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#if people want I can make a post explaining the context for this
dragonsareverycool · 3 months
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The figure turned to look at Damian and seemed to freeze before its form shifted, rings of light covering it as it did. When the rings faded, there they floated with white hair that moved like it was uneffected by gravity and was moved by wind that wasn’t there. Freckles that looked like stars covered the beings skin, tanned but washed out and ashen, like a corpse. Wide, expressionless eyes that glowed a bright eeire green. Despite this, Damian recognized that face. He recognized that expression too. Despite looking like Tim’s dead eyed stare to most anyone else, Damian knew the expression as one of surprise, of shock. And that face was almost identical to the one in his nightmares of the worst day of his life. He knew that face every time he glanced in a mirror.
“Danyal” he said softly, his own face almost certainly in an identical expression. Despite the distance and chaos between them, Damian was certain Danyal heard him, as Danyal perked up a bit. Then, his form seemed to glitch, colors distorting as his body twitched and part of his body seemed to disappear for a moment. Then, he seemed to fade into nothing, leaving Damian to start panicking. He worried that he had just lost Danyal again.
Then he reappeared startlingly close, putting his hand on Damian’s chest “Here,” he said, the difference in how he spoke compared to Damian achingly familiar, “A drop of your blood and an offering of food if you’re feeling nice. Call my name, it may take a moment but I will appear” he removed his hand, and a piece of neon green glowing paper with strange symbols on it floated after Danyal’s hand before Damian caught it. Danyal’s form glitched again, harder, and his face set in a grimace before he faded into invisibility again.
Fun fact! Sometimes when the grief got bad enough, Damian would mimic how Danny talked and would recite stories about constellations like Danny did. He took many, many precautions to make sure that no one, not even Talia knows that he’s done this. Only Alfred the cat and maybe Alfred the Human knows, and neither will speak a word to anyone about it.
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charmac · 3 months
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hey seth! i'm just a random guy that's been really into sunny for the past year, and i always love your tweets. you, loren, and anna have been on my fyp a lot the past weekend, and i know a lot of people are being assholes about it, but it's genuinely so heartwarming to see. you three definitely deserve it and are the best kind of people for this to happen to. you always come off as respectful of rcg. hope you can pass the message along to them both too! have a great day
Thank you for the kind message, I really really appreciate it and so do Anna and Loren! Glad you got into the show :)
Honestly I get people are lashing out/shit talking because it does seem kinda weird to witness through a screen how much we’ve been able to interact with them and the interactions we’ve had. I know people are jealous, too (as in have told me they are, and I was certainly jealous last year when Rob didn’t do any events in NYC bc he was sick but did them in Philly a few days later) and I totally get that. Whatever the reason for people being assholes is, I don’t really take it personally. They don’t know the full story of literally anything that happened, they’re just watching through a screen and making their own assumptions of before, after, and in between all these clips they’re seeing, and trying to find something to justify how they feel. The claims that I’ve been ‘stalking’ them or ‘overstepping boundaries’ are genuinely just funny to me when every place we’ve met them has been an event that was publicly posted to Instagram/Facebook well in advance.
(And I’m not gonna talk on Twitter about certain details of this, but I feel like I can probably disclose here that the Four Walls people approached me to tell me/give me things and not the other way around. Their socials dmed me, followed me, Rob followed me, etc. I had literally no sway in them choosing to do those things or introducing themselves to me in person and organically engaging in conversations with me.)
We want to share our interactions with RCG on social media because we think most people appreciate and enjoy their interactions with fans (and also the small amounts of Sunny info we got), and that’s it. I don’t need to share or brag about anything. I would be perfectly content keeping everything that happened this weekend to myself (I very much avoid otherwise sharing my face or voice on social media, so I genuinely have to overcome that insecurity to even be able to share these things), but we know the majority of fans like to see this stuff and that’s why we have been posting everything.
Your message (and others i’ve received) means a lot. I’m glad the majority of people are enjoying our interactions with them and I really appreciate the time you spend to send this ask, really! And I’ll be back to posting regularly scheduled actual Sunny content very shortly :)
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todayisafridaynight · 6 months
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i cant explain it but daigo being subtitled to just be like 'you're making me look like i have no balls' feels so illegal and wrong. hilarious but something's off
#snap chats#WAIT I HAVE TO INTERRUPT THIS POST WITH THE FUNNIEST SHIT#SO I WAS GETTING FOOD FROM MY SCHOOL'S DINING HALL AND YOU CAN WRITE DOWN WHAT YOU WANT ON A SHEET YEAH#AND I SAID I WANTED A SAMMY AND FRIES OK BUT WHEN I GET MY PLATE ITS JUST FRIES#AND YK W/E OK I'LL JUST EAT THAT BUT THEN. WHILE IM LIKE. GETTING PIZZA TO SUB IT YEAH#I HEAR THE COOKS BE LIKE 'yoo why do we just have a sandwich here' AND THE BIN IT#AND I WAS LIKE 'was that a chicken sandwich cause uhhh <:)' AND THE WOMAN WAS JUST ':OOO IM SO SORRY'#LIKE DAWG /IM/ SRRY I FEEL BADLKAJLJ but yeah. they were nice enough to make me another one 😭#ok. back on topic with this fuckin post SORRY. i just have all these potatoes and a pizza to eat with this sadnwich now#i didnt eat breakfast or lunch so its ok. moving on#watch me explain it lol. i think its just cause its hard fr me to imagine daigo even saying balls like that. in jp or english#like he just doesnt have the Oomph to do it like the kansai bitches#see this how i know jo from kansai.... that easy as balls to imagine...#LIKEIM TELLING YOU THE ONLY PEOPLE WHO CAN SAY BALLS AND MEAN IT ARE KANSAI/EAST COAST BITCHES#in regards to eng its the accent... you just put a heavy mphasis on the b yk... any east coast bitches know what im talkin bout#or am i insane.it could be both idk#its cause in context he looks so meek like no !!!!! you dont be shy about balls talk !!!!!!!#I JUST IMAGINE HIM SAYING IT SO POLITE LIKE NO !!!! YOU HAVE TO SAY IT WITH FEELING. WITH YOUR BALLS#anyway daigo bb ily and i care for you but youre not hard enough to say balls#which is the most insaane thing i could say considering Daigo And His History but yk... im right...
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dykedvonte · 2 months
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Discussing the NCR (Fallouts NV's Military Industrial Complex)
Fallout regularly discusses the idea of the military, its faults, its strengths, and most importantly, the psycho-social aspects of it regarding those who are members. We have seen a direct critique of the military generalized through the Enclave's overt nationalism, the hoarding of resources and indoctrination through the Brotherhood of Steel, and an almost eerily modern critique of the whole military-industrial complex through the NCR in New Vegas. In these series of posts, I will be focusing primarily if not exclusively on the last one.
The NCR we see in the game is strictly the military side of things and the depiction of active occupation during a time of eminent war, conflicting factions, and resource scarcity. It is in this we are missing a major factor that negatively affects the view of the NCR in the game and out: Civilian life along with citizen opinion on the military. While we do get Mojave civilian opinion on the military (often neutral or negative) we do not get those who are New California Republic citizens, not those who actually discuss the military more so not understanding the importance of the occupation and the President's choices.
We do not see how life is regularly lived by the average citizen as we have not seen New California in New Vegas, though, we get words and glimpses that the people are relatively content in the growing country minus the fact many people are not happy with the choice of encroaching on the Mojave. This most similarly reflects it's real-world application that many civilian citizens reject acquisition and war due to the economic effects it has on the country and the general violence/loss associated.
In this, we come to an issue of losing a perspective that is unique to the NCR as a military representative. The Brotherhood is notably a place where its active members are intertwined with its efforts, the young are raised to be scribes, paladins, etc... To where even if one is not fighting for The Brotherhood, they are still intertwined, it's propaganda is the life. The Enclave is even more cut n' dry in that it is mostly made up of government representatives. It is a group even smaller than the former, even more selective and intertwined that their propaganda IS a form of Eugenics. The NCR is unique in that there is a clear distinction between what is the military force, the civilian population, and the choice if one wants to be a part of the former.
There is a distinct difference in the cultures of the factions you are born into and those you must enlist or join (forcibly for some). While this is a long-winded way to get into the actual discussion I want to facilitate throughout these posts I wanted an initial background post to understand the aspects I am and am not exploring and explaining along with a hub post to link everything I intend to discuss in the coming days and weeks, starting with:
Why Do People Join the NCR?
...which will be discussed and linked back here like everything else regarding to this topic.
Links: TBA
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scholarhect · 2 months
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not trying to be hostile, just saying it aggressively because i love the sound of my own voice -> haven’t listened to that audio clip but i don’t care if moira quirk made out with her hand in front of the mic, decisions made in the making of the audiobook mean nothing. and if you read the full book instead of just that couple sentences everybody likes to point to in isolation, it’s clear what’s going on there, & it’s not the two of them kissing each other. pet peeve sorry i’ve been bugged about this forever. do people really think this?
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White People on tumblr who dont listen to rap, ignoring all the racial and historical context of why Kendrick is going against drake to just make it a fun trendy meme/ Kendrick being a hater is the same exact reason Kendrick called drake a colonizer
Edit: I actually Do Not Want resources on this post! I made this post to complain about a specific type of white person cluttering up my notifications saying that they didn't know what was going on and that they didn't care about rap and now those same white people are cluttering my notes again! Like I don't want to give white people who read my initial post the space to say it doesn't apply to them cus they watched a couple of videos. It still absolutely applies. You can have all the historical context in the world but you are still a colonizer and outsider in this space. I don't want you adding videos or anything explaining the beef because this post is not about that. There are literally hundreds of other posts explaining why this is happening and you don't need to come onto a black person's blog to ask them to do so.
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sm-baby · 6 months
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I want to see all the carnival AU bios again, but finding Zooble's is too hard, even when using the search. I hope there's a more organized way to view them.
(Trying to come up with nicknames that said characters would give my characters.)
CARNIVAL AU MASTERPOST + BOUNDARIES
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Augh... I never know how to organize stuff! But here is a mini master post of the TADC Info Cards (edited):
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The Main Cast (Minus Zooble :C)
Zooble ( Plus Zooble!!! :3)
Shiny Cards ✨
Lesser AI
THE GLOINKS!!!
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Level layout
OFFICIAL COMIC:
The Entire Comic has also been dubbed by @volticglitch !! If you're not a reader, You can watch their dubs instead!! Here is the dub
Your best friend!
Jesterly duties
The hallway
Crying
First clue
Special event!
Foul language - a silly
CONCEPT ART:
Characters Relationship Chart ( Bonus, OC relationship Chart!)
The Tent
The Funhouse
Cutscene
Pomni expressions
Character design
Meet Pomni
ALT character skins (Bonus, Maid skins because of course I did)
Pomni expressions AGAIN!!! (and a bonus)
The Jester's Circus tent (and a bonus)
References
Shape language ramble
LOREEE:
Neck pieces
Neck pieces (prt 2)
Neck pieces (prt 3)
Silly Frilly
Toxic Positivity Duo
Quick Ragatha Doodle
The Rabbit
Non-sentient Pomni
Pity Laugh
First act of violence
First and only visit
DOODLE DUMPS:
First look
Meet Jax
Meet Ragatha
Meet Kinger
Meet Able
Zooble's room
Theatre shinanigans
Thanks for listening
Jax Doodles
Ragatha doodles (Feat. Kaufmo)
Caine doodles
Queenie?
Colored doodles
Eye popping
Jax Ko-fi request!
SILLIES:
Final boss Pomni Theory
Ofcourse you would
Shoulder Pads
test
omg showtime teeheeh ehehehe
CUTIES!!!
MORE SHOWTIME (HAVE I REALLY NOT ADDED THIS IN BEFORE??)
Carnival AU meets Original
its ok she's not drowning
The Amazing Digital... Circus???
A Christmas Carol Play!
Carnival Freakshow AU Merge!! (Freakshow AU by @hootbon)
BUZZBUZZ!! Fan character by @awful-little-goose
Whore Pomni Inside joke - more slutshaming
Pomni where yo pants at
shitpost doodles
SCANDAL!!
SCANDAL!! (alt)
Genderbend time!!
Stupid fucking doodles i made at like 11 pm
Stupid fucking doodles i made at like 11 pm (I dont know why I keep making these ToT)
stupid shinanigans involving Pomni's tent (Pomni's tent for context)
POMNI LET GO OF HIM!!!!!!!!
BUBBLE DAMN
Please hear her out guys
Kinger with no robe!!!
Bunnydoll real?!?!!?(Kofi request by amazing people :3)
Genderbend Jax!
Dollar store Carnival AU
Gangle simping over Able slay - Gangle PULL YOURSELF TOGETHER
Carnival GAINE!! - bro's so strong and cool and awesome
Flirty non-sentient pomni Inside joke (TW For suggestive themes): NON-CANON
Start
Context
Flirty non-sentient pomni (shitpost)
Pomni..........
Memory storage restart
the silly!!
no you're not.
oh god
someone paid me 10 bucks
SOMEONE PAID ME MORE MONEY
╔══ ❀•°❀BOUNDERIES/FAQ❀°•❀ ══╗
"Can I make OCs In Carnival?" - Yess!! Multiple people already have and they make me so happy! do whatever, as long as you're happy and having fun!! " Can I make NSFW?" - Yas and slay, just be sure to warn and spoiler it, etc. etc. be responsible when posting NSFW! " Can I make Fanfics?" - Yes and please show me!! that would be lovely!! " Can I dub/voice your stuff?" - Yes but, I have only one rule... show me pleaaasseeee pls pls pls 🥺🙏 " Can I ship the characters/self ships/ OC x Canon?" - Aughh.. this is gonna suck to explain cuz its a lot to ask.. You're allowed to ship any ship! My only boundary is that it doesn't include either Pomni or Caine being with others who are not eachother! For example: Ragatha x Jax ✅ Pomni x Jax❌ Kinger x Queenie✅ Kinger x Caine❌ As long as the ship does not include Pomni or Caine individually, I'm all aboard!! I respect Jax x Pomni shippers, as well as Kinger x caine shippers, I just don't like them myself and don't want to accidentally stumble upon them in the tag! I do apologize if that's a lot, it just makes me uncomfy! Bounderies can be very tight! :')
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were--ralph · 5 months
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why exactly do you dislike generative art so much? i know its been misused by some folks, but like, why blame a tool because it gets used by shitty people? Why not just... blame the people who are shitty? I mean this in genuinely good faith, you seem like a pretty nice guy normally, but i guess it just makes me confused how... severe? your reactions are sometimes to it. There's a lot of nuance to conversation about it, and by folks a lot smarter than I (I suggest checking out the Are We Art Yet or "AWAY" group! They've got a lot on their page about the ethical use of Image generation software by individuals, and it really helped explain some things I was confused about). I know on my end, it made me think about why I personally was so reactive about Who was allowed to make art and How/Why. Again, all this in good faith, and I'm not asking you to like, Explain yourself or anything- If you just read this and decide to delete it instead of answering, all good! I just hope maybe you'll look into *why* some people advocate for generative software as strongly as they do, and listen to what they have to say about things -🦜
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if Ai genuinely generated its own content I wouldn't have as much of a problem with it, however what Ai currently does is scrape other people's art, collect it, and then build something based off of others stolen works without crediting them. It's like. stealing other peoples art, mashing it together, then saying "this is mine i can not only profit of it but i can use it to cut costs in other industries.
this is more evident by people not "making" art but instead using prompts. Its like going to McDonalds and saying "Burger. Big, Juicy, etc, etc" then instead of a worker making the burger it uses an algorithm to build a burger based off of several restaurant's recepies.
example
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the left is AI art, the right is one of the artists (Lindong) who it pulled the art style from. it's literally mass producing someone's artstyle by taking their art then using an algorithm to rebuild it in any context. this is even more apparent when you see ai art also tries to recreate artists watermarks and generally blends them together making it unintelligible.
Aside from that theres a lot of other ethical problems with it including generating pretty awful content, including but not limited to cp. It also uses a lot of processing power and apparently water? I haven't caught up on the newer developements i've been depressed about it tbh
Then aside from those, studios are leaning towards Ai generation to replace having to pay people. I've seen professional voice actors complain on twitter that they haven't gotten as much work since ai voice generation started, artists are being cut down and replaced by ai art then having the remaining artists fix any errors in the ai art.
Even beyond those things are the potential for misinformation. Here's an experiment: Which of these two are ai generated?
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ready?
These two are both entirely ai generated. I have no idea if they're real people, but in a few months you could ai generate a Biden sex scandal, you could generate politics in whatever situation you want, you can generate popular streamers nude, whatever. and worse yet is ai generated video is already being developed and it doesn't look bad.
I posted on this already but as of right now it only needs one clear frame of a body and it can generate motion. yeah there are issues but it's been like two years since ai development started being taken seriously and we've gotten to this point already. within another two years it'll be close to perfected. There was even tests done with tiktokers and it works. it just fucking works.
There is genuinely not one upside to ai art. at all. it's theft, it's harming peoples lives, its harming the environment, its cutting jobs back and hurting the economy, it's invading peoples privacy, its making pedophilia accessible, and more. it's a plague and there's no vaccine for it. And all because people don't want to take a year to learn anatomy.
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prokopetz · 2 months
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In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:
In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.
The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.
A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.
Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.
Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.
At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.
This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.
Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".
(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)
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cinnamonest · 2 months
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I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.
I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.
The most important fact, if you read nothing else, is this:
Most women have rape fantasies.
62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!
The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)
To specifically address common harmful and pervasive myths:
the "go to therapy!" line
Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)
Here are some particularly insightful resources:
1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.
2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).
3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)
4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.
5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.
the "why would you want that?" line
The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.
the "it's only valid for survivors then!" line
On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.
The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.
No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.
ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.
Good resources on the subject of why women have these fantasies and how they are helpful in general:
(X) (X)
The "what you consume will make you do it in real life!" myth
Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.
The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:
1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)
2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.
What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).
Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.
You are not abnormal or wrong for the fictional content you consume or the fantasies you have!
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janmisali · 1 year
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what do you think of tone indicators in general?
unfortunately my thoughts on tone indicators are somewhat nuanced. fortunately, this is tumblr not twitter, so I can just write out my full thoughts in one post and be as verbose about it as feels necessary.
speaking as an autistic person (and I know there are other autistic people who don't hold this same view, this is just my perspective), I think as an accessibility tool, the extended set tone indicators in current popular use is fundamentally misguided.
the oldest ones, /s for sarcasm and /j for jokes, make sense. their notation isn't the most intuitive thing ("does /s mean sarcastic or serious?") but it's not too difficult to explain what they mean. I've had to spend my whole life learning by brute force what different tones of voice mean and what they change about how I'm supposed to interpret something, so I already know what "read this in a sarcastic voice" and "read this as a joke" are supposed to mean. my existing skills can be translated into the new form without too much effort.
the same thing applies to emoji and emoticons. I know what facial expressions mean, because I had to learn what they mean. figuring out if :) is sincere or not from context is a skill I've already needed to develop. it doesn't come naturally for me, but it's something I already at least somewhat know how to do.
most of the tone indicators in current use uh. don't work like this.
tone indicators like /ref or /nbh don't correspond to specific tones of voice. I don't have a "I'm making a reference" voice or a "I'm not talking about a person who's here" voice that I can picture the sentence being read in. these do not indicate tones, they're purely disambiguators. they clarify what something means without necessarily changing how it would be read out loud.
and on paper, that's fine, right? like, it's theoretically a good thing to take an otherwise ambiguous statement and add something to it that clarifies what you meant by it. the problem is that these non-tone tone indicators are not even remotely self-explanatory. it's up to me, the person who is being clarified to, to know what all these acronyms are supposed to mean, and how they change the way I'm supposed to interpret what something means.
it's, quite literally, a newly-invented second set of social cues that I'm expected to learn separately from the set that I've already spent my whole life figuring out, and it works completely differently.
sure, these rules are (in principle) less arbitrary than the rules of facial expressions and tones of voice and how long you're supposed to wait before it's your turn to speak, but they're also fully artificial and recently invented, which means they're currently in a constant state of flux. tone indicators go in and out of fashion all the time, and the "comprehensive lists" are never helpful.
in theory, I appreciate the idea of people going out of their way to clarify what they mean by potentially ambiguous things they post online. if it worked, that would be a really nice thing to do.
however, sometimes I imagine what the internet would be like without them. what if instead of using /s, the expectation was that if you're sarcastic online there's no guarantee that strangers reading your post will know what you meant? what if instead of inventing more and more acronyms to cover every possible potentially confusing situation, we just... expected one another to speak less ambiguously in the first place?
so, I on paper like the idea of tone indicators. I think it's good that some people are trying to be considerate by being extra clear about what they mean by things. but if tone indicators didn't exist, and people who wanted to be considerate in this way instead just made a point of phrasing things more clearly to begin with, I think that would be vastly preferable to even the most well-implemented tone indicator system.
also /pos sucks because there's something deeply and profoundly wrong for an abbreviation that means "I don't mean this as an insult, don't worry" to be spelled the same way as an acronym that's an insult
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Hello this is just to say that I am very interested in that post you mentioned maybe making about indirect communication!
So to define Direct and Indirect communication with a pair of examples real fast:
Direct communication: "Hey, can you do the dishes?" Indirect communication: "There's dishes in the sink." (Please wash them.)
Indirect communication tends to trip a lot of ND, but especially Autistic people up because the implied request in the parentheses... doesn't always come through. So you don't do the dishes, and the Indirect communicator gets frustrated because they thought they had made that request perfectly clearly.
Which, in their defense, they did! ...in their micro-cultural language.
See, the actual purpose of Indirect Communication is to provide some extra verbal personal space and non-aggression measures in micro-cultures where people's personal autonomy has been compromised but there is also a high degree of understood social context.
Hm. That's a weird sentence. Let's try some more examples.
Indirect communication is most common in places or situations where people's ability to stay in their own lane is compromised, but everyone also shares the same base knowledge of what's going on. One example is in large cities, where people are PHYSICALLY up in each other's personal space because they're physically crowded. So cities have etiquette like "Don't make eye contact on public transit unless you actually need to address someone", so that, if people can't stop violating your personal space, they can at least signal non-aggression and give you some privacy. People raised in large cities, or who have lived there for a while all learn these unspoken rules by trial and error, some of us with more errors and trials than others.
Thus, in physically compact situations, "There's dishes in the sink" means "There's dishes in the sink." (I trust that you are already familiar with the social rules that dictate that dishes need to be done, and assume the reason you haven't done them is because you haven't seen the sink yet. I won't insult your intelligence by elaborating on the Do The Dishes Rule, because I know you are smart <3)
Speaking of Privacy, the other place indirect communication is common is in situations where people have Limited Privacy and thus everyone knows what's going on with them, and they know what's going on with everyone else, whether they want to or not. Close-knit families and religious communities often have this shared no-privacy pool, but it can also happen with you and two roommates in a 100sq ft apartment, or on a research vessel in the middle of the Atlantic Ocean. Since y'all are up in each other's business, indirect communication is there to prevent hostility in close quarters.
This, in a low-privacy situation, "There's dishes in the sink." means "There's dishes in the sink." (I know you are a good and responsible roommate who is maybe a little forgetful, and I trust you to have enough context from living in the live feed of everyone's life to know that I need them done. I won't insult you by suggesting your motivation was malicious in any way, and i trust you to do them <3)
So, to an indirect communicator, that was a perfectly clear request to do the dishes because OF COURSE you'd know what they meant- literally everyone else they deal with is in on this shared knowledge of social rules and daily updates. And not elaborating on that request is an affectionate sign of trust in your competence.
Except, you know. You're not.
So, you try to explain to your indie friend that "There's dishes in the sink." only sounds like an observation, and your brain will not auto-fill in the request like theirs does, so if you want me to do the dishes, just ask with words, okay?
And your indie friend understands this! but then instead of going "Hey, can you do the dishes?" they instead don't say ANYTHING until they're really frustrated with the state of the kitchen, and communicate VERY directly at you, and with great anger.
What happened?
So remember how indirect communication exists to prevent hostility and violence? That's because the threat of hostility and violence is VERY, VERY REAL.
Like you, your indirect communication friend made some mistakes while learning The Unsaid Rules and How To Use The Shared Information Pool, and the social hammer came down on them HARD. Ostracization, ridicule, maybe even actual, psychical harm. So they grew very, very afraid of violating those secret rules, and doubly so with people they like, so your indirect communication friend is facing this HUGE EMOTIONAL BLOCK when it comes to directly communicating with you, because to someone who grew up with their boundaries compromised and the threat of hostility if they violate the communication rules, communicating directly with someone they love feels really, really, really mean and they don't want to hurt or lose you.
For real, "Hey, please do the dishes" sounds like "Hey, please do the dishes." (You fucking moron who doesn't give a shit about our home and probably hates me) to them, and they don't want to talk like that to you. It's like how we never like picking the mean dialogue option in video games.
So instead they... just don't say anything at all, rather than risk a potential confrontation, and then the dishes don't get done and it turns into a REAL confrontation.
What a headache.
So what are we gonna do?
Well, you can't control your friend's actions, emotional reactions or interpersonal skills, but you can manage yours, and you're gonna have to meet them halfway, and it's gonna feel like training a skittish cat that coming out from under the couch is safe. Several-pronged approach:
DO NOT PUNISH BEHAVIOR YOU WANT TO SEE. When your friend does manage to say "Hey, please do the dishes?" don't go "UUUUGH IN A MINUTE." even if you are in the middle of something else and their timing sucks, which is probably does. Stick to either neutral responses ("Cool, let me finish this paragraph and I'll get on that") to positive responses ("Oh, sure! Thanks for letting me know!")
REWARD THE BEHAVIOR YOU WANT TO SEE. -and then actually go do the dishes to demonstrate that this approach not only is safe, it's effective. Also, praise your friend when they do a good job communicating with you. "Hey, thanks for actually asking me to do the dishes, that was really helpful." or "You're doing a great job navigating and giving me directions, this is much less stressful than the GPS" or "Thanks for being honest about how I was annoying you and bringing it up before it became a huge issue." This will kind of feel like you're an actor on sesame street teaching big bird how to say please and thank you, but honestly? that was the age most of us learned our communication skills, and we return to that teaching method because BY GOD IT WORKS.
MODEL THE BEHAVIORS YOU WANT TO SEE. Humans learn by copying, so lead by example with the kind of communication that helps you, and explain why it helps. "Hey friend, a question so I can schedule some stuff- Do you have any plans this weekend I should know about, or am I clear to paint the bathroom?"
This is the one that sucks but YOU GOTTA MEET THEM HALFWAY AND LEARN ABOUT THE CONTEXT POOL. Can't make everyone learn, and Indirect communication has it's uses (especially in modern jobs and social media), so you gotta learn their style too. I literally have a discord server that's just me where I keep notes on the life events and conditions of my friends, coworkers, neighbors and loved ones because I know I won't remember that shit, but they will kind of expect me to, and it's been a lifesaver in both not blundering into social faux pas, and actually getting around my crap memory to know them better. You can also model hybrid communication and practice your indirect skills by using an indirect request opener, but then saying the rest of the implied context aloud: "Hey, there's dishes in the sink. I know you'll do that ASAP because you're cool, I just wanted to make sure you knew they were there and needed to be washed, thanks <3"
Accept that some people aren't gonna change for reasons that are beyond their control and probably have nothing to do with you, and decide what you're willing to invest in learning to deal with them. I still have to play 5D words chess with my mother-in-law, who was raised in a close-physical-space-AND-no-privacy culture and is an excruciatingly anxious indirect communicator as a result. I can't make her go to therapy for the anxiety, and until she does, her ability to communicate effectively probably won't improve. It's got nothing to do with me, even if I'm the person she's most frequently at odds with. As a result, I have extremely limited contact with her. I don't see her for more than a few hours at a time, when we have an activity to do together, and only a handful of times a year. More than that, and I get brainworms by proxy, so for my sanity, I've limited what I am willing to do with her. Maybe your indirect communicator is someone worth effectively learning a second language for, like a lover. Maybe they're someone you can cut out of your life entirely without issue, like a manger at a retail job you can quit. You'll have to decide.
Anyway, that's my raised-bilingual ADHD/Autism Direct/indirect communicator ramble, hope it helps.
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narryffdreaming · 28 days
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HI! HELLO!
RIO GRANDE DO SUL / BRAZIL NEEDS YOUR HELP, PLEASE 🇧🇷
Guys, I know my blog isn't big at all for me to be doing this, but after living some of the most devastating and scary days of my life I feel the need to at least try.
I hope I'm wrong, but I'm pretty sure most of you don't know that the state of Rio Grande do Sul (Brazil) is going through the worst climate catastrophe in its history.
To give you some context, it started raining on Saturday (April 27th), and by Monday (April 29th) cities were already underwater. As days went by, and as rain didn't give us a single moment to catch a break, not only floods were a problem, but also multiple, huge landslides. By Wednesday (May 1st), it was like everything was falling apart around us. Everywhere.
Blackouts. No communication. No water supply. Brigdes collapsing. Roads washed out. Houses floating away. Animals drowning. People dying. Missing. Begging for help...
I mean, it's been a really long and painful week. There are so many videos and pictures that I could show you, and I still wouldn't be able to show and explain what we're going through.
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Now, a week later (May 6th), we're still living this nightmare. Water follows the course of the river and it's like floods just move from one place to the other. On top of that, more rain is expected during the week.
So far*, out of 496 cities in the state, 341 cities have been somehow affected by all this. At least 78 people died, over 100 were reported missing, and at least 175 were injured. Also, over 134,000 people were forced to leave their homes behind, and most of them won't be able to return because houses aren't even there anymore.
So whilst we're doing our best here to help our people, volunteering ourselves and just doing whatever we can to try and start all over (cleaning up the streets and houses, making food, donating clothes and furniture, etc) we know there's only so much we can do without financial help. Which is why I'm writing this.
If you can, PLEASE, PLEASE, PLEASE 🙏🏻 consider donating and helping us. Especially if you live outside the country — basically bc your money will be worth even more here, as you can see:
€1 = R$ 5,49 || €5 = R$27,46
US$1 = R$5,10 || US$5 = R$25,51
£1 = R$6,40 || £5 = R$32,00
And if you can't donate, PLEASE, PLEASE, PLEASE 🙏🏻 at least just share and spread the word. You'll be already doing a lot for us!
We already went through something like this seven months ago (September/23) and we really, really need more international help/awareness now.
Official links for donations are listed here:
IF YOU'RE FROM BRAZIL: Link
IF YOU'RE FROM A DIFFERENT COUNTRY: Link
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Also, if you want to know more about what's happening, you can start here: governo_rs || abcnews || G1 noticias
JUST PLEASE DON'T IGNORE THIS
*I wrote this post on May 6th, at 2am. Now it's May 6th, 11:30am (not even 10 hours later), and numbers have already changed: 345 cities have been somehow affected (+4), 83 people died (+5), 111 were reported missing (+11), 276 were injured (+101), over 141,000 were forced to leave their homes behind (+7k).
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ladyshinga · 1 year
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I recommend to everyone online to follow at least ONE (1) weirdo. Not a qanon conspiracy flavor weirdo, I'm talking follow furries with specific fixations you've never even heard of (I just saw a post about paranormal investigator bear furries but with no context or explanation and, sure, fuck it, why not), follow artists who use materials you've never heard of before and have barely any aesthetic interest in, follow writers whose work confuses the fuck out of you but makes you pause and think.
And the next part, and this part is VITALLY important... shut the fuck up
DON'T constantly comment "what does this mean", "I don't get it", "explain it to me", "ok but why", etc
Just shut up
There's a time and place for questions and I think it's HEALTHY to have AT LEAST one place where you COMPLETELY STOP YOURSELF from questions.
A place where you sit, stare, and let yourself Not Get It.
One of the biggest problems I run into with people is their entitled expectations to Understand everything, or at least they want to THINK they understand everything (so they're a lot more likely to fall for batshit conspiracy theories because, well, pointing at a Shadowy Group Responsible For Everything is pretty easy to understand). They see something they don't get and they flip out, they want to label it, diagnose it, make panicked laws about it.
You need... NEEEEED... for the sake of your own maturity and mental health... to know when it's okay to sit there in silence and go "hm. I don't get it. Cool."
You need to know how to sit in silence in some one's art and worldview and words and think to yourself "all of this is put together in a reasonable way, but I am not connecting with it"...
GOOD.
You shouldn't HAVE to! You shouldn't be in this world thinking EVERYTHING in it is accessible to you, is understandable to you. You NEED to embrace the idea that SOME things will always evade your understanding. The universe is unfathomably huge and it's absolute NONSENSE to think to yourself that you can fathom everything in it.
Find the harmlessly weird shit to follow IN SILENCE and let yourself not understand. It's good for you.
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anim-ttrpgs · 2 months
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Help Save the World of TTRPGs and Their Creators.
Okay I’m being a little dramatic, but at the same time I’m pretty serious. This is a call to action, and the livelihoods of myself and lots of other people, many of them (like myself) disabled, are depending on it. This is a post about why, what you can do about it, and (perhaps least often answered) how.
This post is actually an accompaniment to another discussion by someone else. If you don’t want to listen to a 90-minute in-depth discussion of much of what I’m about to tell you, you can just keep reading. Otherwise, click here or here and listen to this either before or after you read this post. (They’re the same thing, just different sources.)
If you have ever made or reblogged posts urging people to switch from Google Chrome to Firefox, you should be willing to at least give a try to other TTRPGs besides D&D5e for much the same principle reasons. I’m not telling you you have to hate D&D5e, and I’m not telling you you have to quit D&D5e, I’m just asking you to try some other games. If you don’t like them, and you really want to go back to D&D5e, then go back to D&D5e. But how can you really know you won’t like other games if you have literally never tried them? This post is a post about why and how to try them. If you’re thinking right now that you don’t want to try them, I urge you to look below to see if any of your reasons for not wanting to try them are covered there. Because the monopoly that WotC’s D&D5e has on TTRPGs as a whole is bad for me as a game designer, and it’s bad for you as a game player. It’s even bad for you if you like D&D5e. A fuller discussion of the why and how this is the case can be found in the links above, but it isn’t fully necessary for understanding this post, it’ll just give you a better perspective on it.
If you’re a D&D5e player, I’m sure at some point or another, you’ve been told “play a different game”, and it must get frustrating without the context of why and how. This post is here to give you the why and how.
[The following paragraph has been edited because the original wording made it sound like we think all weird TTRPGs suck.]
Before that though, one more thing to get out of the way. I'm going to level with you. There’s a lot of weird games out there.
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You are gonna see a lot of weird TTRPGs when you take the plunge. Many of them try to completely reinvent what a TTRPG even is, and some fail spectacularly, others really do even up doing something very interesting even if they don't end up being what a core TTRPG player wants. But not every indie RPG is a Bladefish, lots and lots of them are more 'traditional' and will feel very familiar to you, I promise. (And you might even find that you like the weird experimental bladefish type ones, these are usually ideal for one-session plays when your usual group can't play your usual game for any reason.)
You're also going to probably see a lot of very bad games, and man have I got some stories of very bad games, but for now I'm just saying to make sure you read the reviews, or go through curators (several of which will be listed below), before you buy.
Now that that is out of the way, I’m going to go down a list of concerns you may have for why not, and then explain the how.
“I don’t want to learn a whole new set of rules after I already spent so much time learning D&D5e.”
Learning a new set of rules is not going to be as hard as you think. Most other TTRPGs aren’t like that. D&D5e is far on the high end of the scale for TTRPGs being hard and time-consuming to learn and play. If you’ve only played D&D5e, it might trick you into thinking that learning any TTRPG is an overwhelmingly time-consuming task, but this is really mostly a D&D5e problem, not a TTRPG problem as a whole.
“D&D5e has all of these extra online tools to help you play it.”
So what? People have been playing TTRPGs without the help of computers for 50 years. To play a well-designed TTRPG you won’t need a computer. Yes, even if you're bad at math. There are some TTRPGs out there that barely even use math.
“I’m too invested in the narrative and characters of my group’s current ongoing D&D5e campaign to switch to something else.”
There are other games, with better design made by better people for less money, that are the same kind of game as D&D5e, that your current characters, lore, and plot will fit right into and do it better. And no, it's not just Pathfinder, there's others.
“I can’t afford to play another TTRPG.”
You probably can. If you’ve only played D&D5e, you might have been made to think that TTRPGs are a very expensive hobby. They aren’t. D&D5e is actually uniquely expensive, costing more than 3x more than the next most expensive TTRPG I can think of right now. Even on the more expensive end, other TTRPG books will cost you no more than $60, most will cost you less than $20, and a whole lot of them are just free. If you somehow still can’t afford another TTRPG, come to the A.N.I.M. TTRPG Book club mentioned below, nominate the game, and if it wins the vote we will straight up buy it for you.
(By the way, if you had any of the above concerns about trying other games besides D&D5e, that really makes it sound like you are in a textbook abusive relationship with D&D5e. This is how abusers control their partners, and how empires control their citizens, by teaching you to think that nothing could ever get any better, and even though they treat you bad, the Other will treat you even worse.)
“If I don’t play D&D5e, which TTRPG should I play?”
That’s a pretty limited question to be asking, because there will be no one TTRPG for everything. And no, D&D5e is not the one TTRPG for everything, Hasbro’s marketing team is just lying to you. (Pathfinder and PbtA are not the one system for everything either!) Do you only play one video game or only watch one movie or only read one book? When you finish watching an action movie like Mad Max, and then you want to watch a horror movie, do you just rewind Mad Max and watch it over again but this time you act scared the whole time? No, you watch a different movie. I’m asking you to give the artistic medium of TTRPGs the same respect you would give movies.
“I want to play something besides D&D5e, but my friends won’t play anything else!”
I have several answers to this.
Try showing them this post.
If that doesn’t work: Make them. Put your foot down. This works especially well if you are the DM. Tell them you won’t run another session of D&D5e until they agree to give what you want to do at least one try instead of always doing only what they want to do. This is, like, playing 101. We learned this in kindergarten. If your friend really wants to play something else, you should give their game a try, or you’re not really being a very good friend.
If that doesn’t work, find another group. This doesn’t even mean that you have to leave your existing group. A good place to start would be the A.N.I.M. TTRPG Book Club which will be mentioned and linked below. You can also go to the subreddit of any game you’re interested in and probably meet people there who have the same problem you do and want to put together a group to play something other than D&D5e. You might get along great with these people, you might not, but you won’t know until you try. Just make sure to have a robust “session zero” so everyone is on the same page. This is a good practice for any group but it is especially important for a group made of players you’ve just met.
“I only watch actual plays.”
Then watch actual plays of games that aren’t D&D5e. These podcasts struggle for the same reasons that indie RPGs struggle, because of the brand recognition and brand loyalty D&D5e has, despite their merit. I don’t watch actual plays, or else I would be able to list more of them. So, anyone who does watch actual plays, please help me out by commenting on this post with some non-D&D5e actual plays you like. And please do me a favor and don’t list actual plays that only play one non-D&D5e system, list ones that go through a variety of systems. The first one I can think of is Tiny Table.
“I can just homebrew away all the problems with D&D5e.”
Even though I want to, I’m not going to try and argue that you can’t actually homebrew away all the problems with D&D5e. Instead, I’m going to ask you why you’re buying two $50 rulebooks just to throw away half the pages. In most other good RPGs, you don’t need to change the rules to make them fun, they’re fun right out the box.
“But homebrewing D&D5e into any kind of game is fun! You can homebrew anything out of D&D5e!”
Firstly, I promise that this is not unique to D&D5e. Secondly, then you would probably have more fun homebrewing a system that gives you a better starting point for reaching your goal. Also, what if I told you that there are entire RPG systems out there that are made just for this? There are RPG systems that were designed for the purpose of being a toolbox and set of materials for you to work with to make exactly the game you want to make. Some examples are GURPS, Savage Worlds, Basic RolePlaying, Caltrop Core, and (as much as I loathe it) PbtA.
“I’m not supporting WotC’s monopoly because I pirate all the D&D5e books.”
Then you’re still not supporting the smaller developers that this monopoly is crushing, either.
Now, here’s the how. Because I promise you, there’s not just one, but probably a dozen other RPGs out there that will scratch your exact itch.
Here’s how to find them. This won’t be a comprehensive list because I’ve already been typing this for like 3 hours already. Those reading this, please go ahead and comment more to help fill out the list.
First, I’m gonna plug one of my own major projects, because it’s my post. The A.N.I.M. TTRPG Book Club. It’s a discord server that treats playing TTRPGs like a book club, with the goal of introducing members to a wide variety of games other than D&D5e. RPGs are nominated by members, then we hold a vote to decide what to read and play for a short campaign, then we repeat. There is no financial, time, or schedule investment required to join this book club, I promise it is very schedule-friendly, because we assign people to different groups based of schedule compatibility. You don’t have to play each campaign, or any campaign, you can just read along and participate in discussion that way. And if you can’t afford to buy the rulebook we’re going to be reading, we will make sure you get a PDF of it for free. That is how committed we are to getting non-D&D5e RPGs into people’s hands. Here is an invite link.
Next, there are quite a few tumblr blogs you can follow to get recommendations shown to you frequently.
@indierpgnewsletter
@indie-ttrpg-of-the-day
@theresattrpgforthat
@haveyouplayedthisttrpg
@indiepressrevolution
Plenty of podcasts, journalists, and youtubers out there do in-depth discussions of different systems regularly, a couple I can think of off the top of my head are:
Storyteller Conclave (I’m actually going to be interviewed live on this show on April 10th!)
Seth Skorkowsky
Questing Beast
The Gaming Table
Rascal News
Lastly, you can just go looking. Browse r/rpg, drivethrurpg.com, indie press revolution, and itch.io.
Now, if you really want to support me and my team specifically Eureka: Investigative Urban Fantasy, our debut TTRPG, is going to launch on Kickstarter on April 10th and we need all the help we can get. Set a reminder from the Kickstarter page through this link.
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If you’re interested in a more updated and improved version of Eureka: Investigative Urban Fantasy than the free demo you got from our website, there’s plenty of ways to get one!
Subscribe to our Patreon where we frequently roll our new updates for the prerelease version!
Donate to our ko-fi and send us an email with proof that you did, and we’ll email you back with the full Eureka prerelease package with the most updated version at the time of responding! (The email address can be found if you scroll down to the bottom of our website.)
We also have merchanise.
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moonit3 · 2 months
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I can order a yandere cute (kawaii), who maybe because of his cute and innocent appearance managed to get close to his beloved, but maybe this boy is not only cute and has a very disturbing past...
i love this concept, a cute person who is actually a freaking person behind the curtains. that’s why i love my readers, always giving me the best ideas to write.
ꕥ CUTE BOY ꕥ
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➽ context warnings: yandere! male, gn! reader, sfw but there is some nsfw lines down there, a small age gap (like two-four years, but both reader and yandere are legal age!), manipulation, murder off scene.
➽ word count: 998 (sorry for that, guys!)
➽ synopsis: perhaps you would see him with another eyes if he was the same age as your.
➽ yandere! cute boy x gn! reader
➽ a/n: another few weeks later and i am here with another work of mine, today i present to you all my new creation that i am proud to be the mother of it. this work is a little too short for my own likes, but i feared that if i wrote more i could easily ruin it…so please, bear with me today’s writing.
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➽ walking around the streets without paying attention led you to meet someone completely different from most people you met before. clothes so bright that might your hurt at first glance full of cute patterns on it, hairclips all over his dyed hair and of course, his personality being way too soft for a world like this, but with a little extra spicy that can’t be compared to anyone else.
➽ micah is his name, a sweet boy that isn’t so tall compared to most guys that you’ve encountered. yet, is the one who catch your attention the most with his odd smile, unfamiliar style and unique sense of humor. you consider yourself lucky to have met someone like him and even luckier to have someone by your side after moving to a new city.
➽ you might have know him for a couple of weeks, but it’s feel like he been around your whole life by the way he acts with you. many people even mistakenly you two as a couple by how affectionate he is in public, always holding hands and kissing your cheek as a way to greet you, so you don’t blame them for thing the wrong way when explaining that micah is just too friendly with you. but no one seems to believe you, always telling you that there is no shame in being touchy with him in public or hide the relationship.
➽ well, they aren’t wrong about micah being so much cling with you in the public eyes. sometimes, you ask yourself the last time you went out without him or for how long he can go without touching you (almost a minute, you recall). your best friend being like this doesn’t make you uncomfortable, by the completely opposite, you are kind into it. after all, everyone needs some physical affection and you are in no place to deny it.
➽ as more time goes on, you only got closer to micah while your other friends began distancing themselves away from you. why would they do that? the sense that you’ve done something wrong quickly makes you anxious, overthinking and even forgetting things that you were supposed to do. it’s hurt to see so many people leave you, abandon you. but hey, at least micah is by your side with no intention to leave.
➽ “let’s go out, [name]!” he brings you to the mall whatever he feels like, buying expensive outfits that match his style and making you pose with him to post at his social media. mostly of the comments compliment how the two looks so perfect together, some even saying that micah is a lucky guy to have you in his life. “look, look, [name]! they think we are a couple! isn’t that cute? maybe we do fit to be together like that.”
➽ “don’t be silly.” always patting his head makes him melt under your touch only if you could do that on other parts of his body, and he couldn’t be more grateful to be receiving those head pats too. “aren’t you a little to young for me? i know that you enjoy hugging me a lot and even kissing my cheek whatever you want, but you have to remember that i am older than you.”
➽ “hahaha, i know that.” can’t you see that his smile is no bigger as it was? your eyes does look at him, seeing that he isn’t playful like before, so you hold one of his hand and smile at him. “but you will stay by my side, right? like forever without anyone else trying to separate us.”
➽ “i promise, micah.” his pink dyed hair has become a messy by the time you stopped patting him, making him slightly better to the rest of the hanging out. even with your words promising to stay with him forever, the boy can’t help but want more than your friendship.
➽ he wants to be your boyfriend, then fiancé and then husband! the plans for the wedding are already written down at his journal and the ideas for your dress/suit to match his outfit can’t be ruined by your mindset of him being ‘too young’. he is already twenty-one! just because he still on his second year of college, doesn’t mean that he isn’t mature enough to marry the love of his life!
➽ that’s why he promise himself to study hard to graduate with the best grades from his fashion design class, so he can get a degree and a good paying job at his area. maybe you will see him with other eyes when he becomes a fully grown man who can afford to pay rent without struggling and to make the best matching outfits to both of you when he gets himself a studio and able to buy the most comfortable materials ever made.
➽ he can already imagine the large house he will buy for you. a big one at the countryside of the country so no one will disturb his peaceful and lovely spouse (you, of course!), maybe he will give/adopt a child with you like he always dreamed of. but that only will happen if he works hard, so micah has a long way to go. for now, he will stay close with you as a friend only.
➽ in meanwhile, he will act behind the scenes when someone might try to steal you away from him. those idiot who think that have a chance with are all disposable and you won’t never need anyone else in your life other than him (and probably a future pet to keep you company), so micah waste no time in making sure those people won’t be found and of course. he always makes a good job in hiding the remains of those people into the deepest parts of the woods, after all, he can’t do any mistakes or else he won’t be there for you in the future, [name].
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@moonit3 writings
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