#its because i think he does those bad things for a REASON and i want to build on that
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i know that as a catholic you just have to believe with what the church says but i really dont like the belief of the original sin, i feel like its such a horrible thing to believe about yourself and about other human beings too
There are actually ways of legitimately dissenting from Church teaching from less essential teachings in a way that leaves you in good standing with the Church; I'm not sure if Original Sin is one of those things, though, to be honest.
But, anon, I'm going to offer another perspective here, starting from a quote (perhaps ironically?) from my favorite heretic. One of the things that James Carroll believes is that Original Sin has been given a bad wrap. In Constantine's Sword, he says:
I referred to Augustine’s assertion of the idea that the human condition implies a perennial state of finitude, weakness, and sin, all of which will be overcome, even for the Church, only with the end of time. [...] Augustine is thus regarded as the father of a severe, flesh-hating, sin-obsessed theology, but that dark characterization misses the point of his insight. His honest admission of the universality of human woundedness is a precondition for both self-acceptance and the forgiveness of the other, which for Augustine always involved the operation of God’s grace, God’s gift. Only humans capable of confronting the moral tragedy of existence, matched to God’s offer of repairing grace, are capable of community, and community is the antidote to human woundedness. Augustine sensed that relationship as being at the heart of God, and he saw it as being at the heart of human hope, too. This is a profoundly humane vision.
I wish I had understood the spirit of this quote when I was in high school. I remember learning in my World History class that Islam teaches that all children are born good, and then the world makes them evil. And I remember my teacher asking how that compares with Christianity, and I raised my hand and said that Christianity teaches that all of us are born evil. Because I believed that at the time. And, really, the whole framing of that question was wrong and gave really simplistic representations of what Islam and Christianity teaches, but I don't think we're alone in having internalized that understanding, anon. And that's a shame.
I thin it's important to remember the worldview that the doctrine of Original Sin is actively defending us against; there was an idea, that gets called "Pelagianism" (the poor guy it got named after may not even have believed it), that said that humans were capable of being saved on their own, by their own power. Someone on this site recently asked what people's thoughts on Pelagianism were, so you can read my thoughts here. But to keep it short and sweet, I think Original Sin is an important doctrine because it saves you from the need to be perfect.
There are ways to treat Original Sin that I think are certainly unhealthy, and I think the doctrine can be a source of anxiety and fear. But I also think, very deeply, that Original Sin should be a reason why we treat ourselves and especially our neighbor with kindness and understanding. I can look at myself and say "What I do, I do not understand. For I do not do what I want, but I do what I hate. […] For I do not do the good that I want, but I do the evil I do not want" (Romans 7:15, 19). And I can say that because I know I am ontologically wounded; that all of us have our weaknesses. That while we may still be in the moral wrong for committing a morally wrong action, our wills are compromised in a way that causes us to incline towards the comfortable and the easy rather than the good.
I wish I could go back in time and tell that class that Christianity does not teach that people are born evil. I wish I could go back and tell them that it teaches that we are born in a state of dis-integration, that we are wounded beings yearning for wholeness; alienated beings seeking everlasting belonging; beings lost in darkness, seeking the light. But I can say it now: the doctrine of Original Sin doesn't have to be an occasion to think you're depraved and without value, but it can be an invitation to come to terms with your own woundedness, because doing that (to use the words of Lutheran theologian Nancy Eiesland) "opens a space for the inflowing of grace and acceptance."
#Christianity#Catholicism#Original Sin#James Carroll#asks#Saint Augustine#Pelagianism#grace#Epistle to the Romans#sin#weakness#Lutheranism
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ZERO DAY RANT. 002
TW: SEE TO THE MOVIES CONTENTS BEFORE READING. I WILL BE DISCUSSING THE IMPORTANT BUT TRIGGERING ASPECTS OF THIS MOVIE.
Cal was metaphoric, poetic in his views and morality. And he didn't wanna live.
Andre was angry, lonely, and wanted nothing more than to die for what he wanted to prove.
They're so different, and yet they understand each other. They're problems both strayed from the same place, they felt an absence of purpose. So they created one for themselves, and they died for it man. They died by each other.
It's obvious anyone wouldn't ever reason with what they were thinking or doing, because they killed these men and women. They killed people with lives, and even in the end revenge is still preserved. It's this act of revenge that spiked another.
Revenge in this movie, is just seen to be drawn out further in the end. Even after what they did. stuff rooted from it, these kids saw this act of burning their graves as rightful. But do they not understand this was the same delusion, same hate that created this cause? They are the same violence, with different extents. They do not see the cry that was in their ends, but who would when it was after a laugh.
They are immoral, they are horrible. But they were never given a chance, they were the reason to each other that either saw to this plan at all. They are the Army of two.
This movie's point is to prevent what they did. To prevent who can become what they have.
You can't get help unless you seek it, and you can't let problems happen till they get to a dangerous point. If there's a problem, if there's an effect to someone's well being, you can never know if it's capable of something bigger. What it can lead to, and no one deserves to live life with the purpose to end it. No one is truly a monster, no one is the bad guy, no one is the good guy. We're all fucking humans.
But if we feed into others ideation, if we're influenced by others ideation we can become horrible. We can become blind, and corrupted.
Everything is conceptual, everything is a word and a thing to be thought about. We have so much in life that tears us, that makes us happy. Sometimes we don't understand our own emotions, or actions. So how could Cal and Andre?
It took two people to tell each other it was reasonable, it was rightful. It took two suicidal, ill children disturbed in their own ways to give each other enough comfort to have the courage to kill themselves and others.
It proves you can be hurt by the wrong crowd, but yet only understood by them. You want to be understood, you don't want to be alone.
But sometimes those aspects don't make you realize what your doing shouldn't happen.
Morality, its so fucking flexible if your part of the wrong crowd, or driven to a wrong point. But really it isn't morality that drives someone to murder, its desire, or hate. And hate can be in morality, it can make something feel right. You hate robbers, because what they do isn't right. Andre hated this school, because what it does to him isn't right. But how Andre handled dealing with it was horrible, it was clear he was in a mindset unhealthy, and being friends with Cal only enabled it. Andre only enabled Cal.
Zero day isn't a slasher movie, it isn't a true crime. It sheds light on these problems, it makes you think. It makes you understand, to try to prevent. Because these people came from simple name calling.
So hey, one. Don't call someone an idiot, communicate. We don't know if someone's mentally disturbed, and why even call someone an idiot in the first place? That isn't education, it's blatant harm. And if this 'idiot' is causing it themselves from words or action, its counterproductive. You're being a hypocrite. And it'll only be getting anger out of them which just causes either spite or ignorance so then you get nowhere. I mean, if there's ignorance either way, then sometimes it's better left to professional help.
And two, it just tells you to seek this help yourself. No matter how horribly or subtly ill, it's better than starting from something capable of causing harm to yourself or others.
Zero Day is just something fake, but real. In all honesty, like any other it's how you find something out of this movie, whether bad or good. It just feels like a test. It was never made to encourage, but prevent. But people are capable of either, and that in itself is the test. To see if you're capable of reasoning, and understanding what's really to blame. And simply, no one. Your story is dependent on your actions, on what you do to help yourself. And killing or suicide is never an option. Movies can be for hope, for reasoning and awareness. This movie is anything, but to be encouraging. It's meant to make you more thoughtful, to find points and reason from this and everything else. It wasn't made for shock culture, it's more than that.
PT.1
PT.3
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I’ve never heard JK say that he isn’t close with his family. When has he said this?
Hey, Anon,
I casually said JK is 'not that close' to his family in my post about Bam and i asume it's the reason for this ask?
It's fair question but tbh I don't really want to get into an analysis of JK's family relationships because
a) not my business
b) we really don't know anything
c) both b and c above
It also wasn't hugely significant to my post about Bam, it's just my opinion based on a few things he's said. So I'm not going to go searching for proof one way or the other. I'm not sidestepping the question though, so off the top of my head these are some of the reasons i came to that conclusion:
Most recently, he's talked about himself as a mixture of the members of BTS, saying his personality is a combination of all 6 hyungs and he hears them in his head and sees their influence in his daily life (Suchwita interview).
He also said in a Weverse interview from 2023 that he doesn't call his parents to say he's home safe when he's been out drinking but he does it to ARMY and it feels natural to do so - and i remember thinking it was quite a statement to make.
In the welive he did just after that festa dinner he told us he had been out with his parents and had an argument with his mother. He said something along the lines of his mum was nagging him and he told her he didn't need her input. Then he felt kinda bad about it, said he was a bad (but awesome) son, and dedicated a song to her.
And I am sure he loves his family as much as anyone else, but he also left home at 13 and hasn't had a lot of time with them. He had such a tight schedule for so many years it's unlikely he had more than a few visits with them a year. Even when he did have the opportunity to go home he didn't always do so. One example we know of is in 2017 when Chuseok was a longer holiday than usual and all the members had the chance to spend a bit of time with their family... Jimin and JK chose to stay in Seoul together rather than go home.
It seems natural and logical to me that he may not be emotionally close to them because of all those factors. But even without those factors, its not unusual for many independent adults to be closer with peers than with parents.
As i said it's not a judgement against his family life at all, and it's simply my opinion and not one i am overly invested in at this point. If he does have a super tight bond with his fam, that's cool too and all power to him 🐰💪💜
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at the end of a lot of my posts involving toritsuka i always stop myself from elaborating too much cuz i end up thinking like 'ah everyones knows how i feel about toritsuka' but DO THEY ?? do they.. because ive gotten (and ignored) multiple asks from people who think i fucking hate toritsuka and its so insane to me because WHERE DID I FUCKING SAY THAT?? guys.
he is literally so silly! i lowkey feel like i need to make a masterpost of everything ive ever said about him just so that i can force it down everyones throats and make you all understand my complex feelings on this stupid dumb idiotic little freak!
its a love-hate kind of obsession <3
#its not really 'love-hate' i dont hate him at all i just think he is very complex and interesting#and i do like to focus on his wrongs more than his rights but its not because im trying to invalidate his progression#its because i think he does those bad things for a REASON and i want to build on that#my beautiful princess with a traumatic past and a redemption arc#its not really a redemption arc idk what else to call it though#this is also how i feel about kusuke btw like how can people think i hate him.#both of these characters i literalky just acknowledge the bad things they canonically do and people take it as hate#that tells me so much about how u guys ignore the bad parts of your fav characters#stop pretending they did nothing wrong. they did so much wrong.#'hes my babygirl he can do no wrong' NUH UH hes MY babygirl and he's committed atrocities#its just sooooo crazy to me that people refuse to acknowledge him doing shitty things just cuz they like him..#this is kind of why i created the meownalysis tag cuz i wanted people to b able to see my specific takes if they were looking#but sometimes i just talk and it doesnt quite fall under an analysis or i just like mention something quietly in a post#saiki k#tdlosk#the disastrous life of saiki k.#toritsuka reita#meows post#meownalysis#?? not realky but in gonna put it here
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I get variations on this comment on my post about history misinformation all the time: "why does it matter?" Why does it matter that people believe falsehoods about history? Why does it matter if people spread history misinformation? Why does it matter if people on tumblr believe that those bronze dodecahedra were used for knitting, or that Persephone had a daughter named Mespyrian? It's not the kind of misinformation that actually hurts people, like anti-vaxx propaganda or climate change denial. It doesn't hurt anyone to believe something false about the past.
Which, one, thanks for letting me know on my post that you think my job doesn't matter and what I do is pointless, if it doesn't really matter if we know the truth or make up lies about history because lies don't hurt anyone. But two, there are lots of reasons that it matters.
It encourages us to distrust historians when they talk about other aspects of history. You might think it's harmless to believe that Pharaoh Hatshepsut was trans. It's less harmless when you're espousing that the Holocaust wasn't really about Jews because the Nazis "came for trans people first." You might think it's harmless to believe that the French royalty of Versailles pooped and urinated on the floor of the palace all the time, because they were asshole rich people anyway, who cares, we hate the rich here; it's rather less harmless when you decide that the USSR was the communist ideal and Good, Actually, and that reports of its genocidal oppression are actually lies.
It encourages anti-intellectualism in other areas of scholarship. Deciding based on your own gut that the experts don't know what they're talking about and are either too stupid to realize the truth, or maliciously hiding the truth, is how you get to anti-vaxxers and climate change denial. It is also how you come to discount housing-first solutions for homelessness or the idea that long-term sustained weight loss is both biologically unlikely and health-wise unnecessary for the majority of fat people - because they conflict with what you feel should be true. Believing what you want to be true about history, because you want to believe it, and discounting fact-based corrections because you don't want them to be true, can then bleed over into how you approach other sociological and scientific topics.
How we think about history informs how we think about the present. A lot of people want certain things to be true - this famous person from history was gay or trans, this sexist story was actually feminist in its origin - because we want proof that gay people, trans people, and women deserve to be respected, and this gives evidence to prove we once were and deserve to be. But let me tell you a different story: on Thanksgiving of 2016, I was at a family friend's house and listening to their drunk conservative relative rant, and he told me, confidently, that the Roman Empire fell because they instituted universal healthcare, which was proof that Obama was destroying America. Of course that's nonsense. But projecting what we think is true about the world back onto history, and then using that as recursive proof that that is how the world is... is shoddy scholarship, and gets used for topics you don't agree with just as much as the ones you do. We should not be encouraging this, because our politics should be informed by the truth and material reality, not how we wish the past proved us right.
It frequently reinforces "Good vs. Bad" dichotomies that are at best unhelpful and at worst victim-blaming. A very common thread of historical misinformation on tumblr is about the innocence or benevolence of oppressed groups, slandered by oppressors who were far worse. This very frequently has truth to it - but makes the lies hard to separate out. It often simplifies the narrative, and implies that the reason that colonialism and oppression were bad was because the victims were Good and didn't deserve it... not because colonialism and oppression are bad. You see this sometimes with radical feminist mother goddess Neolithic feminist utopia stuff, but you also see it a lot regarding Native American and African history. I have seen people earnestly argue that Aztecs did not practice human sacrifice, that that was a lie made up by the Spanish to slander them. That is not true. Human sacrifice was part of Aztec, Maya, and many Central American war/religious practices. They are significantly more complex than often presented, and came from a captive-based system of warfare that significantly reduced the number of people who got killed in war compared to European styles of war that primarily killed people on the battlefield rather than taking them captive for sacrifice... but the human sacrifice was real and did happen. This can often come off with the implications of a 'noble savage' or an 'innocent victim' that implies that the bad things the Spanish conquistadors did were bad because the victims were innocent or good. This is a very easy trap to fall into; if the victims were good, they didn't deserve it. Right? This logic is dangerous when you are presented with a person or group who did something bad... you're caught in a bind. Did they deserve their injustice or oppression because they did something bad? This kind of logic drives a lot of transphobia, homophobia, racism, and defenses of Kyle Rittenhouse today. The answer to a colonialist logic of "The Aztecs deserved to be conquered because they did human sacrifice and that's bad" is not "The Aztecs didn't do human sacrifice actually, that's just Spanish propaganda" (which is a lie) it should be "We Americans do human sacrifice all the god damn time with our forever wars in the Middle East, we just don't call it that. We use bullets and bombs rather than obsidian knives but we kill way, way more people in the name of our country. What does that make us? Maybe genocide is not okay regardless of if you think the people are weird and scary." It becomes hard to square your ethics of the Innocent Victim and Lying Perpetrator when you see real, complicated, individual-level and group-level interactions, where no group is made up of members who are all completely pure and good, and they don't deserve to be oppressed anyway.
It makes you an unwitting tool of the oppressor. The favorite, favorite allegation transphobes level at trans people, and conservatives at queer people, is that we're lying to push the Gay Agenda. We're liars or deluded fools. If you say something about queer or trans history that's easy to debunk as false, you have permanently hurt your credibility - and the cause of queer history. It makes you easy to write off as a liar or a deluded fool who needs misinformation to make your case. If you say Louisa May Alcott was trans, that's easy to counter with "there is literally no evidence of that, and lots of evidence that she was fine being a woman," and instantly tanks your credibility going forward, so when you then say James Barry was trans and push back against a novel or biopic that treats James Barry as a woman, you get "you don't know what you're talking about, didn't you say Louisa May Alcott was trans too?" TERFs love to call trans people liars - do not hand them ammunition, not even a single bullet. Make sure you can back up what you say with facts and evidence. This is true of homophobes, of racists, of sexists. Be confident of your facts, and have facts to give to the hopeful and questioning learners who you are relating this story to, or the bigots who you are telling off, because misinformation can only hurt you and your cause.
It makes the queer, female, POC, or other marginalized listeners hurt, sad, and betrayed when something they thought was a reflection of their own experiences turns out not to be real. This is a good response to a performance art piece purporting to tell a real story of gay WWI soldiers, until the author revealed it as fiction. Why would you want to set yourself up for disappointment like that? Why would you want to risk inflicting that disappointment and betrayal on anyone else?
It makes it harder to learn the actual truth.
Historical misinformation has consequences, and those consequences are best avoided - by checking your facts, citing your sources, and taking the time and effort to make sure you are actually telling the truth.
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don't you forget about me (part two)
(part one)
Steve doesn’t know how long they sit there in silence, waiting. It’s making him insane. The seconds pass too slow; the seconds pass too fast. His mind is a storm; his mind is empty. He’s feeling too much; he’s not feeling at all. He paces the room; he sits catatonically against a wall. He needs to get out of here; he needs to stay.
He’s been here before, just barely over a week ago, tense and anxious and despairing and waiting for news. But waiting to hear if Eddie will ever remember him again really should not feel this much worse than waiting to hear if Eddie will ever fucking breathe again. Steve thinks there must be something wrong with him. He’s being selfish and stupid. His pathological fucking need to be loved is not what’s important right now. Eddie is alive and awake and okay and that’s the only thing that really matters. That’s the only thing he should really care about.
Steve’s pacing again now, yanking his hands through his hair as he does laps around the room until Eddie finally appears in the doorway.
Eddie must’ve just cracked a joke or something because the nurse is laughing as she pushes his bed into the room and he’s got this adorable grin on his face. Steve’s heart twists in his chest and he nearly bursts into tears all over again because god does he want nothing more than to press a kiss to those dimpled cheeks.
“Good news, boys,” Eddie announces. “My brain is fully intact.”
“There’s no physical permanent damage to his brain,” the nurse elaborates. “His amnesia is likely a result of psychological trauma and the temporary disruption of brain function from blood loss and lack of oxygen that occurred at the time of his injury. But there is no obvious reason why he shouldn’t regain his full memory, given time.”
So there’s hope. Steve breathes a sigh of relief.
“That is good news,” Wayne agrees.
Steve asks, “How much time?”
The nurse gives an unhelpful shrug. “Impossible to say. It could be anywhere from days to months, or even years. I’m sorry, there’s no way for us to know.”
Years. “Okay.” Steve pinches the bridge of his nose. He can keep it together. He can. “Thanks,” he tells the nurse. “I, uh-” He makes the mistake of looking at Eddie who looks right through him, and Steve can’t keep it together anymore actually. “I gotta update the kids,” he mutters, backing his way towards the door. Wayne nods in acknowledgment; no protests this time at Steve’s excuse to leave.
“See ya, Harrington,” Eddie calls after him, casual, impersonal, like they're nothing more than acquaintances passing by each other in a high school hallway.
Steve can’t get out of that hospital fast enough.
He makes it to his car in record time, slamming the door shut and sinking heavily into the driver’s seat. A ragged sob tries to claw its way up his throat now that he’s finally alone, but he forces it back, staving off his breakdown for just a little bit longer. As much as it was an excuse, he really does have to update the kids.
Steve fishes his walkie out of the glove box. “Code - whatever, I don’t know. Code Eddie,” he says. He doesn’t remember the kids’ system of codes, nor would he be sure which one this news falls under even if he did.
“Is he okay? Is he awake?” comes an immediate, eager response from Dustin. “Over.”
“Yeah, he’s awake, and he’s fine, except he’s got pretty bad amnesia. The doctors say it should be temporary, but right now he doesn’t remember anything since May of ‘85,” Steve explains, trying his best to keep his voice even.
“Steve, come pick me up and take me to see him,” Dustin demands, “right now. Over.”
“Me too. Over,” Mike chimes in before Steve can respond.
“And us,” Erica adds as well.
Steve pauses for a second, both to steady his own breath and to make sure no one else wants to jump in on this too, before he reminds them, “He won’t know you, any of you.”
“I don’t care,” Dustin says, bossy as ever. “Just come get me. Over.”
“Jesus Christ, kid,” Steve mutters to himself. He sucks in another breath; it wobbles dangerously. He’s just about reached his limit on how long he can keep himself from falling apart. “I- I need a minute, alright?” he manages through the walkie. “Can you just give me, like, an hour? And then I’ll take you guys to visit Eddie.”
Steve doesn’t wait for a response before he slams the antenna closed, tosses the walkie aside, and finally, finally lets himself shatter. That sob rips free from his throat, followed by another and another and another. Tears flood from his eyes; his nose runs. It’s an ugly, gross, visceral cry that leaves him exhausted and raw and aching to be held by the time the last sob shudders out of him. Drained and hollow, he craves the embrace of someone who knows him, someone who loves him.
He sweeps up his broken pieces, wipes the mess of tears and snot off his face, and drives to Robin’s house.
“Steve, oh my god.” Robin pulls him into a hug the second she opens the door and sees the look on his face. Steve clings to her. “What happened?”
“Eddie’s awake,” he mutters dismally.
“Oh! Not the tone I’d expect you to deliver that news in, but okay.” Robin pulls back, looking at him with narrow-eyed concern and confusion as she analyzes his puffy eyes and red nose and swollen lips. “And you look like you’ve just been crying because…?”
“Because he doesn’t remember me, Rob,” Steve sighs. “He doesn’t remember anything from the past 11 months.”
Robin’s eyes go wide now. “Shit,” she says, so plainly it startles a short laugh out of Steve.
“Yeah,” he agrees. “Shit.”
She asks him more questions as she walks down the hallway so they can talk in her room. Steve once again reiterates what was said at the hospital.
“So you didn’t tell him you two were a thing?” Robin asks, closing her door behind them.
“Of course I didn’t.” Steve flops back onto her bed. “I didn’t want to spook him.”
She sits beside him. “You didn’t want to spook him,” she repeats, looking down at him with raised eyebrows, “but you told him about Vecna.”
“Well, yeah. I just-” He lifts his arms to gesture vaguely into the air as he tries to explain himself. “I mean, imagine how you would feel if you woke up in a hospital and some random guy you’ve spoken to maybe twice was by your bedside telling you you’ve been in a relationship with him for the past 9 months.”
“Uh, I don’t know, dingus, probably about the same as I’d feel if said guy told me I’d nearly died fighting some evil twisted creature from a hell dimension,” Robin retorts.
Steve drops his hands onto his chest with a huff, shaking his head. “No, trust me. He seemed far less surprised by that than he did to hear that we were even just friends,” he says, a bit bitterly. Tears are pricking at his eyes again as he looks up at his best friend. “You didn’t see the way he looked at me, Robin. All he saw was King Steve.”
Robin softens, snark replaced with sympathy. “That sucks, Steve. I’m so sorry.”
Steve sighs in agreement that yes this really fucking sucks. He sits up and scoots back so that he’s slumped against the wall, hitting the back of his head against it. “I think I’m a horrible person,” he admits, just venting now, “because of course I’m glad Eddie’s alive and all I really want is for him to be okay, and I know the nurse said he should remember eventually, but there’s still some sick part of me that thinks maybe it would’ve hurt less if he had just died.”
“I don’t think that makes you a horrible person,” Robin assures him as she settles next to him, shoulder to shoulder. “I think you’re just grieving, and grief is weird sometimes.”
“It was one of the worst things I’ve ever felt,” he mutters, “when he looked at me without recognition. To see it on his face, just the- the absence of everything that we’d built. I’ve never felt so- so- I don’t know, it was like I couldn’t breathe. He just- he doesn’t know that I love him. He…he doesn’t know that he loved me...”
Because that’s what it is, isn’t it? It’s not that he’s lost someone that he loves, it’s that he’s lost someone who loves him. Because Eddie’s not gone, just his love for Steve is, and that’s what’s tearing him apart. It’s the fact that there’s one less person in the world who loves him. It’s the fact that Steve’s got this big gaping hole inside of him that’s always made him so desperate to be loved, liked, wanted, needed; and his biggest fucking fear is becoming obsolete. He could probably trace it back to his parents, the first to forget him, the first to stop loving him, but the fact remains that now Eddie has fulfilled that fear too. Now Eddie has carved that pit a little deeper, a little darker, validating the voice that whispers within it and tells Steve that he is forgettable, unlovable, so easy to abandon and erase.
“Well, I love you,” Robin tells him, like she can read his mind (which, at this point, she probably can). She slides an arm around his shoulders, hugs him close. “And I’m not going anywhere.”
Fragile as he is right now, Steve falls apart again in her arms, and she holds him together. Because she knows him, because she loves him.
It’s a quieter cry this time, soft and sniffly. Whereas the last one wracked through his body and left him fatigued, this one flows from him almost gently, and when his tears finally subside and he lifts his head from where it had been buried in his friend’s shoulder, Steve actually feels a little bit better, a little bit stronger. Which is good, because he’s gonna have to face Eddie again soon.
“Thank you,” he says quietly as he pulls away from Robin, wiping at his eyes and glancing at the clock on her nightstand. It’s definitely been an hour by now, probably more. He stands. “I have to go, I promised the kids I’d take them to see Eddie.”
“Then I’m coming too.” Robin stands with him. “For moral support.”
Steve gives her a grateful smile. “I love you so fucking much, you know that?”
“Yeah.” She grins at him. “I know.”
~
The nurses have changed his bandages and upped his morphine, so Eddie’s considerably hazy now but at least he can raise his headrest and prop himself up a bit without nearly blacking out from pain. He’s boredly flicking through channels on the shitty TV in front of him, alone since Wayne had to leave for work, when Harrington returns followed by a very unexpected group consisting of Robin Buckley and four strange children.
“Sorry,” Harrington announces their presence with an apologetic shrug, “I know you don’t know them anymore, but they insisted.”
“Eddie!” a pudgy, curly-haired kid shouts before Eddie can even react, coming barrelling towards him and trying to hug him.
“Ow!” Eddie yelps, pain flaring even through the extra morphine. “Fucking Christ, kid! Be careful!”
The kid jumps back immediately, eyes wide. “Shit. Sorry.”
“S’fine,” Eddie grumbles.
The kid looks at him expectantly for a moment before seeming to realize, “Oh, right, you don’t remember me. I’m Dustin.”
“Ah, so you’re the guy I sacrificed myself for,” Eddie mutters, and Dustin looks a little sheepish. That means these must be ‘the kids’ Harrington had been talking about earlier. He surveys the group for a second. “Actually, I think we have met before,” he tells Dustin. “And you too.” He glances at a pale, dark-haired kid. The other two - a Black boy with a flat-top and a younger Black girl - look less familiar, though. “There was this, uh, open day thing at the high school for next year’s incoming freshmen; I talked to you about Hellfire.”
“Yeah!” Dustin’s whole face lights up, so bright and infectious it makes Eddie grin too. “Yeah, you did!”
“So you guys joined the club, then?”
This sparks a very animated conversation about D&D, the rest of the kids (Mike, Lucas, and Erica, as they soon reintroduce themselves) gathering around his bed now too to join in. It makes him feel a bit more like himself again, familiar, normal. Except, of course, for the fact that they’re not only talking about how they defeated Vecna in Eddie’s “totally epic” and “sadistic” campaign (adjectives courtesy of Dustin and Mike respectively), but also filling in more pieces of the story of how they defeated him in real life too. Still, it’s nice, fun. He totally understands how he could’ve gotten attached to these kids.
At some point, Eddie glances over to find Harrington hanging back and just watching them talk, fondly, wistfully. Robin whispers something to him and he sort of smiles, just a trace, and whispers something back. They seem close, intimate. Eddie wonders if they’re dating, and then he wonders why that thought makes him feel a bit sick. He waves them over. Harrington looks like he’s about to protest, but Robin gives him a Look and he allows her to grab his hand and drag him to join the crowd around Eddie’s bed.
“So, what’s your deal, Buckley?” Eddie asks her. He doesn’t know her very well, they’ve only crossed paths a few times in the bandroom, but right now that makes her the most familiar person in the room to him. “Are you and Harrington a thing now? Is that how you’re involved in all this?”
Robin wrinkles her nose and drops Harrington’s hand. “Ew, no. Definitely not.”
“She’s my best friend,” Harrington says.
Eddie snorts, doesn’t know why he finds that so comical. (He’s starting to get tired and it’s making him loopy. Or maybe it’s just the morphine.) “You've got a funny choice of friends nowadays, don’t you? Me and band geek Buckley and a bunch of nerdy freshmen.” He looks at Harrington with incredulous amusement. “Who would've thought, huh? Steve Harrington, collector of geeks and freaks.”
Harrington doesn’t seem to find it as funny. He shrugs. “Yeah, well, it’s better than King Steve, collector of asshole bullies and shallow one-night stands.”
“Yeah, ‘course it is,” Eddie agrees through another huff of laughter that breaks off into a yawn. “Didn’t mean it as a bad thing, Stevie. Was a compliment.”
“Alright.” The barest hint of a smile flickers across Harrington’s face now, but then he’s looking away and corralling the kids and saying, “We should head out, let you get some rest.”
And Eddie kind of wishes he’d stay.
(part three!)
taglist: @romanticdestruction @daydreamsandcrashingwaves @paintsplatteredandimperfect @hallucinatedjosten @mugloversonly @estrellami-1 @alongcomesaspider @thatonebadideapanda @tell-me-a-secret-a-nice-one @dragonmama76 @wxrmland @nuggies4life @sirsnacksalot @myguiltyartpleasure @marklee-blackmore @vinteraltus @sebastiansstanswhore @0happyeverafter0 @scarlet-malfoy (only tagged people who explicitly asked to be tagged; if you would like to be added or removed from this list please lmk!)
#still angsty sorry#we're getting there tho! this will have a happy ending eventually! i promise!#i finally get what ppl mean when they talk abt setting out to write a oneshot and ending up with a longfic bc it's happening to me rn#steddie#steddie angst#steddie fic#steddie fanfiction#steve harrington#eddie munson#stranger things#fanfic#mine#1k#dyfamsteddiefic#<- specific tag for this fic
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Allure
Part One:Sunshine
❥MATZ x fem reader
Kim Hongjoong and Park Seonghwa. The most known and feared alphas of the new generation. It took two dozen elder alphas to subdue them and stick them in the world's most secluded prison- hidden away in the mountains. The prison that sweet little omega (Y/n)'s works at.
Knuckle Velvet (Part Two)
Smoke (Part Three)
➯a/n: i've always wanted to write a story i would like to see as a movie or show, and i very much enjoy supernatural and dark romance, so i made this ! it does get very dark so please read the warnings and take care of yourself first and foremost. i am very proud of this, i hope you enjoy 💕
✃ "Because you're... alluring."
✫彡wordcount: 9.3k
♫"Hey, you should leave that young thing alone, ain't no sunshine when she's gone, only darkness everyday." - Flower Face (original by Bill Withers) ♫ Allure Sountrack
(>ᴗ•)♡´･ᴗ･`♡genre: smut, YANDERE, a/b/o au
ಠ_ಠWARNING/content: DEAD DOVE I MURDERED THAT BIH
chapter specific: literally what have i done, not beta read(ironically), criminal MATZ, alpha MATZ/omega reader, forget everything you know about werewolves, so much world building, extremely yandere behavior, talk of attempted child murder, class division of werewolves, panic attacks, vulgar language, mind control, lots of scent stuff, unhealthy relationships, ptsd, flashbacks and nightmares, physical violence, manipulation of others dreams, supporting character death, forced soul bonding, forced marking, reader implied to have mental health issues, murder, gore, violence- all that good stuff. THIS IS NOT A NON CON FIC ALL EVENTUAL SMUT WILL BE CONSENSUAL.
⁂perm taglist: @stvrfir3 @tunaasan @marievllr-abg
⁂fic taglist: @potatomountain @spooo00oky
MATURE UNDER CUT MDNI
˚➶ ｡˚ PART ONE ˚➶ ｡˚
You hate weekdays. That much is true for a lot of people. You like to think your reasoning is especially valid.
Every Monday through Friday like clockwork, 6:30AM you walk into the prison. That on its own wasn't so bad. You lived only ten minutes away; the gothic building looked over your village in tandem with the mountains. You could see it when the weather was clear, even from your bedroom on the edge of town. You were no longer afraid of it like when you were a child.
You are, however, afraid of the newest prisoners.
New arrivals didn't usually rock you. This is the only prison in the country fit to hold lycans, after all. They all got transferred here eventually. From beta's who were just stealing to eat, to alphas who used their powers on humans, to those who believed in the old ways and fed on humans.
You had to interact with them all face to face.
You weren't excited for that particular aspect of your job this week.
You made your way through the double doors and greeted the security guard, your friend Hyolyn, as you went through the metal detector. It went off on account of the scent blocker that was embedded in your neck. She chuckled and switched it off so it stopped its incessant beeping.
"Don't laugh at me!" You threw a smile her way as you got your small purse from the plastic bucket she slid towards you. She doesn't bother to check your bag. She knows you well enough to know you wouldn't bring in any "fuck shit", as she would say. "You alpha's don't have to worry about accidentally spewing scent everywhere."
"Thank goodness for that, this place would stink to high heaven." Her unintentional reference to the new arrivals makes the air turn stiff. She could tell you were on edge immediately. "They aren't all that scary," she lays a comforting hand to your shoulder as you fiddle with the long strap on your crossbody bag.
"I heard one of them killed Alpha Greene... you think that's true? That guy was huge, I saw him at The Thing last year, I almost peed myself cause he looked at me-" You stop your own rambling, taking a deep breath and letting it out as a shaking sigh. "I don't want to go in there. Honestly, why can't we install a laundry chute or something, fuck."
"I'll follow you up, I c-"
"No, no, it's visiting day. You need to be down here. You know Chungha? Her daughter is visiting today. Don't want you to miss her." You offer a sad, tight lipped smile, but that doesn't trick her instincts to protect her weaker pack member. She knows you too well to be tricked.
"You just scream and I'll be there. Either of those cocky fucks lift a pinky in your direction and I'll gut them. They don't deserve to see a trial anyway."
A small exhale in the form of a chuckle lightens her protective instincts, she can tell you feel more at ease with her promise to be right there at the slightest hint of trouble.
"See you, Hyolyn."
"Later, babes."
You wave your fingers with a smile as the elevator doors slides shut. As soon as they clunk together, you let it fall and crouch with your head in your hands, taking in deep and slow breaths as you try and force all of the rumors you've heard about the two newest inmates away from your head.
The older alpha of the duo was the first born in this generation. They're always powerful. But he was born to two bloodthirsty rouges. Born in sin and blood lust.
The younger alpha was born just some months after, to an arranged marriage that was purposefully formed to make powerful children. They surely regret that now. Some say the man has the strongest, sharpest claws since the first lycan in Talbot Castle.
When the elevator dings, you're already upright and have that strong facade on that you put on when you're clocked in.
˚➶ ｡˚
You start with the familiar. "Hey, Chungha," you tap on the silver bars of her cell, "hand 'em over." She smiles as she stands, stripping the sheets from her cot and holding them through the bars for you. "Thank you," you draw on with a tug on your lips that matches hers.
"Yunnie in town?"
"Mhm," you hum as you fold the blanket before dropping it in the large basket on wheels, "she came over for stew, I made sure to feed her good and well, don't worry."
You know it was probably problematic, but you couldn't help it. Chungha came here three years ago on a charge for battery, and over those three years you became sort of friends with her.
The battered in her case was her grandfather. When her five year old daughter, Jiyun, started to show signs of being an omega- he left her in the snow to wither away. She managed to survive until her mother came home, and said mother was furious.
She was lucky she didn't charged with attempted manslaughter.
"She said she'll be here first thing."
"Thank you," she had a heavy pull on her voice. You don't have the emotional connection to other wolves like an alpha or beta did. But it was clear to anyone she was being sincere. "You're a good woman."
"Don't mention it, Yunnie is good company. Oh," you start to wheel the basket away when you remember something. You reach into the purse that you had set on the handles. "She made this at art class, asked me to give it to you so it didn't have to wait in processing."
It was a small, cruelly made ceramic bowl in the vague shape of a heart. It was clearly made by an eight year old, but made with love.
"I owe you."
"Just keep working on that parol work." You said lightly and blew a kiss as you moved to the next cell.
The rest of your work nearly cleared your mind as you went from cell to cell, floor to floor. Omega's were on the second floor. Beta's on the third. Alphas on the fourth. High security on the fifth.
It's on the fourth level that you begin to feel those nerves that you had just worked away. The scent was becoming stronger. They didn't put them on blockers? Maybe they didn't think it would be worth it. Everyone knew that they were the worst of the worst, they didn't even try to hide it. They would undoubtedly be put to death. Why waste two perfectly good, expensive, blockers?
The basket of used sheets is nearly full, accumulating into a weight that makes you put your back into it as you push it into the elevator.
Your index finger reaches out, and before you can stop yourself you've pressed the button to the fifth floor.
You blank out until the door opens again. Your teeth are eternally grateful for the gum between them so they don't grind themselves into dust. The mint flavor does little to calm your nerves.
The only thing that makes you come back to your own head is Changbin. He's a big, buff beta with a gun full of silver bullets on his work belt. He won't let them hurt you. His smile washes away a lot of the nerves.
But the growl that rumbles against the walls makes them return ten, one hundred, one thousand fold. You don't dare say a word. A deer in headlights until Changbin places his hand on the small of your back. "Go on, don't give them the satisfaction of scaring you. They aren't going nowhere no time soon. Take a look."
He motions you deeper into the hall, florescent lights buzzing above you, matching the jittering feeling in the deepest pit of your stomach. It smells too strong. Too much. You're about to fall to your knees from the weight and you haven't even come face to face with the near feral criminals.
Changbin opens the doors at the end of the hall.
They've definitely gone all out to keep them in place. Two large cages placed next to each other in the middle of the enormous room. Made of pure silver and wrapped in wolfsbane. The unpleasant smell of the plant makes your nose twitch. A ring of blood ash surrounds it. Only omegas can pass through blood ash, and now you start to realize why they sent you.
You want to curse the warden, but the second you open your mouth, a loud cackle sounds out from one of the cages.
Changbin's hand twitches at the gun attached to his side.
"Oh wow," the smaller alpha chuckles, eyes closed, head tilted back, as he sniffs the air. "I didn't expect that." More manic giggles slip past his lips.
You haven't even looked up to see them and you want to cave in on yourself.
"What are you rambling about, huh?" The guard next to you shouts, making you flinch instinctively.
"That sweet... sweet, smell," he moans. You can hear him shuffling. "From a peppy little spit fuck omega."
You gasp abashedly, and now two laughs ring out. You want to wonder how they can smell you. Your insurance provides the best scent blocker in the country. But you're too scared to breathe, let alone think.
"Shut up," Changbin groans, he can feel you tense next to him, "don't piss me off, Kim."
"Awe," a new, rumbling voice makes you cower the second it reaches your ears, "this your mate? Hm, no... you wouldn't bring your mate here. You're not an idiot. Then, say... omega." You don't make a move to look when he addresses you, you stay looking at Changbins grip on his gun, silently.
"Omega, come!" Your feet move for you, and that manic laugh almost makes you wet yourself as you realize that your wolf is making you move toward them without your consent. You stop just outside of the blood ash, where you know you're safe.
"Changb-"
"No. I'm the one you're speaking to."
Changbin seems to be weighing his options, eyeing the men as they eye you.
"Why are you here? You a shrink?"
You shake your head.
"You a lawyer?"
Again.
"She works here, dumbass, look at her scrubs," the younger speaks, and you nod subconsciously, to which he giggles, "what can we do for a pretty little thing like you?"
When you refuse to speak, the guard does it for you. "She's here for your sheets today. Get used to her."
You hated that this was your job, but it was easy and accessible, and available for omegas. Werewolves are clean freaks. Every day you had a different cleaning task, but you didn't complain. Not until right now- you wanted to rip out the throat of whoever's idea it was to not shoot these criminals on sight.
"Ah," he hums, and you can feel his eyes raking your body. You can feel both of their eyes. "Not too bad of a sight to get used to. Huh, Hwa?"
"Mh, that's right... can't wait to get my hands on her."
Your head snaps back to Changbin.
"Awn, she thinks he's gonna help her!" The high pitched giggles bounce around in your head. "Oh, little omega~"
The saccharine coo finally pulls your eyes to the men in the cages.
If you thought you knew what fear was before this moment, you were wrong.
The two strongest criminals in the country, staring you down like a piece of meat. It doesn't matter that they are the ones in cages of silver and wolfsbane. You are the one who feels cornered.
You can immediately feel out their dynamics. The taller one is the older one, quiet and still in his cage as he sits in the center. Shaggy, shining hair framing his face and neck like an elegant piece of lace over a brides face. He has a sleeve of tattoos on one forearm, a thick tattoo on his neck. Eyes glowing a deep, blood red, as he tries to read your entire story with only a look in your direction.
The giggling one is less intimidating, only by a hair. Chemically lightened locks pushed back messily, letting his entrancing features shine in the light from the narrow windows high on the walls. He has tattoos as well, but they seem few and far between. His eyes are human for a moment before they meet yours. Instantaneously, they flick black.
The knot drops from your throat and you let out a small, pathetic, squeak.
Changbin breaks your staring contest with the alpha, shouting orders at them. "Take the sheets off your cot and set them outside of your cage. Do not attempt to touch her, I will shoot you."
Neither criminal makes a move to follow his orders, both simply staring at you.
A low growl is emitted when the older alpha finally snaps up, tearing the sheet off the sorry excuse for a bed in one fell swoop. The younger follows his lead, shoving their sheets through the bars that are wrapped in the poisonous flower.
You look to the guard, and he nods, "go." With his finger twitching at the gun ready to pull it, you jump over the dark red ashes and into the wolves den, snatching the sheets up as quick as possible and dashing away, out the door before they even get a chance to lock in your scent up close.
The giggles follow you all the way to the elevator and ring in your head even as the thick metal thunks shut.
As you take a deep breath, you notice the sheets are gripped to your chest, your claws drawn subconsciously in your panic and ripping them up. "Shit!" You let out a curse and shove them into the bottom of the basket so you don't have to smell it as closely on the long ride to the basement.
˚➶ ｡˚
The lingering wafts of your fresh scent are long gone, nothing to distract the alpha's from their caged boredom and bubbling rage over being caught. "I'll have that runts heart in my hands by the end of the month." Hongjoong groaned, to no one in particular- he knew Seonghwa was too deep in thought from their recent revelations. "Fucking back stabbers. They're more pathetic than a bitch in heat trying to get off with a dildo."
The thought hit his mind as soon as the words left his lips.
The thought of you, legs spread with your hand dipped low, trying to satisfy your primal urges and-
"Stop that." Seonghwa growls, kicking the bars of their shared 'wall'.
"Settle down!"
"Oh, like you weren't thinking it!" Hongjoong rolls his eyes, a scowl on his face as he crosses his arms. "Your ruts coming and you don't want your-"
"I said stop," he nearly roars, grabbing Hongjoong's state issued orange top and ripping it with his claws as he pulls him forward.
"I know you want her because I want her too." He whispers, smirking at the telltale signs of desire and bloodlust in his mates eyes. Red swirling around the brown of his human eyes. "Imagine how good she'll smell when we take out that stupid blocker. We'll be drowning in her scent." He moans, grabbing his wrist, "I get the honors, my claws are sharper, anyways," he draws them quickly, digging them into his skin as if to prove a point.
"I can use my teeth, mark h-"
"Oh, will you two stop? Love of God..." The guard in the large room slaps his book down on the rickety table. "What is there possibly for you to be fighting about? You're about to be executed, you know that right? No jury in the world will let you walk, especially the human half."
Their frustrations turn to the man, letting each other go. "Ah, you think so?" The older croons, dragging his index over his bleeding wrist and bringing it to his lips, sucking it clean before he continues. "We won't be around these parts long enough to meet the jury."
"What do you mean by that?"
Hongjoong covers his mouth when a laugh slips past. Seonghwa simply smirks as he sits cross legged, eyes locked with the guard as he licks his wound.
"What do you mean by that?!"
The blonde man breaks out in a fit of laughter. The brunette simply flashes his bloody canines in a twisted smile.
˚➶ ｡˚
You spent the whole time doing your daily tasks trying to hype yourself up to go back up to the fifth floor.
You usually went top down, four to one. Nobody has ever been on five before.
You go bottom up today, starting at Chungha with a full basket of freshly washed sheets. She prattles on about her visit with Jiyun, and how she's so thankful for you.
You choose that as your focus point for the rest of the work day, even as you press the button to the fifth floor.
You think back to the first time you spoke to Chungha, she was a crying mess, unable to sense that you were an omega like herself. She cried and cried and cried as you held her hand through the bars of temporary holding. She cried for her daughter, for cursing her with the shame of being the weakest link of any pack. When she looked up and saw your eyes, barely glowing, she cried more.
She apologized profusely, but you reassured her that her words were true, and you hadn't been offended. You told her that, in fact, she was the first to ever share your feelings of what being an omega really meant. It meant loneliness beside anyone but other omegas. Fake relationships born with people who only stuck around because of their primal instincts to either prey on you or protect you. It meant facing the fact that you were outcasts from both of the world's dominant societies. Outcasted from humans for being a werewolf. Outcasted from werewolves for being weak. So weak, in fact, that blood ash didn't even think of you as a wolf.
That night, you drove four hours to the next village over and looked after her daughter until her aunt had room. You remember the first thing the girl said to you. She didn't speak that whole day, surely in shock from the past few days events. But when you tucked her into the motel bed, she spoke as soft as a ghost, "sing me a song?"
You hum it to yourself now, the soft sound reverberating through the metal around you until the door opened.
You wheel the basket with you this time, like it will protect you as you approach the open doors, already feeling the unwavering gaze of the criminals.
"Hey, dolly~" Hongjoong, you had learned when you took a peek into their files, purred your way.
You didn't give him the satisfaction of responding verbally, but he saw the goosebumps on your arm as you reached into the basket, stretching on your tip toes to get the last two sheets.
"You never shut up do you, Kim?" The guard sighed with an exhausted tone, making you smile as you slowly made your way to the ring of red dust.
The throaty rumble from Seonghwa, the older, taller wolf, makes that smile drop to the depths of Hell.
The new guard seems to notice your anxiety, eyeing you up- in a much less predatory manner than the caged men. "Go on, 'mega. I'm watching them."
A bang on the metal bars makes you glue your foot right back where it came from. It's the blonde one, "you shut the fuck up!"
"No, you shut the fuck up! I'm the one with the silver bullets!"
All of the yelling is making you tremble, Hongjoong and the guard going back and forth. "She isn't your omega!"
"She ain't yours!"
Seonghwa watches with a sinister smile as you back away from the ash and the guard, calling to you quietly, "hey."
The soft tone of his voice makes you raise your eyes, but not your head. His eyes don't hold that threatening and dominating red from before. They're a soft brown color that reminds you of a beautiful dark oak in the morning sunshine. "What's your name?"
"(Y/n)..." your tongue moves without your consent, fresh blankets held to your work scrubs.
You desperately want the guard to notice this trance you're in, and grab you out of it. You want to do it yourself, but you can't do anything but admire the beauty of the criminal who has you hypnotized.
"You're a pretty omega, y'know? What color is your wolf?"
"Black..." It's a slur off your lips, barely registering in his sharply tuned ears over the yelling that continues to fill the room.
"Mine too. What's her name? His is Akma."
"Solis."
"Very pretty. Is she fast?"
"Yes."
"Does she want an alpha? A mate?"
"Yes."
The guard finally notices your raised gaze, affixed to the infamous, unlawful, man. He puts his gun back in the holster quickly before gripping your shoulder and forcing you to turn around. "You idiot, didn't anyone ever tell you not to look a first born in the eyes?"
"Sorry. I'm sorry." No one had ever told you that, actually.
Both of the criminals share a smirk as the man from your pack attempts to calm you. It wasn't hard for them to figure out you were an alpha-less village. They could smell every single wolf in five miles, and not a single stench from a wolf even nearly as strong as them.
There was, however, you. A honeyed smell that filled their guts with the primal need to rip out the eyes of anyone who dared look at you.
The guard couldn't be more wrong. You are their omega. You just don't know yet.
"Go and give these fucks their sheets, then get the hell out of here." The man shoved you, making you jump clumsily over the ash so you didn't break the seal.
He yells at them to back up, and they do so without a fight.
You shove them both in at the same time before running back out quickly, grabbing the empty basket and dragging it with you, the sound of the wheels scraping with the force of your panic echoing in the near empty room.
"You guys get off on scaring defenseless girls?" The guard scoffs, not expecting an answer as he drags the chair out of the room and slams the doors behind him.
Seonghwa lets his facade fall the second the door shuts, falling to his knees and grappling at the sheet like he's a starving man with the last piece of food on Earth. Hongjoong watches for a moment in confusion until the scent catches up with his weaker nose. Then he's quickly falling in the same position.
"It worked, the guard was so easy to distract," Hongjoong chuckles, face buried into the sheet that smells vaguely like you from your time spent holding it. "What did you learn?"
"(Y/n), a black wolf named Solis," he pauses, eyes rolled back as he takes a deep breath. They're red when they re-open. "No mate. It's really her."
"You think we should have told her?" Hongjoong inquires, looking through the bars.
He's never seen Seonghwa on his knees for anyone but him or the moon.
"No," he shakes his head, turning to lock eyes with him. "She'll figure it out when I mark her."
"When I mark her."
He rolls his eyes at his defiant nature, knowing full well he won't disobey his orders no matter how badly he wants to do something.
In a dog eat dog world, the strongest was the most powerful. Unlike their human neighbors, werewolves don't decide political or social standing by money or family name. They decide based on who comes out on top in a battle of the body and of the wits.
It had been determined years ago, when they were just young rebellious pups, that Seonghwa was the alpha. A fight in the woods under the moon had set it in stone between the two.
He could have ripped Hongjoongs throat out right then and there, but now, 13 years later in the present; they're bonded for life.
Sometimes he still sees Hongjoong as that 12 year old boy under his teeth, still snapping and growling even as he bled out with tears in his dark eyes, fighting to survive purely out of spite.
"You can mark her first," Seonghwa speaks quickly, turning his back as he puts the sweet smelling sheet on his cot.
He smiles at the man, a quiet thanks spoken through their bonded souls.
˚➶ ｡˚
Tuesday, they don't see you until much later in the day, but they bask in the sight of you opening the door with a broom and tray in hand, smiling at Changbin. You'll be here for a while, it's a big room.
"Hey, Binnie," you whisper to the beta, and Seonghwa has to bite his tongue.
Binnie? Ugh.
Hongjoong isn't so polite, "hey, Dolly! We don't get a hello?" You barely peek at him, eyes flicked from him right back to the floor in a millisecond. He knows you noticed his pout when he hears the smallest 'hello' tremble by your lips.
You start in the corner, headphones attached to your walkman with your favorite song on repeat to try and soothe yourself. Bill Withers calming voice blocks out every word of the teasing alphas, but you can still feel them mocking you and picking at you.
You don't dare sweep anywhere near the blood ash on the floor. One less precaution in place was one more thing to worry about.
"Bye, Binnie."
He does growl that time, eyes narrowed on your back until the door shuts.
˚➶ ｡˚
Wednesday, you have a frown on your face. "Three days in a row?" The guard Hongjoong got in a yelling match with, Merle, greets you as you come into the cavernous room, "bad schedule huh?"
"No kidding," you sigh, feet slightly hesitant to pass the dust border, "I'm here to fix your shirt. It's state property." You don't look at them, but they know who you're referring to.
They act like they don't, though. Just to hear more of your voice. To make you wriggle under their attention. "Sorry? What do you mean?"
You look and point to Hongjoong, his collar ripped from Seonghwas grasp. "State property."
"Ah, of course." He grins like a jackal, pulling it over his head and sticking his hand out of the bars just in the slightest. "On one condition."
You pout, eyes on the shirt which is just far enough away that you'd have to step closer. And it's the cutest fucking thing they've ever seen.
You look back up at him, silently asking. "Sit and talk with us. The guards here are no fun!" His laugh makes you jump back further, he sounds like a mad pirate.
You look over to Merle, who just shrugs, "just get it over with so these guys will shut up. They're only talkative around you, they need an audience for their antics."
"We won't bite," Seonghwa chuckles with his teeth exposed, making you shiver.
"Fine, give it here." You take a single step forward, palm out infront of the blonde.
When you grab it and go to race away like always, his claws wrapping all the way around your wrist stops you, sharp edges threatening to slice your skin down to the bone. You scream your head off, silenced when Seonghwa coos softly, "sit with us, and talk."
"Let me go..." you plead, eyes frantically flicking to Merle, whose gun is drawn to Hongjoongs head from the border of the ash, waiting for him to take one more wrong move so he can rid the world of one of its greatest criminals.
"Sit, omega." You do so, slowly lowering to the floor with your wrist and life still in Hongjoongs hand. "You have your sewing kit with you, I can hear the buttons hitting the needle. So sit, stay, and talk while you fix it."
Once again, they're the ones caged in. But you're the one who's stuck.
One look to Merle tells you he probably wouldn't help you even if he could get to you. He lowers his gun as your tailbone hits the concrete floor.
Your thin work scrubs do little to fight the cold of the old flooring, one reason of many that you shake as you reach into your purse and get the small tin box.
Hongjoong releases your wrist and sits mirrored to you, hands perched on the bars in the gaps of the purple vine flower wrapped on them. Seonghwa comes to the corner of his side of the split cage and breathes in deeply through his nose, eyes locked in on your every movement. "So you're essentially the errand lady? Maid?"
"Yes..." You murmur under your breath as your fingers work to thread the needle, slowly backing away until you're out of reach, but still stuck in the blood ash with no one to rescue should the men infront of you decide to rip their cages open. You only stop backing away when you hear a warning growl.
You don't care to see which it came from, you just want to do this as quickly as possible and get far, far, away. They could have chose anyone to focus their annoying efforts on. Changbin, Merle, the warden. But no, just your luck.
"You live in the village, right? Were you born here?" Seonghwa continues to do the talking as you carefully fix the shirt.
"Yes. And no."
A small hum from the one in front of you is a sign they want you to continue. "I was born to an overpopulated pack. They kicked me out when I turned eighteen. Our old alpha took me in." The hitch in your voice is a clear sign that it's a sore topic. And Hongjoong continues to poke the wound.
"How did they find you?"
"Woods."
"Woods?"
You can't help the small growl of frustration, lip curling as you look up. "Woods."
The reaction is one you wouldn't have expected from a normal person, but then- they aren't normal.
They laugh, cooing over your gesture of anger. Compared to them, you seem like a teacup puppy. "My, my," the brunette chuckles breathily, "is that Solis coming to play?"
"At least she can," you snap, sent to the back of your own head as your wolf tries to defend you, "she isn't a caged mutt."
Hongjoong breaks out into a manic fit of laughter, while his paramour is the opposite: his eyes flick red before your own, sharp teeth on display in a show of dominance over your smaller ones that are subconsciously bared at him. "Watch it, omega." He spits his words with venom, "I won't be so nice when I get out of here."
You rip the extra thread with your claw, kicking the shirt across the floor so it sits at the bottom bar of Hongjoongs cage. His chest still wracks with laughter, watching as you sit up in a low squat so you're still level with the alpha.
It's clear that you aren't currently you. Your wolf has control of your mouth and body, crouched in a position akin to that of a dog ready to pounce as you hiss your words, "I'm going to laugh in your face as you hang."
"Aw, is that how dear old alpha died?"
"Cut it out!" Merle screams disinterested, eyes glued to his flimsy magazine.
"I heard he got gutted~" Hongjoong giggles, watching the color flicking in your eyes.
"I'll gut you!" Your threat only makes him laugh more.
"(Y/n)!" The voice of Hylyon breaks your wolf away from you immediately, falling to your bottom and crawling to the sound unwittingly. "You fucking idiot, Merle!"
She reaches over the blood ash and pulls you over the ring, letting you collapse into her as she drags you away, still throwing profanities at the incompetent guard. Hongjoong is laughing loudly. Seonghwa yelling at you to come back. The elevator cuts of his roar, the last thing you see through your blurry vision is his fist making a dent in the silver cage.
You fall onto the floor of the metal box. Thoughts flood your head too quickly for you to swim though them, making you drown and try to escape by releasing the pain with tears. You don't even notice when your friend turns her key in the elevator to make it stop in its tracks, you only see her when she sits right infront of you.
"Babes, calm down, I've got you," she reaches out slowly and places a hand on your leg, slowly rubbing her thumb over your knee.
"I can't go back up there... they're too strong, they make me feel like I'm suffocating," you splutter through gasps, "I'm too weak!"
"Hey, hey, you're spiraling!" She opens her arms and pulls you into her, letting you sob into her uniform. "In and out, girl," she holds the back of your neck securely, almost instantaneously making you calm. "I got you... I got you..."
You sit there for a good while, crying into her shoulder as you sort through your wracked brains.
Your alpha was gutted. Right in front of you. Because of you.
Unbeknownst to you, their tuned ears are still listening in, the elevator stuck within their ear shot as you begin mumbling your favorite song to yourself through tears.
˚➶ ｡˚
The sound of claws slicing through the skin on your back rings in your ears. Though, you can't feel it. Your eyes are locked in on your own claws, dug into the hardwood floor of your humble home to keep yourself from being dragged.
You've been here a million times before.
Blood pooling off of your body and onto the frigid surface below you. Teeth sharp and bared to the moon though the open window, begging that she might let you survive. Eyes aglow with your instincts as your wolf tries with every fiber of her being to turn, but she knows it's no use.
The distorted voice above you drips with mocking venom, a chuckle as its owner realizes you can't even fight back like other wolves might: by letting your wolf fully transform.
The wind blows through your curtains, washes your body in the artic breeze. The snowflakes on your windowsill are so delicate, all of their features fade into a blurry mush as they make contact. They melt, dripping down your wall.
This time it's different.
You're turned over, gaping wounds slammed into the floor as always, but when you look up to your aggressor it's different.
His eyes aren't the yellow of a rouge, but the red of an alpha. His hair isn't that unruly blonde curl that you pulled at frantically, that you can still feel on your finger tips when your hands are unoccupied. It's long, shining, soft looking dark locks.
You fall through the floor into another time, another place.
Face first into the snow: your hands, shaking with adrenaline, do little to catch you.
You don't remember this.
This isn't right.
This isn't your nightmare.
You find yourself in a clearing in a forrest, the densely packed trees creating a bubble of nature around you. "(Y/n)?"
You whip around, coming face to face with an unfamiliar man. Almost face to face. If he weren't floating a few feet in the air.
His legs are crossed under him, hands facing palms up on his knees.
"Don't worry. You're only dreaming." He speaks calmly as he floats around you in a circle, like a shark examining its potential prey.
You follow him with your feral gaze, that familiar feeling of an adrenaline crash quickly approaching.
You know you're only dreaming. You've had that last dream more times than you can count in the past three years. It always plays the same. But not this time. You're only slightly thankful that you don't have to witness your alphas death again, but the gratefulness is overshadowed by confusion.
"Are you an angel?" You whisper, watching the man's soft and rounded features as he comes to a stop in the air in front of you and gracefully lowers to his feet.
"I can be, if that's what you want me to be. I'm only here to watch your dreams, fight off the nightmares."
"Why?" You feel distant from your body, watching powerlessly as your hand takes his, letting him lead you out of the clearing and into the darkness of the woods.
It disappears around you, warping into a spring day on a familiar path.
"A favor for a friend."
With the snow gone, you're in your spot, your old towel on the dewy grass with a book laid atop of it and the soil beneath your feet as you approach.
"Enjoy."
The hand vanishes from your own, leaving you alone on the side of the path. You look for him. But he's just an eidolon, watching you from the sky where you can't see him.
You warily take a seat and pick up the book.
˚➶ ｡˚
They don't see you again through the week. And when the next Monday comes by, their sheets are removed while they're in the showers.
Hongjoong sighs from his place on the floor, for the tenth time in the past half hour.
"Hong-"
"I miss our omega!" He whines, cutting him off.
Seonghwa stands from his cot, slowly lowering to the floor next to their shared bars. He lays flat on his back, mirroring Hongjoong as he tilts his head to look at him. "Soon." Is the only word he utters.
He reaches through the silver bars, ignoring the sting as the fresh wolfsbane brushes his wrist, and takes his hand.
The both of them look up at the ceiling through the bars of their enclosure.
Your scent is long gone from the room, and their noses can barely pick up on it through the rest of the village and prison.
"I want out of here," Hongjoong whispers, so lowly that the guard can't hear him from outside of the door, "when are they coming? Your bond with them is stronger, I can barely feel them..."
"Soon." He repeats, "very soon, Joong."
˚➶ ｡˚
Tuesday you manage to talk your coworker into sweeping the top floor, and you rejoice in the freedom of not being under the alpha's gazes. You've worked out a good schedule to completely avoid seeing them, and it's made your job feel like it's back to normal.
You can still smell their power wafting through the AC, but it's bearable. You distract yourself in your free time by making excuses to be on the second floor with Chungha and the other omegas.
Today, that excuse is 'omegas need physical outlets too', and the warden let you bring up buckets and brushes so you could all scrub the base boards.
"Oh, I've got one!" The omega to your left speaks, lifting his brush in the air in a eureka moment, "Texas Chainsaw Massacre or... Halloween?"
Chungha scoffs with a smile as she scrubs away to your right, "are we including sequels? There's like a billion!"
"No, stand alone original," Beomhan goes back to scrubbing as he continues, "both of them are classics but which one is a better classic?"
"Halloween is the classic slasher, Texas Chainsaw is like psychological horror," you chime in as you dip your brush into the bucket, sitting on your calves as you take a breather. "I think it's not fair to compare them... but Texas Chainsaw, definitely."
They laugh along with you, and Chungha shakes her head, "Halloween has more rewatchablity. You don't want to see Sally go through that more than once, but Laurie Strode fights harder and it's more like, yeah I'll watch her kick ass again."
"Cinematography in both is so beaut-"
The lights above you flicker before they shut down completely. People start muttering their concerns, quite a few of them looking your way. "Don't worry!" You hop up and get your keys from your pocket as you make your way to the locked stairwell. "I'll go and see what's going on, keep scrub-"
A loud siren echoes in the brick walls, shocking you all to cover your ears.
Everyone looks to you for answers, and you don't have any as your brain starts throwing theory after theory at you.
"It's okay, go back to your cells! Shut them behind you!"
They listened, however grumpy about it. The cell doors locked automatically when they were closed.
"Hey, what's going on?" Chungha asked over the clanging of the cell doors. The two of you, along with Beomhan, were the only ones left after a moment.
"Go back to your cell, Beomhan, hurry."
"No, what's happening?"
The sirens cut off and leave you in a pregnant pause for a moment as you simply try to calm yourself.
A deafening scream ricochets through the air vent next to you, scaring you into their arms as you all stare at it.
Usually, the air flow covered the echoes throughout the floors. But with no power, you could hear everything- albeit muffled.
Yells and shouts. Gunshots. Growls. Unidentifiable chaos. And above all, your ears tuned in on a rumbling, calm voice through it all.
"Ain't no sunshine when she's gone... It's not warm when she's away..."
Your eyes widen as theres a bang at the stairwell door. "Go, go!" You grab each of their wrists, dragging them into Chungha's cell. You slam it behind you and let down the sheet she has over it, backing away and staring at it as you hear the door hit the wall behind it with the force it's slammed open.
"(Y/n), what the hells happening?!"
You slap your hand over his mouth and bring a finger to your lips. The other omegas on the floor are all making a ruckus, and you can only hope that it will confuse that unfortunately familiar voice so he can't find you.
˚➶ ｡˚
The beta in the large room ignores Hongjoong as he continuously asks after 'the pretty omega'.
He just sweeps and sweeps, finally understanding why you hate coming up here. He has his back turned to the cage, and consequently, to the windows.
High on the tall walls, the narrow glass is opened from the outside. Seonghwa smirks, and gestures his head to it. Hongjoongs gaze follows, and he has to slap a hand over his mouth so he doesn't laugh.
A skinny figure is sliding its way in through the window sideways.
He drops to the floor as silent as a mouse, landing on his knees and grinning wildly up at his alphas.
Hongjoong throws his head back in preemptive relief, while Seonghwa is watching with a similarly wide smile as the man walks straight through the blood ash, breaking the circle with the tip of his shoe.
The worker still has his back turned as the lock on Seonghwas cage is picked with a long claw. He doesn't even know what's happening as the next thing he knows, he's thrown across the floor.
Blood ash knocks up around him, coughs wracking his body as he looks up to his assailant.
Park Seonghwa, newly freed from his cage, looks down at the worker with his eyes glowing red.
"Now usually..." He begins, crouching to be face to face with him, "I'd go through this whole place just for the fuck of it and cause some beautiful chaos. But I'm looking for someone."
"(Y/n)?" He stutters out, backing away only to knock into Hongjoongs legs. Stuck between the two criminals, he chooses his own head over yours. "The second floor! Sh-she's on the second floor!"
"Let's go get our omega, Joong."
Nonchalantly, Hongjoong draws his claws and slices the neck of the worker. He hops over the gurgling body and follows his mate with an ecstatic giggle.
He wraps his arm around the skinny man's shoulder, "Wooyoung! Our savior~" He ruffles his hair and laughs as he groans.
"You guys know I've got your back. Seonghwa told me about your new omega, you seem excited," he mimics the alphas smile as the eldest of the trio opens the doors.
The guard on duty, who happens to be Merle, looks back with wide eyes.
"Yes, oh yes!" His eyes roll to the back of his head, touching the stitches you made on his shirt. "Oh, you'll love her, she's a feisty omega just like you."
He makes a run for the fire alarm at the end of the hall, but Seonghwa is faster. The beta is tackled to the floor.
"I'm glad you both will have a buffer, tired of you always at each other's throats during ruts," Wooyoung laughs, looking down at the guard as they pass.
Seonghwa had simply torn out his throat with his bare hand and made his way to the elevator, holding it open with an impatient glare.
The door closes behind them and the only sound is Seonghwa's heavy breathing.
"You're real eager, huh?" The omega breaks the silence, "San should be coming in any second to block the main door. No one will get past him. The rest are in the village, just as we planned."
"Good, she'll need somewhere to rest before we take off....Fucking idiots, thinking they can cage us." He groans, eyes flicking to the number above the doors as it dings.
3? "Fuck."
The door opens and the woman on the other side takes a moment, nearly walking in before she notices the crimson liquid dripping from Segonhwa's hand.
She makes it halfway through the hall before Hongjoong pounces on her, fighting her effortlessly as if she's a rag doll. The guards run to try and save her, but it's too late for the unfortunate woman, and they just signed their own death certificate as well.
Seonghwa and Wooyoung make quick work of them, but their plan is already foiled as the lights flicker to a halt and leave them bathed in dim light of the setting sun in the few windows.
The alphas fall to their knees as their sensitive ears are bombarded with a loud, incessant siren.
"Wooyoung!" Hongjoong screams over it, "go turn that shit off!"
He nods, taking the keys off a mauled guard and dashing to the stair well, leaving it unlocked behind him.
Hongjoong crawls to Seonghwa, collapsing into his chest with his teeth clenched and palms over his ears. His ears were always more sensitive.
His partner places his hands over his, thumb running over his own. He looks down with his eyes glowing red, meeting pure black.
He leans and kisses him deeply, all teeth and bloodlust, trying to merge their souls until the sirens cuts off.
Their foreheads rest together, ignoring the chaos of the beta's around them yelling to be released.
"Are you ready?" Seonghwa whispers, gathering another set of keys from the fallen workers. He throws it to one of the locked in prisoners, a smirk on his face. So much for not creating chaos.
"Let's go," Hongjoong holds the door to the staircase open and lets him go first with a dramatic bow.
It takes one scream to start the havoc. The entire prison is filled with the sickly sweet sounds of caged animals with a taste of freedom. Gunfire and howls bring a smile to Seonghwa's lips as he sings out,
"Ain't no sunshine when she's gone... it's not warm when she's away..."
He hums the song with a wide grin as Hongjoong kicks the door. It takes only one more kick before it slams open and bangs against the cement wall.
The omegas in their cells are all yelling at them, at one another, in general.
Hongjoong kicks one of the many buckets on the floor over and groans, "here I was thinking she'd make it easy. I guess we'll have to go cell to cell!" A small spike of a heartbeat in his ears makes him smirk, following the sound that he memorized the first time he'd heard it.
Seonghwa follows him, immediately zeroing in on the same cell. He comes to stand infront of it, his breath making the blanket behind the bars sway slightly.
You see both pairs of orange slip on shoes and you feel your heart stop in your chest.
You cower further into the corner with Beomhan as Chungha stands in front of you. The sheet is grabbed from the outside and ripped away, making you all shriek.
"Were you playing hide and seek?" Hongjoong giggles, throwing the blanket to the side with his eyes never leaving you, a scowl growing on his features as he notices the way you're curling into another wolf. "You should know better than to hide from your alphas. Come on out."
You shake your head, gaze lowered as you hold onto the back of Chungha's uniform.
"(Y/n)," the saturnine man speaks, "come here."
"No, leave us alone! Leave me alone," your voice cracks despite how strong you want to appear.
"If I have to drag you out of here I will be very angry. Just come on, do us all a solid."
"No-"
"Open the fucking door!"
"No!"
The cells were built to hold lycans, which means lycans shouldn't be able to get in... right?
"Fucking-" Seonghwa hits the bars, leaving a dent and making the three of you jump.
Hongjoong leans on his tiptoes and whispers into his ear, and whatever he says makes his eyes begin glowing a murderous red.
He slowly wraps his clawed fingers around the bars, and the way Hongjoong backs up makes your stomach churn in anxiety of what's about to come.
And it was warranted anxiety.
With a loud growl and a single tug, he rips the silver bars from their cemented place in the wall, causing a large crack to form.
"Holy shit!" Beomhan screams, arms wrapping around you tightly.
Chungha is ripped from the small room and tossed all the way across the room, back colliding with the wall and leaving her unconscious.
You yelp as Beomhan meets a similar fate, torn from your grasp and out into the rec room like he's a mere bag of trash. You see Hongjoong approaching him with his long black claws out and proud, but your vision is blocked by the large alpha infront of you.
Your hips back into Chungha's small desk, and your hands clamber around, landing on something small and solid.
You swing it at his head and he ducks, grabbing your wrist and dragging you out of the small cell. You manage to swing again, making contact with his head. The small ceramic bowl shatters into pieces and leaves him only temporarily stunned, glaring down at you.
"Fucking stop," he growls quietly, shoving you to the floor.
He lets you shuffle away, only because Hongjoong is right behind you.
The blonde chuckles, pulling you back up by your collar and crashing you face first into one of the round steel tables bolted into the floor. "Ow!" You yell out as your head makes contact, fighting against him with all your might, but it's fruitless.
He kicks your feet apart and stands between them, leaning his chest over your back. You can feel his nose against your neck, over the healed skin above your scent blocker. You snap your eyes shut and do the only thing you can thing of.
You can't fight. Begging to these men would be useless. You can't disappear into the floor like you wish you could.
"Please, Selene," you pray to the moon, tears slipping past your shut eyes as you feel the claws of the mad man on your neck.
You cry out as the other worldly sharp nails slice into your neck, slowly and almost surgically. His other hand is cupped on the back of your head, keeping your head pushed into the cold metal. "Shhhh," he gushes above you, "it's okay."
Seonghwa sits at one of the bolted stools and rests his head to mimic yours, cheek on the table. "We'd've been more gentle if you listened, omega."
Between the tips of his claws, Hongjoong holds your small alloy scent blocker. Almost instantaneously, your natural scent floods their senses.
Their deep rumbles of pleasure make you snap your eyes back shut, missing the way Hongjoong stomps on the device.
"Fuck," the wolf behind you curses, body pressed close to yours like he wants to fuse together, he places his hands in yours and tells you, "you might want to squeeze."
"Wh- ah!" Your scream echoes over all of the other chaos as his teeth sink into your left shoulder, and you do just that. Your clawed hands squeeze around his, sharp nails knocking together as you hold on like his hands are the only thing keeping you from slipping to the underworld.
It feels like a million pins and needles washing over you, leaving you paralyzed in place as he purrs into the wound, making your bones vibrate.
A warm, comforting hand on your cheek makes you force your eyes open. Seonghwa smiles sweetly, like he isn't witnessing one of the biggest crimes in the lycan community.
Forcing someone to be your mate for the rest of your mortal lives.
"Breathe, omega," his words make you realize you're holding your breath, and you let it out as a sob. "That's it," he hums, rubbing his hand down your head with all the gentleness he's capable of.
Hongjoong pulls away with a moan, resting his head between your shoulder blades as he catches his breath.
Your wolf is already calling for her mate, howling in the back of your mind as you cry.
"Don't worry, we'll take good care of you." Seonghwas words have little time to register in your adrenaline filled head as he turns your head the other way and climbs up on the table.
It hits you when he moves your ruffled shirt away from your right shoulder. "No! No!" You find yourself with two million pins and needles in your body now, squeezing Hongjoongs hands all over again as Seonghwa sinks his teeth into you at an excruciatingly slow pace.
They're bigger, or maybe they only feel that way because your body is on fire. You sob freely, feet stomping pathetically to cope with the pain.
What little comfort you find in Hongjoong squeezing your hands back is washed away by the simple fact that it's him. That blood from his claws drips onto your skin.
It feels like a century later that the older alpha finally pulls away, a bellow of pleasure as he runs his thumb over the wound: making you jump.
"Your turn, omega."
The weight of their bodies is gone, but you can't bring yourself to move. Out of fear, maybe. Pain, perhaps.
"You know what happens to wolves who don't finish the bond." Hongjoong purrs teasingly, knowing full well that you will have to mark them back least you want to suffer at the hands of the moon herself.
A life with them was better than being turned inside out and left to the elements. Just barely.
You lift yourself on shaking arms and nearly fall as you turn. You would have if not for Hongjoong catching you. He lifts you back to the table much gentler, letting your legs dangle as you sit on the table top.
"Why... why me?"
"... Have you heard of Harry Talbot?"
"Harry Talbots a myth... what's he got to do with your fuck shit?"
"Harry Talbot was the first wolf that could smell his mate. He could tell just by her smell, they were meant to be." Hongjoong slots his way between your legs, smiling down at you with his bloody teeth, "her smell called to him. It wasn't just good. It wasn't a normal scent. It was...alluring."
You were growing dizzy, head spinning.
"Strong alphas can sniff out their true mate. And, baby, we're the strongest that there is."
You have to force yourself to swallow. Have to remember to breathe.
"Why? Because you're... alluring."
That's the last thing you can register before your world turns dark.
˚➶ ｡˚ PART ONE END ˚➶ ｡˚
#yandere fic#smut fic#ateez fic#yandere ateez#park seonghwa#yandere seonghwa#ateez matz#kim hongjoong#yandere hongjoong#ateez smut#ateez x reader#matz x reader#hongjoong smut#seonghwa smut#yandere ateez x reader#yandere x reader#yandere werewolf
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THE RULES OF BUTTERCUP CAMP
Rule 1: No friendly fire in the camp.
Rule 1a: NO GRAVEL, NO SAND, NO FALLING BLOCKS
Rule 1b: SCAR THIS MEANS YOU
--- I dont know What you’re talking about
--- You know exactly what I’m talking about!
Rule 1c: Grian is not allowed to make Scar strip down to his underwear on the Perimeter edge to ‘find all the sand’; this makes us look bad in front of Doc.
--- He had it in his SHOE
--- counter-rule!! Actually this makes us look GReat in front of doc. my abs intimidate him.
--- There’s no such thing as a ‘counter rule’ and your abs don’t intimidate anyone
--- mumbo agrees with me!!
--- I. Um. I just think Scar’s abs could be good PR. I’d be impressed if I were Doc.
Rule 2: All Buttercups must remember at all times that Doc is the enemy and we are here to TAKE HIM DOWN.
Rule 3: Goateater is not allowed to eat Mumbo’s pillow.
Rule 3a: we should leave GOateater alone because she’s doing her Best
--- Scar, she’s doing her best to eat my pillow!
--- this is proving resorcefullness and initive like a good Buttercup!
Rule 4: Mumbo’s cooking tastes like a camping mat and he’s not allowed on the cooking rota
Rule 5: grian cant cook us eggs for more than 2 meals in one day
Rule 6: I have to say I agree with Rule 5.
--- Mumbo needs to LEARN HOW RULES WORK
--- and also stop being RUDE about my COOKING
Rule 7: Goateater is not allowed in Mumbo’s bed under any circumstances.
--- mumbo is biased against Goateater!!
--- Then make her sleep in your bed, Scar!
Rule 8: Grian is allowed to push Scar into the Perimeter if he does the sand thing one more time
Rule 9: Grian is allowed to push Scar into the Perimeter if he refuses to put a shirt back on and is being really obnoxious about it
Rule 10: Grian is allowed to push Scar into the Perimeter if he keeps snoring at night
--- Mate, we’re getting some expansion of powers here that I’m not entirely comfortable with.
--- yknow its not tJHAT Bad
--- Okay, so, Scar, listen, just because you’ve never minded doesn’t mean Grian should be able to do what he likes. This is setting a precedent. We need to talk about this.
Rule 11: Grian is allowed to push anyone into the Perimeter for any reason necessary
--- I told you! I TOLD you!
--- Cmon Mumbo a man’s gotta have hobbies
--- Not threats-of-immediate-violence-to-his-two-closest-friends hobbies!
--- WAnt some sand?
--- I CAN LITERALLY SEE WHAT YOU TWO WRITE HERE. SCAR I AM COMING FOR YOU.
--- Good LUck :)
Rule 12: Grian is not allowed to keep stealing Mumbo’s HotGuy poster for his own tent then denying it.
Rule 12a: Grian is encouraged to get his own poster or pay Mumbo 16 diamonds.
Rule 13: Buttercups are reminded to focus their efforts on DOC and how everything is DOC’S FAULT, not SPYING ON THEIR FRIENDS about POSTERS.
Rule 14: Goateater is not allowed in Mumbo’s entire tent.
Rule 15: Goateater is allowed whrever she likes, including in MUmbos tent.
Rule 16: Scar is not allowed to write rules that contradict previous rules.
Rule 17: Mumbo is not allowed to do that either!!
Rule 17a: If Mumbo and Scar don’t stop fighting over the rules board and GET US SOME DRINKING WATER LIKE THEY’RE SUPPOSED TO then Grian gets to throw them both in the Perimeter
--- I thought everything was Doc’s fault.
--- Sometimes it’s your fault, Mumbo!
Rule 18: Look, can we have some sort of punishment here that isn’t ‘Grian pushes people in the perimeter?’ Only he’s not pushing himself in the perimeter, and last night he blew up a firework experiment in the campfire and took half my moustache off.
Rule 18a: That was obviously Doc’s fault.
--- I don’t think it’s Doc’s fault if you did it yourself! In fact, you’re the reason we’re here in the first place. There’s sand in my sleeping bag and I’ve lost half my moustache and Goateater keeps eating my shoes!
--- also I gotta pointout G you never paid me for those fireworks
--- Listen, Buttercups, the rules are very clear about who’s to blame. It’s Doc’s fault.
--- That’s pretty rich coming from you, Grian!
--- also goateater is perfect and hasn’t done anything wrong
--- Shut up, Scar, this is Grian’s fault. I’m making a new rule.
Rule 19: I think we should blame Grian for everything
Rule 20: I secnd this rule
Rule 21: Oh, yeah? Well, I think we should blame SCAR for getting me BAD FIREWORKS
Rule 21a: those were top quality scarland fireworks, Mister!
Rule 22: It was Scar who technically broke the tunnel bore so he’s the reason we’re here
Rule 23: I mean, I guess—Scar, mate, you did do that.
Rule 24: I think we should blame Scar for everything
Rule 25: now wait A MINute
Rule 26: Yes, honestly, it’s mainly Scar’s fault.
Rule 27: Its not!
Rule 28: It’s either you or Grian. I think either way we can all agree I’m the innocent victim here.
Rule 29: What – okay, fine, new plan! I think we should blame MUMBO for everything!
Rule 30: yeah!
NEW RULE: MUMBO IS BANISHED FROM THE BUTTERCUP CAMP
NEW RULE: OH I AM, AM I? WELL THEN, GRIAN IS BANISHED FROM THE BUTTERCUP CAMP!
NEW RULE: OKAY! I GUESS THIS IS MY CAMP NOW! IM MOVING JELLIE INTO YOUR TENTS AND SERVS YOU BOTH RIGHT!
Rule 34: Guys?
Rule 35: …guys?
…
…
…
board suspended :(
…
…
…
Rule 36: fine I’m back
Rule 37: strewing my bed with cherry blossom wasn’t actually necessary
Rule 38: Aw, Scar, you shouldn’t have.
--- i missed you guys
--- I missed you guys too!
--- It’s been TWENTY MINUTES
--- admit it G you missed us
--- Fine I did
--- But I think I have time for a second shot
--- GRIAN
--- joking <3
Rule 39: All previous rules are suspended.
Rule 1: It’s Doc’s fault.
Rule 2: Grian is still allowed to push people into the perimeter.
--- mumbo, wheres Goateater?
--- Special mission, mate, don’t worry about it.
WHY HAS SOMETHING **EATEN** ALL MY ***CROCS***!
YOU WILL PAY FOR THIS, BUTTERCUPS!!
– G.O.A.T.
p.s. Also kindly return my hotguy poster, Grian, I know that this was you
#goodtimeswithscar#gtws#grian#mumbo jumbo#buttercup trio#buttercups#mumscarian#though you can read as /p or /r#glossywrites
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how would you recommend watching doctor who? there are so many different guys idk how it works.
so the thing about doctor who is that there's two shows -- classic who (1963-1989, doctors 1-7) and new who (2005-2023, doctors 9-14). due to a renumber of the seasons and a change in production company, i think it's fair to call the upcoming version of who (2023-??, doctors 15-??) its own, third show. the reason it's been able to run for so long is that when the show's lead actor, (william hartnell as the titular doctor) had to step down in 1966 due to failing health, they made up some sci-fi bullshit: the doctor's species can 'regenerate' instead of dying, instantly healing but changing their appearance and some of their personality. this means that every time a lead actor has walked away (or, in one unfortuante case, been fired) the show's just recast the doctor and moved on, often with notable changes in tone and format.
the easiest option if you don't want to backwatch anything is to start with this year's christmas special, the church on ruby road (2023). it's an obvious jumping on point to the series, introduces you to all the basic stuff (the doctor, the TARDIS, the fact that it's a silly sci-fi show about fighting weird rubber prop critters), and presumably sets up the upcoming season 1 of the disney-bad wolf version of the show that's gonna come out in may 2024.
if you do want to backwatch, you have to decide if you want to start with new who or classic who. i personally would recommend starting with new who, because there's less of it, it's got higher production values, and (imo this is the biggest obstacle to getting into classic who) it's paced in a way that makes much more sense to a modern TV viewer (self-contained 45-minute episodes). also once you're invested in the show, its main character, and some of its classic elements, you get to soyjak at the screen whenever you're watching classic who and you get to see the oirign of a monster you already recognize. you can also skip classic who entirely and never watch it, they don't bring up anything from it in the new series without giving it a new explanation, but if you do this you hate fun.
anyway, starting points for nuwho: the most obvious one is rose (2005). it's the pilot episode for the new show and imo it holds up brilliantly -- it introduces all the most basic concepts of the show, but ultimately it's really all about billie piper and cristopher eccleston's performances and they deliver. the special effects are gonna be pretty terrible for a while because it's early 2000s cg. there's no jumping on point like it for the whole of RTD's run of the show (imo, the best run of nuwho) so if you want to watch seasons 1-4 you've gotta start on rose.
another episode that's written as a jumping on-point is (heavy sigh) the eleventh hour (2011). as well as introducing matt smith's doctor and his companion amy, this also does the whole rigamarole of introducing the show's core elements, giving a nutshell recap of its history in the form of the doctor's rooftop speech, and also signal what the oncoming moffat era is going to be like (whimsical, full of complex time travel plots, way more misogynist). i'm biased -- i'm a hater, one of this episode's central plot conceits sucks real bad and i also hate the eleventh doctor's whole run. but it is meant to be a jumping on point.
there won't be another one of those in nuwho until the pilot (2017). this begins moffat's final season with which he made the odd but extremely welcome decision to jettison all his convoluted continuity shit from the last five seasons and refocus the show with the doctor being a professor at bristol university with a mysterious secret. i think season 10 is a hidden gem and if you find starting from rose daunting this is the next best place to pick up. capaldi's doctor is a delightful abrasive eccentric with a heart of gold at this point in his run & the stories are wall-to-wall bangers with only a couple misses.
finally, you could start on the woman who fell to earth (2018), the first episode to feature jodie whittaker's 13th doctor and head writer chris chibnall. i'd recommend this even less than the eleventh hour, because while i actually like it more, i think it's a much worse preview of what the upcoming era is going to be like than that one. if you watch the woman who fell to earth and keep watching from the start of whittaker's run on the show off the back of it, you're going to be severely disappointed as most of the more promising aspects of the episode get instantly abandoned.
so, summary, if you're starting with nuwho, there's five jumping on points, which i'd rank:
rose > the pilot > the church on ruby road > the eleventh hour > the woman who fell to earth
but i want to start with classic who because i'm a contrarian
alright. classic who also has a few jumping off points -- before i mentioned them, let me just talk about that format thing i mentioned earlier. classic who doesn't have self-contained episodes for the most part, but rather for most of its run told each of its episodic narratives across between two and seven 20-minute episodes. this leads to a lot of weird pacing, forced cliffhangers, and infamously a lot of filler shots of the doctor running up and down identical corridors. so obvsies i'm recommending entire stories here nad not individual episodes. that said, let's look at where you could jump on:
an unearthly child (1963). this is, like, the start of the show. that said i don't recommend it as a place to start (funnily enough), for a couple reasons. firstly, because of dreadful fucking archiving by the BBC, a lot of episodes from the show's first six seasons are straight up missing. some of them have been animated by the BBC from surviving audio recordings, but some of them are just straight up lost -- due to the format, this means there's very few full complete stories, which makes this whole era really hard to navigate. if you don't mind that and really want to start in the black and white era, i'd still recommend the tomb of the cybermen (1967) instead -- hartnell's portrayal of the doctor as a haughty, slightly impish old professor is great, but troughton basically defined the character's core traits for the next sixty years.
spearhead from space (1970) is a pretty big format upheaval for the show and so serves as a pretty great classic jumping-on point. it's the first episode to be in colour, and sets up a new status quo for the doctor as being trapped on earth and working for an elite paramlitary organization called UNIT that operates out of a ratty office. it's an interesting premise that the show gets some great stories out of. the special effects are bad in the best way. pertwee has instant charm in the role and it's all around a banger by classic standards.
if you want to jump right to the one all the boomers are nostalgic for, you can also start with robot (1974). i wouldn't recommend it, though--tom baker is electric in the role from the start, but the episode itself kind of assumes a lot of the context of the third doctor's setup and supporting cast which you're not gonna have.
i wouldn't recommend anyone start at any point during the fifth or sixth doctors runs because i want them to actually like the show, so i guess the last jumping on point i could really recommend after robot would be, like, dragonfire (1987), which heralds the show's short-lived renaissance with the seventh doctor and his best companion, ace. but although you'd be watching some of the absolute best the classic show ever gets, it feels like it would be a weird and disorienting place to start.
finally, you could watch tales of the tardis (2023), a limited series produced to celebrate the show's 60th anniversary. each episode follows the same format: through a vaguely handwaved Palace of Memories plot, two much-aged characters from the classic series meet up and fondly remember one of the adventures they shared. the bookends with the original actors are mostly shameless fanservice, but the episodes they're reminiscing about are superbly edited down into a much more watchable format -- it works as a good 'sample platter' for most eras of the show (although, weirdly, there wasn't anything from tom baker's run!) and i think it honestly wouldn't be a bad shout to just start from tales of the tardis and then keep watching from whichever of the stories featured in it you liked most. that all said, if you want to start with classic who, i'd rank these jumping on points as follows:
spearhead from space > tales of the tardis > tomb of the cybermen > dragonfire > robot > an unearthly child
all that shit said it's fundamentally a very episodic show with very few exceptions like trial of a time lord and whatever moffat was doing seasons 6-7 so in the end you can basically just start with any episode and more or less get some of the idea. have fun and make sure to do the most important job of a doctor who fan, update the tardis wiki page for penis whenever one is mentioned
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──★ ˙🍓 ̟ !! what is this? boyfriend material.
☆⌒(ゝ。∂).ᐟ ᴡʜᴀᴛ ᴀʀᴇ ʙʟʟᴋ ʙᴏʏs ʟɪᴋᴇ ɪɴ ᴀ ʀᴇʟᴀᴛɪᴏɴsʜɪᴘ ᴘᴛ. 𝟷
✿ ─ characters: isagi yoichi, chigiri hyoma, reo mikage, nagi seishiro
✿ ─ cw: fluff, gn!reader, no pronouns but there are a few 'fem coded' things referenced like make up or skirts, aged-up!characters, established relationships, pet names, kissing, groping, pda, use of foul language, suggestive themes, proofread so many times so if there’s a typo ill cry
✿ ─ notes: this is my first post ♪(´▽｀) i haven't written stuff like this in a pretty long time so bear with me ‹𝟹 this is some hybrid of headcanon and drabble idk
ISAGI YOICHI is a full-fledged bonafide simp...
he suffers from tragic a condition. when he’s not trying? flirting supreme panty dropper. however, when he tries to flirt with someone he likes? bro is fumbling. at first he seems like such an instant charmer. hes a classic gentleman, great listener, and super attractive. but the second he gets an inkling of a crush, he ruins it for himself. stuttering and getting his words mixed up, saying the most embarrassing jumbled combination of what he actually meant to.
follows you around to all your tasks because how else would he spend his free time except hanging with his baby. to sephora, to the grocery store, to the salon, the the ends of the earth if that's where you're heading that day. more than happy to hold onto your hand as you go about your business, rambling about global soccer statistics and looking at you like you hold the world. yoichi is a prideful purse holder too, his arms and pockets and car being full of your belongings makes him insanely happy for some reason he can’t put his finger on. always ready to press the lip gloss you’re patting yourself down for into the palm your hand, taking a kiss as payment.
he’s bad at planning dates, so don’t put him in charge unless you want to be late to a reservation at a restaurant 2 hours away with mediocre food. he’s good at paying for them though!! the dates he does get to plan are usually to the mall. what can i say, man likes to spoil you.
at the mall isagi can kind of trick you. because typically if he were to offer to buy you a couple hundred dollars worth of things, you would absolutely refuse. buttt if its just one thing from this store and one thing from another, and maybe its the fact that you dont feel the weight of all the items as your boyfriend carries it all, but it flies under your radar. and at some point you look at yoichi… and he has a lot of shopping bags. surely some of those were his right? the little pleased love sick smile on his face says otherwise.
its so worth it to isagi tho. he gets to spend time with you, make you happy, be a doting bf. but it also means that he can pick out clothes for you. as generous as he was, he could be a bit of a greedy gifter - never leaving the mall without a new skirt of his choosing. will personally pick out a pile of things he wants you to try on just for him.
once youre with isagi for a few months, he reveals his true colors. man is a serial PDA offender. he just thinks you’re so pretty, and it gives him such an ego boost to be the guy by your side. better hold his hand or its going in your back pocket. leans in under the guise of giving you a quick, generally acceptable peck on the lips… but all of a sudden he wants another before you even fully pull away from the first and its all downhill from there. sits on your side of the table at restaurants instead of across from you so he can rest his hand on your thigh and sneak in small squeezes when he thinks youre not paying attention. and be careful about walking in front of him, he’s not strong enough to resist the urge to smack your ass.
if the PDA thing wasnt a dead give away, isagi is just very affectionate in general, honestly has a hard time leaving you alone when you’re in the same room as him. he just gravitates towards you no matter what he was previously doing. very easily distracted, very easy to bribe. he’s the type of guy where when he goes to get out of bed in the morning to go to practice, and you cling to him and ask him for just 5 more minutes, theres nothing that could stop him from sinking right back into your arms. his attendance record has definitely suffered because he is unable to deny you a single thing you ask for, especially if that thing is him.
CHIGIRI HYOMA is taken and makes sure everyone knows it…
hyoma’s partner very quickly becomes his best friend if they weren’t before they started dating. it’s not even intentional, but he gets very quickly attached to you. sure, he has a decent amount of friends, but none of them know him like you do. he loves to hear you talk about your life, invested in your daily drama and indulging you with all of his. he likes to hear your input and insights on situations. he takes notes in his phone when he sees things he thinks you would like, or conversations he had that he wants to tell you about. forever surprised by how much he misses you when you’re apart, chigiri is used to not needing anyone the way he needs you. is so much grumpier at matches that have him go abroad without you, texting you often throughout the day, whenever he can get his hands on his phone.
because you’re now his best friend and partner, chigiri’s a bit tied to you at the hip, but he would never admit to being clingy. not that you mind, hanging out with him is fun and surprisingly intimate. he never fails to hold your hand wherever you go or throw an arm around your shoulder. on dates he’ll lean in close to your ear to whisper little observations and jokes about the people around, the two of you sharing witty comments and secretive snickers behind your hands. when hanging out with mutual friends, the way yours eyes meet his wordlessly, both holding the same micro expression, indistinguishable to other people, that says “we are so talking about that later”.
speaking of clinging to your side, hyoma can have a bit of a possessive streak at times. i feel like it’s something you don’t really expect of him until there’s a guy flirting with you in a store. the way your boyfriend is at your side before you can even answer, standing at his full height, squaring his shoulders with a sour look on his face, not at all shy about the way his arm snakes around your waist. “they’re not interested.” he states plainly, as if it were obvious, but if you payed close attention to him (which you always did), you would notice the distasteful curl of his lip or the venom seeping into his tone or the way his usually gentle fingers hold onto your side with a firm grip.
he doesn’t meet your eyes after, already sensing the knowing smirk on your lips. his ears turn red when you break the silence to tell him that green was a good color on him. but, your ever clever boyfriend is quick to reply, “that’s cute baby, but i’m not jealous. you haven’t seen me when i’m jealous.” the mischievous glimmer in his eye and the smug smile he wears reminds you to not test him.
king of matching outfits with you. not in the novelty shirts cheesy way, but he always asks for a fit check before he picks you up on dates. chigiri is outside your apartment within the hour, wearing a jacket that matches the color of your shoes and a sly grin. generally starts to shift his style to be a bit more cohesive with yours, he loves going out and looking like you belong together.
not to mention, matching outfits give him more excuses to take pictures with you. photos of you and him are plastered all over his instagram, your handle in his bio and everything. he’s no amateur either, always able to catch your best side, in perfect lighting. really makes you feel as pretty as he seems to think you are. hyoma is a bit of a show off too, so he gets a bit of an ego boost getting to let everyone know how cute you are, and that you’re all his.
hyoma greatly values the alone time he gets to spend with you. the best part of his week is sitting on the couch as you help him with his hair care routine. you running a mix of the comb and your fingers through his hair as the two of you catch up on the k-drama you started together. your touch and your attention and your warm presence enough to make the stress of a pro soccer career melt off his shoulders. makes you teach him how to do your nails and learns your skin care routine so that he can return the favor, although he’s much better at the latter.
MIKAGE REO is ungodly whipped and more than a little dramatic…
if we’re talking about social media boyfriends, reo is near insufferable. let’s be real, reo was already flexing on the gram before you got with him. constantly posting pictures of his car and expensive watches and exclusive clubs. he just becomes worse when you agree to go out with him. his story is full of aesthetically blurry shots of you, sometimes featuring him, anywhere and everywhere. in his car, on dates, cooking in his kitchen. he even found the audacity to post a picture of you in his bed, your bare back in full frame, the sheets pooled around your waist. “i’m so lucky” was the caption and the only context provided. unsurprisingly the lifespan of that post was quite short once you caught wind of it, with the assurance that he wouldn’t be getting so lucky in the near future.
i totally think reo is the type of guy that tries to act like a fuckboy but is secretly a hopeless romantic. in other words, reo is a huge sap™. has a picture of you in his wallet. you’re his screen saver and all his passwords feature your name. nagi is the last person left that will still listen to reo ramble on about you, all of his other friends having gotten tired of it.
we already know that reo is taking you to fancy dinners on the regular, but more unexpectedly i think he is a big fan of outdoorsy dates. previously mentioned hopeless romantic tendencies means reo loves a picnic way more than he lets on. his favorite is when the summer comes around and he gets to take you to the beach. if reo dies and goes to heaven and it's not you rubbing sunscreen into his warm back in a skimpy swimsuit he picked out for you himself, he's not interested. a close second favorite of his is late night drives with you. all the windows of his luxury sports car down, blasting a playlist the two of you made together, singing loud and ugly down the empty freeway. in these moments you make him feel weightless and he swears it’s addicting.
king of clingy. every time that you feel your phone vibrate, there's a good chance that it's your boyfriend. never with anything important either, asking where you are, how was your day, sending you pics of whatever he is doing, even resorting to imessage games when he runs out of things to talk about. he just always finds himself itching to open your contact. if mikage reo could eat up all of your attention, he would not hesitate to do so.
reo is usually the caretaker. when he obtained status of boyfriend, you automatically went on his list of special people in his life, only really consisting of you and nagi, and this granted you the exclusive privilege of walking all over him if you so please. truly a pushover and weak to your pouts. while we’re on the subject of ways to get him to fold, reo is surprisingly easy to flatter. your compliments are honey to his ears, no matter how many people have said the same to him before. his heart thumps loud in his chest whenever you do any act of service or labor of love for him. just wait for the day you buy this man some flowers. got his hand splayed over his red face, his palm not wide enough to cover his infatuated grin. "they're really for me, babe? god i knew i picked you for a reason.”
reo's feelings for you run extremely deep. scary deep. you make him feel stupid and irrational. he can't think straight, he's impulsive. you have to keep a close eye on him because give reo enough time alone and he'll convince himself that getting your name tattooed across his chest is an amazing idea, a grandiose display of his affection and devotion to you - sick as hell too. god forbid you go on a trip by yourself, there's honestly a decent chance you'll come home to a marriage proposal and explanations on how "no no, don't worry babe, i know its sooner than you expected but i've got it all planned out.” just be glad that up until this point he has resisted the strong urge to drop a fourth of his trust fund on a ring, a price he's more than willing to pay to make you all his.
NAGI SEISHIRO is greedy and will readily take a mile if given an inch…
nagi is… new to the whole boyfriend thing to say the least. not to say he’s bad at it or anything, but i imagine that in the beginning of your relationship, things are a bit, for a lack of better words, lukewarm. he struggles a bit with recognizing that the switch from friends to more than friends is more than just the title, letting you completely take the wheel. but his passiveness doesn’t last long. not when he can’t escape the way you are constantly on his mind. he thought it was overwhelming enough having a crush on you, but now that he’s falling for you it’s on another level. he thinks of you when he first opens his eyes, facing the obnoxious blue light of his phone to send you your daily goodmorning :x . he thinks of you at night, when he’s restlessly fighting to fall asleep before he ultimately caves and facetimes you so that he can drift off to your tired mumbles and even breaths. he thinks of you when practice drags on, the anticipation of seeing you after the only thing keeping him from giving into his exhaustion.
nagi can’t get you out of his head for the life of him, but to be fair he doesn’t put up much of a fight. seishiro is used to getting what he wants, so what does he do when his desire for you becomes a hassle? he makes it your problem. constantly calling you and asking you to pick him up from social functions because he misses you. insisting that he stays the night at your place or that you come to his because he needs his daily dose of you. and he doesn’t have the shame to be shy of telling you everything on his mind either. he unintentionally says very flustering things, unabashedly demanding your touch and your company, no matter who is listening. it’s your fault he’s like this after all, you might as well take responsibility and give him what he wants.
and what he wants is affection from you, as much as he can get. serishiro is mesmerized by your reactions. being in love with you is uncharted territory that he maps out with piqued curiosity and newfound greed. especially kissing. once nagi gets his first taste of kissing you for real, messy and needy and drawn out, he never wants to go back. not after seeing your red face, eyes lidded and lips parted so cutely he just has to steal one more. now his day dreams revolve around you, what flavor of chapstick you’re wearing, what perfume do you have on, are you thinking of him as much as he does you? thats one thing he never really finds the courage to ask, but that he secretly hopes is true.
he loves to find things you can work on together, even if you always end up being the one putting in more effort. nagi will insist on cooking dinner together, and maybe you get his help for a good 10 minutes before he’s slumped in a seat at the counter eating the ingredients. buys tons of lego sets for the two of you to put together and while you’re following the instructions, he’s stealing pieces you need so he can build a little car to push around the table while he watches you figure it out. he’ll even settle for a puzzle and a movie, but your out of luck if you expect him to do anything but the edges.
the lazy genius only really has the time and energy to have a couple of important people in his life, but once you make it into that inner circle, that shit is permanent as far as he’s concerned. it begins with him telling you that it only makes sense to leave some clothes at his apartment, you’re at his place half the week anyway. and then its him smuggling over your favorite pillows and stuffed animals to his bed instead of yours. then he’s asking you to go grocery shopping with him every week. the jokes he makes about the fact that, “you keep all your stuff here anyway. just move in with me already,” are far too frequent to be subtle. but when he hits you with the puppy eyes, which are annoyingly effective, how could you say no?
you’ve put yourself in his orbit after all and now the solar system that is nagi seishiro will use his gravity to pull you inevitably closer. it’s doomed.
is my bias obvious?? cuz i feel like it might be… lmk which one was your favorite!!
© 2023 hyomaslut. please do not copy, translate, or repost any of my content onto any other sites.
#bllk x reader#blue lock x reader#isagi yoichi x reader#chigiri x reader#blue lock fluff#blue lock headcanons#isagi x reader#chigiri hyoma x reader#mikage reo x reader#nagi x reader#nagi seishiro x reader#reo x reader#blue lock x you#blue lock x y/n#gn reader#bllk#blue lock imagine#blue lock drabbles#reblog divider credit @cafekitsune#miwa writes
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I just finished the Miguel fic and its not bested YET my standers are HIGH. With that being said i have a hobie blurb/fic idea
goody reader! who hobie swear he cant stand (he's obssessed)
you angelllll and this scenario for hobie—ugh it lives rent free now THANK YOU my sweet anon
GOODY-TWO-SHOES AND BRITISH PUNK — hobie brown + reader: just hobie pushing away the fact that he’s obsessed with you, by finding your goody nature “annoying”.
marks no warnings. just a bit of banter. wc 1.6k.
When you joined the spider society, everyone thought of you as ‘sweet’ and an all in all ‘do gooder’. Many found it endearing, while Hobie claimed to think the complete opposite.
Even though his mouth was saying things like “ya could ‘ave aimed that web better.” And “maybe try catchin’ the evil guy next time…ay?” His body had always stayed close to you.
He said things regarding your ‘sweetness’, pinning it as ‘no good’, it won’t help being overly sweet while fighting bad guys. And god did you being a little ‘do gooder’ and following the rules piss him off the most.
But even after all those confirmations in his head he found himself looking for you, standing next to you in de-briefs or when a few of you would just hang out. It was always when you were in a group—Hobie was near.
And right now as you listened to Jess speak on the new ‘villain of the week’, you felt a presence beside you. As you glanced to the left you saw Hobie, standing, hands in pockets, as he acted oblivious to his own body’s movements.
He had moved closer to you. In his head he brushed it off as him just making sure you were listening and paying attention to Jess’s words so that you wouldn’t fuck anything up this time. (Not that Hobie ever does pay that much attention himself).
Hobie had never been a nitpicker, but when it came to you he noticed all the details. He could almost tell you your own body’s habits before you even realised them yourself. Like the little nose scrunch you’d do when you were bored. Or the tilt of your head, signalling that you were really trying to listen. Or even the press of your lips, showing that you were just…thinking.
He didn’t pay much attention to his reasons for taking such close notice though. No. Because he's sure that the sole reason (only one) is because you've always annoyed him.
“So please….” Jess is saying. “Please don’t touch any of the guy’s gadgets.”
Then the debrief is over, and you’re getting to your feet, having jumped up onto a ledge. Hobie can’t help but watch as you began to walk towards a portal. “Careful there luv…woul’n’t want you to get ahead of yourself. Maybe ya should stay back this round?” Hobie walks backwards, leaning his head slightly to the side as he moves to the portal.
You press your lips together, eyeing him. What is she thinking about?—Hobie thought to himself, eyeing you back, as he continues to speak. “To be good at ya job, ya gotta loosen up on those rules, ya do know that…right?”
“You say that like you think I’m wound tight.” You say, slowly walking with him—his feet still walking backwards as you walked forward.
He raises a brow. “Aren’t you, luv?” He tongue began to absentmindedly play with his lip ring, dragging it slightly between his teeth as he neared the portal. Then he’s leaning back, and falling through it, you not far behind.
The portal had opened up over a high sky, resulting in you both falling. Hobie tilted his head, watching as you faced each other, skyrocketing down. You spare him a tilt of your head, before your web is attaching to a building as you slip away from his line of sight. And Hobie doesn’t know why but his lips had began to twitch up.
Shooting his own web out, he swung to a stop on the building, where everyone else resided. And of course, he yet again moved closer to you.
Directions were given by Jess as the spider variants all went their separate ways. "Nah, you're comin' with me." Hobie says, grabbing your arm as he pulls you towards the edge of the building. "I thought I bothered you too much..." you mutter more to yourself.
"What was that?" Hobie asks, but you just spare him a "Hm?" before you're web slinging to the next building. Hobie scoffs, copying the action.
Soon you're both swinging past buildings, and when Hobie attaches his web to where yours was gonna go, your face actually displays a slight scowl. Hobie raises his brows—effortlessly swinging backwards. "See...I knew ya were fakin' ya sweetness." Hobie comments through the wind.
"And when were you paying so much attention to me for you to know that?" You call back, slipping past him as your hand slightly brushes his guitar strap. He doesn't like the feeling that crawled up his neck when you brushed so close. He was the one who initiated the closeness, and you having barely touched him made him quickly follow you.
Then you're both swinging almost together, Hobie's gaze stuck on your relaxed posture. "Ya did learn from last time right, luv?" Hobie asks, to which you lazily glance at him.
"That wasn't my fault." You say, slipping through a narrow gap. Hobie went over so as not to scratch his guitar. "Ya can't be that blind...can ya?"
"You know, I've never understood why you act like this." You say, coming to a stop on a lower building and gazing down, spotting the gadget wearing anomaly. Hobie fluidly stops beside you as you both crouched down. But as you stared at the anomaly, Hobie stared at you.
"Act like what?" He asks, feeling a strange urge to pull your mask off. Why did he want to see your expressions when he was talking to you?
You glance at him. "Act like you hate me. Maybe you do...but I just can't pinpoint an exact reason why."
"Aw..." Hobie coos. "Scared not everyone is fallin' for ya goody-two-shoes act?"
"It's not an act. And I am not a goody-two-shoes." You slightly huff out.
"Yeah ya are..." Hobie hums out, almost sounding amused. "You always follow the rules, being a dottin' little helper to Miguel."
You look back to the anomaly. Jess had said to wait, as backup, so you do, trying your best to ignore a now closer hobie. "And you always do that...can't find a reason for it either." You mutter.
"Do what?" Hobie shifts closer. You turn your head, eyeing him. "That. Coming close."
"Maybe I'm scared you might do something overly heroic, just to get into Miguel's good books."
"Hobie being scared? Now that's a first." Hobie's surprised to hear the clear sarcasm in your voice. "And what makes you think I'm trying so hard to get into Miguel's 'good books'?" You ask.
"Ya are always the first to accept missions." Hobie says, and he hopes you don't notice his slight jealous tone. "And Miguel seems rather pleased with that."
"Maybe because I'm doing my job?" You ask, finally glancing at him again. And Hobie can't help but swiftly grab your mask. He wanted to know if you were bored, thinking, or actually listening to him.
"Hobie..." You say, reaching for your mask again. "I need that."
But Hobie just pockets it in his jacket. "Nah, Jess won't need us. She's too prideful and...usually completes missions..." He eyes you like he's hinting at something.
"I'm sorry—but when have I ever not completed a mission?" You have a slight frown on your face. And Hobie grins under his mask, liking seeing your expressions. Especially because he's been able to get new ones, like a frown and a scowl.
"Last week." He answers, fiddling with your mask material in his pocket.
You groan. "I told you, that wasn't my fault."
"Hm..." Hobie's eyes had begun to grow distracted in your moving mouth, noticing the details...yet again. The way they would slightly part when you were confused. You were confused now, so Hobie got a chance to see a fraction of your teeth. Why was he focusing so hard? And maybe if his mask was off, you would see exactly where his gaze was trapped.
"Hobie." You say, noticing he had stayed silent for a little too long. "Hobie." You shuffle closer to knock his shoulder. "Can I have my mask back?"
But he just began to shake his head. "Nah...I think I'll keep it." He then stands, looking down at you. You quickly get to your feet also, eyes narrowed. "Why? I do actually need it."
Hobie just shrugs, feeling thoroughly amused with the whole situation. You go to reach for his pocket, but he easily dodges. "This is really not the time." You mutter, trying again. But Hobie just moves around you.
You then swiftly shoot a web, aiming for the inside of his pocket, but hobie snatches the end, yanking you towards him, making tumble to a stop against his chest. And you can feel the slight rumble of a chuckle, making you quickly stand straight, only for your breath to hitch.
Because now his mask is off, and he's extremely close. Now you can see his eyes dart, fully absorbing your details, and you actually grow to feel a tad nervous. "Can I please have it back?"
"Back to the fake sweetness, are we?" He asks, his gaze now stopping on your lips.
"It's not fake." You mutter out, moving to step back, but Hobie tightens his hold on your web, keeping you still. "What are you doing?" You ask, a slight groan of annoyance edging your tone.
Hobie tilts his head, acting as if he isn't doing anything, as his finger comes out to just brush your collarbone through your suit. You don't know what to do, as you stare at him. He'd never been this close, facing you, at least. He's always been behind you or beside you. And now as his tongue comes out to lick his full lips, you find your gaze getting caught up in the action.
"I'm not a goody-two-shoes..." You choose to say, still slightly hung up on the nickname.
"Yeah...ya are." Hobie repeats, this time quieter. "...but it's..." You narrow your eyes on him. 'It's' what? "It's kinda cute, luv."
Your eyes widen. "W-what?"
"Hm?" He quickly hums, before he's webbing away, making you spin to gaze after him. "Hobie!" You call, as you quickly web after him.
© messylustt.tumblr please don’t steal, copy or translate my work onto other platforms.
#. ( spidey mark )#the hobie effect#hobie x reader#hobie x y/n#hobie spiderverse#atsv hobie#hobie brown#hobie brown x reader#hobie brown x you#hobie x you#astv hobie#hobie oneshot#hobie drabble#hobie blurb#hobie my beloved#atsv#spiderman atsv#atsv x reader#hobie brown atsv#spider man: across the spider verse#across the spiderverse#spiderverse#spiderpunk#spider punk
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Let me just preface this by saying everyone is allowed to have their own opinions, TOTK is a really fun game, and I'm glad that other people have been able to enjoy the story as well.
...But I'm being dead serious with my complaints about the narrative being 100% imperialist propaganda. And I'm getting really tired of people replying to those posts by saying it can't be imperialist propaganda, because imperialism is bad and the game says that Hyrule is the good guys.
Like, guys. That's not the argument you think it is. Yes, I am aware that the game tells us Ganondorf is a flat, one dimensional character with no ambitions, interests or motivations beyond destroying the entire world for the hell of it, and also it's totally not racist because he's green, not brown like literally every other member of his race. Unfortunately literally all of these things are kind of the entire goddamn problem.
See, the thing is, everyone trying to make these arguments is accepting the game at face value. Hyrule is the perfect and almighty nation chosen by the demigod Zonai, and whose royal family has the right to rule due to their divine heritage. The other races exist to serve the glory of Hyrule, and they're happy to do it. Ganondorf is pure evil and must be stopped at any costs.
But that's not how anything works. The story informing me that Hyrule is the ultimate good that has done nothing wrong is the whole goddamn reason why I don't trust Hyrule at all. There's always more of a reason than that. And the game fucking suggests there was more going on! Ganondorf mentions Rauru has repeatedly 'invited' the Gerudo to become Rauru's subjects, and let's be clear here, it doesn't matter how peaceful those 'invitations' were, when the guy who owns every single magical nuclear missile in the world repeatedly demands you surrender to him, there's always going to be an implied threat of 'do it or get magically nuked'. Just that power difference alone shows us exactly why Ganon would feel threatened enough to invade. It's because Rauru was holding a gun to his head, and Ganon was expected to just trust that he'd never pull the trigger.
And yes, even if it wasn't intentional Hyrule was always threatening to wipe out the other nations, considering the entire royal family walked around openly wearing their magical nukes as cute accessories. If they couldn't be safely hidden away, there wouldn't be four other secret stones sitting untouched in a vault until the last second.
But that's never acknowledged. Of course Hyrule is the only nation with the right to the secret stones; even if other races get to touch them, they can only have them if they swear eternal blind loyalty and servitude to the glory of King Rauru and Princess Zelda. Ganon wanting to have one magical nuclear bomb out of a stockpile of eight of them is proof that he's dangerous and evil. I mean my god, what if he just walked around all day wearing a magical nuke and using its power for his own benefit, that would be terrifying. It's only okay when Hylian royalty does it.
And you can't argue that Ganon betrayed his own people, considering we don't get to know fucking anything about his relationship with his people. He's shows as the leader of the Gerudo, we're told he's a hero to his people, he has soldiers that loyally follow him into battle... and then oh nevermind, they all hate him and will spend eternity trying to atone for sharing a race with him. How did the entire race do a complete 180 in the span of at most a few months? Who cares, what's important is that now they accept they exist to serve Hyrule so they get to be the good guys now and we don't need to know why they were following Ganondorf, or why they stopped following him.
Basically my point is that yeah, I fucking know how the game insists everything went down. That's the entire reason I think it's imperialist propaganda, because the entire story feels like Hylian propaganda to conceal and justify some horrific atrocities that caused all of this. I literally do not believe that I'm getting the story through reliable narrators, especially considering that the only people allowed to actually tell me the story are all the characters that have the most reasons to be heavily biased in favour of Hyrule.
When the game shows me protagonists that have a massive amount of power and control over the entire world, then says the bad guy doesn't like that system just because he's evil, and literally nothing and nobody in the game says anything to oppose that take, I have some questions about what the fuck the story isn't telling me. And I'd really appreciate it if people would stop trying to argue with me just by telling me to stop asking those questions.
#tears of the kingdom spoilers#tears of the kingdom#ganondorf#can you tell that i'm annoyed by these people bcause i'm annoyed#...nothing personal if you are taking the story at face value btw#its just that i'm trying to dig into the story to talk about it#and it's frustrating to have people telling me i'm wrong because i'm analyzing the game#like guys... if someone doing a little bit of analysis is all it takes to dismantle the entire story#then it's not a well written story
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It’s time to talk about the Laudanum Lesbians, Elspeth and Wee Morag. Right away, it’s pretty obvious that you’re supposed to draw parallels between them and Aziraphale and Crowley. When the viewer first meets Elspeth, we get this gruff girl who threatens the two of them and is established to be doing something “morally wrong”. Life hasn’t been kind to her, and she clearly doesn’t trust people. To really drive it home, she and Crowley are on the exact same page while they’re talking to Aziraphale and wheeling the body to the alley.
Then we meet Wee Morag, and it becomes apparent that every decision that Elspeth makes is to better their life together. She offers Wee Morag food (which is something our favorite demon is wont to do for his partner) and specifically oversells it as something fancier than it actually is. Wee Morag calls her an angel. It’s meant to be a little tongue and cheek since it’s in the presence of a literal angel, but it also serves as a way to show that while Elspeth may not be a Good person, that she at least cares about the person close to her.
Now for Wee Morag at this moment, we don’t get much from her aside from her obviously being the moral compass out of the two of them. She tells Elspeth that she's going to Hell literally two seconds after referring to her as an angel. The more important part of this interaction I would argue is Aziraphale’s response to Wee Morag. Some part of him recognizes a kindred spirit in her. He takes off his hat in a show of sincerity and says that it was lovely to meet her. This is important for later in the episode.
After they fail to sell the body, all three of them end up back in the alley with Wee Morag. Elspeth is again choosing to not trust Aziraphale despite his change of heart to do what he now knows is actually a good thing. Wee Morag starts off on the fence, worried about those souls that won’t get into Heaven. Elspeth tells her that she promised to help, and through everyone’s various methods of convincing (tempting may even be the better word as there is a demon sitting next to her when she agrees), Wee Morag says that she’ll do it because that’s what friends do. Regardless, she’s now had her change of heart. Although I would say hers is more driven by the same thing that drives Aziraphale to help with the Antichrist. It is fundamentally for her and Elspeth’s benefit, not the Greater Good per say, but she needs that reframing of doing the moral thing of upholding her promises and potentially helping people.
In the graveyard, Elspeth does all of the hardwork and Wee Morag holds the light both to assist how Elspeth sees, but also likely to help her keep watch. She’s filling a guardian role for Elspeth. Later when Elspeth sells her body, she even says “She only wanted to look after me.” Upon seeing the actual body (a priest’s body no less), Wee Morag realizes with horror what they’re doing - the potential moral ramifications stare her in the face. She ends up caught in the crossfire of a gun, and she dies for it.
Originally, I thought that Wee Morag’s death sets Crowley up to worry about what might potentially happen to Aziraphale in the future. In a way, I still think it does. She was the Good character helping the Bad character, and she pays dearly for it. His line “It’s a bit different when it’s someone you know, isn’t it?” while pointed at Aziraphale can be felt by everyone in the room. Elspeth has been dealing with death this whole episode, but her whole life is turned on its head when her ‘pal’ dies. Crowley recognizes that it’s the knowing part that actually causes something to hurt. (It’s one of the reasons why he doesn’t have many human friends. He does have a friend though, and it would absolutely gut him to lose him.)
The episode isn’t over though. We still have to watch someone else pay for stepping over the imaginary boundary of Good and Evil, except rather than it being Aziraphale, it’s Crowley. Like Wee Morag, he steps out of his usual role and helps Elspeth, and for that, he pays dearly. He gets dragged off to Hell to have whatever Demons do instead of a rude note done to him. After everything that’s happened, it’s no wonder why you get that panicked shout of “Crowley” from Aziraphale. They just watched the worst case scenario happen for people like them.
Also as another quick fun aside, both sets of characters are bound by something that allows them to not be able to carry out their actual dreams and goals. Elspeth and Wee Morag were bound by poverty while Aziraphale and Crowley are bound by their respective Head Offices.
#The 1941 minisode is probably my favorite#And I love the Job minisode#But I feel like we're sleeping on this one when it's just as good#good omens meta#good omens#meta#good omens season 2#Aziraphale#Crowley
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Missed Connection Section of the NRC Gazette (Floyd, Leona, and Ruggie)
While cleaning the Ramshackle guest room, the prefect occasionally finds items that remind them of their guests. Sometimes that is because those items actually belong to them and need to be returned, other times it's just a happy coincidence. Either way, the item needs to be delivered, might as well invite them over again? Or just chase them down, whatever is most convenient.
notes: they/them pronouns used for Yuu, Yuu is implied to be short, based off the personal items you can find in the guest room and a line from Floyd's dormwear card, title inspired by a country song that has nothing to do with the subject of the fic. I got a request for the 300 followers event, but since it's closed and I had this kicking around for Floyd anyway I added the other two requested characters. If you liked this you can read my other fics here.
Grey Scarf
"Floyd." Azul has a boring look on his face, all grimacy and angry and not worth Floyd's attention. Unfortunately he is very close to his face making it a tad impossible to ignore. "Where is your scarf?"
"Dunno." He says. "I ain't wearing it."
"I can see that." Snaps Azul. "You need it for your shift, you look sloppy enough as it is. You scarf is a part of your uniform! How can you be so careless with it?"
Because it's ugly. Sure, it matches his dorm uniform kind of but his socks get to be a snazzy purple with a cute octopus pattern, why'd the scarf have to be such a boring grey? Rules are rules though, and he does need it to work so he drags himself back over to his room and starts looking around. Normally, he would just steal Jade's and wait tables until he figured it out and forced Floyd to take the kitchen off his hands, but Floyd really didn't feel like cooking today. He didn't feel like waiting tables either, but money was money and Azul paid well. Only if he could find his stupid scarf apparently which was nowhere he could see, and he was far from happy about physically looking. Jade opens the door as he's halfway through emptying his bedside drawer on top of his bed, alongside all the laundry he'd had scattered across the floor.
"Looking for your scarf?" Floyd throws a pillow at him which is quickly returned with a pointed look that dares him to escalate things further just obviously enough Floyd doesn't want to do it. Instead he falls face first into the pile of laundry and nick nacks he'd been sorting through, making Jade sigh in disappointment.
"'s not here." Floyd grunts, muffled by an ok smelling t-shirt.
"Have you tried retracing your steps?" Jade is saying it just to be annoying but it is ok advice. Floyd tries, he doesn't usually wear his dorm uniform outside of school stuff, so it would have to be somewhere on campus. He hauls himself up from the pile and shuffles past his brother, the walk out of the mirror and towards the main campus passing by in a blur. There's a vague memory of club practice, but that could have been from any day this week, and it's not like he wears it to classes. Floyd chews on his lip in annoyance, he feels like he remembers where the last place the scarf was, but his bad mood is keeping him from sorting through his memories intellectually. It also keeps him from looking where he's going, smacking him directly into a very tiny, very familiar looking person who pointedly ignores his angry snarl to shove something in his face. Something very familiar, very boring, and very clearly the only reason either of them had left their dorms this evening.
"Seriously," the little shrimp has to stand up on their tip toes to throw the scarf around his shoulders "you have got to stop leaving your things at my dorm!" He thinks they're angry. That would explain the look on their face, but it's making his heart do weird flips between his chest and his stomach that keep him from thinking straight. A smile finds its way to his face, wide and unbidden coupled with outstretched arms that can't catch them fast enough, like he's reaching through honey even though he finds his mark and tugs them thrashing into his embrace.
"Awww," the words that come out of his mouth don't really feel like his "was little shrimpy wooooried about me?" He should say thank you. That's what Mamma Leech would say, and it's not that he doesn't want to, it's just there's a weird weight to the words he can't quite figure out. Something that wants to be said, but not just yet. They deserve a better tone, a better mood.
"No!" Yuu yells, muffled by his squeeze and unaware of how struggling is only going to make his hold tighter. "You just always burst in and whine about being bored-" Floyd nuzzles his cheek against theirs, trying to ignore the pushing against his chest as he sets them down.
"It's ok little shrimpy, you don't have to be so modest. Good shrimpies get rewards, I'll make sure to bring you something after I get off work, make sure to leave the door unlocked for me~" Or maybe don't, he could find his way in anyway he's sure of that but there's something about the fantasy of them wanting to see him (it's not a fantasy, they've invited him over before he knows that they don't fear him as much as they should) after work that's going to get him through the shift. Maybe he'll ditch the scarf again and make them come running after him on purpose this time, he thinks to himself with an uncharacteristically gentle smile.
Grand Wallet
Contrary to what he would say out-loud, Leona does think that the Ramshackle Prefect is quite smart. You do not survive as a magicless student from a different reality without some flexibility and raw intelligence. The consistency with which they could pick up on things and see through concealed intentions demands respect. But, he supposes as he idly thumbs through his bill fold disappointed to find it just as thick as when he left it, they are also... he decides to go with nice. The concerned way they stare at him is nice, Leona likes positive attention. He just wishes it wasn't from the nicest person he knows, is it so wrong to wish he had some reassurance that there was someone willing to be only nice to him? There's an ugly sort of suspicion they might have refused to steal from him out of fear, he's certainly more of a threat to them than he is to Ruggie.
"Well I guess I owe you a reward huh?" They jump, not helping the accusation (unvoiced) that they're only doing this out of fear.
"No?" Yuu says, looking around them probably to make sure that bratty cat monster isn't within earshot. Leona doesn't care about rewarding Grim, this is between him and the prefect, not some gluttonous bastard who is half the reason he was expecting to be stolen from in the first place. "You- Just stop forgetting things at my place!" He smiles slightly at that choice of phrasing just as they cringe at it. It almost makes him sound like a normal guy, if a Prince was leaving things around someone's place that would invite speculation; and Leona knows better than anyone that speculation invites scandal.
"Real shame no one ever does things out of the goodness of their hearts these days." His voice drawls as embarrassment settles over their face. They look almost mouse-like, if they try to speak Leona just knows they'll squeak and they clearly know it too. "You're really twisting my arm here, pretty shameless, prefect." That does it, the deep breath they take does nothing but really accentuate the harsh contrast of the squeaking to their normal voice.
"I did not," Yuu is so mortified they can barely get the words out, if he can't be the only recipient of their kindness he will satisfy himself with batting them around in his paws until they can pull together some nerves and force him to stop "return your wallet just for a reward. It's yours it belongs to you and now it is back where it belongs. Which isn't my guest room on top of a fucking couch seriously Leona-" Mice still have claws, even if the dent they leave is just a little scratch to such a big cat, he finds himself pleased with the annoyance of Yuu finding their voice. "It was like you were practically begging to be robbed. What if one of the Leech twins found that huh? Would you be getting it back?"
"Only after I paid the finders fee." He can ignore the tickle caused by the unsavory image of an eel inviting itself into your personal space. "Which is what I am doin' now, you're demanding it remember?" He tunes his ears to their footsteps as he walks towards the cafeteria, content with how quickly they jump to follow. The typically steady beat of their heart is skipping in tune with the directions of their thoughts. Good, the mouse is smart contrary to what the trapped lion thinks, so let them; they'll realize the hold they have over him soon enough.
Empty Lunch Box
This was really starting to annoy you, but no matter how much you turned the whole thing over in your mind you couldn't figure out why. You had been tempted to try and ask someone about it, but you could already tell what the general reaction to the situation would be.
The "situation" being that simply put, Ruggie liked to hang out in your guest room. That wasn't the issue. You liked having Ruggie over, it's actually really nice. Sometimes he brings small projects from some odd job or another and you'll work on them together while having a chat. He likes to ask you things about your world, it started as just small talk about the sort of jobs you'd had in your world but evolved into much more meaningful talks about your hobbies and the family you missed. You had even had a lengthy conversation about death and the difference between cultural beliefs about where you go after you die. Yes it was very nice and domestic even but then you made the mistake of trying to be nice.
Ruggie liked to bring a lunchbox with him when he visited. Sometimes it had food in it, and while he hadn't shared it with you at first, but then you started talking about your families and he had slightly warmed up to the idea of sharing snacks. You hadn't taken anything from him until he explicitly offered, and when he forgot the now empty lunch box you had pulled some of your personal savings to get him something from the Mystery Shop. It was supposed to be a cute surprise for him to find when you returned the lunch box, and it worked. Granted you had intended for him to find it after he got back to his dorm, but he had sniffed it out as soon as you handed it over. His reaction was cute, he was cute, it was almost like he thought he was dreaming with just how excited he had been to receive some packaged pastries. When he came over later in the week and left the lunchbox again you had done the same thing. Fair is fair, he gets you jobs and shares his food and you give a little food back in return. Lately though something has been different. Ruggie has still been coming to hang out, he still brings work, you still talk, and he still leaves that damn lunch box. But he hasn't been sharing anything, meaningful; personal information or foodwise.
Maybe it was the death conversation. If you had revealed you were an orphan and that you never knew your mom to someone you had a crush on (not that Ruggie like likes you no matter how much you might might want that) you would be pumping the breaks too. But it still kind of hurt, it felt like a rejection of something that you knew hadn't existed in the first place.
"Y'know you don't have to give me stuff." Ruggie had come over today too, with shitty plastic garbage that needed packed into boxes. He's either read your mind or noticed you brought the remainder of the packaged goods out to snack on while you work. You try to asses him from behind your pile of card stock, he's overly focused on his task. Reflective maybe? He is almost pouting.
"I wanted to." You decide to stick with honesty, sure Ruggie might be sneaky but he deserves that much, doesn't he? "You share with me, I share with you. Fair's fair, right?"
"Right." Ruggie says, audibly disappointed to your confusion. You have never seen him so... gloomy over the concept of someone owing him a favor. Especially one paid back in food. "You do that for everybody, yeah?"
"Yeah?" You say, pausing in your work for just a second to try and collect yourself. Up until a few seconds ago you had been under the impression that had been one of your better qualities.
"So like," he isn't looking at you and his ears are saggy, tugging at your heartstrings painfully though just a tiny part of you is starting to hope- "if Leona left no that doesn't make sense. If Jack left his lunch box here and it was empty would you buy him a snack?" You think for a second.
"Did he share his lunch with me?"
"Yes." Ruggie's looking at you again, like he has a bone to pick.
"Maybe." You don't really have to think about the answer, as much as you like returning the favor Jack would probably just be happy to find his lost item and leave it at that. "If we were hanging out and he wanted something from a vending machine I'd spot him."
"But you wouldn't go out of your way to get him something?" Ruggie's stopped working now, he's really staring at you almost like he is trying to sus you out as if he hasn't been friends with you for a while now. As if he doesn't know more of your secrets than anyone else.
"I-" for some reason what you want to say gets stuck on your throat, maybe it's because Ruggie leans across the couch to get a bit closer to your face. Maybe it's because you are suddenly a lot more aware of what your little actions might have meant to him as your previous conversations play over in your mind "no. You're the only person I've really gone out of my way to get food for. Well except for maybe Grim but he doesn't really count..." You both let out sharp breaths, your eyes fall down to your work, hands going back to the task out of habit and desire to distract yourself.
shishishishi
Ruggie is silent and back in his perch across from you once your head snaps up to look at him. His small grin is intoxicating, his tail is swishing in pride like he's just won a great victory in some war you had no idea he was fighting. It is a smug look, too smug for someone who just put you through a few days of mental torture.
Maybe you'll make him some food next time, you'll see who is smug after that.
#twisted wonderland x reader#twst x reader#floyd leech x reader#leona kingsholar x reader#ruggie bucci x reader#when i realized leona leaves his whole ass wallet at your guest room i screamed#the soul of ruggie bucchi became my stand#and we had a spiritual experience with the amount of horror we felt at the idea of a fucking PRINCE LEAVING HIS GODDAMN WALLET#WAS YOUR DRIVER'S LICENSE IN THAT LEONA? EVER THINK OF THAT#FORGET THE CASH AND CARDS YOUR FUCKING LICENSE??? LEONA???
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Hazbin Hotel: Let's Talk About Cursing!
Trigger warning for lots of cursing in this post (obviously) and discussion of canon abuse scenes
As I delve further into the Hazbin Hotel fandom, I’ve inevitably come across a variety of people who dislike the show for an equal variety of reasons. One criticism I’ve seen with some consistency is in regards to the cursing and yeah, I get it. That’s not going to be everyone’s cup of tea. However, the repeated claim that the cursing is only there as a—failed—attempt at bad, lazy humor got me thinking about why I personally liked the cursing, and why I think it serves a greater purpose in the show.
Now yes, some of the cursing does function as an arguably simplistic joke. The most common setup I’ve noticed is one that leans into a contrast in tone/personalities. We see this a lot with the polite, comparatively timid Charlie as she navigates her distinctly vulgar domain.
Charlie: “Hi, mister!”
Demon: “Go fuck yourself!”
The entirety of “Happy Day in Hell” plays with this contrast, setting up Charlie’s slightly skewed, but significantly optimistic perspective of Hell. We are shown again and again how her lyrics are contradicted or twisted into something less innocent through the visuals: a “revealing” street where it’s “hard not to stare” has BDSM going on in a nearby window, Charlie will “open the door” for her people and then literally does so... for a guy who’s already dead. (Or, you know, temporarily out of commission until he heals, or whatever demons do when they’re ‘killed’ by things other than angelic steel.) The entire point here is to contrast the happy, skipping girl claiming that there’s a “warm, fuzzy feeling” in the air with the actual environment of unchecked fires and decaying limbs. And yes, that can be amusing. Not necessarily for everyone as humor is highly subjective and dependent on context, but distilling this contrast down to the shock of a polite greeting getting a “Go fuck yourself!” in response is a kind of entertainment. Especially when Charlie’s reaction adds another layer: for me that’s a very funny—and currently relatable—expression.
We can potentially make the case that this humor format overstays its welcome, but I personally think the show does a good job of keeping Charlie’s cursing both simple and comparatively rare, so that when she is put into these contrast situations the humor lands better. The best example I can think of in the latter half of the show is Susan. There we get the whiplash of polite, trying-to-get-these-people-to-like-her Charlie reaching a breaking point to become “FUCK YOU, YOU OLD BITCH” Charlie. It’s a moment that builds off of the earlier surprise of the courteous Alastor calling someone an “Ornery old bitch”—while Rosie is trying (and failing) to find a nicer way to phrase this.
However, as stated above I think the cursing serves more of a purpose than to just be funny for (some) viewers. Beyond those who simply find cursing distasteful, I’ve seen a fair bit of, “This is so stupid. No one even talks like that!” going around.
Except... I do? I talk like that.
See, I like cursing. I was born to former hippie parents and grew up playing MMOs, so cursing was something I became pretty acclimated to. Personally, I’m glad I was because I’m fascinated by language and cursing—for better or worse—is an integral way that many people communicate. I was taught to see cursing not as the Bad Forbidden Thing You Must Never Ever Do, but rather as just another form of expression, something to be used in moderation and under specific circumstances. Once I became an adult I already understood how I wanted to curse and when it was appropriate to do so. People at work are often shocked when I tell them I curse a lot because no, of course I’m not doing that at my job. That isn't considered professional in this space. Among my friends though?
We can sound a lot like the Hazbin crew.
Undoubtedly the most common curse in the show is “fuck” and its variations, which very much tracks with my personal experience among other people who curse. In fact, it’s so ubiquitous that it barely counts as a curse at all in some groups. It’s more of an easy, accepted way to add emphasis. Vaggie’s “What the fuck was that?” about Alastor’s commercial is a perfect example. She’s pissed and simply saying “What was that?” doesn’t carry the same weight, no matter how angry she may sound when she says it. Vox’s long “Fuuuuuuuck” at the end of “Stayed Gone” conveys an emotion you just can’t capture any other way. No dialogue at all would create a fundamentally different experience of Vox’s feelings and another non-cursing response is just gonna hit different. Not necessarily bad, just different.
“I don’t want to go to the party!”
“I don’t want to go to the freaking party!”
“I don’t want to go to the fucking party!”
The above represents three distinct characters to me and I think Hazbin Hotel gets that. Cursing isn’t thrown around randomly because something something cursing supposedly sells; it’s all linguistically logical. Characters curse when something surprising or bad happens, or when something unexpectedly good happens, when they’re angry, trying to be sexy, or they want to add that emphasis. That’s a lot of different situations where cursing can be useful and when you use “fuck” in your daily life a lot you become pretty desensitized to it. As said, for many it’s barely a curse at all. Which means that when you really want to curse you’ve got to up the ante. It doesn’t surprise me one bit that the two uses of “cunt” I can recall—a word that is generally considered far worse than “fuck” and makes a lot of people understandably uncomfortable—is used by two of the worst characters in moments that are meant to horrify the viewer:
Adam: “Can’t wait a whole year to slaughter those little cunts / I know it’s just been a week, but we’ll be back in six months!”
Valentino: “When I say you’d better get that fucking cunt out of my studio, you say...?”
This horror is especially emphasized in Valentino’s scene. The creators know this word is coming up and deliberately build towards it. Angel is currently being abused and has been reminded that Valentino “owns” him. The above question is a part of a trio that Valentino asks (a standard structure in writing), wherein the third option is the outlier/most shocking of the three. The animation leans into that shock, with the music building and Valentino grabbing Angel to pull him close right on the word “cunt.” Perez even puts emphasis there because he knows that this is a significant word that will change our understanding of Valentino.
Despite having hit Angel multiple times and taunting him with the contract, this is the moment Valentino stops playing the ‘nice’ employer. This is the real him. No more fake compliments and endearments aimed at Charlie, no more fake comfort/intimacy aimed at Angel. That “cunt” conveys a hell of a lot about how Valentino really sees them and when you have a cast of characters who are already cursing on the regular, it takes a word on that level to do that kind of work. If Valentino had said, “get that fucking bitch out of my studio” it wouldn’t have had nearly the same impact because he’s the kind of guy who uses "bitch" even when playing ‘nice.’
Adam’s line from “Hell is Forever” does very similar work. The scene needs a word to align with the horrific reveal that another extermination is just six months away, that conveys Adam’s deep disgust for Charlie’s people, and that still catches the viewer’s attention even though he’s the character (I believe) who curses the most. Here the music drops and Adam is a little closer to speaking than singing; there's this shift because, like with Valentino, our perception of him is shifting. This isn’t just some egotistical idiot who wants to be called “Dick Master,” he’s the leader of an army coming to gleefully kill them. Framing a whole world of people—people Charlie loves—as “cunts” while treating their murder as a holiday that can’t come soon enough creates an, 'Oh shit. This guy is actually a threat' understanding that you can’t quite get with anything else.
On a smaller scale, cursing does other character work throughout the whole show. I watched a number of cursing compilation vids for this meta (that was a trip lol) and again, cursing is not thrown in randomly. Each character has a unique way of cursing that aligns with their personality and motivations:
As said, Adam curses the most in the show which helps sell his truly over-the-top, irreverent personality. Linguistically, the amount he curses also allows for some fun grammatical play. Lines like, “Fucking love putting my name on shit, shit’s the best!” help convey the versatility of cursing.
Also as said, Charlie curses a fair bit but she’s comparatively polite and her cursing tends to be a result of genuinely big emotions—like saying “Crap” when she’s shocked and falls, or “Shit!” when Adam locks her out of the room—rather than sprinkled into her conversations as a modifier. That leaves space to create those moments of amused surprise when Charlie really let’s loose.
Sr Pentious curses even less than Charlie which fits his secretly gooey center. He talks a big game at the start of the show, but he’s actually quite bad at being, well, bad (especially the Amazon version compared to pilot!Pentious). His idea of getting one over on Alastor is ripping a bit of his coat. He loves his Egg Bois and “doesn’t want to live” without them. He has no desire to go into battle without minions/a big machine to hide behind and, of course, he’s the first to be redeemed. He's too much of a secret sweetheart to curse a lot.
Interestingly, Niffty doesn’t seem to curse at all. At least, not enough for me to think of examples off the top of my head. Right now I’m inclined to read that as an extension of her lived experiences/design—the cute 1950’s housewife archetype who is obsessed with keeping things clean doesn’t [gasp!] curse—as well as a way to maintain her legitimate creep factor. As said, cursing is common among the hotel residents and is a way for them to linguistically fit in. Niffty, however, is positioned more as an outsider (despite how much they all obviously love her): she’s actually scary in a way most demons aren’t and despite how weird this whole world is, she stands out as someone no one else can make sense of (even Alastor). If cursing is normal, Niffty is a character who is decidedly positioned as not normal.
Angel curses a fair bit, though his irreverence is conveyed more through innuendos. Angel is great at verbally twisting others’ words (especially Husk’s) to give himself a conversational advantage:
Husk: “Go fuck yourself”
Angel: “Only if you watch me~”
Husk: “You’ve come—”
Angel: [very loud orgasm noise]
Husk: “...to the right place.”
Meanwhile, Husk uses “fuck” plenty, but he’s also one of the few characters who use “bullshit" too. I wouldn’t say there’s anything particularly revealing about that choice, but just giving him a go-to curse that’s otherwise used infrequently helps make his character distinct in a cast of other cursing characters.
Vaggie occasionally curses in Spanish, showing us her heritage if she used to be human, or a distinct knowledge/verbal preference if she’s always been an angel.
Heaven, as the ‘good’ side, doesn’t curse as a general rule, which leaves room for cursing to do more of that silent character work. We’re reminded of the stuffy, overly critical beings she’s dealing with when Charlie receives the combined judgement of the court for saying, “Fuck yeah!” In contrast, we understand just how shocked St. Peter is to see a Morningstar when he lets out an unintentional “Fuck!” The angry vindication of Charlie’s “That’s what the fuck I’ve been saying!” lands harder after multiple scenes of very little cursing, and Lute’s “Some crack-whore who fucked up already? / He blew his shot like the cocks in his mouth—” helps set her apart as an exorcist + Adam's second in command: her shocking violence comes through in her word choice too; words that supposedly don't belong in Heaven.
In what’s arguably the funniest line in the whole show, Lucifer undermines his dramatic standoff with Adam by going, “You mess with my daughter and now I’m going to fuck you.” Beyond just cutting the tension, that fits his bumbling, oblivious personality perfectly. Lucifer is crazy powerful and can absolutely wreck Adam. He also has none of the classy intimidation that, say, Alastor displays when he tries to convey that. This is a depressed himbo who makes ducks in his free time and settles on, “Hey, bitch!” when greeting his estranged daughter. Of course he’s going to accidentally turn a threat into a promise of sex.
Which finally brings me to Alastor, someone whose cursing is already understood well by the fandom. He’s characterized as manipulatively courteous, using manners to both hide his true nature and draw attention to his power—’You’re so beneath me I’ll just calmly sip my coffee and politely ask who you are, despite the fact that we've fought multiple times.’ This is a guy who calls people “My dear” and unironically insults them with the phrase “wacky nonsense.” So when he curses you can BET it’s gonna have an impact. It sure did for me. I had to pause the episode after Alastor’s first “Fuck you” because it was so shocking to hear that language from him. And that’s the point! The scene wants that reaction from the audience. The "Fuck you"s visceral anger contrasting the fake laughs he and Lucifer have been giving, the quick-fire exchange that’s suddenly cut short by Alastor’s choice of a direct insult, the fact that he’s officially dropping the polite veneer they’ve both been indulging in and raising the stakes before Charlie intervenes, the loss of the radio filter that otherwise demonstrates his control over a situation... all of it screams, ‘THIS IS AN IMPORTANT CHARACTER MOMENT.’
"Fuck you” reveals that, for the first time in the show, Alastor is legitimately threatened by someone. Which makes sense given that, you know, Lucifer is the King of Hell. Cursing for Alastor isn’t normal, so when he does curse it’s going to reveal something about a guy who otherwise is obsessed with being unknowable. Having the King of Hell dismiss him is actually infuriating in a way Sir Pentious’ threats could never be and the exchange kicks off a rivalry that rattles Alastor in ways Vox’s never has. (Side note: is it any wonder people ship them? Character A making control freak Character B feel vulnerable is classic!) It’s no surprise to me than that the one other true curse we get from Alastor is, “I’m about to end your fucking life,” delivered to Adam who, like Lucifer, poses a legitimate threat and does end up beating him. I say “true” curse because calling Susan a “bitch” does similar work for him, but the takeaway is humorous rather than dramatic. It’s funny that the only people who can piss Alastor off enough to curse are the First Man/a powerful exorcist angel threatening his life, the literal King of Hell... and Susan.
So there’s a lot going on here, more than what many viewers might assume if they approach the show as just “stupid,” needlessly vulgar entertainment. As shown above, I don’t think the cursing is needless, especially given that, well... they’re in Hell. They’re sinners, supposedly the worst that humanity has to offer, so of course they're going to curse a lot. Does cursing mean you’re a bad person? No. Can you craft a hellish world that doesn't rely on cursing to convey a group's immoral nature? Sure.
Does it make sense that a writer would equate a sinful, irreverent cast with linguistic rebellion and would want to convey a certain vibe that, frankly, you just can’t get without dropping an F bomb?
Yeah, I think so. No one has to like that kind of creative decision, but it’s worth acknowledging it as a deliberate choice.
That’s all! Thanks for reading this fucking long post ✌️
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every time someone says "an should have been vbs's leader" or "saki should have been leo/need's leader" i want to . slam my head through concrete. oh you missed the point so bad
1. the "leader" thing is kind of really fucking insignificant outside of where each group's story begins and promo materials. it doesn't mean one character is the "main character" of the group. project sekai doesn't HAVE a main character in the first place it's not that kind of story. each individual character is equally important to not only their group's story but the over-arching story of the whole game
2. leo/need's story begins with ichika because she is ultimately the one that brings them all back together. not saki. it is ichika's determination and frankly stubbornness that gets through to shiho and honami. like, saki was literally ready to give up on reconnecting with honami! (out of love and respect for her choices but like) if she was the focus leo/need would have been honami-less!! but ichika refuses to let it go. much like she refused to let go of their friendships throughout all of middle school.
when the story begins, we see ichika burnt out and hopeless. but that's only after years of trying and trying and trying and trying again to reconnect with shiho and later honami. this fandom does not understand ichika's character well . she's not meek and she doesn't back down easily she's not some like... fumbling "girlflop" she's incredibly driven and strong-willed. she lost some of that due to depression and isolation but as of leo/need's most recent arc ender she has pretty much regained her fiery spirit. she's leo/need's lead singer and MC for a reason
3. vivid bad squad's story opens with kohane because she's the only one who hasn't grown up/partially grown up on vivid street. if an or akito had been the "leader" we would have lost the magic of getting to know vivid street and its people and unique culture. it's all average every day life for them, but kohane is experiencing it all for the first time. it's only through her eyes that the audience can understand just how very special vivid street is
4. one more thing: you could say that the "leaders" represent the themes of each group and the general direction of their story arcs. vivid bad squad, among several other things, is all about improvement and growth and overcoming challenges and creating something new and finding a place to call home within a community. who better to represent that but the socially anxious newbie who never felt like she belongs anywhere and would never do anything with her life?
leo/need is about love and the ability to endure all hardships and preserve that love . it's about having a heart big enough to hope for the impossible and the willpower to make it reality. ichika, in all her hard-headed stubborn painfully persistent glory, is perfect for that.
similarly, mafuyu isn't nightcord's leader because nightcord is ultimately about healing. hope. finding a way to make life worth living again. these aren't paths he would have chosen on his own. he gave up on himself a long time ago. as did ena and mizuki, in their own ways. the best person to represent hope is the one who refuses to give up on anyone and stubbornly believes she can save them all
wonderlands x showtime is about moving forward to a brighter future and not letting the past keep you shackled in place. it's also about having lofty dreams and the selfishness to pursue those dreams. both of these things are why emu Isn't wxs's leader; she lacks that selfishness (i'm not using this word in a negative sense btw; i think being selfish can be a good thing. and sometimes being selfless is a bad one) tsukasa (and rui) has, and she often clings to the past.
and as far as more more jump and all their own themes of hope and never giving up go, of course their leader has to be minori. she brought three disillusioned, jaded ex-idols hope and reignited their passion! she's the walking embodiment of hope itself
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