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#it was originally going to be just a rewrite
nibeul · 1 day
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i really love your bad batch redesigns and i am super disappointed in the show for whitewashing and also the voice acting of the clones, but i'm confused because you seem to hate the show? the show is problematic but it must have given you some inspiration or happiness in order to begin drawing the characters, right? 😅
only asking because i enjoy (some parts of) the show while realizing that it could have been so much better, but it seems like you just don't like any parts of it so i was curious about that. also, i will for sure check out your rewrite!
I do hate the show lol, I find that it has pretty much no redeeming qualities and I think the writing room—if there even was one—was probably the equivalent of an improv comedy club going "yes, and" to every suggestion someone made. the original reason I made the redesigns and started the rewrite back before the show even came out (so basically when the bad batch episodes of tow s7 dropped) was because I was pissed with the whitewashing and had come to the conclusion that nothing good could come out of a show that had its narrative built off its racism ("these white guys are genetically superior to regular clones btw").
I think it would be wrong to say that it "inspired" me, except maybe if you want to say it motivated me to remake it because I simply believed I could do it better. Not in a self-jerking off way either, as I truly think even a 12 year old with nothing more than a box of markers and a stack of printer paper could write something more interesting. I do genuinely enjoy the characters as I have written/drawn them and I'm having fun with the story that I'm making from it, but the inception of my version came from frustration and a wanting to fist fight Dave Filoni in a parking lot, and the characters that I've drawn/written exist separately in my head from the versions in canon. Also, I appreciate that people like my designs 🤙🏽
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gooperts-gunk · 3 hours
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ok now that stream over i will explain better when i say bbh's toxic love mindset explains all of his relationships, platonic, romantic, & familial
it's because HIS EMOTIONS ARE INTENSE!!! they are BIG and LOUD and he may express these emotions in unconventional ways (he is NOT human but that's the least of it) but he sure goes out of his way to make sure you notice (pranks), or his feelings are just natural (caring for and spoiling the egg babies). these emotions go unexplained, but they are there, and people misinterpret him so much because even if you DO ask, it's already established that he's a chronic liar and believing him could be a shot in the dark. but even LYING is one of these big emotions from the self-destructive side, the self-sacrificial side. "self-destructive" and "self-sacrificial" might look as to be opposites in the reason for why, but for q!bbh, they're both fueled by the same emotions. he's self-destructive because he's self-sacrificial, he's self-sacrificial because he's self-destructive, and it's because he cares too much. bigger than anyone has been able to understand.
you'd think an immortal would be numb to consequence at a certain point, but to q!bbh, consequence is EVERYTHING. he hasn't gotten over how quickly people and things can be lost, especially considering he's a reaper. so if q!bbh, as secretive as he is, can get all negative attention to him, not only does it help in lowering their expectations or view of him, but it also serves to make him a magnet for bad things. but if he's a magnet, he needs to care MORE because as he's said, disaster follows him wherever he goes, and being a magnet can hurt people. 'toxic love' is normal love to q!bbh, who taught himself to accept pain he feels, and not care to treat his wounds, for his hurt could be protecting someone else. it's 'not getting attached', it's 'when he does inevitably get attached he's overbearing', it's 'worrying about things that haven't happened', it's 'rewriting lies with more lies', and he's been doing this for so long that half of it he doesn't realize he's even doing it or that he could be 'too much'.
these big emotions, reactions, and actions, are natural. and to anyone else, he's just being dramatic and over the top. but in truth, that's just how big his feelings are. his love for his children is so large, he'd freeze hell over to get them back, but without an option to fight pre-purgatory, it originally manifested as him spiralling. his attachment to cucurucho is new since reviving, but since he was alone on & off for a while, he desperately clung onto any reinforcement he could get because even monsters want to be loved, to feel loved, and the chase made him reliant in a way that he refuses to let go of the constant he had during the quiet times, and if it makes him nuke spawn a couple times because he's desperate to be seen by who he's attached himself to, he'd do it, and im sure it wouldn't have been a first for him if we could put a magnifying glass to his past lives.
it's just natural, when the reason you get to be on earth in an eternal loop is because of rejection from what you still love despite your better judgement. because of your big emotions.
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nathantheauthor · 2 days
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"𝙃𝙖𝙩𝙘𝙝𝙚𝙩 𝙞𝙣 𝙝𝙖𝙣𝙙, 𝙖𝙡𝙡 𝙄 𝙝𝙖𝙫𝙚 𝙡𝙚𝙛𝙩 𝙖𝙣𝙙 𝙖𝙡𝙡 𝙩𝙝𝙖𝙩 𝙄 𝙖𝙢. 𝙚𝙣𝙙 𝙤𝙛 𝙩𝙝𝙚 𝙡𝙞𝙣𝙚, 𝙗𝙪𝙩 𝙩𝙝𝙚 𝙙𝙖𝙧𝙠𝙣𝙚𝙨𝙨 𝙩𝙚𝙡𝙡𝙨 𝙢𝙚 𝙄'𝙡𝙡 𝙗𝙚 𝙛𝙞𝙣𝙚."
Toby by Madame Macabre.
Y'all were desperate for him, he won by a massive majority vote... So I present my take on Ticci Toby, as well as some of his relationships and what he's doing now, and fair warning, it's HEFTY. I do have to lay out a couple things before we actually get into his rewrite, because they are important for his character in the long run, especially to understand his story and themes.
The first of these articles that I have to lay out first is the concept and existence of Ripper Inc, as that is where he is currently aligned. The concept of Ripper Inc is the closest thing to the Creepypasta Family you will get in this universe, I found family and sort of reformation program for serial killers and monsters, pointing their homicidal tendencies and destructive capabilities towards those more deserving. Jack Revver (oc), the living skeleton behind it, has also turned it into a safe haven and protection for those hunted by or once influenced by cosmic entities such as Slenderman, Zalgo or even The Rake and HABIT. it's essentially giving characters that would have been better people under any other circumstance that chance to be better. Pastas who hunt pastas in a way. It also makes them celebrities, but I'm not going to get into that aspect as I'll see the faction itself for its own blog post.
The other main thing we need to get out of the way is that this variant of Toby was very much made out of spite for what the fandom did to him, and has also since become spite towards his creator. This doesn't mean his original origin is very much intact, but there are several changes that neither would have expected or planned out, in fact I don't even call him "Ticci Toby" at all, he's just... Toby. And I'll get into that and why later on in this post. But I present a more faithful reimagining of Toby Rogers.
Now! Let's actually get into it, and I want to start with something that does affect his design a little bit, and that is his equipment!
My Toby comes strapped with dual holsters and two sheathes, as well as two ammo belts wrapped around him. The reason for this being while he's still sports his iconic hatchets that reside within the dual sheets, the holsters and the ammo belts contains flare gun and a sig sauer P365, as well as their ammo.
Kind of the reason for the guns is because I always felt it a little bit weird that proxies mostly were given only melee weapons, especially in a world where any house you can break into you can just get shot. So, of course, Toby adapted and got the Sig Sauer, the flare gun was something he picked up afterwards, which out of universe is a reference to the burning of his house, but in universe it is a tool for hunts and just... Yeah, he won't hesitate to shoot somebody with it. Does he prefer melee? Yes, but he knows he's always going to be able to get close.
I've kind of made Toby into the asshole with a heart of gold archetype, he's a tsundere. Toby is rude, brutally honest, snarky and has sassy, but somewhat dry sense of humor. He's prone to depressive episodes, he's an overall conflicted person, one that's not even sure that he deserves redemption. I'm writing him that's how I see the natural progression of the original Kastaway Toby as a person.
I should also note that Toby does in fact have a small list of powers, as these are the baseline abilities I gave every single proxy. Toby has Captain America levels of strength, speed, agility and durability, as well as a healing factor that allows him to heal from minor wounds in a matter of 10 minutes and substantial damage in a couple hours.
One of the key distinctions between him and a lot of variants is the fact that when we first see him he's already been a proxy for years, he's in his mid 20s now, hell, he was already legally an adult by the time he was proxified, he was 19 during the events TICCI TOBY. I wanted to be more accurate to his source material for his age, as he's constantly getting shoved into the younger brother type role among a lot proxy interpretations, but he's not THAT young, he's at least a grumpy middle child.
Toby by the time we meet him is not a good person, but he can't be described as truly evil either, he's a victim of the world's darker side, from the cruelty of children to manipulators, a lot of his life was decided for him. But that doesn't excuse the things he's done, cuz ultimately, doing the things he's done are still, maybe out of necessity, but that doesn't make it any better.
Toby absolutely hates being referred to as Ticci Toby, the reason for this comes from the fact that this has been a name used throughout his life growing up to demean and mock his tourettes, to break him down, it's a nickname synonymous with bullying. This is something I've always kind of disliked the fandom form, using the story title as his code name instead of giving him a new one, so for this rewrite... During his team as a proxy, well, they call him "Matchbook". A permanent reminder the scorching fire he left his old home in, and a nod to the end result of a lot of his missions. However, nowadays he merely goes by "Toby", wanting to distance himself from his past and start anew.
Now, I'm sure this is what you're waiting for, the actual meat of his character, how I've completely restructured and rewritten his years as a proxy and what comes after. And we'll close out the thread with a lot of his relationships with those around him.
Toby's early time is a proxy was very much constant work, hit jobs, information scrubbing, stalking, and even stealing from police stations. A mind controlled pawn willing to do any odd job, he had nothing but orders left. It wouldn't be until after the first month that he would be brought to the "mansion", a dilapidated manner on the outside, but the interior was absolutely pristine, and it seemed to stretch on forever. In fact, it did, but other oddities were present as well, such as a door quite literally growing a name plate for him, or the living doll and undead nurse running around. Not that he could really feel anything towards it all other than cold and difference, that was the blessing of this situation, it was no longer just the physical pain that he didn't feel, but matters of the heart either for a time.
Of course emotional numbness didn't stay forever, and some of those around him began to become like family, a clawed entrance guard, a stoic tunnel dweller, a crimson artist, a fallen cop and even a missing soldier, they were the first things he's had to emotional connections since he vanished that night. He finally and fully settled into his life, knowing there was no way back for him and nor did his slender sickness riddled mind want to go back, he was a proxy to the end, a puppet on strings dancing to the static beat.
And it would be that way for the majority of his time as a proxy, mission after mission, and time spent with the few proxies he had gotten close to. Eventually it culminated into what would be his final day as a proxy for a long while. Thinking that Toby's ties had been completely broken, and that his missing memories we're finally and fully lost. During the final year as a proxy Toby was given a single mission, to hunt down and kill a woman who'd been close to figuring out his identity, an ultimately he did track her, and with pistol drawn... He found himself unable to fire, because what stood before him was his mother and everything came flooding back.
It was after this moment that Toby went on the run, taking his mother with him, and for months they were constantly moving, trying to throw off any of their would be hunters. A miracle fell into they're laps, as he saw her for the first time, Jane Phoenix. With the two of them brought before the skeleton, Jack Revver, their days of being hunted was over, as well Toby did not have the context for it at the time, deals were pulled to guarantee his safety.
The trio together, Toby Rogers, Jack Revver and Jane Phoenix, formed the organization known as Ripper Inc, Hired guns that handle contracts that I wanted Dead or alive, jobs that are usually considered suicide missions. It was because of a public incident regarding them that the world found out about the existence of monsters, but the veil of secrecy around the paranormal and supernatural have been truly shattered.
And this was his life for a while, he became a celebrity, he was free from the reign of the Slender Man, and most importantly, he'd found family and saved his mother. But nothing good lasts, and ultimately, in the same year, there would come again that shattered him once more. Didn't always been a hot shot, for all the months you've known her, but he never expected her to chase down Jeffrey Forester by herself, and there were three things that happened that night. Jane with ultimately be slain by the very man who made her what she is, a grieving Revver would be cited carrying her body through the streets in a vain attempt to get her help... And Toby returned to the proxies, he sought emotional numbness once more. How could he not? She was 19, she was the very age that he started at. A twisted mirror of sorts.
So yeah, that's all like pre-story open, that's all set before 2017. So this is where we first meet him, this is where we first pick up. In September of 2017, Jack Revver tracked him down once more, pulling him out alongside Heather Marshall, and with the choice to take one more. See unbeknownst to Toby, a truce had been formed, an agreement reached for reasons that only a couple years later he would find out.
There was a new found family, made of three familiar faces and a new one, he he hadn't ever met Bethany (Nina) before, but it heard about what Forester did to her family once they reach the offices, he felt... A sort of responsibility. Years have passed since then, and we're currently in the year of 2025. He has found a new family fully, been able to spend time with his mother, befriended other people like him, and even been on talk shows. Toby's.... Living a future he could have never seen. Often times he's still not even sure if it's deserved, he's killed countless, burned and destroyed homes and lives, but he's basically living the high life now.
He's in a high position the boot, as a founding member and one of the highest ranking members of Ripper Inc, and he almost gets the feeling, he's going to be the next head. Revver always told him of bright future, and often times Toby gets the impression that Revver is talking like he's going to die.
So, yeah, that's kind of where we are and where we leave him for now, so let's get into character relationships and dive into what his relationships were with his fellow proxies and the Ripper Inc family.
Proxy relationships:
Slenderman is probably one of the people he hates the most, if not his most hated. He is his a manipulator and abuser, the creature that's quite possibly the one who orchestrated his entire life to be as miserable as it has been. His freedom from the creatures control is something he's never going to give up again.
One of his most iconic dynamics, we'll dive into how he feels about Masky. He hates him. Toby and Tim often fight, Toby often pointing out the hypocrisy and arrogance in Tim's words, and Tim is often quick to point out Toby's lack of teamwork and rude attitude. Toby considers Tim to be a self-righteous and self-serving bastard. He hopes they never cross paths in a professional line of work again.
Hoodie is also rather hated Toby, and a good portion of this is due to the fact that hoodie does not care about people, he's begun to only focus on the mission. His indifference frustrates and worries Toby, making it so he'd deny in mission that he has to work with him.
His dynamic with Kate is probably one of the most healthy he has amongst the proxies, having formed a sort of sibling dynamic over the years. And even now, they're rather close, meeting up at the tunnels Kate spends most of her time every now and then. She's often one of the people Toby invites to the Christmas parties and ALWAYS shows up for his birthdays.
Toby and Own Allastar happy weather unique dynamic, much like Kate, he feels a sibling role, however he was the first to encourage Toby to pursue his hobbies outside of the missions, that a weapon wasn't the only thing he had to be. He was probably one of the most true friends Toby had ever had, and still is. The Red Artist's artistic depiction of Toby hangs within his bedroom.
Toby has very mixed feelings about Cody, this boy was made to replace him, he had been indoctrinated during Toby's months away. Ultimately, he believes X-Virus to be a good kid deep down, but can't bring himself to look the boy in the eye. He can't stand looking at his reflection, it makes him sick to his stomach.
His dynamic with Nightmare Ally is certainly a strange one, well they aren't on negative terms, he wouldn't consider them friends either, even if she still does occasionally help him, it's more of work acquaintances. And Toby is rather thankful she's one of the ones that often shows up as aid thanks to the truce.
His relationship with Ashlie is. . . Unique. They were briefly an item, he can safely say he's dated the boss's daughter. Although, the relationship died due to the lack of expression and communication on her side.
His relationship with Gregory Blaine is probably one of his most important, he was the small injections of morality back into Toby throughout his years as a proxy. Archive was, and is an essential part of Toby's foundations for the present. The former cop wasn't like the rest of the proxies, is frog's vacation wasn't made out of a choice to save the woman he loved. . . Toby respects that, maybe even envies it.
Probably the most surprising one, was Eric Watson, a former soldier who served in the Middle East after events of 9/11. Wildcard as they called him, was the very man that taught Toby how to shoot. The friendship they've shared is one Toby never could have predicted, and in recent years. . . He's lost contact, he's unsure where he went.
Tooru Jirou is someone Toby has VERY conflicted feelings towards, they get along well, and he does feel sympathy for her situation. . . But at the same time you can't exactly deny but it's all her own fault, play stupid games and you win stupid prizes. Adrenaline is definitely living with her stupid prize, whether she wants to or not. Regardless, they do often work closely together, she's even convinced him to appear on her streams.
Ripper Inc relationships:
Jack Revver is sort of the father Toby never had, a source of guidance and often the first to help him pick himself back up. Revver has shown Toby levels of kindness he's rarely seen outside select people, an unmatched sense of generosity and patience towards him. They'd start Ripper Inc together with Jane Phoenix, and it's made the two's bond unbreakable.
Toby's friendship with Jane Phoenix was like that of siblings, they bickered and fought, but deep down they always cared for the other. He still feels a sense of responsibility for what happened to her, despite knowing it wasn't his fault.
Bethany Gent (Nina Hopkins) is another he has found himself quite close with, as if using his sense of guilt and responsibility over what happened to Jane as a building block to protect Nina despite everything. She's a victim, just like him, and just like Jane was. Nina is one of the few people that can get him to go out shopping, acting as a sort of little sister dragging her older brother around. He'll never admit that it's kinda fun, he'd rather die first.
He's known Heather since their days as proxies, she'd served as a secondary motherly figure, somebody he could always depend on, one of the few cornerstones. Even now, he's still close with her, often going on missions together. Their bond has become inseparable. Rouge is one of his closest friends.
Liu Woods is, well, they get along alright, but he can't exactly really tell how he actually feels about the man, they haven't exactly going out of their way to befriend each other. Their relationship is strictly professional.
Nurse Ann used to greatly scare Toby, her methods we're far from humane or rational, but nowadays, he's doing quite close to the undead nurse, Annabelle Mia being his most trusted medical professional. They bonded over a shared distaste for Tim.
Jane and Mary Richardson have quickly become some of his closest friends, the two serving as elder sisters to him, with Mary often checking up on his mother for him while he's on a mission, and Jane serving as his personal trainer in hand to and combat. He's forever grateful to have met the married couple, they've had a positive impact on his life.
Eyeless Jack. . . Frankly scares him, such an unpredictable individual and one he could never spot unless he made his presence known. Sure, he'd trust EJ with field medical work, but just how literally talked and how hard it was to tell he was there in the first place. . . It just rather makes Toby uncomfortable.
His relationship with Korbyn JumpingEagle is one with a lot bumps, as initially she didn't truly understand his personality and who he was, and instead would opt to nag him and hit him with her trademark sass. Of course, overtime is they've become friends, given a couple near death experiences, it tends to bond people. They both pulled a better understanding of each other nowadays, even occasionally joking with each other.
Sally Williams and Lazari Swan are like the annoying youngest siblings to him, much like corbin, they were under the protection of Revver... And he's often found himself begrudgingly joining their tea parties or playing pretend with them. He for some reason just can't bring himself to be as mean as usual with them.
His relationship with scarecrow can best be summoned up as enemies to friends, they did try to kill each other in their first encounter. Once the circumstances had changed, they bonded rather quickly over there shared trauma with cosmic horrors, he with Slender, and her with Zalgo. They work rather well on the battlefield together as well.
Zero frankly weirds him out, the tulpa's bizarre antics almost never make sense to him and he's begun to learn not to question it. They get along all right, but he can't help getting the feeling that somebody's always crying for help when he looks at her.
Sadako is probably one of the weirdest dynamics he's had, I mean, there's not really much proper planning you can do around a media ghost who can now just travel anywhere she wants to the internet. They are in fact friends, but it does tend to lead to awkward moments and comedic situations half the times she appears. But alas, there's nothing to do, if she's the information relay.
Samantha Revver has shown that much like her husband, she quickly took on a parental role, and even became quick friends with his actual mother. The vampire has been nothing but kind to him, even going as far as to teach him how to cough to help him be even further self-sufficient.
Jana Revver has shown as well, that kindness. She's playfully picked on and teeth toby, but at the end of the day they act like siblings, she acts like an elder sister and almost reminds him of. . . Lyra. The entire Revver family has been like a second family to him. He wouldn't trade their bond for anything.
Jeffrey Hodek is somebody that Toby can't help but pay, before joining up with the group he was just a washed up and retired killer I wanted to live a normal life, but of course, as Toby knows well. . . Normal isn't an option for people anymore. They've got a rather friendly relationship, but ultimately they don't talk too much. Hodek is much more likely to hide up in his room and rewatch shows and movies the 80s and 90s.
Clockwork is... Natalie Oulette is an individual that greatly concerns him with her behavior, and yet... He finds himself strangely wrong to her, and ultimately they have gotten together. More than once. They're dysfunctional, sure, but they're actively working to find a way to make it work. If any song would describe their dynamic, it'd Your Stupid Face by Kaden MacKay.
Wow, this took so much longer than I thought it would but welcome to the end of the Toby information! Hope ya like this ramble!
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intrigued-gelatin · 2 days
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I know exactly nothing about MCD, so, what is something you've changed from the original, that you love to bits and can't stop thinking about?
Ah, wonderful ask! Thanks Anon. Sorry for the long post haha.
Honestly, my favorite thing that has changed is one of the most bittersweet elements of my rewrite.
For this I'm going to assume you're familiar with at least some of the mystreet versions of characters. See, in the Canon MCD, Aaron is a stranger who saves Aphmau from a bunch of werewolves in the tundra. He shows up later on as well.
As time goes on we learn more information about him, and also begin to see a relationship between him and Aphmau form. He's the former lord of the village Falcon Claw, and he lost his entire village (and his wife and son) because of Zane, who is the primary antagonist. We get to see Aaron start opening up a bit to Aphmau, we see his dedication to helping. He even acts as a father figure to Lilith, a child that was discovered with the Wyverns in season 2.
Perhaps one of the most devastating moments in MCD for me was when Aaron kissed a sleeping Aphmau goodbye, promised a sleepy Lilith that Aphmau would take care of her, and then slipped out with a relic to open the Irene dimension in order to kill Zane and rescue Garroth, who is one of Aphmau's oldest friends and who was trapped in the Irene dimension with Zane.
Aaron successfully rescues Garroth, but both Aaron and Zane die in an explosion caused by the relic. Aaron went to save one of Aphmau's best friends knowing he would die.
I've talked about it in previous posts, but in my "rewrite" Aaron doesn't die. He is catastrophically injured, and is stuck in a catatonic state. Can't speak, can't eat without prompting, horrific void burns, muscle cramps constantly pulling his hands into fists, stares into space......he's like a ghost in a living body. Aphmau is devastated, especially when she finds out she is carrying his child.....after he has been injured.
But here's the thing. I like it because it would mean seeing loss represented by more than just physical death. We lose Aaron as we knew him. It also gives me an opportunity to explore the love Aphmau has for him. As a fandom we tend to get caught up in the somewhat "superficial" versions of love among characters (especially in regards to Aphmau and the ones who love her romantically). I think it's interesting to explore a love that may have started romantically, but is much more than that. Of course,, that can apply to Garroth as well, but I think his is more founded on loyalty that anything. Aphmau loves Aaron to the point of taking care of him for the rest of her life, even if he can't return her love in the same way as before. Her love for him matures. It is not the same as before, but just as strong. She loves him like a soulmate would. 💘
Readers of my previous posts on this subject might be a bit happy to hear that there are a couple of improvements in Aaron's condition over time. They never bring him remotely close to full capacity as before, but here are a couple examples:
-some part of Aaron recognizes Alina (his and Aph's child). It may be the relic Alina contains, but he tends to follow her around, and she sometimes sits in his lap on the floor. She sometimes brings him flower crowns that he wears blankly.
-he understands Aphmau was (and is) something that should be important to him. Sometimes he might stand behind her as she cooks or writes in her diary.
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ghostreader16 · 4 months
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That's it
I'M GONNA REWRITE INAZUMA ELEVEN ARES AND ORION
Probably edit the anime too
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iunpackmyadjectives · 4 months
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Okay hear me out
What if Skybound, but Jay was the one who opened the teapot in the first place, so that he could wish for Nya to be in love with him
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galvanizedfriend · 3 months
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Fic: The Wolf III [20/21]
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Summary: Months after their return to New Orleans, Klaus and Caroline try to settle into a semblance of normalcy, while Elijah struggles to forgive his brother's sins. But a mysterious prophecy that foretells the downfall of the Mikaelson family brings them all together in a war that will reopen ancient wounds and see each of the siblings doomed: one by friend, one by foe and one by family.
[It's The Originals Season 3, but Caroline had Klaus' baby, now she's a vampire and they are back in New Orleans after a stint in Mystic Falls. It's mostly about Klaroline, obviously.]
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"Say not in grief that she is no more, but be thankful that she ever was. And though she was taken far too soon, may her enduring light show us a way through this darkness. Let us mourn, because we cannot move on until we do. And though the pain may at times seem more than we can bear, make no mistake: we will move on."
Caroline closes her eyes, lets out a breath through the tightness in her chest. Vincent's eulogy is beautiful, but it’s razored with sadness and resentment. It stings.
It's a harsh and gray morning in New Orleans, the weather reflecting the inclement mood and at the oddly empty cemetery. There's not a living soul around, except for the four men gathered around Davina Claire's headstone.
Them, and Caroline, hiding like a coward a few rows away. Read the full chapter here
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Well, it's been a while. 🥲 Very sorry for how long it's taken me to get this one out. Life just has a way of getting in the way.
Please, read the Authors Note for warnings. As always, your reblogs/comments/kudos are very much welcome and make this fic writer's day, if you're so inclined. ❤️
Hope you guys enjoy it!
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sage-nebula · 10 months
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PSA: Zelda was the light dragon for way longer than 10,000 years.
The event that takes place 10,000 years prior to BotW was the first recorded Calamity. The first recorded Calamity is not what we see in the TotK flashbacks, with Rauru and Sonia and all that. The first recorded Calamity took place AFTER Ganondorf was sealed, when his malice escaped confinement. This is the event the Guardians and Divine Beasts were built for. The Guardians and Divine Beasts were used successfully, the Sheikah were banished by the mad king of Hyrule and the Yiga Clan formed as a result, and Zelda was the light dragon for all of it.
So to summarize, the timeline is:
A really long time ago, probably the Era of Myth noted in Creating a Champion: Sonia and Rauru found Hyrule 3.0, Ganondorf starts a war and is sealed, Zelda turns herself into a dragon
A long time after that - 10,000 years pre BotW: First recorded Calamity, Sheikah tech helps avert it, Sheikah are subsequently banished & Yiga form, dragon Zelda chills in clouds
9,900 years later - 100 years pre BotW: Next Calamity happens, Divine Beasts and Guardians are corrupted, Champions are killed and Zelda (human) restrains Ganon in the castle while Zelda (light dragon) flies around
100 years later - BotW: Link wakes up, helps Zelda (human) seal Ganon again, while Zelda (dragon) hangs out in the sky
5 or 6 years later - TotK: Zelda (human) gets yeeted to the Era of Myth, beginning the time loop, while Link works to beat Ganondorf and eventually transform dragon Zelda back into a human
Some have speculated that the "10,000" number used for the first recorded Calamity is meant as a generalization or something similar, because how can history be recorded so far back? But regardless, these are the numbers we are given. Since the first recorded Calamity was stated to have been 10,000 years ago, and the Sonia and Rauru stuff would have to have happened before that, we can surmise that Zelda was a dragon for way longer than just 10,000 years. Thank you for coming to my LOZ Talk.
Bonus: the beginning of the timeline outlined in Creating a Champion as receipts:
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prosebushpatch · 10 days
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Okay so I recently, finally, watched Wish and I have some thoughts. Overall, not as bad as everyone makes it out to be, but still has a lot of fundamental story problems and I've got to get them off of my chest. I'll mostly be focused on Magnifico because I think his motivations and arc largely represent the problem with the overall theme.
Okay so my biggest problem with Magnifico is his motivation. His tragic backstory. How on earth does he go from losing his whole family to thinking, the only way he can prevent that from happening again is to grant wishes? The logic doesn't track. It almost makes sense in his creating a kingdom where he protects everyone and "doesn't even charge rent," but it does not make sense with his wish granting. Having a great need to be control to make sure he doesn't lose anyone ever again can be a compelling motivation for a villain, where we see lines crossed that don't justify the intent, but in the movie, he's too self-absorbed to seem to have any actual care for the people of Rosas.
I think if the motivation was changed to something like Magnifico had once been a bright-eyed, enthusiastic wish granter who blindly believed all wishes were good but learned the hard way that that wasn't true could have been a better fit for the overall goal of the movie. Imagine that he granted a wish for a wicked person who used that wish to hurt others, or if Magnifico granted a wish but that wish ended up ruining the person's life because what they wanted wasn't what they needed (i.e. Remember The Princess and the Frog? Dig a little deeper) and that person could have went after Magnifico and blamed him for their troubles (harkening back to We Don't Talk about Bruno). This would be an understandable tragic backstory for Magnifico, and better explain why he's so careful about the wishes he grants. And, perhaps the reason he keeps the wishes he doesn't want to grant is to keep the people in his kingdom docile. No one will be angry with him for not granting their wishes if he makes them forget them and lose that drive and motivation, which makes more sense than the unexplained hording them like he does in the movie? Why does he keep them in the movie other than admiring the wishes? It doesn't make sense to me.
This would give Asha more of a reason to oppose him, if it's shown how his desire to not get hurt or to inadvertently cause hurt turned into a paranoia where he drains people of wishes to fly or play music that inspires others. And, as a side note, we need to see more of how Rosas is a kingdom of people who lack drive and motivation, where only those younger than 18 have that special part of them that inspires them to chase after a dream (something that Astor Rhymemaster touched on). Because that's the point of wishes, right? That's the point of the entire Disney canon. A dream is a wish your heart makes. That star can only get you so far, it takes hard work and determination. It's wanting something better in life, it's dreaming of leaving behind all you know to chase after a tangible light. It's finding a new dream, it's finding a new wish as you grow and learn about yourself and the world.
I don't think the movie Wish understood what makes wishes so important in Disney stories. You know what wishes do? They ignite change. It's not about getting what you want, it's about finding the courage to chase after something better. Ariel wants to be where the people are, but really she wants to be somewhere where others are willing to understand her and in the end, she finds that and makes amends with her father, who finally is willing to see her for who she is. Rapunzel wants to see the lights, and that desire pushes her to leave a tower she's been trapped in her whole life, learning that the world is not as cruel and cold as her abusive mother told her. Cinderella wants to go to the ball, to dance with people who treat her as a person and not a servant of cinders and ash. That wish is granted by a fairy godmother and gives her a hope that is worth fighting for, a hope that helps her reclaim what is rightfully hers; a glass slipper that fits only her and the love that comes with it.
Wishes inspire change. The movie should have been about that. Magnifico could have been right, that some wishes inspire negative change that can drag down multiple people. The kingdom of Rosas could have been so placid because change is scary. Maybe Magnifico could have convinced people, after taking their wish, that it wasn't worth it. Maybe the wish ceremonies could have changed so it wasn't portrayed as some sort of lottery everyone looks forward to, but Magnifico would grant wishes on the spot if he decided they were good and worthwhile, and he would lock away the wishes that would cause trouble and tribulations. 18 year olds could be enthusiastic to give him their wishes, thinking they were surely good and worth granting, only to forget their wish and be told that their wish would have only brought about their unhappiness, this would have justified a more solemn tone in the kingdom, setting up a world where people are mostly downtrodden, thinking their wishes are bad and pointless and they're better off without them. Imagine Cinderella or Rapunzel being told their wishes weren't good, reinforcing all the things their abusive families tell them, taking away that hope and courage to find something better for themselves.
Here's where the true conflict could come in. Asha could be onto this from the beginning, and her opening song could have been about this concern that the people who didn't get their wishes granted aren't willing to try at all. (Because, after all, why doesn't Sabino play music at all? Having that taken from him would take so much joy and creative expression from his life!) But why does Asha know something is amiss?
Simon.
Imagine that Magnifico has a strict rule not to ever share your wish with another person because then it wouldn't come true. It makes sense with our own superstitions, and then makes it so that no one knows anyone else's wishes. Maybe your best friend changes so drastically after giving up their wish, but you believe, like everyone else, that their wish would have only caused suffering. What can you do about it? Well what if Simon told Asha about his wish? What if Asha knew his wish wasn't dangerous and couldn't imagine a way that it could go wrong? That would give her a reason to doubt Magnifico and put more emphasis on how Simon has lost his drive like all the other adults in the kingdom. And it can also emphasize in the end that sharing your wishes and dreams with others can be a powerful thing. Just the act of sharing your dreams can inspire others to go after their own, and they can give you the encouragement to chase your wish too. Wishes inspire change, love gives you the courage to make it happen.
Imagine if the star boy used to be a human, who wished to help others and lost his humanity to do it. Imagine his wish confirms Magnifico's belief, that wishes cause suffering because star boy lost his tether to earth and is separated from the people he loves. Imagine how he foils Asha who also wants to grant everyone's wishes. Imagine him ensuring she doesn't make the same mistake he did while she gives him a reason to change again, to anchor himself to humanity again because he loves her enough not to leave for forever.
Imagine the movie confirming that, yes, change is scary. Chasing your dreams won't always make things better. You might fail more than you succeed and some wishes cannot coincide with each other, leading to grief and strife. But some wishes are worth it. Sometimes, chasing after something better and failing is worth leaving a worse situation. Sometimes taking that chance is worth it, and, like in all fairy tales, if you are kind and generous and act with love, that will make all the difference in the end.
Also, I know everyone wished for a Magnifico and Amaya evil power couple, but imagine if Magnifico was truly in love with Amaya, as he is in the movie, but that love is eventually his undoing. Like Amaya leaps in front of Asha, and Magnifico stops or redirects his attack because she's the one thing he loves more than himself and that is the weakness that Asha and co can take advantage of. Imagine Amaya keeping Magnifico in the mirror and he gets to dote on her from his imprisonment for forever. I'm just saying. At least 30 sickos like me would be into that. Imagine the depth it would give to the themes of love and change and wishing and how acts of love make all the difference.
Alright, I'll get off my soap box. I just really wish Wish could have been stronger because these fairy tales Disney is famous for matter. They really do. But the movie feels too stale and shallow and too much of a cash grab that knows the outline of a disney musical, but is unable to understand the heart of why they work.
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skitskatdacat63 · 22 days
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"To dream the impossible dream, that is my quest." - Prince Fernando of Asturias
+ Seb not getting what he ordered
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+ the usual
Hello yes, look! It's baby Renault Fernando, isn't he so cute??? Who wouldn't want to force him into an arranged marriage, like cmon man be real. Here is the progress as usual, as well as his suit without the design, cause I'm pretty proud of it just blank even!
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Okay so this is pure Fernando, innocent Fernando, before he had his apirations ripped way from him. Well not fully ripped away tbf, because that's the crux of his character: is it more humiliating to never succeed or to only succeed because someone handed it to you with concessions? I guess that's up for him to decide though ;;;
The thing I love about this drawing and young Fernando in general is how much easier it is to see his and Seb's similarities. Look how similar they look! Seb is just a bit more evil.
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I think that's a big part as to why his feelings about Seb are so complicated. He both loves and hates how similar they are. From an egotistical point, he can appreciate and respect the familiar traits in Seb, the hunger, the exuberance, the pride, the ego. But also we hate seeing our own traits in other people, it's almost like turning a mirror on your worst traits and suddenly being able to see yourself from a new perspective. The biggest point here though is that Fernando turns that resentment onto Seb, as a way to clamp down on self hatred.
He becomes more bitter and resentful as he grows older, and loses a lot of his whimsy and joy. So it hurts him to see Seb, who in addition to getting everything he's ever wanted, also retain his whimsy. He, wrongly, just sees it as something that had to happen in order for him to grow up fully. It's more of a survival tactic, it started becoming unbefitting for him to have that level of unfounded confidence. That's the main reason he sees Seb as childish, immature and undeserving. He hasn't fully grown out of his capacity for whimsy and joy, and thus is below Fernando.
Well that was depressing oops! As the chibi art represents, this is probably a painting Seb got sent in the early days of planning their marriage. This is the Fernando who is still prideful, the Fernando who is still confident, the Fernando Seb vaguely remembers meeting his youth. Seeing this definitely pushes him even further towards the marriage(though tbf it's not like he even has a choice either.) Though when the time to actually start courting comes around, Fernando looks very uh different. This is both a joke about how different Fernando was in his first renault stint vs his second. But also I think he does show up very moody and disheveled, as a sort of last chance way to try and turn everyone on Seb's side, including Seb, off from the marriage. However, it's pretty much a done deal by that point.
Seb is uh, definitely confused, but I think he would be drawn to Fernando regardless. Actually, this might make Fernando even more appealing. Seb gets to push him all the time, try to break down his walls and get a glimpse at the real Fernando, if even just for a moment. Seb wishes he had more that just a blurry, vague recollection of Fernando at his peak confidence. Fernando definitely grows into something resembling his past self, after recovering from all the hurt, but there's just something about youthful exuberance that can't really be fully replicated.
Okay so about the quote. I went with Don Quixote this time instead of the typical Napoleon, because I thought it'd be funny. Fernando picks up the book at some point during his youth, and it inspires him a lot. He doesn't really see the satire in it, and comes to really admire Don Quixote's mentality, he's like "wow he never gives up! That's so admirable!" It definitely helps him through dark times to aspire to never give up no matter what. Though later Seb definitely rags on him for not knowing it was satire, and Fernando is like "wh-what do you mean satire?" But he's mentally strong enough atp for it to not cause his whole worldview collapse. About the quote specifically, there's definitely some part of him, even when young, that knows his aspirations are borderline impossible. I wonder if that part of him feels weirdly safe and comforted about the marriage. Yes, it's not ideal, but it's safe and secure. He gets what he wants, and there's no chance of anyone taking it away from him, no matter what.
I think his title would be Prince of Asturias? It was either that or duke, and I think prince fits him bettee(Machiavelli reference?) That title is currently the title for the heir to the Spanish throne. In this time period, it's also commonly used for the heir, but for Fernando it's a bit unsure. Like in real life, he's not directly the offspring, but he's still the most obvious choice for heir. But there's still enough room for Seb and his house to try to vie for the throne themselves, so it makes it all complicated.
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the-acid-pear · 9 months
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Yesterday I was replaying Deltarune and I was going really insane about it picking up on things I missed on my first playthrough and something that fucked me up hard was this line here
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The little ellipsis at the end, almost like you can hear the regret on their voice. Voice of an ad who is realizing maybe they fucked up on this one. But it also made me think of... The possibility of this being a reaction to Spamton's actions.
Because I don't think this was an automatic thing, I feel like their drifting off was gradual. Sure, their jealousy had won them over (I'd have killed the guy or myself if I was them so I don't even blame them) but Spamton was too getting busier and busier the more famous he got, and as they say, that never stopped. He only kept getting bigger, until it all came crashing down. And when it did it was one of them who tried to go find him, after all that.
But I digress, let's focus on the original quote from my favorite sigma enby themselves, Pink Addison. There's obviously not only the regret to it, but feeling like they were abandoned too. Both parties lost a lot and the real tragedy is just how easily it could've have been avoided! Or rather, how beyond their control it was...
But I'll get off topic if I keep speaking so I'll leave it at that. The sheer tragedy that there is to everyone involved just makes me insane. Like I said in a post previous to this; you cannot trace down a good guy or a bad guy in this tale, it's just desperate people taking awful decisions and living to regret their actions.
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starrysharks · 9 months
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are u planning to do anything with charlotte? the ghost hotel girl?
or minty?
i actually did have an idea for a short comic about them, but i really forgot about it until around a few months ago when i drew up a few potential redesigns for both of them. they're really still up in the air - i might end up selling them as adopts, but i do actually want to do something with them!
(also, here are the redesign sketches from around may-ish? i might end up finishing these designs when i'm in the mood to draw more halloweeny stuff, though they'll probably look a lot different as my artstyle + chara design work has improved)
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(the minty pic is also for an unfinished ref sheet!)
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You know, for as much as I didn't like all the romance soap opera drama and what happened with a lot of the ATLA cast in Legend of Korra, I can admit that just because it wasn't my thing and bothered me in a lot of instances doesn't make it necessarily bad per se. I just think there were some weird decisions character-wise
However. I did not like what they did with Wan and the Harmonic Convergence, and I am quite confident in saying that it thematically weakened the show and was a wasted opportunity to do something truly special with the concept of the Avatar itself
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colorful-horses · 1 year
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Doing a public survey, which of these designs do you guys prefer
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danidoesathing · 6 months
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am i the only one who feels like alex(the world ender guy) was kind of a missed oportunity in vide noir? like, he was set up by johnnie to be a badass gang leader just for him to never even appear in the end, we just got a close up to his face scar
i feel like buck's encounter with the psychic would've been way more powerful if it was alex instead. its implied that johnnie and moonbeam had a relationship ig, but its barely even hinted at, and he never even mentions her. but with johnnie and alex, johnnie actually mentions him and speaks highly of his brother, and says alex will help buck if he sees the red cloth that belonged to johnnie
the fact that all that build up led to buck not even TALKING to alex kinda irks me. imagine how much better the payoff would be if alex had received the cloth instead of moonbeam? if we had seen his reaction to johnnie's death? if he would've helped buck like johnnie said he would? if we saw what johnnie implied alex would do to the guys who black brained his brother? idk man i think we were robbed
im new to the fanbase, so im gonna be very embarassed if this is a topic that already came up here LOLL but i still wanted to get it off my chest💀sry if this ask is messy, i suck at writing down my thoughts lmao
No I gotta agree on that. Like I LOVED seeing Moonbeam and getting know her as her and having all this new information about her (her being part of the World Enders is still wild to me and I love it) and it’s a good scene and all, but I’m still confused as to why they built up Alex so much, especially since this is the first time we’re hearing about him, and he never even got the chance to speak. If it were Dale I’d be a bit more understanding as we know him already (tho not by much cause I would have loved to see more of Dale). But it’s Alex, whose not only the leader of the World Enders but also Johnnie’s (and Dale’s) brother. I would’ve have loved to, you know, actually meet the guy. Especially with how much build up he got. And I GET IT Lord Huron’s lore is meant to be weird and vague and hard to pin down but like. Didn’t need to tease me like that come on
The only reason I could think of was maybe they needed to get Buck on his own again? Like having this the beginning of a war between the World Enders and Z’Oieasu shown or having Buck work with them consistently might have thrown off the tone. It is supposed to be Buck’s story and his own descent into madness. The whole album has this isolated vibe to me, like being alone in a city of people Hard to get that when there’s other people around, especially a group as lively as the world enders. Or maybe they just wanted to include Moonbeam back into the story again lol
GOD I would have loved to see Moonbeam’s scene with Buck done with Alex. I can only imagine how that scene would’ve played out and his reaction to Johnnie’s death. Contrasting Buck’s scene with Johnnie with Alex’s own personality, the possible dynamics, the anger and grief that could arise…..ough
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moongothic · 5 months
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Crocoman has been on my mind lately and I had a realisation (what I have to admit is that my memory is shit, so the whole conundrum might be pointless, but) wet + Croco = bad times for our Sandman. So... If he slices up a man and in turn gets splashed by blood, does he just... nullifies his own power? You can smush or suffocate with sand, but Crocodile makes stabby weaponry from it too, stabby weaponry that I am reasonably sure is attached to his arm at times. Does he developed a combo of sucking the moisture off his victim right before it soaks him and makes him a sad soggy man?
He loves living right on the edge. Desk right in front of a huge glass window that is the only thing separating him from tons of water rushing in and ending his career? check (additional flex is that it'd take as little as one very motivated bonk from his bananawani to said window for that end to come). Close ranged, bloody fights that pose the very reasonable danger of getting soaked by blood? check. Our man fears nothing.
I mean from what we've seen, usually Crocodile uses his stabby-slicy attacks from a distance, while in close range it's usually either Sables to blast people off or Barján to dehydrate people, as seen here
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Like Barján doesn't cut people, surely Crocodile could've used it to cut people instead if he wanted to, but no, it mummified the guards instead
So considdering our beloved Crocodile is a smart little boy, this all could be intentional, because yeah, if he did get splooshed with blood he would lose his Logia Invunerability at least until the blood would dry, and that would just be inconvenient
And that would make for a good combat tactic in general- mummify those in range, if you can't mummify them then nuke them with Sables, and if Sables only blasts them out of your range, well now you can use Desert Spada to slice 'em without getting moisturized. Like if this was a video game that'd make for a good gameplay loop
Also while it's only stated in canon he can absorb moisture with his hand, I wouldn't be surprised if Crocodile could also passively absorb moisture from his whole body (if just less efficiently). Like during Round 2 with Luffy he did get completely soaked but was able to turn back to sand soon again, so unless the Alabastan Heat was on Croc's side, surely he couldn't have dried that fast. Same for when he was covered partially in his own blood in Marineford, surely when Doflamingo decapitated him he would've actually died if his face was still wet with blood (though Oda forgot to draw the blood on that page so take that with a grain of salt lmao)
Really the only thing that doesn't seem to quite fit into his combat loop nicely is the Big Ol' Stabby Hook as you mentioned, because if anything's gonna make people bleed all over him, it's that, that's the thing (though he could just use the actual base of the hook to pummel people with and the hook is there because. It's a prosthetic.) (You know I did always wonder why Croc wanted to use the hook instead of the hidden blade because surely the blade would be more convenient for inflicting pain but, actually, yeah, the hook makes sense)
This all said, while it would be inconvenient for him I would like to see Crocodile get covered in blood more often, it looks good on him ❤️
#Asks#OP Meta#Sir Crocodile#Did I kind of misread the original ask because I'm eepy#Yes#Can I be bothered to rewrite my response to be an actual response instead of an analysis of Croc's fighting style#No#I wrote all this shit I can not be bothered to redo it man#I even went and got that screencap for it#Also it's funny that you mention Crocodile not fearing anything because I was lowkey thinking about writing A Thing About That#IDK if I have enough Thoughts for a whole post though but the point was that#Like people do go off often about how Croc is willing to fight anyone and anything at the drop of a hat without giving a fuck#But we literally do see him get dunked on by Jozu just once and he immidiately gives up on fighting the guy#Like he tanks one (1) attack from the guy in Marineford and he takes it with relative grace#But he really does go ''awe hell naw I ain't dealing with that'' after getting attacked by Jozu and backs out#(Or would've if Doflamingo didn't wanna chat)#And we don't really even see him FIGHT anyone properly in Marineford#Like he exchanges a few blows here and there but there's no big fight with anyone in particular or anything#Even with Akainu he mostly just distracts the guy long enough for Luffy and Jinbei to escape#And we know he's smart. He doesn't rush into danger like a dumbass (see: Luffy) and always has like Things Planned Out#So really. Does he actually like to live as dangerously as people tend to assume. 'Cause I'm kind of starting to doubt it?#God I just wanna see him fight a bastard or two is that too much for me to ask
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