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#my problem is its very obviously author bias
silverskye13 · 1 year
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Hello it's me, back to rant about books I'm reading in the tags because it's a relatively unpleasant rant
#spazzcat barks#rant#delete later#book rant#im leading strong so ill just get the thought out of the way#🎵if youre writing a new female lead and think she needs assaulted for a plot point think again🎵#reading a new book series and for the most part im really liking it#but its just [sigh] its a pet peeve okay#it happens /so much/ in fantasy and probably other books as well but i see it a lot in fantasy#where you switch to a new lead who is female vs your previous male lead and suddenly s.assault has become a plot point#i understand its a thing that happens in the world i do understand that thats not my problem#my problem is its very obviously author bias#theres this Idea in media that if you want to show something Truly Terrible happening to a male lead its generally like... personal#but if you do the same with a female lead its s.assault#and especially if its written by a man who is trying to make a Strong Female Character said assault will be followed by a monologue#about how the woman is no stranger to the attentions/affections of men but this was Different and Scary and shes Never Been This Scared#its very tired okay#Strong Female Leads can have the same personal/existential fears as men#if s.assault against women specifically isnt a Major Plot Point that gets dealt with alongside your book's themes -- DONT PUT IT IN#no one wants to read about your Badass Swordswoman who is Just Like The Guys except she gets assaulted and they get to white knight#it feels very hypocritical#youre telling me this female character has equal character status to the men but her major fear is sex#while theirs is losing everyone they love or being a failure or a coward or whatever?#does that feel like theyre being treated the same?#it is was my same beef with The Deed of Paxinarian#youre telling me the main female lead gets assaulted as a major point of her every formative experience#meanwhile the male leads deal with like. the consequences of well intentioned follies and family deaths?#it reveals author bias on what The Worst Thing That Can Happen To Certain Gendered Characters are#the only book i will ever give a pass on this is The Blacktongue Thief -- because it happens to the male lead as well#showing the bias is not 'this is the worst that can happen to women' but instead 'this is a heinous act against everyone'
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mohg-lover · 2 years
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top 3 animated things
loved by @mohg-lover
my name is elias g. i'm a big fan of mohg,
but also a lot of animated media.
3.
coming in at number 3 i have to pay respects to a new classic, i'm talking about team cherry's, hollow knight! releasing in 2017 it's hard to pick this game over the animated marvel that is cuphead, which spent years in the oven to perfectly bake a platforming action game with the style calling back to the rubber-hose animations of the last century. for me though, i'm picking hollow knight over cuphead due to its world having a much more seamless atmosphere. it's not as much of a technical achievement but ari gibson's art direction completely makes up for it, creating a desolate underground haven of mystery and danger. the game is also very fun too!
2.
in second place i have to pay respects to one of the classics, hirohiko araki is one of the greatest mangakas of all time and the adaptions of his works to anime do jojo's bizarre adventure true justice. a lot of animes these days just aren't worth your time especially when you compare them to their manga counterparts. it can be difficult to compress or stretch out the content of a serialized story to fit into the rigid structure of television programming, which leads to a lot of adaptations either cutting story beats or slowing down the pacing to a crawl. the dilemma becomes: why am i wasting my time watching something for so long when i could read it in a quarter of that time and witness the author's vision in full? already out the gate jojo avoids both these problems, not only is the pacing of the first two parts kept razor-tight by putting both in one season, the art direction takes araki's unique artistic quirks and brings them to life in a flashy, colourful, over-dramatization that just can't be found in the pages of a book! Instead of one being obviously superior, the anime is on equal ground when it comes to experiencing araki's work.
1.
and for my favourite piece of animated media, i chose secret of kells, directed by tomm moore and nora twomey. i have a lot of bias towards this irish-french-belgain classic, as it is one of the films i saw at a very young age that made me fall in love with animation and film. being of irish blood myself and having spent a lot of time visiting the united kingdom, i have a huge appreciation for this film's ability to truly bring classical european art to life. like my number 3 pick, this pick is somewhat tied with another animated film that really influenced me, the iron giant. the secret of kells comes out on top for me though because of its more abstract themes in its story and unique style.
this concludes my favourite animated things, thank you for reading!
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justalads · 3 years
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this is an essay post that was written in response to an in-depth discussion i was having with another person on a lot of topics. that’s why it’s written like it’s addressing someone. because of that, it is a little confusing on its own (because the things in quotes are responding to things the other person said) but me and the person who runs this blog thought it would be better to make this a separate post, so that people who want to see this response can see it without it being attached to the person i was having the discussion with. we spoke to the person and they said that would be fine. with that being said, this is a very long post. if anyone finds parts of it useful, it will have served its original purpose.
so what i mean about it “making sense” that dream became like that is that it kind of does, you know? i’m saying that the desires were always there. not that he was always willing to go so far for them, or even that they were as strong as they ended up being! after all, there’s a difference between declaring war to reclaim land and people, and making a vault in order to take things that were important to people.
what he always did possess is a sort of “ownership” of the server. and this was probably founded from the fact that it was, you know, his server. he wanted l’manburg back because he didn’t like that people came onto his server and then said he couldn’t have something. and that’s one of his primary points in his conversation with skeppy: the analogy he uses of someone coming into his house and saying he can’t have a table.
and later, in the vault, this is the reason he gives for wanting control: that it is his server. he tells tommy it isn’t supposed to be fair, it doesn’t need to be fair, because fairness implies equality, and he doesn’t see everyone else as having equal claim to the server. so that’s what i mean when i say the signs were always there: his statements match upand paint a path through the story. true, you don’t just “become” a bad person. there’s no reason for him to suddenly get all weird and want ultimate control, if he was completely neutral and peaceful in the beginning. this is why his character is decently written!
and since the potential was there in the first place, that’s what gave him the ability to or put him in danger of doing what he did.
so yeah, it’s true that his spiral was not only his fault, because even someone who thinks they own something is not going to just jump to the lengths that he did. he had other experiences, and saw how other people worked, and then was met by pushback from people when he wanted them all to do what he said. because his house analogy is lacking something: he owns the house, but everyone else lives there too.
it may be “his” server in that he pays upkeep fees, but that doesn’t mean he deserves control over everything that happens on it! if your roommate goes “i want this table and you can’t have it”, even if the house belongs to you, it’s kind of weird to go “no you can’t have it, it’s mine”. especially if all the roommate wants the table for is so they can play monopoly or something with their group. and even more so if the roommate will let you play monopoly if you want to (remember the embassy?), and if you can just buy a new table then what’s the point in getting upset over the one?
i just think you put a lot more of the responsibility on other characters. saying that all they did was villainize him and treat him as pure evil and break his boundaries is wrong because one, no, that’s not all they did, it’s exaggerated, and two, he was also doing things to them! it did not come out of nowhere! and clearly, his mindset didn’t come from nothing, so a personal flaw contributed to it! people who are innocent and care too much about others and are then mistreated do not do what dream did, and we know this because there is a character very similar to that: ranboo.
(i could talk about this for a super long time honestly. it’s very interesting how close they are, and since enderwalk ranboo is just ranboo with all his memories and he helped dream... there’s clearly something that happened that he’s forgotten that’s very important.)
hates conflict, tries to mediate things, cares about the people he loves to a fault. and we don’t see him running around and telling people they can’t build nations because it “divides people”! he has also been hurt and betrayed, but he still recognizes his responsibility to respect others and their agency. the difference between dream and ranboo is that one, dream has a spine, and two, dream thinks of the server as his. dream’s belief is one of the driving causes of his actions.
it’s true that nobody deserves to lose half their friends at once. it’s also true that before he declared war, nobody had any actual negative feelings towards him. they made fun of him for saying his side had more women. he made fun of them for having none. it was playful banter. that’s the thing about the hot dog stream: the tone is incredibly light. wilbur soot, known dramatic idiot, decided he was going to go play capitalism on a minecraft server. both tommy and wilbur at that point had been making various stupid attempts to gain “power”. and none of this was treated seriously, because others were doing the same kinds of things.
you know how many times tommy logged on and got involved in small petty conflicts? pretty much none of them are mentioned in canon again, because at this point, there wasn’t even much of a canon to get involved in. the smp at this point was a place for people to go and do bits. and invoking wilbur’s joke hatred of tommy and those like him seems a little unfair. wilbur’s main bit was calling tommy an annoying child. when wilbur was stealing the blaze rods, it was not an actual attempt to get power because it was not treated as such by anyone, it was treated with the exact seriousness that it deserved: sapnap and tubbo declared themselves the “police”.
what kind of actual control is going to come from taking blaze rods, especially on a server where you can just go get more? and it’s not like theft is really a crime on the server. everyone else chose to play into the bit.
it’s like now, when tommy shows up with a new idea and people who don’t like him start claiming that this is proof that he never learned anything and he was actually bad all along. the church prime thing, l’sandburg, any time he steals something or is rude to jack manifold. because although semi-lore is fun, sometimes people treat it as serious lore when parts of it are not intended to be and then use it to imply things about the characters that don’t line up with canon.
that’s kinda off topic and not really about dream, so i’ll move on
“i’d like to ask you to once again watch the actual stream.”
i mean, yeah. i did watch the stream. i don’t know a lot about george, and i prefaced my thoughts at the start by saying that. obviously attempting to catch up after isn’t as good as knowing the context and plot, (this sounds sarcastic but it is genuine i’m sorry sjhksjs) but i do want to offer this: it’s an opportunity to look at the plot in a different way. you say that you are on dream’s side in this scene, and while having that bias alone isn’t bad, i think it’s a good idea to attempt to see the other side. that’s what i’ve been doing while going back and forth with you; examining my own bias and attempting to look past it, and explain why it’s there.so dream kicks george off the throne. and you say that it’s not bad that dream does it, because george’s monarchy was already a figurehead. you know, i don’t see this as being any better? this means that when dream made george king, he already did it with the fact that george wasn’t really in charge in dream’s mind, meaning that dream was, you know, the ultimate authority. that is a power dynamic. dream has control over who is king of his faction.
when you watch the stream where dream makes george king originally, dream doesn’t really let him know that his power isn’t real. that’s the problem with this situation: the presence of a power dynamic alone is not the issue, it’s the fact that dream was misleading about its presence. dream just tells him “you’re king.” in fact, dream demonstrates more control over eret, by telling them just that they can’t be in charge anymore and george is king now. he tells them to take off their crown, to which they protest because it’s a layer on their skin and it would show their eyes, something they’re uncomfortable with. dream says “i need you to do it. you gotta do it. i mean, i’m not asking you, we have three of us here.”
they physically threaten eret. and by the way, the reason that dream thought eret had “betrayed” the greater smp? eret was attempting to help pogtopia and make things right with the people of l’manburg, something you claim was also dream’s wish during this time (he had switched over to manburg at this point). dream told eret that the king had a duty to remain neutral.
it is only then, when dream tells eret to remain neutral on things, that dream tells eret that the act of being king means nothing. this is where the “what makes you king” quote coms from, by the way. dream has the ultimate control over who is king. but whenever he makes someone king, he doesn’t tell them that. and when dream leaves, eret fully realizes this and admits that dream’s right: they don’t have any power. so what was the point of betraying l’manburg?
if there was no power with being king, why did george accept it? why was there even a king in the first place? the only reason eret agreed to betray l’manburg in the first place was because dream offered them power.
when dream confronts eret about remaining neutral, dream says “my plan is that there’s no manburg, there’s no l’manburg, there’s no pogtopia, there’s just dream smp and there’s dream smp everywhere. and that’s been my plan since the very beginning, i’ve never wavered on that. that’s why i had you betray them, and that’s why i gave you kingship, because i felt like you’d be a good king because you’re neutral.”
ignoring the fact that he’s twisting why he made eret king (they were on the side of l’manburg and he tempted them away), he also claims that his faction only has been his goal since the beginning. this will be important later.
cc!eret confirmed in a twitter thread on their alt that their character was possibly the longest victim of dream’s manipulation.
and finally, watching the stream where dream dethrones george, the thing sticking out to me is how dream is phrasing it. he says that george should step down because people are attacking him, and dream isn’t always going to be able to protect him. and then he says this.
“and i think you’ll just be targeted if you’re the king. and you want to be able to like, get revenge on tommy and stuff, right? so we can work together.”
i kind of wish he didn’t bring up tommy. i kind of wish his main goal at this time wasn’t just going after tommy because he thought tommy was the root of all the problems. and i think this kind of highlights a little bit that when dream built the walls around l’manburg again, it wasn’t just because he was “defending george” or anything, because i don’t think george really cared that much? dream was using the fact that it was george’s house that blew up in order to go after tommy.
after this line, the others all kind of gang up on dream, true. it’s partially for the joke, as evidenced by quackity’s “THE GIRLS ARE FIGHTING!”, but it’s also kind of them being, you know, legitimately angry at his character. and it’s funny that it’s sapnap who leads it. sapnap brings up what dream said, that he doesn’t care about anything except for the disks. dream says that he didn’t mean it, and then george says “then why did you say it?” so dream saying that clearly hurt them, and he can’t just push it off by saying he didn’t mean it once.
and in the end, george doesn’t even agree before dream makes eret king again! george and sapnap are trying to have a conversation with dream about how they feel they’ve been treated, and dream brushes it off with “maybe this isn’t a good time to bring it up,” before ultimately ignoring what they’re both saying because in his mind he has a good enough reason and it doesn’t matter what george thinks.
dream is in the act of passing power over to eret, and george says “i’m still king. i’m literally right here.” dream shushes him. dream also implies that the reason george is getting attacked is because he backs up everything dream says, reducing george down to an extension of his own will or calling him a follower. dream accuses sapnap of trying to divide him and george, and sapnap says this: “i’m not dividing anyone, i stand by george. he’s my king but most importantly he’s my friend.” dream replies that george is his friend but not his king.
i just sort of want to show you the other side here. george and sapnap weren’t just running around instigating conflict any more than dream was. and although george didn’t do anything as king, it meant something to him, because it was a symbol of the trust he thought dream had for him. dream saying he was taking it away for his own good meant he didn’t even trust george to protect himself. he was treating him like a child.
and then when george is silent, listening to everyone debate whether he deserves this or not, dream accuses him of only pretending to be sad. it’s true that he was pretending to cry, but i don’t think that warranted dream telling him he’s “acting like a baby” and that he was a bad king.
sapnap and george had a real point, and dream ignored them. he hadn’t addressed the things he had said that hurt them, and so they raised legitimate grievances with him! dream doesn’t treat their concerns as important, and talks down to george in particular.
ignoring the fact that sapnap and george were also hurting is kind of hypocritical. you’re right, “abandonment hurts you, no matter if the people have good reasons for it or not”. dream said the spirit thing before sapnap did any sort of real leaving him. and dream’s reasons were definitely not good.
i have no idea why you got the idea that george is so awful. he was walking around with his head down. the only one also calling him things like manipulative and a drama queen is, well, dream.
basically: (/hj)
george: :(
dream: you are attempting to emotionally manipulate me
butternut is a master of psychological manipulation
anyway
so sapnap, george and quackity felt betrayed there. they left, and went to mexican l’manburg to try and console george. and then dream shoots quackity and kills him, and tries to attack the others as well. it’s worth noting that quackity also had a reason to be upset at dream: dream’s treatment of l’manburg. dream then shows up and calls george a tyrant. dream never listens to what george says during this, he just continues saying what he already said. dream taking the kingship away from george hurt him more than letting him stay would have.
watching this is painful, because it’s making me realize just how much dream doesn’t actually care what his friends think! he says he cares, and he might think he cares, but then he calls them babies and liars and tyrants. his argument with george here reads like something awful. he’s using the excuse of “caring about him” in order to undermine and insult him, and take the moral high ground. dream essentially tells george that he didn’t make george king out of any respect for him, it was just random. he doesn’t treat his friends well during this scene. i don’t think it’s unreasonable for them to get angry.
when quackity, after sitting in silence for the entire conversation, says he disagrees, dream tells him that he’s just dumb. doesn’t wait to hear his reasons, doesn’t value his opinion, because dream is so sure that he’s right and he knows what’s best for the server, and by extension, everyone.
other interesting things: dream brings tommy into it again by saying he’s what causes all the problems on the server. dream tells quackity to think about what tubbo would think about him picking this fight. dream says that george would probably do anything he told him to do. his entire position is “you guys can think whatever you want, but it won’t change anything.” genuinely, tell me how this is them abandoning him? and when they do drift away later, tell me why they don’t have a reason to? dream doesn’t respect them! he takes their friendship for granted!
“would you consider it justified for all of tommy’s friends (even tubbo who he’s been close with for so long) to abandon him just because he’s said basically the same thing about the discs - like three times?”
thank you for bringing up the disk thing. do you really think that tommy and dream acted the same when saying that an item held more worth than their friends?
think about what the disks symbolize. control over tommy. tommy wants them back because they are a sign of dream having power over him! tommy doesn’t want his abuser having power over him! and yeah! it was a messed up thing for him to say to tubbo that the disks were worth more than him, but he apologized! he understood that what he said hurt tubbo, and he tried to rebuild the relationship! tommy took responsibility for what he said, and tried to be better. notice how afterwards, he was willing to sacrifice anything for the safety of his friends? notice how in the vault he told dream to take the disks and do whatever he wanted with them, when dream switched from threatening the disks to threatening the life of tubbo?
and what do the disks mean to dream? they mean power over tommy. the disks have no power over dream. they are a tool that he can use to hurt and control tommy. and he never apologized for this, because he wasn’t sorry. sapnap told dream that this hurt him, and all dream said was that he didn’t mean it. who is he lying to, then? tommy or sapnap? it was so important to dream that he had ultimate control over the life of someone else that he almost drove them to take their own life. i’m sorry, but this comparison sucks.
people gave dream a chance. people gave him a lot of chances. the disregard he showed for others is disgusting, especially towards his friends, and even more so towards those who he didn’t like. my problem is that though you repeat that you don’t “blame” others for what they did, you still hold them to more responsibility than you’re willing to hold him to, or at least that’s what it seems like. i’ve been investigating the other side through this whole process. and yeah, there are definitely places where i was wrong. but sometimes i do not understand, and maybe that means i should just give up on trying to understand those places. if other people can see things i can’t, maybe we agree to disagree.
i legitimately cannot see dream being the person who was treated the worst here, but let me know if i’m misrepresenting you.
i’m sorry that i sound angry, and i’m not really upset at you, but the comparison of what dream said and what tommy said set me off.
“no one having respect for him as a person”
people did respect dream, man. he was the leader of his faction. he had a lot of power. his friends trusted him to be a good friend to them. but he didn’t feel like he had an obligation to do that, yeah? and you only get respect if you give it, so they stopped respecting them because he hurt them. he didn’t learn any hard lessons about violence being the only way because he never stopped to consider another way. when faced with a problem, his options were for the problem to go away or he would make it go away: surrender or die.
during the stream where he sets up the walls with sapnap, his message is the same throughout: wipe them out. no mercy. burn their land to the ground, leave no survivors. there’s no love in war. children get hurt in war. this is a warning shot, he says, as he fires into their land. as sapnap burns down tubbo’s house and chat spams “no mercy”. they don’t show mercy because mercy is weak, and they are powerful.
one day i’m gonna write a thing that talks about the greater smp like how people talk about early l’manburg because oh boy
i’d like to see evidence of dream learning that violence is the only way, and only being able to protect himself through fighting. i don’t remember this happening, i remember him generally choosing violence as the first option.
“dream didn’t have an arising god complex.”
a god complex means more than just saying “i’m a god.” there was buildup because that’s how characters work. tommy was also trapped in the prison, and he didn’t suddenly get a god complex at the slightest bit of power, did he? the definition of a god complex is “an unshakable belief characterized by consistently inflated feelings of personal ability, privilege, or infallibility.” dream cannot admit when he is wrong. he feels as if he has a right to the control of the server, and that grows into a state of obsession. and when he’s taking tubbo and tommy down into the vault, he mocks them for thinking he was weak or that he didn’t think ahead.
once dream knew he had control over death, the complex reached its peak, and that’s when he actually admits it. characters that antagonize others already possess traits that contribute to their arc.
and hey, i know that cc!dream says his character is blocked off emotionally. i also know that he’s been given a lot of chances to apologize to people, to be sorry, to admit fault, even in small situations. did dream show remorse during exile? did dream sound like he was being “forced” to isolate and control tommy, or did he sound like an abusive parent scolding a kid for something? when dream beat tommy and tubbo and took them down to the vault, did he sound sorry? the thing about subtext is that it has to actually be there, no matter how quiet, at least a little bit. listen to dream arguing with quackity after george was dethroned and tell me he sees himself as anything other than right.
a few one off lines are not enough evidence to wipe out the rest of his character’s development.
he sounds sorry once he is faced with direct consequences, because that is the only time he is held responsible for his actions.
it’s also a weak argument to say that something is happening when, as you said, we don’t see his pov. it is fair to say that i don’t know if it’s not happening, and that’s a good point. cc!dream’s comments about his character being closed off emotionally can mean a lot of things. for instance, they could mean that his character is willing to do this to himself in order to get control. or it could mean something else entirely, i don’t know. basing an entire fact about a character off something we don’t see at all doesn’t tell us anything useful about the character, and i apologize for doing that.
i guess my reason for saying that was that i don’t see evidence of him trying to get better during pogtopia. if we don’t see signs of him being sorry or attempting to treat other people better, why should we assume that he was doing those things?
“yes, and none of c!dream’s “friends” ever did.”
dream’s friends supported him until he abandoned them and disrespected them. his time in the prison is a consequence of his time out of the prison, albeit an unfair one.
“dream didn’t hurt george.”
dream’s disrespect of george is what hurt him. dream didn’t apologize for it, he didn’t attempt to understand what george was feeling, and he didn’t look for a compromise. and yeah, it was beckerson in the vault. he had a space for mars, he just hadn’t collected it yet. so yes, dream did betray sapnap. if you have legitimate evidence of sapnap doing something that made dream actually upset, before the vault, i’d like to see it. (there might be something lol i’m sorry i’m Very Bad on his lore but from what i’ve investigated i didn’t find anything really important.)
i don’t think puffy saying “this person does bad things” is her dismissing their trauma. and the eggpire and her have both hurt each other. puffy isn’t the Trauma Designator of the server. if there’s an instance of her straight up saying that someone doesn’t have trauma then i missed it.
“she’s another one c!dream was attached to and who failed to ever reach out to him”
i don’t see evidence of this? there was the one stream where the relationship was established, but after that he never tried to seek her out. he doesn’t even talk about her. it’s not a failure from her to not reach out to him, if their connection is light at best. i honestly feel like she was more attached to him than he was to her.
“like she’s doing something extra by being a decent person.”
she’s saying he didn’t deserve to see her because he did bad things! she still cares about someone who has done bad things, but she recognizes that those things are bad. she’s saying the punishment for what he’s done should involve not seeing her, personally, and i think she should be able to make that decision? she doesn’t endorse the rest of his punishment, because she doesn’t know what it entails.
she helped him by thinking he was in the right. she helped him by even trying to understand him, when everyone else could not. she gave him the help that she could by being on his side, by being friendly to him, and after she realized he was wrong she could not do that because he was off preparing the vault! and she had other things to worry about! “could have” is useless because it can mean anything! tommy “could have” not burned george’s house down. would it have mattered, when dream already had it out for him? no!
dream took anyone being close to him for granted. he did not give anything back to them once he started going down the path. if he did something bad to them, and they were angry, that was it for him. he did not attempt to fix the bond, like other characters do when they hurt someone they care about.
“i never said anything negative about them other than describing things they did that had a negative effect.”
here’s my main point: we don’t know they had a negative effect.
you criticize the characters for not taking an action that we do not know the implications of. everyone could have been super nice and worried about dream and that could have changed nothing. that’s why i think the criticism is unwarranted.
their crime is inattention to a situation that some of them did not even know was happening. that’s like saying that techno is “responsible” for some of the pain of tommy’s exile, because he did nothing to stop it. that’s like saying that quackity or tommy “should have” removed the tnt from the button room under l’manburg.
i just don’t get the point of the criticism. because it can apply to any character in any situation, you know? we could say that eret taking back the kingship from george enabled dream into taking more control over his friends, and that eret should have stopped him. we could say that skeppy telling dream he was wrong about l’manburg pushed him further into the role of the bad guy. if you aren’t being negative about the characters, then why bring it up in the first place?
“truly believe they did all those things” they didn’t do anything. if you’re talking about the “actual consequences and effect it had on him as a character”, you have to look at what affects his character.
we can say “sapnap should not have said this to dream”. because that is something sapnap actually did, directly to dream’s face, and it is something that visibly affected dream. considering the conditions of the prison, it is an inhumane thing to say. that’s something i would call reasonable to consider when analyzing dream’s character.
but puffy talking to herself, writing her own thoughts and reactions down? that does not impact dream in any way! and i think puffy thinking internally that dream is a bad person (when she has been given adequate reason to think so) has a lot less impact on Real Plot Events than the stuff that dream actually did.
what is her “fault” here? what harm did she do? what am i excusing? what did she do wrong, and how is the effect of her specifically visible in dream’s actions? he hasn’t mentioned her in months, and it’s my perspective that if he cared, we would know.
if a tree falls in the forest when nobody is around, does it make any noise?
(the person i was responding to linked a thread about how the prison isn’t helping dream and how puffy and sapnap saying he deserves it is inhumane)
that thread doesn’t actually seem to be assigning any fault to puffy, it’s just saying that hearing that kind of thing hurts.
(also, the person who wrote the thread saying “i told you so” is going to have nobody to tell it to. we all already know dream is going to be violent when he gets out, because he told tommy he would hunt down and take revenge on the things he loves. but he’s not going to be violent because puffy didn’t visit him.)
“another person he cared about who didn’t prove to care about him enough to stop him from spiralling or try help at all.”
how did puffy not care about him? what did she do before the vault that showed that? how did she specifically abandon him, by actions of her own will and not of consequences of his? for supposedly caring about her, dream did pretty much nothing to show it.
“if “they don’t owe him anything” is your base argument against someone being hurt via being left by people they care about over and over again until they’re utterly alone with no support system and unhealthy mindsets, we might have to agree to disagree”
we would disagree if that was my point, but it’s not. because that’s not what the characters did. they didn’t all abandon him, as i’ve said. he says that he cut ties with them, but if you say he’s lying when he says that you can disregard it, i guess. and five to six people are definitely not responsible for him. again, you’re critical of them for an action they didn’t take, and in some cases it was impossible for them to take like with tommy, who certainly didn’t abandon him, as hard as he tried to.
“his (dream’s) manipulation is the clumsiest thing i’ve ever seen”
i mean i don’t really find it funny that dream was “bad” at manipulation. and clearly it was powerful enough to work on multiple people, and if he was that ineffective at it it wouldn’t have worked. but i understand what you’re saying, although i disagree with your take on wilbur.
it’s true that wilbur’s smart, but this is again saying things about stuff we can’t prove. if you look at the context of wilbur’s actions next to everyone else’s, they seem pretty tame. and he can play a morally grey character without the intent being that the character was seriously manipulative all along. although i guess it’s nice to think that you’ve solved the code, if “solving the code” means “the majority of everyone else is wrong” then you may want to take a step back.
i think the principle of occam’s razor sort of applies here, and especially applies later to the conversion between dream and wilbur. unless there is strong, strong evidence for a theory that sort of goes against stuff, there may be a better explanation. i’ve scrapped like fifty theories because of this dude hskhdksjsthe things i said at the start about tommy and wilbur’s grabs for power not being serious still do apply, and so does the fact that at the start of the roleplay, the cc’s didn’t see their characters as that separate from themselves. i think it would be kind of weird for cc!wilbur’s intent to be genuine manipulation of his actual friends all along, especially when he wasn’t playing it as a bit.
“that’s precisely what he did and how he got them to side with him in the war.”
nope. he didn’t tell anyone they “needed” to to anything. anyone who joined the country joined of their own free will, and nobody joined during the war, just before and after.
wilbur didn’t really “recruit” tommy so much as they were on a team of causing small arguments. wilbur joined and he and tommy went to go scam people together, while tommy told him about the various other little schemes he had been running. and i don’t really think he was intending to do a real takeover, which is why i called it “weak”. the man told people that potions give you diarrhea. does that sound like the work of a mastermind? no, because it’s the self proclaimed “crime boy”. and that “drug empire” got shut down pretty quick for something that was supposed to last a long time.
“just put “revolution” instead of “business” as a guise of what he was actually doing.”
l’manburg was not the drug empire under a different name. l’manburg was about separation from the greater smp, admittedly because they felt that being stopped from selling drugs was a bad thing, but then they pretty much completely dropped the drugs and the empire throughout the wall vod.
so when he was recruiting people like fundy, he was doing it with the intent of getting them to make drugs with him. he says nothing about dream when fundy joins his drug empire. and yeah, he lied to him originally, but it didn’t work. fundy visited the van and saw through wilbur (and tommy)’s story, and then he decided to join, on his own. because he wanted to make drugs.
a quote from the wall vod:
“we’re starting a revolution, not a war.”
there was no targeted hatred towards dream until he approached them. and i would say the most “evidence” that wilbur was trying to go after dream in any way is the infamous “what’s tyrannical mean” moment. the thing about that moment is that taking a single moment and using it to define an entire period is unfair. it’s not like that’s a turning point, and after that they solely go after dream. they don’t. i agree that you have to watch the actions of wilbur, and his actions at the time were geared towards becoming independent and progressing the condition of l’manburg.
wilbur is honest with eret when they join that they are committing crimes. eret joins because “haha americans bad”. meanwhile, dream is in chat telling eret that there are “three defectors from the kingdom”.
“the only reason people disbelieve this is not because it doesn’t align with canon, but because they assume he’s lying for the sole reason that it doesn’t align with the way they see canon.”
if what revivedbur said agreed with canon, people wouldn’t be pointing out that it doesn’t. watch back the hot dog stream, the wall stream, the first war stream, even the stream after that when niki joins. look at how wilbur speaks, and also look at how he acts. it does not match up with all of what revivedbur says.
early wilbur is naive. he thinks he’s doing the right thing, so he therefore concludes the people against him are wrong. the only fighting back that l’manburg does before war is declared is killing alyssa (and this was tommy’s idea, wilbur was discouraging killing her), because they thought she set the fire. once she told them she didn’t, they gave her back the stuff they thought they had. tubbo still had her pickaxe, but didn’t realize. and for this? the people of the greater smp hunted him down, trapped him in a box, and killed him as well as killing tommy, who tried to save tubbo.
wilbur scolded tommy for killing alyssa. wilbur wanted to focus on building the nation, on declaring independence, and actively ignored the other side. he writes the declaration and he believes in everything it stands for! half the things in there are things that the other people of l’manburg yelled out, that he wrote in as they were being fired on by the greater smp. it comes from all the people.
the declaration of war from the greater smp pretty much says “sometimes you just gotta kill some people, you know?”
i am not disagreeing with you that after the first war, wilbur fell into corruption. it’s implied greatly that this is partially a consequence of the first war, and also partially stems from his fierce protectiveness of l’manburg.
also, if you’re saying that you have never and will never believe wilbur, i would urge you to re-examine that. it’s hard to avoid bias when you refuse to take most things that someone says as truth. i am also curious how you came to this conclusion as you began to watch the smp (if you never believed him at all) and who’s perspective you were watching.
“according to his actions and all known laws of logic” according to the streams and vods that very much still exist, and his actions in them, no, he wasn’t lying since the beginning. did he tell lies? yes, everyone did. was he being untruthful about his devotion to l’manburg when he took arrows for it and died for it? no. it’s pretty clear to see when you watch the vod. his actions speak louder than his words.
so no, it doesn’t make sense for him to be lying since the beginning. it doesn’t make sense that revivedbur’s ideals are a switch from how he was even right before he died, so we cannot trust his memory and his morals to remain intact! the man was alone for thirteen years, speaking of torture.
“he thought l'manberg his and no one else’s, a weapon of power for him to use however he pleases. unlike dream who destroyed himself bit by bit trying to take back what he cares about, because it was not power, but people - wilbur saw no more worth in it and destroyed it instead.”
hmm. i’ll come back to this later.
a point- not everything cc!wilbur says about his character is negative.
a lot of his commentary on his character came after his death, so it encompasses his spiral. i will again suggest that you listen to “eight” by sleeping at last. it’s true he can play a morally complex character, because he does, but he does not play an intentional antagonist the entire time, even in “secret”.
“i was just talking about how hypocritical and downright ridiculous his later accusations are, which you didn’t address.”
how are his later accusations hypocritical? wilbur calls him a tyrant in the moment, yeah. wilbur thinks that he should be able to do whatever he wants, and since it’s the dream smp, he assumes dream is the leader. dream never contradicts this, by the way. wilbur writes in the declaration of independence that “in the course of human events it becomes necessary for one to dissolve the bonds which bind us. disregarding of this truth is nothing short of tyranny.” so that’s what he considers tyranny. when he got stopped from selling drugs and tommy got arrested, he didn’t yell “tyranny”.
mistreatment of citizens by authority and denial of independence is tyranny.
dream and the people of the greater smp hurt and attack the people of l’manburg throughout the wall stream. importantly, since they denied l’manburg independence, the people they were firing and attacking were their own citizens in their eyes. mistreatment of citizens is cruel. upon hearing that l’manburg existed, they became even more tyrannical. thus when wilbur writes this in the book, as they are being fired on, he believes this to be true because it is.
“despite there being no evidence” watch the wall vod. think about the definition of tyranny, and even the different definitions of tyranny.
“a capitalistic empire on dream’s land” so wilbur did have reason for thinking dream was the leader, yes? because it was his land? his “house”? how dream said they were taking back the land that was rightfully theirs? how he called them “traitors to the kingdom”? ignoring the fact that once again, wilbur did not say anything negative towards dream until dream showed up and insulted l’manburg.
wilbur’s form of lying and deception for the drug empire was the norm for the server at the time. we don’t see him pulling this sort of exaggerated bit once he gets into l’manburg, because he’s idealistic and he really believes in it. if you watch tommy’s stream where wilbur first proposes the country, he jokingly says the reason he’s making it is because “americans ruin bits”. also during that stream, tommy asks if they’re making a drug empire, and wilbur says that no, they’re making a nation where drugs are legal.
“didn’t even do that much” hmm. no, i’m pretty sure dream and the people of the greater smp did do the stuff wilbur accused them of. one, he wasn’t directly accusing dream, (because. his problem wasn’t with dream specifically.) and two, the things he said in the declaration did happen?
“they have robbed us.”
to be fair everyone on the server did that lol
“imprisoned us.”
tommy was imprisoned for the drugs and for other things he was involved in, and tubbo was trapped and murdered for a thing he didn’t even know he had.
“threatened us.”
they were fired on multiple times when building l’manburg, they were threatened with consequences for the drug stuff, they told them in pretty clear terms that they were prepared to kill them instead of letting them be independent. the day of the war, dream and sapnap burned down all the trees around l’manburg and lavacast walls around it, saying it was a “warning”.
“killed many of our men.”
again, true. tommy and tubbo in particular died a lot during this time.
so since these things really did happen, how is wilbur lying about them?
“the people he was accusing of being tyrannical were very selective”
one, he accused sapnap of being an american, and it was the americans that were going for them. you don’t need to protect people that aren’t being hurt. most of his reasoning for “no americans” during this time was that anti-mask protests were happening in america, and he was making fun of them. two, the others imprisoned tommy, which does not count as “self defense in an anarchist society”. they accepted tubbo because he was european, and because he was willing to work for the nation like the rest of them. sapnap just wanted a drug dealer.
“dream’s “no factions” thing he had going on also included no government by default, showcased by him having problems with people starting countries.”
if there was no government, why did dream never point this out when wilbur said he was seceding? the server is dream’s faction! he doesn’t want “no factions”, he wants only his faction. dream refers to the server multiple times as a nation, and even a kingdom. anarchist societies don’t have prisons. the prison and the police is a system. if you have an anarchist society, but two specific people are going around arresting people, them going “oh but there’s no government” doesn’t take away the fact that they’re creating a hierarchy, using their own power? they also never claimed that there was no government.
everything that dream said later in the conversation with skeppy also lines up with this. ignoring the fact that there was a monarchy established because it “didn’t have any real power” is disregarding the fact that one, it was there, and two, that there was someone around with enough power to establish it in the first place. i don’t know how to say this any clearer. anarchist places do not have kings.
and anarchy is not the only thing that fits. it wasn’t designed to be a geopolitical drama, they just made the mistake of letting wilbur soot onto the server. so they didn’t need to have a name for the system, because the system was “do whatever you want”, including establishing authority.
“dream had all the reasons to believe they were aggressive and was fully justified in declaring war.”
dream didn’t declare war because alyssa was attacked. he had done stuff to them before that happened, and they got back all of her stuff (again, not by asking and trying to work it out, but by kidnapping someone who genuinely believed they were innocent and killing them as they begged for help.) dream started the official conflict because he declared war. he also started the unofficial conflict. he didn’t think they were aggressive, he thought they were weak.
“if he (wilbur) thought he was being mistreated he could just stop trying to mistreat others”
what, because he had any sort of power? he did stop mistreating others. l’manburg legitimately did nothing to intentionally hurt anyone, and tommy killing alyssa doesn’t count because that was his decision and revenge was already paid out for that. so wilbur stopped scamming people, built the walls to contain his country (he said that they needed nothing outside the walls at some point) and then was attacked multiple times. his mistreatment didn’t stop.
“it was supposed to be his l'manberg.”
wilbur didn’t destroy it because it was supposed to be his and it got away from him, that’s why he held the election: to try and restore peace through attempting to rig the election. he destroyed it because “the thing i built this nation for doesn’t exist anymore”, meaning the freedom it originally granted to its citizens was gone under schlatt. meaning the policy of no violence and using words was ruined. if the thing he built this nation for was power, this would make no sense. he could have taken power so easily. he passed off the presidency.
“something worth having power over” is something important. it is something that can be good for lots of people, and the power over it is what makes it safe. it’s worth having power over because when others, like schlatt, take that power, it is no longer safe.
violence and tyranny had become so much a part of l’manburg that wilbur felt the freedom and peace was gone. so when he blows it up, and says “my l’manburg”, he means it can no longer be used for evil. “my unfinished symphony, forever unfinished”. he saves it for himself by destroying it. so yes, he is being selfish, but not to ruin it for other people. he takes it into his own hands to weed out the fighting, and by doing so takes himself with it. his vision was never complete, because the wars had taught him that the only true freedom, the only true victory (“i won.”) for him was in death. (and then that turned out to be wrong.)
there’s a reddit post that cc!wilbur approved
that explains this a little better than i can, and cc!wilbur commented on it “any truers???” so i think it can be counted as reliable.
this full quote from cc!wilbur about his character (from his hey and stuff podcast) is very interesting. i’ll transcribe it here:
“i decided i was going to make a breaking bad style roleplay, where me and tommy would be drug dealers. and uh, one thing lead to another and i’m the president of a nation losing it due to my own insolence and uh, short sighted naivety. basically disregard for my fellow citizens who i claim to love so much. and a, and a dark, twisted understanding of what is possession. and what is, what is my right.”
i like this quote a lot because it highlights the initial traits that caused his spiral. it also places him as kind of similar to dream. the reason he lost the presidency is that he got too cocky. and the reason his spiral was so selfish is that it was all he could see— when his earlier vision of freedom was shattered by the first war, he didn’t know how to adapt and so became attached to power as it now felt like the only way to keep what mattered to him.
this is emphasized in his conversation with quackity during his second lore stream: that there was a drastic change between the person who made l’manburg and the person running for president. this quote matches up very well with the election arc. wilbur’s motives were different before the election, and they were different after.
once he had the freedom that he wanted, he became scared of losing it and that is what pushed him down. “if i can’t have it, no one can” is on the surface about the power, but the lament for what he once had (freedom in a country without tyranny) is there. that’s why he became so power-oriented. if he did not have control of l’manburg, it could be used to go against his original vision and it would be better off gone.
another good piece of information is cc!wilbur’s comment on his dnd alignment post, where he says this:
“wilbur is on the border of chaotic and neutral evil. wilbur, in his chaotic sense, is a crazy man who wants to blow up his old nation and kill his friends. but, more realistically, in his neutral sense, wilbur is the archetype of a man who had great power and who lost it all due to his own poor choices and negligence who sees destruction as his ratification.”
note the “realistically”.
he feels as if he owes it to l’manburg at the end to blow it up, and he didn’t mind taking himself with it as he thought that nobody cared about him anymore and he didn’t have any more to give.
(related to this, in the dnd alignment post, cc!wilbur places season 1 dream as chaotic evil and says his only motive is chaos. firstly, this would only apply to season one, and although cc!wilbur was working with cc!dream and everyone else to write the plot here, i wonder why he says this instead of saying anything else about dream’s motives. this seems to disagree pretty severely with what you think, but it also disagrees with what even i think about dream during this time.)
revivedbur comes back and has plans because he regrets his past. he hates that he gave up that easily. and he could absolutely lie about his past actions! there is no reason to ignore the contents of an entire war because someone who was alone for thirteen years says it!
“shouldn’t have it” doesn’t mean he was lying when he said he wanted it. he was just wrong, which he knew when he blew up l’manburg and that’s part of why he did it.
“they said they “fought with words”, like that doesn’t sound like a peaceful solution, more like a different approach, and it was because that is what they did”
they said the words thing a lot of times, and most of the time it was used as a “tommy don’t attack that person.” and “fighting with words” is arguing, it is replacing the trauma of real battle with talking it out. l’manburg did stick very closely to their motto of words over violence. look at the contents of the first war.
and once war was declared, wilbur was enthusiastic for it. sounds suspicious from someone claiming to not want war, right? he said it was a chance for them to prove themselves, to prove they could rule themselves. he also said that if they could defend themselves it would be proof. he never went “time to attack them”, and when he said he didn’t want a war in the past he meant that he didn’t want to start one. his being enthusiastic about the war ties into his naivety about running a country. it was also an acceptance in a way, no? it meant that the greater smp saw them as something worth declaring war on.
and it’s heartbreaking seeing him so excited to prove himself, because we know that the experience of the war is what lead to his spiral and his cynicism as president. we know that a few weeks later, he’s going to be crying into his pillow every night.
for the clip (the “something worth having power over and then you get killed by your dad” clip), i kind of don’t know what to say. i don’t think this is a clear condemnation of the entirety of l’manburg’s beginnings, but i do think that i was probably reaching a bit with trying to interpret it. there are definitely a lot of ways to see that, though.
no, he showed it in the first war and he clearly said it. i don’t think somebody who wants to mess with dream is going to not even think about him until he shows up, and even after then largely ignore him until he declares war.
“yes, it was worth something to wilbur, and that worth was power.”
question: power over what? power for what purpose? how did he use that power?
if it was only worth having power over, then why did he give it up? why didn’t he just kill schlatt in the first place? again i think the reddit post addresses a lot of this. original l’manburg was worth more to wilbur than power because he was willing to surrender when his life and his friend’s lives were threatened, and he told tommy it was not worth it to enter a duel and sacrifice his own life for it. after the war, he cared about power over it in order to keep peace, and then he realized that his own desire for power caused him to abandon his morals and he attempted to destroy it all.
“the greater smp did represent anarchy and peace.”
i just don’t think the ideals of the early smp line up with anarchy, and especially not dream’s actions later. he believes in forced peace, and unity under his terms although that belief is more gradual.
“see you tell me you didn’t fall for propaganda and then say this.”
it’s not “falling for propaganda” to watch the streams and interpret them. “propaganda” is defined as an attempt to spread information, often of a misleading nature. it’s what wilbur used during his presidential campaign, it’s what everyone used during the election. i do not base my opinion of his character off things that have been said about him after the fact. i watched the content when it happened.
so what about the facts that one, he wanted peace at the start, and two, that he cared about protecting his nation and the people he cared about is propaganda? it is information that i believe to be true based on my own analyzing of his actions during that time.
wilbur never says this as an attempt to lie to anyone. he wanted peace if it meant he could have freedom, but he would not attack anyone for freedom, he would defend it once he had established it. he wasn’t trying to establish an empire after the drug van stream (he says this in the vod where he discusses his plans for l’manburg with tommy) and the actions of the greater smp were tyrannical. what happened is that later, after the first war, he lost faith in peace because people continued to attack him!
“he did create division for his own benefit the way i see it.”
can you explain the “benefit” that division would give him? because like i said, his goal was his own personal freedom. he wasn’t attempting to divide people, he was reacting to mistreatment, whether perceived or real. and more often than not, people asked to join him, he didn’t try to convince them.
“yeah wilbur said it genuinely to tubbo when he first brought him armor”
as i was going through the old vods, i did find the origin of that quote (the quote where wilbur says “we go in with no armor and then stab them in the back” or something along those lines)! there’s something funny about it though. notice how he says it and then never does anything about it? and how nobody from l’manburg acts on it? because you have to look at his actions, something you emphasized that i agree with. they have more weight than his words. he also said “wanna kiss” to dream, so i don’t think this really counts as “proof” of an ulterior motive, because he said a lot of things.
“you see a pattern already?”
the “pattern” i see of his reactions to conflict in his nation is that he didn’t want to assert control in order to oppress people, he wanted to assert control to keep the peace, by rigging the election so that he had “legitimate” authority. was it a hypocritical? yeah! it reminds me of what dream was doing, too: placing his goal of peace over his wish for freedom of everyone.
the difference is that dream didn’t have any reserves about “starting an army and asserting dominance over his own people because they didn’t respect his authority and he was irritated by it”. weird that that can be used to describe dream as well, huh? and before it can be used to describe wilbur?
this is also after the first war, where wilbur learned a very important lesson! and it’s right before he realizes he’d become what he had tried to destroy. the other person who acts like this never realized this, though. it’s because he was never trying to destroy it. just saying.
“the friendships inside of it could’ve existed without, and would’ve probably been better off without being stained by war”
wilbur did not consider making l’manburg as a severing of relationships between the two nations. he even expresses neutrality towards some members of the greater smp. wilbur didn’t “make people think” they needed l’manburg, he saw it as a thing to devote yourself to, an ideology. he did not force others to think this way, although he encouraged it. people ended up sacrificing a lot for that (against their will sometimes), and so they became attached to it.
“the original dream smp was this but actually true instead of just being a front.”
ah yes, the dream smp with absolutely no hierarchies. nothing like mister “my house” at all. no “my land”, no “my server”, no “the king has no power”, no “it’s the dream smp”. /s
“wilbur didn’t fear for anyone’s safety”
hmm, no, wilbur did fear for everyone’s safety. you know, when they were being attacked continuously throughout the war? and when he finally surrendered because they were being threatened and killed?
“the dream smp was already safe”
dream and sapnap need better ways to “keep the server safe” than by blowing up people who wanted to go off and do their own thing and posed no threat to the greater server.
i don’t know how to provide “evidence” that dream and the others attacked l’manburg? the evidence is the fact that they did. again, wilbur’s initial goal was not conflict with the greater smp, it was emancipation. when tubbo was taken hostage and killed, shot at, robbed multiple times of materials it had taken him hours to get, and had his old house burned down simply because he was part of l’manburg, those were the reasons that tubbo ever fired a shot at them in the first place!
when wilbur lead his people out on the first day of the war, it was to negotiate. they dodged the arrows and went to the embassy, where they were then trapped and driven back into tommy’s house. it was then that they fought back. self defense. i don’t know what else to tell you.
“trying to end the war as soon as he could” is kind of misleading, because it implies that dream hated the violence. he just wanted to win as soon as he could. he didn’t care what he had to do to win it. no mercy.
the dream smp was not freedom because when you try to leave freedom, it doesn’t hunt you down and try to destroy you. anarchy doesn’t call you a traitor when you leave. and yeah, dream was real friendly to tommy when he continued the disk war when it first settled. and of course when your friends join a different nation, the most logical course of action is to murder them repeatedly! /s
the definition of anarchy includes personal freedom, the exact thing wilbur wanted. anarchy does not include authority, it is firmly opposed to it. i think i would place the early greater smp as more of a stateless society, if i had to put a name on it (again, i am extremely wary to do that because it wasn’t written as anything with a name. this is also a mediocre take that i don’t really believe because dream had his own faction.). a stateless society is one of the goals of anarchism, but does not encompass the entire belief.
dream’s main motivation was that he didn’t want anyone being independent. it didn’t matter who was leading it.
and i’m sorry, but you can’t just take away evidence by saying “he was lying” when there is no proof he is? if you take this conversation at face value it makes more sense! (this is about the conversation between wilbur and dream right before the “independence or death” scene)
“both sides had their losses and were ready to harm the other” what did the greater smp lose. its people? its land? there was other land, and the people could still remain friends. some of them did. dream even says before this that yeah, l’manburg is losing. and wilbur here is attempting to downplay that loss, claiming they’re on even ground because that’s what he wants to happen. he is trying to appear stronger than he really is. he’s bluffing, but it doesn’t work.
i don’t like saying “nobody’s the victim” here when one side was getting absolutely whaled on by the other. wilbur has the ability to be genuine, and he does. if he was trying to “play” the victim, he would exaggerate the damage his side had suffered. his words and his actions match up, and this is a pretty different circumstance from him doing a bit. he is a victim. that’s just straight up true.
i’m not surprised that you think this way, as you’ve said you were on dream’s side since the start, but i’d like to once again ask you to examine where you got these perceptions.
dream offering them “chances” was just offering them surrender. that’s not merciful, and it’s not fair, either. and he may not have wanted to hurt them, but he sure didn’t mind doing it. wilbur wasn’t sewing some kind of anti-dream propaganda in his nation while the battle was going on, the hatred for dream came from the fact that he was attacking all of them.
“colonize” is a bad word choice for what l’manburg was. nobody was living on that land before they got there. the land should have belonged to nobody, so why did dream get so mad about “his” land being taken? what about that specific area was so important to him, when he did have the ability to visit?
wilbur was pacifist, he was not the instigator, again i have to say i can’t offer up proof if you’re convinced that he was lying. when he fought back later it was in self defense. please watch the vods. and recognize that wilbur’s actions election era are consequences of his experiences revolution era.
i genuinely don’t understand what you mean by comparing this to exile. please rephrase your point. if you’re comparing what dream did to tommy to wilbur trying to stop dream from hurting him and his people more i have to say that’s a... questionable take. it’s probably a bad idea to make exile comparisons if you’re going to use them to victim-blame, as that’s very antithetical to exile as a whole and kid of ironic.
“i mean, what other choice was there?”
no, dream had a lot of choices. he did not offer them a peaceful way out. he declared war and then he attacked. it was then that he told them many times to surrender. and no, wilbur didn’t push them to go and die, evidenced again by the times he used himself as a distraction so that they could run, and that he didn’t want tommy to do the duel but ultimately respected his decision and his freedom.
“dream constantly asked them to give up instead of fighting.”
dream has a responsibility to not attack kids. dream also has a responsibility to attempt any sort of peaceful negotiation. tubbo was boxed and murdered before war was declared, and tubbo personally had done straight up nothing to the people of the greater smp, and he didn’t even know why he died until tommy saw that alyssa’s pickaxe was mixed in with his stuff.
if wilbur claimed to wish to prevent violence, and then he did, or at least attempted to, i don’t know why you think it’s untrue. calling someone a rude name is not equal to murder. “verbally violent” means pretty much nothing and was coming from both sides.
(this next part is about the “let me be your vassal” scene in pogtopia)
“there’s a theory wilbur legitimately thinks dream selfish”
i mean, yeah. i think that kind of sums it up. wilbur was appealing to dream’s personal goals. i don’t see how he was shut down though. he already helped pogtopia, so him being asked to further help someone from pogtopia shows that they trusted him enough to tell him the plan.
i’ve watched the clip a lot of times and i think that the meaning can be ambiguous. i am using dream’s other actions during that time to determine how much of an effect i think it had on him. i don’t think he got “shut down” in any sort of meaningful way here.
“he didn’t seem to hold even that against him as he tried to help get back l’manberg with him.”
if dream didn’t hold the disk thing against tommy then, he sure decided to get mad about it later (he brings it up when arguing with quackity), despite the fact that he had also re-opened the conflict in the past.
“i believe they (dream and tommy) had genuinely been friends once.”
sure, i think they were friends before dream did what he did with the disks, and allies during early pogtopia. dream still decided to switch sides and team with manburg because schlatt offered him the book. this is, ironically, dream abandoning tommy.
“he has a sense of responsibility (not control) over the people on his smp.”
i think it can be responsibility and control. most of the responsibility is misguided, and lots of it is just actual control. i don’t know where you’re getting a lot of this.
and i do not know where you got that his fatal flaw was caring too much? he “cares” in the way of having control! he doesn’t care about the well being of others as long as he thinks he’s right. i’m just saying that he sure could have walked away, because he did just that later when he sided with schlatt. it’s not a speculation about his character when it’s something that he did.
him walking away did not entail complete surrender to wilbur. there were a lot of other things he could have done, but i don’t want to get into “could have”’s as i don’t really think there’s a point. wilbur was attempting to convince him, yeah, but that didn’t mean it was true. we know that wilbur was lying about wanting ambition.
also, i don’t think dream was allied with pogtopia because he liked them or he was trying to be better or anything. he said in “tyrant” that it’s because schlatt was worse, and wilbur didn’t have any ambition to expand.
“maybe you misunderstood something i said, but no, he definitely didn’t.”
okay, so since dream didn’t think wilbur was a villain, wilbur was not “pressuring him” into becoming one by helping him. my point was that dream didn’t think that, and wilbur didn’t care. sorry for not making that clear, i was asking a rhetorical question.
(i said here that “someone calling someone else out for hurting them is not the same thing as villanizing them,” and they responded with this)
“yeah, they are. and dream was villanized.”
oh boy.
vilify: to utter slanderous and abusive statements against, to defame.
(i probably should have been saying vilify instead of villainize because they mean the same thing but i straight up did not know it was a word, sorry lol)
slanderous means false and malicious. abusive means offensive and insulting. defamation is things that are not true.
if somebody says, “this guy punched me.” that would not be vilifying them. it is a true statement with a neutral tone. if they add “he is a bad person”, that could possibly be seen as abusive, as it is insulting, but the point of vilifying someone is that you are making them out to be someone they’re not. it involves the use of lies and continuous exaggerated language. slanderous and abusive. abusive only is not enough to classify something as vilifying.
someone reacting to something dream did by calling him a name is not vilifying him. it is true that he did the thing, and it is also true that the person saying it believes it. it is rare that someone criticizes him without real reason or goes overboard (the person who really does this as far as i can remember is tommy), and when tommy does so it is almost always reciprocated. so we have dream and tommy constantly vilifying each other, and other people saying negative things about dream and sometimes vilifying him, if they lie about it. he sometimes vilifies them.
my point is that vilification is not wilbur telling niki, “dream burnt tubbo’s house down”, despite the fact that he calls dream a bad guy. it’s not slanderous because it is true. dream assisted sapnap with the act. vilification is not tommy explaining to ranboo what was happening during exile, or telling dream that dream makes him worse. “someone calling someone out for hurting them” implies truth, and it doesn’t necessarily imply abusive language, but it doesn’t matter because it’s true.
maybe we were going off different definitions of vilify. but when we’re accusing characters who are victims of abuse and manipulation, we need to be careful with what we accuse them of.
anyway
wilbur saying he wanted to use the tommys of the world was left in the drug van stream. tommy himself was pushing a lot of the “dream bad” stuff because he had more experience with him. when tommy was confused during those two scenes (vassal scene and revivedbur calling dream his hero)it was because he believed that wilbur respected him, and wilbur working with or idolizing someone who had hurt tommy in the past was a contradiction to that belief. wilbur does not question tommy’s anger during the vassal scene because he doesn’t care that dream is bad, and when he is revived he either does not believe it or does not want to acknowledge it. revivedbur cares a whole lot more about power for the sake of power than wilbur ever did.
again, tommy isn’t stupid. he has his own reasons for not liking dream, and the disconnect comes from a place of trusting wilbur.
by the way, wilbur left the vc before saying that tommy didn’t care. he was talking to himself (and chat). and he was more fearful that tommy was leaving than angry. plus, he didn’t actually force tommy to give up his house: there was miscommunication between them and the embassy was the power tower in the end. wilbur just wanted confirmation that tommy would spend time in l’manburg. it’s true that he went about it in a bad way, though.
he didn’t push patriotism onto them, they were also excited about the country. there were other scenes beside the tyrant scene, and the amount of times wilbur had to tell tommy to shut up about how great the country is is a lot higher than the one time he had them call dream a tyrant.
true, that scene (scene where wilbur asserts his authority as president) is before pogtopia. it’s also after the war for independence. i am not saying that wilbur should have said any of that stuff. i’m just pointing out that it wasn’t always like that.
also i do not really see “you’re never gonna be president” as a taunt or manipulation or anything. i think wilbur genuinely believed that having tommy in charge of the country would one, get them into more conflicts, and two, mess up tommy mentally. being the president sucked and wilbur knew that. wilbur was not kind to tommy. but a lot of stuff that’s pointed at as manipulative is pretty clearly wilbur’s own paranoia spilling over in a desire to protect tommy, ie saying that tubbo would betray them. wilbur genuinely thought that and he was trying to warn tommy.
“tommy, when i said you’d never be president, it wasn’t a challenge. it’s true. you’re never going to be president.”
tommy’s life has been hard, that’s true. not disagreeing with you there. but not every adult has been using him the whole time. and if you’re looking for fault, i would personally look at the guy who killed him three times first, just saying. other things had impacts but there’s a clear scale.
“tommy formed an attachment to them as a result of the disc war, not the other way around.”
so yeah, initially it was a shallow trade: the disks for the armor. once that conflict was resolved, and tommy apologized, that should have been the end of it, yeah? especially since tommy now had a stronger connection to the disks? that would have been nice.
the problem is that dream took them back for no reason. because he did, he went back and dug up tommy’s whole front yard and spawned months of conflict after. having “leverage” over someone like that is kinda messed up! it’s not like tommy was going around committing mass murder every tuesday, he got in scraps with other people on the server who also committed petty crimes. so i can’t really blame tommy for wanting them back, even though he stole them.
and if dream didn’t care about the disks, why did he later use it as “proof” that tommy caused all the trouble on the server? if they were so worthless to him that he gave them to skeppy, why did it matter that tommy stole them?
i don’t know what you mean about this being the only way dream could control people. the amount of genuine fear other characters felt when he logged on was there for a long time. he held a lot of power on the server, and a lot of his control was physical, evidenced by exile in particular but also the wars.
when he did ultimately use connections to control people, that was still a bad thing.
“his friend’s house got burnt down and he wanted the person who did it to be held accountable?”
okay, george’s house got burned down. do you remember the initial punishment that dream proposed? probation for tommy until he was eighteen. and when dream was arguing with his friends, he pointed out that the only reason l’manburg was being held hostage for tommy’s crime was that tommy was involved in the government. he said that if tommy hadn’t been involved in the government, he probably would have just hunted him down and killed him.
also, someone responding to this pointed out that dream was trying to frame tommy for things at the time. dream was intentionally creating other conflict in order to get to tommy. dream did not care about the house. he burnt down other people’s houses.
that’s not “holding someone accountable”. that’s not even close.
“he was taught this from experience”
the leather from the horse was used to blackmail him after he had already started doing that to people. you know how tommy mimicks him? that’s what was going on (still bad that he did it but like. come on.) so that may have been the push that caused dream to cut his own connections (so that nobody could ever do that to him again, and he would have no chance of failure), but it didn’t just happen to him for no reason: it was a behavior he taught someone else.
“he did genuinely think he was a villain before the war”
tommy called dream a lot of stuff before the war, and most of it was unprompted by wilbur. a lot of it was also, like you said, two friends joking around. just because wilbur taught him a new word (he didn’t really tell him what it meant though) doesn’t mean he was manipulated into using it all the time or something. and i’m pretty sure tommy got a decent definition of tyranny later, when the greater smp decided to attack l’manburg before anything went down.
“it’s just a character acknowledging what people who looked deeper into the narrative already knew.”
what i’m saying is that narratively, wilbur has an extremely good reason to be biased right now. taking anything he says as truth doesn’t solidify an interpretation as truth. there has to be enough evidence to actually back the entire thing up in the first place, and i’m just not seeing “wilbur was always going for power and division” as solidified by his actions during the first war.
and again, tommy’s not stupid, and the entire time tommy is yelling at him! tommy knows something is off! if people also in the story are saying “this isn’t right”, i feel like they’d know? tommy was also part of l’manburg, he has an opinion too. so when he says “we founded l’manburg because we knew dream was the bad guy”, he’s talking about why he did it. and he brings up a good point: “you say you did it to stick it to the man, but you’re idolizing dream, who is the man”. (paraphrased i don’t know his exact words but this was his point) this shows that wilbur’s motives have changed, even from what revivedbur will say.
(they linked three twitter threads here. i don’t know if relinking them here is a good idea as the whole point of this separate post is to disconnect the two sides, but the threads were by dr3amofagame on twitter, for reference purposes. i’m not going to link the independent threads but i think people can tell which ones i was responding to.
if this is wrong to say who made them please let me know, i do not know how Any of these websites work. if you’ve read this far, please don’t try to like,,, look up who any of these people are (especially the person i was debating with. don’t do that /srs) and send anything bad to them. that’s the whole point of this separate post. if anyone sends negativity directly towards people because of this post i’ll bite you)
that first analysis has some Opinions. oh man.
i don’t know man i’m just going to point some things out:
-the person who wrote the thread pulling the “child” card makes me laugh because tommy had committed more crimes than wilbur at that point. ah yes tommy innit innocent child being horribly dragged into a giant war by evil wilbur /s
-wilbur did not call dream a tyrant before dream showed up and made fun of their land
-wilbur did not legitimately think dream a tyrant when he told tommy and tubbo to call him that. neither, really, did tommy and tubbo. it was a joke. like infinite women. like dream saying “i’m evil” when he was blowing up creepers on their land before the battle. like dream and sapnap being all “down with the british”.
-their attitude on that changed when the greater smp begin exhibiting tyrannical behavior (before war was declared!).
-“having tommy and tubbo fight his battles and build his walls” is just untrue
-the l’manburg anthem was, one, not written by wilbur (he commissioned someone to do it on fiver), and two, was written after the first war. they sing it in the stream where niki joins. so yeah, at that point, they did emancipate from the brutality and tyranny of their rulers! it doesn’t say who the rulers are (therefore it’s. not blaming solely dream.) but pretty much all of them were brutal!
-also oh my god this thread has a lot of things that wilbur just straight up didn’t say (or do).
-“would rather die than submit to your tyrannical rule” is a quote from the speech wilbur gives before dream lights the tnt. dream had done stuff to them at that point. this is out of context.
-i don’t want to seriously critique this thread because a lot of it seems more like something emotional than an attempt to start conversation, and i can’t really go against that.
-the main argument, that dream did nothing before being irreversibly forced into the role of the villain does not really match up with what happened.
-there’s a lot less of people calling dream a villain than people seem to remember.
-and also, dream was lying about wanting l’manburg to be something. he says to eret a few days later the quote that i included a while back, that his goal has always been for there to be one faction: the dream smp. note that at this point he’s officially on manburg’s “side” now. he also says he has never wavered on this from the beginning. so he’s either continuing his manipulation of eret and lying to them, or he’s just saying that he wants l’manburg to be something to wilbur and tommy to try to get them to trust him. and hearing him yell “YES!” after the explosion? i’m inclined to think it’s the latter.
okay, so then looking at the second analysis:
-once again, calling wilbur a colonizer? there is a definition of that word that matches up with his actions, but that definition is something establishing itself in a place. by that definition, everyone on the server is a colonizer. so calling just wilbur that seems... a bit weird, considering that the common definition does not match up with what he did.
-“got his (wilbur’s) entire side killed” ignores the fact that it was Dream And His Friends Who Killed Them hghfnjgnfm
dream: wow wilbur you’re bad at this war thing
wilbur: please stop killing us
dream: how could you do this to your people
wilbur: you??? declared war???
dream: no you don’t understand. i had a really good reas—
sorry sorry i’m just. yeah
-also this thread reminded me that “tyrant” (the book) exists and yeah, i do see your point that dream did care about tommy (a little bit). i just wonder why he turned against him again? and why dream is willing to admit here that l’manburg was peaceful, and also that wilbur was not like schlatt in some key ways?
-and again i don’t see wilbur calling dream a villain during the vassal scene.
-some of this thread is just speculation. i’m not going to consider “wilbur may manipulate dream in the future because they had a conversation in the past”, especially because revivedbur’s mental state right now is godawful, because i don’t think it holds any value to examining the past. the important part is the breakdown of the vassal scene.
-i’ve already said what i think about the vassal scene. dream wasn’t getting tossed around during that. just because he’s quiet doesn’t mean he’s being manipulated? and wilbur isn’t going “you think this”, he’s asking dream what he thinks by paraphrasing what wilbur’s heard from him before, and adjusts it once dream corrects him. i do think this one is more open to interpretation though; this is just my opinion and it doesn’t have a lot of stuff to back it up lol but i’m not convinced either side has much evidence
and the third analysis:
-dream had no idea what kind of government they were setting up there. he didn’t ask, so he wouldn’t know if it was a dictatorship. and again he was allowed on the land, he just never built the embassy. the “no americans” rule was weakly enforced during the first war, and the reason wilbur got so serious about it later is that the americans were the ones who went after him and killed everyone during the war! so he had a reason to want them off. objectively a bad reason? maybe
-it would be cool if dream said “hey don’t do this here’s why” instead of stomping off during negotiations and then coming back to beat them up and declare war. he didn’t though
-the problem people have with greater smp vs. l’manburg is scale. the greater smp was quite literally infinite, and l’manburg was a small space. there wasn’t anything important in l’manburg that other server members needed to get to. people could still leave to visit their friends. they didn’t legitimately hate americans. but nooo, you can’t have the table because it’s my table. what if you do something bad with the table? remember when you tried to sell people “better air” for three dollars and then took someone’s air conditioning? you just want power! i’m going to go bring back rubber bands to pelt you with.
anywAys moving on
no, i do agree with you on the sam stuff. for some reason i was under the impression that cc!sam was uncomfortable with being depicted as torturing dream a while back, but with the stuff happening with quackity now, i’m reasonably sure that doesn’t apply. they don’t retcon stuff that was intentional but there may have been something taken back a few months ago before they planned this.
but yeah, clearly the prison stuff is awful and messed up. that’s why i noted the thing at the start of the reply: i am in no way saying that anything sam or quackity have done to dream since prison hasn’t affected him. these are things that i see as having visible impacts on the character.
(i pointed out that dream originally commissioned the prison)
i understand that it’s frustrating to hear that used as an excuse, but i wasn’t using it that way. i was pointing out that neither of them deserve it. during the vault stream, dream tells tommy that his plan is to put him in the prison. he says that exile was “perfect”, and the only issue was that tommy could get away. putting him in the prison fixes that.
so yeah, what dream was planning to do to tommy is different than what’s happening to him. but the reasons that other people wanted dream in the prison match why he wanted tommy in there: like you said, it’s a vault. it’s so he can store him and use him later, to give attachments and thus power and control over others.
tommy’s original plan was to kill dream. ultimately, he didn’t want him to suffer more, he wanted him gone. nobody on the server knew yet that death was limbo, and tommy probably thought it was mercy for someone like dream. dream was the one who brought up the book, as an attempt to save himself. he will say whatever he needs to say to avoid death, because anyone would (except someone like wilbur who’s. accepted his role. you know?) so he’s the one who reduced himself down the the book, saying if he goes, so does it. that’s when sam suggests the prison.
true, the arc is dark. this is where sam’s actions become corrupted and he loses sight of some of the responsibility he claims to have. it’s also the arc where dream lied to tommy that he had changed, and pressured him into staying by saying he was his friend. it’s the arc where dream kills tommy, and doesn’t allow sam to come get his body for days. it’s the arc where dream gets even worse, whether because of his time in the prison or because of his peaked god complex, probably both.
and again, my problem is that criticizing characters for actions they didn’t take is pointless. it tells you not much about the character, and considering the circumstances of what dream had done it does make sense for none of them to step in! they are looking at the fact that dream had an entire vault dedicated to controlling them. they are seeing that dream was fully prepared to murder tubbo and lock tommy away forever to be used. they are witnessing tommy giving dream exactly what he got.
so “acknowledging” this does nothing useful! we do not see these actions (or lack of) specifically affecting dream. i can tell you what dream told people he was doing, and it matches up with things he had done in the past, and there are moments he denies the narrative that you say drove him to do this. but i can’t really prove anything when you say he’s lying here because it fits how you interpret the story.
it’s what you’re saying people are doing to revivedbur: saying he’s lying without any proof, when with him there is evidence and he has the motive to lie. when revivedbur lies, tommy calls him on it. tommy doesn’t call dream on it. i’ve laid out why i think it’s not true, and i’ve seen stuff in early canon that directly contradicts what revivedbur says. occam’s razor! many pieces of evidence versus a few statements from someone who at that point commonly lied about things like that.
dream standing by while tommy and the other citizens get killed in l’manburg by his own orders isn’t very peaceful or non-tyrannical of him. tommy was enforcing an eye for an eye, and to be honest? i don’t think “kill your abuser” is such a terrible message to send, despite the fact that we know that tommy’s coping mechanisms come from a bad source. and tommy was far from free of what dream did to him, as evidenced by later when he again attempts to mirror what dream had done to him in the past.
yeah, i read your analysis of the interaction (skeppy and dream arguing over l’manburg). that’s not the only interpretation. skeppy doesn’t call him the villain. he is repeating back to dream the actions that dream took, and dream tells him he’s making him sound bad. skeppy wasn’t influenced by any “propaganda” you think l’manburg was putting out while they were getting murdered. skeppy was an outsider who was calling it as he saw it.
and if other people saw what dream was doing as bad, maybe he was... doing bad things? for bad reasons? skeppy was critical of dream for his actions. talking over somebody does not certify it as “twisting words”. skeppy was accusing him of doing the actions, like “so you did this? you started the war?”. dream was defending the logic behind his actions, like “well i did it because.”
basically
skeppy: hey it’s kind of. messed up that you killed a bunch of people. you know? you kind of just attacked them out of nowhere
dream: no no no you don’t understand. i had a really good reason
skeppy: i don’t see a reason?
dream: you’re making it seem like i didn’t have to do this
skeppy: you d i d n ‘ t
and skeppy didn’t finish the conversation with “you’re lying” or “you don’t know what you’re talking about”, he just told him he was wrong! as in his actions were cruel and needless! “people must have hated coming to your house”.
(they asked me to name one person who dream cut off first)
okay, name one? puffy. sam. punz? he did cut them off, he straight up told tommy he did it, and making a place in the vault for fran when sam had done nothing but work with him? and they didn’t “show up ready to kill him”, they showed up to see what he was doing. so he tells tommy he abandoned them, and indirectly tells them with the spirit scene. sapnap and george noticed this, and called him on it, but he just said he didn’t mean it?
if dream “wasn’t as close” with sam/puffy/punz, why are we putting responsibility on them for his actions.
so sapnap and george walked away from him, but because he did something to them. and puffy didn’t abandon him. punz didn’t abandon him, punz got paid off because that’s what punz cares about: money. he’s a mercenary.
using “they left him first” for sapnap and george doesn’t allow for why they left him: because he wasn’t treating them fairly. he isn’t their parent, he’s their friend, and he wasn’t acting like it.
“he was hurt and abandoned to the point” “he ended up hurting people doesn’t negate the fact he was hurt himself first” “the environment they all were a part of pushed him this far, and that’s just what happened”
so you’re saying it’s right that the reason dream did bad things to people is because bad things were done to him first? because dream was definitely the one who got attacked first during l’manburg. because he just cared so much about george that he kicked someone out of society just to defend his honor. /s and then, because his real purpose was protecting george, he went back and tried to make things right with george because it wasn’t about tommy? oh wait, he didn’t. he focused on only tommy. because george’s house was an excuse.
“that’s just what happened” is a bad take on “people got abused”. the fact is that dream started a lot of the conflict. looking at the retaliation and self-defense that people did towards him and saying “he got hurt a bunch that’s why he did the later bad stuff” completely negates that he started it? and his “retribution” was always exponentially worse than the actual crime committed?
dude, i’m just trying to point out that the story says he cut people off. yeah, he was hurt at times, but that is not an explanation for what he did. it’s not even a logical cause, because we do not see it affect his character. the subtext has gotta be there. the fact that he was hurt does not make him any more justified.
“circle of violence” does apply (not all of them, though). but in this situation, it’s a kid stealing someone’s lunch money, and then the other kid breaks their nose. the first kid punches the kid, the second kid puts them in the hospital. when the retribution dream gave was always worse than whatever happened to him, the issue is not “look at the people hurting him”, it’s “stop him from hurting people”!
so clearly dream needs some kind of therapy (not from puffy though i’m not letting him near her /hj), because just killing him would be a permanent solution but it would upset people who like his character. the prison is awful and not going to work. my personal solution for him is to send him out somewhere a long way away, so that nobody he’s hurt has to see him again. maybe people that wanted to go with him could, and it would be like a new smp. but when that idea was proposed, tommy said darkly that he was always going to come back. maybe it’ll be the solution in the future. who knows.
if the mistakes were unintentional, why criticize the characters for them? and what about “the environment” besides the other people changed how dream thought? a lot of it was internal.
we have him exiling tommy as a weird, desperate plea for friends (not really) when he very much could have gone back and spoken to the people who were his friends. we have him continuously saying that tommy causes all the problems, and he needs to be “restrained” or “controlled” or whatever other excuse he came up with for taking away a person’s free will.
we have him obsessing over the disks, and we know it’s not about the disks, it’s about power over tommy and power in general. he says this in the vault. he says this at the community house scene. his progression is towards a twisted sense of possession, same as wilbur, oddly enough. but they are different in that wilbur is possessive over the idea of freedom that he created with l’manburg (and having power over that) and dream is possessive over control over all.
wilbur’s idea is ruined. he tied his sense of self to the nation and when it was used for corruption (kind of by him and mostly by others) he saw himself as corrupted and decided to take them both out so that they couldn’t hurt anyone. he admits his own fault to the point of self destruction.
dream’s idea is threatened. other people live there, other people want to do things, and so he becomes so attached to the idea that it’s his server and he will do anything to control opposition. he cannot admit his fault unless forced to.
wilbur would do anything to control a tool of power, because he wanted to not use it as that tool. wilbur wanted anarchy at the end. he says so in his last presidential speech. his naive views about freedom from the start of the server had worn off, as he saw people use power as a tool in a way that he had never intended or meant to use it.
wilbur created the election so that he would have an actual authority over the land, and he could stop the fighting of its citizens. he thought he knew better, kind of like dream did. this is when his motives get the most twisted and selfish, he wanted peace so bad that he would take away freedom for it (like dream). but when he lost, he accepted it, and that’s the difference. he saw the desire for control in his own actions, and hated himself for it. that’s why he wanted to blow up l’manburg, to take away the tool for power and the person who had been tempted to use it.
wilbur was a good leader in the political sense (dream admits this in “tyrant”) but when he stands before the rubble of l’manburg and calls it his, he’s saying that his rule would only lead to destruction. anyone’s rule would. power corrupts. l’manburg ruined is his l’manburg, it’s his original vision of complete freedom laid out before him, and tracked to its inevitable end.
so then, you would say, dream was right, yeah? he didn’t want l’manburg. but wilbur before he explodes l’manburg doesn’t like dream. he thinks dream’s right in that factions lead to oppression, no matter how good the intentions, but he also knows that dream was a little too willing to hurt them and that dream doesn’t believe this. dream does not want anarchy, he wants chaos but only if it gives him control. he treats the smp like his country, and once again, power corrupts.
went off there, sorry. dream and wilbur are similar but different in some very important ways.
sapnap had been hurt by dream before the vault, and as dream didn’t see himself as in the wrong, he didn’t reach out. sapnap was with pogtopia (wait this might be wrong i do not remember but he was definitely on l’manburg’s side during doomsday) because tommy had shown him more kindness than dream, and that was originally dream’s side. dream just turned on them for the book.
and sapnap also witnessed dream mocking tubbo, making fun of tommy, exposing ranboo. he heard dream going off about how tubbo was so stupid for thinking dream was his friend, for thinking dream cared about him. why would sapnap side with dream if dream was showing no signs of even wanting him?
sapnap accused dream of that, and dream did not listen to him. he could not see the other side: he was so convinced that he was right. we do not know if sapnap went into the vault with the intent of killing dream. i’m pretty sure most of them were there to see if what tommy had said was true. and then, sapnap saw that it was.
nobody abandoned him because of the vault because he had already abandoned them. they just made it mutual. it being a “consequence” of stuff doesn’t make it any less of a messed up, power hungry thing to do, and some of them had done nothing to him before he decided he needed to control them. he was planning to use friend to control ghostbur, who he had already taken advantage of and tried to kill once.
“people do not decide to isolate themselves for no reason.”
true, people don’t cut themselves off for no reason. the reason was power and control. i once again have to emphasize that nobody forced him into this: it was a spiral. other people didn’t do everything “first”. the small taste he got of his own medicine was a poor mimic thrown at him by someone he had done terrible things to. he started spiraling before the spirit scene happened. and if people are telling him he can’t achieve peace, maybe they’re just... right? did he go up to someone and go “i don’t know how to make this server peaceful :(“? because if he did, and if they then pointed at his long list of war crimes and told him not like this, i don’t really see that as anything more than a consequence for things he had already done.
someone can lie about what they want. maybe he did originally want peace, or maybe he was lying to himself that he did. l’manburg did not invite war. he wanted unity above peace, and that “unity” dissolved into “control”.
it was a defense so that nobody could control him the way he was going to control them. cutting himself off was out of fear, yeah. collecting everyone else’s items? power and control. he says this a ton of times, sometimes not even out loud.
i did rewatch the vault vod. that’s how i got all the quotes of him stating his motives. i’m not saying it was a healthy thing to do at all. i never said dream was mentally healthy, i said he had a god complex and he was obsessed with control. someone’s bad mental state can hurt others as well as themself, and they’re still responsible for the others and for trying to be a better and more respectful person. that’s why revivedbur’s “apologies” mean nothing right now.
“he lists his reason for starting the war as them declaring independence, so i don’t think it really matters when the official document was sent.”
it does matter a little bit, actually. they were already attacking l’manburg before official war was declared. they also attacked them during the peace period. wilbur wrote the declaration as he was standing on the roof of the caravan, being shot at by the greater smp.
a country becomes independent when it officially declares itself to be independent. they were still united; it was tyranny.
when dream saw that l’manburg was writing the declaration, he scrambled to declare war. he had reopened and started other conflicts in the past, and involved himself in places he did not need to be. it’s true that a response is a response, but you cannot treat all responses the same way. quackity’s “response” to the things dream had done (killing tommy among those) was to torture him. we do not consider that good, or fair, or “just a response”, we consider it cruel and unusual punishment.
the greater smp fulfilled the words that wilbur had not yet written in the document, and that’s because they weren’t a prophesy, they were a history.
“...would be completely honest about (dream’s motivations in the vault) in front of his biggest enemy. /s”
i don’t see evidence that dream wasn’t being honest. what did he have to lose by it? tommy could do nothing to hurt him. so yep, he would be honest about it. and he’s listed his reasons as power before. he also has the ability to tell the truth about his motives.
dream does not see tommy that way. he sees him as someone whose only positive contribution to the server is attachment. he tells tommy that evil is relative, and to dream, tommy is the evil one. in fact, he says that tommy is evil lots of times. he only says that tommy sees himself as a hero when he’s trying to convince him to let him kill his friend. dream is using tommy’s black and white perception to get him to do what dream wants. he only says tommy sees himself as the hero, not that dream sees him that way. dream does not care about who’s the good guy and who’s the bad guy, because he’s not idealistic like wilbur and he’s not a kid like tommy.
him making a joke about building the prison with a “little bit of evil” doesn’t matter because next line he says that tommy’s evil to him. dream isn’t playing the villain, cc!dream is. cc!dream is playing a character that is antagonistic towards others, and he plays into it and jokes around with it, as other people playing antagonistic roles have in the past. cc!wilbur does this a lot during the election and pogtopia. cc!techno hints at it with his “ah yes, blowing up a country, we must be the good guys”.
it may sound like a character because someone’s playing it, but it’s not dream.
this video matches up with some of my points here, but it’s also framed like an english class. it is an interesting meta argument, and one that i would say i partially agree with, but as we’re not really arguing on terms of meta it does not act as a general opposition to your argument. the intent of the authors does not dictate how you see the story, but it can help with interpretation of it.
dream’s words during the vault scene sure do line up with his actions for the months before that. so yeah, no discredit to cc!dream. he’s playing his character. and it’s not like he’s unwilling to make him sympathetic. he’s done so in the past (and is doing so now) and the fact that he does not do it during the vault, and downplays the tragic part of it (him losing his friends) sure makes it seem like the main point here isn’t “poor dream”, it’s “poor tommy”. they’re telling a story. it has a moral.
dream being reserved about his plans may be shown in the fact that nobody knew about the vault (except punz i think?) until dream was ready to put it into play. he generally is quiet about what he wants, he just cares a lot about it and will do a lot to get it. he’s not one for speeches unless he’s trying to make a point. the point here being that tommy is trapped. dream’s capable of explaining his thoughts. tommy asks him why and invites him to share, so he does.
this isn’t really a “nobody can interpret it like this”, it’s just pointing out that the events of canon are there and should be fully considered. character dream’s perspective of the story is biased, so people can look at it and be correct in how dream sees the situation, but “how dream sees it” and “how the story goes” do not necessarily line up.
conflicts dream has started besides the vault? okay.
-reopening the disk war by digging up the hidden disks
-declaring war on l’manburg the first time
-burning down other buildings in order to frame tommy
-blowing up the community house (or having it done for him)
-attacking l’manburg again with techno and phil
(didn’t start really, but inserted himself into when it wasn’t his business:)
-helped pogtopia
-gave wilbur tnt
-sided with manburg in the fight
-built walls around l’manburg
-demanded tommy be punished
-took personal responsibility for exile and used it as a way to isolate tommy
there’s also this post that describes things dream has done in general. the tone of the post is biased, but the actions were canon. some of these may be “retribution” but they sure were uncalled for.
so when he exiled tommy, that was about “unity”? big happy family except for one guy because “he causes all the problems”? it doesn’t matter whether he believed he was in the right for his motives. the vault does not make sense for peace or unity. it is a twisted, controlled unity. what i’m saying is that he uses peace as an excuse for his actions. he had to exile tommy, tommy would have just gotten worse. he had to declare war on l’manburg, it was a necessary evil. because nothing screams “peace” like declaring war and killing the other side, right?
those may be his actual motives in the early scenes, and he thinks he’s doing the right thing. this changes with the vault. he no longer uses this as an excuse, his “excuse” is that he has a right to it. his self proclaimed motive is power and control, and unity through that. so why not accept that as his motive when he says it there?
“becoming a control freak as a result of feeling the loss of control over your own circumstances isn’t equal to dehumanizing the people you’re trying to control.”
nah dude he absolutely dehumanized them and took away their agency? he describes tommy as a pet and a tool, minutes before he switches and describes himself as the book. this could also be used to make an interesting point on how he sees people as their values, in item form. so he’s using one item to control another. tubbo’s a pawn, tommy’s a tool, techno’s a weapon, he’s the book.
he calls george a baby, and makes decisions for him. by planning to using the items to control the people, he was prepared to take away their freedom and agency by emotionally manipulating them. he did this to tommy. agency is the capacity of someone to act. he takes away that ability in order to have control.
he’s not just a control freak over his own life, the problem is that he does it to others. again, we’re talking true freedom here: the ability to do anything, even things that we would consider morally wrong. he takes away george’s power, which is revealed to be nothing. he then swiftly turns and tells him that if he tries to overthrow eret, he would be a tyrant. not acknowledging that dream just overthrew a king and stated in a new one, he hypocritically calls george the tyrant for planning to do that.
(i didn’t even notice this until now, but it’s actually interesting: dream is extremely hypocritical here, unless, of course, he sees himself as having more claim to who is king. now why would he think that? a hierarchy, perhaps?)
“which is understandable seeing as you’ve said already you never tried to look deeper into him, but it’s incorrect nonetheless.”
i said that before this i had not attempted to examine his character in a sympathetic light. that’s what i’ve been doing. his wish to “fix” his home is really just a wish to control his home, which is pretty evident when you look at right before exile. the smp was peaceful then. tommy had committed petty crimes before, and george didn’t even really care about the house. it was minimal damage. dream jumped at the opportunity to convince everyone else that tommy was the real problem (speaking of propaganda and vilifying).
and “he was getting better until the sixteenth” disregards that he threatened eret, enabled wilbur (however you interpret that, he still enabled him), and sided with schlatt for power reasons even though he said he would help pogtopia. giving pogtopia some stuff doesn’t make him the “good guy” because pogtopia were not the good guys! that’s the point! he sided with them because wilbur had less ambition than schlatt, and therefore posed less of a threat to the greater smp! he wasn’t helping them just purely out of the goodness of his heart. he didn’t think schlatt was right, he abandoned him very quickly, but he could have just taken the book and dipped. he fought in the war. he took the book for personal gain and he placed that above the trust of pogtopia.
“he wasn’t on a power trip at all, he didn’t have a god complex up until the prison stripped him of all his dignity and then threw an opportunity at him, and he wasn’t trying to prove anything to anyone.”
power trip: an activity or way of behaving that makes a person feel powerful
exile and the vault, arguably before that a few times as well. there are a few quotes that emphasize this.
dream’s god complex was already there in the vault. that’s why he was scared enough of being controlled that he shut everyone else away: he wanted to secure himself even more as the sole power.
and exactly. he wasn’t proving anything to anyone else, he was proving it to himself. therefore he also wasn’t trying to “prove” he was big and bad and evil and irredeemable, he was trying to feel confident about his own power!
if he doesn’t care if he’s thought as of evil, why did it supposedly drive him into the spiral? if he stopped caring about it, that would also explain why he was indifferent towards it (because he was indifferent towards it, every time someone called him that, indifferent or angry). he didn’t think he was evil because he thought he had a right to what he was doing. so he pushed himself into wanting more control, after seeing something he identified as a problem: tommy. you’re right that that’s part of what makes him tragic: that he stopped caring about what he owed to anyone else. that’s why he hurt them.
“it’s likely and fits perfectly into his character arc in canon.”
people who are emotionally repressed still show emotions, they just don’t show them as often. dream shows emotions but he does not show the specific emotion that would give evidence to this theory. i’m saying that claiming something is deeply rooted in his character (not the emotional repression, that’s confirmed) when he shows no sign of it doesn’t line up with canon. it’s more of a theory than an analysis.
“it is good storytelling because cc!wilbur pulls it off brilliantly.”
cc!wilbur still played a complex character! his behavior changed significantly after the war, but there is evidence that he was a certain way during the war. his character grew from that point but my argument is that he was not always a liar about important things and that he genuinely believed in the values he formed l’manburg for. if you want to watch wilbur being power hungry and hypocritical, rewatch the election arc.
actions, not words. cc!wilbur pointed out hypocritical things his character said, but that just shows he was playing a flawed character. people using the wall thing as some kind of proof that he was evil is stupid because part of the idea behind the wall was poking fun at america. it was “look, this is what you guys do”.
his early character was passionate and naive. cc!wilbur was aware of this. he was still a chaotic crimeboy, the nation was founded on drugs. but not everything he did was “for chaos” because again, he played a multi-dimensional character. he can make jokes about politics.
“his main support system left by themselves.”
i’ve already explained why i think dream broke most of his own bonds. again, there’s textual evidence to support this and actions as well that line up with it. and lots of people were willing to help dream. he didn’t murder all those people by himself.
“it also seems you’re strongly biased against c!dream, which, to be fair, the majority of the fandom is.”
it’s true my bias is against dream. it’s also true that my reasons for that bias are backed up by moments in the story where he clearly states his intentions, and a lot of the evidence to the contrary is, to me, one-off moments that can be interpreted in many ways. a lot of the bias also comes from the fact that he did pretty bad things and i’ve been watching this for a long time.
this post is pretty much what i’m saying, i guess.
alright @flypaw here it is :]
~ Lad 2
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OK so. The treatment of the We Are Robin gang in Batman Secret Files: The Signal #1. 
TL;DR: It’s bad and a logical conclusion of the treatment of the gang post-We Are Robin, which as been going steadily downhill.
We Are Robin took great care to develop its team as much as possible; while it showed clear bias towards some select members (mostly Riko and to a lesser extent Izzy), everyone got their own arc and conflicts. None of the characters felt like they existed just to prop one of them up, and all of them felt like they have had lives and stories well before they were introduced on page. Basically: they felt like people.
Duke is the only character who has maintained the spotlight post-We Are Robin, and apparently, writers have taken this as a sign that they should character massacre everyone else. To my knowledge, the first major role post-WAR for any of the former Robin Collective members was Batman & The Signal, with Izzy and Riko, and both of them were shadows of their former selves in that, to the point that, if Duke’s character hadn’t been written with clear knowledge of We Are Robin, I would’ve said that the author just straight up hadn’t read it. 
Riko’s characterization in Batman & The Signal is especially abysmal. Riko is portrayed as petty and childish, and overly focused on The Mission(TM) (aka crimefighting), telling Izzy that being Duke’s girlfriend is ‘distracting’ him from The Mission. This makes no sense with her previous characterization; while Riko obviously took being a vigilante seriously, she was portrayed as a dreamer, as well. I’d have to re-read both We Are Robin and Batman & The Signal to give on in-depth analysis on why I think her character is misrepresented in the latter (which I won’t do right now bc it’s Very Late for me), but to my reading, Riko in We Are Robin is quite a compassionate character, and would be unlikely to think that ‘relationships make you soft’ like she seems to in Batman & The Signal. In fact, I’d argue that she’d be infinitely more likely to consider relationships a strength, especially due to her experiences in the We Are Robin team. That, and also, she’s heavily implied to have a crush on Duke and be jealous of Izzy in We Are Robin, so she’s clearly not against Duke having a relationship. Maybe it was intended as an extension of her earlier jelousy, but then, again, she’s not that petty and childish.
Izzy has also been a shadow of her former self for a while now. While I think her characterization wasn’t quite as bad as Riko’s in Batman & The Signal, it lacked any real personality; it feels like you could swap Izzy with any random girl from the street and it would stay essentially the same. Gone are the complex family issues Izzy dealt with in We Are Robin. Her entire character in both Batman & the Signal and now Batman Secret Files: The Signal seems to be ‘Duke’s girlfriend’. Also, she was grossly whitewashed in Batman & The Signal, and while she looks better in Batman Secret Files, she’s still not anywhere close to her original design. If you hadn’t told me that was Izzy I wouldn’t have known by looking at her.
Batman Secret Files: The Signal finally delves into what happened to the rest of the We Are Robin gang after Duke got recruited by Batman, which is a fantastic concept and something I’ve been wondering about! Unfortunately, it’s clearly a transparent excuse to cause problems for Duke. 
Dre’s characterization has little in common with what he was like in We Are Robin, and Jax straight up getting put away in Juvie Arkham is a disgrace to his character. If he needed to be a vigilante that bad, he could just??? Be one??? Like I’m sure it’d be harder without Batman/Alfred’s help, but he’s already. Done that. Like he’s already shown that he’s perfectly willing to make his own vigilante persona. Why wouldn’t he just. Do that. It makes no sense!!! No sense at all!!! Except if it is to guilt-trip Duke and provide problems for him, as well as a thin excuse to put Dre and the rest of the We Are Robin gang in an antagonistic role.
Poor Riko is the one whose character assassination is the worst. First of, no clue wtf is up with her powers, I’m assuming I either missed an obvious explenation bc I’m tired, or that it’ll get explained later, and frankly it’s the least of my problems. Riko being resentful of Duke for getting picked by Batman makes NO fucking sense, considering, oh, I don’t know, Riko’s whole entire fucking character in Batman & The Signal. Why would she be resentful of Duke for ‘abandoning’ the We Are Robin gang, but then help him as the Signal??? Why would she go so far as to scold Izzy for having a relationship with Duke???? Riko in Batman & The Signal seemed proud of Duke for having ‘graduated’ (her literal words), not resentful!!! None of this makes any sense with either her We Are Robin character, who was a kind, eccentric dreamer, or the hardass focused-on-the-mission Riko presented in Batman & The Signal. Neither would blame Duke for stuff that’s objectively not his fault, and even if she was resentful of him, she wouldn’t outright fight or attack him over it!! What the hell!!!
This is scattered and not as thought out as it probably should be because, again, I’d have to do some rereads and I’m also super tired right now, but it’s extremely clear that Batman Secret Files: The Signal has, at least so far, absolutely no interest in examining the We Are Robin gang as their own characters. Rather, they are being used to prop up Duke and the plot. This is a massive insult to both their own characters and Duke, since Duke doesn’t need to have his friends reduced to props to have interesting interactions with them. We Are Robin proved that these people work as a team, and that while not all of them might get along that well, they are a family. Duke’s interactions with them are infinitely more interesting if they’re allowed to be their own characters and have a life outside of Duke. That’s usually how character interactions work. Wild, I know.
Stop destroying the characters of the We Are Robin gang!!! Just let them be good characters!!! Damn!!!!
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Imagine that the US was competing in a space race with some third world country, say Zambia, for whatever reason. Americans of course would have orders of magnitude more money to throw at the problem, and the most respected aerospace engineers in the world, with degrees from the best universities and publications in the top journals. Zambia would have none of this. What should our reaction be if, after a decade, Zambia had made more progress?
Obviously, it would call into question the entire field of aerospace engineering. What good were all those Google Scholar pages filled with thousands of citations, all the knowledge gained from our labs and universities, if Western science gets outcompeted by the third world?
For all that has been said about Afghanistan, no one has noticed that this is precisely what just happened to political science. The American-led coalition had countless experts with backgrounds pertaining to every part of the mission on their side: people who had done their dissertations on topics like state building, terrorism, military-civilian relations, and gender in the military. General David Petraeus, who helped sell Obama on the troop surge that made everything in Afghanistan worse, earned a PhD from Princeton and was supposedly an expert in “counterinsurgency theory.” Ashraf Ghani, the just deposed president of the country, has a PhD in anthropology from Columbia and is the co-author of a book literally called Fixing Failed States. This was his territory. It’s as if Wernher von Braun had been given all the resources in the world to run a space program and had been beaten to the moon by an African witch doctor.
Phil Tetlock’s work on experts is one of those things that gets a lot of attention, but still manages to be underrated. In his 2005 Expert Political Judgment: How Good Is It? How Can We Know?, he found that the forecasting abilities of subject-matter experts were no better than educated laymen when it came to predicting geopolitical events and economic outcomes. As Bryan Caplan points out, we shouldn’t exaggerate the results here and provide too much fodder for populists; the questions asked were chosen for their difficulty, and the experts were being compared to laymen who nonetheless had met some threshold of education and competence.
At the same time, we shouldn’t put too little emphasis on the results either. They show that “expertise” as we understand it is largely fake. Should you listen to epidemiologists or economists when it comes to COVID-19? Conventional wisdom says “trust the experts.” The lesson of Tetlock (and the Afghanistan War), is that while you certainly shouldn’t be getting all your information from your uncle’s Facebook Wall, there is no reason to start with a strong prior that people with medical degrees know more than any intelligent person who honestly looks at the available data.
I think one of the most interesting articles of the COVID era was a piece called “Beware of Facts Man” by Annie Lowrey, published in The Atlantic.
The reaction to this piece was something along the lines of “ha ha, look at this liberal who hates facts.” But there’s a serious argument under the snark, and it’s that you should trust credentials over Facts Man and his amateurish takes. In recent days, a 2019 paper on “Epistemic Trespassing” has been making the rounds on Twitter. The theory that specialization is important is not on its face absurd, and probably strikes most people as natural. In the hard sciences and other places where social desirability bias and partisanship have less of a role to play, it’s probably a safe assumption. In fact, academia is in many ways premised on the idea, as we have experts in “labor economics,” “state capacity,” “epidemiology,” etc. instead of just having a world where we select the smartest people and tell them to work on the most important questions.
But what Tetlock did was test this hypothesis directly in the social sciences, and he found that subject-matter experts and Facts Man basically tied.
Interestingly, one of the best defenses of “Facts Man” during the COVID era was written by Annie Lowrey’s husband, Ezra Klein. His April 2021 piece in The New York Times showed how economist Alex Tabarrok had consistently disagreed with the medical establishment throughout the pandemic, and was always right. You have the “Credentials vs. Facts Man” debate within one elite media couple. If this was a movie they would’ve switched the genders, but since this is real life, stereotypes are confirmed and the husband and wife take the positions you would expect.
In the end, I don’t think my dissertation contributed much to human knowledge, making it no different than the vast majority of dissertations that have been written throughout history. The main reason is that most of the time public opinion doesn’t really matter in foreign policy. People generally aren’t paying attention, and the vast majority of decisions are made out of public sight. How many Americans know or care that North Macedonia and Montenegro joined NATO in the last few years? Most of the time, elites do what they want, influenced by their own ideological commitments and powerful lobby groups. In times of crisis, when people do pay attention, they can be manipulated pretty easily by the media or other partisan sources.
If public opinion doesn’t matter in foreign policy, why is there so much study of public opinion and foreign policy? There’s a saying in academia that “instead of measuring what we value, we value what we can measure.” It’s easy to do public opinion polls and survey experiments, as you can derive a hypothesis, get an answer, and make it look sciency in charts and graphs. To show that your results have relevance to the real world, you cite some papers that supposedly find that public opinion matters, maybe including one based on a regression showing that under very specific conditions foreign policy determined the results of an election, and maybe it’s well done and maybe not, but again, as long as you put the words together and the citations in the right format nobody has time to check any of this. The people conducting peer review on your work will be those who have already decided to study the topic, so you couldn’t find a more biased referee if you tried.
Thus, to be an IR scholar, the two main options are you can either use statistical methods that don’t work, or actually find answers to questions, but those questions are so narrow that they have no real world impact or relevance. A smaller portion of academics in the field just produce postmodern-generator style garbage, hence “feminist theories of IR.” You can also build game theoretic models that, like the statistical work in the field, are based on a thousand assumptions that are probably false and no one will ever check. The older tradition of Kennan and Mearsheimer is better and more accessible than what has come lately, but the field is moving away from that and, like a lot of things, towards scientism and identity politics.
At some point, I decided that if I wanted to study and understand important questions, and do so in a way that was accessible to others, I’d have a better chance outside of the academy. Sometimes people thinking about an academic career reach out to me, and ask for advice. For people who want to go into the social sciences, I always tell them not to do it. If you have something to say, take it to Substack, or CSPI, or whatever. If it’s actually important and interesting enough to get anyone’s attention, you’ll be able to find funding.
If you think your topic of interest is too esoteric to find an audience, know that my friend Razib Khan, who writes about the Mongol empire, Y-chromosomes and haplotypes and such, makes a living doing this. If you want to be an experimental physicist, this advice probably doesn’t apply, and you need lab mates, major funding sources, etc. If you just want to collect and analyze data in a way that can be done without institutional support, run away from the university system.
The main problem with academia is not just the political bias, although that’s another reason to do something else with your life. It’s the entire concept of specialization, which holds that you need some secret tools or methods to understand what we call “political science” or “sociology,” and that these fields have boundaries between them that should be respected in the first place. Quantitative methods are helpful and can be applied widely, but in learning stats there are steep diminishing returns.
Outside of political science, are there other fields that have their own equivalents of “African witch doctor beats von Braun to the moon” or “the Taliban beats the State Department and the Pentagon” facts to explain? Yes, and here are just a few examples.
Consider criminology. More people are studying how to keep us safe from other humans than at any other point in history. But here’s the US murder rate between 1960 and 2018, not including the large uptick since then.
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So basically, after a rough couple of decades, we’re back to where we were in 1960. But we’re actually much worse, because improvements in medical technology are keeping a lot of people that would’ve died 60 years ago alive. One paper from 2002 says that the murder rate would be 5 times higher if not for medical developments since 1960. I don’t know how much to trust this, but it’s surely true that we’ve made some medical progress since that time, and doctors have been getting a lot of experience from all the shooting victims they have treated over the decades. Moreover, we’re much richer than we were in 1960, and I’m sure spending on public safety has increased. With all that, we are now about tied with where we were almost three-quarters of a century ago, a massive failure.
What about psychology? As of 2016, there were 106,000 licensed psychologists in the US. I wish I could find data to compare to previous eras, but I don’t think anyone will argue against the idea that we have more mental health professionals and research psychologists than ever before. Are we getting mentally healthier? Here’s suicides in the US from 1981 to 2016
What about education? I’ll just defer to Freddie deBoer’s recent post on the topic, and Scott Alexander on how absurd the whole thing is.
Maybe there have been larger cultural and economic forces that it would be unfair to blame criminology, psychology, and education for. Despite no evidence we’re getting better at fighting crime, curing mental problems, or educating children, maybe other things have happened that have outweighed our gains in knowledge. Perhaps the experts are holding up the world on their shoulders, and if we hadn’t produced so many specialists over the years, thrown so much money at them, and gotten them to produce so many peer reviews papers, we’d see Middle Ages-levels of violence all across the country and no longer even be able to teach children to read. Like an Ayn Rand novel, if you just replaced the business tycoons with those whose work has withstood peer review.
Or you can just assume that expertise in these fields is fake. Even if there are some people doing good work, either they are outnumbered by those adding nothing or even subtracting from what we know, or our newly gained understanding is not being translated into better policies. Considering the extent to which government relies on experts, if the experts with power are doing things that are not defensible given the consensus in their fields, the larger community should make this known and shun those who are getting the policy questions so wrong. As in the case of the Afghanistan War, this has not happened, and those who fail in the policy world are still well regarded in their larger intellectual community.
Those opposed to cancel culture have taken up the mantle of “intellectual diversity” as a heuristic, but there’s nothing valuable about the concept itself. When I look at the people I’ve come to trust, they are diverse on some measures, but extremely homogenous on others. IQ and sensitivity to cost-benefit considerations seem to me to be unambiguous goods in figuring out what is true or what should be done in a policy area. You don’t add much to your understanding of the world by finding those with low IQs who can’t do cost-benefit analysis and adding them to the conversation.
One of the clearest examples of bias in academia and how intellectual diversity can make the conversation better is the work of Lee Jussim on stereotypes. Basically, a bunch of liberal academics went around saying “Conservatives believe in differences between groups, isn’t that terrible!” Lee Jussim, as someone who is relatively moderate, came along and said “Hey, let’s check to see whether they’re true!” This story is now used to make the case for intellectual diversity in the social sciences.
Yet it seems to me that isn’t the real lesson here. Imagine if, instead of Jussim coming forward and asking whether stereotypes are accurate, Osama bin Laden had decided to become a psychologist. He’d say “The problem with your research on stereotypes is that you do not praise Allah the all merciful at the beginning of all your papers.” If you added more feminist voices, they’d say something like “This research is problematic because it’s all done by men.” Neither of these perspectives contributes all that much. You’ve made the conversation more diverse, but dumber. The problem with psychology was a very specific one, in that liberals are particularly bad at recognizing obvious facts about race and sex. So yes, in that case the field could use more conservatives, not “more intellectual diversity,” which could just as easily make the field worse as make it better. And just because political psychology could use more conservative representation when discussing stereotypes doesn’t mean those on the right always add to the discussion rather than subtract from it. As many religious Republicans oppose the idea of evolution, we don’t need the “conservative” position to come and help add a new perspective to biology.
The upshot is intellectual diversity is a red herring, usually a thinly-veiled plea for more conservatives. Nobody is arguing for more Islamists, Nazis, or flat earthers in academia, and for good reason. People should just be honest about the ways in which liberals are wrong and leave it at that.
The failure in Afghanistan was mind-boggling. Perhaps never in the history of warfare had there been such a resource disparity between two sides, and the US-backed government couldn’t even last through the end of the American withdrawal. One can choose to understand this failure through a broad or narrow lens. Does it only tell us something about one particular war or is it a larger indictment of American foreign policy?
The main argument of this essay is we’re not thinking big enough. The American loss should be seen as a complete discrediting of the academic understanding of “expertise,” with its reliance on narrowly focused peer reviewed publications and subject matter knowledge as the way to understand the world. Although I don’t develop the argument here, I think I could make the case that expertise isn’t just fake, it actually makes you worse off because it gives you a higher level of certainty in your own wishful thinking. The Taliban probably did better by focusing their intellectual energies on interpreting the Holy Quran and taking a pragmatic approach to how they fought the war rather than proceeding with a prepackaged theory of how to engage in nation building, which for the West conveniently involved importing its own institutions.
A discussion of the practical implications of all this, or how we move from a world of specialization to one with better elites, is also for another day. For now, I’ll just emphasize that for those thinking of choosing an academic career to make universities or the peer review system function better, my advice is don’t. The conversation is much more interesting, meaningful, and oriented towards finding truth here on the outside.
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transsexualhamlet · 3 years
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sherlock holmes reactions part 4 (?) ive lost count already but unsurprisingly ive grown even more attached to him
using this as the cover image because i made him a playlist. cause im awful
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no legit this is gonna need a read more because it's SO LONG SHIHEWIESHEFSHIEWHF
Had three mental breakdowns this week and realized i do in fact kin sherlock motherfucking holmes. this does not bode well for anything in my life mentally I've diagnosed him with so many things
Oh boy lol you want the list I think hes autistic (undisputed honestly) plus also adhd but on top of that there's the manic depression and uhhh the bpd lmao I dont even think that's it those are just. the obvious ones
But yeah man's a fucking mess and a shit person but in the same way as me so 👍
Some highlights I thought were very funny:
watson: we are in fact going to be waltzing into a place where people are Shooting People you do not have your gun. this is a problem
sherlock: don't worry watson I have my trusty stick!
watson: visible pain
This clearly happens like every day or so with them
but yeah there were some really honestly sweet scenes with them at the apartment and why am i getting soft over the crusty man being gay
have you considered tho. have you considered them
have you considered sherlock, who usually only plays absolute garbage on his violin serenading watson to sleep when he was tired and in pain and watson being so fucking in love with the man and waxing poetic about falling asleep to his music and waking up to see him fallen asleep on the couch next to him and oh my god them
They're just really sweet together for such a completely dysfunctional couple so much of the time lol I just. Sherlock being like.
Sherlock half of the time: watson you're fucking stupid. no i won't take care of my personal needs stfu. watson get a goddamn life. watson shut up. watson no one cares about your goddamn opinion. no i need to disturb you in the middle of the night it's for science. hey watson mind if i manipulate mansplain malewife
Sherlock the other half of the time: HELLO SIR YOU ARE MY FAVORITE MAN TO EVER MAN HELLO MAY I SPEND THE REST OF MY DAYS WITH YOU HELLO I WILL DO ANYTHING FOR YOU WE ARE PERFECT MATCHES I LOVE YOU AND I NEED YOU YOURE SO MUCH BETTER THAN ME PLEASE MARRY ME
They're... they certainly are.
ALSO OH MY GOD.
THIS ONE TIME WHEN SHERLOCK WAS JUST PACING AROUND THE ROOM AT 3 AM GOING "IT DOESNT MAKE SENSE >:(((" AND HUDSON LIKE BARGED IN TO COMPLAIN AND THEN WATSON WAS LIKE DUDE YOU GOTTA STOP DOING THIS AND PROCEEDS TO SAY THE LINE "YOU ARE KNOCKING YOURSELF UP, OLD MAN"
BAHGHSFHGRHEWHEWHIFEW
BRB SOBBING
CALLING HIM AN OLD MAN???? KNOCKING HIMSELF UP?? I DONT KNOW WHATS FUNNIER
The main highlight of this part was I have now gotten to see him have a great time watching his homo homie get married
Its so fucking funny.......
I was prepared for a funny reaction by yuumori sherlock's face when he said it lol but. Damn i was really not prepared tbh
watson: I'm engaged!
sherlock: *pained groaning*
watson: do you... not like her?
sherlock: no she's fine she's great you'll be wonderful together bUT I HATE IT WHEN PEOPLE ARE HETEROSEXUAL WATSON DO I HAVE TO MARRY MYSELF THEN WATSON? ARE YOU GOING TO MAKE ME MARRY MYSELF.
watson: yeah... yeah... fair, I feel really bad because you did this whole case and I got a girlfriend out of it and all you got was me leaving you alone fuck man im sorry what are you gonna do without me
sherlock, highly sarcastic: dont worry watson I've always got my handy cocaine! *pulls it out and gets high in front of watson just as he's about to leave*
watson: *in fucking agony*
sherlock: good for you!
I DONT EVEN- THIS SCENE KILLED ME MULTIPLE TIMES OVER WHAT
ITS SO GODDAMN NONCHELANT ABOUT IT SHERLOCK IS JUST LIKE YEAH I WILL IN FACT NOT BE MENTALLY HEALTHY IF YOU ARE NOT WITH ME 24/7 BUT WHATEVER YOU DO YOU /S
I'd like to apologize to watson on sherlock's behalf lmao. man is being a bit too codependent on main
The last thing about sign of four I do need to address is yeah, there's the Horrific Amounts Of Racism in that one and the whiplash hearing it is just ridiculous because they seem to be so knowledgeable in all other areas and fairly... politically correct, taking sherlock's original misogyny as a purposeful character flaw, but then they just mention someone indigenous once and suddenly its all parrotting racist propaganda and just... really awful shit. There's no way I'm gonna speak for the group that just got absolutely hate crimed here but anyone can tell the author just has no clue what he's fucking talking about and it's physically painful.
And I don't know, it's just so bad it seems out of character? Doyle's making these motherfuckers say shit that honestly, Sherlock would know better about. And especially Watson. Come on, you cannot tell me watson is mentally capable of being prejudiced against someone. Please do not make him that way.
I'm not sure how to handle it specifically, or what's the proper way I should handle something like that in a media I otherwise like. Is it ok to say Doyle was clearly a piece of shit on the matter and separate those characters from his bias or is that insensitive?
I don't know, I was Not a fan of it and I'm glad to see they've at least finally shut up about the guy
But anyway yeah, uhhhh onto the short stories because I'm trying to read those before I get to the final problem
Scandal in Bohemia was a fucking ride, first of all, before we even get to Sherlock's girlboss arc we have to discuss how gay the whole situation was and how Doyle's attempt at making them less gay failed spectacularly
Like he's all "ah yes I need to marry off watson and uhhh make sherlock ummmm interact with a woman so they dont look gay" but he does it SO BADLY that it makes them look EVEN GAYER
cause i mean, even the conversation they had about watson getting married back in sign of four was gay af, but how Doyle handled things afterward was in no way straighter.
Cause you know, the man kind of wrote himself into a corner with the fact of Watson narrating these stories. So Watson has to be around to witness them, and to witness Sherlock's own thought process rather privately, so he has to be around sherlock at night, a lot. But trying to come up with a reason for that happening just... it didn't occur to Doyle. He just went. Ah yes this makes sense. And it's Watson just like Sleeping Over At Sherlock's like every other goddamn day and every time his wife leaves town and having them basically still live that cute domestic home life but they have absolutely no excuses for doing it anymore. It's quite funny
Like it was gay already the way they interacted when they officially lived together but it was like, a necessity for them. Now it's not, Watson just comes over because he goddamn wants to, and it's hilarious to me.
LIKE IDK I THINK THEY KIND OF BROKE UP FOR A YEAR OR SO BC OF WATSON GETTING MARRIED AND THEY LIKE DONT HAVE CONTACT WITH ONE ANOTHER BUT ONE DAY WATSON JUST INEXPLICABLY HAS THE URGE TO COME VISIT SHERLOCK ON NO NOTICE AND THEN SUDDENLY THEY ARE TOGETHER NEAR 24/7 AGAIN LIKE BARELY ANYTHING CHANGED AHIEHOEWH
SIT DOWN AND TRY TO TELL ME THOSE ARE NOT HOMOSEXUALS
Watson walks in on no fucking notice after a full year and Sherlock is just. In the middle of some experiment obviously but hes like
Sherlock, carrying around unidenfiable chemical mixtures: W A T S O N you look good you look good! i see you've gained seven pounds!!
watson: uh. thanks??? Hey lol *awkwardly waves* Uh um Wanted to Uhm sEe you
Sherlock: ABOUT gODDAMN TIME AND YES WONDERFUL LOOK LOOK SIT DOWN I HAVE THINGS TO INFODUMP ABOUT
watson: :) ok :) *turns to camera* and we were back to the old days
sherlock: makes a deduction
watson: wowwwwwwwwwwww !! so true bestie !!
sherlock: !!!!!!!!! :))) !!!!! :))) uh fuck im supposed to be smooth Its Elementary Lol
watson: *turns to camera* when i stroke his ego like this and compliment him he blushes like a girl like i just complimented his dress so i do it more because he likes it. this is a homie trait
watson: well i should probably get going! my wife will notice that i am gone my dear buddy bro homie!
sherlock: NO DONT LEAVE IM LOST WITHOUT YOU (pretty much a direct quote lol) your. wife doesn't. get back home until monday. I know this because I am smart and definitely have not been stalking you.
watson: alright :)))))
AND THEN HE FUCKING SLEEPS OVER LMAO FUCKING HOMOS
So yeah they're right back where they were before pretty much and there's a case bc of course there is
And honestly I think this short story specifically was so insane mostly just because of how absolutely fast it all went. Yuumori kind of made me believe the original Irene Adler was more of an important character than she really is? And I think that's. Honestly so funny. Motherfucker shows up for ten pages, girlbosses her way around town, and changes sherlock's entire opinion of the female gender while still keeping him gay?
LIKE NO LOL SHES NOT IN ANY WAY A LOVE INTEREST AND WATSON GOES OUT OF HIS WAY TO SPECIFY THE FACT THAT IN NO WORLD WOULD THEY HAVE BEEN ROMANTICALLY INVOLVED BECAUSE. SHERLOCK. DIDN'T DATE WOMEN.
HE WAS JUST??? SO IMPRESSED AND SHELL SHOCKED BY HER EXISTENCE HE DECIDED IT WAS TIME FOR GIRLBOSS APPRECIATION DAY TODAY AND ALL DAYS HENCEFORTH???
AND THEY HAVE LIKE O N E INTERACTION?? God, the power this woman(?) has. Watson looks at her once like. damb shawty 😳 and she's like "no<3" and he's like FUCK
Like yeah it's pretty much just the king walking up like "help girl the whore is blackmailing me" and sherlock being like "ok lol this will be easy" and then it proceeded to not in fact be easy or even possible
sherlock like... posed as a dead body and tried to get her to give up the location of the photo but she out-acted him and skipped the town the next day after doing the 'good night mr. sherlock holmes' thing with sherlock completely tricked
and she just. sends a letter like "dear sherlock holmes. you're a fucking idiot and i think it's funny that you lost. nice job tho mad respect" and sherlock just SHORT CIRCUITS
the king comes back a bit later like "hey Dude where's my Photo" and sherlock's like oh yeah uhhhhhhhhhhh about that and the king is like HOW COULD IT POSSIBLY HAVE BEEN THAT GODDAMN HARD i would have dated someone more noble if she wasn't so pretty i swear im on a whole different level from her
and then. GIRLBOSSIFIED SHERLOCK HOLMES RESPONDS "from what I have seen of the lady, she seems indeed to be on a very different level from your majesty" ABSEHHESHEFHHFES ROASTED
and the dude just LEAVES
After that I read a few more of the short stories and well the highlights I got from that pretty much were these conversations
Watson: sherlock. honey. have you. eaten anything today
Sherlock: IT DIDNT OCCUR TO ME DEAR WATSON
Watson: ITS FIVE PM
and:
Sherlock: *having one of his Moment Moments at three in the goddamn mornig* GRRRR CRIME ISNT WHAT IT USED TO BE
Watson: MY DEAR SHERCOCK WHAT IS CRIME S U P P O S E D TO BE LIKE ACCORDING TO YOU
Sherlock: no one's original anymore fucking copycats
Watson: so you want the criminals to make things harder for you specifically.
Sherlock, exasperated: yes!
I love them your honor.
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sugar-petals · 4 years
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could you elaborate on when you said that people who felt/feel unpretty often become jimin stans/biasers
because jin defies every self-defeating principle but still has a common ground with you. even if “as bias, as stan” applies as always, jin has found a way to tackle that mentality in himself, he’s the you from a wanted future. that’s the difference: he’s come the same way but already completed most plates in his armor, at least on the outside and as far as we can tell. 
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it’s just like people who know they’re unconventionally attractive will bias yoongi. he has made a brand out of it, flat out admitting he’s not the standard and struggles with mental health. all while being desired regardless, swimming in projects and recognition and income with a devoted fan base. 
mind you, that is not his totality and a lot of it is a created image, but i refer to the principle here. ‘yoongi has his problems but he’s killing it anyway’, that’s how we perceive him in the media outlets. if yoongi himself, in a silent moment, really thinks he’s killing it and is happy with that, that’s another question we can’t know.
the point is. our biases do share our insecurity. they just go the extra mile and succeed with the tactics we aspire to perfect to stabilize our self-esteem and life. our bias is seemingly one step ahead and we enjoy them so much because they demonstrate where to go, and that this extra mile is feasible. 
as in: if jin can feel ugly but remain in his unshakeable confidence, it could work for me as well. if yoongi can feel drained but hustle, it could work. if jimin could feel insecure but still be popular, it could work. and so on. there’s a huge theoretical hope for oneself attached to biasing someone.
you can image that this has many benefits for your personal progress or temporary soothings which are also important, but also comes at the risk of forgetting yourself and cracking under an unmet hope. aspiring towards improvement driven by desperation sometimes overshadows your actual gifts and strengths that are already fully formed. 
on top of that, it paints idols as being far from extremely vulnerable at a giant scope. it gives them massive role model and projection sphere responsibility as well. at worst, their image traps them in a circle — or they hide that they are actually ‘one step behind’ if you will. because they don’t want to disappoint or admit it to themselves, either way it would mean great discomfort.
that’s why i think one of the best things to do as a fan is finding the member that is on ACTUAL felt eye level with you, and not several steps ahead and so on top of their demons for most of the time. so, your truer carbon copy without regard to the difference in fame obviously. the purpose of that exercise is this: it brings you back to what you currently sport and removes some weight from the esteem question. 
for instance. you could realize that say namjoon actually represents you. in other words, there are even more similarities than with jin. personality-wise you could act as if you were RM perfectly. you can also tell the difference in how rather than adoring him, you respect that member. 
so, knowing you’re similar to namjoon, you would see that your appeal intrinsically rests in how smart and eloquent you are. with a quiet confidence that comes with natural authority that others find magnetic and want to kneel before judging by what namjoon stans are saying in the tags all day. 
the armor is completed there. it needs no fixing beside its natural evolution and adjustment. a namjoon stan would see namjoon one step ahead in their shared struggles, and they would see namjoon himself as trying to employ a tactic to better himself. but from your perspective, since you feel more on eye level with his personality, it looks mighty different. you can learn something about yourself and also find things your esteem is already firmly built on, believe it or not. the member you’re akin to is a great mirror for positive feats.
also, see how the member you resemble the most has a way different strategy for the esteem question (!) that you and your bias share and wrestle with so much pain involved. take namjoon again who has his head in the clouds. he thinks about big issues, he’s preoccupied left and right, he is bts’ central mastermind. everything groundbreaking that was ever done in bts’ reign leads back to namjoon planting the seeds. there is not too much time for thinking about body and surface. and for what reason? he’s namjoon doing namjoon things the way he is needed. 
there is no person ever doubting that he is a qualified person for his position. his brain can make anything happen for him and he can rely on his many positive attributes without even thinking about it. how attractive he is perceived as is not the ultimate decisive factor, and it’s already interwoven with how intelligent others think he is, and that he’s the leader. 
his role has already set his visual appeal and he treats his appearance effortlessly (see e.g. his relaxed style on kimdaily). to the point where he can emphasize self-love and advise someone like jimin who is times more glamorous and causes an immense stir with his looks everywhere and takes first place in so many polls, let that sink in. park jimin. 
you can already tell: once you see the parallel to the member you resemble, you find your easiest, fastest, and most effective strategy to deal with your problem to the point of completely pulverizing it. because you realize it all made no sense to worry from the very start.
is namjoon’s main concern and life topic to feel and be and become universally known as pretty? not in a million years. it’d be so far off his track and god-given capabilities, and the most out of character thing you’ve ever heard. 
if he’d come along crying in need of embraces, questioning his looks every other hour looking for reassurance (e.g. like jimin), or began to boost his esteem with a moniker (e.g. like jin), people would be like, what the hell is going on and why would he have a reason to do that?? 
you see what i’m getting at. for jin or jimin, it would make sense in their overall life scheme, it connects to their goals and struggles and dreams. but for namjoon, that’s total nonsense, nor does anybody expect it from him whatsoever. his responsibility is way elsewhere. and he’s confident in it despite all obstacles. and since you, in my example here, resemble namjoon... connect the dots.
to anybody who cannot relate to namjoon, it must be the most unfair thing ever. and they probably bias jungkook 😄 because he thinks the same thing but also has a little extra mile advantage (being a highly physical and in the moment person which namjoon is not, it’s his achilles’ heel in fact). you can see how this dynamic goes on and on. 
TLDR - the take-away is, find the member you compare to. besides the self esteem tactics your bias uses, this member can have a valuable lesson on your charm points.
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misamerglova · 3 years
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I’m really getting tired of people telling me what books, movies, tv shows, art and artists in general I shouldn’t like.
It happened to me with several fandoms - you can’t like this the author is rasist. You can’t like this the author is transphobic. You can’t like this the author antisemitic. You can’t like this because of something...
There is no art without the artist and their life experience. It’s not in my capacity to research every single thing I come across just to see if there are any troubling issues in it - nor am I willing to do that. Sometimes I want to simply stumble on something, relax and enjoy it and not read essays on why I shouldn’t like it prior.
I consume art mostly for the characters and their emotions so I’m pretty much oblivious to their surroundings on the first read/watch. Often it means I just ignore the worldbuilding, politics and general context and therefore troubling issues often pass me by without me realizing it. I’m aware of that and I’m trying to be more observant.
If there are problems with the art/artist that come to my attention I do research it. If it’s something I’ve never seen or read before the chances are I’m not touching it (e. g. I never got to read any of the Orson Scott Card’s books because I’ve heard about his opinions beforehand).
If it’s something I know and like I often try to read/watch the art once more while knowing the troublesome links in it.
Do I stop liking the art? That depends. Because I liked the characters for their emotions in the first place, the core is still there, still genuine to me. If the issues with the art don’t change the characters (and I found that it very rarely does) the thing I fell in love with is still there. That didn’t go away just because I have learned about some troublesome context of the setting or the author. I still love Captain Mal and his crew from Firefly despite Joss Whedon cheating affair. I still enjoy fanarts of adult Harry Potter despite J. K. Rowling’s Twitter. I still like both Jack Sparrow in the first Pirates of the Carribean and that actress who Reid fell in love with in that one romantic episode of Criminal Minds despite the Johny Depp-Amber Heard shitshow. I still ship Levihan from AoT despite the fasist undertones of the story.
That being said, I DO look differently on the art as a complex thing though.
Often like in case of Harry Potter or American Beauty I don’t go back to it because it became too synonymous with the artist to me. I like to remember the positive feelings it gave me but it died for me with the controversy.
In other cases, like AoT or works of H. P. Lovecraft, I still go back to it but I activelly realize the issues while reading it. It helps me practice to better focus on the issues I normally ignore while consuming art. Also, if I do recommend this art to my friends it is with warnings so it’s up to them if they want to get into it.
One quick story I wanted to share. I got into AoT fairly recently without knowing the issues about it prior. Once I was made aware of it I read multiple articles about Japanese far-right politics, history and generally things I never would have gotten my hands on as someone from the middle of Europe if I didn’t get into AoT. It gave me much needed context to understand the problematic aspects and to think about the manga in a very different light. I recommended it for its story structure to my writer friend because the plot twists there are excellent but I warned her about the general setting and political implications. We had an increadibly interesting debate about it since she knows much more about WWII than I do and again it widened my horizons. Do I still like the AoT characters? Yes. Do I still enjoy it in general? Yes, but I’m much more aware of the aspects that I personally don’t agree with. Do I view the general story in a very different light now? Very much so. Did reading it force me to get out of my bubble, learn something new and be more perceptive for the future? Yes.
And this is why I don’t like the strict ‘stop supporting this’, ‘cancel this’ or ‘how dare you like this’ comments. Because not reading or watching something just because someone said you shouldn’t gives you no knowledge and it makes you generally susceptible to manipulation. I’m not saying go and consume everything that is controvesial to form you opinions about it. But instead of being ashamed for accidentally getting into something that showed to be problematic I embrace it and try to make the best out of it. Once you are made aware that the art was made by a person with bias it’s easier to see and recognize that bias, in art and in life in general. It helps you understand the artist and to recognize how people with similar biases think - which can help you better understand the world around you and also to recognize and even change patterns in yourself that could be problematic. Maybe this is my wishful thinking but I’d like to think that consuming some art that later showed to be problematic, learning about it and debating it with people gave me better critical thinking. Not thinking about something and just following ‘because someone said so’ reasoning is easy and lazy. And that’s why I’d rather people to explain the issues in depth than to give me the ‘you should not be enjoying this, shame on you’ rhetoric.
Obviously there is an elephant in the room still and that is the aspect of supporting the art and artist. I’m not going too deep into it but generally, if I get into something that I’m later made aware to be controversial I consider my next steps individually. In same cases I keep the books or artworks, in some I don’t and I get rid of them - no book burning though, usually I just send them to a library or a charity. Once my friend was turning old books into a table which was a poetic way of making some problematic books useful. Also, huge frachises like Harry Potter live out of merch sales so I usually choose simply not buying any. I also don’t buy other books and products if I deem that author too problematic for me.
To close this, I’m not ashamed of being passionate about some aspects of artworks that within years crystalized into something controvesial. My feelings about that were genuine and if I didn’t realize some issues with it it’s not because I’m a bad person but rather because I didn’t realize the full extent of some ideas behind the artwork. I don’t know everything about everything so I learn as I go and sometimes that means revisiting the art to examine not just the things I saw and fell in with but more importantly to see the things I ignored, in order to not ignore them in the future.
Hope this makes sense...
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@dollsome-does-tumblr​ does this and opened it up to anyone and I am feeling chatty today SO!
Because I co-write a lot with my lovely wife, I might answer some questions including those co-written stories, or I might not, depends on how I feel when I get there.
name:
Megan but I go by Lentils most places on the internet, Shadowcrawler over on AO3
fandoms:
at the moment: MCU, especially Agents of SHIELD and Daredevil; Terminator: Dark Fate; Halt and Catch Fire. Oh and I wrote Dollhouse fanfics a thousand years ago. Sometimes I will watch a movie/show and think “those two girls should be gay” and bang out 2k of fic about it and then never write for that fandom again. (I THOUGHT this was going to be HACF but as it turns out, no, it’s not done with me yet.)
where you post:
AO3, at Shadowcrawler. I also have a tumblr @lentils-writes​ where theoretically I post links to fics/advertise them in the tags, because I used to be real precious about not putting porn on this blog, but fuck it.
most popular multi-chapter fic:
Co-written, it’s definitely mallverse, which is I think the reason most writers definitely hate us because it’s very long and there are a lot of tags lmao. The problem is that every tagged character HAS shown up in a significant fashion at some point so we can’t just...untag them! It doesn’t update weekly anymore because we’re exhausted by life lmao so at least there’s that???
As for a multi-chapter fic that was just me, I don’t tend to do that so much, so actually it’s say you will, my 3-chapter Endgame fix-it where Clint dies instead of Natasha and Natasha and Laura have a past. It actually has over 1000 hits which is very exciting! I feel like it’s...niche in a way that is frustrating but understandable lol. I put a lot of my heart into it and some people really liked it, so that’s gratifying.
favorite story you’ve written so far:
Co-written, I think our SHIELD Dollhouse AU is very underrated for the amount of work we put into it. Author bias evident here because I love Dollhouse warts and all, and it’s a lot of fun translating episode plots as well as the general trajectory of the show into stuff that will work with SHIELD characters. We don’t just rewrite episodes, we really try and rework them as needed. Also it features both Skimmons and my beloved rarepair Bobbi/Kara, though of course they won’t get together until later.
Of my own stuff, I’m still really really proud of the AU where Kara Palamas didn’t die. I think that was a pretty severe misstep of the show and I think I did a good job of fixing it. (I haven’t forgotten Kara, promise!)
fic you were nervous to post:
lolololol I wrote some uh. Terminator pornography last year and. They are very porny! I had co-written a bunch of smut obviously, but that was the first time I’d posted like, PWP all by myself on purpose??? and that was TERRIFYING. Also I was very nervous to post the Engame fix-it because that was my own personal goodbye/tribute to Natasha.
how you choose your titles:
They are always either song lyrics or jokes (such as Three Lawyers and a Baby, my Daredevil Accidental Baby Acquisition fic). My WIP docs are always titled either obvious shit like “RoseJannah horse girls” or memes like “what if we belonged to a fire cult and we fucked haha just kidding unless...?” or “Morgan has two mommies.”
do you outline?:
B and I typically outline for the co-written fics, although it’s more often chapter-by-chapter outlines since that’s how we write them. On occasion we’ve fully planned multi-chapter stuff out in advance but that’s less common. Oh and the one-shots are nearly always outlined as well, just to keep ourselves organized.
When I have written planned multi-chapter fics in the past I have used outlines - particularly for the Kara one and I had to do that for the SHIELD Kill Bill AU because I was trying to follow the format of the movie. For things that are allegedly supposed to be one-shots I almost never outline, which turns out to be a terrible idea when they inevitably balloon beyond my control and become 45k like say you will. That one, I wrote out a list of scenes I thought needed to be in it and then I wrote about 75% of those scenes and then I wrote a bunch more scenes I hadn’t planned for. Don’t be like me, kids!
complete fics:
According to AO3, 89 as of right now. Uh, you do not want me to list all of them, here’s a link, I guess!
in progress:
I don’t understand what the difference is between this question and the WIP questions lmao help????
posted WIPs that I have active plans to continue at this time:
Cowritten: mallverse as I said, and its femslash smut oneshots spinoff and character flashbacks spinoff and older characters/teachers spinoff (these get updated, uh, irregularly), the first half of a Piper/Snowflake SHIELD s7 fic that we are planning on finishing the second half of soonish, SHIELD Dollhouse AU, SHIELD Teen Beach AU, SHIELD Buffy AU. You may notice a pattern!
By myself, I have: Have Your Elf a Merry Little Christmas, a Terminator Hallmark Christmas fic that I ambitiously posted the first chapter of in 2019 and then lost steam immediately (I am going to go back to it sooner or later bc I had some cute ideas for it); the SHIELD Fate of the Furious AU that has one chapter to go and which I do intend on finishing eventually; Three Lawyers and a Little Lady, the Daredevil Accidentally Baby Acquisition AU that is literally just cute kidfic and poly avocados and which I have a bunch of ideas for and just need to buckle down and finish some.
posted WIPs that I have given up on:
Lol so there’s a Dollhouse Caroline/Bennett Doctor Who AU that I wrote purely as idfic and which nobody ever cared about except me, and I think that ship has sailed! RIP darlings. I also had an ongoing Skimmons series waaaay back when where I posted oneshots that were like missing scenes or gay readings for each s1 episode, and I just feel like it would be inauthentic to even try and finish it at this point. (It does include the first ever Skimmons fic to be posted on AO3! Really truly, there’s one fic that shows up as older but it’s an ongoing fic and was updated with the tag way after I posted mine.)
exchange fics due soon/unrevealed:
I haven’t done an exchange since like 2015 lololol I am so bad at them. I am currently working on finishing up my MCU Femslash bingo card, very late, and I do have plans for almost all of the remaining squares!
WIPs that live in my fanfic folder and are incomplete and who knows when they’ll be finished:
“RoseJannah horse girls,” which has been put on hold temporarily but is literally just Rose and Jannah being gay while riding orbaks
half of a Daisy/Gwen fic from Marvel Rising because I know they’re not making any more of those but I stg those two were really gay
multiple fics about Elise Nelson-Page including: avocados Halloween with smol Elise, Aunt Elektra very reluctantly taking smol Elise shopping until she realizes smol Elise also likes weapons (she buys her a fake katana), Uncle Frank is a pushover and spoils the shit out of Elise, and baby Elise has a high fever and everyone freaks out but then she gets better and smile at them for the first time (inspired by baby me lol).
coming soon/not yet started:
“Morgan has two mommies,” yet another Endgame fix-it where Maya Hansen did not die in Iron Man 3 and she resurfaces and she and Pepper kiss and eventually she adopts Morgan
Claire and Colleen go on a nice date to get coffee/tea where Danny doesn’t interrupt them goddammit
Bobbi/Kara Warehouse 13 AU which is sort of like “For the Team” but gayer ft. grappling hook
X-Men: Evolution Tabby/Amara fluff
Cameron/Donna character study disguised as smut
Grace proposes to Dani with a ring made out of the metal from her power source and Carl officiates the wedding 
Dani gets horny watching Grace eat a peach and jerks off and Grace ends up hearing her and then they fuck (I have been calling this “the peach fic” in my head but I gotta stop being delicate about it lmfao it is just porn)
B and I have plans to do a Nico/Karolina Jasper in Deadland AU but we keep forgetting
I MUST WRITE FOGGY AND KAREN SADLY FUCKING IN A CHURCH WHILE THEY MOURN MATT THIS YEAR I STG
do you accept prompts:
uhhhhhh I have on occasion written a prompt for someone before but it’s pretty rare and I have enough trouble writing the shit I come up with in my own head lol. but never say never?
upcoming story you are most excited to write:
I’ve got a bit of the Bobbi/Kara Warehouse fic written and it’s nice to go back to that world. Also I’m weirdly excited about the Cam/Donna smutty character study I mentioned above, I have a lot of what I think are good ideas for it and it’ll be fun.
tagging @unwind-myself @swiftzeldas @swashbucklery @loved-the-stars-too-fondly and, if you want to, you!
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whitehotharlots · 4 years
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Castle of Delusion: The theft of the 2020 caucus and the liberal worship of failure
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 I attended Iowa Democratic caucuses in 2000, 2004, 2008, and then 2020. I’ll spare you the narrative details, but immediately after Monday’s caucus I remarked about how smoothly the new system ran. The cumbersome head count voting process of past years was replaced with an easily grasped card system that allowed supporters of viable candidates to leave after casting their fist vote (previously, they’d have to stay through re-alignment and a second head count, a process that took us about 3 hours in 2008). So cards were easier, clearer, and came with the added bonus of a paper trail. Things seemed great.
In my precinct, Sanders tied delegate-wise with Pete and Biden. This precinct was, even by Iowa’s august standards, incredibly old and incredibly white, so a tie for Bernie boded very well. Everyone was convivial. Aside from the Yang supporters being unable to perform basic arithmetic after the initial vote, there were no delays or hitches. Sure, no one knew how the reporting app was going to work—information regarding as much had never materialized, in spite of repeated promises that they’d be on top of it—but it was figured that the county chair would simply report the votes via telephone, as had been the process as far back as everyone could remember.
Post-caucus, my stomach was shot and I was as emotionally drained as I’d ever been, so I got back to my parent’s house and commenced playing video games—staying away from social media and cable news until I could be certain the results had been called. Come midnight, I saw what everyone else saw: something bad had happened, something no one could quite describe, and so they weren’t going to release votes that night. Rachel Maddow’s weird gross skeleton face was beaming with relief: this is great news for the party, she said, because it was great news for Michael Bloomberg. I commenced to get blackout drunk and post threats on social media.
At first, I went against my personal experience (and intuition, and common sense) and blamed the failure on run-of-the-mill incompetence. We are now, however, more than 40 hours past the point when most votes were cast, and 24 hours past the Polk County chair confirming that his results—in one of Iowa’s largest districts, where Sanders was projected to dominate—had been submitted. The state party is simply refusing to count votes. They are rigging their own election, disenfranchising their own voters.
I’m not going to speculate on the strategic thinking of the mental defectives who have risen to leadership positions with state and national Democratic parties. Maybe they’ll never count the Polk County votes. Maybe they’ll only do so weeks from now, so as to deny Sanders any momentum and allow that rat-faced piece of shit Mayor Pete to continue to falsely claim victory. Maybe this is meant to protect the Biden campaign from total collapse. Maybe it’s meant to boost Bloomberg. Who knows, who cares. The point is, these people are cheating in plain sight. They are doing so brazenly. They are literally refusing to count the votes of members of their own party so as to squelch an election result they find unfavorable.
Partisan corruption is nothing new, and certainly not exclusive to the contemporary Democratic party. What’s striking about this, however, is the nakedness of both its machinations and the disdain the party is showing to its own voters. Yes, Mayor Daley most likely destroyed Nixon votes to shore up Illinois for Kennedy. Yes, the Bush campaign ginned up astroturf protests to prevent a full recount in Florida. Yes, the AP called the entire primary for Hillary the day before California was set to vote, so as to depress turn out. All of these acts were disgusting, the sort of raw cynicism that destroys the few remaining vestiges of legitimacy of this awful and broken country of ours. But all of these were done to seize power.  They all contained some element of deniability, some sense of awareness of the need to control public perception, to not so obviously telegraph the actors’ hatred toward democracy.
The theft of the 2020 Iowa Caucus is, in short, an act so proudly and openly corrupt that it has no fair parallel in modern American history. No reasonable observer can conclude anything other than that the Democratic party is run by some of the stupidest and most corrupt people alive. And the fact that the party does not seem to realize this is a profound indictment of how deeply our few remaining liberal institutions are in the grip of a sort of suicidal delusion, a form of illiberal madness that worships its own destruction.
The only reasonable question is how? How did the Democratic party and its media allies come to be dominated by idiots who derive psychological gratification from failure, people whose hubris and self-certainty is so strong they think everyone else is dumb enough to not see that they’re cheating in plain sight?  
Like many other of the most malignant aspects of contemporary liberalism, this suicidal delusion was born in the darkest corners of academe. The thrust of the last few decades of cultural studies has been to demand that people reject understandings of the world that are traditional, intuitive, and commonsensical—even when these understandings aren’t materially malignant, and especially when they are backed up through empirical measurements.
Sometimes this has led to what most decent people would consider progress. It’s good, for example, that we’ve destigmatized homosexuality. But many more assertions—particularly those that have been argued for the most viciously throughout the last decade or so—are either objectively untrue or so far divorced from the lived reality of most people that very few of us actually believe them. Most people don’t believe that there exist no biological differences between men and women, for example, or that fatness doesn’t come with health consequences and/or isn’t correlated with diet and exercise. We don’t honestly believe that whiteness is a metaphysical force that is the true cause of all the world’s problems, nor that an implicit bias test is a fair measurement of anything, nor that person’s worth is more a matter of their collective identity markers than of their beliefs and actions. These assertions are all incredibly fringe, despicable to anyone who cares about empirical reality or possesses a moral compass that’s not founded entirely in self-serving relativism.
There exists a small caste of delusionists, however, who have forged careers from making these and other assertions. They are very prominent within their own, closed circles, and they receive no material pushback for their beliefs, even from the vast majority of people who have not been initiated into their cult. This is due to the solipsistic validation mechanisms of contemporary cultural studies, a milieu which suggests, simply, that its purveyors are right, everyone who doesn’t defer to them is some variety of fascist, and the fact that disagreement exists is fundamental proof of the righteousness of their claims. To members of this caste, delusion isn’t merely a virtue; it’s a currency. The more they anger and confuse outsiders, the more correct and admirable they become, and the higher their position of prominence within liberal institutions. 
This is the lesson of the “Sokal Squared” hoax, in which a team of authors managed to get several nonsense articles past peer reviewers at cultural studies journals, making arguments which ranged from incredibly offensive to beyond the realm of plausibility. Or, if you’ve fallen for the woke apologia and believe these works to be unworthy of consideration, let’s look at a more earnest piece, in which an author argues that drone bombing “queers” warfare. It’s reductive to merely call these arguments stupid. They are delusional. They are absurd and offensive in manner that’s all but guaranteed to confuse and anger a large majority of people. They go against basic common sense and decency and can in most cases be disproven empirically—and that’s exactly why they got through peer review so easily. The value here isn’t in attempting to adjudicate reality or even morality; it’s instead found in giving its purveyors a chance to revel in one another’s unboundedness to reality. Radicalism can no longer be differentiated from simple stupidity. The point is to announce one’s membership in the delusional caste. It’s good to be insane. It’s good to be revolting. It’s good to fail, because then you know you’re good.
The caste’s members eventually reach a plane of delusion so all-encompassing that they begin to disdain those of us who still possess a desire to engage with the world in honest or rational terms. These people—the hoard, the uninitiated, the rubes—they only exist to confirm the righteousness of the insiders. What they think they see therefore doesn’t matter. Their opinions don’t matter. Their votes, especially, do not matter. We’ll tell them what to think. We’ll tell them how the world exists. And if they disagree, well, that’s just evidence of how wrong they are...
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andersunmenschlich · 4 years
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Episode 17: The Boneturner’s Tale
Ah, finally. It’s about time I got another episode listened to. Amazing how long that takes; so much to do. And still I have no bookcases. Oh well. This one’s the statement of a Sebastian Adekoya, and apparently it has something to do with books. I am pleased.
...Oh, I am very pleased.
It seems to me that Sebastian Adekoya understands books very well. I’ve said before (and will doubtless say again) that all books are books of magic. Just as this episode’s statement-giver says, opening a book allows you to enter the mind of someone who may well be long dead. In such cases, reading is a form of necromancy.
To read a book is to change your mind: to place thoughts there that are not your own, to see things you’ve never seen, walk through worlds you’ve never been to, that no longer exist or don’t exist yet, or that never will.
To write is to preserve a fraction of your own mind, freezing it in symbols which wait to be decoded by the incautious.
You don’t know what thoughts you’re inviting to live inside your mind when you settle down to decipher a lexical set. You can’t know what they’ll do to you, nor you to them (nor what they, changed, may do to you again). The promises in the titles, in the genres and the labels, can only tell you so much. What does this set of words contain? Have you even understood what is meant by the description—are you sure you know what it means when an old story is called a “romance,” or when a newer one is labeled “wuxia”?
Some thoughts won’t be able to live in your mind. Some you’ll never be able to get rid of. Personalities and people, scenes and scenarios, images and ideas... foreign things birthed in the minds of others; decode the twisting lines on the page before you, and they’ll spring to life in your mind as powerful as the day they were written.
Words can be wonderful—and dangerous.
Books are beautiful—and bewitching.
You should never read unwarily, because when you read you’re bringing alien thoughts to life in your mind, and you may not want them to make a home there....
Sebastian Adekoya says he used to work at Chiswick Library. As he describes it, it’s a local library very like the one I grew up with: cheaply furnished, full of battered paperbacks, open-feeling, and frequented by friendly, quietly chatting patrons. Probably the occasional Children’s Corner with a librarian who reads aloud well and a much-loved copy of, say, Matilda or Owl at Home, depending on the audience.
Our statement-giver says it was 1996 when the thing happened.
He’d been working for the library about a year at that point, and knew that the library bought its books new, when it bought them (though he didn’t know where they bought them from).
A patron returned five books at the front desk. One of them, he’d never seen before. It was not, however, new. “The barcode and ISBN,” Sebastian says, “both registered as being that of Trainspotting by Irvine Welsh, but the book itself was an almost featureless black paperback, with a title on the front in faded white serif font: The Bone Turner’s Tale.”
Confused, he calls the librarian (Ruth Weaver) over to look at it.
She also didn’t remember ever seeing it before, but it had the appropriate markings for a book from Chiswick Library, and the stamps on the lending label indicated it’d been in their collection for several years.
Weaver shrugs and says not to worry about it: they’ll get it put on the system properly. Sebastian, however, is bothered. So he does a bit of quick research.
The man who brought the book in, one Michael Crew, apparently only checked out four books, not five. Our statement-giver thinks maybe he’s a self-published author trying to get his book into the local library, and suggests this possibility to the librarian, who laughs and says that’s probably it—though why anyone would bother trying to get a book onto the shelves of this particular local library was beyond her.
Sebastian Adekoya notes that the book looked worn, “like it had seen decades of being read, with a line creased down the spine and one half of the cover faded from the sun. Nor, from what I could see, did it list any author at all.”
At this point, our fascinating book story is interrupted by the arrival of another character.
According to our statement-giver, this Jared Hopworth is, “not to put too fine a point on it, thick as mud.” He was also Sebastian’s best friend when the two of them were kids: inseparable. Hm. I must admit, I never had (nor wanted) anyone like that in my life. I suppose there was that other preacher’s oldest kid, from the church in the next church region over (it’s not called a diocese when you’re Protestant, but the effect’s much the same...). We were mostly friends in name, though, and never spent much time together.
In any case, Sebastian went to college and Jared hit the back alleys. For some reason, it seems, Jared Hopworth saw this as Sebastian Adekoya betraying him by being too smart, not him betraying Sebastian via being an idiot too stupid for college.
I do have to wonder how intelligent our statement-giver actually is, however, given that he apparently decided to just put up with what he describes as “a campaign of petty terror” for the sake of a memory of childhood friendship. Oh, sure, “he was always very careful to stop before he did anything that might get the police involved—but let’s be honest with ourselves, shall we?
You should only brush off malicious behavior from others if you’re enjoying it, and want to encourage them to do more.
...And now we get an even larger interruption. Excellent.
I do believe this is the very first time another character has actually broken into the middle of a recording. I don’t like it. Who is this Miss Herne, and why is her complaint so important that my story has to be disrupted?
I don’t even remember ever hearing her name before. I don’t know her, I don’t care about her—weren’t we in the middle of something?
...Oh, no, wait... I do remember her.
Naomi Herne, the annoying woman who doesn’t know how to appreciate a misty moonlit graveyard meadow. The one with the unusual attachment to that large piece of headstone. What’s she complaining about? I don’t remember that she had anything to complain about besides her own unfortunate lack of, as the children say, “chill.”
Well, whatever the case, it seems Jonathan Sims considers Naomi Herne’s statement a waste of time. It wasn’t, it was beautiful—but never mind. The interrupting messenger, someone named Elias (which rings a faint bell), tells the head archivist that the Lucas family gives the Magnus Institute financial support, so he shouldn’t annoy anyone connected with them if he can help it. Does Naomi Herne count as “connected to the Lucas family”? Her Lucas husband’s dead. She doesn’t even have the name. No children that I’ve heard of. No reason she should be connected that I can see. And they didn’t seem terribly interested in a connection at the funeral, did they? I think Mr. Sims can antagonize her all he wants without damaging future Lucas donations, frankly.
Our interrupter is also looking for Martin (the supposedly-but-not-apparently incompetent archival assistant). Mr. Sims says Martin is off sick with stomach problems this week, and Elias leaves.
...Wait.
Elias Bouchard? Jonathan Sims’ boss? Why is he running messages down to the archives? This makes even less sense than Rosie the receptionist being in charge of upkeep on recording equipment. Just how much disbelief is supposed to be suspended here? I’m asking seriously, because the Magnus Institute seems like a very badly put together organization if you think about it too much. Or at all.
Well. Elias Bouchard leaves, Mr. Sims expresses “blessed relief” at the fact of Martin’s being sick and thus not at work, and we return to the statement.
...Our main character really dislikes this particular assistant, and for (it would seem) no good reason. Is there history there? Did Martin do something especially bad to Mr. Sims at some point in the past?
Or is it just some kind of negative bias, like thinking a man will be no good with children because he’s a man, or that a woman will suck at math, or that a Hispanic cleaner will steal your jewelry because they’re Hispanic (you dropped your necklace down the back of the dresser, Grandma—I am never going to forget that unjust accusation, nor how plain you made it that your suspicion was based entirely on race).
In any case: back to the library.
Sebastian Adekoya notes that it’s typically a bad thing when Jared Hopworth turns up at the library, because it means Jared’s “bored enough to seek me out for harassment.”
This is apparently exactly what Mr. Hopworth has in mind, because he waits for Weaver to go back to her office and close the door, then knocks the returns cart over, spilling books everywhere. Which is a horrible thing to do. I can’t stand seeing books mistreated this way, I’d rather watch someone bash innocent children around (which, I realize, isn’t saying much given I’m the one talking—but still).
Despite obviously having done it on purpose, he smiles and apologizes.
I’m familiar with this particular method of annoying people. Deliberately doing something terrible, then acting as though it was accidental? Yes, indeed.
People have trouble dealing with this. You did a bad thing. You clearly meant to do the bad thing. This should give them the right to demand retribution. But then, instead of continuing in the “person who does bad things deliberately” role, you switch to “friendly mistake-maker,” and it throws them.
Really they shouldn’t give you the benefit of the doubt.
There’s no doubt!
Sebastian Adekoya bends down to pick the books up, and as anyone with a capacity for noticing patterns of behavior could have predicted, Jared Hopworth hits him in the back of the head with a book.
Which is, again, a terrible thing to do to a book. Human skulls are, on average, much sturdier than the covers of books.
This book, however, may be capable of taking care of itself.
“Behind me, Jared stood holding the book I had put aside—The Bone Turner’s Tale—and had apparently picked it up to hit me with. But rather than offering me a fake apology, or further violence, instead his eyes were locked on the book. We stood there in silence for a few seconds, until he said something about needing something new to read, turned around, and walked off.”
According to our statement-giver, Jared Hopworth isn’t much of a reader, “and the look in his eyes when he left had something in it not entirely unlike fear.”
Yes, I think this work might be able to handle that book-abusing felon just fine.
On his way home after leaving the library that night, Mr. Adekoya passes Mr. Hopworth’s house. Apparently they’re both living in the same houses they occupied as children, which is rather unfortunate for Sebastian, don’t you think? It’s late September, which is a nicely spooky time of year, and something’s moving in the pool of orange light under a streetlamp.
It’s a rat. A large white rat that looks as though it was once a pet. Something’s wrong with the back half of it, and its head seems to be turned around farther than it should be as it drags itself along by its front paws.
Which is also deliciously spooky.
Sebastian Adekoya stares at it until it drags itself off into the darkness and disappears from sight.
He notes that the lights were off in Jared Hopworth’s house. As someone who sleeps days, works nights, and routinely doesn’t turn the lights on as I go about my nightly affairs, I don’t find this particularly indicative of a lack of activity—but that’s me. I suppose most people, when their lights are shut off, don’t make and eat food, read books, do jigsaw puzzles, etc. Ah, how limiting it must be to have such weak senses.
Jared Hopworth more or less vanishes from the scene for a while. Weeks go by without him turning up to torment Sebastian Adekoya, who begins to feel worried. Almost a month with no torment? Surely something must be wrong!
...Hmm. Do you suppose our statement-giver might be just mildly masochistic?
Whatever the case, he’s not eager enough for unpleasantness to actually go to Mr. Hopworth’s house and check on him, so the Jaredless time rolls by until late October, when Jared’s mother turns up at the library with her arm in a sling, wearing an unnecessarily bulky coat and a hateful expression, carrying a familiar black-bound paperback book, which she flings onto the floor at our statement-giver’s feet before turning to leave.
Sebastian Adekoya asks after the health of her son, which arrests her departure and provokes a bit of an outburst: “She spun back and started to swear violently at me, told me I had no business with her son and that I—and my books—were to stay away from him.” This outburst also gives Sebastian a bit more time to inspect the arm... which reminds me markedly of the rat.
“As she spoke, I couldn’t look away from her arm and the odd ways it twisted as she gestured. How her fingers seemed to bend the wrong way.”
Well, well, well.
Before leaving, Mrs. Hopworth spits at Mr. Adekoya—and I find it interesting that, while she clearly has no problem throwing the book onto the floor like it’s a live animal and she wants to smash its skull, she avoids spitting on it.
Despite the absence of spittle, our statement-giver decides to employ paper handkerchieves in picking the book up, rather than touch it with his bare hands.
He sticks it in the book returns cart, locks up the library, and goes home.
It rains heavily that night and Sebastian Adekoya, in his converted attic bedroom, can’t sleep. He’s worrying about the book. He’s worrying that perhaps he shouldn’t have just left it there, unsupervised, as it were. “What if Ruth came in earlier than I did tomorrow and took it? What would happen to her?”
Frankly, that strikes me as an interesting experiment. What would happen to Weaver? Come to that, what happened to Hopworth? Was the idiot eaten by the bone book? Twisted beyond telling? Possessed, perhaps?
I’d quite like to know.
“Should I have destroyed it?” Sebastian Adekoya asks himself.
I’m not sure this question would even occur to me. “Should,” after all, presupposes some kind of ideal state for things to be in.
Should you do thus-and-such a thing? It’s an incomplete sentence. You’ve left off your goal. “In order to [X], should I [Y]?” That is a complete sentence. So—should Sebastian Adekoya destroy The Bone Turner’s Tale? It depends on what his goal is. If he wants to study it, then no: he definitely shouldn’t. If he wants to stop it from doing what it seems to be doing, then yes: he probably should.
Completely failing to define his goal for an ideal state of things RE: The Bone Turner’s Tale, Sebastian discards the idea of destruction on the grounds that he wasn’t sure he had it in him to destroy a book—”even one with such a strangeness to it.”
Well now. Thank you, Mr. Adekoya, for letting us know that you consider strangeness a helpful push towards destruction.
...Oh, I’m not really surprised. I do have a passing acquaintance with humanity, after all.
Sebastian Adekoya lies awake in bed until sometime around two in the morning, when he finally gives up and goes to get the book. He gets out of bed, dresses, grabs his gloves and a jacket, and walks twenty minutes to the library in the rain, where he unlocks the door, goes in, deactivates the alarm, and begins turning on as many lights as possible without making it too obvious that there’s someone in the building.
He tells us that part of him wanted to keep the library in its nearly pitch-black state, but he turned on lights anyway. I’m guessing this is due to his weak eyes, since he says “I had to half-feel my way through the foyer and into the library proper.” [with a complete lack of sympathy] Must be rough.
He also uses a flashlight—but not before he puts his bare hand on the book returns cart, catching his balance, and his fingers come away wet.
The books, it would seem, are all bleeding.
...That is very annoying. I think I would be very nearly angry. Blood-soaked books!? Have you any idea how difficult that is to clean? Frankly, it’s impossible! This had better be the type of supernatural blood that vanishes without a trace.
The Bone Turner’s Tale, meanwhile, is as dry as... well... a bone.
Sebastian Adekoya puts his gloves back on (which means, unless he washed his hands without telling us or this is the type of supernatural blood that vanishes without a trace, that the inside of at least one of those thick gloves is going to need some rather tricky cleaning done), and picks up The Bone Turner’s Tale. He puts it on the desk and—clumsily, because of the thick gloves—begins reading.
He doesn’t begin at the beginning, just opens it randomly, which I suppose is understandable given the current unwieldiness of his fingers, but still. I can’t really approve.
“It was written in prose, and certainly seemed to be a story of some kind. The part I read dealt with an unnamed man, at various points referred to as the Boneturner, the Bonesmith or just the Turner, watching an assembled group of people as they made their way into a small village.
“It’s unclear from what I read whether he is traveling with them, or simply following them, but I remember being unsettled by the details he observed in them: the way the parson would move his hand over his mouth whenever he stared too long at the nuns or how the cook looked at the meat he prepared with the same eyes that looked at the pardoner. It was only at that point that I realized the book was describing the pilgrims from The Canterbury Tales.”
You know, I’ve never read The Canterbury Tales.
“Now, this certainly wasn’t some lost section of a Chaucer classic,” our statement-giver tells us. “It was written in modern English, with none of the archaic spelling or pronunciation of the original, and besides that the writing itself was of questionable quality. There was something compelling about it, though.”
“I flicked ahead a few pages, and found the Bonesmith had apparently crept up to the miller while he slept. It described him silently reaching inside him, and… it’s a bit hazy. All I remember clearly is the line ‘and from his rib a flute to play that merry tune of marrow took’. And as for the rest, I don’t recall in detail, but I know that I almost threw up, and that the miller did not survive. This was on page sixteen, and it was a thick book.”
Funny, since he described it as a small paperback earlier. Hmm. Something like my paperback copy of Jonathan Strange & Mr. Norrell, maybe? 6.75″ x 4.25″, over 1000 pages long—a veritable brick of a book. Hmm. Could be.
It also gives a bit of a hint as to what might have happened to the rat (and the mother... and possibly the son).
I like it.
Our statement-giver is notably less pleased, and turns to the frontispiece to see if he can figure out where this book came from. Apparently he’s given up on the idea that Michael Crew wrote and self-published it? I don’t see that that’s entirely out of the question at this point. I mean—what, after all, do we really know about Michael Crew?
Peeling off the Chiswick Library label, Sebastian Adekoya discovers another library label beneath.
This label is not in excellent shape. According to our statement-giver, it says something like “Library of Gergensburg” (or “Jürgenleit,” or “Jurgenlicht”), which suggests that the last library wasn’t in Britain.
I wonder whether it was still written in English there?
Giving credence to my tentative hypothesis regarding masochism, Sebastian Adekoya prepares to return to reading the book that nearly made him throw up.
At this point, however, Jared Hopworth breaks in. Literally. Through a window. Sebastian Adekoya recognizes Jared via voice, which is one of the only ways I ever manage to recognize anyone. (Why, yes: I am indeed borderline prosopagnosic. I blame humanity’s insistence on all looking basically identical. Two eyes, two ears, one nose, one mouth—and all in the same arrangement, at that. How, I ask you, is anyone supposed to tell any of you apart?)
As far as visuals go: Jared has apparently decided to dress himself in baggy pants and a thick coat with a face-concealing hood. This strikes me as a very reasonable way to dress, particularly if both coat and pants come well-supplied with those deep and useful pockets I take so much for granted in my clothing.
Sebastian says that Jared is now “longer” than he used to be, whatever that means.
If he meant “taller,” I’d expect him to say “taller.” But “longer”? I’m not entirely certain.... Does he mean to say that Jared has, perhaps, been a bit stretched? That would seem to fit with the pointyness of his fingers.
His bones, I’d say, are longer than they once were.
Jared Hopworth is also “standing at a strange angle, as though his legs were too stiff to use.” That’s interesting.
If I were to guess (which I’m about to), I’d say that reading this book gives people the ability to manipulate bone inside living bodies. Now, I might hypothesize that the book simply warps things all on its own... but that rat really did look like an experiment, and Jared coming for the book strikes me as an “I haven’t mastered this skill yet, I need more practice, give me the manual” type of thing.
Sebastian Adekoya, declining to give Jared Hopworth the book despite the obvious tidiness of giving a strange thing to a strange thing, decides to punch Jared Hopworth right in the solar plexus.
Whereupon Jared bites Sebastian with, not his teeth, but his ribcage.
“...I felt his flesh give way and almost retract, drawing me in close. And then I felt his ribs shift, shut tight around my hand, as though his ribcage were trying to bite me. They were sharper than I would have thought possible, and at last, this was what actually started me screaming.”
Now, if that isn’t just perfect for late October, I don’t know what is.
Sebastian drops The Bone Turner’s Tale. Jared grabs it and runs off. Sebastian starts chasing him, but....
“I started to chase after him, until I saw how he was moving. How many limbs he had. He had… added some extras. That was the moment it finally all got too much for me; I stopped running. It wasn’t my book, it wasn’t my responsibility and I had no idea what I was dealing with, so I didn’t. I just stood there in a daze and watched the thing that was once Jared disappear out into the rain. I never saw him again.”
Uh.
Well, that’s probably all for the best so far as Sebastian Adekoya’s concerned, but does he really think things are going to stay that way? Jared Hopworth likes bullying him; I somehow doubt that gaining new powers will have changed that.
Our statement-giver, I think, is just as doomed as... huh. As pretty much all of the others seem to have been, come to think of it.
Somebody heard Mr. Adekoya screaming, it seems, and called the police. They turn up to receive the best lie Sebastian Adekoya can come up with on the spur of the moment, which involves falling asleep at his desk and being awoken by an attempted robbery. He can’t remember how he explained the bloody books, which seems to me like a thing that would take some explaining.
Hmm. I wonder how many strange things the police see in the Magnus Archives universe. Maybe Sebastian didn’t explain the books at all—perhaps there are some things the police in this universe just... leave alone.
The blood, apparently, was not the disappearing type. Mr. Adekoya says “it took weeks to get out,” and I assume he means to imply “out of the carpet,” because let’s face it: blood-soaked books don’t clean. Those books had to be thrown away and we all know it.
...I wonder what the blood type was.
Jonathan Sims describes himself as “deeply unhappy” about this statement.
“I’ve barely scratched the surface of the archives, and have already uncovered evidence of two separate surviving books from Jürgen Leitner’s library. Until he mentioned that, I was tempted to dismiss much of it out of hand, but as it stands now I believe every word.”
So interesting, the things he believes and doesn’t believe. I’m becoming more and more convinced that he stubbornly denies things until evidence actually forces him to believe—which might seem like a good way to remain sane in a universe like this one, but consider: is the denial of reality sanity? I don’t see that it’s even safety, since not knowing about a thing (germs, say) has never prevented the thing from killing you.
An interesting side note: Mr. Sims’ boss, Elias Bouchard, apparently has a very hands-off attitude when it comes to the supernatural.
“Record and study, not interfere or contain.”
Personally, I think that study and interference aren’t necessarily mutually exclusive... but that’s me. In any case, I do think Sebastian Adekoya’s either very dense, or that library label was very oddly written. Two separate words with two separate capitals (Jürgen Leitner) seem difficult to confuse for a single word! “Jürgenleit”? Really? Come, now.
Tim and Sasha, two of the three amazingly competent archival assistants, have done research which proves that yes, Jared Hopworth had a warrant out for breaking and entering and assault, but no, nobody found him and the case was dropped.
And aha!
About seven years after giving this statement, Sebastian Adekoya was found dead in the middle of the road, body so messed up they figured it had to be a hit-and-run.
Even though there were no signs of crushing or trauma marks.
That’s lovely.
I’d like a Leitner.
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scruffyssketchbook · 4 years
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How does power work in the eeveebox? Are there ulterior motives to how leaders are chosen? Are deputies appointed by the leader or determined by age? Are eevee reps. appointed by the leader/deputy or voted on by the eevees? Do the eevee reps. have any power? If yes, then is power determined by a hierarchy of command? How much power does a leader and deputy have over their own house? How much power do they have in other houses, both how much they say they have, and how much they actually have?
Author chan: Eevee box politics is something that will be dived into in the series as it goes along. It’s actually petty interesting. I’ll let you come up with your own conclusions about how “good” the box is being run, or who really has all the power and who doesn’t, or even if someone has ulterior motives, as dynamics will be explained and looked into in the comic itself. (also drama. Mmmm, yummy drama) Dusk originally came up with the idea of Brotherhoods, and he appointed himself as the leader of Greenpaw. He appointed Bolt as the Leader of the second house, and Flame as the leader of the third, but Flame didn’t want to lead so Dusk gave the leadership to Vay, who also didn’t want to lead, so Dusk had no choice but to give the third brotherhood to Blizz to lead, who was ecstatic. The Deputy position was made originally because Dusk didn’t trust Blizz with running a brotherhood himself. Deputies are appointed by the leaders, and are given tasks to do set by leaders. If for some reason, a leader is not capable of leading, the deputy gains the leader position and can choose a new deputy. Usually the Job of taking care of the brotherhood is split between these two positions, but. Flame literally does no work, Vay also never does any work(even when told), so it was usually all just shoved to the leaders. 
The Representatives are voted into the position by the rest of the eevees, to “represent” them. They usually know a lot about the problems of the eevees, are very social, and work with the leaders to tell them about issues that the eevees are facing, or things they might need. The reps also tend to talk to each other more in general about eevee box related issues. At the moment, there is a Rep election every 6 months, so the reps can change frequently. But, Eve has always been the icedrop rep and Dean has always been the lightfire rep due to how good they are at their jobs. John is the new greenpaw rep after the old one left the position. There has so far been 3 representative elections in the series, with a fourth one on the way. The leaders usually have the most power in the brotherhood, then the Deputies, then the Reps, and the normal eevees have the least power. Power is determined by several factors.
1. Position- Obviously. Usually a Rep wouldn’t have more power than a leader. 2. Likability- If someone in the position is well liked, they have more power with the eevees and the other high officials. If someone is not well liked, the eevees/ officials WILL show it. 3. Standing with the leader- The leader gets final say in brotherhood related issues. They also hand out tasks for the deputy to do. A good standing with the leader means a higher amount of power over the eevees in general. Now that all of that have been explained- Lets delve into the politics.
Meetings
Every Sunday there is a 2 hour brotherhood meeting, as shown in this comic page
 http://stupidshorteeveecomic.thecomicseries.com/comics/183/
This page actually shows a typical meeting. Meetings are around 2 hours where all the brotherhood officials come together to talk about issues together. Usually this is the only time where brotherhood issues are brought up. Leaders- Its Mandatory for leaders to go to meetings Dusk: Almost always at meetings, Will sleep during meetings, and is only actively involved if Blizz is in the meeting or something important is going on Bolt: Always at meetings, Due to his anxiety, he tends to let Dean do all the talking. Will only kind of talk if more eeveelutions are at the meeting. Vay: Literally never goes to meetings, has a cardboard cutout that stands in for him. Will only go if Blizz goes due to him being scared of Blizz finding out he never goes to meetings. Deputies- It is optional for them to go to meetings ????: Due to staying hidden, and his work load, he never goes to meetings, or even knows they are a thing. Flame: Almost Never goes to meetings. Like, he went to less than 5 meetings out of over 200 Blizz: Has not went to a meeting for a few months due to personal issues with the other leaders. Believes that Vay is going to meetings and doing leader work. Representatives- It is mandatory that they go to meetings John: Always goes to meetings, usually tries to talk at least, but usually doesnt unless prompted. Dean: Always at meetings, Usually is the one leading meetings, talks a lot during them. Eve: Always at meetings, and usually is the only Icedrop there. Does what she can, but is usually outnumbered. Wishes that Blizz can come back to the leadership position. Power
Power in the brotherhoods are kind of messed up now, which is on purpose on my part. To give you the basic Power dynamics, here is a cliff notes Version of what eevee has the most to least power in their house. Greenpaw-  Dusk has the most power in greenpaw. His Deputy and John’s positions are more for show than anything.  In the public tho, eevees think that John has at least some power, but no. Greenpaw vees dont need the rep position as much due to how Dusk structured everything. Dusk is very popular within his own brotherhood. Lightfire- Bolt has the most power in Lightfire, despite gaining massive anxiety due to troll. Bolt is respected, for both his kindness and his work ethic. Dean is Bolt’s right hand man, despite not being the most popular eevee, he is the best for the job, and is seen to have the second most amount of power in the brotherhood. Flame on the other hand, is not really liked in his own house due to literally not ever doing anything, but the other houses seem to respect him just for his position.
Icedrop-  Icedrop is a weird case.
With the eevees, Blizz has the most power, yes, even though he is the deputy. Eve has an equal amount of Power to Blizz with the eevees. Vay is literally hated by almost everyone in the brotherhood and has 0 power or influince with the eevees in icedrop, mosty because, Vay hates the eevees in his own brotherhood, and shows hate, negative bias, and general animosity to every Icedrop eevee. It has gotten so bad that, as shown here http://stupidshorteeveecomic.thecomicseries.com/comics/186/ Eevees will not do something if Vay was the one who asked for it. But with the other leaders, Blizz has 0 power and Vay has the most power. Eve has less power than Vay. And this has been the case even when Blizz was the leader, since the brotherhood was made to begin with. None of the eeveelutions listen to Blizz, and that’s kind of a BIG problem ^^;
I hope that explained some things, if you want to know more about box politics, plz tell me!! ^^ 
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theyoungkleinwriter · 4 years
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Books, books everywhere #1
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Ladies and gentlemen today I’d like to start something a little different. Today I’d like to try doing a book review at least once a month to both update those of you who have shown interest and to hopefully inspire you guys to read some of the books I review and recommend. Also to be a little different I’m going to review both a fiction book and then a non-fiction book not only to appeal to different people but perhaps to help you branch out in what sort of books you read.
Non-Fiction
Title: What is History?
Author: E. H. Carr
Year of publication: 1987
Synopsis: The books is the second edition of a series of written lectures by the author. The second edition was published after his death as he was working on revising some of his previously established thoughts. That’s what the books mostly consists of, a discussion on theories and ideas of history ranging from an exploration of the historians and the use of facts to the interrelation between history, science and morality.
Thoughts: Now since I am doing a history degree this book was naturally right up my alley. Plus unlike a lot of history books it didn't focus on particular periods in history but rather took a broader approach in its exploration of history. I found it really useful for generally helping me find new ideas and theories that I had never even considered which is one of this books strongest points. Moreover most of the lectures are from the original publication in 1961 and as such it is a real reflection of its time. You can feel the cautious warning tone that a lot of Cold War books used. There’s this overall feeling in each lecture that he’s trying to set a precedent/predict the future course of how we study history. That’s another good benefit of the books is it never ignores or dismisses any opinions. Instead it actively explores and looks at all aspects of the arguments using supporting historians to show how these ideas have developed. of course its a very dense books and certain times the thoughts feel a little more meandering as originally these are lectures so certain things will obviously be lost in translation so to speak. Overall, I find this books to be a worthwhile read although an obviously very niche one as well. What I would say is that if you’re a historian this book is very useful to explore different ideas on history but even if you don’t fancy it, it is still an interesting book to feel what tensions were like during that period of history.
Rating: 7/10
Fiction
Title: The Ballad of Songbirds and Snakes
Author: Suzanne Collins
Year of publication: 2020
Synopsis: I mean most of us probably know the basic world of Panem at this point but it can never hurt to remember. In the future ruins of America there is the country of Panem constructed of the Districts and the Capitol. Ten years before the events of the book a vicious civil war was fought and the Capitol won. The story follows Coriolanus Snow who is a young boy at a prestigious school in the capitol. It is his final year and he has been selected to be a mentor to a tribute that will compete in the annual hunger games. A fight to the death between the tributes from each district. The biggest problem for Snow is that he is given what is viewed as the worst tribute possible, the girl from District 12.
Thoughts: So I think there is a little bias here because the Hunger Games trilogy was and still is my favourite YA Dystopian series of all time. My personal favourite has to be Catching Fire. The scheming and deception was one of the most appealing parts of that book. As such I loved this book as a large part of narrative is about deception and cunning. The best bit is that the main character Snow is brilliant at this. Also as villain origin stories go its really good at helping you to understand how he became the way he did. However the real strength in Collins’ writing is in her characters and this book does not disappoint. I thought all the characters were excellent and had very understandable motivations that naturally stemmed from their life experiences. I think the main character was certainly my favourite but there were a few others who caught my eye. The head Game Maker for example was certainly a real favourite of mine. Even better Collins doesn't restrict her story to a singular setting and just because we know how it all has to play out in the end doesn't stop it from being any tense and in my opinion it made the final chapters much more impactful as I could only pity all these characters since I knew where they were all heading. On a side note I would also say that if you like the songs from the original trilogy then you’ll really like this book since there are songs present all throughout in a fashion that reminded me of reading Tolkien's work. However the songs are interjected with Snow’s response to the lyrics which was a refreshing development. However there was one thing that I have to mention which was the main characters name. Now obviously when Collins first wrote Snows full name she never thought she’d write a prequel where he was the main character but still, I found that when reading I had to pause every time to read out his first name. And she uses it a lot, so I would say stopping to read ‘Coriolanus’ each time was a little taxing. Otherwise I'd find this book overall to be Worthing of including in the Hunger Games world as it really showed a different perspective on something we’d previously learned to hate. It also showed me a side of things that I hadn't really considered before such as what a post war Capitol would be like or how the Hunger Games evolved as the years went by. I won’t spoil anything here but let’s just say that the 10th Hunger Games is most definitely not the 74th.
Rating: 9/10
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bimboficationblues · 5 years
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Charles Mills, “Decolonizing Western Political Philosophy,” 2015:
One of Rawls’s central achievements in his resurrection of Anglo-American political philosophy was the shifting of the primary concern of the field from the question of our obligation to the state to the question of social justice. But whether pre- or post-Rawls, the colonial shaping of the terms of the debate continues to be manifest. Those subordinated by the Western empires would obviously have had a very different perspective on the question of their political obligations to the state. But we never get to hear their voices: the presumption is always that the state is legitimate, non-oppressive, consensual, so that the distinctive Euro-experience of the political can be unproblematically adopted as a general framework by others. What I would contend is that in the thematic shift from political obligation to social justice, we find a comparable entrenching of the perspective of the colonially privileged. 
...in terms of timing, this announced recasting of the central theme of the sub-discipline takes place at a period (1970s) when global decolonization has been under way for more than two decades, and the black civil rights movement in the United States, mainstream and non-mainstream, has been building in strength since the 1950s. So it is precisely now, one would think, that a philosophical discourse on justice, with the backing of Ivy League academic authority, would be most useful in casting in respectable form these deep challenges, national and global, to the postwar racial system, and thus assisting the debate on how best to dismantle the structures of white power and privilege inherited from the old colonial order. 
The remarkable thing about Rawls’s apparatus is the way it shuts all of these questions down. The book is now so familiar to all of us that it requires a cognitive effort to see it anew, as if one is encountering it for the first time. But try to imagine that one is doing so. Here is a 600-page book on social justice (in its 1971 first edition incarnation) in which no answers are given about the correction of the injustices of the past. Here is a book by an American, writing in the Anglo-American tradition, that resurrects Anglo-American political philosophy—in which the wrongs of the Anglosphere, the British and the American Empires, both external and domestic, receive no attention whatsoever. Here is a book by a citizen of the Western democracy in which racial injustice (Amerindian expropriation and genocide, African slavery and subsequent Jim Crow) has been more salient than any other kind, in which racial justice as a theme is conceptually excluded by its very meta-normative framework. Above all, here is a book about using a temporary veil of ignorance to block access to facts that may bias one’s judgment in which a permanent veil of ignorance is dropped over the facts of colonial and racial domination, which make no appearance over the course of its 600 pages. As with a definition of society that defines structural oppression away, Rawlsian ideal theory reconceives justice so that its most obvious function—correcting injustices—is not just deferred to a tomorrow that never comes, but deferred to a tomorrow that can never come.
[...]
My claim would be that the displacement to the margins of Rawls’s normative concern of the issue of compensatory racial justice, with all its distinctive problems—and the similar distancing in his disciples, commentators, and most of his critics—is itself one of the most clear-cut manifestations of the ongoing colonial nature of Western political philosophy. At the very time when the focus of the discipline is shifted from political obligation to social justice, at the very time when the colonial system is being terminated (at least formally) and racism is being repudiated (at least officially, and in its biologistic incarnation), at the very time when people of color are emerging as global players and challenging the existing order as actors and thinkers, at the very time when philosophers of color are beginning to arrive in the white academy, having previously been excluded— it is at this very time that a meta-normative framework for conceptualizing justice is put forward that has the effect of obliterating the past, marginalizing race, and taking off the table the issue of rectificatory justice, including racial justice.
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tirimsil · 4 years
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“Alicorns” are dumb
Please see “How fantasy works: Symbolic magic / thematic magic” for context.
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In Friendship is Magic, there are four basic pony races, defined here as cartoon horses who normally have cutie marks:
Earth pony, look like normal cartoon horse, much stronk, good w/ plants
Pegasus, have wings, can stand on clouds, fly, generate wind currents
Unicorn, have horns, can do telekinesis & other magic stuff
Stronk + wings + horn, eventually called “alicorn”
When the show was first conceived, the only “yeah I’ll take everything” ponies were Celestia & Luna, the mysterious Princesses of Equestria. There was no special term; both were considered unicorns in early promo material.
Lauren Faust made them like that to symbolize that they were unbiased representatives of all three pony races.
Because they were all three races at once, and so far as anyone knew at that time they always had been, and they were the only two around, they could not be racist in favor of their own race.
... of course, due to Half-Elf Syndrome, this would not completely stop racists from hating them for being two-thirds another race... but it’s a big help.
Now let’s get into the nomenclature of “alicorns”...
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The word “alicorn” originally referred to the material composing a unicorn horn, or to an entire horn intact. In ancient times, swindlers would pass off various animal body parts as alicorn, claiming that alchemical mixtures containing it would promote health and long life. The most popular actor to play alicorn was the spiraled tusk of the narwhal, and today unicorns are almost exclusively depicted with very similar spiraling horns.
Sometime around 1984, fantasy author Piers Anthony re-appropriated “Alicorn” as the personal name of a specific winged unicorn; he apparently saw it used in reference to a statuette of a winged unicorn in an ad, and had never heard of the word before then.
Anthony was a prolific enough author for this errant usage to quickly spread into the fantasy vocabulary of several languages - as in, several besides English, the only language where the word already meant something. Like “Pegasus”, it quickly changed from the name of an individual to the name of a species.
"Alicorn” eventually found its way into the brony fandom, where it became one of those words used obsessively to make sure everyone knows you know the word exists, even though Celestia and Luna are all three races and not only the two covered by the term, and the show lifted it from there.
Oh, right, let’s talk about that.
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We’re all aware that Twilight, originally a unicorn, later became an “alicorn” (with the first in-show use of the term uttered by Rarity) thanks to a Deus Ex Machina. “Here’s a song, have some wings, OK bye”.
I got childishly butthurt about that like everybody else, but I realized in hindsight that it should have been very predictable: The most popular MLP toys were always the most princess-y ones, and Twilight was the main character and easily the most popular of the six both with little girls and with poonhounds, so of course they’d make her a Princess (at least in form) so they could release a whole second toy to make, to use the industry term, “a buttload of money”.
Twilight transforming into an “alicorn” was only mildly a problem unto itself:
It questioned the viewers’ natural presumption that “alicorns” were always that way and not a transformation to begin with.
It threw off the balance of two to a race the main characters had.
It worsened the narrative underuse of Rarity’s unicorn magic by making her even more obsolete in favor of Super Twilight.
It was a very clumsy end to a very clumsy season.
Still, it opened the door for further alterations to the “alicorn” concept.
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What walked in the door was Cadance. She ruined everything.
Faust originally designed Princess Cadance (supposedly a royal family member) as a normal unicorn, the same way that Prince Blueblood (supposedly a royal family member) was a normal unicorn. I distinctly recall Faust’s immediate reaction to first seeing Cadance with a horn and wings was grumpy drunk-Tweeting, but don’t take my word for that.
The spinoff novel Twilight Sparkle & the Crystal Heart Spell, which was obviously written to send back in time to a little girl from the mid-1800s, clarifies that Cadance was born as a pegasus. She just kinda worldspawned in the woods like Minecraft. She beat an evil witch with the witch’s own magic that Cadance turned into love magic despite not being a unicorn and then Celestia showed up out of nowhere like Gandalf to just POOF make her “an alicorn” because apparently Celestia can just do that.
Also Cadance is adopted.
The adopted pegasus is an “alicorn” whereas the actual blood relative of the “alicorns” is just a unicorn. No wonder Blueblood has nothing but contempt for all living things.
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The malafest pit of corruption that is Cadance’s uterus had to make her kid (Flurry Heart) “an alicorn” right at birth.
Celestia and Luna said they’d never heard of a pony being born as an “alicorn”, which means Celestia and Luna weren’t born that way either.
This destroys the entire reason “alicorns” were ever conceived.
If Celestia and Luna were once any of the normal three races (presumably unicorns), then they are no longer race-neutral; racists will still treat them like the race they started as, and the public can accuse them of bias in favor of their original race, all the same as if they were never “alicorns” at all.
Of course, Twilight (unicorn) and Cadance (pegasus) would suffer the same obstacle, with a mild advantage to Cadance in that what her original race is may not be public knowledge since that happened off in the magic fairy forests of horse-Germany and only Celestia, Princess of Trolling, is a credible witness.
Only Flurry Heart, 15+ years down the line, could reasonably claim to be race-neutral... but who’s going to believe her? That’s never happened before. The greatest living minds and oldest memories of Equestria, Celestia and Luna themselves, said they’d never heard of such a thing. The public will much more likely forget any proof they ever had of Flurry Heart’s birth and presume that, like every other “alicorn”, she wasn’t originally one and that she’s trying to hide “what she really is”.
After all, racism is founded on delusion; it doesn’t matter what race Flurry really is, merely what parody of race she can be plausibly dubbed as.
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Race-neutrality was the only reason to have any “alicorns” at all and none of them can fulfill that purpose; not even the one who’s actually race-neutral.
Here’s what we got in exchange for that blunder:
Absolutely nothing
"Alicorns” gained no consistent lore or mechanics for how they occur, nor any clarification of how or even whether they differ from unicorns in magic or from pegasooses in flight.
There is no clear meta-reason why the writers even need them, other than as bland children of destiny, drivers of toy sales, and general fanservice.
None of the events centering around the game of Who’s The Next Alicorn adds anything particularly profound or even consequential, and none of the characters seem to really give a damn about “alicorns” in general. Nobody is even all that surprised to see Twilight’s transformation; they just go “Wow cool!” and roll with it. The only strong reaction is the characters’ horror when they see Flurry Heart’s wings and realize the show officially doesn’t give a shit anymore about making sense or having cohesive themes.
It doesn’t even benefit the people who make bad Mary Sue OCs on DeviantArt, because they were already making “alicorn” OCs when it was only Celestia & Luna. That’s where the show got the term from, after all.
What a complete waste of potential.
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catflowerqueen · 4 years
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Oh, how about what Armaldo did to make him an outlaw? o/
What Armaldo did to make him an outlaw:
The short answer is that he was tricked into stealing someone’s private property, and then when he realized that he’d been tricked he lost the items in the ensuing confrontation with the person who tricked him, and then he was too terrified to just go and fess up about what happened and ended up running instead. Which honestly might have actually saved his life at that point, considering who he inadvertently stole from and what exactly he stole in the first place.
As for the longer version…
(Incoming spoilers, subject to change)
A little bit of backstory is probably in order. We alreadyknow from canon that Armaldo was apparently a seasoned explorer before he becamean outlaw. My version of him actually takes things a step further—before he wasan official explorer, he was a member of a rescue team. I might detail a bitmore about the differences between the two in a later post, if you or anyoneelse is interested—because the two can be seen as very similar—but the maindifference really comes down to the name: Rescue teams rescue while Explorationteams explore. If a rescue team gets a mission involving an outlaw, it willeither be because someone currently being menaced by said outlaw sent out arequest to be rescued, or the outlaw themselves got into such deep trouble thatthey would gladly spend the rest of their life in prison if it meant that theyactually got to keep having a life. Other requests are likewise because someoneis literally in need of a rescue/their friend needs to be rescued/they need anitem of some sort in order for survival (or perhaps something a little lessdire, but it’s nonetheless an item that they need). Exploration teams, on theother hand, are already supposed to be going everywhere and exploring everythingthat they can, so it makes sense that if they just so happen to find an outlawin the area that they’re in that they somehow be deputized in order to takethem down and bring them in for arrest. And actually going out looking just forthe purposes of finding an outlaw still falls under the category of lookingaround and exploring, so… yeah
 Another important distinction is that Rescue teams are alwaysgoing to be under a time constraint—someone is in trouble, they need to help asquickly as possible, they can’t be quite as discerning in what sorts ofmissions they take, and they can’t stop and smell the roses or take time tolook around and map their surroundings too much beyond what it would take tomake sure that they can get places safely. But Exploration teams are encouragedto take their time and look around, since the whole point is exploring. And,sure, sometimes specific missions they take will require them to stay within aspecific time limit, but that isn’t supposed to be their norm.
 Armaldo found that he liked the journey, as it were, morethan the destination, so after a few years as a rescuer, he switched over tobecoming an explorer.
The problem is, he did not have as much oversight as, say,the player and partner did when he decided to switch. There aren’t reallyspecific rules that one has to join a guild or anything when they become anexplorer, and I don’t think that it’s strictly even legally necessary toofficially register with the Exploration Federation. It just means that theywill be basically on their own, and they won’t get any help from theFederation, and they won’t necessarily have access to official jobs—like theones that get posted on the bulletin boards. They still might, but it wouldlikely be limited and dependent on where exactly they are getting them.
 After all, the main draw of actually joining the WigglytuffGuild came down to protection and training while they were starting out—a goodway to play things safe. But I highly doubt that Team Skull would have joined aguild—they wouldn’t want to cut into their profits, after all, and they wereprobably pushing it a bit in that regards to stay legally registered with theFederation, since they probably take their share as well—we just never see howmuch because the guild likely took care of the actual accounting and whatnotsince they were already taking a cut of the reward money.
 But Armaldo was already used to being on his own in dangeroussituations, what with all the years as a rescuer under his belt, so he didn’tbother to join a guild. And he may or may not have actually signed up with theFederation, either—he already had a bag, after all, and he may not have beeninterested in the “taking jobs/missions” aspect of exploration teams, since,again, that’s really more of a side thing than the main point. Also, it’s notlike he could have joined the Wigglytuff Guild or anything since it obviouslydidn’t exist yet.
 So there you have Armaldo, doing his thing, exploring around…likely losing a bit of his enjoyment for the whole situation along the way(evidenced by some of the things he says to Igglybuff at the end of the specialepisode—in part because he’s all on his own now, since he doesn’t have theFederation or the Rescue Team equivalent available to help out at all—and—this isthe important part—no real knowledge of how official missions are handed outand vetted in regards to Exploration teams. In other words—a prime target for ascam.
 So when one day a ditto comes along with the story of howsome pokemon was taking advantage of his status as a rarity to bully others andtake their things, and how something really important of theirs got taken, andhow they would be really glad if someone could go and get it back, they wouldhappily reward the pokemon who helped them out… Armaldo had no way of knowingit was a trick. How would he? No one would ever lie on their requests, since itwas literally a matter of life and death, so he wouldn’t even conceive of thepossibility that someone would lie on an exploration request either. And,again, the request didn’t go through official channels, so he would have noidea that exploration requests—especially ones regarding outlaw situations—wouldbe vetted first. And he’d been around long enough to know that it was entirelyplausible that someone would abuse their status, because people and pokemon canbe major jerks sometimes. He was already bitter and jaded enough by life ingeneral—especially once the allure of exploring started to wear off with thereality of what it really entailed when one was all on their own—so he prettymuch just ignored how sketchy the whole situation sounded, and only asked forthe barest of details of what he was supposed to go and retrieve.
 This would come back to bite him later. Hard, and multipletimes.
 What did he need to find? A set of two intricately carvedand beautifully painted stone keys, apparently. And who took them? A celebi,apparently. Rare enough on its own, sure, but apparently this one feltextra-entitled because he was some weird form of shiny whose condition onlyaffected his eyes. He may have been green like a normal celebi, rather thanpink like a shiny, but his eyes were this really interesting gold color.
 You read that right: Armaldo ended up stealing from Mason.
 Of course, Armaldo wasn’t totally stupid—if he’d been told thathe had to fight the legendary, he would have backed off. But Ditto specifiedthat he just had to get the keys “back.” They didn’t want “justice” oranything, they didn’t want to press charges for “theft,” they just wanted thosekeys “back.”
 So, Armaldo went and stole the keys. He was mostlysuccessful—he didn’t end up having to fight, at any rate, which would have endedpoorly—but he didn’t get away quite Scott-free, as Mason was able to catchenough of a glimpse of him in order to identify him—and/or he got one thehumans he knew to try and have a Dimensional Scream in the area in order tofigure out what happened.
 At first, Armaldo didn’t really care about the fact that he’dbeen spotted—still under the impression that Mason was the original thief, hefigured that nothing would happen and Mason wouldn’t go to the authorities oranything because that would mean that he would have to admit to the theft inthe first place. But by the time he figured out he’d been lied to… by the timehe lost the keys and could no longer return them, even though he had managed tokeep them out of the hands of the liar… well.
 To his credit, he did seriously consider going and turninghimself in when he first lost the items—because he figured that would net himsome leniency, and that they might actually be able to help him find them andreturn them to their rightful owner—but then he actually saw just how seriousthe situation was. Mason was absolutely furious. Apoplectically furious, even,and switching between the anger and anguish in equal terms. And that thingabout bias when it came to rarity? Well it was sure working just the wayArmaldo thought it would, since law enforcement seemed to be taking thingsextra-seriously in this instance (though possibly not quite as seriously asArmaldo thought—yeah, there definitely was a bit of heightened security andbias in Mason’s favor, but a lot of those extra “officers” were actually someof Relatia’s worshippers from the pokemon world who had come out of hiding inorder to search for the keys). So Armaldo was pretty justifiably terrifiedabout the prospect of getting caught, and decided to head for the hills instead—eventuallyending up in Murky Cave, years later, where he would meet an Igglybuff andchange his life forever.
 Honestly, probably the worst aspect of the consequencesArmaldo eventually faced after he was finally caught was having to face Mason againand explain what happened. Mason didn’t hurt him—it would be stupid to with lawenforcement right there, for one. But the main reason is that he found out thatthe keys were pretty much lost for good since Armaldo didn’t have them and didn’tknow where they’d ended up in the scuffle with the Ditto—aside from “notactually with the Ditto,” of course—Mason was too devastated to do much.And that look of pure anguish and devastation still haunts Armaldo to this day,even after serving his time and making a new start for himself. As does thefrigid glare and declaration that Mason would never, ever forgive him that thecelebi gave before he despondently left for parts more or less unknown.
 At this point you may be wondering why, exactly, Mason wasso despondent over the thought of losing this set of keys. Well, there wereactually many reasons:
 1.     The general “my stuff just got stolen and I’mupset about it” reason
2.     One of those keys technically didn’t belong tohim—it was on loan from the Rainbow Child
3.     Because of the whole situation with Pupil andthe triplets—which has already been elaborated on in an earlier post—it wasunlikely that he would ever see a Rainbow Child ever again—which meant that hejust lost one of the few physical things he had left to remind him of her.
4.     The doors that those keys unlock lead to placeswhich are very important to the Rainbow and Golden Children and hold some veryprecious things—so those, too, were also lost to Mason along with the keys.
5.     There are also Time Gears hidden in those places,so good luck getting to those if for some reason the other, less guarded onesare unavailable when Temporal Tower inevitably breaks down.
 Granted, he wasn’t necessarily too upset about that last pointsince the keys are only one of the two prerequisites needed to get at those particularTime Gears… but it still wasn’t a good situation and just made the whole thingthat much harder to deal with. Luckily they weren’t actually needed.
 So, yeah, it would be rather awkward if Armaldo and Masonwere ever to come in contact again—especially if Laura was also nearby at thetime.
 Which of course means that it’s going to happen eventually.
Though to be quite honest, Laura would likely have been muchless upset at the whole situation, and is definitely going to be upset/worriedfor far different reasons once she inevitably finds out about whathappened. Part of that is going to be because the keys will have eventuallybeen found and returned by the time he meets Mason again—though Armaldo isn’tgoing to be the one to recover them—but mainly it will be because she has herown mixed feelings about the location and contents stored behind the door thather key unlocks. She probably won’t be too upset about the actual theft itself—atleast as it pertains to her specific key—because it’s not as if she even had anyuse for it at the time since she wasn’t even in the same world. And,technically speaking, neither she nor Mason are even supposed to visit thoseplaces unless it’s to retrieve a Time Gear—which would really be the main reasonthe situation would have upset her in the first place… or at the least the mainreason which she would have consciously allowed herself to acknowledge—sincethey made promises to each other that they wouldn’t dwell on the other thingsthey hid there. Not that Mason listened, apparently.
 Armaldo will be continually confused and relieved by thisattitude in turns. And then will feel horribly guilty again on behalf of bothMason and Laura when he actually finds out what is hidden behind thedoors those keys unlock—since someone is inevitably going to steal them againand blame him for it due to plot reasons, and he will feel compelled to help rightthe wrong and get them back even though no one actually blames him this timesince they know he didn’t do it since Laura was able to exonerate himimmediately because of more plot related reasons. And the guilt is without evenknowing that there are Time Gears there, because that particular bit ofinformation isn’t actually going to be revealed to anyone (outside of Mason andLaura, who obviously already know) until later on in the story, when a particularghost-type and his compatriots make a trip back from the future.
 If you’re curious about anything else that was mentionedhere, feel free to ask. The actual keys and their mysteries are particularlyfascinating, especially when it comes to the intricacies of Laura’s feelings onthe matter.
Asks might not get answered right away, though—I really doneed to buckle down and get my actual paper for school finished.
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