Listen!! Brainrot!!
SAGAU Childe/Foul legacy finding out that his s/o(us) were a street racing back in our world!! And a great one at that yall!!
oh my goodness wait wait WAIT first you have to introduce him to vehicles in general!!!
listen, Childe does NOT know what a car is and neither does Foul Legacy. the only thing that comes close is the aquabus in Fontaine, and that's exclusively restricted to water travel (if you ask Childe, he thinks it's just a glorified high-tech boat) so to see a machine that easily take you where you need to go with just metal and a bit of gas, even more so one that's considered COMMON has your two boys completely in awe. unfortunately, Foul Legacy's too tall to fit inside, but Childe's more than willing to sit in the passenger's seat as you drive- it's absolutely exhilarating for him, especially when you go on the highway, and after you arrive at wherever you're driving to you have to sit for a few minutes because Childe's giddy and rapidly tapping his feet with a huge, wonderful grin
as for street racing, my goodness they both think you're so cool. genuinely, they think you're amazing because as much as they love the concept of cars, it also scares them a little because of how easily one wrong move can kill someone when driving, and the fact that you're handling your vehicle so easily is incredible. Childe REALLY wants to come along, but you refuse to let him put himself into danger even more, so he'll watch from the sidelines instead. Foul Legacy, on the other hand, is more concerned with making sure that you're safe. he'll mentally pull Childe away from the crowd and take control of their shared body, watching the cars from a distance until he can see yours, specifically keeping his eye trained on it for the entire race. he lets out a soft purr when it's done, shifting back into Childe to see you with other people. but don't worry, the moment you're home you'll feel claws wrap around your waist as you're scooped into Legacy's arms, rumbling and snuggling you as congratulations on a job well done
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The way Chloe Gong pulls off fake deaths the way she does is an amazing testament to her skill as an author.
Usually fake deaths cheapen the blow of losing a character. You have to go through all of the emotional turmoil of losing a beloved character and watch everyone mourn them only for everything to be okay because actually they were kind of integral to the plot and the author needs them but also they also wanted to make the book sad for a little bit but hey everything is okay now!
But Chloe Gong doesn't do this. She gets you invested in what you usually know from the start is a doomed story. She makes you very desperately want to believe that the character that you know is going to die won't die. And then. She kills them.
And it's horrible. You mourn for them. You have to watch the other characters react to the death. But most of the time, it's a fake death. And even if you know or suspect this from the beginning, it still hurts, often just as much, if not more, than it would if the death were real.
And not just because of the way she writes grief, which gets more and more painful with each new book she releases. But instead of killing off a character for a quick gut punch and bringing them back because they were actually way too important to kill and she needs them for the plot, she uses fake deaths to create these absolutely insane scenarios that are often, at least in my opinion, more painful then just killing off the character.
When Marshall fake died, for example, she could've just had him die and forced Juliette to deal with the grief and guilt of killing her friend as well as the implications of Marshall's death for her relationship with Roma plus everyone else's grief and then created a weird situation where Roma can just,,, get over her killing Marshall and still like her. Instead, she creates this absolutely insane situation where Juliette is still grieving for the loss of her relationship with Roma, and Roma and Ben are grieving for Marshall all with Marshall still being alive. And rather than just using Marshall as a plot device to be sacrificed to make the other characters more interesting, she makes him more interesting as well. She forces him to watch as Benedikt and Roma grieve for him, making his relationship with both of them, as well as Juliette more interesting in the process.
And then when Roma and Juliette fake died at the end of OVE, even if you suspected it, it being fake doesn't take away from the pain very much, especially knowing what happens in Foul Lady Fortune. Alisa, whose only real family was arguably Roma and Benedikt, is left behind to raise herself and she is too afraid to check to see if Roma and Juliette are really dead. Because if they are dead, then she's truly alone, clinging onto the false belief that hope won out while everything she ever knew disintegrates around her. Plus, even though Benedikt and Marshall figure out pretty quickly that the death was fake, they're still forced to cope with the grief and guilt of having had a hand in the situation and forced to flee the country with only each other, thrust into a world where their best friends are dead and the hope that they are relying on to get themselves away from everything is based on the same sense of hope that ultimately lead to the "deaths" of Roma and Juliette. And then there's the cruelty of the sense of responsibility Rosalind feels for their deaths. And how after they died, she became deathly ill, but like them, was inexplicably saved. But she can't move on from their deaths and spends every waking hour and every unsleeping night of her immortal life trying to put the broken world they left behind back together. And Celia sees Alisa and Rosalind regularly. As she watches two people who she cares about immensely suffer for years after the deaths occurred, she can't say anything. Even though her first loyalty is to her sister, she's forced to watch Rosalind grieve and become a ghost of a person who seems to derive purpose solely from the pursuit of an impossible mission. And Roma and Juliette, who so deeply wanted to make the city better are forced to watch as things get worse and worse and the people that they seemingly sacrificed everything to save continue to suffer.
In Foul Lady Fortune, the fake deaths are a little different. So far, the only characters who have fake died are Dao Feng and Lady Hong, the later of which falls into this trope a bit more loosely. In Dao Feng's case, it leads to worry then betrayal on Rosalind's part. Her worry was all for nothing, and she's once again put in a place where one of the few people she dared to care about has left her and likely never truly cared about her in return (at least as of the end of FLF). Assuming that he did genuinely care about her based on As You Like It, I am very interested to see how this ends up playing out.
Lady Hong's case is somewhat similar. Although we never really think with absolute certainty that Lady Hong died, Orion suspects that his father could have done something to her and has no concrete explanation for her disappearance. He grieves her absence even though her relationship with him was always iffy at best. Only to find out that she never cared for him as anything other than a tool for her to take advantage of. Like Rosalind, he is left feeling used and as if all of his grief and pain were for nothing.
(Hiding the part below this because of huge Immortal Longings spoilers)
In Immortal Longings, you know that either Calla or Anton is going to have to die at the end because of the structure of the games. And as their relationship progresses, you dread the resolution more and more. You want a fake death. You want them to find some hole in the rules that will allow them both to survive. And Calla comes up with a plan that allows this. She gives you false hope. She lets you cling to the idea that the horrible ending you can so clearly see coming won't happen. And then that hope is snatched away, and you're even closer to the ending. And you know what's coming. You know that Anton has to die. And then the final crumb of hope is snatched away from you and they're in the ring together. And just when it's too late, Anton tells Calla that they could run for the wall together. He's finally willing to set aside Otta Avia, without who they wouldn't even be there in the first place. But it's too late. Because this is bigger than either of them. And Calla knows that she has to kill him. And she sinks her knife into his back in some of the most excruciating paragraphs I have read in my life. You see Anton realize that although he was willing to make a run for it with her, she has bigger plans. She isn't doing him a kindness by killing him first, and even though she may be planning on ending her own life as well soon, she cares more about killing King Kasa than she ever did about him. So when, at the very end, it is revealed that Anton somehow survived, it's somehow a million times worse than if he had actually died. Even though you so desperately wanted the book to not end in on or both of them dying, this isn't what you wanted. Now, he's alive and remembers just how willing she was to sink a knife through his back. And Calla must grieve for him all over again because even though he's alive, she surely can never truly have him back after what she did.
In conclusion, Chloe Gong is a legend and a genius. Thank you for coming to my tedtalk I guess.
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There's like seven million different things that keep popping into my head about tonight like first of all us joking in the queue about a Joker Out summer festival in Finland apperance and/or Käärijä as the warmup act AND NOW ITS TRUE???, then ngvot encore with our little dance from like 6 months ago that suddenly the guys and the audience knew, NACE IN GLASSES HELLO NACE IN GLASSES???? the weird little mating dance jance did during umazane misli, the SUOMI SUOMI SUOMI chants Bojan started, the way Bojan actually speaks a lot of finnish like hes been studying for sure, Nace not wearing shoes?, Nace being asked to take a photo with someones phone and when he returned it the girl went "The video wasnt on🥲" and he went Oh!☝🏻😮😆 and redid it, Kris getting a tiara and Bojan going "Come on princess" shut up, THE NEW SONG MY GGOOOODDDDD BOJAN YOU DONE DID IT AGAINNNN, Nace putting sunglasses onto Jan and they pretended to have a fight?? like they got in each others faces and like waved their hands as if they were talking mad shit idk what hiphop husband ritual this was, and finally with maybe 19 things left unsaid that I don't remember rn: The way everyone came out of the venue and cried into each others arms bcs of how fucking good it was and we were healed
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im truly borderline immune to discourse but i think this one specifically mightve been the thing to make me never want to write on this app ever again LMAO
im too attached to main to let go completely but ive never considered going private or just disappearing except for literally just recently. im taking a hiatus and i might post some bg3 writing but. good god lol
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