I just looked it up cause I had no idea genuinely what twink meant I always use it to refer to males who are little like skinny waists and lil skinny chimkin legs, I call them twinks or twinkies I didn’t know it was a gay man thing. Wonder if I should stop using it

In a Week by Hozier ft. Karen Cowley

“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”

Johnny “Soap” McTavish has a journal. Had. It is his no longer.

Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.

It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.

The whole idea of the “redemption arc” has become such a charged and specific phrase in fandom spaces for no reason to the point that like it doesn’t even really mean anything as a concept anymore. like once you get into conversations about who “deserves” a “redemption arc” I’m automatically like oh we are entering a territory of internet discourse I don’t give a shit about and also you are probably talking about cartoons for 12 year olds

The thing about how sam’s arc in season 4 is often discussed is that people simultaneously acknowledge that the angels are bad, while claiming Sam is an idiot for rebelling against them.

like I have listened through three (3) rewatch podcasts and they always seem to fall into this loop of going ‘hey the angels are Obviously up to no good’ while also going ‘Sam is really stupid. Why would he trust a demon when literal angels are telling him to stop’

idk man. Maybe bc the angels are Obviously up to no good????

I can’t believe the Qsmp is at this point now where I don’t want Slimecicle to login. Selfish, I know, but I have my reasons why I don’t want him to appear. For him to see the ruin the server has fallen into while he has been gone. For him to realize why there’s so much destruction. Why the people he once called his friends, family even, are unrecognizable. Why there’s a cloud of grief looming over every inch of the island, not just his house anymore. But worst of all, I don’t want him to find the solution to all his problems.

The Pills.

An easy way to regain your happiness after life has fucked you over again and again and again? A painless procedure to get rid of the apathy lodged in your fucking chest, slowly consuming you whole? A one-way ticket to forget all that shit that was bothering you in the first place? A chance to see Flippa again? It’s a dream come true! This is what Slime wants—not to heal, not to move on, not to deal with therapy and the feelings and paperwork that comes with it. He wants to be happy again. And the Federation’s treatment is quite literally his perfect medicine!

Almost too perfect...

What if the Federation had originally created the medicine Slime and it consequently worked on the other islanders? But wait, no, that doesn’t make sense. If the pills were made specifically for Slime, then why wasn’t he prescribed them? I mean, there would be no reason not to; the Feds were never particularly fond of Gegg given the rampant threats of arson. So why are we seeing them now? Or, a better question: why did the Federation create them in the first place? How were they able to have the pills on hand in case of mass hysteria and the destruction of the island?

It’s almost as if the Federation had the perfect control for their experiment. Someone who initially grieved not with tears or deals or a shoulder to lean on, all of which would come later, but with a wrath so volatile it could tear the server in half. Someone who’s parental rage could only be quelled through resurrection, a feat never to be taken lightly. Someone who would be their worst-case scenario if their ire were ever directed towards them.

It seems as if the Federation was prepared for the worst-case scenario. The antidote to an islander’s worst qualities; best taken when vulnerable. And it’s all thanks to Slimecicle! Without him, who knows what the Federation would have done with our favorite melodramatic president? Everyone is a cog in the machine, whether they know it or not! :)

If Slimecicle realizes this, I’m not sure whether he’ll survive the weight of the guilt on top of what he already forces himself to carry. Therefore, what you don’t know can’t hurt you.

I need to vent about this - is there such thing as media literacy in lobotomy kaisen ? I see nuclear takes every day and I don’t engage with them because I know these people have their mind’s set and can’t believe anything else or their fragile view point will shatter. But how can you even argue satosugu were just friends 😭😭😭 like do you even have friends? shoko and gojo are friends, megumi and nobara were friends, geto and gojo? Im sorry but how much subtext can you overlook and how much subtext can there be for it to matter. OF COURSE gege is not going to STRAIGHT UP say they are gay lovers this is shonen and you are proving him right by arguing against it. AND ABOVE ALL ELSE the thing that truly pisses me of tremendously makes me genuinely hysteric, is people misinterpreting gojo’s last words to geto. HOW CAN YOU ARGUE WITH A STRAIGHT FACE THAT HE SAID ANYTHING BUT “I love you” HOWEEEWMEMDMSMSDN HOW, WHY WOULD THAT CONFESSION BE MUTED IF HE SAID SOME BULLSHIT LIKE UR MY BESTIE WHY like genuinely, these words weren’t hid from the audience just because, ITS A CONFESSION OF FEELINGS SO DEEP SO PROFOUND BUT SHAMEFUL AND SECRETIVE AND THEIRS FOR ONLY GETOS EARS TO HEAR AND GETOS HEART TO FEEL. WHY “LOVE IS THE MOST TWISTED CURSE” I WONDER WHAT MADE HIM THINK OF LOVE THIS WAY PROBABLY FUCKING UTAHIME NOT THE GUY WHO HIS SOUL KNOWS BETTER THAN HIS ALL FUCKING KNOWING EYES. WOULD YOU DESCRIBE YOUR LOVE FOR A BEST FRIEND WHO HAS HURT YOU TWISTED ??? NO TF YOU WIULDNT YOU DONT PONDER ABOUT YOUR LOVE YOU DONT HIDE IT FOR 10 YEARS YOU DONT WANT IT BACK EVEN IF ITS THE THING THAT RUINS YOU. no but genuinely any other interpretation of the words is stupid, im sorry, it’s not just their relationship but also the scene itself. getos reaction… he was shocked, then happy, blushing because it made him ashamed but at the same time smiling because it made him so happy, wishing after pushing away gojo for years that at the very end gojo would stop loving him but he never did. literally at the brink of death, finding peace in the chaos, but facing this unconditional love, geto wished only for gojo to curse him a little so he wouldn’t suffer losing him…. best of friends everybody

i’m always like omg! i can’t take this anymore i’m at my limit! and i always change nothing and go on and survive

They could never make me hate you *SHOW* Criston Cole!

Charles Leclerc is a Slytherin. Argue with the wall.

Blue Eye Samurai: regarding Mizu’s “plot armour” or her “ridiculously over-powered” abilities.

“Mizu is way too overpowered, it doesn’t make sense.”

I feel like a lot of people don’t realize just how much the mind over matter mentality plays a roll in Mizu’s “abilities”. Mizu isn’t the best because she’s physically the strongest, or had the best training, or the most experience, or whatever. Mizu is the best because she has single-minded focus and immense tenacity that borders on psychotic due to how intensely dedicated to revenge she has been for almost all of her life. All the years she spent training, all the time she spends taking out enemies, she is being driven by single minded focus and iron willed determination that never wavers. She has been sharpening and honing not just her body, but her mind, for exactly this. She has dedicated her entire life to her quest for vengeance, and in her own words, there is no room in it for anything else.

People also seem to be making a lot of assumptions about what kind of training and how much training Mizu has or has not had. As the audience, we’ve only been shown bits and pieces of Mizu’s past, which includes her experience learning martial arts. Asking shit like “how is she so good with a sword if she’s only self taught?” is like asking “how can she read and write if Master Eiji is blind?”. The answer is that Mizu has obviously learnt these things from more than one source, but documenting her entire education in detail doesn’t exactly serve a purpose to the narrative. We are explicitly shown in one of Mizu’s flashbacks that she’s been practicing with a wooden sparring sword since she was very young. It’s actually her child self that we see in that brief particular flashback. Not her teen/tween self, her child self. She’s also following the movements and instructions of an older man that is clearly a skilled samurai or warrior of some kind based on context (which y’all love to ignore). Besides, who else would want/need a sword from a master sword-maker besides an expert swordsman? How many skilled fighters from all over Japan have come to Master Eiji’s forge hoping for a blade, and wait with nothing better to do but train while their blade is being made? How many of them have divulged information about certain fighting styles (like Shindo-Ryu, which Mizu was familiar with despite never having been to the dojo before). Or practiced around her and with her? We are clearly shown through Mizu’s flashbacks that receiving training from a visiting client has not been unusual for her throughout her apprenticeship with Master Eiji, and her little spar with Blood Soaked Chiaki was no one time event. Yet Mizu is never given the benefit of the doubt by the audience, despite context clues indicating that she should be.

“Taigen has way more training in an actual dojo, so why is Mizu better?”

Whereas Taigen, while he was determined to become more than just a fisherman’s son and was driven to rise through the ranks of the Dojo and become a skilled samurai, did not have that same desire or determination to hone every part of himself to be the most deadly weapon he could possibly be, like Mizu did. Taigen believes in the samurai code of honor and upholds it in his own way (preventing him from learning how to “fight dirty” so to speak) and he also had a life outside of his training (he had a social life, he drank, he partied, he snuck around a lot to see Akemi presumably, etc). In fact, we actually never see Taigen practice, train, learn, hone his skills, or anything (to my recollection) throughout the whole season, until he’s bested by Mizu in combat. I’m assuming Taigen had to work quite hard for several years to become as good as he is, but I get the sense that ever since he has been regarded as a prodigy he has allowed himself to get cocky and maybe a bit too comfortable. He has always been the best and always thought himself to be the best, so he never needed to give 150% effort when he fought. In fact, as he got older and more practiced, and it became more and more apparent how much better he was than everyone else, he probably stopped giving his 110% and allowed himself to get a bit comfortable putting in 100% effort, and then eventually 80% effort (which is part of the reason why I think he’s so pissed he lost to Mizu in their first fight, because he knows he could have done better: been less cocky, been more tactical, more driven, etc).

We also never see Taigen meditate or mentally or physically prepare himself the way we do with Mizu. Mizu will pray before a major upcoming battle, not because she’s religious, but because she’s mentally, emotionally, and spiritually preparing herself. We even see Mizu submerge herself in very cold ocean water (during the winter mind you) as a ritual/practice of sorts that serves to center herself and prepare mentally and physically for what’s ahead when she feels herself getting “too emotional” or too stressed or unfocused or even just slightly off kilter. Mizu sacrifices every part of her life, so that she can be the deadliest version of herself possible. She has no social life. She has no friends, or significant others (Mikio aside). She has no other activities to participate in, because she’s been completely alienated and thus being anything but the best is not an option in her mind because she has no options. She tried married life. She had the best possible life that she could have had as a biracial woman in Edo era Japan. She did as she was told by her “mother”. She showed her true self to Mikio, just as he desired. Yet the blood and vengeance still caught up with her. She has no other options anymore. Pursuing revenge is the only thing she knows how to do, because every other avenue in life has been cut off from her. So she has to be single-mindedly focused on her vengeance, which means being as skilled and as dangerous as she can possibly be. She has no hobbies or jobs or responsibilities beyond sword-making (which allows her to become as familiar with the blade as possible) and training herself. If she has extra time, she uses it to practice, to train, to improve, to simply maintain peak performance. Such as when she was hacking through those trees in episode 2. Afterwards, we see Taigen attempt to replicate her training (by cutting down trees with his sword). Though even then, it was more about curiosity and trying to suss out Mizu so he could gauge her skill level, then it was about actually honing his own abilities (until episode 3 when he practices with Chiaki’s broken blade). Which does count as training in its own way (assessing your enemy), but my point still stands. Taigen does not have the same unwavering focus and force of will that Mizu does (partially because he does not actually want to kill Mizu, as we do see Taigen go cold blooded with focus when he kills Heiji Shindo, but those are whole other discussions).

“Mizu just has ridiculous plot armour, that’s the real reason she survives every encounter.”

I feel like people that think Mizu has ridiculous plot armour are just not at all familiar with the Samurai or Western/Cowboy sub-genres at all, or even action as an overarching genre on its own. I don’t believe I have ever engaged in a single piece of action media in which the protagonist didn’t have “plot armour” in some way. Basically half of all male protagonists from any and all modern western action movies ever, have been way too over-powered and been able to take a ridiculous amount of damage that should have killed them multiple times over. These action heroes (who in western media are almost always cis-het white men) have ridiculous plot armour in the most classic sense. Yet no one complains when it’s a white man. Only when it’s a queer-coded biracial woman of colour. Shocking.

In fact, you could argue that every main character in every fictional story ever told has plot armour to a certain degree, because having an entire narrative revolve around one character is inherently “unrealistic” and therefore the main character has plot armour, yes? No? Yeah, that’s what I thought. Oh, and on the topic of the samurai genre specifically (and many martial arts based action media) there are certain genre specific tropes that are nearly integral to the genre. One of the most prominent being the samurai/ronin/warrior/martial arts master that is “ridiculously over powered”. It’s literally part of the genre. In fact, the western/cowboy genre is quite similar to the classic samurai genre. Now, how many westerns have you watched in which Clint Eastwood or John Wayne shoot 5+ guys with one pistol before any of the guys they shoot even get a shot off? A lot I bet. Is that not the definition of “over-powered” and “unrealistic”? Or is it just a genre trope, or even perhaps, a genre staple? No one thinks Arthur Morgan (Red Dead Redemption 2) is over-powered. No one thinks that Joel (The Last of Us) is over-powered. In fact, when the TLOU show came out, people actually complained that Joel, the fifty-something year old man that has been living in a post apocalyptic wasteland for 20 years, was not badass or strong enough (he kills dozens of humans and super zombies and he’s legally a senior). So, who is the “judge” of what is and is not realistic in action media that borders on sci-fi/fantasy based on how “over-powered” the protagonists “realistically” are?

“It’s just weird that Mizu is so powerful when other characters within the story are not. It makes Mizu such a Mary Sue.”

Okay… so, with all that in mind, let’s circle back to where I started when referring to Mizu as someone driven by unwavering determination, and how that affects her “abilities”. That facet of her personality and motivation is nothing new when it comes to the action genre, especially for protagonists of revenge storylines. Think of Kill Bill or John Wick. Why does John or the Bride keep going and keep winning even when they are constantly getting injured and always fighting. Is it because they are simply that much better than everyone else? Yes and no. No, because they are not superheroes (technically), but also yes. Because their single minded determination and need for revenge drives them to push that much harder than anyone else on their skill level. They are the best, but they win against everyone else that is also “the best” because they want it more. They need it more. Mind over matter. They are willing to endure what others are not through sheer will and pure cold rage. Mizu, Beatrice Kiddo, John Wick, and so many more similar protagonists in action-revenge narratives don’t keep winning and keep getting back up no matter how inured they get because they are just “that much stronger and more talented than everyone else”. Yes, they are extremely skilled and would probably be one of the strongest and most deadly combatants/killers in their respective universes regardless… but their refined skill and raw talent and power are not the only reason they win. Their unwavering force of will, extreme determination, ice cold fury, and single-minded focus on revenge is what drive them to be that much tougher. Their tenacity is their superpower. They want to win more than their opponent does. They need to win, because this is their one and only goal in life as of now. Mizu (Blue Eye Samurai) Beatrice (Kill Bill), John (John Wick), they all share a philosophy in life when it comes to their revenge, which basically boils down to “Either I kill you, or I die trying. There is no middle ground, there is no negotiating, no other choice, no path of least resistance, no other goal or motivation. You will die, because I ain’t fucking dying until you do.”

Mizu doesn’t have plot armour and she’s not over-powered. She is an archetypical protagonist of the action-revenge narrative and the samurai/western genre as well. She arguably even has better reason to be completing the feats that she does than John Wick or The Bride, because the medium of Blue Eye Samurai is animation and not live action, and the genre borders on magical realism far more than Kill Bill or John Wick. Now, how many anime protagonists (probably almost all male) can you think of that are “ridiculously over-powered” especially compared to any live action counterparts, but no one complains about it? Why does no one complain about it (aside from misogyny)? Because the medium of animation inherently has different “rules”, expectations, and set standards for suspension of disbelief, than the medium of live action film or television. For example, is it ridiculous and unrealistic when you’re watching a Looney Tunes cartoon and Bugs Bunny’s legs pinwheel in super-speed for 3 seconds straight before he starts running, or when he runs off a ledge and gravity just lets him hang there for a sec so he can look straight at the camera before he falls? No, it’s not “unrealistic” or emersion breaking, not even a little, but why? Is it because any of those things seem even remotely probable or “realistic”? Of course not! It’s perfectly acceptable because the medium, genre, target audience, atmosphere, art/animation style, narrative choice, storytelling style, and more, have all established that Bugs Bunny defying physics is normal in Looney Tunes, and therefore not a “plot-hole” or “unrealistic”. In fact, if Bugs Bunny or Tom and Jerry didn’t defy physics in ridiculous ways all the time, then it feels far stranger and off-beat than if they did. Same goes for pretty much all action anime. If the characters in those stories were strictly limited to what is 100% humanly possible in real life, most of those animes wouldn’t even have storylines anymore. They’d be turned into completely different content that may be unrecognizable from the original source material. Or wouldn’t even have any material anymore because all the characters would be dead after their first fight scene. So why is Blue Eye Samurai being held to a different standard?

Now, do y’all get it yet?

i’ve been obsessing over season 6 debbie lately she’s all i can think about

Listen: if you’re questioning your sexuality or gender and having a really difficult time figuring stuff out, you might wanna try reframing your thinking from “what am I?” to “what do I want?”

If you want to have sex with men, do it! If you want to go on hormones because the physical affects are desirable to you, do it! If you don’t want to have sex at all, (don’t) do it!

Labels can be a wonderful thing, don’t get me wrong, but they can also cause you to second-guess yourself into paralysis if you give them too much importance. You can always label your identity later on if you want to, but, in the meantime, don’t let stress over which label is “right” stop you from doing what makes you feel fulfilled in the here and now.

i think the hardest thing for me to do while writing is write a “bad” first draft. i know things can be fixed later but i also need what i write to express the exact thing im trying to convey in the way i want to convey it before i move on

my ass will be like “idc abt romance at all. shit sucks lmao” and then all i ever draw is romantical intimate shit for fictional couples i made up in my head

Something ironic about Medea’s husband being named Jason because Jason Todd is like if Medea was a teenage boy

am i overly optimistic in thinking that georges next response could salvage this situation a little? obviously for some things theres no coming back from it but i think his second tweet is already a step in the right direction. i dont know, right now it just seems like people are viewing george as a horrible person who actively wanted to hurt her. i think knowing that it was an honest mistake on his part might turn things around a little. he fucked up, of course he did. but that doesnt mean he cant fix himself and try to make amends. twitter seems all to eager to write him off as a bad person forever and to not let him have any chance of trying to be better.

i think for the foreseeable future twitter is going to dislike him, no matter what simply because of the nature of how apologies on the internet tend to go. he can mean every word of a well thought out and well articulated apology, and it wouldn’t matter because they’ve already written him off, and they’ll find some way to nitpick the wording or the tone or something

so it just comes down to ur own personal evaluation of the situation, and how long your willing to wait to see how public opinion changes or when the next content will even come

but no, i don’t think your wrong to feel optimistic because those that reject any form of apology r the ones in the wrong, those who reject change r in the wrong, and u seeing the good in people is never the wrong move