#i'm also in the process of writing something
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How can you consider yourself any sort of leftist when you defend AI art bullshit? You literally simp for AI techbros and have the gall to pretend you're against big corporations?? Get fucked
I don't "defend" AI art. I think a particular old post of mine that a lot of people tend to read in bad faith must be making the rounds again lmao.
Took me a good while to reply to this because you know what? I decided to make something positive out of this and use this as an opportunity to outline what I ACTUALLY believe about AI art. If anyone seeing this decides to read it in good or bad faith... Welp, your choice I guess.
I have several criticisms of the way the proliferation of AI art generators and LLMs is making a lot of things worse. Some of these are things I have voiced in the past, some of these are things I haven't until now:
Most image and text AI generators are fine-tuned to produce nothing but the most agreeable, generically pretty content slop, pretty much immediately squandering their potential to be used as genuinely interesting artistic tools with anything to offer in terms of a unique aesthetic experience (AI video still manages to look bizarre and interesting but it's getting there too)
In the entertainment industry and a lot of other fields, AI image generation is getting incorporated into production pipelines in ways that lead to the immiseration of working artists, being used to justify either lower wages or straight-up layoffs, and this is something that needs to be fought against. That's why I unconditionally supported the SAG-AFTRA strikes last year and will unconditionally support any collective action to address AI art as a concrete labor issue
In most fields where it's being integrated, AI art is vastly inferior to human artists in any use case where you need anything other than to make a superficially pretty picture really fast. If you need to do anything like ask for revisions or minor corrections, give very specific descriptions of how objects and people are interacting with each other, or just like. generate several pictures of the same thing and have them stay consistent with each other, you NEED human artists and it's preposterous to think they can be replaced by AI.
There is a lot of art of the internet that consists of the most generically pretty, cookie-cutter anime waifu-adjacent slop that has zero artistic or emotional value to either the people seeing it or the person churning it out, and while this certainly was A Thing before the advent of AI art generators, generative AI has made it extremely easy to become the kind of person who churns it out and floods online art spaces with it.
Similarly, LLMs make it extremely easy to generate massive volumes of texts, pages, articles, listicles and what have you that are generic vapid SEO-friendly pap at best and bizzarre nonsense misinformation at worst, drowning useful information in a sea of vapid noise and rendering internet searches increasingly useless.
The way LLMs are being incorporated into customer service and similar services not only, again, encourages further immiseration of customer service workers, but it's also completely useless for most customers.
A very annoyingly vocal part the population of AI art enthusiasts, fanatics and promoters do tend to talk about it in a way that directly or indirectly demeans the merit and skill of human artists and implies that they think of anyone who sees anything worthwile in the process of creation itself rather than the end product as stupid or deluded.
So you can probably tell by now that I don't hold AI art or writing in very high regard. However (and here's the part that'll get me called an AI techbro, or get people telling me that I'm just jealous of REAL artists because I lack the drive to create art of my own, or whatever else) I do have some criticisms of the way people have been responding to it, and have voiced such criticisms in the past.
I think a lot of the opposition to AI art has critstallized around unexamined gut reactions, whipping up a moral panic, and pressure to outwardly display an acceptable level of disdain for it. And in particular I think this climate has made a lot of people very prone to either uncritically entertain and adopt regressive ideas about Intellectual Propety, OR reveal previously held regressive ideas about Intellectual Property that are now suddenly more socially acceptable to express:
(I wanna preface this section by stating that I'm a staunch intellectual property abolitionist for the same reason I'm a private property abolitionist. If you think the existence of intellectual property is a good thing, a lot of my ideas about a lot of stuff are gonna be unpalatable to you. Not much I can do about it.)
A lot of people are suddenly throwing their support behind any proposal that promises stricter copyright regulations to combat AI art, when a lot of these also have the potential to severely udnermine fair use laws and fuck over a lot of independent artist for the benefit of big companies.
It was very worrying to see a lot of fanfic authors in particular clap for the George R R Martin OpenAI lawsuit because well... a lot of them don't realize that fanfic is a hobby that's in a position that's VERY legally precarious at best, that legally speaking using someone else's characters in your fanfic is a much of a violation of copyright law as stright up stealing entire passages, and that any regulation that can be used against the latter can be extended against the former.
Similarly, a lot of artists were cheering for the lawsuit against AI art models trained to mimic the style of specific artists. Which I agree is an extremely scummy thinbg to do (just like a human artist making a living from ripping off someone else's work is also extremely scummy), but I don't think every scummy act necessarily needs to be punishable by law, and some of them would in fact leave people worse off if they were. All this to say: If you are an artist, and ESPECIALLY a fan artist, trust me. You DON'T wanna live in a world where there's precedent for people's artstyles to be considered intellectual property in any legally enforceable way. I know you wanna hurt AI art people but this is one avenue that's not worth it.
Especially worrying to me as an indie musician has been to see people mention the strict copyright laws of the music industry as a positive thing that they wanna emulate. "this would never happen in the music industry because they value their artists copyright" idk maybe this is a the grass is greener type of situation but I'm telling you, you DON'T wanna live in a world where copyright law in the visual arts world works the way it does in the music industry. It's not worth it.
I've seen at least one person compare AI art model training to music sampling and say "there's a reason why they cracked down on sampling" as if the death of sampling due to stricter copyright laws was a good thing and not literally one of the worst things to happen in the history of music which nearly destroyed several primarily black music genres. Of course this is anecdotal because it's just One Guy I Saw Once, but you can see what I mean about how uncritical support for copyright law as a tool against AI can lead people to adopt increasingly regressive ideas about copyright.
Similarly, I've seen at least one person go "you know what? Collages should be considered art theft too, fuck you" over an argument where someone else compared AI art to collages. Again, same point as above.
Similarly, I take issue with the way a lot of people seem EXTREMELY personally invested in proving AI art is Not Real Art. I not only find this discussion unproductive, but also similarly dangerously prone to validating very reactionary ideas about The Nature Of Art that shouldn't really be entertained. Also it's a discussion rife with intellectual dishonesty and unevenly applied definition as standards.
When a lot of people present the argument of AI art not being art because the definition of art is this and that, they try to pretend that this is the definition of art the've always operated under and believed in, even when a lot of the time it's blatantly obvious that they're constructing their definition on the spot and deliberately trying to do so in such a way that it doesn't include AI art.
They never succeed at it, btw. I've seen several dozen different "AI art isn't art because art is [definition]". I've seen exactly zero of those where trying to seriously apply that definition in any context outside of trying to prove AI art isn't art doesn't end up in it accidentally excluding one or more non-AI artforms, usually reflecting the author's blindspots with regard to the different forms of artistic expression.
(However, this is moot because, again, these are rarely definitions that these people actually believe in or adhere to outside of trying to win "Is AI art real art?" discussions.)
Especially worrying when the definition they construct is built around stuff like Effort or Skill or Dedication or The Divine Human Spirit. You would not be happy about the kinds of art that have traditionally been excluded from Real Art using similar definitions.
Seriously when everyone was celebrating that the Catholic Church came out to say AI art isn't real art and sharing it as if it was validating and not Extremely Worrying that the arguments they'd been using against AI art sounded nearly identical to things TradCaths believe I was like. Well alright :T You can make all the "I never thought I'd die fighting side by side with a catholic" legolas and gimli memes you want, but it won't change the fact that the argument being made by the catholic church was a profoundly conservative one and nearly identical to arguments used to dismiss the artistic merit of certain forms of "degenerate" art and everyone was just uncritically sharing it, completely unconcerned with what kind of worldview they were lending validity to by sharing it.
Remember when the discourse about the Gay Sex cats pic was going on? One of the things I remember the most from that time was when someone went "Tell me a definition of art that excludes this picture without also excluding Fountain by Duchamp" and how just. Literally no one was able to do it. A LOT of people tried to argue some variation of "Well, Fountain is art and this image isn't because what turns fountain into art is Intent. Duchamp's choice to show a urinal at an art gallery as if it was art confers it an element of artistic intent that this image lacks" when like. Didn't by that same logic OP's choice to post the image on tumblr as if it was art also confer it artistic intent in the same way? Didn't that argument actually kinda end up accidentally validating the artistic status of every piece of AI art ever posted on social media? That moment it clicked for me that a lot of these definitions require applying certain concepts extremely selectively in order to make sense for the people using them.
A lot of people also try to argue it isn't Real Art based on the fact that most AI art is vapid but like. If being vapid definitionally excludes something from being art you're going to have to exclude a whooole lot of stuff along with it. AI art is vapid. A lot of art is too, I don't think this argument works either.
Like, look, I'm not really invested in trying to argue in favor of The Artistic Merits of AI art but I also find it extremely hard to ignore how trying to categorically define AI art as Not Real Art not only is unproductive but also requires either a) applying certain parts of your definition of art extremely selectively, b) constructing a definition of art so convoluted and full of weird caveats as to be functionally useless, or c) validating extremely reactionary conservative ideas about what Real Art is.
Some stray thoughts that don't fit any of the above sections.
I've occassionally seen people respond to AI art being used for shitposts like "A lot of people have affordable commissions, you could have paid someone like $30 to draw this for you instead of using the plagiarism algorithm and exploiting the work of real artists" and sorry but if you consider paying an artist a rate that amounts to like $5 for several hours of work a LESS exploitative alternative I think you've got something fucked up going on with your priorities.
Also it's kinda funny when people comment on the aforementioned shitposts with some variation of "see, the usage of AI art robs it of all humor because the thing that makes shitposts funny is when you consider the fact that someone would spend so much time and effort in something so stupid" because like. Yeah that is part of the humor SOMETIMES but also people share and laugh at low effort shitposts all the time. Again you're constructing a definition that you don't actually believe in anywhere outside of this type of conversations. Just say you don't like that it's AI art because you think it's morally wrong and stop being disingenuous.
So yeah, this is pretty much everything I believe about the topic.
I don't "defend" AI art, but my opposition to it is firmly rooted in my principles, and that means I refuse to uncritically accept any anti-AI art argument that goes against those same principles.
If you think not accepting and parroting every Anti-AI art argument I encounter because some of them are ideologically rooted in things I disagree with makes me indistinguishable from "AI techbros" you're working under a fucked up dichotomy.
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PAC: What's next in your love life?
Here is my love ahead spread, where we're going to look into what is coming for you in your love life, having singles or people in non-committed or early stages of the relationship in mind.
The reading doesn't contain any info on gender or orientation.
As always, this is a general reading meant for multiple people, there are only 3 piles, so it might not apply 100% to you. Take what resonates and leave out the rest.
I'm available for private readings and have a ko-fi. Free readings are currently closed at the time of writing this.
PILE 1
Cards: 7 of Pentacles, 7 of Cups, Judgement, the Tower, Knight of Wands, 8 of Swords, the Sun, 4 of Wands, Ace of Cups
We'll start by looking at your current situation regarding your love life.
It seems something has been growing in your love life for a while now. I'm thinking the early stages of a relationship or a crush situation. Zooming out, the growth seems steady, but it's possible that it wasn't so smooth when you look at it on the day to day. Some days might have felt like take 2 steps backward, and the next day you would move forward again. As a result you might be loosing your patience a little, ignoring the fact that things are indeed moving forward, even though not as fast as you want them to, or not exactly the way you want them to. You're eagerly waiting for things to take up speed and finally reach some type of harvest that you've been craving for. I also see you as somewhat passive, waiting for something to happen on its own. You're not necessarily taking any decisive action, but rather going with the flow of things and observing your relationship build slowly. Overall you feel quite impatient.
With the 7 of Cups in the position of things going for you, I think you have a tendency to get lost in your daydreams and illusions, regarding love and love interests. However, you're fully aware of that and actively de-fogging the whole thing. I see you trying to remain realistic and not too much in your head. I think that's a process that you had to learn the hard way. You're learning to pick up on the truth and discard the lies, which is quite painful and not a growth that happens in a straight line. Inside all this mess, there are nuggets of wisdom you're determined to find. It's like, either it helps you clear the way for this specific relationship, or it just makes you a healthier human, which is a win win situation.
However for what's going against you, I think you still have a tendency to put the blame on others instead of understanding that the current situation is your doing. If you're unsatisfied with the pace of things, you have choices. You can either wait and find peace in that, or move on to pursue something else. Whatever it is, don't wallow in misery because you feel frustrated and let resentment boil within you against your person, yourself, or the situation. What I'm trying to say is that you're refusing to make the call and pick a path to follow with determination, and instead you keep going back and forth in your head and creating a terrible emotional state for yourself. If you keep waiting for a sign in a passive and hopeless way, things will not change.
For what to take in in this situation, I see the need for a big wake up call with the Tower. I know this card has a bad rep but I think here it's mostly an indication of the intensity of the shift you need to do. It is paired with the Knight of Wands which is a clear indication that you need to take the reign and pursue what you want, taking a risk that things might collapse as a result. Welcome illusions being stripped away, let go of lies and take the risk to reveal your true self.
I asked for a clarification and got the 8 of Swords, which shines light on this state you need to wake up from: the fact that you keep yourself in a state of powerlessness when you have the means to cut your bonds. Really, this state of stagnancy is your doing and you need to own up to the fact and get out of that hole. Whatever you decide to do, you need to shake things up drastically and take a more active part in your love life.
What you need to release with the Sun, I get the idea that you're a bit too childish and immature when it comes to love matters, or at least in this situation. The card shows a child on a horse, but unlike the knight of wands who is in full control of his mount, the sun-child is merely waving his arms around and not doing much. It looks quite comical and does not embody a serious partner one might want to pursue. So I'm getting again the idea of the need to be more serious and committed, and releasing this naive mindset that things are going to fall on your lap without you doing anything at all.
For the most probably outcome in this situation, with the Four of Wands I was drawn to look up the astrological correspondence of the card and I got Venus in Aries, which is quite funny since Venus is currently in Aries until April 29th 2024 (writing this on the 23rd). I don't necessarily think this means everyone will find an outcome within the next few days, however, it does point out at changes happening presently, or as a direct result of this Venus in Aries season. Which again puts the idea of acting and stop wasting time.
It's also fun because it points at a very fiery approach to love, much like what the Knight of Wands was suggesting. Instead of worrying whether they love you or not, whether you should move on or not, you're being advised to go and find out. With the 4 of Wands as this placement in the tarot, there is an idea of celebration and coming together. The characters on the card are inviting, as if to welcome you in their circle, or hinting at a festive event or a gathering. A positive outcome is definitely possible, and if not, it's the opportunity to move on from heartache and find a better future with your heart unburdened.
The underlying energy is presented by the Ace of Cups, which definitely speaks of an exciting time for romantic feelings, where feelings are being birthed and coming to light. There is opportunity for a renewal in this connection.
PILE 2
Cards: The Devil, the Lovers, the Queen of Swords, Ace of Swords, 8 of Wands, 9 of Cups, the Fool 10 of Cups, 2 of Wands, 6 of Swords, 3 of Cups, 3 of Wands
We'll start by looking at your current situation regarding your love life.
With the Devil as you current situation, it is possible that you're crushing on someone or are in a non-committed relationship with someone that is loaded with sexual energy. However, it also points at an obsessive dynamic in the relationship which fosters an unhealthy atmosphere. It is clarified by the Lovers and the Queen of Swords, so I think there might be someone in this relationship hoping for love, and someone with their walls up, appearing cold and distant, even if there is physical intimacy at play here. It's also possible that the one interested in committed love doesn't respect their own boundaries and let themselves being stringed along.
As to what's going for you, I see you embracing clarity and the desire to cut through bullshit at this point. A part of you wants to reach the truth of this situation and is willing to think about it deeply. Get your sense of agency back by either communicating your needs and fears or by taking the time by yourself to work on that. It's clarified by the 8 of Wands so I see quick communication, heated arguments perhaps but it's for the best because you need to get to the core of the issue.
For what's going against you, I see you clinging onto the good aspects of this relationship, as in, it's not perfect but there's enough pleasurable aspects to it that you don't want to let go of that. You're protective of what you have and I also see you being a bit too carefree by pretending the negative aspects of this situation don't affect you that much, that everything is find and good, even though it isn't. You might be a bit of a hopeless romantic and you just don't want to see that this situation is not bringing you the true happiness that you seek but rather putting you in a unstable and potentially threatening situation. I don't know how to put it but with this + the Devil as significator for this relationship I get toxic vibes from this, but that you're too addicted to it to really snap out of it.
What you need to take in is shown by the 10 of Cups, and I think here it means that you need to find hope again that you're deserving of true and untainted happiness in matters of love. This card is about commitment and romantic, even familial fulfillment, and I think it's important to remember that if that's what you want then you can't settle for less because then you'll never get what your heart truly desires. This card is here to remind you of your dream, stop settling for less and suffocating your true wish.
You need to release your hope that the situation will solve itself without making a choice. I get the idea that you keep imagining how things could be, or would be if X or Y happened, but you're not taking the necessary step towards your wish.
All of this is highlighted by the general energy of the reading, which is all about going back to decision making after a time of hesitation. It's going to be your role to know which decision you need to make and how though, but you need to leave the harbor at some point.
For the outcome of this situation, I see you moving on to better days, letting go of this situation that doesn't fulfill you and going through a very social phase where you're going to either form new connections, or get back in touch with friends and celebrate your newfound freedom. It seems this decision of moving on will bring you a lot more happiness than sorrow. Yes it is painful to let go, but you have much to gain, and seeking different social interactions will help you feel better and get back on track. Perhaps it would help to find the humor in the situation and have fun gossiping about this relationship with your friends in order to vent and get another perspective.
PILE 3
Cards: Wheel of Fortune, the Fool, 3 of Cups, 9 of Cups, Ace of Swords rx, 9 of Pentacles, 6 of Pentacles, Temperance, 10 of Swords, the High Priestess, 9 of Swords
First off, let's look at your current love life.
For this pile, I don't think there is anyone specific in the picture for you. I see two possible situations depending on the people. Some of you might have experienced a breakup and are now in your new chapter, having left behind that situation and being past that; for others, I see you waiting for a relationship to show up eventually like some big turn of events. In both cases, you have a very open and carefree attitude right now, enjoying the moment and I get the idea that you might be enjoying casual sex as well, for some of you at least. In any case, you are currently not bound to anyone.
For what's going for you, I see you being social, meeting new people or enjoying time with friends. You're just enjoying yourself and your freedom and it's what you feel called to do right now. It seems you really needed to go through that phase in order to feel happier with yourself and find your balance again.
For what's going against you, I see the idea of casual, or at least, superficial connections showing up once more. You might also not be super ready to get into a committed relationship at the moment because you still feel the need to enjoy your freedom and have either multiple partners, or you just want to enjoy your social life without having to compromise or divide the limited time you have in your hands for one person only. I also see that you lack clarity on what you want. Is a committed relationship really what you want, or do you want to keep what you have right now? And if a relationship is what you want, what would it look like? I think you need to take some time reflecting on what romantic happiness looks like to you to see if it aligns with what you're doing.
For what you need to welcome in, there is a message here of reminding yourself that love is not just about sex and intensity, but also about sweetness and complicity. Looking up to your partner because you find them incredible, because they make you feel like a giggly child you can be your true self with. I also see the need to value true and deep emotional connection. There is a need to be the guardian of your fulfillment, not in a warroir-like way, but rather, in a nurturing way. Be the gardener that takes care of their blooming plants with love and care, and by that I mean that you need to put in the energy of what you want to harvest in the future, not just what's easily available in the moment. You also need to be more independent and advocate for your needs.
It's is very important to make way before you can receive anything new. Which means that you need to get clear on what it is that you truly want and release what doesn't align with that. Perhaps you're also quite detached and would benefit from getting in touch with your deeper emotions again. I think you've somewhat been hiding your heavier emotions inside and ignoring them for a while now and that might be what needs to be released.
For outcome, I think there is a deep need for realizing the options you have to choose from regarding your love life, and really take a look at what you truly want. I think this very social phase will come to an end for now, that you will be more focused on yourself and your inner world. This may trigger intense negative feelings that you were ignoring up until now because you were distracting yourself from them. You may need to hit the bottom before you can rise again, but fear not because from there, the only way to go is up. Learn to look for answers within, I think this time has the opportunity to teach you a lot about yourself and help your grow as a person and to gain clarity on your life.
I also wanted to note that there is a striking lack of Wands in this reading, which to me indicates that the main point of work in your situation is not so much taking actions, but processing thoughts and emotions to get clear on what you want and how to get there. A time for self reflection and growth is coming up.
#pick a card#pac reading#love reading#love pick a card#tarot reading#tarot#tarotblr#pick a pile#pick an image#love tarot reading#divination#soaringwide#soaringwide tarot reading
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Do you have any tips (or previous posts) about how to write a young person who’s first-time cane user? This one is for a character who escapes a lifetime of being experimented on, and learns in the aftermath of being rescued that this rather compromised her ability to walk well again. I’ve written characters with other mobility devices for getting around. But never canes. I myself am physically disabled but have never needed anything like these before. I’m always eager to learn.
Hi!
If your character is a first time cane user, here's some things that could happen:
She will need to learn how to walk with the cane first. When you're starting, it's easy to mess up (though it could be my dyspraxia speaking) and overfocus on how you should walk because you're just getting used to it. She could randomly stop and correct her gait, or look down a lot to check if she's still doing the motion (left arm and right leg forward, or the other way around).
She's probably gonna drop that thing a lot. Especially if she has a weaker grip in the cane hand - now, I don't have this problem (the opposite, rather) - but the overall thing is a really common occurrence for most of us. Walking and hit the smallest pebble imaginable? Cane on the ground, somehow. Tried putting it against the wall or table? It's on the ground. And then you need to reach for it... it's a struggle sometimes.
If she's not helped in picking the cane, she will spend some time figuring out what grip and height are comfortable for her. (Grip depends on personal preference, no one's preference has ever been the doorknob handle, height is generally to the person's wrist from the ground up.) I think that this could be an interesting opportunity to talk about disabled communities - maybe she's frustrated with the process and goes to an older (more experienced) cane user to help her?
If it's during the winter, her hand is gonna be freezing - and the opposite in the summer - and she might not be prepared for it. The handle can get HOT and it can be an issue. Depending on what her actual disability is, she might try switching which hand to hold it in. If she's able to do that, another character could warm up her cold hand :)
The first couple of times walking with a cane are an Experience. You feel way better, but also everyone is suddenly staring. Some people care about that, some don't. But it can be somewhat overwhelming either way.
Spatial awareness is gonna suck at first. She will bump into what feels like everything with the cane. Especially doorframes. It's always doorframes for some reason. Or mess up and have her cane slip down because she hasn't realized how close to the curb she was.
She will hit her shin. It will hurt.
She's probably going to be speedy with that thing! Getting a cane is like getting a speed boost. Without it, I have episodes where I'm extremely slow (my highest, extreme-pain speed would be slower than a person walking very casually) and with it, I'm faster than a lot of able-bodied people! It's fun and she would have fun with it.
She will not know what to do with the cane when she doesn't need it. For me, using backpacks always cause issues because I don't know how to hold it without dropping it, but I also need to swap hands, something gets stuck on the handle... it's a whole process that takes a comical amount of time at first. Same when going to the public bathroom, where are you putting it when you aren't using it...? It's a lot of trial and error and a lot of "eww, my cane just touched the dirtiest surface humanly imaginable".
In the real world, people are (overly) interested in young cane user's business and tend to stare a lot. Now, it doesn't have to be like this in your story, but it's often just an annoying part of life. Your character might feel awkward and feel like she needs to explain herself, but this goes away after some time. You just get desensitized after a while.
In the real world, people are sometimes interested and nice about it! For example, a lot of older people can be insecure about using a cane, exactly like younger people. I've heard stories about older people asking younger users where they got their cane from, how are they so confident with it, etc. Another opportunity for a disabled community moment!
I hope that my suggestions were helpful, it's been a while since I was a first-time cane user so I wrote down what I still remember, haha.
Mod Sasza
Hi!
I agree with Sasza on pretty much every point and wanted to add some things from my own experience.
It's really, really hard to hold both a cane and an umbrella at the same time. Sometimes I'll give up and get wet. Sometimes I'll give up and store the cane. She might do either of those, depending on what she hates more: being wet or walking without the cane. Or she could get a raincoat if that works for her.
Speaking of umbrellas, sometimes you need your umbrella and you need your cane and you also need a free hand. This Sucks. What I do for this sometimes (and maybe she or other people have better, smarter, more useful solutions than this) is shove my umbrella into my shirt or backpack strap or something, so the umbrella is Held Up by it. This is not very effective, and will not last long. But if I need to look up a map on my phone or adjust something on my clothes or get my keys, it can work. Sort of.
Just like mod Sasza said, people will take interest in your cane, younger and older alike. I've had people of all ages compliment my cane (it has flowers) as well as people of all ages tell me I'm too young to need a cane or ask what's wrong with me. An older woman once asked me where I got my cane as she had been wanting a 'pretty' one, and that was a nice moment.
She might develop a new awareness of mobility aid users. When you're new at using one and trying to figure it out, you're probably going to be frustrated, because it's a new skill like any other. But it might make her (like it made me) notice more people using canes. It's not that I never saw them before, but that they were more common than I ever thought, and I never would have noticed how common it was if I hadn't had to slow down and practice my skill.
Cane tips get dirty, and cane tips wear out. These both depend on where your character is using her cane (outdoors vs indoors, scratchy asphalt vs smooth wood) as well as how often. A cane with a worn-out rubber tip really sucks and is more unstable and if the cane is made of aluminum and the tip is worn out and you hit the cane the wrong way, you can damage the cane. Ask me how I know.
That's all I can think of right now that I had to learn to deal with when I started! As you can see I still don't have a solution to the rain thing and it's been like two and a half years...
- mod Sparrow
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I'm excited to read it too! I'm glad you find it interesting! Don't worry about your post because long! Your thoughts are so interesting!
I agree that Astarion would have to come to terms with Reader/Tav's boundaries too since it works both ways! I definitely feel that Astarion would be too lost in drinking from the blood of a sentient creature to notice the signs.
He would feel ashamed when he's aware of their fear yet they still chose to offer despite that might made him feel like he manipulated them like Cazador did to him 😭
What his excuses are if they try to offer in the early days makes sense! He would be too ashamed & terrified to have such a vulnerable conversation with them yet 😞
He would feel safe enough to bring up their fear after he confessed about everything. He would make it clear to them he doesn't want them to suffer by making them do something they don't want to like he did especially after how much they have helped him & how important they are to him 😭
He would respect their decision if they said it's too much for them. He would support everyone's personal choices & autonomies even though the concept is still new to him 😤
He would need an explanation if they insist on feeding him regardless of their fear. They would explain that not only do they trust him, they love him more than they fear it 🥹
He would only accept if they establish some ground rules 👍 like he did when it comes to physical intimacy & sex which is healthy for both of them!
I know it's unrelated but thank you for adding this because you described me pretty well 🤣 I would definitely react to even the smallest of cuts so Astarion quickly but gently sucking it & giving a small kiss on it would be a fantastic distraction 😳
You're welcome! Thank YOU for entertaining me & sharing your thoughts! I'm glad you enjoy putting Astarion and Tav/Reader in all these different scenarios too 🤍
Here's my idea that I would love to hear your opinion! Just to let you know this is quite self-indulgent XD How would Astarion react to GN! Reader/Tav actually had suspicions that he's using them but still chose to believe that he's not. So when he confessed he manipulated them, they're even not angry at him.
They're sad for how much & how long he has suffered to be the way he is now, but they're also genuinely hurt that he did take advantage of their trust in him. They don't blame him but they admit it still hurts and wants some time alone to process it.
After leaving them be, they would go to him when they're ready to talk to him. They would tell him how grateful they are that he chose to come clean with them despite knowing how it would be easier for him to keep quiet for it, and thanked him for trusting them enough to be honest with them.
What do you think of it? I'm curious :3
Hi Anon! Sorry for the super late response, I let this one stew for a little while in my brain and the other night I had this dialogue idea and couldn’t resist writing a little scene about it tonight! I hope you enjoy ❤️
I envisioned this scene happens half way through his confession, and then imagined the rest of the conversation about intimacy and boundaries would happen afterwards! It’s about 1100 words, and canonical Astarion backstory warnings apply — trauma, dark thoughts, etc.
.·:¨༺ ༻¨:·..·:¨༺ ༻¨:·..·:¨༺ ༻¨:·..·:¨༺ ༻¨:·..·:¨༺ ༻¨
“I just — I feel awful." Astarion’s throat worked silently, his eyes glancing down to his boots. "Look, I had a plan. A nice, simple plan — seduce you, sleep with you, manipulate your feelings so you’d never turn on me. It was easy — instinctive. Habits from two hundred years of charming people kicked in." He finally looked up at your face, studying intensely for your reaction.
“I—oh,” You pulled your hand away from him as uncertainty flooded your features. He saw your eyes dart back and forth, but they weren’t studying him. No, you were lost in thought. “Oh.”
Astarion licked his lips, his hands ringing together in front of him nervously. “You have every right to be angry.”
“I’m not angry. I thought we… I don’t know what I thought.”
The rest of what he had planned to say vanished out of his mind. Instead it started to betray him, a cruel voice whispering about how he knew you would react like this. Did he really think it would go well?
His pink mouth hung open as he scrambled for what to say, trying to think of how to make this better. But he’d done enough already, hadn’t he?
You crossed your arms over your body, your cheeks flushing deeply. “I feel a bit like a fool. None of it was real, the whole time?”
“Not the whole time,” He confessed as soft, vulnerable moments with you flashed in his mind. The very moments that made him start to drop the act. “It hasn’t been as of late, but before… in the beginning, up until recently, yes.”
His red eyes followed your throat as it bobbed up and down before flicking back up to your face. Your eyebrows were furrowed, your mouth a sad pout.
“Tell me what you’re thinking.” Astarion whispered, not daring to move forward.
“I’m thinking… I need a moment.” You admitted, already looking behind you and away from him.
His heart sank, but he nodded. “I— okay. Of course.”
And then you were off, your head down as you stalked away from the edge of the beach and back to the warm glow of camp.
He stood there stunned for a moment, before turning around to stare at the dark, choppy waters in front of him. Hundreds of scenarios began to dance in his mind — what if you went back to the camp to tell the others? Would he be met by pointed blades and blazing spells? He imagined being kicked out, staked, cursed, roasted alive with fireballs. Hand delivered to Cazador as extra punishment for his sins. Anything his twisted broken mind could come up with played like a messed up vision.
Astarion didn’t even try to stop the repetitive dark thoughts. It was what he deserved.
Eventually, the vampire slinked back into the camp some time later — once the sky was inky black and the moon was the only light to illuminate the way back to his tent.
“Hi.”
The sound caused his ears and shoulders to perk up instantly. You were sat in the grass and dirt outside of his tent, your arms wrapped around your knees and pulled to your chest.
“Hi.” Gods, he sounded breathless. But he couldn’t see any weapons or angry barbarians or wizards nearby. That was a good sign, right?
“I wasn’t sure when you’d come back.”
He cocked a brow, “I figured you wouldn’t want to see me again.”
A sigh escaped your lips, “Astarion, don’t be dramatic. I asked for time to think — not for you to leave.”
He blinked at your sharp tone, but nodded his head in slight defeat. “You’re right. And you waited for me because—?”
You brushed off your clothes as you stood up to his height, “I would like to finish that conversation, if you’re ready.”
Well, there was no denying the inevitable.
He nodded his head solemnly, stepping forward to open the flap of his tent and inviting you in with a wave of his hand.
The privacy his tent offered was slight, but this late in the night he knew most of his companions would be fast asleep. Quickly lighting a lantern, he joined you on the fabric floor.
His half-dead heart was thundering, the thrumming sound echoing in his pointed ears that he almost missed your quiet voice.
“I understand.”
“What?” His brows furrowed, looking at you with confusion.
“The stories you’ve told me… your scars… I understand why you did it, why you felt the need to do it.” You explained, your voice and eyes tender as you looked at him in the low light. “But you manipulated me, Astarion. You took advantage of me, toyed with me and my emotions to get what you needed. That hurts.”
Astarion’s stomach twisted into a hard knot, “I know.”
“But you also didn’t need to tell me any of this. You could have kept pretending, kept up the charade until we faced Cazador… But you didn’t. Why?”
Now it felt like his stomach was crawling up his torso and into his throat. Gods, what was this feeling? Why did you do this to him. “That’s what I was trying to tell you before. I failed with my plan. It felt apart the moment I realized… that I had fallen for you.” He admitted, but his fluttering heart made more words stumble out of his mouth. “And I know you probably don’t believe me, why would you after everything I just told you. Trust me, nobody feels more stupid about it than I do.”
You cut off his rambling, “I don’t think it’s stupid. I think that’s probably the most honest you’ve been with me since I’ve met you,” You said earnestly. “It would have been a lot easier for you to keep on pretending, wouldn’t it? Pretend I’m just another mark, another means to an end to get through the day.”
“I don’t want easy… I don’t want to just get through the day. Not anymore.” Astarion whispered across the small tent, staring intently at you.
You cocked your head slightly in question, “And what do you want?”
“I want this, I want us — to be real. You deserve something real.”
“So do you, Astarion. You deserve something real.”
Your name escaped his lips as a choked sob as overwhelming wave of emotion settled over him. “I don’t even know what real looks like. How do I give that to you if I—?”
“Do you trust me?”
The vampire nodded through his tears, “Yes.”
“I trust you,” You said softly.
“After everything I’ve done?” He croaked, waving his hands dramatically, “You’d trust a monster—“
You grabbed onto his extended fingers gently, squeezing them. “Yes, even then.”
He looked down at your hands touching, before intertwining his pale fingers with yours carefully. “Maybe you are a fool.”
You let out a breathless laugh, the sound waking up something in him he’d long thought dead. “Maybe, I am. But you fell for me, so what does that make you?”
Astarion’s mouth twitched up until it match your smile, “The luckiest vampire alive.”
#commander-rahrah answers#bg3 astarion#astarion ancunin#astarion fanfic#bg3 fanfic#Astarion X reader#astarion x gn reader#astarion x tav#astarion x gn!tav
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Could you please write more about pregnant Tiriel? Your writing about her finding out she's expecting and about Astarion hearing the baby's heartbeat were one of my favorites?
Synopsis: Astarion takes care of pregnant Tiriel.
Tags: dadstarion, pregnancy, fluff
Thanks @themadlu for beta-reading!
Read on AO3
Masterlist
Headcanons
Waiting
“I think I am going to die in childbirth,” Tiriel says, pressing her face to her knees.
Astarion would sigh if he could. Tiriel sits shoulder-deep in a bath of warm water, as the vampire washes her hair and rubs her back.
“You aren’t going to die. You are a half-elf and I am sure the child is rather small. Look at your belly, you are in your last month and it’s not really showing.”
Tiriel turns away. Well, to call her belly small would be an underestimation – her slim body is currently betraying pregnancy. It’s covered in stretch marks that won’t disappear, ever. But again, Astarion has seen many pregnant human women in Daggerlake within the last five years and Tiriel has definitely been spared, carrying someone who takes after their elven ancestors.
But once Astarion thinks he’s managed to cheer her up, Tiriel sniffs.
“What if something is wrong with the baby? You are a vampire! I love you and all that, but you are still undead! What am I even carrying inside? And what if the child is sick? Or deformed? Or…What if it is going to kill me?”
“I can promise you, if something goes wrong, we are saving you,” Astarion splashes water on her hair.
“Thank you.”
He kisses her shoulder. “Don’t worry that much, the last thing you need is to cause a complication.”
Tiriel touches his fingers.
Astarion adds more soap to the tub. The scent of vomit and sweat still lingers on Tiriel’s skin and Astarion takes a clean piece of rug.
Tiriel has been feeling so bad in the last few days she barely left her bed. Her legs hurt, she couldn’t eat without vomiting, and she hardly slept because of back pains. She finally made herself go out that evening to eat properly, but, the moment Tiriel finished her dinner, she felt nauseous and everything Astarion had cooked for her ended up on her home shirt.
That moment, Astarion had enough of that and carried Tiriel to the bath.
“I'm sorry,” she says.
“What for?”
“I look disgusting.”
“Nothing is disgusting about a pregnant woman,” Astarion says, rubbing her left ear. “Besides, I’ve seen and done much worse things than giving a bath to someone I’ve knocked up. Your condition is my fault and I am taking full responsibility! Now, let me wash your front.”
Tiriel presses her back against the tub allowing Astarion to get to her belly and legs. Astarion smiles seeing the visible bump and carefully rubs the skin.
He is so close he can hear the second heartbeat.
It is not clear to him when the child is going to be born. Elves are pregnant for two years, but Tiriel’s body is hardly capable of doing so. Humans need nine months for the same process, but Astarion has learned from the healers in Secomber, the closest big town to Daggerlake, that it’s never clear with half-elves. And it also depends on the child – Astarion tries to think about the baby as an elf with just a bit of human ancestry (still enough to fuck up the gentle elven biology).
But in reality…
The child is half-him, half a vampire anyway. And that should bother him.
He is afraid of that moment. He waits for that moment to come. And he also misses Tiriel in sensual terms. He wants her blood (which is out of reach for him till she stops breastfeeding), he wants her body (they haven’t had sex ever since she got pregnant).
And he wants her to stop being in such pain daily.
“I look ugly,” Tiriel chuckles. “Don’t try to say it’s not true.”
“It's not. You are beautiful!”
Suddenly Tiriel flicks his nose. “My eyes are here.”
Astarion realizes he’s been staring at her swollen breasts and small droplets of white liquid on Tiriel’s nipples.
“Stop all this nonsense, Tiriel!'' Astarion takes her leg and stretches it to wash it better. “I like caring about you. I like how you look. And I absolutely love that it's me who did this to you. It all feeds my vampiric possessiveness, after all!”
“And I love that it was you who did this to me,” Astarion feels Tiriel’s fingers on his cheek.
“Now, get out of the water before it gets too cold!” Astarion brings towels. “Is food still out of the question?”
“I want something hot to drink.”
“I will make you herbal tea, then.”
Astarion, after making sure she is dry, carries Tiriel to bed.
He looks outside. What he loves about his house in the underground part of Daggerlake is the big windows. There is no point in hiding from the sun, and Astarion can enjoy going outside whenever he wants. Besides, the biggest part of the town is underground too, and Astarion also doesn’t feel like an outcast.
And his neighbors have seen much worse things than vampires who know the law.
Suddenly Tiriel yelps. He turns to her and notices the night shirt she’s put on is wet.
But wasn’t Tiriel's skin dry when he took her from the bath?
Tiriel hugs her belly and lets out a cry of pain.
“Tiriel…” Astarion rushes to her. No, not today. He still needs time to get ready.
Tiriel grabs his shoulder. “Go to the healer… I am.. Gods…”
The child has decided to be born today.
------
You can read what happens next in Little Bundle of Darkness
--
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#bg3 fluff#bg3#baldur's gate 3#baldurs gate 3#astarion#bg3 astarion#astarion romance#astarion bg3#astarion x tav#oc tav tyrael#dadstarion#tav oc#astarion x reader#astarion x barbarian tav#astarion fluff#tiriel of the sunset mountains#astarion x tiriel#tiriel the barbarian#oc tav: tiriel#pregnancy
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help i'm alive
So! Long time, no see. 2023 was a whole goddamn lot lol
I don't have a demo update to share yet, but that's because I had to scrap nearly everything I managed to write during a very, very, very bad stint of writer's block last year. I hadn't even realized it had been a block like that until I went over my work so far last month and realized it was bad -- like, trust me; a slog to read that didn't even sound like me. It's been extremely frustrating but I've finally broken free of that and it's been easy and actually fun to write again for the first time in actual years. I just hate giving updates that have no actual news in them. And I really had nothing to share other than: I deleted thousands of words and feel so much better now 😅
Anyway, little about my demo plans have changed: I'm still putting out the Chapter 3 demos in Choicescript/on Dashingdon and then will be going dark to move things over to Twine. Where I am in the process right now is... feeling like 35% done with the overhauled version of this chapter and 50% done for the next demo update.
As far as asks, I'm... not really sure what to do?? I believe I've read them all (I love you guys), but so much time has passed since getting most of them that I'm not sure if it's, like... still pertinent??? To go back and answer them?? I suppose some of them like character asks could be, but all the nice messages of support -- that feels weird since I've practically ghosted this blog since August! Idk. Y'all tell me what to do with 'em and I'll do it. Maybe I should make a poll.
Uh... that's really all there is to say regarding the game! I've added some personal stuff after the cut, but if you're done here: Thanks for reading and sticking around. It means the world, for real.
So what has occupied my time all this time? Doctor, therapy, money, and friends. And improv! But especially the first two. There was a lot of non-writing related stuff fucking up my ability to focus and write, so hopefully with my mind and body both feeling a lot better, I can get back to being present and active with the game. I didn't realize how physically unwell I was until last year and it's been like... life-long issues I've been treating. It turns out it's not normal to feel exhausted enough to sleep at any given time, at all times, for your whole life! wow!!
I also uninstalled Tumblr from my phone back in February, so you could say I'm sort of generally focused on offline life. (And what an interesting coincidence that my writer's block dissipated shortly after that...) I also just moved!! The last two weekends have been so expensive and stressful -_- But I can't even compare the old place to the new. We're basically paying the same price for idek how much more space. The cats are so happy; which means the house humans get to be happy.
My schedule is finally freed up from constant medical shit (there was a 3-month stretch this winter with multiple doctor appointments literally every fucking week 🙃🙃🙃). My mental health is doing a lot better -- literally incomparably better compared to where I was this time last year. There's live comedy now (which I dabble in, to be clear lol), but I've finally found myself able to like... balance it all. The physical and creative energy that goes into it all, anyway. The lovely thing about improv is that you kinda just show up and do your thing -- it doesn't cut into my writing time so much as it costs energy. Unless I end up in this comedy debate show thing next month, which I am very excited to give up writing time for
So like... Life is life-ing and I'm just vibing. Or something? I'll be around.
Thank you all again so much for your interest, support, patience, and readership <3
#oh and if anyone knows where i can stream mob wives uncensored without paying any extra money i'd love you forever lol#that is unimportant- unless y'all find it important that i have access to all of my most influential pieces of media at all times IJSAYING!#jk jk ofc <3 thank you for reading#conspiracy in emerson#if cie#progress#cie ch 3
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Ryoko Kui Does Not Believe in Epiphanies (or: why Marcille and Mithrun's endings are great actually)
I have seen a couple of people who are upset about the way that Mithrun and Marcille's stories were resolved so I'm writing this to clear some things up. Ryoko Kui does not believe in epiphanies. An epiphany is a sudden and usually brief realization, an "aha" moment. Epiphanies are emotionally powerful moments. Both Marcille and Mithrun have powerful moments of realization, epiphanies.
Whether or not you like these resolutions, there's something you need to understand, Ryoko Kui does not put that much stock into these moments. Immediately after Marcille has her realization, Tansu responds like this:
While this is mostly his own opinion, what he is pointing out is that epiphanies are brief, they are singular moments that do not define a life. Life is long, and epiphanies do not sustain you. Marcille might feel like this now, but what about tomorrow? what about nex year? ten years, a hundred years, five hundred years from now? How often have you felt a sudden understanding? a burst of inspiration, or perhaps a realization that everything is pointless? It generally passes quickly, and you make dinner, and go to bed.
Think about the best meal you have ever had, it was probably a special occasion, maybe it felt like something magical, in the moment you might have felt like your life was changed. Then, in the morning you were hungry, so you ate breakfast. You cooked, you did the dishes, you went on with your life. What "meaning" did that meal have if you were hungry again the next day? Mithrun has to rebuild everything, every day he has to come up with new desires to do the very basics. None of it comes naturally, he has to find a reason to eat beyond being hungry, a reason to want to do anything when he doesn't want anything. Ryoko Kui tells us outright, that there is no magical solution:
The same thing applies to Ryoko Kui's representation of racism in dungeon meshi. Around when the orcs appeared in the anime I saw people gripeing about the way racism is treated. They seemed to think that Laios's party having dinner with the orcs was presented as them "solving" racism. Once again people misunderstand, they did not solve racism in a single moment. A few people, understood each other a little better, came to an arrangement and then parted. This was merely a moment in their lives. The characters continue to do micro-agressions, hold stereotypes, and have implicit biases. In dungeon meshi, characters don't suddenly stop being racist in the course of an evening. Life is a process, learning about others is a process, it's about the accumulation of experiences through the meat and potatoes of life, the daily activities that we actually fill our lives with, not the sudden realizations. Once you make learning about and living with other people into part of your routine, once it is embodied, then it is part of your life.
This is the real conclusion: life is not lived in a state of epiphany. Life is about chores, cooking, eating, shitting, working, and sleeping, it's everyday. Life is about doing simple things and doing them well. An epiphany is a useful tool for telling the reader that everything is going to be alright, we love to read epiphanies and be swept up in them. They can also be a breaking of a pattern, an escape from a spiral.
This is the other take away, it's about the people you do those things with, the way they rub off on you, the way they help you be human. For Mithrun and Marcille their paths would be impossible without other people pushing them back on the path as they stray. Mithrun literally would starve to death except for the thought that kabru and others don't want him to. Eating is a communal activity, so is living, you can have an epiphany on your own; you can't live on your own.
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ALEXITHYMIA CH 5: detergent, thrifting, and cake
Roommate AU: Carmy Berzatto x Reader
Chapter Rating: T (11k)
ao3 link, ch 1, ch 2, ch 3, ch 4
Chapter Summary: It’s his roommate’s birthday this week, and Carmy doesn’t find out until it’s a couple days away. Once he finds they’re unluckily spending their birthday alone, he makes it his mission to make their lonely day better. It’s the least he can do. Little does he know how much more he has to discover about them and about himself.
Tags: reader having trauma, carmy having trauma, toxic families, domesticity
A/N: It’s time… it’s time. I said last chapter was the longest…just kidding. THIS ONE is the longest, and it was hardest to write so far. The duo gets to have a lot of fun this chapter, though! arguably the most so far! A lot of domestic goodness and good food and shopping! Until… :)
also HUGE shoutout to @justaconsequence on tumblr for being my beta reader for this chapter! she was so kind and so helpful. this behemoth of a fic is too much for me to proofread on my own. anyway, thanks for reading and enjoy! can't wait to hear what y'all think!
Typically, by this time on Monday morning, Carmy's usually three cigarettes deep into paperwork, urgently (and poorly) calculating the sales the restaurant needs to make this week to stay afloat. Because even though it's a Sunday closing activity, he never seems to find the occasion to get around to it, and by 10 pm, he doesn't have the capacity to be crunching numbers.
Not that 8 am is much better. At least he's not dissecting the debt this morning—he's studying detergent prices.
“Why is this one, like, almost 20 dollars?” Carmy stops reading the price tags and glances over at his roommate, who's squinting at products on upper shelves. The lights are always too bright in this place. “And for such a small bottle…”
“Pre-mixed organic sulfate-free 100% vegan bleach,” Carmy reads dully.
“So stupid.” They shake their head. “Does grocery shopping ever depress you?”
“Usually,” he replies dryly. “Inflation is pretty depressing.”
“Don’t even get me started. Capitalism in general depresses me.”
“Hm, yeah. That too.” He sighs through his nose and tries to refocus. He's having a hard time processing all the numbers and letters today. “You see any unscented detergent? Somethin’ mild?”
“Um…” They crane their neck up and down, and then they crouch on the ground. They pick up a white bottle. “How's this? It's like, 8 dollars. It's not name-brand, but…”
“You know I don't care.” He kneels with them, huddling in close. They smell faintly of a sweet, yet musky perfume. He reminds himself to focus on the detergent, not the way they smell (even if it's far more interesting). “Yeah, this looks good. Thank you.”
“For your vintage denim, right?” They stand up to put the detergent in their shopping cart, which is barely separated with his stuff vs. theirs. He doesn't understand why his face grows warm at their comment, but it does.
“Uh, yeah. It is.” If the blush shows on his face, they graciously don't comment. “Although I'll admit I don't get around to washing them as much as I should.”
“You're not supposed to wash jeans that often anyway, right?” They lean their elbows onto the rickety cart as they push it, and he ambles along next to them, matching the slow, relaxed pace of their walk.
“Yeah, but I really…” The implications are clear. They fail in suppressing a laugh, and it makes him smile. “And I’m supposed to hand wash them, so.”
“Oh, so what you're saying is that you never wash them,” they tease.
“That is not at all what I'm saying.” They make an unimpressed face. “I do laundry, it's just…”
“Not often,” they supply helpfully. He tries to come up with something, but he's got nothing. “It's okay, I understand.”
“I promise I wash my clothes,” he mumbles, wilting.
“I know.” There's that new smile he's grown to recognize more clearly. It's this mischievous one they get when they’re teasing him, and it's so cute he doesn't have any room in him to get even a little irritable. “I've seen you do laundry maybe once or twice.”
“Hey,” he says, warning, and they laugh and run ahead of him, the squeaky wheels of the cart giggling alongside them.
After the night he almost burned down their apartment, he had felt different. It was like a switch being flipped, light abruptly filling up a dark room, and he's been squinting, struggling to adjust. But as he walks with them today, grocery shopping lit by blinding white fluorescents, he finds that he can see them rather clearly.
The connection between the two of them is tangible, palpable. It's workable pasta dough that's been kneaded to uniformity. The dough is malleable, clean, and when he touches it, sticky, glutenous residue doesn't cover his palms. When he catches at them peeking over their shoulder to make sure he's still following them, he chases away the urge to pull them into his arms. He throws the desire into boiling water in hopes that enough pressure will change those feelings into something more palatable. He's not sure if it's working.
Something happened when he hugged them that Saturday night. He doesn't dare name what that “something” is, but it's rising from where it's sitting at the bottom of the pot, just about to hit the surface—
“Hey, I gotta get some stuff in this aisle.” Carmy snaps out of it and follows them as they veer the cart to the left. He raises his eyes to read the categories on the sign.
“You bakin’ somethin’?” They both move out of the way for an oncoming cart.
“Yeah, was thinking about it.” They halt to a stop in front of the boxed cake mix and step back to fully peruse the shelves. He stands next to them, and they glance at him out of the corner of their eye. “You’re not judging me for getting box mix, are you?”
“Not at all,” he answers honestly. “Food is always better when made from scratch, but box mix has its uses. Besides, I’m not a baker.”
“That’s true, but I’m sure you still make an insane cake.” Carmy’s aware he can’t make them unsee his flash of a smile, but he still shrugs. “Sure, stay humble.”
“I try. What’s the occasion?”
“Ah, nothing much. It’s just my birthday.”
“Oh, okay.”
…And he's about to move on, just as casually as it came, but then the processing finishes.
“Why’re you lookin’ at me like that?” They ask confusedly.
“Is it your birthday today?”
“No, um, it’s this Thursday.” He exhales in palpable relief.
“Why didn’t you tell me?” He hates at how worked up he sounds.
“Um…” Their face is twinged with guilt. “...There was never a good time to bring it up?”
“I’m sorry. I shouldn’t be getting upset.” He sighs, shakes his head. “I just feel like I should’ve known, I guess.”
“No, it’s fine. It’s not your fault. I never brought it up. Um…” Their hands are fiddling with the edges of their sleeves. “I just have complicated feelings about my birthday.”
“Ah, I see. I get that.” That, he can understand. “Is it all the gifts and stuff?”
“Kinda. It’s a part of it.” They lean down to grab a box of devil’s food cake, and that makes him remember that they’re in a grocery store. Not quite the best place for a personal conversation like this. They’re being vague, but he won’t press. Not right now.
“You shouldn’t be baking for yourself on your birthday,” Carmy mutters. They smile at that, but it’s different. It’s heavy with melancholy.
“It’s alright. I’m gonna be celebrating with my friends this weekend, just not on my actual birthday.” His conflicted expression persists. “It’s okay, really. It’s just a day. It’ll be enough of a present to not have to go into work.”
“Put that back,” he blurts out. “I’ll make you a cake.”
“Don’t you work?” Their eyebrows are arched in surprise. “You really don’t—”
“I know I don’t. But I want to. I do work, yeah, but I’ll, I’ll get someone to cover me.” He’s never said those words before in his life, and now that they’re out, he can’t take them back. As a matter of fact, he doesn’t want to take them back. “We’re friends, aren’t we?”
“Of course,” they reply quickly.
“Then let me do this. Please.” He has no idea where this courage is coming from. “I want to. I know I'm always working, but I really…” Their eyes are wide with wonder, yet watchful. It shouldn't make him falter, but it does. His heart stutters and whatever bravado briefly gripped him fades away.
“I’m…probably being too pushy right now. Tell me to fuck off?”
“I’m not gonna tell you to fuck off for wanting to bake me a cake,” they laugh, easing his worries like they always do. “C’mon, Carm.”
“So, uh, is that a yes, or…?”
“Just so we’re clear, I’m not trying to ask you to take off of work for my birthday,” they start carefully, “but I wouldn’t object to it. So, yeah. It’s a yes.”
“Okay.” He can’t help his giddy smile. There's someone saying you look stupid like this, but he’s with them, and it makes everything else silent. “Okay, good.”
“You’re…being super sweet about all this.” He doesn’t understand why—maybe it’s the way they say it—but hearing that makes his neck go hot.
“I mean…friends do stuff like this, don’t they?”
“Only the good ones.” They beam beautifully at him. He hasn’t done anything to warrant their affection, he thinks, but the feeling of their smile is so warm. He can’t resist soaking in it.
He's glad that lady luck blessed him just enough to stop their birthday from passing him by. He's been itching for an opportunity to repay them for all the bullshit they've had to take from him as of recent (although he knows if he brought it up, they would say it wasn't anything worth repaying). They deserve something good from him for once, not panic attacks and nightmares.
He just wishes he could figure out why they were going to spend their birthday alone. He knows them a lot better now, but there's still so much left shrouded. He wants to know them inside and out—he wants to learn what makes them tick, what keeps them up at night, what makes them happy. He wants to know all of it in its entirety, to fill in the gaps in the puzzle he doesn't have the pieces for.
He has some of the pieces. He understands that their relationship with their family to his—distant, strained, and difficult. Unfortunately, that’s about it. He doesn’t know any of the specifics. It’s not like he’s talked to them about his family outside of the off-handed bitter remarks, just as they have, but he finds that this fact leaves him dissatisfied.
He just hopes that they'll let him in. He's not sure if they will, but…he's gonna try. He has to. He's sick of not trying.
. . . . .
“You want to take off?” Richie’s staring at Carmy like he’s grown a second head. They're taking a smoke break in the back. “I don’t know what sort of doppelganger bullshit this is, but if you’re trying to pretend to be Carmen, you’re doing a shit job.”
“Very funny, jackass,” Carmy mutters. “I’m being serious. This Thursday.”
“All day?” Carmy grimaces, but he nods. Richie shakes his head. “You’re being weird. Really fuckin’ weird.”
“I know I shouldn’t. It’s a bad idea, but—”
“Cousin, no, that’s not at all what’s goin’ on here,” Richie interrupts, and Carmy’s at a loss for words. “This is the best idea you’ve ever had.”
“What?” Carmy squints at him. “Are you being serious?”
“‘Course I’m serious. I’m always serious.” Carmy decides not to comment on that. “Do you know how many times I’ve tried to get you off this ship for just one fucking second?”
“As the owner of this place, you’ve tried way too many times,” he replies dryly.
“Uh, as the original co-owner of this place, you don’t listen to me enough.” Again, Carmy decides not to elaborate on that one. It’s not worth it. “Take the day off. I was running it fine before, and I’ll keep running it.”
“No, no, we’re not saying that, it was not fine,” Carmy starts, but Richie’s already flipping him off.
“Whatever, I already know, new fucking system and all that. Don’t get anxiety or whatever over it, that’s why you got Syd hustling shit your way, right?”
“Uh.” Carmy didn’t realize that Richie had even been paying attention to the new hierarchy in the restaurant, let alone respecting it in any capacity. “Yeah, she is.”
“Then it’s fine.” Richie blows smoke in his face, and Carmy swats it away with a glare. “It was fine when you came in an hour late today, wasn’t it?”
“You guys knew I wasn’t gonna come in until later,” Carmy argues, defensive (although he’s not sure if there’s actually anything to argue about).
“Exactly.” Richie sighs all of a sudden, a long one that sounds like it’s bone deep. “Carm. Let me be straight with you. You need to do this. Okay? No backing out of this one.”
“Why’re you sayin’ this? What are you sayin’?”
“It’s ‘cause of your roommate, right? This Thursday?”
“...Yeah.” Carmy pales. “How did you—?”
“Fuckin’ knew it,” Richie says, grinning. “It was obvious.”
“No way. I didn’t say shit.”
“You didn’t need to.” Richie flicks the ash off his cigarette. “They’re changin’ you, man. We can all see it.”
“...” Carmy can’t deny that. He doesn't have time to ponder on that right now. “Is it really okay?”
“Yeah, you could stand to have an attitude adjustment.”
“I wasn’t talking about that, asshole. I was talking about Thursday.”
“Yes, for fuck’s sake, it’s completely fine.” Richie claps a hand on his shoulder, solid in its grip. It makes Carmy’s eyes snap to him, mostly in confusion. “So what’s the occasion? Must be important.”
“It’s their birthday. I mean, I could just go home early that day, but—”
“Yo, if you’re gonna take off, don’t halfass it—”
“That’s not what I was gonna say. When I’m here, I can’t seem to find my way out. This place…it just has a way of trapping you in.” He doesn’t expect Richie to nod, but he does. “I know if I don’t take the whole day off, I’ll never get out of here in time. Not until it’s too late.”
For some reason, that makes Richie laugh.
“Yeah. That's it.” Richie shakes his head as smoke trails out of his mouth. “That’s just it, man. You have to make time for the things that’re important. Even the recitals where you have to listen to five year olds play twinkle twinkle little star 20 times. You can’t miss shit like this. Because once you miss it, it’s gone.”
“Rich.” Carmy wants to say something to make that haunted expression leave Richie's face, but he doesn't come up with anything in time.
“Don’t give me that look.” Richie’s hand falls from his shoulder. “I’m just tryin’ to stop you from fucking shit up. They actually seem like a good person.”
“Y’think so?”
“I do. You?”
“Yeah.” Carmy doesn’t bother hiding his smile, even though he can already sense Richie’s teasing coming from a mile away. “They’re a really good friend.”
“Friend. Sure.” Richie snorts.
“Don’t push it,” and for some reason he adds, “they were gonna spend it alone.”
“Huh. Sociable guy like them spending it alone?”
“I know. I didn't ask. Maybe I should've.”
“Maybe. I dunno, cousin. Everyone's got their secrets. Especially the ones that try to act like they don't have any.”
“You're strangely full of wisdom today.”
“Fuck right off,” Richie responds in regular Richie fashion.
“I think they're like me. Like us.” Carmy's not sure why he's saying this on a Monday afternoon at work out of all times, but the truth bursts out of him beyond his will. Richie's expression shifts into something more solemn, something recognizable. “Y'know what I mean.”
“...Yeah.” Richie claps his hand on Carmy's back again. “Shitty parents club.”
As Carmy stands there in the back, feet sore and tobacco in the air, he sees his childhood in flashes. He's five years old again and is following Mike around with scuffed sneakers and untamed hair, although he supposes that unruliness never truly changed with time. There's warm sunlight filtering through green summer leaves. He hears his mother behind him, somewhere, but maybe he doesn't.
He thinks of home, of his bedroom, and it is cold. He has homework he’s failed to complete again. It's sitting on his desk, on top of all of the other shit he can't finish. There's screaming, and he's not listening.
He blinks. He’s 30, and he hasn’t talked to his mom since Michael died.
“Shitty parents club,” Carmy repeats hollowly.
. . . . .
When Thursday morning arrives, Carmy ends up greeting his roommate with flour in his hair and eggs sizzling on the pan.
“Um,” they say, just as Carmy goes “G'morning.” They both freeze, brief awkwardness circling between them before it dissipates with their breathless laugh.
“Good morning. I didn't think you'd actually take off,” they admit.
“I said I would,” he replies quietly, but it's not accusatory. How many times had he said he'd be home for dinner just for him to arrive when they're already asleep? He tries not to make empty promises anymore. Nonetheless, he understands their surprise. “Um, I'm almost done with breakfast. I didn't get to the coffee yet.”
“Am I supposed to be offended?” They laugh. “That's the least I can do, with you doing all of this.” They sluggishly shuffle behind him to reach down into some kitchen cabinets. “It's a special day, so I'll even make us pour overs.”
“That's true. It is special.” He peeks over his shoulder, pausing from basting the eggs in brown butter to see them setting up on the kitchen island. They gently place the hourglass-shaped glass onto the counter with a light clink. He silently switches the button on for the electric gooseneck kettle to his right. “Am I allowed to wish you a happy birthday, or should I not?”
“Hm, I don't mind. Just don't overdo it, which I doubt you will.” They pull out a bag of coarse ground coffee and a filter. As soon as they open the bag, he can smell the sweet scent of the light roast floating towards him.
“Okay. Then, happy birthday,” he says as casually as he can.
“Thanks, Carmy.” He studies their expression, searching for annoyance in their content expression, but he doesn't find any. “That's not even really what I meant by today being special, though.”
“How else did you mean it?” The eggs are done. He reaches over the hot pan to cut the heat.
“Well, y'know. I dunno if we’ve ever had a full day off together.” They're carefully scooping grounds into the filter fitted on top of the glass, creating a small hill. “I think I managed to catch you coming home early on my off days sometimes, but never a full day.”
“Huh.” Carmy has to take a minute to think about that one. “Yeah, I don't know either. I think you're right.”
“Then, like I said. It's special.” They seal up the bag of coffee grounds, and then they frown. “Shit. I forgot to turn on the kettle. Can you—”
“Already did it,” he reports, pleased, and his sense of accomplishment only doubles at their sigh of relief.
“Thank god.” There's the familiar clicking sound of the kettle reaching the perfect temperature. “Just in time, too. Can you hand it to me?”
“Yes, chef,” he says, because it always makes them laugh. Today is no exception. He slides the metallic kettle over to them.
“So what delights did you whip up over there?” They ask. They begin pouring the almost boiling water over their coffee grounds in a slow circle, gradually inching towards the middle. “It smells amazing. I want the full break-down.”
“The full break-down, got it.” On two circular plates, he's carefully placing a fried egg, thick cut bacon, and a slice of toast with jam and butter. “Uh…it's nothin’ special, just stuff we had in the fridge. We've got a, uh, brown-butter fried egg with a little paprika, sage, pepper, salt…”
“Oh, just an egg made with liquid gold, no big deal,” they imitate.
“Cut it out,” he snips back, but he's smiling and they know it. “There's honestly not much to it. This thick-cut bacon was in the back, so I cooked the rest of it. And the toast is just brioche with salted honey butter and blueberry jam.”
“Carmy. C'mon. That's nothing special to you?”
“I mean.” It's not quite nothing, he thinks. “I can make nicer breakfasts, is all.”
“That's what you said when you made me garlic bread, and that fucking blew my mind.” They set the kettle down with a thunk. The glass is full of dark coffee. Prepped next to them is their favorite glass mug alongside Carmy's. He's not sure how they knew that it was his favorite, but he doesn't question it.
“I'm just letting you know that you should wait to be really impressed.”
“Too fucking late, man.” He's turned around and placed the two breakfast platters on the kitchen island, and they gawk openly at it. “Holy fuck.”
“It's ready,” he says, surprisingly meek. He can't comprehend why anxiety's hitting him now of all times. He's served acclaimed food critics, top-security government officials, and celebrities more times than he can count. Before that audience, he never faltered, but in front of his roommate in their crumpled pajamas, his heart stutters.
“Oh, wow…” They regard the food with undeserved softness. Like a punctured balloon, his anxiety immediately begins deflating. They're staring at the food like it's a painting in a museum. “You seriously didn't have to do all of this.”
“I know. I just wanted to.” He feels heat on the back of his neck. “Is…is that okay?”
“It's more than okay.” Suddenly, he notices their eyes are puffy, like they were crying. “Goddamnit, get over here.”
He only registers what's about to happen for one second before they're hugging him. Their palms are on his back, and the top of their head tucks under his chin perfectly. He makes a small, surprised noise.
“I, I'm glad you like it.” He links his arms around them, allows himself to rest his chin on their head. With their face turned to the side, their ear's pressed up against his chest, and he's instantly struck with the paranoia that they're gonna hear his rapid heartbeat.
“I haven't even taken a bite yet, and I love it.” They lean back then, arms still wrapped around him and head craned upwards to look at him. It's far too intimate for what they are, and Carmy hates how his heart beats even harder. “Thank you for doing all this. Seriously. I…”
“The breakfast's just a side thing, I'm, um, still baking you a cake.”
“What? You're doing this and a cake?”
“Um,” Carmy repeats intelligently.
“Carmy. Carmy, Carmy, Carmy.” Their words ooze affection, but surely he's just imagining it. Their hands are crawling up his back. “God, I could just ki—”
“There's the timer,” Carmy blurts out, because his phone's ringing and so are his ears. At the sound, they let him go, and he grabs two towels to retrieve the two circular cake pans from the oven. A toothpick poked through the middle comes out clean, so he sets them on a wire rack to cool.
He needs to focus on the cakes. That's the most important thing.
“Oh my god.” They lean in close to the cake and take a deep breath. “Is this—”
“Devil's food cake, yeah.” The heat searing his face is surely from opening the oven.
“You—how did you—” Their smile is luminous with joy. “You really pay attention to every little thing, don't you?”
“Sometimes. When it counts.” He fidgets awkwardly, nails picking at the sides of his fingers. “Wanna eat by the window, or…?”
“Fuck yeah I do. Can you bring the plates over? I'll have the coffee over in just a second.”
Carmy sets up at their little table first, placing the plates just right across from one another. The morning sun casts a cozy glow through their speckled window, streaking planes of light across the floor. He patiently waits and watches them pace from the fridge to the counter, splashing cream into their mugs. Through the transparent glass, he watches the white fizzle into the dark coffee, blending into a warm brown.
“Just a tiny spoon of sugar for you, right?” They peek over their shoulder, catching his stare, and he nods. He's also not quite sure how they know that, either. They've had coffee in the morning maybe a handful of times before.
He supposes they also pay attention sometimes, when it counts.
“Alright, here we go.” They bring a mug in each hand and set them delicately down on the table. He notes that his coffee is the perfect color. “Oh, thanks for waiting. You didn't have to.”
“I, I guess so, yeah. It's just, uh, you always wait for me, so…”
“That's—that's true.” An odd tension sets in their face, but they laugh it off, and it disappears. “I guess I’m not used to it anymore.”
A part of him wants to ask further by what they meant by that, but they're already taking pictures of his food so dutifully. He doesn't want to ruin it, so he eats.
It's nice to have a solid breakfast for once. He had taken their advice from the other night and had been drinking milk with protein powder. It was nice not to feel like he was teetering the edge by lunch time, but truthfully, it was a bit unsavory. This breakfast platter is much more palatable. It also helps that his stomach pains aren't active today.
Time rolls by slowly this quiet morning, and Carmy recognizes the oddity of it immediately. It's clear to see when by this time, he's usually already done at least ten laps through the restaurant. An irritating signal in his brain is telling him that he needs to get up and do something, not sit around and eat, but for once, he doesn't want to listen.
A memory from roughly two weeks ago (or was it one week?) unearths all of sudden. He was up early, drinking shitty coffee and sinking into dissociation. Mornings were lonely, as he was usually the only one up, but not that day. His roommate came stumbling into the kitchen, awake from a restless night. They chatted before he had to head out, and he remembers wishing he had more time in the morning to spend with them.
He imagined a morning just like this one, with pajamas, food, and messy hair. He daydreamed about having all the time in the world, and he thought about getting to spend it all with them. Now he’s sitting in that moment he imagined, except that it’s real. They're across from him in their wrinkled pajamas and bedhead, contentedly mowing through their food. There's a smear of jam on the corner of their mouth. He takes a sip of his coffee, and it's perfect, just as they made it for him.
This amount of good should scare him, needs to scare him, but he just can't bring himself to care anymore. He wants more than nightmares, cigarettes, and floating just above the budget. He wants this.
He tastes his coffee and reminds himself that he’s still here. The moment hasn’t passed him by.
“Is it good?” He asks quietly. It’s a rhetorical question, it always is, but he can’t help himself. He wants to hear it from them.
“So. Fucking. Good.” They have to finish chewing before they answer. “You always knock it out of the park. If this is the prelude, I don’t know if I can handle what’s next,” they say, gesturing towards the cooling cake.
“It won’t be ready for a while yet. You have time to prepare yourself.” That makes them smile. All according to plan. “Got anything in mind for today?”
“Nothing glamorous. I was just gonna go out for a little. Go thrifting, maybe watch a movie later. Smoke a joint.” They shrug. “Just my usual sort of thing.”
“Mm.” He dusts off crumbs from the toast off his fingers on his pants. “Sounds like a good time. You still wanna go?”
“I do, yeah.” They stare at him for a moment, as if processing his words. Or just him. “Do you…wanna tag along, or…?”
Whenever they ask him if he wants to spend time together (whether it’s grocery shopping, smoking, or watching a show), they usually offer it with an air of nonchalance. Carmy’s assumed it’s been out of politeness, restraining their expression as to not put any pressure onto him. That’s the person he’s used to, not this uneasy anxiety, someone afraid to ask him to spend time with them.
It reminds him of himself in every way.
“I’d love to tag along,” he answers easily, just as they’ve always done for him. “I’ve got the whole day off, after all.”
“Right. ‘Course.” He watches their little smile double in size. “I promise to not make you watch me try on clothes for too long.”
“I wouldn’t mind. I like thrifting, y’know.” And you, he thinks to himself.
“You do? Oh, of course—” They make a contemplative noise to themself. “Vintage denim. I always wondered how you managed to have so many pairs.”
“Once you know where to look, they’re pretty easy to find. I can help you find some, if you want.”
“I’d love that. I realized the other day that I don’t have any dark wash jeans, so—actually, the truth is that I do have a pair, but they’re so fucked up and old that I never wear them anymore. Anyway, I need new jeans. Think you could find some dark wash blue jeans for me?”
“If you’re willing to hit up more than one store, then definitely,” he replies, just a smidge cocky.
“I’m willing to hit up even two more stores.” He pretends to gasp, to which they nod confidently. “Yeah. That’s right. Maybe even three.”
“We won’t need three,” Carmy promises. “I’m better than that. Probably won’t even need two, but…” He shrugs. “We’ll see what they’ve got.”
“Okay, Mr. Confident over here,” they tease. “Let’s see what you’ve got!”
They head out after they both clean the kitchen and freshen up. Carmy gets the flour out of his hair and rewets his hair to revive some of his curls. He silently thanks his past self for showering the night before. With the passage of the morning cold and the rising sun, the afternoon weather’s become brisk and pleasant. However, the weather’s barely a factor in how he’s dressing.
Is this too much? Is this not enough? He’s switching shirts and pants in the mirror like he’s about to go on a date. He knows he’s not, swears to himself that he’s not, but he’s put product in his hair and cologne on his wrists and temples. It’s not a date, but he can’t fucking decide what to wear.
He sucks it up and settles on a gray sweater, light wash blue jeans, and white sneakers. From under his collar and at the bottom of his sweater peeks out a brown button up. It’s probably too much, but this is his sixth outfit change. He’s fed up with it and himself.
After adjusting the gold chain that got hidden under his collar, he steps out.
He finds them already waiting by the door in this thick knit cardigan and fitted plaid pants that makes his heart stutter. When they hear him approaching, their head snaps up from their phone, and their skin sparkles with touches of makeup.
“You look really nice.” He has no idea how he let that slip, but he’s more shocked that he didn’t stutter once.
“Ah, th—thank you,” they stammer, fingers fidgeting with the edge of their sleeve. He’s not sure if it's their makeup or their skin that’s doing the blushing. It’s nice to see them being the one tripping over their words for once. “You look pretty handsome yourself.”
“Oh. Um.” Handsome? It echoes in his head. He instantly feels self conscious. So much for being the more suave one for once. “Thanks, uh…I just didn’t wanna wear my work clothes,” he lies in an attempt to ease his embarrassment.
“I gotcha.” He’s glad they don’t challenge him on it. “Shall we head out?”
“Yeah. Where we headed first?”
They take the metro to their personal favorite shop a little up north. The metro’s surprisingly busy for a Thursday afternoon, but the crowd forces the two of them to be huddled next to each other. They’re both standing close to a pole by the window, each with one hand wrapped around the metal.
As passengers come and go, they step closer to him to move out of the way. Eventually it just gets to a point where they’re standing nearly pressed up against his chest. He tries not to dwell on how that makes him feel, but he can smell the fragrance they put on, and it’s very distracting.
Luckily, the ride is short. Any longer on the train, he might’ve put an arm around their shoulder, god forbid.
“If we can’t find what I’m looking for here, maybe you can show me one of your favorite spots to go thrifting,” they say as they enter the thrift store. The interior is decorated, clean, and lovely, and unlike the metro, it’s not packed to the brim with people. It smells faintly of incense, and there’s local art framed all over the walls for sale. It oozes warmth and excitement, much like them.
“There’s a ton of shit here, so maybe we won’t need to after all.” He finds himself intaking everything at once, eyes flickering from sign to sign. “I’ve never been here before. This is really cool.”
“It’s my favorite place to find new clothes.” They trail down the racks, finger flitting between clothes. “I hope you can find something you like here, too.”
“I’m sure I will.” He’s already walking to their denim section and immediately spots some contenders. “I think I already have.”
He’s not sure if they mean to spend hours in there, but he certainly does. There’s more than just clothes to look at, although that’s what takes up most of his time. There’s dishes, furniture, cds, vinyls, books, even electronics. He goes back and forth with them, clothing articles piling up in his arms as they sit on battered couches together and peruse scratched cds. Everywhere he looks, there’s just more, more, and more.
“Okay, I’ve gotta cut myself off,” they say as they leave the furniture section. They’ve sat on nearly every chair in that place. “I already have so many clothes to try on, and that’s not even including the jeans you’ve picked out for me.”
“If it helps, some of these are mine.” Carmy flips through the layers of hanging jeans that have built up on his forearm. “If you can believe it, I even found some stuff that isn’t denim.”
“I’m not sure if I can, but seeing is believing.” They thumb through some long-sleeves he’s carrying that are seeping out from under the jeans. “I’m just glad you were able to find some stuff for yourself, too. Not that I was that worried.”
He hands them the jeans he’s found for them, all dark wash and in their size. To his surprise, they also hand him an article of clothing for him to try on.
“I thought you’d look good in this. You’ll have to show me when you try it on,” they say, and it’s innocent, completely meaningless, but as soon as Carmy agrees and rushes to hide in the changing room, he views in the mirror and sees his flushed face.
Doesn’t mean anything, he repeats to himself, over and and over. Stop getting in over your head.
He tries on his items of choice first. The first is a dark green henley that looked better on the rack than it did him, so he puts it in the reject pile. The second is a dark blue long sleeve that fits just right. It’s cheap, too, so it’s an automatic purchase. He presumes the way to word it is that it hugs him in all the right places, but he’s not sure. The rest are jeans, of which only one he decides to buy. A bit pricey, but for the brand and year, it’s worth it (although he basically always uses this reasoning with himself).
Now, for the piece of clothing they picked out for him. It’s a dark brown t-shirt that seems like it’s just the right length. It’s a muted, yet warm brown, a bit rosey in hue. He doesn’t realize it’s a v-neck until he gets it over his head and down his shoulders.
“I’ve never worn a v-neck before,” he calls out to the room next to him.
“Oh, are you trying it on? Do you like it?” Their slightly muffled voice calls back to him.
“Only this one so far. Um…I’m not sure,” he admits with a shaky laugh. The collar is lower than he’s used to. It dips below his collarbones, and between them dangles his chain. “Should I show you?”
“Yes! Hold on, lemme get some pants on. …Okay, I’m stepping out!”
He hears their door open alongside his. When they see him, their expression snaps into what he believes is surprise and delight. He’s sure he looks somewhat the same.
They’re wearing one of the vintage jeans he picked out for them—dark blue Levi’s. Although they’re rolled up a couple times at the bottom, it seems to fit them just right. As he stares, he’s reminded of his many pairs of Levi’s, and it’s more or less like seeing them in his clothes, which is. Which is. Uh. Yeah.
“I knew that would suit you,” they say with a grin, to which he realizes he can’t hide his blush.
“It’s not weird?”
“Not at all. It looks good.” They tilt their head to the side as they openly look him over, hip cocked. Something in their gaze is making him hot. “No pressure to buy it, of course.”
“It’s different from what I’m used to, but…” He looks down, smooths the fabric with his palm. “It’s kinda nice, something like this. Um, and what do you think about the jeans?” He needs to direct the attention off him quickly.
“Oh, I love them. The others ended up fitting not quite right on me, but that’s how it goes.” They move from side to side, almost twirling. It’s cute. “I love these, though. Just a little long, but I’m used to it.”
“That’s how it always is. I can hem them for you, if you want. I usually hem mine.”
“And he sews,” they say, seemingly to themself, but they’re looking right at him. Embarrassing. “If you don’t mind, that’d be amazing. Either way, I’m probably getting them.”
“Good. You should. They fit well.”
“Yeah?” They glance back into their fitting room, likely examining themself in the mirror, and then back at him. “Okay, then. Definitely getting them.” With that and a cheeky grin, they go back into their dressing room to try on the rest of their clothes. Carmy follows suit, grateful to hide his embarrassed face.
Carmy heads to check out with the dark blue long sleeve, a pair of jeans, and the brown v-neck. They’ve decided on the pair of jeans they showed him earlier and a little purple tank-top he wishes he got to see on them.
“Will that be all for you today?” The cashier asks him as he checks out first. Even the cashiers here are pretty nice, he finds.
“Oh, their stuff, too.” He nods to them, who’s standing right next to him.
“Carmy.” They glare at him.
“What?” He feels himself smiling.
“You can’t do this to me.”
“C’mon.” He nudges them gently with his elbow. “It’s my present to you.”
“Oh, so the present wasn’t the breakfast? Or the cake? Or helping me pick these out?”
“Why can’t it be all of them?” He decides to stop this in its tracks and takes the clothes out of their hands, sliding it onto the counter. “Just these two, and that’ll be it.”
“Just you wait until your birthday hits,” they mutter darkly, shaking their head. “Just you wait.”
“I haven’t told you my birthday.” He pauses. “Right?”
“I’ll ask Richie.”
“No, you won’t.”
“You’re giving me no choice.”
“You could also just, I don't know, not ask—”
“I wouldn't have to if you didn't force my hand—”
“You guys are cute together,” the cashier comments with a smile, surely a harmless, meaningless thing, but it shuts the both of them up. Carmy can already feel the impact of it on his psyche, and he decides to tuck away the surging emotions to unpack later. At least, he'll try.
“You really didn't have to get those for me,” they tell him when they're exiting the store. “But I guess I should just be saying thank you. So…thank you.”
“Sure. I mean, it would've been better if it was wrapped and stuff, but…” He shrugs. “Had to get you a real present, not just food.”
“Not just food, my ass.” That makes him laugh. “It'll be nice to have something to remind me of this day, though. That's one of the nice parts of getting gifts. Everytime I wear these clothes, I'll think of you.”
“Good. Yeah, that's…good,” he finishes lamely. He nods like their words haven't flustered him, but he's sure they can tell. They laugh, and he can tell it's because of his reaction.
“I'm sorry that the cashier said that,” they say out of nowhere.
“Why're you apologizing? It's not your fault.” Any embarrassment he was feeling before is immediately replaced with a new, more potent sort of embarrassment. He was hoping they wouldn't mention it.
“I guess that's true. I don't know, I just…” They trail off. “Just hope it didn't upset you.”
“Not at all,” he lies, and he prays they believe it.
. . . . .
The metro is less crowded on the way home. They sit comfortably next to each other and watch the city pass them by. A part of Carmy mourns the closeness they had on the way there, but the other part tells him to get it together and keep his distance.
“I'mma take a nap,” they say with a yawn. Their cardigan and bag have been tossed onto the couch. The new clothes have been thrown into the laundry machine, and there's the muffled sound of running water. “Maybe we could smoke and watch a movie later, though.”
“Yeah, that sounds nice.” He peers into the fridge to check on the cake rounds. Just as he left them. “Have a good nap.”
“Thanks, Carm,” they reply sleepily. “Wouldn't be a good day if I didn't get to have a nice nap, after all.” With that, they shuffle into their room and shut the door behind them.
Carmy spends the next two hours flying around the apartment, baking, cooking, cleaning. The sun slowly sets as he goes. He keeps his body and hands moving in hopes that his head doesn't have a chance to catch up, but it manages to keep the pace. It always does.
The crumb coat's fucked up on the left, his first train of thought says. He inspects the surface, eyes following the circumference of the cake. There's a little loose crumb. With the edge of his spatula, he tucks the crumb away.
The faint smell of chocolate wafts up from the cold cake rounds. He's hunched over the kitchen island, hands reaching between dark chocolate frosting and cake. The afternoon sun casts harsh lights onto the cake, and it glistens. He genuinely can't remember the last time he's made a layered cake. He's never been much of a baker, anyhow.
You're going to disappoint them, his second train of thought interrupts, running parallel to the other one at full speed. Who do you think you are? You don't make cakes.
He leans back, inspects his work. The crumb coats are perfect.
Fuck off, he thinks back, triumphant. Look at that shit. He runs his finger along the spatula, picking up congealed crumbs and frosting. He licks it off, and it's delicious. And it tastes good, asshole. So shut the fuck up.
You're being a nuisance, the thoughts continue. Carmy's pops the crumb coats in the freezer for a quick set. They don't actually like any of this. They're just being nice to make you feel better.
They seemed happy to me, he thinks, but he's faltering. He's washing the dishes, and the sensation of the warm water feels distant. They loved the food I made.
Couldn't you tell they were lying? He doesn't understand why these thoughts are rampaging through his head now of all times. It's not unfamiliar, but it's inconvenient. Keep this up, and you'll actually be surprised when they drop you.
Without warning, a memory hits him . As his hands drip with soap, he's reminded of playing with Michael and Sugar in the summer when he was five. Or six, or seven, he's never quite sure. They were outdoors at a local park, and the heat made the metal of the playground searing hot to the touch.
He was blowing bubbles, and the sticky mixture from the bottle was getting all over his hands. In his memory, Carmy watches the way the iridescent bubbles floated away and left little circles on the surface of the plastic slide. He can't remember why he wasn't playing with the others. He can remember the sound of their laughing voices in the distance, gleeful and delighted without him. He thinks he tried to join in, but it didn't work. It often just didn't work, and it was all his fault.
The memory ends, and Carmy's finished washing the dishes.
This is working, he thinks to himself. His hands are dried out from the hot water and soap. I swear to you, it's working. So just stop. Okay?
There's no response. Good enough.
He hears the door opening as soon as he's putting the finishing touches on the cake. With a damp paper towel, he carefully swipes away stray drops of frosting that fell onto the cake stand. He thinks it's best described as if a tiramisu was turned into a devil's food cake. It's not the best cake he's ever made, but it's definitely up there in terms of looks. All the components of the cake tasted good separately, so he hopes it makes sense in his mouth as much as it did in his head.
“Have a nice nap?” He asks before he turns his head. They're standing in the hallway, bed hair hastily tied back.
“Sorta. It was okay.” Their eyes are glued onto the cake as they walk up to the island. “Is this…?”
“This is for you, yeah,” he finishes for them. They take a seat on one of the chairs at the island. “It's a, uh, devil's food cake with vanilla mascarpone cream on the inside. The outside's this coffee buttercream…” He trails off, not knowing what else to say. He could mention the dutch processed cocoa powder, the expensive vanilla bean pods, or the endless sifting, but it feels too gratuitous.
“Wow…” They're still staring, as if it's not quite real to them. “I can't believe this is for me. It almost looks too pretty to eat, but you know I can't wait to tear into this.”
“We could, uh, have it now, if you, if you want,” he says hesitantly.
“I don't know if I could wait.” Their smile grows wider. “You even put candles on it?”
“We don't have to light them or anything if you don't want to,” he adds quickly.
“The candles are the fun part. I don't mind that. The song is…okay I guess, but…” They give him an expectant, excited look. “Were you gonna sing for me?”
“...Only if you wanted to,” he mumbles, suddenly stricken with embarrassment.
“Would that be okay? If I wanted that?”
“I wouldn't mind.” Not if it's you.
“Okay. Then, yeah.” They pull out a lighter from their pocket. “I’d really like that.”
Carmy cuts the overhead lights before taking out his own lighter to help them light the rest of the candles. One by one, the dark room gradually illuminates until it's filled with a warm, orange glow. The flickering flames cast shifting shadows onto their smiling face and reflect into their glossy eyes.
“Ready?” He asks quietly.
“I'm ready,” they whisper.
Carmy doesn't really need to clear his throat, but he does so anyway. He can't recall the last time he sang happy birthday to anyone, let alone by himself. This is the first time he's ever sung in front of an audience, too.
I can do this, he thinks to himself. I can do this.
His voice is awkward and scratchy. He never uses it like this, has never sang for anyone in his life. His ears burn, and he hates the sound of his voice, but he reminds himself to focus on their delighted little smile and warm gaze. The room is far too quiet for his voice, making the words painfully clear.
“Happy birthday to you,” he finishes singing, voice trailing off awkwardly. He's more than ready to finish singing now. “Uh, make a wish…?”
“Right.” The two of them sit in the flickering candle light for a moment longer, the silence thick. Carmy watches their face, their eyes boring into the candles with an expression he can only describe as longing. Then, they blow out the candles with a decisive blow, and the room goes dark.
He moves to switch on the lights. When he turns back to look at them, tears are streaming down their face.
“Hey,” he says softly. He props his elbows on the counter, standing across from them and tilting his head to the side. They're not meeting his gaze, glazed eyes boring into the dripping candles. “What's wrong?”
“I'm sorry,” they whisper with a sniffle, and it sounds like a reflex. Something about them suddenly seems so much smaller. “I shouldn't be crying.”
“It's okay. I don't mind.” That makes them smile, even if it's shaky. “Was the singing too much?”
“No, it wasn't your singing,” they say with a laugh. “Your singing was lovely. It's just—I'm so happy. You made today so special.”
“Yeah?” He fights the urge to reach over and wipe their tears. “I'm glad. I wanted to make it good. I…” He hesitates. “...I didn't like the idea of you spending it alone.”
“I didn't either. And I thought I was going to have to be alone…but then you—then you took off work, and you made me breakfast, you went shopping with me—even got me clothes—and now this—” Another rush of tears gushes from their eyes, and they hastily wipe at it with their shirt.
“You've done way more for me. This is the least I could do.” Before he can stop himself, his hand is brushing hair out of their eyes. They freeze for a split second, eyes finally flickering up towards him. “Sorry,” he mumbles.
“It's okay,” they whisper back. “Um…” They let out a shaky sigh, the sort of trembling sound that happens after crying too much. “I feel like I should explain.”
“You don't have to if you don't want to,” he assures them quickly, “but I…I'd like to know. If that's okay.”
“I want you to know. I, I do.” They open their mouth to keep talking, but shaky breaths continue to stifle them. It's hard to watch.
“Breathe,” he reminds them, quietly. He visibly takes in a deep breath, silently encouraging them to breathe with him. They follow suit, closing their eyes and taking a slow breath. Tears slip silently from their eyes. Gradually, their breathing becomes less of a staccato, evening out into something much more manageable.
“Thank you,” they murmur. He nods. They already sound a lot calmer. “I'm not sure where to start. I…I suppose I'll start with today.” Another deep breath. “I didn’t get a call from my parents today.”
“Ah…” The first missing piece.
“I knew they weren’t going to. But a part of me still hoped…” They stop and shake their head. “It's the first year that it's been like this.”
“What happened?”
“Uh…I went no contact with my family about a year ago.” Another pained, hollow laugh. The second piece. “I didn't even really want to—it was a complicated, shitty situation. My parents were being their usual shitty selves, and I just wanted them to apologize. It was over such a small thing, and, and I just…I don't know. I thought maybe I could fix things.” He's never seen them with such a heavy expression, etched with such weariness. “I just wanted them to apologize to me, Carm. That's all I wanted. And then they cut me off cold.”
Their voice is trembling again, and the tears are falling faster. The collar of their shirt is dark with moisture. Carmy hates that he doesn't know what to say. He hates just staring at them, silent as he tries to find the words.
Suddenly, he thinks of Michael.
“Michael never let me work in the restaurant,” he tells them. “That's why I went to culinary school. A big part of it, anyway. He just cut me off, didn't let me in no matter what I did, and it was…” He makes a vague hand gesture. “I felt insane. I was so fucking angry. I couldn't understand him. And I'm not saying that's anything like what you've been through, but…” He looks into their watchful eyes. “I'm sorry. I think I'm trying to say that I, that I understand. A little.”
“I…I appreciate that.” They give him a small, wobbly smile. He adores their smile, but seeing it through their tears twists something painfully in his chest. “He would've been lucky to have you. You're an excellent chef.”
“I am now, anyway.” He sighs. “Your family's missing out on you, too. You're…” Say it. Just say it. “You're a really wonderful person. I can't imagine…”
I can't imagine anyone looking at you and not loving what they see, he thinks suddenly, and he instantly realizes he can't say it. He can barely even comprehend that he just thought it.
He can't process this right now. This isn't the time.
“I keep trying to wrap my head around it all, wondering what I did wrong, what I could've done better… Sometimes, the conclusion I arrive at is that I must have done something to deserve this. That I just, I don't know, that maybe I'm just this permanent fuck-up, and…” They run a tired hand over their wet face, through their hair. “My parents fucked me up real good, man.”
There's something familiar about their words, and Carmy realizes it's because it sounds like him. He would've never guessed that under their easy-going smiles was a reflection of himself. He recognizes himself in their self-deprecation, the bone-deep pain. There was always a sense of sympathetic connection between the two of them, but he had no idea. He had no idea how far deep the mutual experiences went.
A part of him still can't believe that this is the truth, that this is what lies at their core, but then he remembers. He thinks about the night they were throwing up into the toilet. They were sobbing, crying into his shoulder about how much they hate themself.
“You know you didn't deserve it. Right?” Carmy's not sure when they started leaning in so close to each other. He's looking at their wet eyelashes with startling clarity. “You did all you could.”
“You don't know that.” Their words are so soft-spoken, but it still catches him off guard. “You don't know what happened.”
“You—” Irritation prickles inside him, his instincts itching to snap back, but he doesn't. He sees himself in them, and he holds back. “You're right. I don't know what happened. But I know you.” The shock is on their face as clear as day. “At least, I think I do.”
“I want to think you do, too,” they whisper. “But this—this messy bullshit is also me. I wish it wasn't. I wish you didn't have to see all this. I…don't want you to…think any less of me.”
“I don't think there's anything you could do to make me think less of you.” He doesn't resist dragging his thumb across a stray tear on their cheek. To his surprise, they lean into his touch. “Y'know when I almost burned down the apartment?”
“Oh my god.” They smile, and he feels their grinning cheek against his palm. “Yeah. Is it crazy to say I remember it fondly?”
“A little bit.” They laugh. It's quiet, but it's real. “Remember that talk we had after?”
“I do. Why?”
“You're allowed to mess up on onions,” he says softly. “It won't push me away.”
They stare at him for what feels like a long time. Their eyes refill with tears, but they don't spill. With a clammy hand, they shakily place their hand on top of his hand that's still cradling their wet cheek.
“Fucking onions,” they say finally with a wet laugh. Fresh tears drip onto his thumb, and he wipes them away again. As many times as it takes. “God damnit, Carmy.”
“No one deserves to have shitty parents, let alone ones that walk out on them.” He thumbs away more tears. “You being an imperfect person like everyone else doesn't justify that.”
“There must be something more I could've done,” they whisper. “Something I did wrong.”
“Maybe. But they're your parents, not the other way around. It's not your fault.”
“I know. I know that. I do. There just has to be a reason, because—fuck—the truth would just be too fucked up.”
“...And that is?”
It takes a long, still minute before they can get their words out.
“...It’s—it's that—” Their cries are verging on sobs, increasingly more staggered and uncontrollable. “It's that s-some kids—are just—some kids have parents that will never—never love—”
They can't finish. Their sobs have overtaken their whole body. Their body's hunched over the counter, curled into themself. Carmy can't think of a time where he's ever seen them crying so hard.
Without another word, Carmy pulls them into a hug.
They cry for a long time. Through it all, fleeting condolences pass Carmy by in his head, but they all feel too cheap, too meaningless. So all he does is hold them tight, letting them grab onto his shirt and soak the fabric on his shoulder. It's all he feels he can really do.
After a while, the tide subsides. He feels them wilting in his arms, exhausted from sobbing so violently. He doesn't actually want to let them go, but their sniffling nose sounds like it's completely stopped up.
“I'm gonna get you some tissues, ok?” He says quietly. They make a quiet noise of acknowledgement, and they pull back. He snatches up a box of tissues from the coffee table. He places it in front of them before grabbing them a glass of water.
“Thank you,” they mumble, voice scratchy. Carmy stands and watches as they blow through several tissues. The water gets downed instantaneously.
“Better?”
“Yeah. A lot better.”
“Good.”
“...I think, deep down, I know I didn't deserve what happened. Or just having shitty parents in general.” They sigh. “It's just easier to think that I do. That I deserve it.”
“...Yeah.” That resonates with a part of him he's not quite ready to acknowledge. “You're one of the kindest people I've ever met,” he admits quietly. “If someone like you deserves a shitty hand in life, I'm fucked.”
“Carmy…” Their smile is small, but genuine. “Thank you. I want to be able to genuinely believe that, one day. I'm going to try.”
“I know. I get it.”
“I know you do.”
That makes both of them smile, even if it's bitter.
“Thanks for telling me. About everything.”
“No, thank you for listening. For just being there for me.” They prop their chin in their hands, their elbows resting on the counter. “Y'know, this past year, I've been trying to find a sense of joy in all this mess. Sometimes it just feels so far away, like…like any happiness is just impossible. But I think I've found it. Rather, I've already found it.”
“Yeah?” Carmy looks at them expectantly, but he never expected this—
“I found you,” they tell him.
“...” He immediately fixes his shocked expression. He's at a loss for words.
Me?
“I never found a chance to mention it, but…my parents are the reason I decided to live with you. That's why I wanted to be your roommate, even though we were strangers.” They shrug shyly. “My lease was up on my last place. I was gonna go home, but then all that stuff happened at the last minute, and…yeah. I needed to find a place to live.”
“Seriously?” They just nod. “Damn. Uh…Yeah, that's fucking crazy. I had no idea.”
“At the time, I was miserable. I kept thinking to myself, ‘I can't believe how shitty this situation is!’ Don't get me wrong, it was fucking awful, but…it led me to you, so…it wasn't really all that bad, in the end. I got lucky.”
Fucking hell, he thinks to himself. Fuck.
“If you hadn't roomed with me, I wouldn't have been able to come back home for my brother's restaurant,” he says, mostly because he's so embarrassed that he swears his whole body's red at this point. Don't think about it. Don't think about it. “I think I'm the lucky one.”
“Can't we both be lucky?”
“I guess we can. Just doesn't seem very realistic.”
“Little too late to say that. It's already real.”
“...There's no other shoe?”
“Not that I know of. I think the other shoe's already dropped for us a while ago. Surely there's no other shoes left?”
“I hope not. I don't know if I could take another one.”
“Me neither.”
“...”
“...”
“Do you…want to eat your cake now?”
“Fuck, oh my god—I completely forgot! Yes!”
Just as Carmy planned, the flavors go perfectly together. Even though he knew it was going to be delicious, when he takes the first bite of the cake, relief washes over him. They seem to be overjoyed, inhaling the cake at dangerous speeds.
“You're gonna hurt yourself if you eat that fast,” he observes, both amused and concerned.
“Can't talk. Need to eat this.” That makes him laugh so abruptly he nearly gets cake up his nose. “This is the best birthday cake I've ever had, both visually and taste-wise.”
“I'm glad. Like I said, I'm not really a baker, but…I make an alright cake.”
“You make a fantastic cake.” They’ve got a bit of frosting on the corner of their mouth. “It doesn't get much better than this—eating a cake made by you.”
“Because I'm a chef, you mean?”
“No, not that. Not just that, anyway,” they amend with a cheeky grin. “Because you're my best friend.”
You're my best friend.
…
I'm their best friend, he repeats to himself. I'm their best friend.
He thinks about crying. He won't cry, but he thinks about it.
“Oh,” he replies intelligently. “...Really?”
“Y-Yeah. Unless, uh, you don't—”
“You're my best friend too,” he blurts out, and the anxiety on their face fades away into a relieved, beautiful smile.
“Thank god. That would've been pretty awkward if you didn't…” They shake their head.
“I've never been anyone's best friend before,” he confesses.
“Seriously?” They recover from the shock quickly. “Lucky me, then.”
“I thought you established we were both the lucky ones.”
“Oh, right.” They chuckle. “Lucky both of us, then.”
Carmy thought that life would always be the same. He thought that he was fated to a routine of nausea and nightmares, never quite close enough to reach a rest point. He thought that he was okay with it being his fate, because he never knew anything else.
He thought that loneliness, cigarettes, and memories would be enough, because it always stays the same. Nothing ever changes.
Until them.
He thought he had outgrown happiness, that his body had grown accustomed to living without it. That there was no longer space in his heart to withstand the weight of joy. But as he sits here with his roommate, chatting and laughing over a cake he made for them, he finds that's not true.
His capacity for happiness had never left. It had been there all along.
And with that, something in him lets go.
Carmy sees it all at once. It starts from the beginning—he sees the first day he met them, an initially hesitant meeting gone surprisingly well. He sees the first time the two of them smoked together, deliriously laughing through shared smoke. He sees them in the mornings, messy hair and wrinkled t-shirts. He sees them in nothing but an apron. He sees them in tight black clothes that leave little to the imagination. He sees them laughing at a joke that he didn’t think was all that funny.
He sees them in his dreams, red tomato puree bleeding from their gums. He sees them holding his trembling hands in theirs, soothing him back down from the storm in his hand. He sees them comforting him through his tears. He sees them sobbing, hot tears on their cheek and his hand. He sees them heaving into the toilet, whispering that they want to know him. He sees himself, embracing them tightly in his arms.
He sees it all. He knows that he can't avoid it anymore.
Carmy is completely, undeniably in love with them, and there is absolutely nothing that he can do to make that realization disappear.
…Some things, he understands, refuse to stay the same.
~
@zorrasucia @carmenberzattosgf @carmenbrzatto @thehouseofevangelista
#carmy berzatto#carmen berzatto#carmy berzatto x reader#carmen berzatto x reader#the bear#jeremy allen white#carmen berzatto x you#carmy berzatto x you#the bear fanfiction#carmy berzatto imagines#carmy the bear#the bear fx#my fics#alexithymia fic#GOD. IT'S FINALLY HERE. THIS ONE'S A BEAST.#ch 6 is gonna be the climax..... it's gonna happen yall. it's finally here. hahahaha#anyway this one took so long to write because it was so revealing for me... as i'm sure yall have guessed. sigh.
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Fix You - Chapter 16 - Genesis
Pairing: Frankie “Catfish” Morales x Fem!Reader
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Chapter Summary: 🤷♀️
Word Count: 4K
Rating: Explicit
Chapter Warnings: cussing, graphic violence, mentions of sex. I'm not giving more warnings than that, sorry.
A/N: Hey all. First I want to say I'm sorry. I literally had no time or motivation to write this. I'm gonna be honest, this is a really tough chapter, and it was hard to get in this headspace. Suffering a recent heartbreak, things in this chapter are things I have thought also, and so it was really hard for me to voluntarily want to address that. I also started working in veterinary medicine, i do not have the spare time that I used to. We also recently adopted a puppy who we named Bucky! And if you read my earlier posts, you know that I was SA'd last January. All that to say, sorry I couldn't do this faster.
Also want to wish a happy birthday to @musings-of-a-rose, my beloved, my bestie, and my constant support. This is for you. Sorry it's not a happier chapter....
* If a character is speaking fully in Spanish, I will put “[ ]” around the dialogue. I speak pretty decent Spanish but not good enough for this
Suggested Songs: "Exile" Taylor Swift feat. Bon Iver, "I Love You" Billie Eilish, "Vampire" and "Logical" by Olivia Rodrigo, "The Night We Met" by Lord Huron and Phoebe Bridgers, "Genesis" by Grimes
You didn’t even flinch at the landing, which was rough, so that’s saying a lot. When the janky cargo door (which looked like at any time during the flight would be ripped right off) opens, you barely even lift your eyes from the floor. You felt heavy and hollow, somewhere suspended in between shock and just not giving a fuck anymore. The only thing you could still fell was the pinching in your heart. It was still broken.
At some point during the journey, the co-pilot had taken pity on you and untied your arms from behind your back and bound them in front of you instead. You hadn’t struggled. There was no point. Where would you go? Jump in the ocean? You weren’t that great of a swimmer and you loved sharks and everything but the open ocean is not where you are supposed to be.
You have no sense of space and time, so you have no actual clue where you are other than not the mainland. You’re dehydrated as fuck, groggy, your vision’s blurry and you’d figured out the sticky moisture on your face was your own blood.
Because when you had suddenly blacked out it was because they’d hit you, and had absolutely no hesitation doing so. They did not care about you, they did not see you as a human being, they didn’t even bother strapping you into a seat so you had been sliding around the cargo bay the entire flight, bumping into everything. You were in deep danger, any hope that you would have some ransom protection had pretty much disintegrated. You had hoped that the boys wouldn’t come for you at first. Then you had hoped that they would, because if you’re ransom, even if at the very least you’d be alive until then, right? But “alive” doesn’t mean unharmed.
A shadow looms over you and it finally makes you look up, squinting to adjust your eyes to something so close, as well as the brightness of the sun. It feels like it takes you 10 whole minutes to process that you were being spoken to in English.
“Eh!” The man leaning over you snips, and when you simply blink in confusion and don’t answer, he slaps you lightly on both cheeks. You’re stunned enough to finally look at him, his oval face, beady eyes and unique sideburns seeming so familiar to you but quite frankly you wouldn’t trust yourself with recognizing even your dad at the moment, so you push that thought aside.
He kneels down in front of you. “You listen to me. We don’t want you. We want the money. This means if you don’t fucking piss me off, I might be nice and not kill you, you understand? Be a smart little girl, eh?.”
You nod, you probably should be feeling some sort of panic setting in but you don’t. Whatever. Who even cares anymore.
He takes your silence as submission. “Bueno.” He whispers, leaning down and grabbing you by the arm, lifting you until you are back on your feet. He tilts his head and steps to the side, revealing 5 additional men with AKs pointed straight at you. From behind, you feel the sharp tip of another poking your back, urging you forward and down the precarious ramp. The pilots.
You didn’t trust that they wouldn’t hurt you, but you knew you had no other choice. Trying to fight was asking for it, and once you step out of the hold and realize you were in the fucking jungle, there would be no sensical place to go even if you did get away.
You step out of the plane onto a rickety steel ramp that bounces as the footpad of your sandals touches it and shuffle slowly down it. You feel suffocated sandwiched between four men, your hands chafe where they are tied and you have been in the same positions for so long your whole body is sore. Every touch and movement hurt.
You stumble as the ramp ends but one of the men grabs your arm and yanks you so you don’t fall. It wasn’t kindness. It was a way to hurt you that he could get away with. The tiny dirt landing strip is almost canopied completely by the jungle trees, leaving large patches here and there where the plane flew through, not noticeable from far above. It looks like you’re walking to nothing, just a dirt road that ends right into the thick middle of the jungle, but you don’t stop at the edge. You push through.
It’s hot as shit and you felt sweat buildup in every crevice of your body, your thighs are rubbing raw from your asinine decision to wear short shorts to the fair, and you could feel a heat rash growing under your tits that you couldn’t even scratch because your hands are bound.
You walk for forever. You walk until the friction rash on your inner thighs turn to lesions. You haven't drank water in almost 48 hours and it feels like 150 degrees out, with full humidity. You’ve had to stop twice already to vomit from heat exhaustion and you still occasionally gag even though there’s nothing in your stomach to come up anymore. All the years that you did not appeal to insects are making up for it now, they’re all over you and you can’t walk 3 steps without one getting in your eye. The jungle gets tighter and you can’t breathe because it’s pushing in on you almost as tight as the hands on your shoulders pushing you forward..
You start crying. At least, that is what you tell yourself as you whimper and sob as quietly as you can. You know you’re strong, but this is just beyond reason that any normal person could take. And when you think about how this is probably what life was all the time in Delta for the boys, you cry even harder because you feel guilty, that you have no right to complain.
Finally, after what feels like forever, the tightness of the jungle seems to loosen. More open. You notice some of the trees look more oddly arranged than others. As you get closer you realize they aren’t trees at all, but tents and dilapidated buildings built into the shadows of the trees. The huge roots and overhanging canopy of the jungle transformed a bustling camp into what looks like a little village. At the entrance, a line of guards in jungle fatigues that were impossible to detect until you got right up to them. You hear someone speak above you, alerting you to a man up in the trees on a platform tucked between the branches. There was another in the tree on the opposite side. He calls to the man with the sideburns, saying something in Spanish you can’t interpret fast enough, but it’s jovial and they laugh, and it makes you feel like you’re going to go mentally insane.
It’s like it’s not even serious to them. And it’s so serious to you.
You are pushed through the camp quickly, but not quick enough that you don’t see the insane amount of cocaine packages piled up in the makeshift buildings, sheds, and tents toward the back. Men were milling about checking them, moving them and glaring at you as you walked past.
You continue past the main camp, crossing over a bustling creek whose bridge was literally just planks of wood, but you noticed there were tire marks across them so you felt at least safe it could handle a car’s weight. Across the creek, an old stonework manor stood. You can tell at one time it must have been glorious, but the white stone-worked walls were dirty and crumbling in many places, the fountains out front had dried crusty palm fronds and dirt in them and looked like they hadn’t sprayed water since the 1980s.
It was still oddly beautiful. You thought about how this house came to be, what it might have looked like when it had been first built. A beautiful Caribbean sea mansion. A jungle that hadn’t closed in on it yet. Fountains spraying and colorful birds resting on the rooftops. But then you realize that this place has probably always been used for what it is now. Someone like Carl Lehder probably lived here and ran an entire cartel within this very jungle. Maybe it was the same one, just run by someone else.
There was a shabbily made shack to the left of the manor with padlocks, piles of debris piled next to the door. You assume that’s where you would be taken, but you were instead led up the stairs to the manor proper. And as your eyes focus in on the ground while you were being guided to the mansion instead, you realize the heap of matter by the shack that you thought was some dying plantation was actually a crumpled human body. A boy looking not much older than 17, shot execution style in the head and left to rot.
Then smell hits you, your knees buckle and you vomit on the stonework stairs, a scream of shock and realization pierces the jungle, making the nearby tropical birds explode from the treetops. When the sicarios pick you up and carry you through the mansion door, you’re still screaming.
Eventually whoever was carrying you became fed up, and simply dropped you at the bottom of the stairs and dragged you up backwards by the armpits instead. You didn’t even feel the step edges hitting the small of your back all the way up, but you would later.
You were tossed stricken and shivering on a disgusting, top-sheeted mattress on the floor in the corner of a room, your feet still bound together and your rope-bound hands looped through a radiator that was long enough only for you to lie down or shuffle over to a bucket for your business. Everything stank and you still had vomit on your chin so you curled up in a ball and slammed your eyes closed, hoping that in time the voices and smells and fear would give way to just simple numbness. You didn’t hear a female voice speaking to you for several seconds.
Your eyes snap open, skin pulled taut from dried unwiped tears,and you jolt upright to look in the direction of the voice. A woman who wasn’t even tied up was propped up against the adjoining wall, and as you take in her condition you could understand why they hadn’t even bothered. She wouldn’t have been able to run.
Her legs look..wrong, splaying at angles that shouldn’t be possible. They look like they could be broken, but you can’t tell for sure because she was wearing jeans that cover up most of her skin. The jeans were ripped in some places and stained with dark blood spots, the color turning brighter wherever her skin shows through the tears in the fabric. She’s missing several fingers on her left hand that had been burnt at the ends to cauterize, and her face was black and blue, swollen and smeared with more blood that seemed to be coming from her scalp somewhere. Her lips are pale and cracking and her eyes are glazed over and barely open. When she speaks, she already sounds like she is dead.
She swallows and winces slightly in pain, then licks her cracked pale lips.“Is…my…her–my brother. Did you see him? Out there?”
Your face scrunches in confusion, which actually hurts a little and you’re not sure from what specifically. Perhaps you look just as bad as the other girl. “Your–I—I don’t understand.”
She’s too exhausted to even be annoyed with you. “My brother. They took him from me days ago. They do not talk to me anymore. They don’t—need me anymore.” A single tear falls down her swollen cheek and you suddenly feel so much connection with this woman and how incredibly fucking strong she is. Her eyes roll over to you, meeting yours for the first time. There are burst blood vessels in them.
“I think that they killed him.”
Your lips part and you utter a shuddering breath as you connect the dots. There’s no point in sugar-coating it. You nod slowly. “I think so. But it’s not…recent.” You look away as her eyes slowly close, the additional tears she was holding back finally spilling over and cascading down her cheeks.
“Bueno.” She says. “Then at least he is not suffering like me.”
You both fall quiet and you look over her again. Her pants aren’t completely done up and her t shirt is ripped at the neckline, exposing a gashed shoulder. Almost like…
You start crying again, and you feel even worse about it this time because you have in front of you a woman who has been through much worse and is somehow NOT crying. You curl tighter into yourself to try and hide.
But she simply asks. “Who are you?”
You swallow, raising your head up off your arms, quickly wiping the access tears off on your sleeve. It’s incredible how adrenaline and fear can sometimes make you the most clear-headed you’ve ever been. Your thoughts are swirling but you knew one thing for damn sure, if they didn’t know your name yet, you weren’t going to say it now.
If I look forward I am lost. Focus on right now. Nothing else. It’s my best chance.
You know enough about trauma that compartmentalizing this moment is your best chance. You can’t think what will happen if you don’t escape, if you aren’t found, if they never come for you. You need to stay focused. You need to keep hope alive. You need to stay coherent, because if a chance pops up, you need to be able to think quickly.
“I’m no one.” You mumble. “Just happened to be dating the wrong person.”
She sniffs and looks away, but it’s muffled because her nose sounds congested. You don’t miss her tone though. “Mmmm. His new one then.”
You blink. “What?”
Her glazed over, discolored eyes snap back to yours. “Pope.” She spits. “Your man. Santia—”
“NO!” You cut her off with a shout, you know there is a guy who is in the area and you still don’t know how much these men do or do not know. “Don’t. Don’t give them names if they don’t already know it.”
“I don’t give a shit about Agent Garcia, or his friends, or anyone else, it’s their fault I am here and it’s their fault my brother is dead and..” She finally, finally starts to cry. “I told him I didn’t want to do it. They said they would let us go if we gave them what they wanted.”
“It was you.” You exhale with a shuddering breath. “They found us cause of you. You told them.” You shake your head, and for some reason you feel betrayed by this woman even though you’ve never met her. “How could you?”
“Because all I care about is my brother, do you understand?! I wish I’d never met him, Garcia, we would have just snuck away and no one would never seen us, but no, instead we listened to him and helped them steal from fucking Lorea, and now they found us and I knew they would, and YES, I gave them EVERYTHING because they said they’d let us go so long as they found you and–”
“Eh!” A voice trails in with a watchman you knew was hanging out somewhere in the hallway beyond. He slips through the doorway, a smaller man you were not expecting from that voice, and leans against the deteriorating door frame. He crosses his arms and his legs and it makes the handgun on his hip jut out prominently from his skinny hips. “No talking to each other.” His voice is silky and the words all slide together so it sounds like ‘no talkintoeeachother.’
You shrink back into the dirty wall behind you as your associate spits a bloody phlegm ball in the man’s direction. “FUCK you!” She snarls, a tirade of cuss words in Spanish flying from her lips.
A loud pop almost bursts your eardrums and your heart and you exclaim in terror as your associate is shot point blank in the head, her back slumping against the wall and her head hitting with a bang, pieces of blood and brain tissue spraying over the back wall with pieces flying in your direction.
The man remains completely motionless with his arms still raised before huffing a laugh to himself, putting the gun back on his hip, and looking at you with the such an unaffected gaze it leaves you feeling dizzy and you scream and scream and scream yourself hoarse, crumpling onto your mattress in a terrified heap, arms over your head, sobbing hysterically.
A gentle but firm palm wraps around your forearm, yanking you back up to a seated position. You look away, but the man’s other hand takes you gently by the jaw and makes you look at him. And just behind him, the woman slumped in a pool of blood and brain matter. You try to wriggle out of his grip but he tightens ever so slightly, and you can’t help but notice how different it is when Frankie would grab you like that versus this man. Frankie held you the same, sometimes harder, but you had trusted his domination and his care of you and because of that, it made it arousing. That same motion with this man has you more scared than you ever have been in your life.
“Bebita.” He coos, thumb lightly caressing your jaw. He wipes at a small speck of blood you don’t know is even there. You can feel yourself shaking and breathing so fast you can see his half waxed back tousled locks that hang past his temples are blowing in its breeze. You can’t answer him. “Look at me.”
You do. His eyes are a dark, almost black chocolate brown, shape mismatched, a scruffy beard and goatee and thin lips. In another world you would find him devastatingly attractive and the fact that you do makes you feel absolutely violated and disgusted with yourself.
“Do not cry.” He continues. “You have no reason to if you behave, si? You be good and you listen and I will keep you safe you understand? Well, at least for now.” He shifts closer to you, you can smell his breath. It smells like orange and cloves. “There are a lot of men here Bebita. I am sure you understand what this means, si? Answer me.”
“Yes.” A final fat tear spills from one of your eyes, and it stings as it mixes with your sweat and the raw skin around your eyes.
He juts his head in the other woman’s direction. “This one, she fight the whole time. I like a easy job. Make my job easy, I make sure you always deal with me. Do not make me call in the other guys, they are not as nice. Understand?”
“Yes.”
“Good.” He releases your chin and you scoot back quickly as he saunters over to the other woman’s bloody body, grabs it by the arm, and casually drags her as dismissively as possible out the door and out of your sight, leaving a bloody trail behind.
At first you just sit there in a slump staring at the opposite wall,, you don’t know for how long. Probably hours. Maybe days. The man, whose name you figured out from when he spoke to someone else in the hall, is Angel. Sometimes he would sit up and watch you, as if figuring you out, your body and the way you shift and switch positions when you are uncomfortable, what it looked like when you were crying and trying to keep quiet and unnoticed. But most of the time he ignored you. Occasionally others would come into the room and either speak to him or approach you, but upon noticing Angel watching them they would hiss or spit a curse and slink off.
The room reminded you of those old houses from the 70s that had those drafty unfinished basements that were simply concrete floors, painted stucco or white brick. To the sicarios, it served as an overflow area, there was a rotting desk along the side wall with a metal folding chair and piles of scattered papers and random household tools on them. Against the opposite side wall was a pretty nice tv, considering, which was always playing soccer. Angel seemed to make that his home base, his lithe frame sprawled across a grandma-fabric sofa, head resting on one of the puffy arm rests. He binge-smoked cigarettes and his right hand was always stretched over his head resting against his forehead in the direction of to an end table with an massive overflowing porcelain ashtray on it. You didn’t used to mind the smell of cigarettes too much but now it makes you feel sick.
You’re ashamed of how little you actually think about your current situation and like the hopeless romantic idiot you are, mostly all you can think about is Frankie. The things he said–you knew he said mean things when he was mad, or things he didn’t mean, but isn’t there always some truth to things that are said in the heat of the moment? That was enough for you to silently spiral. You thought about every memory you had of him and how it could be viewed through the lens that Frankie just wanted to fuck you. Your self confidence was low enough it was believable, and your mind races through every instance of an older man being in a relationship with someone much younger and how of course it was predatory, and how could you not see it, that you didn’t have anything in common? It’s a tale as old as time. He just wanted to fuck you, he wanted to fuck you and dominate you, his dark desires seducing you into feeling so wanted you can’t believe you thought he loved you and didn’t see right through it.
And his friends, well, they were all in on it weren’t they, because why would they want to hang out with someone like you either? Why would men such as that actually want to be friends with you when you have never experienced half of what they have.
Fuck him. Fuck him and his lying ass, he was a fucking loser addict and you’re pissed at yourself for even considering him. Like how lonely were you?? To choose an old man with a kid who served in an institution that represented everything you hated about this country? To be so easily blinded by pretty words and love bombs to immediately take your clothes off. Because how, if he actually loved you or even like you, could he possibly have lied about something so big?! Or bought you something nice with all that fucking drug money he stole. Not that you’d want it or expected it, but why wouldn’t you want to treat someone you love as much as he claimed to?
How could he sit there and make up what happened to Tom like that, when you were being so coddling and trying to be a caring ear. And Benny…Pope...if they were your friends they should have told you, that’s what real friends do…
But they weren’t your friends. They were never your friends.
And if you went the other way, and considered that it was all true, that he did love you, that they were all your friends, and that he lied to you and threw stones to hurt you and push you away, how was that any better? You couldn't even think about a future not being with him, but obviously he could. He could watch you cry and question him and not even look at you, completely ignore you, then not even think about you again. No texts, no calls. No “I’m sorry, please come back.” Silence.
How could it be so easy for him? How can he just go about his life like you never happened? Why did you still care?
Why did you still want him?
Why did you still love him so so much. Part of you wishes they’d get on with it and just kill you. At least then you wouldn’t have to feel this excruciating pain. You wouldn’t have to see him show up to rescue you because he has to, to have to see his fucking face and every line, crinkle, scar, the bald patch in his beard and the tousled little curls that pop out of his hat…only for him to save you and then leave again, or die and then you have the guilt of killing a man who no longer loved you.
Yea. You think you’d rather die.
You feel like you’re going to throw up again. You’d let him force his cock in your mouth as far as it could go, let him tie you up and fuck you hard enough to leave bruises you had thought of as a badge of honor. You’d let him cum on your face. You’d let him fucking cum inside you! He’d gaslit you so you actually wanted him to tie you up with zip ties—-
Your heart almost stops. You can picture how his face looked exactly when he said it.
Sometimes rope can give over time.
That’s why we always used zip ties.
You look down at your bound hands.
They’re bound with rope.
#fix you fic#triple frontier fanfic#frankie morales x you#frankie morales x reader#frankie catfish morales x you#frankie catfish morales x reader#pedro pascal characters#pedro pascal character fanfic
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Past, Present, and Future
The human's name is MC. They were simply an exchange student at a school the prince founded, but after forming pacts with seven of the most powerful demons in the Devildom and finding out that they're distantly related to an angel, they're now linked to the Devildom for the foreseeable future.
Judging by how protective Satan is towards them, I suspect he's one of the demons MC has a pact with. Asmo's probably another, which means that most likely, we're the ones MC's referring to.
Oddly enough, it doesn't seem too far-fetched to me. There's something unusually captivating about MC. I find myself hanging onto their every word.
And then I notice it. The ring on their finger. I didn't think too much of it at first, since it's a simple black band, but when the light hit it just now, it glinted like gold.
"Can I see your hand for a second, MC?" I ask. They comply, and I take a closer look at the ring. Even though they nearly blend into the black, the engraved design on it matches the one on mine.
What's more, the ring appears to have fused onto their finger, making it impossible to take off. Just like mine.
"Did I give this to you?"
"Indirectly, yes," they answer. "You gave it to an ex to safeguard it, and she gave it to me. It helps stabilize my power, you see. Prevents it from destroying the three realms."
"Who has the other ring?" MC's confused. Satan, on the other hand, promptly answers,
"Solomon." Well, that's interesting. That's the name of the human sorcerer Michael's taken an interest in recently.
"What are you guys talking about?" MC asks.
"The Ring of Light has a sister: the Ring of Wisdom," Satan explains. "They were created specifically for Lucifer and Michael respectively. Michael gave his ring to Solomon after the war, and obviously you have Lucifer's."
"Right...and this is significant because?" My turn.
"As a result of the rings' power, my soul has become intertwined with Michael's. We're essentially one entity housed in two bodies. The fall must have severed our connection, making it necessary for the rings to find new heirs." I pause. "Do you have any connection to this Solomon fellow?"
"I'm his apprentice." Well, then. It seems as though the process has already begun.
"I want you to be careful, MC. The connection you now share with Solomon has the power to change worlds, but being that close to him can also drive you mad. Just...make sure you keep your wits about you." MC nods as I let go of their hand, and we continue walking.
Eventually, we make our way to one of the observatories.
"If your Simeon is the same as mine, he's probably in here," I explain. "He finds it quiet and secluded enough for him to collect his thoughts."
"Is there anything else you'd like to know before we part ways?" MC asks.
"I think I've heard enough. I would, however, like to pass along a message, if you don't mind." Satan and MC glance at each other, and Satan shrugs. I dig around in my robe pockets until I find my notepad and pen. Using part of the building as a flat surface, I write the following note on a blank sheet of paper:
ᔕ,
ᗩᗰOᖇ ᐯIᑎᑕIT OᗰᑎIᗩ.
-ᒪ
(Transcription: S, Amor vincit omnia. -L)
Tearing the note off, I fold it and hand it to MC.
"Give this to Simeon. He'll understand what it means." As MC sticks the note in their pocket, I open the door to the observatory.
"Thank you," I tell them as they head inside. "For everything."
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When I first heard Eloise had struck up a friendship with Cressida I was mad! But based on the spoilers I've heard of Episode 1 I'm starting to get it. And furthermore, I'm excited to see the character growth Eloise has in store.
Eloise is hurt by Pen's secret, not only that it was kept secret from her, but because of the things LW chooses to write vs. the things Eloise wished she'd write about. I'm also guessing there's some jealousy mixed in, too (Pen actually did something while Eloise just talks of doing something).
However, spoilers indicate that when Cressida gets vile towards Pen at the garden party, Eloise steers Cressida away. She knows how Cressida treats Pen and does what she can to shield Pen from further cruelty in that moment. Also, when Cressida rips Pen's dress at the Danbury Ball spoilers indicate that Eloise mouths "sorry" to Pen and also calls Cressida out on her behavior the next day.
I'm happy to hear that Eloise hasn't lost her sense of self completely and despite being hurt by Pen, she still cares for her. She's processing her feelings without seeking revenge on Pen. I believe we'll see them reunited by the end of Season 3.
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I'm writing a story set in the 1800s that has an intellectually disabled character. how would you recommend I get across that they are intellectually disabled given that the respectful terms wouldn't really have existed then?
Hi!
I think that the best idea would be to just show the symptoms of their disability. Show them struggle with tasks (which ones would depend on the severity of their disability), if they are able to do so they could speak differently when compared to other characters - I often forget words when speaking, repeat myself because I didn't understand the answer to a question (or realized that it was the answer), or have to ask someone for a TLDR because I got lost in what they were saying (even if I'm actively paying attention). Sometimes I also have to circle multiple times to a single idea to "get it out" properly because it's hard to conceptualize it all at once. Your character could also get overwhelmed or stressed more easily.
Also, often ID comes with physical symptoms so they could have dyspraxia like me! In case their ID is caused by a syndrome, it could work to describe the facial features that come with it, e.g. I think most readers would be familiar with how a person with Down Syndrome looks like. But the most important part is to show the actual symptoms of the disability!
If you want to name the disability without using slurs, "delayed" or "mentally disabled" or "having a slower thought process" could also work. They wouldn't be my primary choices in most contexts, but for historical fiction it's a bit different. "Handicapped" also started being used in the late 19th century, it's not necessarily a slur but it's still offensive. You could go for something like "fallen behind their peers" if you want.
I think that it would be a good idea to mention in some kind of author's note that your work is a piece of historical fiction and that those terms aren't preferred now (and show those that are, i.e. intellectual disability in most places and general learning disability in the UK). A lot of people don't know this, so it could be genuinely educational!
Thanks for your ask, I hope this helps!
mod Sasza
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Hello! I know what I'm about to write here may seem strange, but in my head, it's just perfect. Imagine a scanario of Batmom×Batfamily where S/N(batmom) is a witch (like those in the Harry Potter universe), but she's always been afraid to tell her family because she feared they would start to hate her and that Bruce would ask for a divorce (and also because, as we know, there's a law that prohibits them from exposing this to not-witch). However, somehow they discover her secret, but in the end, everything turns out fine.
Kisses♡
Sooooo... I am a witch
Bruce Wayne x witch reader
It was an average day, nothing out of the ordinary, the boys were looking through their old stuff planning to donate it. They decided to start in the attic which they didn't even know they had. But boy was it filled with a lot of stuff in labeled boxes.
"Hey look my old toy car, I forgot I had you well time to donate you", Jason said tossing the car in a pile of stuff he didn't want.
"Hey guys look what I found", Tim said picking up a box with a do not open painted on the top of the box.
Damian took the box, "I think we're not supposed to open it, Oh well". He hurriedly opened the box, and the other boys peered their heads over Damian to see what was in the box.
Surprisingly when they opened it they saw a book, some photos, and other weird things. It all looks so cool like from a movie, Dick slowly took some photos out scrutinizing it.
"Guys look at this", Dick said holding out the photo in front of his brother's face.
"That girl she looks familiar", Jason said reaching out for the photo it was of a girl behind a tree wherein a green and black color robe.
"guys, that's Mom, see the girl has the same birthmark as Mom", Tim said pointing at the girl and the picture of his mom he had taken on his phone.
The boys hurriedly raced down the attic trying to find their mother. Damian had the box in his hand while Tim had the picture. They raced down the stairs almost knocking into Alfred in the process. Finally, they saw their mother in the living room watching one of her favorite movies Princess Diaries.
Y/n heard the sound of footsteps looking in the direction of the noise. She looked at what Tim was holding, and immediately Y/n got up and took the picture out of his hand. " where did you get this" Y/n demanded taking the other things from the other boy's hands.
"Mom, what is this? what have you been hiding? Dick said pointing at the picture. Mom, it's okay you can trust us", Jason said while nudging Damian to go and hug Y/n.
" I am a Witch, I am from Hogwarts where I learned to train and use my power. But not too long ago I fell in love with your father hiding the secret I was a witch, for I was prohibited from telling any non-witch about my powers. So I hid all my stuff in an attic before we got Dick, but you kids must have found it".
"so father still doesn't know", Dick said still trying to process this story. Y/n shook her head no. "You have to tell him Ummi", Damian said. "your right, I will tell him right when he gets home", Y/n said confidently.
Soon Bruce came home, greeting all his children before going upstairs to his and Y/n's room. There he saw Y/n sitting on the bed looking straight at him not a single emotion on her face.
Before Bruce could talk, Y/n started to cry heavily, slumping her shoulders, and looking away from Bruce. Bruce quickly rushed over to her scooping her up in a hug and whispering soothing things in her ear trying to calm her down.
"my pretty girl, what's wrong?", Bruce said continuing to massage Y/n's back. "Bruce, I have something to tell...I am a witch", Y/n didn't wait to see his reaction before continuing "You are probably mad at me but I understand so if you want a divorce then I am fine with it", Y/n said so fast it was hard for Bruce to even comprehend.
"Y/n were not having a divorce, I love you too much for that, no matter if you kept a secret you probably had your reasons and I am not mad", Bruce said in a reassuring tone. Bruce stood up holding Y/n close to him swaying them side to side and humming a beat. Y/n started talking about her past as a witch telling everything to Bruce. She felt so happy to finally tell Bruce after so long, feeling so much better.
"So does that mean since I have powers I can fight crime like you", Y/n said with her best puppy dog eyes. Fuck, it was so hard for Bruce to resist those puppy dogs eyes. "Fine", Bruce said letting out a groan and seeing Y/n jump up and down clapping her hands, smiling widely at Bruce.
Question for the readers: what is your house in Harry Potter?
mine is a Slytherin
#batman#batfam x batmom#batfam x reader#batmom#batmom imagine#batmom imagines#batmom!reader#bruce wayne x reader#dick grayson#tim drake#damian wayne#jason todd#witches#witchcraft#witchblr#witch#y/n
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Oh yeah, NSH Time.
I've been holding this post back for like a week😅
I absolutely love how NSH came out and I think he's currently my favourite rain world model that I've done! (Sorry Pebbles, I'm going to upgrade you later anyway :]
I also made his scarf easily removable so you can see how the stripes aren't just on his head! The stripes and his irises also glow, but a bit brighter than the areas on Five Rotten Pebbles.
His antennae are pretty similar to how I did Sliver's, especially considering I did his first! XD They're separated from his head a bit.
Also if you've noticed in my art that his eyes are the exact same as in the model here, that's because they are! I tried finding a way to draw them how I usually might, but I just couldn't get the same vibe! So I said, "Fuck it!" and I've been drawing over his model ever since XD
NSH is also who I used to make the "umbilical arm" model! So if you saw those posts, that's why the textures are all messed up!
And here it is in all it's glory!
It's mostly made of ball joints with a flexible joint attached to the back. The last segment also twists just like your forearm bones!
Also..... lore shit below cause I have, plans™ so-
If you don't want to know why NSH is acting strange on my blog yet, read no further!
(there's also some downpour spoilers, and some other disturbing things)
*slaps top of can*
This bad boy can fit so much fucking insanity in him.
(cw: self-harm yeah you heard me)
If you haven't figured it out already (I did drop hints :) NSH's structure is damaged! His legs are giving out because a group of scavengers thought it would be funny to transport all of their explosives at once.
So he's in a bit of a pickle!
This is when Looks to the Moon and Five Pebbles' communication tower is repaired! During their first conversation in a very long time, NSH finds out about good ol' Hunter long legs, and is rightfully distraught! He feels like a total failure, that he wasn't experienced enough to properly create his messenger.
That's what this whole post was about!
But, experience is something that can be gained.
NSH figured if Five Pebbles was able to leave his can, then he should be able to as well, but that requires solving the three problems I mentioned in the Five Rotten Pebbles post:
The self-genome modification barrier,
A general lack of puppet central brain matter, and
No material processing within the puppet.
I'll talk about my umbilical lore for this AU here since it's relevant.
Either the "cord" or the "arm" can be disconnected, but not both. This is for ease of repair by administrators. Disconnecting them both would leave the unfortunate Iterator fully functional. Although, they would be blind in the visible spectrum (apart from overseers), unable to speak directly to someone in their chamber, and would otherwise have their workflow be severely impaired. They would effectively be trapped in their own head.
NSH realised that even if the barriers existed, they could still have the intentions, to break them. So what would happen, if he broke one? Not by writing it out of his system, Five Pebbles already proved how risky that method was, but instead by setting his actions in motion faster than any barrier could stop them? This was something to test, and wasn't that what Iterators were built to do anyway?
Umbilicals can only be disconnected by administrators, but what if he were to do it anyway? He needed to leave his can after all, it wouldn't be much of a loss if he was stuck on the floor of his chamber or floating aimlessly in zero gravity for a while.....
So what if he just ran fast enough to rip himself off?
What if he moved his arm back at the last second, could he gain enough inertia to pull it out of his back? Even if it took a few tries?
What other choices does he have? Perfect Five Pebbles' method until he collapses and continue even then? He had time, but not enough for that, and The Hunter certainly did not have any time for waiting around. NSH had to fix his mistake, he had to.
So this bastard goes and does exactly that, and short-circuits his entire system.
Not just breaking the umbilical maintenance barrier, but every other one in the process.
And it all hurts like hell.
But that's the first problem solved, and now he can help keep himself afloat longer. So that now, he can figure out how to solve the other two problems with precision.
Of course, the others won't like any of these plans, but, after what Five Pebbles did, they wouldn't dare disturb him if he stopped responding, right?
And maybe, he could even hijack their communications array, to look for help.
>:]
yeah so NSH is not sane
#No Significant Harassment#rain world#rw no significant harassment#rw nsh#low poly#3d model#blockbench#Digi's RW Design Posts#downpour spoilers#generally fucked up mentally unstable rain world nonsense under the cut. It's marked at the top when you click read more#long post#very long post
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This week’s writer spotlight feature is: MuseumGiftShopEraser! They have 9 works on AO3 in the Stranger Things Fandom, and 6 of those are in the Steddie tag!
Our anonymous nominator recommends the following works by @museumgiftshoperaser:
Paint the Devil on the Wall
Conversations About Love
Now I'm A Stranger
An Exercise In Denial
Baby, You Were Meant To Follow Me
Her fics are BEAUTIFUL. When I first read Paint the Devil on the Wall I was so obsessed I immediately recced the fic to everyone I knew who would be vaguely interested in a steddie fic. -- anonymous
Below the cut, @museumgiftshoperaser answered some questions about their writing process and some of their recommended work!
Why do you write Steddie?
I stumbled into it immediately after season 4 came out. I’ve felt very attached to Steve as a character from the beginning of the show and I think I was subconsciously waiting for someone to pair him up with. I think they’re both such great characters to explore themes of dealing with expectation (either by conforming, or fighting against it) and that’s something I always love to write about.
What’s your favorite trope to READ?
Absolute sucker for fake dating. Can’t get enough of it.
What’s your favorite trope to WRITE?
Enemies to lovers! Though now that I’m looking through my AO3 I haven’t actually written that much of it. It doesn’t have to be very intense enemies, though. I just like it when characters don’t immediately get along.
What’s your favorite Steddie fic?
My brain has been forever rewired by took you for a working boy by pukner. It’s such a gentle, nuanced queer story. It feels vulnerable to me in a way that really only fanfiction can be. Can I sneak in another one?? Because everyone should also absolutely read the shame is on the other side by scoops_ahoy. It taps into this very specific kind of queer compartmentalizing, that I’ve never seen written this well. It broke my heart and patched it right back up.
Is there a trope you’re excited to explore in a future work but haven’t yet?
I’ve been stupidly busy with my masters lately so there’s probably not a lot of writing on my horizon. I do have a wip called Doll that I’m slowly chipping away at. It’s a little darker than stuff I’ve written before. I know ‘dark’ isn’t really a trope, but I’m excited to see if I can push these characters a little further.
What is your writing process like?
Absolute chaos. I write non-chronologically, without an outline, all in the same document. I keep writing snippets and scenes until the whole thing slowly comes together.
Do you have any writing quirks?
Italicizing words for emphasis. I love it so much, you can rip it from my cold dead hands. It accidentally makes its way into my academic writing for my degree sometimes which is a little embarrassing, but I just love the flair of it.
Do you prefer posting when you’ve finished writing or on a schedule?
I don’t really do schedules, it doesn’t work for me at all. I try to make sure I have a decent amount of the story written before I start posting to give me a bit of a head start, but forcing myself to finish something by a certain date is a surefire way to kill my motivation.
Which fic are you most proud of?
Probably Paint the Devil on the Wall. It was the first time I’d written the entire story before I started posting so it went through way more rounds of editing than normal. I think you can really tell. It’s also the longest story I’ve ever written (in general, even outside of fanfic). The whole project gave me a lot of confidence as a writer.
How did you get the idea for Paint the Devil on the Wall?
I knew I wanted to participate in the Bigbang and the deadline was coming up, but I still didn’t have an idea. I decided to work backwards and try to think of something that would be fun for the artist(s) to draw. I had a vision of Eddie wearing dungarees without a shirt, absolutely covered in paint and I knew I had to write something to make it happen. I set the story in 80s New York because neo expressionism is really the only kind of art I could see Eddie making. I think it suits him very well. I do actually have a background in art, though! I’m currently getting my MFA, but I’ve worked full time as an artist for several years before that. I had a lot of fun working my passion for art (and all those art history classes I had to take) into the fic.
When writing Paint the Devil on the Wall, what was something you didn’t expect?
All of Steve’s character, to be honest. The fic is written from Eddie’s POV and for a large part of it he has a very hard time figuring out what Steve’s deal is. Right alongside him, I also had an incredibly hard time figuring out his character. It wasn’t until I was working on the final chapter that he finally clicked for me. I realized very late, just like Eddie, that Steve liked him from the very beginning. Most of the enemies to lovers premise was all in Eddie’s head.
What inspired Now I'm a Stranger?
Oh boy, that was forever ago! I remember I started writing it while I was camping with friends because I liked having something to do after everyone went to bed at night. I think I had the idea for that very first scene where Steve doesn’t remember Eddie and it all sort of spiraled from there.
What was your favorite part to write from An Exercise in Denial?
That was the very first fic I wrote, right after season 4 came out! I’ve never written something that fast, I think the whole thing took me less than a week. My favorite part was probably Robin being completely exasperated with both of them. They’re such complete idiots in that fic.
How do/did you feel writing Baby, You Were Meant To Follow Me?
Ahhh… I never got around to finishing that one. I probably never will, to be honest. I wrote the first two parts quite quickly and then the idea I had for the plot spiraled out of control and I realized I didn’t actually feel like writing the rest of it. There were going to be a lot of misunderstandings and I learned that I find that an incredibly frustrating trope to write (when done for drama at least. For comedy, I’m a sucker for misunderstandings.) So I guess I felt a little in over my head.
What was the most difficult part of writing Conversations About Love?
The ending! That fic is so incredibly personal to me and I knew from the beginning that I wanted it to have a very sappy, happy ending. It was important to me to write an aromantic character getting everything they wanted, but I realized as I was writing it that I don’t actually fully know what that means. So it took a bit more soul searching than fics typically do, but it was very much worth it.
Do you have a favorite scene and/or line from any of your fics?
I still think the short little prologue for Paint the Devil on the Wall is the best thing I’ve written. “You don’t draw on things that aren’t yours, baby” is probably the best summary I have for that story.
Do you have any upcoming projects or fics you’d like to share/promote?
Not really!
Thank you to our author, @museumgiftshoperaser, and our anonymous nominator! See more of @museumgiftshoperaser works featured on our page throughout the day!
Writer’s Spotlight is every Wednesday! Want to nominate an author? You can nominate them here!
#writer's wednesday#steddie#steddie fic recs#steve harrington#eddie munson#steve x eddie#stranger things#ao3 writer#steddie writers
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the biggest takeaway of the night is that taylor swift and i have a very similar writing process in terms of the necessary structure of the song and how it develops, although the aesthetic judgements are very different and i would not write half of the words, much less half of the phrases/sentences. i have, for years, expressed a principled opposition to what i call "proper noun songs", which is to say, i don't think lyrics should be overly specific (although, admittedly a bit of a misnomer, since i'm not allergic to any and all proper nouns in lyrics). i prefer to write and listen to what i have, in the past, talked about in terms of "concrete universals", where any amount of specificity is just a stand-in for something which can be felt by the listener and related to, even if it has never been experienced (this is also, for the record, what draws me specifically to country music). i can't relate to her words, because so much of the album is about being taylor swift. she's writing this for and about herself. there's nothing wrong with that, per se, but i think her earlier work was stronger specifically because she took on the role of a story teller (not as a narrator, necessarily, but as character in a story she was writing). nowadays she's writing autobiographical reflection and it's not nearly as interesting or hard-hitting.
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