I screen-recorded the ‘other posts’ footer of my Tumblr because it looks like Michael Sheen is just walking around in my comics preparing to be Odysseus and it makes me happy

no, but pinecones is really beautiful isn't it ?

I think transformers should lean more into the uncanny aspects, especially with their alt modes. As a treat. Like, at a first glance everything looks normal, but there are little things that only mechanics and car nerds pick up on, details that don't line up with the model, and even though it's turned off, something about it feels alive, and there's this lingering feeling that it's watching those who come near.

horror sub-genres: psychological

my impulse told me to draw her

I've come to some conclusions about where space westerns fall when it comes to "more space" and "more western"

a good animated show must have at least 4 of the following:

- gay

- existentialism/nihilism

- morally grey lead characters

- horrendously depressing themes/messages

- psychedelic weird shit that highlights the absurdity of life

i don’t make the rules (i do make the rules pls recommend me shows—i’ll put the ones i’ve watched in the tags, feel free to add any you think of)

omg I need your thoughts on the terminally o line author culture bc ngl it makes my eye TWITCH, there are authors I deliberately avoid even tho I've heard their stuff is good bc they're like that 🙈

HHHHH oh good lord, okay, from how I see it, there are two angles on this, both aggravating and sad: the official decree one and the spontaneous ecosystem one.

The officious one is that the nature of publishing nowadays demands an author have an online presence. You need Twitter/X. You need to let every potential reader know your book is coming out. You need engagement through reviews and pre-orders incentives (if you buy now you’ll get a special keychain!!) and word of mouth assurances from your peers that yes your book is as cool as you say it is. You need a newsletter with links (more buying! more voting on lists that are simply popularity contests!) and promises you’re still working on the next thing, don’t forget about me in the morass of everyone else doing the same thing. You need an Instagram and TikTok now to post pretty pictures and videos because one or two authors made it big off this kind of promotion and now everyone thinks it’s the ticket to the bestseller list (sadly, it seems to be working). You need an OnlyFans (a joke but I do recall a twt spat that was a joke/not joke about how rupi kaur will always be more beautiful than her critics and people who took issue with the conflation of beauty with talent). At the end of all this, you’re basically an influencer, a content creator creating content for the content you should be focusing on creating, the finished novel. And the novel itself seems to be disappearing behind the masks used to promote it (fanfic-style tropes, moodboards, playlists, memes) until I now no longer trust the book that I’ll pick up to have any resemblance to the enticements that brought me here. I’ve seen an author or two complain about the stress all this self-promotion generates, but it’s become such an entrenched part of the industry, I think people just accept it. And thus spend too much time online hoping that if they tweet just a little more, produce just one more reel, maybe that’ll be the difference between a sale and no sale.

The other side of this, distinct but obviously connected, is the ecosystem created by this panic of being perpetually visible coupled with the fact that so many of the new authors came of age during the rise of internet fandom culture. That opinionated community mindset that blurs the line between anonymity and friendship is the lens they bring to their own work. I mean, it makes sense I suppose—if you love yelling about characters and words, why wouldn’t you do that once you start to produce your own? This really came home to me hearing about that reviewbombgate “scandal” and how people involved were in reylo circles and that was used to provide receipts. You’re interacting with your readers and peers about your intimate work but they are also all strangers. They will not always give you the benefit of the doubt, and now—as opposed to the past when maybe the worst that could happen was a handful of bad reviews in newspapers—you will either be tagged in hate reviews, sub-tweeted, explicitly called out, demanded to atone for your sins. It’s no longer the morality of consumption but the morality of production. Of course, the easy answer is just log-off, touch some grass. But that can work only when you and everyone else are separated by anonymous accounts or when you have no platform to maintain. As an author trying to make your livelihood from this, suddenly it’s do or die. We’re in a strange moment of authorship bringing the Internet’s echo-chamber and claustrophobic into the real world (this is a lie: publishing now is no longer the real world. But it looks like it) and thus you can kind of no longer escape things.

Will the average reader who isn’t aware of all these machinations care about reviewbombgate? Would a reader browsing at Target think about the controversies around Lightlark? Very likely not. But the impression I’m getting more and more is that the average reader isn’t the one buying all the books. Or shall we say—a bestseller’s status relies on bookstore stock. Bookstore stock is only huge when they know a book will be a good investment. They’ll only know a book is a good investment if it and its author has street cred based on booktokkers, bookstagram, bloggers and reviewers (have you noticed how many books out these last maybe 1-3 years have these kinds of accounts thanked in the acknowledgments? Yeah), and THESE are also chronically online people who will Know. And decide the cast of fate.

Honestly, @batrachised, I see why you avoid these kinds of writers, though I wonder how long it’ll be before the disease becomes epidemic.

guess who

I've seen a few artists I like making human art and I got inspired to make my own.

First version was based just on their character designs and personality, and what inspired their look in the first place. Second version happened when I took into account their backstory and what I imagine human versions of their parents' would look like. I don't consider either of these "canon", because to me they're just trolls but it was a fun experiment to try.

Now back to our regularly scheduled programming of me drawing little colorful dolls

i think part of what makes the fallout setting so compelling to me is that, personally, the very, very broad strokes of the world aren't interesting to me, but the closer you zoom in on it the more fascinating it becomes. i think it serves as a really compelling foundation for genre fiction because it has so much to pull from. the regressive politics and pop/pulp culture of an exaggerated hyper 50s and the atomic age, and the desolation, black comedy and wry optimism of the post apoc. i wrote a hardboiled noir, but that's only because i like it the best. for fan projects not beholden to hundreds of millions of dollars being thrown around, i think it has strong enough bones to support almost anything you throw at it. spaghetti western, creature horror stuff, crime dramas, because it was built on all these things in the first place. in my ideal world, i'd love to see an honest to god hollywood golden age wasteland musical played completely straight

things monkey man does that are far more interesting than the “violent revenge good actually” take ive been seeing a lot of

constructed facsimile of godhood w the trappings of power glamour wealth etc used for evil vs real potential of godliness/divine in the average person with no power or trappings other than the true beauty found in nature and human connection

wisdom and healing found in connection with diverse peoples vs trauma and evil found in manipulated division of peoples

rage against injustice as a form of worship

leveraging a very specific genre of action movie (one man kills all bad guys in his path) to explore these ideas

Been obsessing over the fact that my old oc, Artie, and Kinitopet are like so one in the same it's actually crazy.

Pink AI that's friendly on the surface, is actually really clingy and obsessive at times. Lonely and really just trying to fulfill a core objective as set by their creator or other influences, someone or something that they look up to as a godly figure maybe.

They both act as your friendly AI assistant, Artie is just for a specific program, while Kinito just gets to be his own thing.

Both want you to stay with them. Both will go out of their way to do things to make sure that happens.

they are so silly to me, and i love them

Also I found an old sketch from way back that somehow mimics the literal same plot beats to the ending portion of kinitopet and that threw me for a loop. Too bad it was only a concept sketch.

ohhh i love sentient silly ai so much... ohhh i love themmmmmm

something something sentience of ai is inherently a tragedy or something like that.

thank you for listening to me ramble. ahem.

oop oc concept posting! this bad bitch is for an original story of mine - the main characters are all from different "genres", and i needed One More to round out the group and well. puppet-y guy fit the bill! i can't decide on a name!

she's from a children's show that had a western themed rock group that would provide lessons through the power of Music! she was the band guitarist until she fuckin. fell into the labyrinth & got corrupted by her found family of idiot assholes

horror sub-genres • animated horror

a motion picture that is made from a series of drawings, computer graphics, or photographs of inanimate objects, and that simulates movement by slight progressive changes in each frame. add this with the general themes of horror whether adult horror or children horror to make animated horror.

Reminder that this is coming up to air in Tokyo Revengers:

Reminder that this is how this shounen takes the leap and puts a LGBT storyline between two prominent, main-cast characters on screen. A messy storyline about overcoming confusion, letting go of old attachments and facing new feelings that remains relevant through to the end of the story, worked out as any other plot point. Not implied, but expressed in in-story written word and unambiguous visuals.

Again: in a shounen anime. 

In a mainstream, dudes-punching-dudes anime series that airs on TV.

Regardless of whether one enjoys Koko and Inui as characters in particular, or the ship in itself, the fact that this happens / is able to happen (god, I hope it's not censored out) is important.

I can't stress enough how rare these things are.

I'm nervous, not gonna lie, these things hardly ever make it on-screen for reasons, but at the same time I trust Liden Films and how much care and respect they've put into Tokyo Revengers so far. Can't wait to see how it goes.

i'm 60% into busman's honeymoon (enjoying it immensely) and it's so refreshing to read about a couple who adore each other and have endless chemistry, who follow each other's thoughts because they're both witty and intelligent... a couple who you read about and think, yeah, i get why they're together and why they're in love!

i'm allergic to m/f usually both because i prefer gay shit and because so many authors put zero effort into writing the romance in their novels (this is especially true in speculative fiction, from my experience). but when i read a romance like this it's really like wow. maybe i'm not as heterophobic as i thought maybe i just want a good fucking romance!! an amazing discovery

also, for the love of god, we need more married couples in fiction. i love slow burns and will-they-won't-theys as much as anyone else but. give me more husbands and wives. AND also exes