#if they were humans in a different way than us. with a different kind of intelligence
Text
SSR Ruggie Bucchi - Platinum Jacket Vignette
"Happy 100th Anniversary"
[Land of Dawning – National Museum of Art]
Ruggie: Can't believe I'm here bein' a supporter for some museum like this. Guess ya never know what life's got in store for ya.
Ruggie: I mean, I totally wouldn't've ever paid to see paintings that I can't even fill my belly with…
Ruggie: But I guess it's okay if I don't gotta pay. I wonder if they got paintings I've seen in my textbooks.
???: This painting… These are the hyenas from the King of Beast's legends. When the three of them are lined up like this it's kind of intimidating…
Ruggie: Well, yeah, they were out there patrollin' lava quarries 'n goin' out on scoutin' missions, so.
Trey: You sure know your stuff, Ruggie. I guess that would make sense for a hyena beastman to know.
Trey: But still… Both patrolling and scouting seems like painstaking work.
Ruggie: Oh, yeah. From the stories I've heard, they had some pretty tight scrapes…
Ruggie: Like there's one where while they were out chasin' some stubborn foe, they ended up runnin' off a cliff tryin' to catch 'em…
Ruggie: Which had 'em endin' up flyin' into some real prickly thickets.
Trey: If it were me, I'd probably hesitate, worried about getting hurt. Guess the hyenas who worked under the King of Beasts were just that brave.
Ruggie: Brave? Then I guess I'll take that compliment, too. 'Cause I've jumped into thorny thickets like that a buncha times!
Trey: You've jumped into the thorny thickets…? A bunch of times!? Why would you do that…?
Ruggie: Actually, did you know? In the Sunset Savanna, there's this real steep cliff that's become a bit of a tourist attraction.
Ruggie: It's the perfect place to catch the settin' sun, so a ton of tourists go up there to snap a pic, leanin' over the fences 'n everything.
Ruggie: And like, sometimes there's folk that'll get so focused on settin' up the shot, or that'll bump into others that they'll drop and lose stuff.
Trey: I'd expect they'd have to let their stuff go if they dropped it off the cliff… But how does this all tie into you talking about the thorny thickets??
Ruggie: Sheeheehee. So actually, at the bottom of that cliff, there's a huge bramble of thorny thickets.
Ruggie: It's off-limits, and it's pretty dangerous, so no one really heads down there.
Ruggie: So, that's why I'd sneak down in the dead of night, and pick up all the lost items!
Ruggie: Sometimes I'd find little wrapped pieces of candy, watches 'n accessories, and even wallets!
Ruggie: Well, it kinda depended week to week what dropped, but… That was a great way to make some quick cash.
Trey: B-But if you had gotten injured, would all that have been worth it?
Ruggie: Yeah, true. Back when I was just a kid, I could slip in 'n out pretty easily, but I had to stop when I started getting' bigger.
Ruggie: Not only was I makin' big bucks, but the cliff's environment was getting' kept clean. Felt like a win-win deal to me.
[Land of Dawning – National Museum of Art]
Ruggie: Oh, this one… It's a painting of the thunder god and his son.
Trey: Yeah, according to the legends, he came to the human world just after being born, and was raised by adoptive parents.
Ruggie: Basically, that means he was raised apart from his actual dad, right? Amazin' they actually look like they get along good.
Trey: Haha… I wonder. Do you get along with your dad, Ruggie?
Ruggie: Nah, I don't got one.
Ruggie: He left back when I was a kid, so I don't remember anythin' about him, 'n I don't know what he's up to now.
Trey: Oh… Is that so? Sorry, I didn't mean to overstep my bounds.
Ruggie: Huh, that reaction's pretty different than what I'm used to.
Ruggie: Back home, there's a ton of kids just like me, so usually they'd just shrug and go, "Oh, okay" and move on.
Trey: And I guess it doesn't sound like they're saying that just to be considerate.
Ruggie: Obviously. Because the bigger problem is not havin' the money to buy food!
Ruggie: Granny'd take care of me, but there wasn't much we could do 'bout our empty bellies…
Ruggie: When I was big enough, I'd start working together with all the kids in my little neighborhood to scrounge up some food.
Trey: Kids running around trying to gather food on their own… That's hard for me to imagine.
Ruggie: There's a buncha ways to gather up food. We'd go into town and ask for alms, or drop a line in the river.
Ruggie: We were always pretty hungry, so we'd pretty much do anything… Oh, like we had a great time once digging for potatoes.
Trey: Is digging up potatoes that exciting?
Ruggie: WELL, YEAH!
Ruggie: There's actually a type of potato that grows in my country that can get as large as 20 kilos…
Ruggie: Around the time the potato harvestin' was finishin' up, we all snuck into the fields at night…
Ruggie: And we'd pick up some stunted potatoes that were left behind, as well as dug up some other forgotten potatoes.
Ruggie: We were all up in arms to pick every single one before the sun rose!
Trey: Why'd you go at mid… Never mind, I'm not going to ask.
Ruggie: And then, this one year when I was diggin', I hit the jackpot!
Ruggie: It was a potato so huge I wouldn't've even been able to carry it with both arms! It had't've been heavier than 20 kilos～
Ruggie: Didn't think there'd be any potatoes left that huge… Maan, I really lucked out then.
Trey: 20 kilograms, huh… With something that big, I don't think there'd be much to worry about eating for a while.
Ruggie: Don'tcha think?
Ruggie: I was thinkin', like, we could dry whatever was leftover and turn it to powder to make it last a bit longer…
Ruggie: But then Granny ended up boilin' 'em, fryin' 'em, and basically makin' a ton of dishes. It was a potato party extravaganza!
Ruggie: Me and the other street kiddos were just packin' 'em away, and little by little it started to disappear…
Ruggie: In the end, I couldn't make anything to save it for later.
Trey: Ah… That's rough.
Ruggie: And I never saw a potato that huge ever again. Guess good luck like that only ever hits once in a while.
[Land of Dawning – National Museum of Art]
Trey: Woah… This painting has a real powerful presence.
Ruggie: So, this is a painting of when the Thorn Fairy transformed into a dragon to fight, huh.
Trey: She looks way stronger than what her stories say. I bet I would be no match for her.
Ruggie: Eh!? Trey-san, you lookin' to pick a fight with the Thorn Fairy? It'd be waaay better to try 'n flatter her instead
Trey: Oho, but that might be the scarier route, don't you think? You might end up in deep trouble if you were to offend the Thorn Fairy instead.
Ruggie: Sheeheehee. Oh, but I'm pretty good with that kinda stuff.
Trey: Haha, well, I guess I have to admire that pluck.
Ruggie: But man, she's really something. She's the one that caused all that lightning too, right?
Ruggie: They say it was always thunderin' and lightnin' outside her castle as a way to keep intruders out… That's a huge undertakin', huh.
Ruggie: But with all those lightning strikes, I bet the bread prices were super cheap near the Thorn Fairy's castle.
Trey: Bread? …Ohh, right! Because when lightning strikes, certain particles are released in the air that helps plants grow.
Ruggie: Huh? Wait, are ya sayin' there's actually a whole science behind the whole "bread gets cheaper whenever it thunders"!?
Trey: Oh, isn't that what you meant?
Ruggie: I was just sayin' what Granny would always say…
Ruggie: Wait, so does that sayin' mean that 'cause more wheat gets harvested, more bread can get made, and that's why it's cheaper?
Trey: Yeah. Although, with how much we've developed our fertilizers nowadays, I don't know how much lightning strikes actually play a part anymore.
Ruggie: Cooool, I had no idea. Guess you Science Club folk know your stuff.
Ruggie: I bet Granny didn't really know the meanin' behind it like you did…
Ruggie: But I bet she saw with her own eyes the change in bread prices whenever there were tons of thunder and lightning.
Ruggie: But still… Kinda weird, huh. Sheeheehee.
Trey: Weird? What is?
Ruggie: Back when I was a kid, I only ever cared 'bout food, so there's no way I woulda been interested in learnin' why the bread was cheaper.
Ruggie: But now, I heard your whole spiel, and my reaction was to think it was pretty cool. Guess I'm maturin'.
Trey: Well… Maybe it's just that you can actually afford to take the time to listen now?
Ruggie: Maybe, maybe not. 'Cause my wallet's still pretty empty…
Ruggie: Oh hey, maybe this is just me bein' able to relax my stresses away, huh!? …Maybe not, heh.
Trey: Could be, if you're enjoying your time here, at least. Oops… Look at the time.
Trey: I think I'll head out to go check on how my dormmates are doing. See you, Ruggie.
Ruggie: 'Kaay, see ya. I'm gonna keep lookin' around this area a bit longer.
Ruggie: Hm? This painting… A lion cub's just lollygaggin' with a warthog 'n a meerkat.
Ruggie: I'm wonderin' if they even know all the scary things that can happen to animals that step outta their territory, hm?
Requested by Anonymous.
#twisted wonderland#twst#ruggie bucchi#trey clover#twst ruggie#twst trey#twst translation#twst birthday
162 notes
·
View notes
Note
would love to know your thoughts on rinsha dunmeshi. or on rin and kabru :-)
OH!! i love rin honestly lightning damage and unaffiliated spellcasters will get me every time.
i would have loved to see more of her, but i do really enjoy kui's style of storytelling where she gives us the information about a character that will tell us exactly what she wants us to know. it reminds me of the way someone described suzanne collins' writing as surgically precise—she has more information about characters and the world, but she included what would get her story across most effectively. kui gives off a similar impression, and i think rin is a good example of that.
sorry readmore because that was getting long already.
rin's backstory is really interesting to me because it helps us to extrapolate so much more about the world and the other characters in it.
for what it's worth, i don't think it's terribly likely that her parents were practicing ancient magic. they were immigrants of a visibly different ethnicity, though, and they were magic users, which othered them doubly in the northern continent, and that otherness cost them their lives. this is sort of a running theme in dungeon meshi overall ofc, but i think a lot of discussion surrounding dungeon meshi discrimination focuses on the elves. which is fair, since they seem to be the most significant world power and they're weird race elitists as elves in fantasy frequently are, but the story does not want us to forget that discrimination is complex and so is otherness. tallmen may not be respected by long-lived races, but in communities where they do have power, they're still perfectly capable of leveraging it against others. they seem to have a particular bias against magic, but really anything people deem weird or creepy is enough to land you in trouble: laios faced constant rejection and, in some cases, severe harassment just for being autistic; kabru's eye color was enough to push his mother to the fringes of society and get her accused of witchcraft, suggesting that "weird or creepy" is regularly conflated with "magic" in tallman societies; and falin's affinity for magic led to her isolation and ostracism as her mother frantically tried to suppress it. rin's parents, meanwhile, were outright executed. the nature of these reactions to anything unfamiliar or non-standard are definitely meant to convey something about tallman societies in the world, but i think rin and kabru's situations specifically lend some explanation as to why falin is so forgiving of her parents. they didn't really know what to do with her, and some of the things they did to her were harmful, but she seems to see them as trying their best to protect her, perhaps because she knows the emergence of her magic could have put her in immediate physical danger but didn't.
with that being said, i'm surprised rin doesn't have more of an aversion to tallmen, but maybe kabru made enough of an impression on her that she developed some hope for them.
her dislike of elves, meanwhile, is entirely understandable—her interactions with them seem to be framed as emblematic of how they treat short-lived races in a way we don't really see with the others. milsiril objectifies short-lived races but does seem to... kind of care, otta fetishizes them but seems to... kind of care, mithrun's squad only get to be patronizing for a bit before it becomes apparent they bit off way more than they could chew, and mithrun isn't invested in these designations anymore. but the elves that found rin treated her like evidence, then like a toy, and then they got bored and ignored her, and then she was evidence again, and then she got adopted out to elves who kept her like they would a pet. miserable fucking experience, and a very thorough and efficient way of expressing just how little the elves are socialized to consider the humanity of the other races.
as for her relationship with kabru... i'm glad they had each other around. it's impossible to be surprised that she latched onto him in her circumstances, and i think it's sweet that she was the one he stuck with (despite the implication that milsiril was raising other children alongside him that he ostensibly would have spent more time with).
i also love how apparent their closeness is! rin gravitates to kabru, and if i'm remembering right, most of the time she speaks it's to him. that immediately established to me that she is uniquely comfortable with him, and interestingly it goes both ways! it's less apparent with kabru, because he's a lot more social than she is, but vitally, he lets the mask slip with her. she's the only character he goes out of his way to tease, and sometimes he takes it a little bit into "alright that was kind of mean" territory, which sucks of him but is kind of the point. kabru's interactions with rin are the earliest ones where we see him fuck up or be a little bit of an asshole, and that's almost certainly because she is a person he feels comfortable enough with to not try to game every conversation. kabru being a little bit of a bitch is the first time we see him not trying to be charismatic. and she gives it RIGHT BACK lmfao it really conveys the feeling that these two are kind of "safe people" for each other, even if they're bantering a little meanly. very charming, top-tier childhood friend dynamic, no notes.
editing to add:
^ YEAH THIS IS IT thank you @gerrykeay i think this really captures the spirit of her revulsion with regard to things like magic school (and its graduates), etc... she seems to think of magic school as this sort of lofty opportunity only people with a certain level of social standing are able to access (which seems to hold a level of truth) and reject it on the basis that something like that is fundamentally incompatible with who she is as a person, and that's probably the same reason she remains unaffiliated despite knowing practicing magic without organization ties is potentially dangerous for her. these systems rejected and failed her family and her, so she rejects them in kind.... god i'm so obsessed with the way practically every character has a main character backstory and motivations this really is like a ttrpg lol
#anon#ask#rinsha fana#kabru#dungeon meshi#dungeon meshi spoilers#thank you this was fun to think about#severe problems
70 notes
·
View notes
Text
And here are Dire and Madness, dark Twilight and dark Four!
Rambling and more art beneath the cut as has been standard :) only two more left to do and guys I love them
Masterpost
Dire
Dire is dark Twilight.
He and Twilight share one major trait: they are protectors. Not even a process that bastardized Sky’s kindness could take that away. By no means is Dire nice, however. He is a Twilight that has lost all control and doesn't care to regain it, because that would mean facing all he's done. Some part of Dire is aware and suffering, but he purposely buries that part.
But on the surface that he presents and identifies with, Dire lashes out at everything that causes him pain—which is a lot of things. Dire is no different from the other Darks, in that he can't stand the light and gets annoyed quickly. He doesn't often speak, and nobody is really sure how much he really understands of what's around him. He acts more like an animal than a human in a lot of ways, and is often a little more cruel than he has to be. He's unnaturally strong and quick, and his weapons of choice are his nails and teeth. He indulges his brutal urges because the alternative is thinking.
For plans that require destruction and fighting, the Darks let Dire run out first. He could probably fight an army on his own, provided that he has plenty of darkness and an enemy without too much strategy. He's powerful and extremely dangerous. Due to that, the Darks don't let him run free. They use the shackles around his wrists and neck to keep him nearby and out of maiming range. When they do let him out though (to hunt or fight or exercise or whatever), he always comes back…
Because Dire is a protector. He leans more offensive than Twilight, but Dire too knows friend from foe. He doesn't always care, but Dire has sorted the other Darks as “friend” in his head, and he won't let anything hurt them except for themselves, if he can. He's particularly fond of Madness and Nothing, and has been known to grab them and not let them go, even when they start biting.
Dire’s design pulls a lot from the fever dream in Twilight Princess: gray skin, blank eyes. He has longer, more matted hair than Twilight. His claws are wicked sharp, and he wears tattered clothes without shoes. His wolf pelt is the softest thing about him, and it really should be washed. His markings are a bit more dramatic than Twilight’s, extending down his cheeks and arms and legs.
Despite the markings, Dire does not have an alternate form like Twilight. Well, he might, but he was never cursed the same way, and this technically is his dark world form. Some combination of magic might give him the ability to shapeshift, but he doesn't need it. He's bestial as it is.
Madness
Madness is dark Four! There is one big question here: is Madness the same person as Shadow from the manga?
Yes and no! Madness and Shadow do not exist at the same time as separate individuals. They were both made from Four’s darkness, but for different purposes. Shadow really did die when he smashed the mirror, and this isn't exactly a second chance… but it might be. Think of it like this: that body is a computer. Shadow was an operating system there, logging away memories and performing programs. Madness is on the same computer, but is a different operating system (a weaker one, really). However, those memories and personality from Shadow still exist, buried and only subconsciously influencing Madness’s behavior. They act eerily alike sometimes, not that anyone but Four would notice. Perhaps someday, Shadow’s OS will break through and become dominant, but even if he did, he wouldn't be the same. Madness would still be there.
“Still rivers run deep”—to me, this is very much Four. One body, four colors; a deep knowledge of his chosen trade; a rather serious demeanor with a lot of variety and thoughts; plans and ideas backed up with a combination of emotion and logic. He's balanced. In contrast, Madness is a “fast river running shallowly,” an unbalanced amalgamation of too much, all at once, a broad variety with little substance.
Madness is a little… unhinged. He's clearly smart, but he speaks in roundabout ways, making connections that don't exist or are too convoluted for anyone to follow. He stares into the distance a lot, and can be quite unnerving if you try to notice how often he blinks (rarely). Nobody can really decide how much of his behavior is on purpose or just how he is. When let loose, Madness shows unparalleled capacity for complex plans, but he doesn't always know how to hold back and often goes overboard. He'll beat that dead horse, and bomb those charred ruins, and smash that fallen vase… You get the picture.
A lot of these Darks have an odd magical power, and Madness’s is one of the more prominent ones. With a touch, he can attempt to bury a bit of his power in the mind of a sentient being (human, Rito, Zora, Minish, etc) and turn them into a thrall. While a being is a thrall, their eyes turn red and their consciousness goes to sleep. Madness can give them mental commands, and they technically work under his processing power and not their own, so no matter how vague the commands are, they do what he means them to do. Madness can also jump into thralls’ heads to pilot them specifically, seeing from their eyes and speaking from their mouth. He doesn't magically know everything about the thrall, though, so he still has to try to impersonate, and that doesn't usually work well. While he pilots, Madness is still technically in his body, so he will say out loud anything he's commanding the thrall to say, which limits his opportunities to trick the others.
Without commands, the thralls sit in still silence, which means that over extended periods of time, Madness does have to worry about food and rest for them. The more thralls he has, the less effective he is, because his focus is split, even if he isn't directly piloting more than one person at a time. If he lets someone go even for a moment, the connection is severed entirely. He absolutely refuses to use any thralls in a combat scenario, because he feels their pain, even though it's fainter when he isn’t directly piloting. He uses thralls instead to gather information, start rumors, purchase/steal supplies, and often just cause chaos.
Madness is actually rather genre-aware. He knows that their schemes are destined to ultimately fail, because the Darks are the “bad guys” and they will lose. As such, he's hedging his bets and logging away information for an inevitable betrayal to the Lights. He does not intend to be on the losing side when it gets down to it. He has half-baked plans to snatch a few of the other Darks and take them with him, too. Madness absolutely does not take any sort of leadership role, which means that he doesn't feel any responsibility to rein in Nothing, making him Nothing’s favorite. Madness also spends time hanging out with Dire, who he thinks understands more than he lets on. Those two would be his first choices, and he thinks Nothing might know that. (This is not at all related to the fact that Shadow’s memories of betrayal are both sweet and bitter.)
Madness does not get along well with Agony—Madness prefers chaos and mind games over Agony’s stab-first approach. He purposely annoys everyone else. Along with Depth and Shackle, Madness is one of the few Darks who can pass as human, so he's been on a few excursions into towns or groups, and he likes emphasizing his unnerving traits. He'll use a sword if he has to, but prefers bombs and words. He doesn't have any powers from Shadow (shapeshifting, stretchiness, whatever else), but he is very sensitive to light, like most of the Darks.
Madness casts a wide net, putting on an air of randomness with a sprinkle of insanity for flavor. He connects more dots than he appears to, though, and has a few unexpected urges toward the light. Make no mistake, though, he is a Dark, and he has no intention of doing good just to do good. His ultimate goal is to survive the Dark Chain’s fall, and beyond that… traveling? Therapy? Living at home with people he doesn't hate? (Why does he feel an emotional connection to his Light? Why does he want to protect him? Why does he want to exercise his freedom? Why does it feel like he's running out of time until—)
#my art#lu z darks au#linked universe#sorry for the low contrast dire there#had a hard time with some of these colors#ugh tumblr messws up my posts
75 notes
·
View notes
Note
I am fond of you Derek turning into a more muscular and/or hairy guy if that's the kind of request you were looking for? Love your stuff though regardless it's hot and well done.
It all began the morning after Derek had assumed his new Alpha title. Stiles had slept over, cuddling up next to his boyfriend when he'd jolted up awake as soon as his hands had brushed up against something unfamiliar.
"What...?" he trailed off, his eyes wide at his boyfriend's chest that he usually used as a pillow.
"Hm?" Derek sleepily yawned, wondering what his smaller boyfriend was panicking about.
"Der," Stiles mused, "your chest. It's... really hairy."
The werewolf cocked his eyebrow up at his boyfriend, running a hand over his pecs. Sure enough, the werewolf's previously smooth chest was now covered with black hairs. They spread out over his pecs, running down across his stomach before connecting to his bush. The hairs curled and looked thick enough to where one might've guessed that Derek had always been rather hirsute. His pert nipples poked through the dusting of hairs, looking hard. Plus, Stiles hadn't noticed it initially, but Derek's square jaw was also covered by a thick beard that looked like it'd take weeks for a guy to grow... not just a few hours.
Derek's eyebrows knitted together as he ran his hands over his hairy chest, his heart starting to race. However, just as soon as the worry began to trickle in, it disappeared.
His face smoothed out and he yawned loudly, gently placing a hand on Stiles's head to pat it back down to his now hairy chest.
Stiles wanted to argue, confused over both his boyfriend's sudden change and different attitude. He knew that Derek should've been freaking out and wondering what was happening to him, but instead his boyfriend acted like everything was normal.
He tried to ignore it, but as Stiles rested his head back down onto Derek's chest, something about the way he had to crane his neck alerted the human to something else.
"Derek!" he gasped loudly, sitting back up and tearing the covers away from his boyfriend. "You're... bigger!"
His boyfriend had always had a pretty toned physique, but now it looked as if Derek's chiseled pecs were now significantly larger and much more plump than they should've been. Without the covers over him, Stiles could also see that it wasn't just Derek's chest that had grown larger. His boyfriend's arms seemed to have doubled in size, looking thick and powerful as he lied on the bed. Even his legs were larger, his quads pressing tightly together and shoving his bulge (which seemed to stretch out his underwear more than usual) out in front.
And of course, every single larger muscle was covered in dark, manly hair.
"Stiles," Derek groaned, going so far as to roll his eyes, "everything is fine. I feel fine, there's nothing to worry about--"
He was interrupted when his phone alarm beeped, letting him know that he had to get out of bed, making him frown.
With a groan, Derek rolled his hairy bulk out of bed, the frame squeaking much more than it usually did as he moved. His heavy footsteps thudded over towards the dresser. As he walked, Derek noted how odd it felt to have his thighs rolling over one another, and how awkward it was to have his muscular arms resting at a ninety degree angle atop his flaring lats.
Stiles watched in disbelief as Derek nonchalantly attempted to get dressed in his normal clothes.
"Damn," Derek growled as he examined himself in the mirror. With his new bulk, none of his clothes fit him anymore. He couldn't get any of his jeans up past his massive quads, having to throw on a large pair of sweats that used to be baggy on him. Now, the material was skintight, showing off his meaty glutes and enormous package in front. The t-shirt he'd grabbed barely wrapped around his torso, ending above his navel. It had torn significantly across his large muscletits, showing off the hairy cleavage that he now possessed. There were two large bumps on the front from where his larger, nubby nipples poked against the thin cotton.
Stiles watched as Derek paled in the mirror, his beard-framed mouth opening like he was about to voice his concerns, but again, Derek seemed to instantly relax. He shrugged his broadened shoulders.
"I think my clothes shrunk in the wash," he chuckled, gesturing down at his hairy muscles.
"Derek!" Stiles cried, throwing his hands up in the air. "It's not the wash, it's you! You've turned into a hairy bodybuilder!" As crazy (or crazier) as it seemed, Stiles could've sworn that he'd watched Derek's hairy pecs balloon out a few more inches in those few seconds.
Derek took one last look at himself in the mirror, seeing how large and imposing he looked with his incredibly large, round muscles and the thick, masculine hair that coated them. He couldn't help but smirk back at his shocked boyfriend, flexing a large, hairy bicep. As his massive muscle bulged to the size of a bowling ball, the tight sleeves of the t-shirt burst apart.
"I'm not a bodybuilder," Derek smiled at his boyfriend, giving him a playful wink. "I'm the Alpha."
#muscle#musclegrowth#tyler hoechlin#bodybuilder#derek hale#pecs#hairy!derek hale#hairy chest#muscles#sterek#stiles stilinski#curse#unaware#Asks#Requests#Alpha TF
98 notes
·
View notes
Note
Since requests say open
Can I get knockout and Shockwave with werewolf reader (not the transforms only on a full moon kind but the basically always able to transform, also not very scary just fluffy creature)
A/N: I basically went with the twilight type of werewolf (or at least what I remember of them), because that’s the only “fluffy, not very scary” one I can think of, also they’re biiiiiig. The reader is their partner/s/o so they’ve got a romantic relationship
~Shockwave~
•Shockwave is probably more interested in the whole werewolf thing on a biological/scientific level
•If you let him, he’d like to scan you, take blood samples, and other stuff like that
•He’s just interested in how the whole transformation thing works for you, because the mechanics of it seem way different than for his kind
•You sometimes sleep in the lab, just on some counter, in your wolf form
•Shockwave is aware that humans pet dogs, and the dogs enjoy it, so he’s wondering if the same would apply to you
•So one time you’re asleep, he starts giving you some scratches behind your ear
•You seem to quite enjoy it, and he’s absolutely enamored with how happy you seem to be when he pets you
•He doesn’t really do it often, because he doesn’t think it’s necessary or a thing you would need, but he does still think it’s nice
•Shockwave thinks it’s odd that you don’t seem to match much of the lore he ends up reading about, because you’re very much a real thing
•You explain to him that most people don’t actually think werewolves are real and that most of the stuff online is just flat-out fanfiction
•Shockwave learns that he shouldn’t believe everything that’s on the internet
•Because he asks some very weird and uncomfortable questions based on his online research
•You’re just like “No, no no no, no no, no nope”
•Shockwave doesn’t really see you as a normal human, though you’re the only human he knows so he doesn’t really have a benchmark for a “normal human”
•He thinks of you as a werewolf, which you’re not offended by, because that’s what you are
~Knockout~
•The first time you transformed into a wolf in front of him, he was pretty freaked out
•In his (very loud) words “How the scrap did you turn into a dog?!”
•You walk up to him and bark at him playfully, and he thinks you’re the cutest thing ever
•Then he just basically starts baby-talking to you, because “puppy!”
•You of course can’t answer, because wolves can’t talk, even in the case of werewolves
•It’s honestly a bit weird, because if you showed a human this side of you, they would run away screaming, but Knockout’s reaction is “puppy” because you’re basically the size of a normal dog for him
•There’s a sort of “magic aspect” to this that your clothes become a part of you during the transformation, so you’re clothed when you turn back
•He of course has a ton of questions, main ones being “What?” and “How?”
•You’ve been werewolf since birth, but the traits only started presenting themselves when you were about 15
•You mostly find the “puppy” comment to be funny, but it ends up becoming a pet name that Knockout uses for you all the time
•It grows on you, but you weren’t that fond of the name at first
•You have to transform every once in a while, or you start getting this itchy kind of feeling and it starts driving your crazy
•You also just like running in the woods and feeling free so Knockout bridges you to places around the world where you can run
•Sometimes you like sleeping on Knockout’s chest or lap, and he likes to pet you, which you enjoy as well
#transformers#tfp#transformers prime#decepticons#knockout#shockwave#tfp headcanons#transformers fluff#reader insert#tfp x reader#transformers x reader
44 notes
·
View notes
Text
@lightandfellowship re: your tags on this post (just to kind of bring this out to a different post).
I was thinking about making a separate post to expand on those tags anyway because they were a little off topic to the op, but I was like, you know, it's that Xehanort was worse to the Dandelions than Luxu was, yes. But Luxu was supposed to be that callous to the Dandelions in the first place. He was supposed to think of them as tools and to just let whatever fucked up thing was supposed to happen to them just happen. And with anyone else he can, but he can't put his personal feelings aside enough to 'do what needs to be done' for this set of people alone.
But Xehanort can.
And I think that's really interesting when looking at Xehanort as the 'replacement Luxu.' Xehanort who, as observed by another post I don't have immediately to hand, speaks with MoM twice. Xehanort who is chosen by MoM and manipulated into doing his bidding the same way Luxu was, given the same coat and made the heir to Luxu's keyblade, Xehanort who actually is allowed to take action to bring the Keyblade War about and revive the Lost Masters while Luxu is only allowed to watch.
Actually I started this post with a different thesis ('Xehanort is able to put his personal feelings aside and be ruthless even where Luxu fails to follow his role') but writing that paragraph I've changed my mind actually. Because Luxu has basically no agency in this situation, whereas Xehanort does.
Like, both of them are assigned roles by their mentors but Xehanort isn't really given a road map about how to fulfill his role. He's being manipulated, sure, but he's also making choices himself all along. They're choices that are fucked up but he understands they're fucked up and is choosing them anyway because he strongly feels it's necessary for the greater good.
Luxu has been told these things are necessary for the greater good. He's been told what to do. He's been told to just watch and that he can never take action. He doesn't even have the illusion of agency that Xehanort, who is actively choosing to lean into his feeling that destiny is inevitable, does. What is that like, to live hundreds of years never having any sense of agency? For Luxu, helping the Dandelions is fucking up. It's doing what he knows he's not supposed to, what he's been told is against the Plan, but he has no agency and this is his little way of rebelling, even if this is, to us, the 'right' thing to do. There's a question of what actually is 'right' and 'wrong' here and whether Xehanort is a 'better Luxu' than Luxu for choosing to simply follow The Plan.
Also I'm rambling here but putting things together as I go, sorry to also expand on other tags on posts I reblogged from you lol, but like. Luxu also very clearly has Lucifer stuff going on, the same way Xehanort does, down to the name. Xehanort takes on the Satan imagery over time - but it was Luxu's first. And Luxu is the one who actually tried to rebel against his Creator by deviating from his role (only to watch) and intervening with the Union leaders.
The thing about angels is they are not, in Catholic traditions (I can't speak to other denominations) is that they are not supposed to have free will. Free will is for humans; angels only follow The Plan, with no agency or say in the matter. They're messengers and avatars created only to execute the will of God. The Foretellers seem to play this role, if you will, in relation to Master of Masters. He hands them roles to execute the plan he's already designed. If we're, in this analogy, considering Master of Masters to be in the role of 'god', both Ava and Luxu are ultimately fallen angels - they both question the will of their creator, both rebel - but Luxu rebelling was built into the plan. He is Lucifer, and Lucifer rebels, and so he was still allowed to come back to the fold at the end of kh3, having fulfilled his duty even considering his rebellion. He still had no agency in the end, even having done what he thought was exercising it by saving the Union leaders.
Anyway I'm just rambling on at this point and don't really have a conclusion to this but the whole interplay between Luxu and Xehanort, agency and servitude, angels and devils, light and dark, feels really compelling to me.
#not to be getting theological on main here either but also to do that#I have more than a decade of intense religious education and even though i no longer do organized religion like#it's a topic that kh seems to have a lot of themes kh engages with#Luxu#Xehanort
37 notes
·
View notes
Note
So I'm personally a fan of fics where the characters react to their show/game/book/etc, and how they react to the things they never would have otherwise seen. What im saying is, In what ways do you think ratio would react to seeing aventurine in that last update? Seeing his past cutscenes that got shown, his conversations with his future self and seeing Aventurine's child form as well. Because theres so much there that ratio never would have gotten this perspective on otherwise and I have to wonder how hed feel about it. He probably already guessed that Aventurine had a rough life since he knows he used to be a slave, but thats different from seeing it first hand in his memories and to hear him basically admit to himself that hes tired, wishes that fate didnt curse him with his blessing, and really just wants to die. Like theres so much to explore here, especially from the view of Ratio who genuinely wants to help humanity seeing this
Oh that's a good question! The first thing that comes to my mind is that the more Aventurine expresses his desire to die, the more Ratio would be stressing out about the possibility that he might forget to open his note, that Aventurine might never know that someone did care. And he would be beyond relieved once Acheron does remind Aventurine to read it.
As for him witnessing Aventurine's past, I think that after seeing everything he went through, he would feel kind of guilty for not realizing that the power of the Harmony would put him back through all those bad memories and for not being there for him as he slowly fell apart (even though Ratio staying away and pretending he didn't care was part of Aventurine's plan). At the same time, he would also be impressed by Aventurine's resilience, by how he managed to make it out alive despite all the odds that were pitted against him. It would confirm what Ratio already suspected: that Aventurine is far more clever than anyone gives him credit for.
Most of all, I think Ratio would be dying to find a way to reach out to him, even in a situation he knows it isn't logically possible, because he sure cares so much for Aventurine, though he might not be the greatest at expressing it. I can also see him scribbling on his tablet as he writes down everything he should say/do the next time he sees Aventurine, because the last thing he wants is to screw it up and to make Aventurine feel even worse about himself.
(Oh, and after seeing all that, he would be furious at Sunday for the psychological torture he put Aventurine through)
I'm sure there would be many more things to say about his reactions, but this is what first came to me after reading your ask! And once again, thanks for sharing your thoughts about them with me 😊
25 notes
·
View notes
Text
The Lost Sister - Part 24
Synopsis: Xaden is known as an only child due to his sister who 'died' during the Rebellion. Little do they know she didn't die and has been so close this entire time.
Garrick Tavis x OC
A/N: Just want to say thank you to all of you who have joined in on this series in the last week. There is so many of you now! Hope you're enjoying it! This week is a smaller one, but I can promise you will not be disappointed with some of the stuff you will find out. Enjoy!
The Lost Sister Masterlist | Masterlist
It feels like I blink and December flies by. And with it, the return of challenges. We had been given a break around threshing. Giving us time to adjust to our dragons, the new training we had to take up, and any signets that might manifest. Which was probably a smart idea. There were plenty of signets amongst the first years that could have been deadly if they manifested in a challenge where no rules were in play. I hate to think what my signet would have done if it manifested during a challenge.
But now I had the challenge of not using my signet during the challenges. With a classified signet I was restricted in what I could show around the other students. The only place I was technically allowed to use my signet was around Carr. So far he seemed impressed with the progress I was making. Well the progress I was willing to show him. Which so far was moving objects and even him around. Controlling a human was way harder than an object. That night of the attack had seemed so easy, but Carr had informed me due to the situation I had probably delved deep into my power to save myself. I had made that cadet drop that dagger as if it was natural and something I had willed. Carr was a different story. He looked like a puppet. His movements were janky and rigid. I had to remind myself I was also going up against someone who knew how to shield very well. Another thing I would have to learn to break through he told me. Something I would have to practice with Xaden or Garrick in our training sessions after classes.
Outside of Carr’s private sessions I now no longer needed to delve into my mind, into that courtyard to focus on someone’s mind and sense what they were feeling. I was starting to pick up on more their strengths, weaknesses and emotions. I was getting small glimpses into their mind. Nothing solid that I could pinpoint what it was, but it was progress. Progress I hoped I could turn into reading opponents intentions. Not that I needed it. Melgren’s training had taught me how to read my opponents movements and stances, to predict what their next move might be. But only time would tell.
As the rest of my squad head to another round of challenges, a round I could tell Violet and Liam were extremely nervous about, I walk through the door to Carr’s classroom. And it’s clear this lesson will be different to the last. Standing in front of Carr is Dain Aetos. The only other cadet in the quadrant with a classified signet. Dain turns as I walk in, his eyes narrowing, clearly not expecting me either.
”Excellent, you received my note.” Carr says with a smile. “You’ve proven you can handle a weapon without any issue so I thought we could use the time to strengthen your signet and test Dain’s.”
Dain turns his head back to Carr, confusion written all over his face. “And how do you expect to test me sir?”
Carr gives Dain one of the smiles that always sends a chill down my spine. “Miss Riorson here has a very very rare signet. The first of its kind. And if the tomes I have studied over the years are anything to go by, she should have a very powerful shield. One so powerful, it should be able to stop anyone from accessing her mind.”
Shit. He planned to see if Dain could access my memories. And if Carr was wrong, Dain would have open reign on everything I know. Everything from the rebellion. Everything from my time with Melgren. And everything that had happened since I had been here. Including the information I now knew about the weapons smuggling and the Gryphon riders. Shit.
Relax. You will be fine. He will not be able to get anything. Mealladh says confidently in my head.
So Carr is right? I ask, relief washing over me.
Yes. You have a very strong shield. Even before I chose you and you manifested your signet. It is one of the reasons I chose you. No one without a dragon or a signet should have a shield as strong as yours. The colonels son wont be able to make a dent in it unless you let him in. Which for you, can be harder than learning to shield for most cadets. You won’t have to do a thing.
Mealladh’s words fill me with confidence as I walk over and drop my bag next to Dain’s on the floor. Carr merely nods at Dain and motions towards me. Signalling to start. Carr had not uttered a word of Dain’s signet. He assumes I don’t know what it is. Probably hoping if he is wrong that I will have no time to stop what is coming. But Xaden and Garrick had known. I assume as those higher up in the Quadrant they had access to the information. I had never asked how they knew. I just knew to avoid his touch. But right now I had no choice. I just had to hope and believe what Mealladh said was true.
Dain turns to me and holds his hands up, hovering either side of my head. He’s nervous. “My signet relies on touch. You ok if i-”
”Just do it.” I tell him sternly, cutting him off.
Dain nods before placing his hands either side of my head, closing his eyes as if needing to focus. But I keep mine open and focused on him. I watch as his eye brows furrow in confusion, as if not expecting what he finds. Or what he doesn’t find. I can feel something faint, very faint at the edge of my mind. The sensation remind me of a feather being dragged across my skin. I hadn’t tried to put my shields up like Melgren taught me. It was like they we’re already there. Already solidified in place. Unbreakable. I feel the sensation again, as if the feather is trying to break through. I can see Dain’s face shift at the effort. As if he is trying to hammer through my shield with great force. But to me, its as if barely anything is happening. I do what Melgren had taught me, slamming up the shield. I watch as Dain recoils as if shocked, his hands leaving my head as his eyes fly open, his chest rising rapidly as he struggles for air.
”I-I couldn’t see anything.” He tells Carr, his eyes still focused on me.
Out of the corner of my eyes I watch Carr smile again. “And let me guess, you tried to put up an actual shield at the end there?” His question directed at me.
I nod. “Yes.”
Even as I keep my eyes on Dain who looks like he is still trying to figure out what happened, I see the joy in Carr’s eyes. The joy at being right. I know as soon as I leave this room he will send word to Melgren of this new discovery. I had no doubt I would be tested against other cadets in the quadrant who bore mental signets. But I knew none we’re as powerful as Dain. The only exception might have been Jeremiah. Could a full innistic penetrate my shields? I would have no way to know seeing as the quadrant killed anyone who manifested that signet.
”Excellent. You are both dismissed. Feel free to head to challenges if you so wish.” Carr says with a flick of his had before turning to his desk and grabbing a roll of parchment. Another note of Melgren.
Dain and I leave the classroom, Dain rushing off towards the challenges. I roll my eyes before following slowly behind him. Maybe I can catch the challenge Liam and Violet we’re so worried about. As I go to round the corner to the gym, a voice in my head stops me in my tracks.
Shit. He’s gonna kill me cause she got hurt. Shit.
A voice that is neither mine nor Mealladh. It sounds almost like-
I round the corner and pacing back and forth is Liam. Liam whose voice I just heard inside my head
Part 25 (coming soon)
@riorgail @going-through-shit @fw-gt @bbkissme99 @xceafh @leptitlu @came-to-laugh-but-cried @onthewaytotimbuktu @daardyrnitta @lovemesomevesey @mxtokko @krowiathemythologynerd @callsign-blue @1islessthan3books
#fourth wing fanfic#fourth wing#garrick tavis#garrick tavis x reader#garrick tavis imagine#garrick tavis x oc#fourth wing x reader#fourth wing imagine#xaden riorson
26 notes
·
View notes
Text
An Open Letter to a Professional Author
I came across a writer here who I imagine will probably never see this, but their presence was enough to make me pretty mad for two days now. I've decided to pen a little statement to this Long-Term, Professional, Full-Time, Published Author who makes a habit out of being deeply unpleasant in a way that apparently has only attracted an audience of other deeply unpleasant people.
People here seem to like it when I get mad. So, uh, enjoy?
Dear Professional Author,
I came across a post of yours on some feed here the other day and enjoyed your commentary. It was one of those writing memes that sort of called attention to actually writing as opposed to just thinking about your project - the kind that people usually respond to with some sort of joke expressing their repulsion at the concept.
You responded with distaste and I generally agreed. The tone was a little aggressive for me, but that kind of humor also leaves me generally confused. I personally ended up concluding that the self-deprecating humor was a coping mechanism for a larger issue that keeps these people from writing - intimidation, lack of confidence, physical or mental pain, things like that. You seemed to think it was a matter of will, which I found to be an approach that at the very least was well-intentioned.
Turns out it wasn't.
First off, I should say that this isn't about your political beliefs. Your political beliefs that are really more like general human beliefs. I don't want to get into that. Instead, I just want to talk about your writing. You are a full-time, published author, as you say in nearly post where you talk about writing. A major point of pride to you seems to be the fact that you are traditionally published. Any other method doesn't seem to be as legitimate to you. That's interesting to me.
You also don't seem to have much of an audience outside of people who mainly come to agree with your politics. I didn't really see a single positive interaction between you and another writer on here for as much as I was willing to scroll through your blog. That's also interesting to me.
I didn't spent too much time on your blog once I realized that you were definitely not the kind of person I would ever want any interaction with. What I did want to do is use your presence indirectly to prove a point that I've been wanting to get into for some time now.
To put it simply, I'll say this: a career in professional writing is not actually as cool or important as you might think it is.
Now I'll be direct and say that I've never been traditionally published for anything longer than a short story or long-term, unpaid column. You don't give any details on any of your writing, as far as I've seen (Once again - interesting!), so there's a chance you've made more in contracts and royalties than I have. But I'm a working writer. I've had a career in ghostwriting and technical writing. I've written and produced plays that have been featured in festivals in multiple states. I'm not speaking from a place of no experience, is what I mean to say.
What I also mean to say is that - while I view writing in many ways as a spiritual and healing act that I couldn't live without - it's also a job. It's not always exciting, and even when it is exciting it's only exciting to me. I consider the best date night to be when my wife works on video game development while I write my draft. I leave the house on a regular basis, but it's mainly to go to different places to write.
In short - I love to write, but I don't think it makes me cool. Or interesting. Or valuable. Or intelligent. Or just generally fun to be around and talk to. These are things I strive to cultivate in other aspects of the way I live and grow as a human being on this planet.
Being a Professional Author in one particular genre doesn't give you authority over the craft as a whole. You can't just throw yourself into conversations and start with I'm a published writer and assume that means you have the final say on any discussion. Believe it or not, in many cases it does not matter.
Lots of people are published traditionally, and it does prove some level of validity in their line of work. But there are a huge variety of people in the world of trad pub. There are people who write books in genres that don't apply to writers here. There are people who write books that aren't very good. There are even people who write trad pub books that are very good, but their careers are sullied by the fact that the authors themselves are not good people.
Being a successful writer does not mean you're a good person. Being a writer at all does not mean you are a good person. I believe in Death of the Author to an extent, but when that author insists on making a presence on a public website and doling out advice and opinions to other writers the lines start to blur considerably.
Writing is a job. You work it over a period of time and learn skills and strategies that work for you. The same applies to virtually every other job, including ones that society views as less romantic as something in the arts. Can you imagine me breaking into your home while you're making lunch and telling you how to arrange your cheese slices based on what I know as a full-time, professional sandwich artist at Subway? You might be interested based on leaning something you didn't know about a place you might've eaten at before. But that does not entitle me to your respect on its own.
I am not entitled to your respect based on how well I learned how to make a sandwich based on my hypothetical career at Subway. Just as I don't deserve it solely because I know two card tricks, can get out a variety of stains, read most of the works of the major beatniks, can make a really good carbonara, or any other specific about my life that ultimately does not play a huge part in who I am as a person.
When I am on my death bed, I hope to god the core of my character was not the fact that I typed stories from my brain until I got carpal tunnel. If my obituary begins and ends at "writer", no matter how positive the qualifier is before that, it will be the greatest failure of my life.
Because I am a writer. But that does not matter. It does not matter if you're a writer. It can be fun and enjoyable if you are, even better if you make a living at it, but it doesn't mean you'll be happy. It doesn't mean people will like you or perceive you to be the leader and teacher you might think you are. It certainly doesn't give you a free pass to throw cruelty at strangers for truly no real reason.
Professional Author, you had a chance to raise up the next generation of an industry I assume you must value. You're choosing not to, and that's fine. You don't have the obligation to. You do have the choice to not get involved and pretend to give advice that ranges from vague to untrue. You seem to be taking that responsibility very seriously.
It's like some twist on crab mentality, where instead of dragging crabs trying to escape the bucket you're swiping at anyone who tries to crawl in with you. Then, as they struggle, you're looking down at them and making comments on how easy it is to get in the bucket, if you only just do it and maybe read some books.
To all of us, I say this: question authority, even in the arts. Especially in the arts. Nobody knows as much as they say. That includes me, but I do know this - any branch of publishing feels really good. It's scary but it's fun. If you're traditional published or indie published or self published, it says nothing about how good your book is or how good you are as a writer or how valuable you are as a human being.
Don't be this lonely bucket crab. They seem mean and I'm tired of talking about them.
Best Regards,
Clove
#writeblr#writing community#writers on tumblr#on writing#writing#authors of tumblr#writer community#writing inspiration#writing inspo#writing rants#personal#clove is angry
22 notes
·
View notes
Text
0-4 is here, never fear.
I figured it out. Saiki keeps repeating himself so that the time loop reveal is more impactful. Or something. He is mentally preparing us for the neverending comedy shenanigans to get serious. Let’s pretend that’s Asou sensei’s intent.
This chapter is entitled “Chapter four: Precognition,” so I look forward to seeing how it addresses this very interesting power of his.
I have always liked that Saiki’s precognition is only totally random snippets without context (and comes along with a headache.) That’s a good limitation to put on a power like that, and it makes a good hole in which to plug Aiura further down the line (if you’ll excuse the strange wording.) Saiki then says “It would be the best power if only I could see exactly where I wanted to in the future…” So he thinks Aiura’s power is the best power…
I do like how this manga gets kind of meta in terms of: there’s the repeating format of “I am a psychic, but my abilities suck and here’s why…” but with a different ability each time, and a totally different character as well. It does give these first chapters a bit of a time loop feel. I wonder if a fan or an editor made some kind of comment in this vein to Asou sensei and he decided to run with it. I mean, he probably just thought of it as a convenient format to use, taking into consideration that a lot of people would be starting off by reading chapter two, or three or even four instead of chapter one of his first manga, since it was brand new at the time. And since the releases were pretty spaced out. Anyways.
I love how much fate just literally hands him very distinctive people. Even when Saiki isn’t accidentally doing things to attract them or being way too kind, he still ends up in all these scenarios where nothing but fate could make him collide with all of these people. Makes me think of the episode where Saiki is watching TV and it’s just one person that he knows after another.
XD Nendou conquered the slit…
I can’t decide if this is sarcasm or if Saiki likes human body part shaped objects. Judging from all of his earlier rants about muscles being gross, I’m going with sarcasm.
The fact that Saiki went out of his way just to do that for Nendou is touching. And very extra. I know it was because he thought Nendou would die otherwise, but still. He didn’t have to follow up with a text. That part was just to spare Nendou’s feelings.
He swapped her cell phone and the bowling ball… I guess those two items cost the same amount, a flip phone and a bowling ball… hmm.
Also I like Nendou having more emotional intelligence than Saiki. All of his friends have something that he doesn’t have; maybe that’s the common thread between them (aside from them all being a little strange.)
Alrighty! That’s the end of 0-4. See you all tomorrow for 0-5. 💫
#yet another post in which I try to demonstrate that a picture if worth a thousand words merits a few dozen at the very least#i hope u all are enjoying my mostly pointless commentary#I for one am having a ball#that’s what’s important right?#also this way I can go back through my archive of posts whenever needed to refer back to notable parts of the manga chronologically#read-saiki#read-saiki 0-4
21 notes
·
View notes
Text
“You’ve broken me. All I can think about is you.”
Pairing: incubus!Adam De Micco x unnamed OFC
Content Warnings: mentions of death/dying, mentions of life/soul transferring (???), (im not entirely sure how to tag any of this to be completely honest)
Word Count: 600
Prompt from this list
“You’ve broken me. All I can think about is you.”
A/N: kind of a continuation of Adam’s Version. Also kind of just a mish mash of words.
Tag list: @circle-with-me @foliosriot @cookiesupplier @concretenoah @sitkowski @dominuslunae @poisongirl616 @deathblacksmoke @Gretavanomens
If you would like to be added, please fill out this form!
Adam Masterlist
“You’ve broken me. All I can think about is you.”
A statement that was more like a plea, I stood firm, willing away the unpleasant feeling coursing through blood. Until now, I’d never feared Adam. Other than being a demon, he’d never given me reason.
Sinfully beautiful and dripping with faux innocence, his smile blinded me.
“My sweet lamb, that’s entirely the point.” His voice held no remorse or sympathy for the way he’s ruined me.
I suppose I can’t blame him because he’s right. Adam’s sole purpose is to wreak havoc, make me helpless, crazed, and so reliant on him that I become involent. He’s to strip me not only of clothes, but my humanity and will so I’m less inclined to resist the inevitability of my demise. Seduction was an art, and by the Devil, Adam was a master.
Naive I may be to think I’ve somehow had a positive influence on him, this creature of dark nightmares, but I hadn’t given up hope yet. I was bought, a purchased good, but I still believed that somewhere in the depth of his demonic heart and the place where his soul used to be that he cared for me—more than he’d admit.
He stole less of my life every visit. Often, he’d bring me morsels of others to replenish what he stole. Did that make me the same as him? I didn’t feel any different.
“You let me feast on you, allow me the pleasure of returning the gesture. You taste better when you're alive and full.” He’d say, pouring essence into me. Those kisses and intimate moments were my most cherished. He was most tender and lovingly giving me life.
Perhaps Adam was lying to himself like I was myself. He’s been this way for longer than he can remember. Maybe he’s just forgotten what it’s like to love. He’s capable of it, I’m sure.
I knew my fate was sealed the second he appeared in my unconscious mind. Death would sing her hauntingly beautiful melody and soon I would have to join her.
“I’m not sure how much more I can offer you, Adam,” I confessed. Clouds obstructed the soft sky blue of his eyes, hiding his intentions—something that’s never happened before.
“There’s… enough.” He didn’t sound convinced. “As long as you keep accepting my offerings.”
I memorized every crack and print of his lips, could draw a perfect replica if or if not my life depended on it, but—
This was nothing like any of the others we’d shared. Pieces of me instantly broke apart and flowed easily to him the second we connected. Not now. I didn’t feel the familiar yet odd tingle of another’s life filling me. I felt… an unusual heat, like the beginnings of an eternal fire. It spread through me quickly, delightfully burning from the inside out.
Dizzy and lightheaded, I clung desperately to him, unashamed of my desire. His tongue ran across my bottom lip, asking for a taste of mine. I sold myself to him, he no longer had to ask, I was his forever—but still he always asked and I swooned all the same, like I always did.
A harsh sting of teeth piercing my neck pulled a pained moan from me that quickly dissipated to one of pleasure.
“A sweet little lamb,” Adam rasped against my skin, his breath fanning the fire he started, “once so perfect, so pure, sent herself to slaughter.”
I threaded my fingers through his silken tousled curls, overwhelmed with arousal.
“What is a wolf to do when he can’t kill his prey?”
#adam de micco x ofc#adam de micco fanfiction#adam de micco fanfic#adam de micco fic#lorna shore fanfiction#lorna shore fanfic#lorna shore fic
19 notes
·
View notes
Text
💫🌷I'm into you Pt 1•°
Synopsis: Sucheon Kang is your admirer, the way he shows you affection however is in such an odd way... A grumpy(?) Kind of way. At first you thought he was just trying to be more nicer to people not until you noticed that he's only acting this way to you.
You as: Anon [Anonymous]—Anon who doesn't treat Sucheon as any different, Anon who treats him like a human being and just that.
°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°
"Hmm? ...Waffles huh?" Sucheon glanced at the clock 12AM. "......Fuck it, its now or never."
"The what?" Text is meant to be confused, maybe he thought that you were askin what was outside, nevertheless you place your phone down on the mattress of your bed as got off and headed out. Upon opening front door of your house you came face to face with white plastic bag sitting on your porch. Cautiously—you picked it up and took it inside.
The waffles are warm, the cream still cold, and the sugar-coated strawberry still fresh. It tasted heavenly—Even better with the thought that the prideful heir of Baekdu went through the trouble of getting it for you. The thought was sweeter than sugar. Mid-chew however you realized that its... quite... odd...? Why would the prideful heir of Baekdu go through the trouble of getting waffles for you this late night?
"Yeah that could be it..." You concluded once you figured that he might be trying to be a bit nicer and decided to start with you first—taking another bite of the waffle.
"Those fuckers are really quick when it comes to stuff like this huh?"
°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°
"Thought you didn't get to bring any food with ya?" Subin raised a brow while her arms crossed. "Yeah I didn't get to." "Huh?" "Sucheon got it for me." Subin smiled—But not just any smile, its the smile that she uses to tease people. "What? Why are you smiling at me like that?" "...You're joking right?" "Huh?" "You're fucking slow...." Subin pinched her nose bridge, "He likes you.". Your brows furrowed "No he doesn't.", Subin frowned "He definitely does." "No, I think he's just trying to be nicer and starts off with this." "Why'd he flip me off in the cafeteria then?" "Maybe he's trying to get used to it first, baby-steps you know?" Subin face palmed.
°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°☆°•☆•°
"That's what you've been doing wrong, the revelation method only applies if the circle you illustrated is almost a full circle not until it touched the line that connected both points and the northern line. You're not gonna create a full circle." Sucheon explained—he flipped through your solution page once more. "Thats the only thing you got wrong, you're good." "Thanks" You thanked with a smile, He cleared his throat. "Ok, I'll get going." He then stood up from the chair and walked away.
Subin and Jisuk (Who's definitely watching the whole tutoring session from who knows where) sat beside you as soon as Sucheon was out of sight.
Subin: First the waffles, next the sandwich, and now THIS?!
Jisuk: You still believing that he's just trying to be nice?
"Yeah?"
They sighed, Sucheon is still Sucheon when it comes to the rest—especially the two of them. You're a different case however.
Subin: You're fucking blind.
Jisuk: Ultra blind promax.
—To be continued...
#kang sucheon#sucheon kang#sucheon x reader#eleceed#went all out on this one lol#yoo jisuk#lee subin#arthur bryan#asher bryan#grumpy admirer#reader is gender neutral as usual#kinda paramore inspired hehehehehehehe#subins' and jisuks' username is a pun oui oui#im corny im sorry imma go crawl under a rock now#pls tell me yall got the pun on arthurs name😭🙏
16 notes
·
View notes
Note
Inspired by your last ask! What are the best French books you’ve read that have no English translation yet? I read Play Boy and Qui a tué mon père (really loved the latter) last year and it feels so fun to read something that other Americans can’t access yet
I'm too nervous to make any list of the Best XYZ Books because I don't want to raise your expectations too high! But okay, here's my No English Translation-themed list of books I've enjoyed in recent years. I tried to make it eclectic in terms of genre as I don't know what you prefer :)
Biographies
• Le dernier inventeur, Héloïse Guay de Bellissen: I just love prehistory and unusual narrators so I enjoyed this one; it's about the kids who discovered the cave of Lascaux, and some of the narration is written from the perspective of the cave <3 I posted a little excerpt here (in English).
• Ces femmes du Grand Siècle, Juliette Benzoni: Just a fun collection of portraits of notable noblewomen during the reign of Louis XIV, I really liked it. For people who like the 17th century. I think it was Emil Cioran who said his favourite historical periods were the Stone Age and the 17th century but tragically the age of salons led to the Reign of Terror and Prehistory led to History.
• La Comtesse Greffulhe, Laure Hillerin: I've mentioned this one before, it's about the fascinating Belle Époque French socialite who was (among other things) the inspiration for Proust's Duchess of Guermantes. I initially picked it up because I will read anything that's even vaguely about Proust but it was also a nice aperçu of the Belle Époque which I didn't know much about.
• Nous les filles, Marie Rouanet: I've also recommended this one before but it's such a sweet little viennoiserie of a book. The author talks about her 1950s childhood in a town in the South of France in the most detailed, colourful, earnest way—she mentions everything, describes all the daft little games children invent like she wants ageless aliens to grasp the concept of human childhood, it's great.
I'll add Trésors d'enfance by Christian SIgnol and La Maison by Madeleine Chapsal which are slightly less great but also sweet short nostalgic books about childhood that I enjoyed.
Fantasy
• Mers mortes, Aurélie Wellenstein: I read this one last year and I found the characters a bit underwhelming / underexplored but I always enjoy SFF books that do interesting things with oceans (like Solaris with its sentient ocean-planet), so I liked the atmosphere here, with the characters trying to navigate a ghost ship in ghost seas...
• Janua Vera, Jean-Philippe Jaworski: Not much to say about it other than they're short stories set in a mediaeval fantasy world and no part of this description is usually my cup of tea, but I really enjoyed this read!
Essays / literary criticism / philosophy
• Eloge du temps perdu, Frank Lanot: I thought this was going to be about idleness, as the title suggests, and I love books about idleness. But it's actually a collection of short essays about (French) literature and some of them made me appreciate new things about authors and books I thought I knew by heart, so I enjoyed it
• Le Pont flottant des rêves, Corinne Atlan: Poetic musings about translation <3 that's all
• Sisyphe est une femme, Geneviève Brisac: Reflections about the works of female writers (Natalia Ginzburg, Virginia Woolf, Sylvia Townsend Warner, etc) that systematically made me want to go read the author in question, even when I'd already read & disliked said author. That's how you know it's good literary criticism
Let's add L'Esprit de solitude by Jacqueline Kelen which as the title suggests, ponders the notion of solitude, and Le Roman du monde by Henri Peña-Ruiz which was so lovely to read in terms of literary style I don't even care what it was about (it's philosophy of foundational myths & stories) (probably difficult to read if you're not fully fluent in French though)
Did not fit in the above categories:
• Entre deux mondes by Olivier Norek—it's been translated in half a dozen languages, I was surprised to find no English translation! It's a crime novel and a pretty bleak read on account of the setting (the Calais migrant camp) but I'd recommend it
• Saga, Tonino Benacquista: Also seems to have been translated in a whole bunch of languages but not English? :( I read it ages ago but I remember it as a really fun read. It's a group of loser screenwriters who get hired to write a TV series, their budget is 15 francs and a stale croissant and it's going to air at 4am so they can do whatever they want seeing as no one will watch it. So they start writing this intentionally ridiculous unhinged show, and of course it acquires Devoted Fans
Books that I didn't think existed in English translation but they do! but you can still read them in French if you want
• Scrabble: A Chadian Childhood, Michaël Ferrier: What it says on the tin! It's a short and well-written account of the author's childhood in Chad just before the civil war. I read it a few days ago and it was a good read, but then again I just love bittersweet stories of childhood
• On the Line, Joseph Ponthus: A short diary-like account of the author's assembly line work in a fish factory. I liked the contrast between the robotic aspect of the job and the poetic nature of the text; how the author used free verse / repetition / scansion to give a very immediate sense of the monotony and rhythm of his work (I don't know if it's good in English)
• The End of Eddy, Edouard Louis: The memoir of a gay man growing up in a poor industrial town in Northern France—pretty brutal but really good
• And There Was Light, Jacques Lusseyran: Yet another memoir sorry, I love people's lives! Jacques Lusseyran lost his sight as a child, and was in the Resistance during WWII despite being blind. It's a great story, both for the historical aspects and for the descriptions of how the author experiences his blindness
• The Adversary: A True Story of Monstrous Deception, Emmanuel Carrère: an account of the Jean-Claude Romand case—a French man who murdered his whole family to avoid being discovered as a fraud, after spending his entire adult life pretending to be a doctor working at the WHO and fooling everyone he knew. Just morbidly fascinating, if you like true crime stuff
#ask#book recs#the book i started reading last night is The Naked Neanderthal by Ludovic Slimak and i also didn't#expect it to have an english translation but it does#i'm only at the beginning and so far it's philosophical ponderings about what kind of creature the neanderthals were#if they were humans in a different way than us. with a different kind of intelligence#and how to understand it without projecting our own way of being in the world onto this other humanity#sorry to quote cioran again but it reminds me of when he said every generation misses the good old days and#if we retrace our steps from regret to regret we'll find the original regret#our nostalgia for a time when humans weren't yet human
203 notes
·
View notes
Text
the thing about 9/11 is that it got used post facto to justify all sorts of hideous jingoistic shit but also it was a genuine devastating human tragedy and i really pretty deeply resent people's deciding that the—absolutely gross, don't get me wrong—way it's been culturally positioned justifies their making jokes about the event itself.
#like. my mother worked basically next door and watched people fall to horrific deaths and had to make her way home thru the horror#and was quite frankly never the same again#and like. the idea that people can look at that and dehumanize all those who died enough to be comfortable making jokes—#i personally think is deeply fucked up and not in fact any kind of ~social justice~#like roll yr eyes at the overblown commemorative pomp and circumstance all you want but like. real people died absolutely horrific deaths#and being flippant about it—sucks‚ actually‚ even if they WERE ~complacent americans who supported capitalism~ or whatever#(not to mention like. it was a really wide slice of humanity actually. but god forbid we consider the actual people as people)#anyway i deeply resent that i feel the need to make this post at all#bc quite frankly i would be more than glad to let the event fade out of active memory and think that's probably the best way to move forward#but unfortunately fucking br*nd*nicus is apparently out here making posts abt how the ~anniversary is worthy of derision~#and it's like. what if we just. let it go without either the weird performative jingoistic bullshit OR being fucking dicks.#anyway whatever i guess i'm not like. appropriately leftist or something#but personally i don't think real people's horrifying deaths are cool to make cracks about. sorry if that makes me a conservative buzzkill.#like i get that it was different outside of new york or washington but like. some of us were IN new york actually.#and yeah to be clear people in the middle east subsequently died similarly horrific deaths because of the way 9/11 got leveraged#and we ought to respect and remember those too#doing THAT on 9/11 would imo be a lot more meaningful than sneering at dead americans but also it would actually take work and sincerity#neither of which most tumblr users are up for
33 notes
·
View notes
Text
I've had a hard time articulating to people just how fundamental spinning used to be in people's lives, and how eerie it is that it's vanished so entirely. It occurred to me today that it's a bit like if in the future all food was made by machine, and people forgot what farming and cooking were. Not just that they forgot how to do it; they had never heard of it.
When they use phrases like "spinning yarns" for telling stories or "heckling a performer" without understanding where they come from, I imagine a scene in the future where someone uses the phrase "stir the pot" to mean "cause a disagreement" and I say, did you know a pot used to be a container for heating food, and stirring was a way of combining different components of food together? "Wow, you're full of weird facts! How do you even know that?"
When I say I spin and people say "What, like you do exercise bikes? Is that a kind of dancing? What's drafting? What's a hackle?" it's like if I started talking about my cooking hobby and my friend asked "What's salt? Also, what's cooking?" Well, you see, there are a lot of stages to food preparation, starting with planting crops, and cooking is one of the later stages. Salt is a chemical used in cooking which mostly alters the flavor of the food but can also be used for other things, like drawing out moisture...
"Wow, that sounds so complicated. You must have done a lot of research. You're so good at cooking!" I'm really not. In the past, children started learning about cooking as early as age five ("Isn't that child labor?"), and many people cooked every day their whole lives ("Man, people worked so hard back then."). And that's just an average person, not to mention people called "chefs" who did it professionally. I go to the historic preservation center to use their stove once or twice a week, and I started learning a couple years ago. So what I know is less sophisticated than what some children could do back in the day.
"Can you make me a snickers bar?" No, that would be pretty hard. I just make sandwiches mostly. Sometimes I do scrambled eggs. "Oh, I would've thought a snickers bar would be way more basic than eggs. They seem so simple!"
Haven't you ever wondered where food comes from? I ask them. When you were a kid, did you ever pick apart the different colored bits in your food and wonder what it was made of? "No, I never really thought about it." Did you know rice balls are called that because they're made from part of a plant called rice? "Oh haha, that's so weird. I thought 'rice' was just an adjective for anything that was soft and white."
People always ask me why I took up spinning. Isn't it weird that there are things we take so much for granted that we don't even notice when they're gone? Isn't it strange that something which has been part of humanity all across the planet since the Neanderthals is being forgotten in our generation? Isn't it funny that when knowledge dies, it leaves behind a ghost, just like a person? Don't you want to commune with it?
27K notes
·
View notes
Text
Awhile ago @ouidamforeman made this post:
This shot through my brain like a chain of firecrackers, so, without derailing the original post, I have some THOUGHTS to add about why this concept is not only hilarious (because it is), but also...
It. It kind of fucks. Severely.
And in a delightfully Pratchett-y way, I'd dare to suggest.
I'll explain:
As inferred above, both Crowley AND Aziraphale have canonical Biblical counterparts. Not by name, no, but by function.
Crowley, of course, is the serpent of Eden.
(note on the serpent of Eden: In Genesis 3:1-15, at least, the serpent is not identified as anything other than a serpent, albeit one that can talk. Later, it will be variously interpreted as a traitorous agent of Hell, as a demon, as a guise of Satan himself, etc. In Good Omens --as a slinky ginger who walks funny)
Lesser known, at least so far as I can tell, is the flaming sword. It, too, appears in Genesis 3, in the very last line:
"So he drove out the man; and placed at the east of the garden of Eden Cherubims, and a flaming sword which turned every way, to keep the way of the tree of life."
--Genesis 3:24, KJV
Thanks to translation ambiguity, there is some debate concerning the nature of the flaming sword --is it a divine weapon given unto one of the Cherubim (if so, why only one)? Or is it an independent entity, which takes the form of a sword (as other angelic beings take the form of wheels and such)? For our purposes, I don't think the distinction matters. The guard at the gate of Eden, whether an angel wielding the sword or an angel who IS the sword, is Aziraphale.
(note on the flaming sword: in some traditions --Eastern Orthodox, for example-- it is held that upon Christ's death and resurrection, the flaming sword gave up it's post and vanished from Eden for good. By these sensibilities, the removal of the sword signifies the redemption and salvation of man.
...Put a pin in that. We're coming back to it.)
So, we have our pair. The Serpent and the Sword, introduced at the beginning and the end (ha) of the very same chapter of Genesis.
But here's the important bit, the bit that's not immediately obvious, the bit that nonetheless encapsulates one of the central themes, if not THE central theme, of Good Omens:
The Sword was never intended to guard Eden while Adam and Eve were still in it.
Do you understand?
The Sword's function was never to protect them. It doesn't even appear until after they've already fallen. No... it was to usher Adam and Eve from the garden, and then keep them out. It was a threat. It was a punishment.
The flaming sword was given to be used against them.
So. Again. We have our pair. The Serpent and the Sword: the inception and the consequence of original sin, personified. They are the one-two punch that launches mankind from paradise, after Hell lures it to destruction and Heaven condemns it for being destroyed. Which is to say that despite being, supposedly, hereditary enemies on two different sides of a celestial cold war, they are actually unified by one purpose, one pivotal role to play in the Divine Plan: completely fucking humanity over.
That's how it's supposed to go. It is written.
...But, in Good Omens, they're not just the Serpent and the Sword.
They're Crowley and Aziraphale.
(author begins to go insane from emotion under the cut)
In Good Omens, humanity is handed it's salvation (pin!) scarcely half an hour after losing it. Instead of looming over God's empty garden, the sword protects a very sad, very scared and very pregnant girl. And no, not because a blameless martyr suffered and died for the privilege, either.
It was just that she'd had such a bad day. And there were vicious animals out there. And Aziraphale worried she would be cold.
...I need to impress upon you how much this is NOT just a matter of being careless with company property. With this one act of kindness, Aziraphale is undermining the whole entire POINT of the expulsion from Eden. God Herself confronts him about it, and he lies. To God.
And the Serpent--
(Crowley, that is, who wonders what's so bad about knowing the difference between good and evil anyway; who thinks that maybe he did a GOOD thing when he tempted Eve with the apple; who objects that God is over-reacting to a first offense; who knows what it is to fall but not what it is to be comforted after the fact...)
--just goes ahead and falls in love with him about it.
As for Crowley --I barely need to explain him, right? People have been making the 'didn't the serpent actually do us a solid?' argument for centuries. But if I'm going to quote one of them, it may as well be the one Neil Gaiman wrote ficlet about:
"If the account given in Genesis is really true, ought we not, after all, to thank this serpent? He was the first schoolmaster, the first advocate of learning, the first enemy of ignorance, the first to whisper in human ears the sacred word liberty, the creator of ambition, the author of modesty, of inquiry, of doubt, of investigation, of progress and of civilization."
--Robert G. Ingersoll
The first to ask questions.
Even beyond flattering literary interpretation, we know that Crowley is, so often, discreetly running damage control on the machinations of Heaven and Hell. When he can get away with it. Occasionally, when he can't (1827).
And Aziraphale loves him for it, too. Loves him back.
And so this romance plays out over millennia, where they fall in love with each other but also the world, because of each other and because of the world. But it begins in Eden. Where, instead of acting as the first Earthly example of Divine/Diabolical collusion and callousness--
(other examples --the flood; the bet with Satan; the back channels; the exchange of Holy Water and Hellfire; and on and on...)
--they refuse. Without even necessarily knowing they're doing it, they just refuse. Refuse to trivialize human life, and refuse to hate each other.
To write a story about the Serpent and the Sword falling in love is to write a story about transgression.
Not just in the sense that they are a demon and an angel, and it's ~forbidden. That's part of it, yeah, but the greater part of it is that they are THIS demon and angel, in particular. From The Real Bible's Book of Genesis, in the chapter where man falls.
It's the sort of thing you write and laugh. And then you look at it. And you think. And then you frown, and you sit up a little straighter. And you think.
And then you keep writing.
And what emerges hits you like a goddamn truck.
(...A lot of Pratchett reads that way. I believe Gaiman when he says Pratchett would have been happy with the romance, by the way. I really really do).
It's a story about transgression, about love as transgression. They break the rules by loving each other, by loving creation, and by rejecting the hatred and hypocrisy that would have triangulated them as a unified blow against humanity, before humanity had even really got started. And yeah, hell, it's a queer romance too, just to really drive the point home (oh, that!!! THAT!!!)
...I could spend a long time wildly gesturing at this and never be satisfied. Instead of watching me do that (I'll spare you), please look at this gif:
I love this shot so much.
Look at Eve and Crowley moving, at the same time in the same direction, towards their respective wielders of the flaming sword. Adam reaches out and takes her hand; Aziraphale reaches out and covers him with a wing.
You know what a shot like that establishes? Likeness. Commonality. Kinship.
"Our side" was never just Crowley and Aziraphale. Crowley says as much at the end of season 1 ("--all of us against all of them."). From the beginning, "our side" was Crowley, Aziraphale, and every single human being. Lately that's around 8 billion, but once upon a time it was just two other people. Another couple. The primeval mother and father.
But Adam and Eve die, eventually. Humanity grows without them. It's Crowley and Aziraphale who remain, and who protect it. Who...oversee it's upbringing.
Godfathers. Sort of.
#good omens#ineffable husbands#aziracrow#good omens 2#crowley#aziraphale#good omens meta#I have no idea if I've made a coherent point here but I'm tired of this being in my drafts; RAW FEELINGS IT IS#it's about being sent to destroy and instead staying to love and protect and nurture I'M CRAZY I'M CRAZY RAAAAAAAGGHHHH#gnu terry pratchett
26K notes
·
View notes
Last Seen Blogs
faith-forgxtten-land
would be
x-exo
x-exo
o3ovan
van's epic and cool art tumblr
loulily77-blog
Louève
riverdaleia
The Town With Magic