Is it okay to still..?" Vash responds, "Yeah, it's okay."
The next image is a shot from later that night after the previous comic. Vash and Wolfwood are now in bed, half naked. Wolfwood's buries his face into Vash's chest, his arms wrapped around him, while Vash is petting at his hair. Vash reminds him, "Hey. You said we'd talk about it." Wolfwood pauses for a moment before piping up, "In the morning? I'm sleepy." Vash says, "Okay..."
The next two pages start from the morning after. Wolfwood is already fully awake, pulling on his outer jacket as he says to Vash, whos' still bundled in his blankets, "Breakfast is on the table. Make sure to eat it. I'm going to grab some things in town and then we're leavin'. Got it?" Vash says, "Mh." Wolfwood responds, "Good. See ya in a bit." The dialogue starts to shift into Vash's inner thoughts now, as he gets up and eats toast, thinking, "Wait. Weren't we supposed to... talk about it?" The next shot then shows him fully up, meeting Wolfwood in town. He carries a half worried expression with him while Wolfwood slides on his glasses for him. A quick panel shows Wolfwood's tired expression from the night before and quickly juxtaposes with Wolfwood in front of him who's smiling gently, the shades covering his eye bags. Wolfwood asks him, "Still not awake yet?" Vash pauses, his thoughts stirring, thinking, "Oh. I guess I was getting ahead of myself... thinking you owe me that kind of honesty." He smiles at Wolfwood and responds, "I'm awake!" His thoughts continue, "Maybe one day, you'd trust me enough to share your burdens."
The final image shows Wolfwood pulling at Vash's cheek and Vash complains, "Owwwww why..." Wolfwood quickly says, "You were thinking something stupid, right? It's all over yer face." Vash mutters, "Nooo, I wasn't..." END ID]
#vashwood#trigun#trigun maximum#vash the stampede#nicholas d wolfwood#Theyre both thoroughly exhausted tired individuals -- vash having to fight this lonely battle for over a hundred years and getting dragged#back into inevitable situation with knives after a 2 years hiatus of being a gunslinger. they both need so much Rest and comfort in this#department... .SIGHS. BUT I JUST THINK ABOUT WOLFWOOD . AND HOW... LITTLE He has existed on no man's land. how majority of his years being#alive is being used as a weapon and to kill when him at his very core is the most giving and selfless individual ever#badlands rumble inspired me a bit but i do think wolfwood gets dragged into occasional tasks from the eye of michael while on his duty of#guiding vash -- or i think that one chapter where we got to see other members of eom -- there's like a clear division within the eom too#i think.... so i figured similarly to vash but not to the same amount -- there are people that look for wolfwood too. but most of the time#it's probably wolfwood that has to look for someone else and take them out. i feel like it happens ever so occasionally.#evidentially these two don't talk enough canonically but they always know how to express things properly to affirm that they're okay#they have the worst time ever sharing burdens - can't willingly burden the other and has neeever asked for help or reprieve in their#desperate situations... vw is a huge case of right person wrong time syndrome so they just. in the time they get to spend together -- even#if romantically - they don't have enough time to heal to get over that kind of hurdle. They've just never asked for help in all the years#they've been alive -- they don't even know how to and its just aughhhsgskg#and well! they don't even need to ask! because they'll be there for each other anyway at the end of the day -- company and presence alone.#ruporas art
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obsob · 1 year
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big man...why is he so big...(hes full of love)
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starry-bi-sky · 4 months
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Clone^2 Damian
If you really think about, Damian's situation in the clone^2 au is... kinda tragic? Especially in the early months of his arrival. Like,,, think about it. Damian has always known he was a clone of Damian Wayne, that he was a copy of the blood son. There was nothing 'original' about him, not even his name (of which at least Danny has that). He was just... a replacement. A disposable one, to boot.
And he knew that, to an extent, by the time he was six years old. he might not have been actively acknowledging it -- he's six years old -- but deep down he knew. And like, he's six years old. Every small child craves the love and affection of an adult, especially their parents, and even though he knew he was clone, I imagine he still considered - and still does consider, somewhat - Talia and Bruce as his mother and father. And I really doubt he was... getting it?
Now, I know Talia loves Damian, her son. At least in some interpretations she does, and in this au she does. But... a clone of her son? I'm not so certain if she would have the same affection for baby Dames as she would for Damian. I don't think she would treat him badly, but I don't think Talia would treat him warmly either. Kinda just, distant. Colder than she would have been with OG Damian.
And, I know I've mentioned Damian's arrival from Danny's point of view, and its kind of comical kind of insane from his perspective -- a little boy clone of Damian Wayne falls through a portal and immediately attacks him. That sounds like a bad joke.
But, if you think of this from Damian's point of view? It's like he just got dropped into a scary movie. Like, think about it. You're six years old, and suddenly a portal, as green and as swirling as your grandfather's pools, opens up beneath your feet and sucks you through.
After an intense bout of vertigo, you end up in a massive, urban city -- completely different from the rural mountain palace that you lived in for the last six years of your life, and in this city, you don't know any of the language. You don't know what anyone is saying, you can't read any of the signs - you are completely stranded, away from home.
And then, to make things worse, you're facing a figure with a terrifying mask and eyes as burning green as the portal you fell through. Of course Damian's first instinct, six years old, is to attack. He's terrified.
And this figure, he's not a good fighter, but he's fast, and he dodges you quickly. He grabs your sword with his hands, and tries to restrain you, saying something in a language you don't know. Naturally, Damian is just scared. He's six! He'd just be learning how to read if he was normal child going to school.
This figure halfway through the fight yanks off his mask -- he realizes you're scared -- and looking at you now, is a youthful version of your father. This is a clone of your dad, someone you have never met but, six years old, still wants to. Damian gets defensive. This is an imposter.
But this imposter eventually gets you home with him - and he's using his little box, his phone, to communicate with you through a mechanical voice speaking in arabic. and it's frustrating. The boy, the imposter, can say whatever to you just fine, but trying to talk back is a hassle and a half. He's six, he doesn't have that much patience.
He wants to go home.
And so he keeps trying to run away. He keeps trying to find out of this hellish concrete jungle, and he keeps getting lost. It's loud, and busy, and there are people talking to you and you don't understand them, and there are rules and signs you don't understand - Damian tries to cross the street and nearly gets hit by a car. He doesn't know how the road signs work, he was never taught. They didn't get to that.
And he gets lost. And it gets dark, and Damian is brave, but he is six, and this is the worst stress he's been under in all his six years of life. He wants, desperately more than anything, to go home. Why wouldn't he? The only stable... semi-stable environment he was in just got ripped out from under his feet, literally! He wants his mother.
And it's not happening.
But there's something good to be said, at least. The imposter that looks like his father always comes and finds him, no matter what. He could have left that morning, and he will find Damian at midnight, frazzled and worried, and carrying an extra jacket with him because it is cold in Amity Park and Damian is six years old.
And sometimes Damian attacks him - he's scared and stressed and he doesn't want to be here. And every time he catches the sword. Even though Damian can see it cut into his hand and pearls of blood well up and stains his fingers. Even though Damian can see him wince in pain and bite his lip, he still catches it.
But with that little box, he coaxes Damian to come back with him. It's cold, it's dark, Amity Park is unsafe at night. They can figure something out tomorrow, please. And every time, he agrees, reluctantly. And the imposter takes the extra jacket he brought with -- a flannel, a hoodie, a jacket -- and he wraps it around him. It's warm, Damian's clothes are not that thick, and even though he thinks he might hate this imposter, he still sticks close to his legs as he leads him down the street.
And sometimes the imposter carries him, because Damian's shoes are not that thick, and he cuts his foot on broken glass while they're walking home. The imposter sits in the bathroom with him and carefully cleans the cut out, and makes sure it doesn't get infected.
There's hope you know, he still has it. His mother will be looking for him. She'll be worried. He's important to them. Damian may not be the original, but he is still a blood son. He is still her son. She will come find him. This nightmare will end soon. He can go home.
And then weeks pass, and nothing. Then months, and nothing. His family is not coming for him, and it hurts. Hurts more than anything. And yet while that happens, the boy he's attacked, and hurt, teaches himself arabic in order to speak to him. He takes Damian out of the house one afternoon and buys him new clothes, or tries to. And then he keeps buying him new clothes. He gives him blankets and gives up his bed to him until they can get him one himself, and steadily he teaches Damian english.
This boy is kind. Kinder than Damian's ever experienced, and he doesn't know what to do with it. He's devastated by the fact that he is not as important to his family as his family is to him. What do you do when you're six years old and you learn something like that? When a random stranger who looks like your father is kinder to you, and cares more about you than your family did?
And then Damian tells him he's a clone. He's Damian Wayne's clone, and he tells him his purpose - that their grandfather made him to kill him. And the boy, the imposter, Damian thinks he probably already knows that he's a clone. But he doesn't say that. He just nods, and asks him if he wants to tell his original about him.
Damian says no. He doesn't want to. He's tired of living in the shadow of his original. He wants to keep this to himself. This is his. For once, all of this is his.
And to his surprise, the imposter doesn't try and convince him otherwise. He just nods, and says okay. And when Damian asks why, the imposter - his brother - looks at him and says.
"I don't care about Damian Wayne. I care about you." And in Damian's gobsmacked silence, his brother continues. He tells him that if Damian doesn't want to tell his original that he exists, then they don't need to. They don't need to worry about the LoA going after him, because clearly if his 'grandfather' needs to make a clone of Damian in order to take him out, then whatever it was that Damian Wayne was doing to keep himself safe, was working.
"Wayne already has people in his corner, he's got Gotham's army of vigilantes to keep himself safe." his brother says with his eyes as blue as moonlight. "You, however. Do not." And he continues, and says that if Damian Wayne has the same training as Damian does, then he will be fine. He doesn't need to be aware of his clone. Because if DW doesn't know about Damian, then the LoA doesn't either.
And here's the thing. Damian would not have survived in the LoA for long. Not as a clone. No matter what, he was going to die no matter what he did, and sooner rather than later. The sword of Damocles was always hanging above his head in the League of Assassins.
That portal, and meeting Danny, saved his life. There's no way around it. And to an extent Damian knows this even at six years old. He may not be aware that he would've died, but he knows that meeting Danny was the best thing to happen to him.
It's no wonder after that, that Damian is as clingy to Danny as he is. Danny is the first person he's met to offer him unconditional love, with no strings attached, only pure affection.
#dpxdc#dp x dc#dp x dc crossover#dpdc#dpxdc crossover#clone^2#like god can you imagine how scared he must've been? how afraid? he just wants his mom - only to realize he doesnt even matter to her#dpxdc au#danny fenton is not the ghost king#this poor kid man. no wonder he latched onto danny the moment he gave up on the league like a leech. he's a six year old kid man and#it doesnt matter how smart he is or how mature he acts. he still is six years old. he still needs that validation and affection from adults#or from people older than him. and his emotional needs were just not being met in the league.#cue the song “two” from sleeping at last - some of their songs are very clone^2 honestly.#'sweetheart you look a little tired. when did you last eat? come in and make yourself right at home. stay as long as you need.'#'tell me is something wrong? if something's wrong you can count on me'#'its okay if you can't find the words. let me take your coat and this weight off of your shoulders'#'like a force to be reckoned with. am i the ocean or a gentle kiss. i will love you with every single thing i have'#'like a tidal wave i'll make a mess. or calm waters if that serves you best'#'i will love you without any strings attached'#like just. just *imagine* being in damian's shoes during all of this. he's *six* you guys. i've worked with six year olds and they're#pretty independent but they're still six. they get excited when they see their parents and they get upset when an adult is angry with them.#they're still developing their motor skills. they're still developing everything else!
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broke: eddie munson has handcuffs in his room cause he likes kinky sex 
woke: eddie munson has handcuffs in his room because he was once arrested by officer Callahan for possession of marijuana at a halloween party they busted his junior year, but as soon as Callahan sat him on the pavement and turned around, Eddie jumped up and hauled ass into the forest until he reached the trailer park. His uncle had to pick the lock to get them off his dumbass nephew (making eddie swear to 1. never ask how his uncle knew how to pick locks and 2. never get fucking arrested again) Eddie kept the handcuff’s as a memoir of the night he outran the Hawkins Police Department. 
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muppetbyers · 2 years
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it just feels like the duffers think that the height of non-conformity is being a nerd
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when you try to stargaze but all you have is ceiling set lights. and they're not even on. smh
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3-aem · 5 days
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MY BRAINS NOT WORKING AND THE CUTE BOY I WORK WITH KEEPS CORRECTING MY GRAMMAR THIS IS SO AHAIWIAKSDHDGRRRRHRNE
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tiny-merkitty · 2 months
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am i the only one that feels like those posts listing off what's valid as an age regressor is like... odd.
"you're valid if you're poc!" yes. obviously. "you're valid if you cry when regressed!" yes. obviously. "you're valid if you do things most bio kids can't!" yes. obviously.
i dont know it just feels sort of counterproductive? like yes, of course you're allowed to have bad times while regressed or feel angry or sad. it's a coping mechanism and often a result of mental illness. of course you're allowed to??? be a person of color??? and disabled??? and a boy or trans or whatever??? i know they're in good faith usually but it feels sort of strange sometimes and i feel like every other post i see is someone asking things like "am i still an age regressor if i want to scream and cry? how can i fix this problem? should i want to have a cg?" :/
nothing is wrong with you. regression looks different on everyone and ultimately you should do what feels comfortable for you. not doing the things cookie cutter redditors or agere instagram accounts do does not make you evil.
age regression resources and blogs can help you to get a guideline and learn things, but you do not need follow everything to-a-t to be "good at it". like whatever food you want, like whatever colors you want, feel nostalgic about whatever you want. if sitting in bed with a water bottle and a show you like is what regression is for you, that's fine. it's for you and should be tailored as such.
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robinfollies · 5 months
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belle i doodled last night! 🧡 love her sm
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crowned-ladybug · 1 year
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I wanted to draw my own take on ART-as-a-presence-in-the-feed but struggled with what path to take for A While bc all I had was that I was adamant about a winding, serpentine body, too large to take in at once and So Good at piling upon your shoulders with weight that's either overwhelming or comforting, take your pick
And then I brought in the hexagons and everything just worked
(They let me give it a face without an actual face, make for a good shorthand to show that it's talking/present in potential future art, and as a bonus serve as an homage to JWST bc hey, science!)
Partially brought to you by a whole lot of listening to Satellite by Starset
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TW: panic attack, non-graphic self harm, reckless behaviour, fear of drowning
This is like... a bit 5K of Pac and Philza actually bonding for once...
Fear claws into Pac's heart just as easily as his fingernails dig into his palms. There's nothing wrong, objectively there's nothing wrong, but he's been alone all day. It's not at all like working with Mike; he's been trying to decorate the Favela, but his breath keeps catching and his thoughts keep stopping.
He can hear the fountain beneath the warpstone, and he wants it to /stop/.
He knows anxiety now, he knows it, he knows this is what it is, and when Fit found the blood in Chume Labs and the empty graves he made him promise to call him if it happened again. It's happening now, Pac can feel it building, but there's nobody awake. He checks it again, and still it's only him.
So he does the thing he does next best. He holds his breath and he thinks of nothing and he builds. More trees, more ponds, more fountains - anything and everything he can think of. Give the Redeemer a sombrero, then think better of it half way through and take it down. Start returfing the football field, only to decide to put it back because making the goals muddy is just ugly. Hang up more banners, pull them down, add a bit to the fences, swap them for iron, then concrete.
Breathe in, breathe out, there's nothing wrong it's just anxiety.
(But it is wrong, everything is wrong, the back of his brain where Mike sits is empty, not just asleep but empty, torn away and - )
Mike's in the Order hospital, Pac reminds himself, and begins to walk that way.
( - and there are eyes at his back, ready to take him again and - )
Pac forgets to breathe. He drops to his knees in the middle of the street, and scrabbled his hands in the dirt.
Pac checks the communicator again. There's a few more people awake, but... No Fit, no Tubbo, no Mike, no Bagi or Forever... Of the handful of people, the one he knows best if Philza - and while he's happily looked after the man's children, and he's been quite happy to chat or fight together in the past... Philza Minecraft is a legend, and he's never really spoken much without Fit there as a buffer.
But the other option is staying here alone, and he promised Fit that if he started feeling like this again he'd ask someone for company.
He takes a deep breath, and sends a message.
You whisper to Ph1LzA: Can I visit?
As soon as he hits send, Pac slams it shut. He pushes it against his head, shuddering while curled up in a ball. He clings to the communicator, his link to the outside, so hard it leaves indents in his skin.
"It's okay," he whispers to himself. "It's okay, you're okay, there's nobody here to watch you."
It doesn't help; he tries it anyway.
The seconds drag on into minutes, and Pac's fears overwhelm even his attempts to comfort himself.
"You're okay, you're okay, you're safe," he promises himself, even as he claws at his knees, at his face, at his hair and at the floor - anything he can reach to force himself to remember his place.
He hums songs he loves, shuts his eyes and tries to dance along.
He slams hands over his mouth and freezes when he tries.
Too loud, too loud, they'll find you - quiet, quiet, quiet as a mouse and quieter still. Hide amongst the rats, and hope nobody spots you curled up there...
The communicator pings.
In a scramble Pac pulls the lid open, shaking fingers quickly clicking him through to the correct screen.
Ph1LzA whispers to you: sorry m8, missed the message
Ph1LzA whispers to you: still need something or you get it sorted?
What does Pac say? The loneliness is getting to him and the walls are caving in and he can feel something watching from inside his spine? That Mike is gone and he's remembering a /before/ he wants to forget, He can't say that, he really can't.
But what sounds like a normal response which might get him a conversation...
With shaking hands he types whatever comes to mind.
You whisper to Ph1LzA: I am just missing Fit
... Not that. That absolutely does not sound like a request for company.
This time Philza's reply does not take nearly as long, though still longer than anyone else Pac ever messages.
Ph1LzA whispers to you: yeah?
Ph1LzA whispers to you: you want some company? I can put down a sharestone
Pac's heart settles back into place - maybe slightly too high still, but far closer. He didn't mess it up too badly - maybe English is just like that - he didn't even have to ask again.
You whisper to Ph1LzA: please.
It's another minute or two for Pac's anxiety to build and him to cling to the communicator before he recieves a reply.
Ph1LzA whispers to you: red sharestone, name should be obvious
You whisper to Ph1LzA: obrigado
Ph1LzA whispers to you: you're good
There's definitely some emotion to reading those words; Pac pushes it aside, and grabs his warpstone. Moving to the main warpstone for the warehouse seems like too much, so he simply sends himself to spawn.
Only there does he pick himself up, activating the red sharestone. It takes a few scrolls to find the new option, but once he does it earns a small laugh. He selects it, and lets his body be pulled through space.
Where he arrives is cold, deep snow all around, and an icy ocean before him. Pac tugs his sleeves down over his hands, and looks around.
Whereever Philza is, he isn't immediately obvious.
"Philza?" he calls. "Felipe?"
There's a splash as Philza trident-jumps out of the ocean, his paraglider flipping open at the zenith and allowing him to drift safely down to the ice. Pac watches him drift down, the water dripping off him freezing as it falls.
"Hey," Philza calls, once back in voice range, arm moving as though to wave before suddenly remembering he needs to hold the paraglider. "Sorry about that; spotted another jelly and had to get it before it ran off."
Pac waves him off, "it's okay, it's okay, do you need any help?"
Philza squints at Pac a moment, and Pac squirms beneath it. After a moment, though, he just shrugs, "just hunting for rainbow jelly."
"Rainbow jelly?"
"Like the French use to make themselves all rainbow," Philza grins a bit. "You can use it to make glass like that, too. Chayanne wanted some, so..."
Pac thinks of the children, hurting and asleep and under the Federation's "care", the only guarantees of their safety the ability to visit, and the knowledge the Federation knows what is coming if harm comes for their children.
"For Chayanne?" He asks. "I'll help."
"Feel free to hang onto it - if you don't use it, he'll appreciate the gift when he wakes up."
When, not if, even if Pac can see Philza hesitates too.
With that confidence and the thought of their children, Pac doesn't even consider before throwing himself into the water. Behind him he hears the somewhat distorted sound of Philza laughing, and the man throwing himself in after.
Pac spots a couple of the comb jellies, and kicks off towards them. Philza seems to see another group, as he takes another route.
Hunting animals for their innards is one of the few times that sweeping edge is worth it on this island, and so Pac takes out his sword. It only takes a hit to take out the jellies, small as they are, and then Pac just has to scoop up their remains. From there he spots another - deeper - and swims after it. And another, and another - Pac loses himself to the chore, simply collecting jelly for the happiness of a child.
He thinks he's finally calmed down, when he spots another in a cave. Pac doesn't even think about it as he dives in after - but very quickly, it gets very dark.
Too dark.
He tries to ignore it, to push through and find the jelly even as memories start to loom and the dark closes in.
Breathe in, breathe out, remind yourself your helmet is in place and with that much Aqua Affinity you're fine.
It's not the underwater prison again, it's not, it's not.
Just find the jelly and get out...
On instinct he reaches out for Mike, and finds nothing.
Nothing.
Mike? What happened to Mike?
The most frustrating thing is always that he knows, he remembers, but in the dark and the wet and the unnatural silence it doesn't matter. His breathing picks up, and he twists and he turns, looking - screaming - for Mike.
Rationally, he knows he's lightheaded because hes hyperventilating. But in his heart, in his fear, it doesn't matter, it doesn't matter, it doesn't change anything because he's alone in the wet and the dark and he /can't do this anyone/.
He wants Mike, he wants Mike, he wants Fit and he wants Mike.
Where is Mike, why can't he reach him, where is he where is he why can't he feel him in his mind?!
He's screaming for them, he thinks, even as tears stream down his face and he twists in the water. By now he's helplessly lost, not even able to find the exit he cane in by. Whatever light there was is gone, and he doesn't even quite remember why he's here.
He twists and he fights, trying to fend off hands that aren't there - only to get his leg twisted up in the seaweed and somehow everything is even worse and worse and worse. He tugs and tugs, but the seaweed grasps tighter - he sees dark prison walls overlaying dark, broken caves, and he sobs as he realises he is going to die here.
He screams again and wonders how he still has air; something responds this time, and he begs it for bitter, screaming help.
A small light he cannot focus on, and hands find their way to his leg. In a panic he twists, kicks, fights - nothing, nothing, nothing can touch him - it's worse than the seaweed, to be grabbed by a hand.
"Shit, Pac," a familiar voice calls, an odd quality to it. "Fuck, I'm just cutting you out, Jesus mate no need to break my nose."
The words don't make sense, not entirely, but seconds later Pac finds his leg free - still entangled, but the seaweed cut from the floor, and he does his best to swim away.
Right from the seaweed and slamming into the cave wall.
Hands grab him again, and say something, and he fights them all the same. Seconds later he's being dragged and pulled and - oh, god, this is how he's going to die.
He goes to fight before remembering, actually, dieing might not be so bad actually... At worst he'll respawns, at best he'll be with Mike again.
It's just as that thought crosses his mind that his head breaks the surface of the ocean. Pac gasps for air and, by the time he's processed that, he's being hoisted and yanked up onto the ice.
He's frozen, he's freezing, but he shakes off the worst of the water and shudders as sunlight presses into his skin.
He's crying - sobbing even - on his hands and his knees, blind terror all about him as he struggles to breathe.
"Aw, mate, you could have said no if it was gonna fuck you up."
There's someone else here; Pac's eyes glance around, only to find Philza there. He can't tell if the man is a friend or a foe or just an acquaintance to be embarrassed around, but the man shrugs off his bag and opens his arms in a familiar gesture.
Pac falls into them, and hides. A hand finds his hair, and another his back, and something very dark curls around to protect him from icy wind. He does not cling back, just cries to the sound of slightly awkward comfort, sucking it in.
"You're okay," the words sound so much more believable coming from someone else. "You got out, I've got you, you're safe, you're okay."
The words are whispered into his skin, and they're not quite a balm but they are a promise and a kindness none the less; he is promised safety, and he knows the man around him can provide.
He just... Did not expect that provision to include himself, only friends of friends as they are.
Pac breathes, and it comes easier now - the air is cold, but between the darkness and Philza's chest he is safe. Slowly, slowly, as he remembers what limbs are Pac reaches out a shaking hand to the void.
It finds feathers; the darkness tenses, and then relaxes to his touch.
Pac, in turn, relaxes with it.
"You good?" Philza eventually asks from above.
"Sim," Pac replies, gathering himself a little more, hiding himself in a laugh. "Sorry, sorry, that was embarrassing."
"We've all been there mate," Fit's friend says.
The wings peel away, and Pac can see them properly - tattered edges and all. Sees how they droop, and the strain in Philza's shoulders as he uses his hands to fold them, and his backpack to keep them in pace.
"Shall we get somewhere warmer?" he asks, before Pac can comment. "I've got a treasure map to somewhere near that mesa you and Fit showed me, if you've still got the warp?"
"Are you sure?" Pac's hands shake as he checks his things.
"Eh, I'm pretty sure it's an iron dungeon," Philza replies, pulling out a map and squinting at it. "I was saving it to troll Etoiles with, but I could actually do with more iron. And someone to deal with mobs while I mine it. You, me, and some skellies - sound good?"
Pac isn't sure; he doesn't want to think, though, he does know that. Dungeons are supposed to be his and Fit's /thing/, one half the time someone intrudes on. The offer almost feels insulting, but...
But when Philza felt bad, they offered him a dungeon - he so clearly means to offer the same. Like for like, not pity but a trade.
"I want the tracks and redstone," Pac tries to sound steady, and knows he fails. "I'll save it for Mike when he returns."
"Sure, I don't even know where to start with that shit," Philza takes Pac's hand, and leads him along a safe route over the ice. "If we go back to that haunted rock area, then glide back towards the mesa? I should be able to find us on the map from there."
Pac nods, placing his hand on the warpstone in advance. Philza's joins it, and together they warp away.
---
Thankfully it is dawn, and any monsters are gone this time - there's just the beautiful sunrise over the haunted sea. The sun is rising, not setting, but Pac waves to it anyway and hopes that, somewhere, Bobby can see.
Philza makes half a laugh as he finds his glider. Pac searches for his own, and tries not to remember the night on the cliff - him and Fit, him and Fit, but also Philza, laughing about cannons and resting in one another's arms, only for Philza to pull away first and let him and Fit be.
Pac instead thinks about friendship, and how Fit would abandon everything for Philza just as Pac would give it up for Mike, and how it seems that isn't limited to just them. Because Philza didn't send him home, just as Fit also kept close to an oddly behaving Mike. How it doesn't really matter, because in the end they both agree with where the other stands.
Pac instead thinks of nothing, and throws himself off a cliff after Philza.
For one glorious second he lets himself fall, before pulling out his own paraglider and following Philza down.
He lands on Philza's boat, and they drive it back to the mesa. It's filled with the sort of talk that means nothing, and with Philza humming tunes to the air. For a man who claims to be musically dead, he manages it well.
It's also noise, white noise to blur the absence in his mind.
"Here we are," Philza gets out first, and offers Pac a hand out. "We should be pretty close. These things are a bit of a nightmare to find, being underground, but I'm sure we'll manage."
To his surprise, Pac is passed the map while Philza puts away the boat. He has to turn it around to orientate himself, but once he has Philza gestures for him to lead the way. Philza puts himself on Pac's left - the side he holds the map, whilst his other has his scythe, shield turned out against the wild.
Pac tries to think of something to say, and what comes out is, "so did you go looking for a big cannon, or did you just stumble into it?"
The comment draws startled laughter from his companion as they walk, having to stop a moment to let him gather himself. "We knew we were going to see one, but we're exactly looking. You find them all over the coast in the UK, and I think some along the Thames too? A lot have been removed, but we like our old crap, so a couple of the old forts are still open."
"So you're saying you come from a land of many large cannons."
"Yes, Pac," Philza laughs again. "Yes, I do; don't you?"
"We have other large things instead," Pac tries to smile, but he knows it looks off. "Like diamonds."
"Diamonds?"
Pac can see Philza looking for the sex joke, and suddenly realises he doesn't actually want to explain what he meant. So instead he says, "quality over size. Even a big diamond is small."
That draws more laughter, "yeah okay mate; Fit's a lucky boy then."
That almost has Pac dropping the map he's holding as he chokes. Philza grabs him, holds him steady, gives him something to cling to with Mike and Fit and Richarlyson and Walter Bob all gone. Something there, some support, something to stop him choking on himself.
"Too much?" Philza's voice is gentler this time.
Pac nods, hiding his blush in his hands even as he leans on Philza.
"Alright," Philza says, handing him a bottle. "Drink some water, king, and we'll get this dungeon cleared. And no more dick jokes until Fit's also here to suffer. Maybe we could even come up with some new ones, just to tease him next time we all meet up."
Pac takes the bottle, hiding in his hood as he does as he's told. Philza takes the map and they continue to walk as he sips at it, hiding himself and his face in the bottle. Philza makes sure to stay in sight, keeping idle commentry going.
At this point, Pac is reasonably sure Philza knows something continues to be wrong - but then so did Fit and Pac when Philza had that strange... Maybe hallucination? Fit says it probably wasn't, and Pac trusts Fit, but whatever it was it was unsettling and strange.
Philza seems fine now, though; maybe one day Pac will be fine too.
It is about ten or fifteen minutes walk to the dungeon. There's nothing on the surface to mark it, just Philza squinting at the map, and passing it to Pac to check.
Once they agree, they dig; Philza calls 'race you!' and begins a staircase.
Pac lives for adrenaline; he starts digging straight down.
Somehow he doesn't hit lava.
He does end up falling from the top of the dungeon into a crevasse, fails to find either a water bucket or his paraglider, and breaks his leg. It's terrifying, and he's alone as he sees his death message flash up in chat but - maybe - it's okay. There's Aypierre laughing and Baghera offering help, and Philza on his black paraglider swooping in from the ceiling to assist.
"You good?" Philza asks as he pours a potion out over the wounds, his eyes almost glowing in the low light as Pac's bones knit together.
Pac leans forwards to check his prosthetic while his body heals, twitching only a little with the pain. The fall knocked a few screws loose and bent some of the metal out of shape, but it's an easy enough fix with a hammer and screwdriver. He'll check it over properly later, or maybe swap it for his spare until he has energy for it, but it'll hold for the day.
"All good," Pac confirms, as he pulls his jeans back down.
He can see Philza side-eyeing the prosthetic, and shifts; the man says nothing, however, just helps Pac up and types out an 'all good we're just dungeoning' to calm the global chat.
And then he looks at his map.
"You've got us near a corner," Philza turns his communicator to show Pac. "If we just start here and work around to the left, we shouldn't miss anything."
Pac nods, and pulls out his grapple. Together they pull themselves up and onto the ledge, and the dungeon begins.
It starts simple - Philza takes out a spawner, while Pac works on the skeletons, then they swap so Pac can loot the minetracks. Trading the mobs on and off, Pac cannot help but notice how Philza even when on mob duty prioritises looting, catching the attention of a swamp of skeletons and sending them on a chase over barrels as he smashes them open and grabs the contents. Only when he can carry no more does he start fighting, laughing as he does.
It's a nice laugh, that one.
He laughs too when Pac fights, hacking away at the iron blocks he claims to want. With every other hit there is a call of "good hit!" "nice one!" "you're doing good, Pac!", and Pac can feel himself starting to grin as well.
Together they dance in a dungeon much easier than the one Phil joined Pac and Fit for, able to let loose without worrying for the giant magma cube around the corner. They keep an eye on each other, and watch their backs, and Fit's deep voice is so clearly missing between them without feeling like a void.
By the time it is finished, they are both laughing, bone-dust covering their clothes and their tools and the world in their hands. Philza gives Pac some of the iron, and they take his staircase - not Pac's hole - out.
They don't talk about what comes next, but neither of them reach for their warpstones. Instead Pac picks a direction and walks. Philza follows.
They find a hill a little way out, surrounded by flower fields but empty of them itself. Philza lights it up with his slingshot, despite it still being around midday, and Pac makes hot chocolate for them both. Pulls out chairs, too - blue and green - and places a coffee table between them.
He sits on the blue and Philza looks at the green and says, "are you sure I'm okay to sit there? I don't wanna intrude."
Pac looks at the chair - it was just habit, just what he carries - and curls up his toes. "It's fine," he can hear the sadness in his own voice. "Mike isn't here, he wouldn't mind."
"Do you mind?"
"I got it out for you."
"Alright, king," Philza finally takes the seat and the hot chocolate, leaning back into the cushions. After a bit he adds, "these are good chairs. Maybe I should invest in something better than mine."
"They're not expensive," Pac replies. "And they're comfy! I have one instead of a bed."
He wonders if he should have admitted that - he knows people worry - but in the crash of the panic attack and the fighting it's hard to keep his mouth shut.
Philza just laughs though, "yeah? I've been using one of those wooden ones. You know? Basic ones, just in a fancy wood."
"How do you not have splinters?!"
"I'm good with my hands - what else can I say?"
They both laugh at that one, a joke which actually lands. There's something comfortable and comforting about it. The laughter drifts into giggles, drifts into sips of hot chocolate - quiet and together. Pac makes a point of not watching as Philza gets himself comfortable, untangling his wings and stretching them... Not to full width, but wide.
It's only when one brushes his arm that Pac dares to ask "what happened?"
"Hm?" Philza looks up.
"To your wings?"
"Feds fucked them up when I arrived," Philza says it like its nothing, but there's bitter pain in his words. "By purgatory they'd healed up just enough to fly, but then carrying Tubbo through meteor strikes and radiation... I can't regret it, I /won't/ regret it, but they're fucked again. I can hold them up so it seems better, but they hurt worse than before."
Pac wants to say he's sorry, but he doesn't think it would be appreciated. Instead he says "thank you for saving Tubbo."
"I couldn't just leave him," Philza says. "He's my friend too, you know?"
"I know," Pac fiddles with his cup. "You're a good man, Felipe Minecraft. I'm not sure I'd do it."
"I think you would," Philza says, with more faith in Pac than he's ever had in himself. "If it came to it. You're also a good man, Pac - if you weren't, I wouldn't let you have Fit."
It's an admission neither of them acknowledge. Instead Pac flops, exhausted, against his chair. "I'd do it for Mike. I miss him."
"I can't imagine," Philza's wings stretch a little further, stroking against Pac's cheek. "But, I'm sure he'll heal. And once he does hold him close, okay? Because you never know when you'll loose him."
It's obvious, of course Pac will try to, but there's pain in Philza's voice, and Pac thinks of a memorial on a wall and a child living in the footsteps of a ghost, and maybe Philza can imagine better than he thinks he can.
Or maybe Philza means he can't imagine, because he knows.
"Did you love him?" Pac asks instead.
"He was my best friend."
Philza's voice breaks on the word, and Pac knows both that he has to stop, and that Philza knows just what it is Pac fears. Even if he calls it different, even if they didn't share one mind... Pac should not have asked.
"I'm sorry."
"You did nothing wrong; it hurts, but in hurting I remember him, you know?"
There's a long silence, in which Pac tries to know what to say, and Philza stares absently at soft clouds on the horizon. Even in Portuguese he would struggle, and Philza is certainly not looking to his translator.
Maybe Philza and Fit are not as Pac and Mike; Philza has already lost his Mike. Or, perhaps, both are true, and even if Pac looses his best friend, someone will be there to keep him whole.
It's a nice fantasy; he knows Philza's wound bleeds open even now.
"I have never been without Mike before this island," Pac eventually admits. "At least... I was seven when we met, he was five. I've heard his thoughts since I was ten, and the first time he ever fell silent was when I was put in that water prison."
"Shit," Philza closes his eyes as he swears, leaning back. "Earlier, with the water... You should have said something, Pac, I wouldn't have judged you. Fuck knows there's shit I can't do anymore."
"I didn't know it'd be that bad," Pac hesitates after those words. "It hasn't been before. Today is just... bad? I already felt bad."
"And you came to me for company, and I made it worse," Philza says. "I am so, so sorry mate - I didn't mean to, I just- It was for Chayanne."
"It was still better than being alone," Pac replies. "The second time our connection broke was when he was taken - I haven't heard him since. Even asleep, even unconscious, even when I was in a coma... We could still feel each other. Not now. It's lonely no, and it's been so long..."
"Pac..." Philza's voice catches. "You shouldn't have to make those choices... You shouldn't have to put up with my whims just not to be alone, mate, you should have just said; we could have gone to the dungeon, or the favela, worked on the train tracks... You didn't have to swim."
"Fit is gone, Mike is gone, Richas is gone," Pac twists his hands. "You were helping me. I wanted to help you - I wanted to do something for Chayanne too! He is a good egg."
"He is," Philza smiles softly, taking the distraction for what it is. "The best. But, king, are you going to be okay?"
"When am I not?" Pac asks, as he thinks of happy pills and his own blood trailing the floors of Chume Labs.
Philza gives him a distinctly unimpressed expression and, yeah, fair, "I'm serious, Pac; I don't have plans today if you just wanna chill somewhere. Here, my place, your place, the Favela... if the karaoke's working, we could steal a room? Hell, we can just keep heading outwards and find some more dungeons if you fancy violence instead."
"... Are you sure?"
"We're friends, aren't we?" Philza asks. "We don't get to hang out as often as we should - if you'd rather get some rest, I won't stop you. Just thought I'd offer."
"Karaoke then?" Pac suggests, if only for some structure to keep the anxiety from seeping back in.
"Sure. No promises I won't fall asleep on the couch, though."
Pac laughs. It is weaker, but it is more real. "No promises, no promises here either."
In time they do, of course, fall asleep on the couch - and that is where Fit will find them in the morning.
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goobiestar · 2 years
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Hello everybody this is an emergency!!! Pls buy my commissions!!!!
Pls reblog if able to, im begging, this is the best I can do
So, as some of you know I am a 15 year old living in San Diego, California and prices here are impossible unless you are rich or have family to back you up. So, we don’t have that actually.
My mother quit her job awhile ago but recently got back into another job, she didn’t have a go-to job after quitting her other one which made us 6 weeks behind rent/payment, making us loose over 40k, I am not able to get a job yet so for now, i must do comms.
In just 6 days, we might loose cable, electricity, water, anything! If we dont do something, something has been eating our bank and we need over 4k and right now we have.. $1.36 in total in bank.
Hopefully, i might be able to get started on commissions, please if you’re able to, we might loose something in less than a week if we dont do anything, if you arent able to buy and rb—please just atleast try to reblog, i am panicking right now and I have no idea if this is an exaggeration or not, we NEED money!!
I am only using Venmo:
@Goobiestarstar
Please pm me here on tumblr or on discord (Goobiestar⛱#6188) if interested
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(I am so sorry these prices are high, if able to i would really appreciate tipping)
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obsob · 2 years
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a redraw of ‘lament for icarus’ by herbert james draper ✷
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synthshenanigans · 6 months
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Jashtober Day 27 & 28- Potion & Bass
Designs by @/cinnamonsly!!!
Bonus Bass doodle:
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qprstobin · 1 year
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Everyone loves the 'eddie has been crushing on Steve off and on since sophomore year' trope but honestly love me an Eddie who is like "yeah Harrington is hot, I've got eyes, but prep isnt my type" and honestly just doesn't think about Steve that much! Outside of, like, school gossip, especially during/after Steve's fall from grace. Really kind of love the idea of Eddie not giving the time of day to Steve up until his little sheep come to him every day weaving wild tales about the shit Steve has done, and even then it isn't really until he sees Steve go teeth first at a demobat that he starts reevaluating Steve and seeing him in a new light.
Because Eddie honestly kind of gives the impression that he's just as much caught up in his own world view as Steve was pre upside down/even pre S2. And like I know that we love Steve but Steve hasn't really done anything to give most of like his classmates any reason to love him aside from the generic jock stuff lbr. Especially for someone like eddie who is extremely anticomformist to the point of monologuing on the lunch tables.
And it's not so much a 'love at first bite' (heh) situation either but just all the things during and after s4 and the friendship they develop that makes Eddie reevaluate not only Steve but his world view and what he wants from the world! It makes him think. Fighting interdimensional monsters has a way of bringing out the best and the worst in people. And Eddie finds he likes what he's seeing. I'm not necessarily saying I want a slow burn either, but having them both have time to be like "huh maybe this person isn't what I thought i would want but he is want i want, isn't he?"
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