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#i like this manga a very big amount
kolyasz · 4 months
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tradingjack · 1 year
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Tessla concept for @idonutlose 's "all the independents live" au
She calls it the swap au but like. The twins are both still alive and active in her version. My label's a little wordy but it's accurate :P
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hellguarded-moved · 2 years
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TAG PEOPLE YOU WANT TO GET TO KNOW BETTER!
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Favorite color:  purple. Currently reading:  nope. Last song:  kryštof - co bude pak. Last series:  i don’t remember.  i guess last thing i watched was the simpsons on tv yesterday afternoon lol, unless you count the numerous ongoing let’s play series that i’m watching  ( at this very moment it’s a replay of hollow knight ) Last movie:  i spent far too long trying to remember. Sweet/spicy/savory:  spicy but i’m also an incredibly picky eater. Currently working on:  trying to beat harvest temple challenge mode in guild wars 2 is currently eating most of my time and attention.
Tagged by:  @lunaferrous​  thanks! Tagging:  @hellhunted​  @caemthe​  @distopea​  @necrosisfantosis​  @corrchoigilt​​  @kemikorosu​​
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thedevotionaltour · 2 months
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in terms of art alone im sorry. im a jrjr defender to my last breath you be fucking nice to him. i dont wanna hear shit❗️❗️❗️
#can someone also get him better inkers rn i am begging. pleading even. HE MAKES GOOD STUFF THEY JUST GIVE HIM SHIT INKERS WHO DONT GET IT.#MY FIRM BELIEF. im sorry. i like his stuff. there are certain things not quite my taste but i think he does good overall im a fan. BE NICE#static.soundz#sorry that last post was so directly inspired by seeing someone go can u guys be nice he is on a fucking nutbag schedule. which he is.#i dont think some people understand the insanity of comic production. and how much it takes a toll on you.#many have said and i will say it too: comics is a killing industry. it is a beautiful fun job. it is fulfilling. it will also destroy you.#the most common and easiest to use example is in fact the manga industry. they want chapters in a week. 20 page type chapters in a week.#A WEEK!!! and currently look at things like webtoon as well which also expect the same amount of pages. in a week. an issue in a week#is an insane demand. it is an unreasonable demand. it is scheduling that leads you to a crash and burnout and health issues#because it is fully finished polished pages. as much as i poke and complain about how some things look there#i am also highly aware of production schedules. even if some styles are not my taste that still doesnt mean it isnt insane work#and it's the same in american big industry comics too. it isnt weekly demand the way those are. but it's still an intense schedule#you are working on pages and can get behind years before those comics even hit shelves.#and as it becomes more individualized too as we lose the team element and work becomes more one person doing all pencils and inks#that schedule is a lot. it just is. it doesnt matter if theres more time in comparison to other parts of the industry#the point is that it is all very demanding and exploitative. there is a drive yourself to your grave mentality here and i've had ppl try#to shove that mindset onto my and my peers which is the worst thing possible to encourage. highly alarming and disheartening to encourage#impressionable students already so worried about making it to drive themselves to an early grave. abuse substances to get through work.#work excessive hours while you still can because when you hit your 30s youre gonna lose that ability#become bitter and prepared for rejection as opposed to success because this industry sucks!#it's just such an unhealthy depressing mindset. i've had more artists preach the exact opposite as that and more ppl have been trying to#shift over to valuing your time and health. but still a lot of people are in that other mentality. and it's very very very sad.#i am only a student doing very low stakes homework for classes. i have no industry experience. and i still get it taken out of me#to do fully fledged out pages in my style in one week. this is also just a thing for me bc certain personal factors just make it hard#but still. comics are fun. they are fun. they are fulfilling. they will lead you to so many fucking issues if you are not highly careful#there is a reason why so so so many fucking comic artists have very well known issues. why you hear about so many ppl with substance issues#artists with very poor mental health. when you are in comics this is how it is.#i am glad there has been a big shift in recent years towards taking care of yourself as an artist. and that more ppl try to value it so tha#things can hopefully change at large in a broader sense. but please remember. we are an exploited chew up spit out industry too.
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arminsumi · 7 months
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First request ever: Can you make a story about Gojo, where their both in a relationship but gojo had to end it because he was afraid that she would be in danger?
Thank you! Keep up the good work, I love your stories!!!
LET ME MARRY YOU
↳ GOJO さとる + fem!reader
The risk of dating you his too much for him to handle, so he breaks it off, only for him to come back to your doorstep years later and ask: "Let me marry you."
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Note : istg each time i edited this... the wordcount grew lol. i hope u enjoyyy 🥹💗 tysm for enjoying my work it means everything
Warnings : angst -> fluff (?) -> happy ending trust me, Shibuya arc spoilers (Ep 9), manga spoilers (chapter 221)
🍒 More from Jay : Gojo works / Gojo fave works / JJK works / oct. reqs open
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The risk of dating you is thrilling when Satoru's just a teenager in puppy love. But as he grows older, and heads into those dreaded 20s, the risk makes him more and more nervous.
What if something happens to you?
He presses kiss after kiss to your forehead and feels his chest tremble, feels his lips quiver, as he refrains from telling you the truth about the Jujutsu world. Satoru just can't do it.
There are so many instances of him saving you from curses that you're oblivious about. He just smiles strangely, and you wonder why he looks like he's just seen a ghost. Because he has, those pretty eyes see ghosts. But those pretty eyes also see you, "What am I looking at?" he responds after you ask why he's looking at you so tenderly, "I'm looking at my future wife." he flirts just to fluster you.
That's at the cafe, when things are still simple. He keeps thinking to himself, as he lays with you in bed some nights;
I want to marry you.
I'm going to marry you.
Please let me be your husband one day.
As if he's trying to manifest it.
Everything is okay-ish... until he gets pangs of fright when your name starts to be known outside of his closed circle of friends.
It's October 11th.
Gojo Satoru breaks up with you.
He leads you to believe that the two of you are just "right person, wrong time". It all hurts an incomprehensible amount for him, to finally cut the string that tethers the two of you together.
He sits on the stairs, head in his hands, mourning.
He starts many mornings with crying spells that last until midday.
He destroys evidence of you and him. In case anyone ever finds it and thus finds your apartment, or work, or college... or anything.
But he can't part with a very special photo. It's you and him in Okinawa, sharing a cheesy kiss at the beach. In the moment this photo was captured, Gojo remembers having whispered some dirty joke in your ear and that's why you smiled so big into his kiss.
He drifts to sleep to the lullaby lovesongs that defined your love.
Years pass, he refuses to even talk to you. The heartbreak worsens with time, he laughs when he realizes that on his 27th birthday.
Isn't time supposed to heal all wounds? Someone said that to him once. Well, they must have been lying without realizing it.
The day Gojo Satoru is sealed, he looks into Suguru's eyes, and remembers you through them. When he resides in that awful prison realm, he only thinks of you you you you you you you oh god he misses you so much that it feels like the very thought of your smile stabs his chest. Every memory is painful. Every flashback puts one more crack in his heart.
"Can't I ever catch a break...?" He laughs to himself, chattering skeletons making their eerie symphony around him.
He thinks. Ponders. Wonders. Broods. Daydreams. All about you. Always about you. Never anything else. Just his first love, from the late spring of his 17th year.
His earthly goddess.
The purpose of his benevolent actions.
He cries. And sobs. And weeps. Because no one can hear him but the skeletons and he's sure they don't mind the sight or sound of a 27 man howling in pain over a lost lover.
It's not just your relationship that he's mourning. But the fact he can't feel you in this cube... that he can't feel your presence in the world... that's worse than the heartbreak. At least through all these years, he's been able to sense your existence. Feel the subtle ripples of your soul no matter how distant you are; you'd be stood in a coffee shop, he'd be at Jujutsu High teaching, and yet feeling you.
Because as he promised to you at 17, "Half my soul is yours. And half your soul is mine. I'll always be with you even if I'm not there."
He has the biggest breakdown of his life in that little cramped suffocating claustrophobic eerie creepy box.
It's 19 days later. He's out. He's back in the world. And he feels the sense of you, your existence, swelling in his chest, tickling his mind, prodding his heart.
"Gojo sensei, where are you headed?"
"I'm gonna go find my other half." he says cryptically.
It's a stark bright day.
Gojo Satoru knocks at your apartment door.
You open it.
He looks at you, and you look at him.
"Hi."
"...hey...? Wow. Haha... you grew into your features, huh?"
Your voice fills his heart with life.
"You too... glad you still live in the same place... I was worried you might have moved out..."
"... Ah, Satoru, you'd be able to find me no matter what corner of the world I resided in."
Your laugh fills his mind with pleasant memories.
There's an a magnetism between you and him just like there always used to be. It feels like two magnets connecting at last, after feeling the distant attraction throughout all these years of distance.
"You're right." Satoru says after a silence of just staring into your eyes.
"I'll always find my way home."
A silence ensues after he says this.
"...haha... don't cry... or I'll cry..."
"... Satoru... I thought of you every day after you left me at the station."
"... me too."
"... why did you leave?"
He stares at you.
"... I was scared of you being in danger."
He gulps.
"Me? In danger? But you're the strongest, why would it matter."
Oh god that's right. You said it then when you were 17, "You're the strongest" and he carried that title with him from then. And now you've said it again. He's reminded. He feels a bit stupid. A bit ridiculous. A bit...
"You're right..." he chokes up. "I am. I could have protected you I guess..."
"... yeah, duh."
He smiles meekly.
It was more complicated than that, sweetheart. But I won't tell you.
He hesitates. He contemplates.
"I have to tell you everything... will you promise to believe everything I say even if it sounds insane?"
"Of course. What is it?"
He inhales deeply. And instead of blurting out his whole life story of being a sorcerer in the Jujutsu world, he just leans in and kisses you hard and truthfully. Cups your cheeks. Closes his eyes. Tastes you like a sweet from his childhood that he hasn't had for years. Presses to you. Takes in your scent.
Yeah yeah... he'll tell you everything in a minute.
But for now just let him kiss you until he runs out of breath.
Let him just...
"Hey..." he pulls away, gasping, "Let me marry you."
"Haha, Satoru..." you take it as a joke and laugh, because it sounds as bizarre and unexpected as one. Then you realize there's that serious look on his face. "... Satoru?"
"Can I?"
"... what?"
"Can I please?"
"... huh??"
"Can I marry you, please?"
He looks at you and waits for your answer. His poor heart. It's palpitating. His whole chest cavity inspires with love for you. This man that you haven't seen in years has just asked if you'll let him marry you — with very specific wording.
Can he? Will you let him?
It's funny in a way, because you think to yourself; this is such a Satoru thing to do... show up unannounced years later on your doorstep and ask for your hand in marriage as if no time has passed, as if you know the full story.
"Satoru... what happened to you throughout these years for you to come back to me and ask for my hand in marriage?" you ask, genuinely baffled.
He swallows slowly. "I know I sound like I've lost my mind. But I promise I haven't."
"That's hard to believe. The Satoru I remember was always on the brink of mania. A bit insane but not quite."
You make him laugh. "Yeah..."
"So are you asking to marry me out of insanity?"
"No."
"Well alright then. I guess I'll marry you."
You make him laugh again, with that funny tone. He hasn't laughed genuinely in years... it's always been that plastic laugh. But this is his genuine laugh. Silky and quiet. The opposite of his demeanor.
"I guess I should be explaining everything to you properly... before I ask you something like that."
"You're damn right..."
"... don't scold me too hard when I tell you all the reasons I left. Or, if you do, then at least hold me while you scold me. And run your fingers through my hair like you used to."
"Satoru."
"Yes?"
His heart throbs. He looks at you.
"Stop standing at the doorway and come inside."
"Oh."
You sigh. He smiles. Then he bows his head so it doesn't hit the top of the doorframe. Damn tiny Tokyo apartments. Your archway always had it out for the crown of his head. You laugh when he bumps into it just like he always used to.
So the two of you sit down and just talk. And talk. Maybe cry a bit. Actually, you cry a lot. And he holds you. And he says he's sorry. He says sorry over and over, as if the word is a bandage he's trying to wrap around all your heartbreak wounds that he caused.
"I'm sorry."
Satoru's apologies aren't easy to come by, and when you receive them, they nurse your heart. It's the gentleness with which he says it, and earnest too. Each successive sorry means more than the last.
"My angel..."
When you call him this after he vents to you about his time in the Prison Realm, and his overwhelming duty of being the strongest, he breaks down completely and just weeps in your arms.
He sobs like you've never heard him sob before, like a dog.
Finally. At least for a moment. He could be weak. Let down his guard. Be raw. Be emotional. Not a teacher. Not a sorcerer. Just your boy. Your Satoru.
Your consolation is all he wanted throughout these years. He looks up at you, eyes red and sore, nose sniffling, and stares at you like he can see your soul.
"...Satoru?"
"Marry me."
You chuckle again.
"If that will stop your tears..." you joke.
He sniffles loudly and swallows, composing himself.
"I thought about marrying you so much when we were together... 'n I tried so hard to bite my tongue when your name nearly rolled off it while talking to my students some days. I was always..."
On the verge of saying your name.
He sniffles long and hard and waits for your hand to weave into his hair.
"Will you think about it?"
"I will."
There's a silence. Satoru feels hopeful. He lays on your chest, arms around you like you're his whole world that he won't dare let go of again.
"There." you say with finality. "I thought about it. Let's get married."
"That took you, like, ten seconds."
You laugh with him. "Yeah... I already knew in my heart when you asked me at the doorway... you know... Satoru... it's funny. When you left, it felt like half my soul was gone. And when you knocked on my doorstep, it felt like I was whole again. Does that sound freaky, or does it tie into all this... Juju... Jujutsu stuff?"
He's silent.
"I have no idea."
"Wow. My future husband isn't knowledgeable at all." you joke.
His heart flutters at 'future husband'.
"Sorry." he says, smiling softly, "My mind is blank when your fingers are running through my hair."
The two of you go on and on, until you're laid in bed sleeping at each other's side. Resting. And god, did Gojo Satoru need a good rest.
In your arms, he's no longer an insomniac.
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© arminsumi
Do not plagiarize / repost / translate / copy layouts / etc.
Do not steal what I've worked hard to create.
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seeingivy · 11 months
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birthmark 
satoru gojo x f!reader 
satoru’s suddenly more appreciative of scars 
content warning: MANGA SPOILERS, canon divergence bc im not gege and they all deserve to be happy, reader described as pregnant, giving birth/c-section, hospitals, pain (kinda), big brother megumi + tsumiki, lil corny family, 
an: happy fathers day to our fav dad :DDD reader is described as having dark hair in comparison to satoru but tbh every hair color is dark compared to white unless you have white hair them im sorry
“Hi baby.” 
“What do you want, Satoru?” 
“I wasn’t talking to you.” 
You take your eyes off from the screen to find Satoru lying across the couch, his head very close to your stomach. His blindfold is hanging around his neck, his shiny, blue eyes staring right at the bump. 
“He doesn’t have ears yet.” 
“You don’t know that. We have father-daughter telepathy. She can hear me.” 
“If anyone was going to have telepathy with him, because he is most definitely a boy, it’s going to be me.” 
He rolls his eyes, lying his head against your stomach as he continues staring down - his eyes focused. You reach down, pressing your hand in his hair as you start carding through his white locks. 
“What were you like as a baby, Toru?” 
“Horrible. Came out super late, cried all the time, total sweet tooth.” 
“I asked about you as a baby. Not now.” 
He rolls his eyes, sitting up to ruffle your hair. You shrug him off before leaning your head against his shoulder, his hand placed directly on your stomach, which he does almost every time he’s near you. You can hear his stupid voice in your head. She has to know I’m here too, not just you mama. 
“Shut up. Stop bad mouthing me in front of our child. That’s not a healthy parenting model.” 
“You screamed my head off for throwing out your precious kikufuku in front of Megumi last week. Healthy parenting model, my ass.” 
“Well some things are just unforgivable, sweetheart. And he’s a big boy now.” 
He leans over and presses a kiss to the top of your head, before pressing his cheek against your hair. “What was my baby like as a baby?” 
“I came out super early. I think they had to stay in the hospital for a few days because I was too weak. But after that, I think it was okay.” 
He leans over, pressing himself harder into your frame as he squeezes. You place your hands in his hair again, running through as you wait for him to talk. He’s thinking - too hard. 
You understood that a baby, a real one - not grown up and super self sufficient like Tsumiki and Megumi were - was anxiety inducing. But ever since you had told him, Satoru was stressed out, more than usual. Shoulders always tensed up, freaking out over painting the room or assembling a crib, or picking a godfather. 
“Love?” 
“Yes, Satoru?” 
“Do you think…the baby will be scared of me?” 
“Because you’re the strongest? Of course, not. Megumi and Tsumiki always thought it was so cool when they were little, smacking their tiny little hands against it while laughing.” 
“No, no. Not because of that.” 
You push your palms against his cheeks, pulling his face out of the crook of your neck. He looks into your eyes, the look shy. His eyes waver down to his arms, littered in scars, before looking back up. And now you get it. He’s talking about his scars. 
They’ve faded over the years, from back when Megumi was still possessed by Sukuna. You remember when they were angry, red and fresh, when he came home, and nearly made your heart drop out of your chest. 
And when it was well and over, you had kissed them hundreds and hundreds of times over until Satoru knew, with full confidence, that you love him. And Megumi had apologized, millions of times before he understood that none of it was his fault. You love Satoru. Scars and all. And you love Megumi. Possession and all. 
“Satoru. You know that we all-” 
He shrugs you off, the look exasperated. 
“I know you guys love me. But I’m talking about the baby. There’s just so many of them and they’ve faded a good amount but-” 
You lean over and press your lips to his, kissing him softly before you let go. You can feel him deflate at the sensation, giving you the smallest of smiles when you pull apart. 
“You guys have father-daughter telepathy. She could never be scared of you.” 
You see the smile spread across his face as he rolls his eyes at you, shaking you at the shoulders. 
“So you agree? She’s a girl.” 
“No. He is most definitely a boy. But I’ll let you have it for tonight.” 
“You’re so generous.” 
“I know Satoru, it’s one of the best things about me.” 
You feel him cup his hands around your face as he presses a light kiss to your nose. 
“Yes. It is.” 
“I was being sarcastic.” 
“I know that, love. But I wasn’t.” 
Unlike Satoru and much more like you, your baby is born early. What you thought was a routine ultrasound turned into an emergency c-section and your little baby coming a little earlier than you had planned. 
That was hours ago. Satoru has been watching you, your chest heaving up and down as you sleep, since they moved to this room. Your daughter, because Satoru was right, was down the hall in the NICU, in a tiny little plastic incubator. With Megumi and Tsumiki. 
This day had already been too hard for Satoru. And it wasn’t even over yet. Watching you get pushed onto a table, your baby coming out and not crying, finding out it was a girl but you weren’t even conscious enough for him to stick it to you, having to pick who to spend his time with. 
He picked you. Because Megumi promised that he’d watch her there, make sure she wasn’t alone. He knows how much it meant to the two of you to get to meet her together so he’ll wait. I mean, that is his little sister and all, he doesn’t mind watching her. After Satoru agreed, he couldn’t help but smile at Megumi, literally sprinting down the hall to meet her where Tsumiki was waiting. 
He watches you shuffle in your sleep, your eyes fluttering open. He nearly knocks the table as he stands up, placing his hands on your arms as you wake up. 
“Satoru.”
“Love, oh my god, I was waiting for you. To wake up, I mean. Are-are you okay? Does anything hurt? Do you want me to get anything?” 
He watches your eyes pinch shut as you raise your hand, clamping it right across his mouth. Your little raspy voice breaks out and he can feel the tears streaming down his eyes at the sound of it. 
“Do you ever shut the fuck up?” 
He can’t help but laugh, the tears still streaming down. God, he loves you. Bedridden and still giving him fucking attitude. You’re okay and sassing him around and he loves you. 
He watches the smile spread across your face as you keep your hand there, now wiping his tears off. You look around the room, the crib still neatly made. 
“Wait, where’s-” 
“Down the hall. Megumi’s there with her.” 
“Her? It’s a girl?” 
You can feel the pride bustling in your chest, the tears now filling in your eyes. She’s a girl. Your tiny little baby that you were carrying for the past months was a girl. You can buy her little dresses and teach Satoru how to braid her hair and-
“Told you so.” 
“Shut the fuck up. I know you’re not sticking it to me while I’m literally in a hospital bed. Need I remind you, that you did this to me.” 
“How did I do this to you?” 
“You knocked me up!” 
You both laugh as Satoru helps you up into the wheelchair, pushing you both down the hallway to where she was. 
“You see her yet? Is she cute?”
“No, it’s only been a few hours. I wanted to see her together.” 
He swings the door open, pushing you to the front into the room. You can see Megumi seated right next to the little box, his hand inside with Tsumiki watching from the other side, her eyes focused on the crib. 
But you don’t take notice of your baby first. What you notice first is the shirts Megumi and Tsumiki are wearing, matching pink that say “big brother” and “big sister.” 
“Satoru. Don’t tell me you guilt tripped them into wearing the shirts.” 
They both run over at the sound of your voice, pressing you into a hug. You reach forward, resting both of your hands in their hair as they help you up, holding you steady in the air and running their eyes over you to make sure you’re okay. 
Satoru had bought the five of you matching shirts to wear when the baby was going to be discharged. And they were corny as fuck. With dad, mom, big sister, big brother, and baby written on them. Megumi said he was going to burn his in a fire. You and Tsumiki hid yours somewhere in the basement, pretending you lost them. Satoru found them in five minutes. But here they are, wearing them. 
“You don’t have to wear those. I’m sure he pulled the whole, my wife is dying, my baby is sick but-” 
“I didn’t ask them to wear those. At least not today.” 
You look over to find Satoru smirking, worst than he ever as before, at Megumi especially, as he starts ruffling his hair, cooing over how cute he was. 
“Just, shut up about it. I thought it would make your depressed ass laugh.” 
“Toru, quit bugging him.” 
You press a kiss to Megumi’s cheek before Satoru crushes him in a hug. He’s always been your sweet boy. 
You and Satoru slowly shuffle over to the little box, sticking your hands in to hold hers. Her eyes are pinched shut, a tuft of dark hair at the top of her head. You can feel the tears rising in your eyes, quickly glancing over to see Satoru crying too. Megumi and Tsumiki are on the other side, directly across, sweet smiles pressed on their faces.   
“Dark hair, Toru.” 
“Just like her mom.” 
You both can’t help but stare at her, rustling around in the little crib. But what catches your eye is the dark patch of red on her left eye, instinctively reaching over to touch it. 
“Megumi. What happened?” 
“We think it might be a scar or something. The doctors said she’s okay though, it doesn’t hurt her or anything.” 
You immediately crane her head over to Satoru, whose switched spots with you and is now softly pressing his fingers over the skin. You lean over, whispering in his ear as you both watch her. 
“Think she looks scary with her scar, Satoru?” 
“What the hell are you talking about? She’s perfect.” 
“You guys match. A scar for her and a scar for you.” 
He looks over and you watch the realization spread across his face as he understands what you’re getting at. He gives you a sweet look before pressing one the softest kisses to the top of your hair. He’s crying even harder now, his entire frame shaking. Fucking sap. 
She curls her hands into Satoru’s, squeezing his pinkie finger. 
“What the hell, Toru? She didn’t do that for me.” 
“It’s father-daughter telepathy, love. You wouldn’t get it.” 
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Text
Rambling thoughts of various Yuri manga I’ve read
1. Kase-San and Yamada (Morning Glories sequel series) by Hiromi Takashima
notice how Kase’s name is first, which is representative of her being the main one to cause problems in their relationship
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If you asked me what my favorite yuri manga was like 2-3 years ago, I’d say Morning Glories and Kase San everytime. Every avid yuri fan has either read or watched Morning Glories because, at the time in 2010, it was groundbreaking, and I stand by the fact that the original series still holds up to this day. It was cute, sweet, wholesome and only had a few obligatory “we love each other but we’re giRLs😳😳😳” moments. Most of all it wasn’t a pseudo-incest-straight-male-porn-pandering-garbage-fest—also known as “Citrus”. Was it cliche at times? Yes, but they all are lol. Did they add to the dumb ass “blonde femme and dark hair masc” trope? Also yes. But it was adorable and it was my first ever yuri so it holds a special place in my heart.
And it SEEMED like it was only going to get better in Kase San and Yamada, the sequel. The girls would be heading to college and the story could theoretically focus on more mature topics while they navigate their new relationship. Keyword: theoretically. Unfortunately, instead of exploring interesting relationship dynamics and storylines, the plot of each story arc boils down to: Kase is insecure because a man breathed next to Yamada or Kase is being completely insensitive to Yamada’s feelings…again…—> ✨miscommunication drama ✨—>big over dramatic apology scene—>boring makeup sex or other romantic gesture.
Literally that’s how every single plotline goes. Kase is so goddamn dumb and insensitive to Yamada’s feelings and Yamada’s a complete doormat who can only stay mad for 0.2 seconds before getting pussy whipped like a spineless ass bitch. And for all that Yamada sacrifices for Kase; her hometown, her dreams, her apartment, what does she get in return from Kase? Oh that’s right; bare minimum romantic gestures and a neglectful partner who can’t even call her “girlfriend” in front of others:
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Like I thought we were over this shit. It’s been THREE years of them together, a whole anime production, and god knows how many irl years and we’re going back to “we love each other but we’re giRLs😳😳😳” WHY???
And then Kase later goes onto bet her entire three year relationship over the ugly bitch in the next panel, so now I’m questioning whether or not Kase even loves Yamada with the amount of bullshit she’s put her through. Which COULD be an interesting plot point, but Kase never gets any consequences for her actions and the creator genuinely thinks this is romantic and full of tension so I’m 10000% positive that this arc, just like all the others, will end with some makeup sex and we’ll be right back to step 1. Sigh.
2. Tamen De Gushi by Tan Jiu
Tamen De Gushi’s problems are interesting but it’s NOT because of the Chinese government💀
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So today’s dark haired masc and blonde femme of the day are Sun Jing and Qiu Tong, respectively. Their personalities aren’t anything to write home about, if you read ANY high school yuri romance, then you know exactly what happens in this story beat for beat. But, BUT, however derivative it is, I find their dynamic very endearing and down to earth. Idk maybe it’s just the translation, but other yuri stories often have this very inauthentic “anime” vibe to it. Which is to say the characters act very cutesy, overly dramatic, and have this stilted, caricature-esque acting of how the creator thinks teenage girls are supposed act.
However, I’m happy to report that Tamen De Gushi is a breath of fresh air in this regard. The characters and interactions they have are grounded and feel organic, which makes them feel like real people, not aliens pretending to be human. This really elevates the humor in turn, oh did I mention that Tamen De Gushi is super funny? Because Tamen De Gushi is super funny, here’s one of my favorite panels and it’s all because of Sun Jing’s goofy ahh expression:
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Like go girl give us nothing
If you’re wondering why I haven’t spoke much about the actual romantic relationship between the girls, that’s because there isn’t one💀 Which, okay, that’s not a fair assessment, they have a ton of romantic tension and they flirt a lot. It’s certainly building to a great romantic relationship, but it can’t quite get there due to legal/political reasons sadly. 😔
Edit: I received new information in regards to what happened to Tamen De Gushi. While I reached my limit for posting pictures, I want to point out that the Chinese government had nothing to do with Tamen De Gushi getting censored, rather it was a dispute between the author and the publishing company. The prior information I received was false and I prob should’ve looked it up more so sorrrry. The fact still remains though that after their big lesbian kiss towards the middle of the story and maybe a few other moments, that’s just kind of it. You’re stuck waiting for something to develop, but nothing really happens. The comic very quickly becomes a collection of slice of life segments and cute pictures that imply a relationship between the girls, but not really ;) ;).  Now things are just kind of left in purgatory for the foreseeable future and, well, that’s Tamen De Gushi y’all.
Compared to Kase San and Yamada, the characters were much better, which is not saying much, but without an actual romantic storyline, there’s just not a lot for me to comment on to be honest. It’s really pretty though, look at this art :
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3. Beauty and the Beast Girl by Neji
my personal favorite and the BEST yuri I ever read
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So next on the list is Beauty and the Beast Girl (I’m going to abbreviate to BatBG from here on) , which I already spoiled my feelings on the matter so this will basically be me gushing about this story for several paragraphs straight, enjoy.
Contrary to what the title suggests, it really has nothing to do with Beauty and the Beast’s story except in name. The main girls are Lily Blind, who is actually fucking blind 💀 and Heath the monster girl. Already I’m happy because instead of blonde femme and dark hair butch, it’s blonde femme and of-course-you-have-purple-hair-and-pronouns masc. Lol, all jokes aside, Lily, unlike her blonde femme counterparts is quite assertive and voices her opinions all the time. In fact, she’s the one who pushes Heath to be more open and communicate with her rather than the other way around. This is, in part, due to the story BatBG is trying to tell. I say BatBG is in name only to Beauty and the Beast because Lily isn’t trying to find the “beauty” within Heath or learning to love a beast or whatever, she’s fine just the way she is and her love for Heath is unconditional. Plus the only thing beastly about Heath is her appearance…which I’ll harp on later, but her behavior is in no way different from a regular human except in very rare, specific moments.
At its heart, BatBG is a story about forgiveness (the creator literally says as much) , but it’s also about the cycle of violence that results from being outcasted and deprived of love. BatBG is set in a world of humans and monsters, where the monsters are outcasted and either have to stay away from human society like Heath or assimilate themselves by hiding away their monster like traits, which is a really queer narrative on top of an already queer story. I don’t want to go into too much spoilers, but sometime before the beginning of the story, Heath in-directly hurts Lily before they ever meet. However, it’s not about Lily needing to forgive Heath, or trying to get over the pain she inflicted upon her, rather its Heath learning to forgive herself and in effect, learning to love herself as much as Lily loves her.
Another big aspect of BatBG is disabilities, Lily Blind is in fact Blind lol and while there are times she struggles with her blindness, she never views her disability as something she needs to be ashamed of and never, ever, blames Heath for it or holds it against her unlike what many, many, many, many other stories end up doing. Her blindness isn’t treated like a super power either, it’s a legitimate disability. She just accepts that it’s a part of her and goes onto say that if not for her blindness, she would’ve never met the love of her life, which I found to be an incredibly profound thing to say.
Now that I’ve gotten this far, I suppose I can add a bit of a disclaimer. So BatBG is waaaaay more explicit about the physical affection between the girls than in any of the previous stories I talked about. Heath and Lily are constantly kissing on, hugging, and almost always flirting with each other, and make no mistake, these girls do be fucking. The sex scenes are never perverted or gross, but genuinely super sweet and romantic, which makes it way hotter imo (huh imagine that🤔). And aside from being hot, it also serves a purpose! Lily’s pretty damn horny underneath all her nice girl antics and while it’s not a major part of her character, it does give a slight edge to her personality and, most importantly, balances out the dynamic between Heath and Lily. It would’ve been very easy to fall into that boring trope where Heath is aggressively horny and Lily is the submissive blind girl, but by making Lily be the one to initiate the sexual encounters, it not only compliments Heath’s more reserved nature, but breaks the stereotype that people with disabilities are pure precious being who couldn’t possibly have sex, which is ableist af btw. Many people think the existence of any sex scenes at all is superfluous, but in BatBG, it truly elevates the story, the characters, and the romance in ways that wouldn’t be nearly as satisfying without it.
Now, with as much praise I gave BatBG, there is one criticism I have, but it’s a quibble really, and it can be explained in a single image:
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There is a dissonance between the story and the art, the story says: “Heath is a big, ugly scary monster”
The art says:
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And like yes, it can be argued that Heath is simply regurgitating the things bigoted people have said to her, but at no point in the story is this ever challenged or brought up in any meaningful way. Lily is blind so she doesn’t know what the hell she looks like and the other characters aren’t any help either. It’s not a big deal or anything, it just would’ve elevated the story if Heath was actually kinda ugly/more monstrous and not incredibly beautiful because right now it’s giving skinny girl who calls herself fat all the time, and it’s like, babe, who tf are you fooling? 😭
Other than that, BatBG is incredibly profound despite its premise being so deceptively simple and I love it to pieces so …yeah! READ IT.
4. Superwomen in Love! Honey Trap and Rapid Rabbit by sometime
Well, at least there are no blondes
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So imma just abbreviate to SiL btw
Alright, let’s get started. The premise is that a villainess falls for the super hero girl and then that plotline is dropped in about 16 pages. I’m not even joking, the villainess falls for the hero, loses her job as a villain and then joins the hero all in one chapter. The REAL plot is actually about a council of evil alien-humans who want to destroy humanity because of generic super villain reason #434: the leader of the aliens is sad and misunderstood :( I’m not even going to lie, I had 0 interest in “X” (the generic ass name of the main villain) and her band of useless lesbians. They did literally nothing in the story except be a nuisance and contribute to X’s incel breakdown at the end. Their inclusion actively made SiL worse because the story has this weird tonal problem where in one breath the villains are portrayed as complete jokes and then you turn the page and now they’re shooting children like girl what💀 And these useless lesbians hog sooooo much of SiL that desperately needed to be given to Honey trap and Hayate to develop their relationship.
When the story DOES actually focus on Honey Trap and Hayate, it’s pretty good, even cute at times, there just wasn’t enough time given to them to flesh their relationship out. As it stands, Honey Trap and Hayate don’t have much of a dynamic, or personality for that matter. Honey Trap’s main gimmick is that she’s extremely horny for Hayate and delulu:
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Aside from that, she’s a great value version of Heath, but even a watered down character is better than, like, nothing. All I really know about Hayate is that she’s nice, heroic, likes wearing tacky clothes and ….that’s it. She loves Honey Trap because…………they fought together a few times so why not🤷‍♀️ I’d say at least that’s better than Tamen De Gushi, but actually it’s not because these grown ass women don’t even kiss , all we get is a love confession and their gremlin love child and that’s supposed to be satisfying I guess.
And the worst part is that SiL has the audacity to pretend the romance was something that it clearly wasn’t:
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Girl…yall were “””enemies””” for 10 panels.
Now, it’s stated they have been rivals for a while, but I guess Honey Trap forgot all of that because the moment she sees Hayate’s face, my good sis is pussy whipped for life. And that’s in spite of apparently being the evilest one out of the evil group because Honey Trap has no grudge or baggage toward Hayate. She immediately turns good with no issues and Hayate is only distrustful of Honey Trap for 1 or 2 speech bubbles and then she’s not. Anything else that happened was off screen, which means it didn’t happen. Ironically, the very next entry on this list will do a MUCH better job at an ex-villain love story, but for SiL, there’s just not much going on.
Another reading of this story is to call it a “parody” but…no, it isn’t. SiL isn’t a comedy, yes there are comedic moments that poke fun of the genre, but the rest of the story genuinely wants you to take it seriously. Except it can’t. X and her league of dimwits are boring as piss and they oscillate between Saturday morning cartoon villains and child murderers seemingly on a whim. So I can neither be endeared to them nor take them as a serious threat. Honey Trap and Hayate are there, but I lament on all the potential lost from what could’ve been an amazing relationship.
5. Yamujiburo/Kianamaiart’s Hanamusa webcomic
This one is kind of cheating, but I also don’t care let me talk about hot MILFs💀
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So the final entry on this list is a webcomic series by one of my fave artist: kianamaiart! And it’s right here on tumblr so check it out!
I stumbled upon this webcomic a few weeks ago, fell in love and now I want to talk about it. This yuri pair thankfully has no blonde femme in sight and instead features two popular Pokémon characters: Jessie from Team Rocket and Delia Ketchum, Ash Ketchum’s mom. What I love about this ship and the world Kiana creates around them is that it’s a very unconventional pairing. There’s just not many romances where a single mom falls in love with an ex gang member and the best part is, Delia being a mom is a big part of her character and she doesn’t ignore Ash in favor of her new relationship with Jessie. She has time for both and doesn’t prioritize one over the other, which many ppl fail to do even irl so good on you Delia!
Now, as for the romance it self, Jessie and Delia are a unique pair. Jessie’s overconfident, brash, drama queen personality doesn’t automatically put her in the “dominant” role and Delia’s sweet, motherly personality doesn’t automatically put her in the “submissive” role. Their dynamic in the webcomic actually plays out in the reverse, Jessie is the one who gets easily flustered and Delia’s…intense, to say the least:
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(But Tbf if Delia looked at me like that I’d be at her beck and call too💀)
This subversion of these tropes creates a fun dynamic for the couple and it’s super adorable to see how their energies bounce off each other in each new situation Kiana puts them in. I also love how both Jessie and Delia inspire each other to live out their dreams and they become better versions of themselves by being together.
And one last thing, I don’t have any smart commentary to go along with this, I just really like this drawing of Jessie:
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no thoughts, head empty
Final Thoughts
Soooo yeah, that’s the end of my dissertation on yuri comics. I know I ended up dragging a lot of popular yuri, but it wasn’t my intention to make you guys hate any of things I talked about. These were just my thoughts as an avid yuri fan, so let me know your thoughts as well, especially if you read any of the yuri I talked about. And even though I’m super picky about the type of yuri I read, I’d still love to hear any recommendations. Who knows, it might dethrone the undefeated champ that is Beauty and the Beast Girl.
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popponn · 4 months
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in perfection and in imperfection.
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summary: he is loving, so much so, despite everything and because of 'everything' he calls as you. (a short headcanons of them as boyfriend, again.)
notes: january feels like it will be a busy month for me. in a good way, it's a good feeling. maybe this is also a sign i will meet rl isagi. those things aside, happy new year everyone. good luck for this year too. have this very fit of madness hcs. warnings: none, just fluff of downbad & lovesick boys, reader's gender unspecified.
characters: isagi, chigiri, rin
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isagi yoichi—
is so understanding and sharp that you will never feel uncared for. most probably also got a list of your favorite things & important dates in his notes & calendar. even noel noa doesn't get that privilege. he is so downbad that everyone just accepts everything is second to you (and soccer).
is the type that gets so into you once you get his heart. do you worry that you might be #2 soccer? stay still babe, at some point you kind of mix in with 'the soccer' too honestly. every first goal? dedicated in your name. first person to call after a match? you—no matter how short or long it will be, it has to be you. he is away for a match overseas? you better be the one who gets a sleep call schedule ready because when yoichi wants something yoichi will somehow do it. and if you try to praise him—despite all the years of growing confidence—he still gets flustered like a boy with his first crush when it's you. it's as endearing as it is embarrassing to him. if someone points it out he will state it with pride though—after all, his feelings for you are one of his pride.
however, is also the type of guy who would rather shoulder as much as possible. he does it out of love, sure, but having him trying to swallow some problem under the guise of "forcing you to change something is a big no" is just asking for a bigger problem in the long run. so, you do have to be the one who gets the serious talks starting—and he sometimes could get really stubborn even though he is one of the most communicative ones so get ready for that. the thing with yoichi is that he really has to get it to accept it.
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chigiri hyoma—
is a beautiful ikemen who walks with the charm of a shoujo manga lead maxed out. as in if this guy falls for you he just naturally acts like a shoujo lead who came to life. and he is also one of the most fashionable guys who puts attention and care on his and your appearance. try to aim for the cutest couple award and high chance you will win.
is also a very dedicated man. he will make sure you know how much he treasures you and it shows. he is not the tidiest person, he is also a pretty demanding guy, but with you? "fine, okay. i'm doing this just for you, you know," he says and hyoma doesn't lie. he will do anything for you. the amount of trust he puts on you is really evident too and he is not one to shy away from saying it. also, trust that this guy will gladly run across tokyo on a lazy monday morning during his rare break just to deliver you anything if you ask. he will demand kisses, yes, but that's also a benefit in its own way.
but, he is also very moody and, admittedly, impatient. so when he gets into this sort of mood you have to keep your head clear and deal with him until his head cools down. he won't hurt you—he will never—but without a doubt his attitude and wording could definitely drag your anger out. he also tends to focus on one thing and one thing only when he gets like this, while it has its benefits, during these times you have to be really patient when trying to talk to him.
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itoshi rin—
is the type of guy who truly embodies "it's the small things". also, he is so attentive and combining this with the fact he is more into action than words—you honestly get yourself a gold mine of top-tier 'act of service' bf.
is actually very affectionate once you can translate his silent languages. he is always close to you at every chance he gets. it's not even funny. some people could translate this as some guard dog behavior, some braver souls translate this like a kid following the elder around, but honestly rin just likes being close to you. it calms him down in a way that also somehow manages to keep him awake—which is a nicer way to put 'this guy sometimes barely blinks when he is staring at you'. your happiness is one of his top priorities and he will bite someone literally if he has to just for that. this is how bad it is. but all in all, all of this is a way for him to keep an eye for you and be ready to assist you in anything—you need to take something? you need him to carry something? you want to buy something? just leave it to him, it will make him happy too. if you get overwhelmed? tell him, this guy is actually really quick to adjust things the moment he gets it. and for you? he will somehow do it even faster.
with all that being said though, this guy could get confusing at times. when he gets into a particularly negative thought, his first response would be to bark out his emotions and afterward distance himself. clearly, communication with him is hard. but despite all the silent treatment you get, he still wants to have you close—while being the one who keeps his distance from you. dealing with rin when he is being like this truly requires maturity and delicacy that probably rivals an esper skills.
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paragonrobits · 7 days
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something i think about a lot in fullmetal alchemist is the textual point, implicitly from the plot in general and outright stated by Izumi Curtis, is that the Truth is entirely justified in the cruel lessons it doles out to those arrogant and shortsighted enough to think they can just force the cycle of life and death to do what they want
and other series might have denounced the Truth, in some way, for doing it to children. Something like 'they were just little kids who missed their mother' or implying that any kind of morality applies to the Truth as fundamentally a force of cosmic judgement.
But the lines more or less outright say 'yeah, no. the Truth is cruel, but the truth is always correct. They were foolish, they were full of themselves, and they suffered the consequences for it"
no for nothing is the Truth established as basically mocking Edward to his face in a curt, criticizing method, condemning him for his arrogance. A child he may be, but it is still arrogance, still the destructive hubris at work.
"You have dared to knock on the door."
"Now the door has opened."
"Quiet, child. This is what you wanted, isn't it? Now I'll show you... the TRUTH."
And a big part of it is that the truth of the world is often cruel. It's harsh, pitiless, and shows the same exact amount of cruelty to grieving mothers of stillborn infants and children mourning the loss of their mother. And it is implicitly mirrored in the other horrors of the setting's history.
The mass graves of Ishval are pretty clear evidence of that; being children won't shelter you from the evils of the world. It's there in Alex Louis Armstrong sobbing as he holds the broken body of a child he is almost certainly responsible for killing, however indirectly. It's there in the Scarred Ishvalan dedicating himself to die in a destructive rampage because with no homeland or kin left, all he has left is vengeance.
There's no wriggle room out of it, no excuse. You fuck around, you find out, and the toll you pay for knocking on the door of the truth is to have what you can least afford to lose taken from you, as cruelly and violently as possible, so every single day you wake up and you're reminded of the lesson, over and over.
Is it cruel? Absolutely. But mere humans don't get to argue with the universe. You have to simply live with the consequences. Sometimes there's a way around it, as Izumi notes.
But perhaps it was outlined in the very first pages of the manga: "A painless lesson has no meaning, because mankind cannot gain anything without first giving something in return."
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skygemspeaks · 8 months
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okay let's do this again, for the last time this season, and what a way to end it!
i like that nami got to be included in the walk to arlong park, it was really nice!
the banter between zoro and sanji is already quite funny. i like that sanji is just earnestly trying to be part of the crew, but zoro's being a little bit bitchy because he feels like his place as the first mate is being threatened. later on in the episode when sanji starts calling out his move names, and zoro makes fun of him for it...how much do you wanna bet that the reason zoro starts calling out his attack names because his thought process is like "oh no, the shitty cook is also calling out his attack names what if luffy starts liking him better than me because i don't do it?"
as someone with dental trauma, seeing arlong's teeth fall out one by one was horrifying, thank you very much. it was well done
the fights in this arc were well choreographed, and i'm actually really happy that they all finished by around halfway through the episode because then we got a good amount of time to wrap everything up
it was really sweet when nami went running up to tackle usopp and zoro in a hug. i did feel a bit bad for sanji, but ehh it's understandable. she's been sailing with usopp and zoro for a while now! those are her boys!!!! and she didn't think she'd ever be able to sail with them again! she barely even knows sanji at this point
the scene after the tower comes crashing down and the straw hats are all waiting to see if luffy made it is great. nami looks like her whole world is ending again, because first she lost her mother, and now she might have lost her captain. and then everyone's relief when they see luffy come out is palpable! sanji doesn't even try to hide his relief! he's become so emotionally invested in this crew already and he's known them for just a few days
sanji's smugness when zoro comes back for seconds was cute, and i love their banter afterwards!
koby and helmeppo standing up to garp when they disagree with his orders was a good scene, and i liked their conversation about it afterwards at the end of the episode. each marine's personal code of justice is a big theme in the anime, and i like that they establish it here, and that it's what impresses garp enough to make him want to train them personally
we finally got the luffy vs garp confrontation! it was a good way to see just how small luffy is in the grand scheme of things, that he wasn't able to hurt garp at all. when luffy starts laughing and garp drops him and starts laughing as well, it was a good tension break. i really really wish that we got at least one grandpa hug before garp left...i know it never happened in the manga, but i crave that grandfatherly affection for luffy. but i know neither of these two idiots are like that. ace better fucking hug luffy at least once next season i s2g.
when nami is talking to bellemere's grave, and nojiko shows up wearing bellemere's shirt.....🥺🥺🥺🥺🥺
the final conversation with luffy and koby was adorable! i loved the hug! also, i really like that koby was the first one to show luffy his bounty. a great way of coming full circle to the beginning of the season when he's standing next to luffy, looking at the notice board in shells town and luffy asks where his face is
the scenes where people see luffy's bounty!!!! makino grinning in pride!! kaya already looking healthier without kuro's poison! Zeff posting luffy's poster on the employee of the month board!!!!!!!! alvida and buggy meeting!!!! (if they make alvida lose weight or recast her next season i'm gonna kill someone)
helmeppo finally admitted that koby was his friend!!!! their little fistbump!! i've really come to like koby over the course of this season, and it's been great seeing his character arc
the mihawk and shanks conversation was great! shanks making jokes about his missing arm was hilarious, i love how irreverent he is
the redhair pirates are all SO proud when they see luffy's poster!!! and shanks' big, goofy, proud grin when as he stares at the poster just made my heart melt.
merry finally gets to fly the straw hat jolly roger again, i'm so happy for her!! luffy's absolute uncontainable joy at the sight of it, like he can't believe his eyes, was absolutely perfect!
the cast-off ceremony was fantastic! i really like the effect they did where their younger selves spoke in the voices of their older selves.
i could be wrong, but i think i heard we are in that last scene as they sailed off? which, amazing!
FUCK YEAH THAT LAST SHOT OF SMOKER!!! i can't wait to see more of him next season!!!
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bleghxy · 5 months
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GL manga recs:
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Summary: Maki's first love was her high school classmate, a girl named Midori. But Midori broke up with Maki at graduation, saying they were now "too old to be fooling around dating girls." Ten years later, Maki still can’t get Midori off her mind, and when the two women reconnect after a chance encounter, Maki realizes that, while her feelings haven’t changed, Midori has long moved on—in fact, she's engaged. Yet the more Maki hears Midori talk about her soon-to-be-husband, the more red flags she notices. And Midori has another secret, one she hasn’t yet shared with Maki. Will it be the last blow to Maki's hopes that their romance might be rekindled? Or will it be the push that sets them on a new path—one they'll travel together?
Review:
There's so much depth to this. At a glance it looks like a simple story. You read the summary and think oh well it's the same old plot of getting back with your ex but it's not. It deals with heavy topics like abusive relationships, comphet and the fear of being alone. It's very realistic in its portrayal. Both of the women are very well written especially Midori.
Status: Completed
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Summary: Cooking is how Nomoto de-stresses, but one day, she makes way more than she can eat by herself. And so she invites her neighbor Kasuga, who also lives alone. What will come out of this dinner invitation?
Review: This manga is such an excellent read. There's so much that I love about this manga. I don't wanna spoil it so I'm gonna let you find out on your own. It points out the troubles women face due to the stereotypical portrayal of them in society. There's a good amount of discussion on lgbt especially on Nomoto's end. I won't say much about Kasuga because I don't wanna mistakenly spoil her past. There are also new characters in vol 3 who are as well written as the main characters. The women in this story are very well written! I really recommend this one! Also trigger warnings are given before anything heavy or disturbing is mentioned in this manga.
Status: Ongoing
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Summary: Dani's promising future as an elite athlete is cut short when, during the middle of the television broadcast competition, her heart collapses. This ordeal will not only affect her health, but also destroy her relationship with her mother and skip her tennis career. In order to get away from the hustle and bustle of the big city and all its problems, she decides to go with her cousin to the small coastal town Levant and it is there where she will meet Blanca, a girl full of life and love for astronomy who will remind her that life can be beautiful and that Dani can shine again as the stars do.
Review: This is very short but still a good read. Even though I wished it were longer, it still managed to carry out the development between the two main characters. The only issue I had with this is, since the manga is very short, it fails to properly carry out the development between Dani and her mom.
Status: Completed
If you want more GL recs:
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anthracite-writes · 9 months
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Obey Me! Dating Headcanons (SFW)
ft. The seven rules of the Underworld (The demon brothers) - SEPRATE Reader type - X GN! reader
NOTE: These are just my personal headcanons for the brothers I’ve had for the 3 years I’ve been playing this game and what I think I think would fit them, if some of the headcanons are may be very OOC - apologies in advance.
𝙎𝙐𝙈𝙈𝘼𝙍𝙔 !!: What it's like dating the 7 brothers + love languages NOT PROOF READ - APOLOGIZES IF THERE'S TYPOS OR SPELLING ERRORS!!!
𝓛𝓾𝓬𝓲𝓯𝓮𝓻
Love language? Quality time, Acts of Service, and Words of Affirmation. He'll open doors for you, prepares you lunch, would occasionally ask if you need anything at random times.
Hands full? Don't worry, he'll take those off your hands. Sad? Boom, he made you your comfort food and got comfort snacks. You're busy studying? He'll come in and check on you every so often to ask if you want anything to drink or eat.
Invites you to spend time with him in his study while he works on the copious amount of paperwork or even to spend time with him in his bedroom as he listens to his music.
When you're together like in his study or his room, he'll pull you onto his lap. Just wanting you near him when it's just the two of you.
Constantly praises you - "You never cease to amaze me Y/N", "I'm so proud of you". Will acknowledge your achievements no matter how small they are to everyone else.
Dates? Long walks at night, listening party in his room, dinner dates, list goes on.
Man just loves spending time with you.
Probably in denial with how protective he is over you. "I'm just a little overprotective over you. That's all."
Out in public? Holding hands, hand around your waist. He's on a mission to let people know you're already taken.
Def. overworks into late into the night so you have to force him to to go to bed. Either he goes willingly or you have to drag him to bed.
WAYYY to prideful to admit he longs for your cuddles, hugs, and over all touch when he's in bed
Calls you 'my love' or 'my little angel/lamb'
Fav. areas to kiss? Hands, neck, lips for sure.
𝓜𝓪𝓶𝓶𝓸𝓷
Love Language? Gift giving/receiving
Man's broke so, expect a lot hand made gifts.
Firm believer he’s a really crafty person, not the best but he puts a lot of effort into the handmade gifts
Gifts a lot of cool found objects he finds when he’s out and about (shiny stones, cool bottle caps, etc)
Ya know… because his animal is a crow.
LOVES to give "just because" flowers [Hand pick from the woods around the House of Lamentation]
Finds a cool rock? 'Hey! Y/N, I found this rock and I thought of you because it's cool!'
Calls you 'Human', 'Dummy', 'my lucky charm' list goes on.
No, really. You literally are his lucky charm when he's gambling - Well, that's what he usually says despite how much he loses.
Dang, he actually won? He'll immediately spend it on getting gifts for you. Clothes, shoes, accessories.
Extremely caring towards you, seeing you upset or just slightly down - he'll do anything to cheer you up, no matter what; he will cheer you up.
There is never a boring moment with him. There's just always something going on with him.
Someone is picking on you? Oh, don't worry. he will make a scene. And a big on at that.
'Oh no you don't! The only person that gets to pick on Y/N, is ME!' 'AYO! The job of picking on them is already taken! Scram!'
Fav. places to kiss? Cheeks, forehead, top of the head.
𝓛𝓮𝓿𝓲𝓪𝓽𝓱𝓪𝓷
Love Language? Physical touch and Quality time for SURE
Always have imagined him to be such a sweet guy, just extremely nervous due to the fear of messing up.
Gently place and hold his face in your hands, he will MELT
Honestly, any kind of touch will send him blushing and stuttering - just something like your hand brushing up against his will make his face go red and unable to speak for 3-5 business days
He would want to do EVERYTHING with you
Anime Marathons, reading manga, playing the newest game he bought or reruns of games he's already completed but wants to experience playing it with you by his side.
Will ramble on and on about his interests, be sure to listen to him
Intimacy level up if you reference something he mentioned in his rambles - he'll be over the moon that you actually listened to him.
If he sees you upset, he wouldn't leave your side.
Def. doesn't know how to comfort someone but will give you hugs and cuddles - willing to listen to you and let you vent to him about what's upsetting you
Lets you sit on his lap and cuddles you when he's gaming
When he gets frustrated on a level, Levi would most likely rage quit (after saving) out of the game and cuddle you tightly as he de-stresses himself before returning to the game
No matter how long you have been together, he still cannot fathom the fact you're willing to spend time with him let alone dating him.
Would get a teeny tiny bit jealous if you're attention is one something else like one of his brothers, Henry 2.0, or even an inanimate object like his figures.
then usually rounds back to the thoughts you're just a genuinely caring person who looks out for anyone and genuinely finds what he likes interesting.
Calls you 'normie' or just by your name. He gets nervous if he deviates from what he's used to calling you
Love it when you reassure him, cheer him on, or just listening to him no matter the situation.
Fav. place to kiss? lips, cheeks, forhead, genuinely anywhere on your face, top of the head, hands.
𝓢𝓪𝓽𝓪𝓷
Love Language? Quality time and Words of Affirmation
Reads poems and read passages in his books to you that remind him of you.
' Hey Y/N, There's this poem that reminded me of you, please let me read it to you' or 'This line in the book I'm reading made me think of you, would you like to hear it?'
Snuggles while he reads you stories for sure.
If you have a hard time sleeping or suffer from insomnia, he'll keep reading to you till you fall asleep in his arms/against him.
Loves it when you go outside with him to watch the wild cats around the House of Lamentation or let him lay his head on your chest or your lap while you read to him and gently play with his hair as you do so. It puts him at ease.
For dates he'll have reading dates, take you to cat cafes or coffee shops, book stores.
Holding hands? Yeah, a lot of that.
Def has a candid shot photo of you playing with the cats either in one of the cat cafes he took you to or when you two were out in the front of the House of Lamentation as his lock screen
Calls you 'love', some literacy reference like 'my rose' [Le Petit Prince Ref.] for example, and MAYBE 'kitten'
Fav. places to kiss? Forehead, top of head, nose.
𝓐𝓼𝓶𝓸𝓭𝓮𝓾𝓼
Love Language? Quality time, Gift Giving and Physical Touch
He LOVES it when you two spend time together. That means lots of touching...
Like painting your nails, spa and self-care days, trying on clothes, list goes on! [... what were you thinking???]
Loves buying you clothes when he's off shopping, he sees something that suits your fashion taste? oh he's getting one in every colour.
Def. matching outfits for the two of you, like genuine matching outfits - not those tacky couple's shirts, tf?
Extremely PDA, so be ready for surprise kisses and hugs.
Be ready to be shown off! He'll be posting photos of you two together on his socials, takes you to his modeling gigs, parties, the whole nine-yards.
Out of all his designer clothes and belongings, you are the one he wants on his person 24/7.
Did you forget the man's also a musician? [I'm pretty sure it's actually canon in OG OM! might be wrong - don't hold me to this statement.]
He will write songs about you, you are his muse.
Makes sure you get VVIP treatment if you attend his shows and backstage privileges and just make sure the staff at his shows/events are treating you like the gem he sees you as.
In public, he'll hold your hand, link your arm with his, or even have a hand on your waist to keep you close to him at all times.
When you're sad he'll let you lay with him in his bed and spoon you, holding you close to him as he whispers sweet nothing to you but also will listen to you if you need to talk.
Respects your boundaries - Yeah, he's very physical when showing you how much he loves you but if you show any signs of being uncomfortable or tell him to stop, he will.
He never wants to upset you with his touching of physical affection.
Finds everything about you adorable
I mean EVERYTHING. You have parts of you you don't like and are insecure about? To him, every inch of you is perfect to him. You can't tell him otherwise.
He'll call you all the nicknames under the sun.
But, would mostly use 'babe', 'hun', 'cutie', 'gorgeous', and 'my beloved'
Fav. places to kiss? Everywhere and anywhere.
But most fav places to plant his kisses are your lips, shoulders and neck.
𝓑𝓮𝓮𝓵𝔃𝓮𝓫𝓾𝓫
Love language? Acts of Service and Quality time.
Willing to cook you anything you desire [with a little of restrain and struggle to not gobble down the food he's cooking for you]
Memorized all of your fav. foods, comfort foods and snacks, food allergies, how you like your food.
Anything relating you with your relationship with food - he will remember it.
Sad? Beel's got you, he's cooking up your ultimate comfort food for you - in the meantime, please enjoy the comfort snacks he bought you while he cooks for you.
Food is his love language, you can't tell me otherwise!
uh-oh, you're having late night cravings? Most likely Beel will be in the kitchen when you get there and he'll be more than happy to cook for you - no matter what your request is.
Def. a lot of food centric dates - restaurants, picnics, food tours, street food, movie nights.
DW, not all about food when it comes to dates. Loves going for outdoorsy dates to like hikes, enjoys having you as his spotter when working out or having you sit on his back when he's doing push-ups.
If you're there with him and you're spending time with him, he considers it a date
If there's food, he wants to experience it with you.
Love just being around you.
Cuddling on his bed to going grocery shopping - he loves it.
The strong silent type but will be sure to tell you how much he loves being around you.
Would love it if you cook/bake with him
He aspires to be a chef [literally canon.], so he loves trying to make new recipes and cooking dinner with you when he's on cooking duty.
Would call you 'honey' or something... I feel like any food related nicknames he'd use
otherwise, he'd just call you by your name
Fav. places to kiss? The top of your head and forehead.
𝓑𝓮𝓵𝓹𝓱𝓮𝓰𝓸𝓻
Love Language? Physical Touch.
Cuddles and snuggles in the Attic sleeping area Belphie set up when he was captive everyday after school, though he would want it to be 24/365 or till the end of time
Loves it when you gently play with his hair when he sleeps on you.
Loves waking up next to you, if your still asleep he'll just lay there admiring you while he plays with your hair or caresses your cheeks.
Would most likely use you as a personal body pillow.
Any sleeping position works for him - the closer your body is to his, the better.
Very handsy when he sleeps, he'll cling to you when you two are sleeping together - so be ready to never be able to escape his grasps till he wakes up.
Dates include a lot of night-time activities [yeah, I'm aware that the Devildom is in enteral night] include night walks in the surrounding woods and stargazing either outside of the House of Lamentation or in the Planetarium room of the house.
Would def. find a star close enough to his and Beel's and claim it as yours so no matter how far apart you are, you'll always be close to each other in the stars he loves looking at.
Loves getting pets on the head and when you caress/hold his face in your hands
You are now his personal pillow, he will lean against you anywhere at anytime to take a nap.
In more private settings, he'll lay down on your lap and fall asleep or just chat with you like that till he drifts off to sleep
You bed is now his bed, man would def. sneak into your bed in the middle of the night to sleep next to you
Calls you 'sleepyhead' or 'sleepy-sheep'
Fav. place to kiss? Forehead, back of neck, and shoulders.
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stupidsexpotflanders · 4 months
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There's a huge debate about how Light's morality would've been if the Death Note hadn't fallen in his hands - on whether he would've been just as terrible or a good person. (This meta is based on the manga and only the manga)
I believe Noteless Light Yagami would be very mid,morally speaking. While he definitely isn't the kind of guy who would go out of his way to torment people,and he's very much an idealist,Light does have a tendency to stand idly by when faced with injustice. He saw a classmate of his being bullied and did nothing to defend the guy,despite obviously showing moral disapproval of it in his monologue. Besides,Light has a big amount of soft power in school,IMO. Not only he's a student with ridiculously high grades,he's also popular with other students. However,I don't think this makes him a bad person,since there's still a social risk even for him. It just makes him a not-good one. It also might be tied to his sense of self-preservation in canon,IMO. Light is condescending and arrogant,but those are hardly evil flaws on themselves. Besides,he's competitve and ambitious,but those traits don't have moral value either.
On another note(pun not intended),while Light surely has a huge ego and a hubris problem,his worst flaw(s) is(are) emotional cowardice and moral laziness. I understand why people don't attribute this set of flaws to him - he's shown as very dilligent and dealing with harsh situacions (kinda) gracefully. Besides,his arrogance often gets the best of him. However,Light is also shown time and again running from feelings and self-reflection. His journey as Kira starts exactly like that - his two first killings are a freak accident because the guy basically thought the Death Note was creepypasta. For a moment,Light decides to do the right thing and toss the murder weapon but these seconds of common sense don't last long. Still,he decides this is what he always wanted,instead of actually confronting the fact that he made a massive blunder(plus,the trauma from causing two deaths by accident). Plus,Light is particularly prone to Sunk Cost Fallacy - the more he loses,the more driven he becomes. Like the Law of Inertia - if a body is at rest or moving at a constant speed in a straight line, it will remain at rest or keep moving in a straight line at constant speed unless it is acted upon by a force. And since Light did nothing to stop the trainwreck,it remained with a constant speed.
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shinidamachu · 6 months
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kagome higurashi, occupation: it girl
We're constantly talking about what a fashion icon Kagome is, but I haven't seen many actual analyses of her style or how it got translated from the manga to the anime, so I thought it was a fun, innocuous discussion to have this @inuvember. I'm not an expert on the subject by any means, but here's a compilation of my observations.
The first thing I noticed is probably the most obvious: she thoroughly enjoys showing off her legs, which she does by wearing an obscene amount of skirts, rarely jeans and never shorts, not even as a PJ.
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The interesting detail is that she mostly pairs them off with a top that would completely cover her arms and shoulders, which is smart because puts her legs even more in evidence and brings an elegant balance to it. Sundresses seem to be the only exception to that rule:
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Now, when it comes to prints, the anime left me the impression that she favors solid blocks of colors rather than especific patterns, but comparing to the manga it's easy to see that's just not true.
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Not only does Kagome rock any print she wears, she also seems to have a preference for plaid variations.
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Sadly we only got to see in the anime through the sundress above and the iconic Day of Days outfit (the high school uniform doesn't really count).
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She likes her flowery patterns as well, although that's only really a thing in the manga. Of course, I understand Sunrise probably toned down this aspect of her clothing choices to make them easier to animate, but we can still mourn it.
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The next one is particularly sad to me because it was one of my all time favorite manga outfit of hers and they replaced it with one she had used before in The Soul Piper and the Mischievous Little Soul.
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The same outfit was recycled again in Sota’s Brave Confession of Love. It was literally copy and past, except for the colors.
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And to add insult to injury, this was the original look:
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Another thing that was pointed out by @kagomehigurashi in this amazing post is that her "stay at home" clothes are incredibly versatile: she can go from very fashionable sweaters to her fun SHAM shirt collection just like that. But when she goes out, she goes all out.
Overall, I think we can conclude that her wardrobe was pretty colorful. Especially in the anime, there's not a lot of black, if any, and Kagome tends to go for pastel. She also seems to be a big fan of overlaying: her outfits are often completed with cardigans, coats or jackets.
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Plus, I'd say comfort is a priority for her. The vast majority of her clothes don't seem restricting at all and her shoes consist basically on loafers, sneakers and ballet flats. Even the heel we saw her wear once was of a wedge type.
She rarely uses accessories, but she limits herself to one or two when she does. It's usually a purse and some jewelry or belt (at least in the manga). Her hair is always down except for the occasional braid (also only in the manga), PE ponytail and bath bun.
It could have been interesting if Takahashi had also used Kagome's fashion sense to showcase how much she changed during her journey, but Kagome's style remained extremely consistent. I guess she found it very early on what she was about. I'd describe it as romantic boho, but I don't even know if that's a thing.
What I do know is that it was far from basic, that she appeared to be having a lot of fun expressing herself throught it and that it felt more mature in the manga, even if most of them are just covers or bonus art.
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kikokus · 1 month
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Lucci and Kaku: An Analysis
I haven’t done long analysis/meta/essay-style posts in a while, but after seeing a comment that amounted to “every time Lucci’s shown an interest in something that doesn’t have to do with killing, Kaku’s involved” it made me think about whether or not that's true and, more specifically, whether or not there’s been sufficient build-up to justify what happens in Chapter 1111.
So let’s explore, shall we?
First of all, basic disclaimer that I’ve been heavily into One Piece since 2008 and Water 7 has been my favorite arc since the first time I read it that summer. Kaku, in turn, has always been one of my top characters in the entire series for various reasons…but this isn’t about him (at least, not entirely), so all of that is just to say that I’ve thought about these characters a lot over the years.
And I think what always struck me about them is that not only are they so fundamentally different, but that realistically Lucci should not tolerate Kaku at all. He’s pretty much everything Lucci’s not, and they’re more-or-less a perfect example of the ‘someone will die…of fun!’ meme in a lot of ways (and honestly it’s what I think of every time I see this card, but I digress):
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At the same time, what happened in the latest chapter didn’t surprise me, because there’s been hints all along, and I’ve personally been waiting years for it to pay off…even though part of me thought it never would, or at least not in the way it did!
Still, how did we get here?
But First, A Bit About 相棒
So. Why is the fact that Lucci calls Kaku his “相棒” (aibou) so significant? Mostly because of the…individualistic meaning of the word. It literally translates to ‘partner’, but not in a romantic/life-partner way (not to say that it has never been used like that, but it’s not the inherent meaning of the word).
Unlike words such as 友人 (yuujin), 友達 (tomodachi), and of course, with Luffy, 仲間 (nakama), aibou generally only refers to one person. You can have many friends, teammates, crew members…but only one aibou. So by calling Kaku that, Lucci’s already placing him on a different level to anyone else in CP9 or CP0 and acknowledging openly that Kaku’s important enough to him to have earned that distinction.
Which is why a lot of us were very excited about it, since this is not a common occurrence where Lucci’s concerned.
That aside, let’s get to the actual canon content.
Water 7
Obviously at the beginning we find out they both work at the shipyard, but that in and of itself isn’t entirely significant…until you consider that, since Kalifa is pretty much with Iceburg all the time and Blueno’s running the bar, the two of them are working in much closer proximity to each other than to the other CP9 members in the city. 
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The first real indication we get regarding their comfort level with each other comes in chapter 327 when Kaku gets back from examining the Merry and goes to sit down to explain what he’s discovered. Paulie’s the closest to him, but he actually ends up stepping past both him and Lucci in order to sit directly beside Lucci on the same level.
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It’s quite a while before we see the two of them alone again, and it doesn’t happen until chapter 339 when they’re speaking with Robin. Of course at the time we’re not supposed to know it’s them, but there’s really nobody else it can be since this is happening at the exact same time that Blueno’s talking with Franky and Kokoro at the bar. So, as will become fairly common, the two of them are again acting as a unit of their own within the larger group.
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And then, of course, we get the infiltration of the mansion prior to The Big Reveal (which I’ve spoken about before because for me it’s still the single greatest reveal in the entire manga because of how carefully crafted it is, right down to Kaku’s limited dialogue in this section being completely devoid of his usual speech quirks in the original Japanese text). Once again, Blueno and Kalifa are doing their own things while these two are working together.
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This panel has always been interesting to me because immediately prior to this Lucci says he can’t let Paulie live, and then he decides to just restrain him instead. In Luffy’s case it makes sense because they gave their word to Robin not to harm the Strawhats, but he has absolutely no reason to spare Paulie, and the little lines of shock/surprise beside Kaku imply that he hadn’t expected Lucci to do that, either. The ‘why’ is still unclear, but it’s interesting nonetheless, and it’s also…noteworthy that it’s the only thing Lucci asks Kaku to do. All of the actual damage Paulie takes comes from Lucci and he never asks for or expects Kaku to harm him.
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I never connected these two panels before but it’s obviously very deliberate to have Lucci telling Iceburg that feeling emotions is a sign of humanity followed immediately by Kaku…demonstrating exactly that and thanking Iceburg. It’s important to establish that part of Kaku’s character, but keep in mind Lucci’s lack of a reaction here because it’ll come back later.
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Again, very tiny moment, but there’s a lot of examples of Lucci deferring to Kaku or letting him take the lead without any hesitation, and I like this because Kaku’s noticed something that Lucci hasn’t and Lucci just goes with it immediately.
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I’d forgotten about this but Kaku’s also the one that decides to take Usopp with them, first by recognizing him as one of the Strawhats and then going through with it even after finding out he doesn’t consider himself a part of them anymore. And Lucci just…stands back and lets him give out orders to the others while doing so.
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Okay so this is what I was referencing earlier. Kaku shows actual emotions with Iceburg and Lucci’s silent, but the moment Kalifa gets even slightly happy about completing the mission he’s berating her instantly. Kaku’s expression here is interesting too because he looks absolutely haunted and it’s very telling.
And also another visual representation of Lucci and Kaku being equal to/on the same level as each other.
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I didn’t include the panel but Kaku was ‘sleeping’ when Corgi was giving them all of the information about Nero while Lucci was (seemingly) wide awake, and yet Lucci has no idea who he is and relies on Kaku to have all the information. Which he does.
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Kaku being the one to take charge again and direct the others even though Lucci’s standing right there. They do this more than I’d realized at first, especially since Lucci always seems to be looked at as the unofficial ‘leader’ of CP9.
Enies Lobby
We’ve made it to Enies Lobby, which is the first glimpse we get of these two interacting with the full CP9 group outside of any sort of ‘mission’ environment.
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Mostly it entails Lucci being more combative (especially with Jabra) and Kaku being more annoyed, but again I can’t really imagine anyone else taking this tone with Lucci and getting away with it while Kaku does it fairly often and Lucci never retorts or gets angry with him.
And while Kaku’s not immune to taking Jabra’s bait in the right circumstances, his typical tendency is to de-escalate situations if he can and here he’s refusing to engage despite being deliberately called out…and Lucci, without being asked, immediately takes his side and defends his choice.
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This is practically the next panel and while both Lucci and Jabra are kind of equally at fault for this little display, Kaku only berates Jabra for it while Kalifa’s directing her comments at both of them.
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Now that I’m actually looking for these sorts of things it’s becoming more obvious, but again we have Lucci and Kaku in an equal position to each other at the front of CP9.
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This isn’t just to Kaku since Kalifa’s there as well, but Lucci’s still encouraging them to eat the fruits and I have to believe it’s coming from a place of good faith because he’d know whether or not being able to swim is that big an issue in their profession. I also want to note that Kaku echoes Lucci’s ‘it’ll be fun’ line when he actually does eat his fruit, so obviously that resonated with him.
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I’ve put these two together because they both highlight the same thing, that being in both of these sequences we get almost all of CP9 giving out their individual thoughts/comments on what’s happening but Kaku’s statement both times is a direct reply to what Lucci says, so again the two of them are paired off in a way that doesn’t include anyone else there. 
The only other thing of note in this section is that while Robin’s talking about what happened during the Buster Call on Ohara, Kaku and Lucci are the only CP9 members to kind of…break formation and actually look at her while she’s speaking, which is interesting.
And for the rest of Enies Lobby they aren’t together so there’s not too much more to say here other than Kaku of course being the one to have the actual key to Robin’s cuffs, but it’s never made explicit who came up with that plan or handed out the keys so…if I ever actually do the thing and write a full analysis of Kaku’s character we can talk about it then Lark you’ve been saying you’ll do this for years IF I EVER--
Interlude - CP9’s Independent Report
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Besides the fact that this is still one of my favorite cover stories, there’s a couple of noteworthy things here, the first of which is that Kaku again is taking the lead. Even though he’s the only other CP9 member other than Lucci to be injured badly enough that he can’t walk on his own, he’s still the one directing them where to go.
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Other than that, I love seeing all of them just…interacting like friends and being very relaxed and casual, and pretty much every panel where Kaku and Lucci are together they’re directly beside each other so I’ve included a bunch of those here.
Dressrosa & Egghead
The next time we see Lucci and Kaku is at the end of Dressrosa, where they’ve been promoted to CP0 Oda can we please get some explanation of how this happened and let me tell you, I remember this vividly because the spoilers at the time just said that Lucci was talking to ‘someone’ and when the raws came out you can bet I went right to the dialogue to see if it was Kaku because his way of speaking is so telling.
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But even in this little scene, we can see they’re having an equal conversation and there’s a major difference between how Lucci’s speaking with Kaku and how he addresses Spandam mere seconds later.
After this we have the Reverie/Levely/what-even-is-this-thing-called arc where they get all of a single panel together and while it’s the first time we actually ‘see’ Kaku after the time-skip, nothing really interesting regarding their relationship happens, so let’s move on to…
The end of the colored manga! And Egghead.
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We start with a very familiar situation: Lucci asking Kaku what’s going on, and while Kaku this entire arc seems more outwardly annoyed with Lucci than he ever was in the past (which is never really explained but then again, Lucci spends a lot of the arc doing things he’s specifically been told not to do, so maybe it’s understandable…), he still has all the information and relays it.
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Though Kaku’s also much more comfortable letting his real personality show despite them being on a mission while before he was always completely serious after the Water 7 reveal, especially around Lucci. It came through with Zoro and Jabra but during the cover story he’s smiling and laughing a lot with Lucci right there so it makes sense he’d be more willing to let his guard down even ‘on the job’ by now.
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So here’s the first real instance of Lucci showing concern for Kaku, something which escalates pretty quickly throughout the arc. It’s subtle, and though he’s framing it as a suggestion to Stussy, if he didn’t care at all he wouldn’t have said anything. 
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At this point it’s fairly obvious that Lucci and Kaku don’t really have any authority difference between them and Kaku spends a lot of time in this chapter especially telling Lucci to Not Do The Thing. Anyone that’s ever lived with a cat knows how well this works.
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I’ve always found this bit of dialogue particularly interesting because Kaku’s very openly…praising Sentomaru for choosing his loyalty to Vegapunk over assisting the government, and there’s no way Lucci doesn’t hear him say this but he doesn’t say anything in return. There’s no real evidence that Lucci knows about Kaku willingly giving up the key to Zoro or how conflicted he was about Paulie and everyone else, but this seems to imply that at the very least, even if he doesn’t share those sentiments, he wouldn’t think less of Kaku because of it.
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Putting these two together since they’re in the same scene but at this point it’s not even subtle concern anymore, Lucci’s genuinely worried for Kaku and you can tell this caught him off-guard.
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Kaku’s the first one to suggest working together but Lucci immediately backs him up and goes with the idea. It’s logical in the sense that it’ll give them the biggest chance to survive, but willingly working with pirates isn’t exactly the sort of thing that Lucci, especially in the past, would have so easily done regardless of the situation.
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So at this point it’s becoming clear that this whole 4-v-2 section is supposed to be the most…light-hearted thing going on right now and a lot of it is played to be comedic, including Lucci’s inability to lie, but yet again there’s almost nobody else that could get away with scolding him the way Kaku’s doing here.
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…And then we skip ahead a day and things happen that I really hope get explained at some point because they seem important, but while Lucci’s never going to have impeccable bedside manner, he’s very concerned with getting Kaku to rest and while Kaku’s trying to justify what happened Lucci really doesn’t seem to care about that. It’s a big departure from him being willing to write off anyone he deems ‘too weak’ and it’s a nice character moment.
I’d mentioned on my liveblog that some of the things Lucci was doing after this point were confusing, but if you look at them through the lens of him wanting to protect Kaku, it makes a lot more sense. Yes, he’s deliberately keeping him out of the loop, but Lucci I think has decided that he’s going to throw caution to the wind and act alone since if Kaku can’t prove he knew about the plan, he’s probably safer being left with the Strawhats, and if the Marines show up he should be safe anyway or so Lucci thinks…
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When this chapter came out, I’d said something about Lucci being a hypocrite considering what the rest of CP9 did for him when they could have easily just left him at Enies Lobby, but given what happens almost directly after and likely what he’s trying to do with this entire fight, these words feel even less genuine…
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And that brings us to this. The moment that I’ve been thinking about for almost an entire week now. The moment that, looking back at…oh, wow…almost 3000 words of analysis maybe shouldn’t be as surprising as it was for most of us, but it does feel like the payoff for a long, long buildup that’s taken nearly twenty years to reach. Because really, there’s no other way to describe them other than ‘partners’, and probably hasn’t been for a long time…and I’m so glad that Lucci acknowledged it.
To summarize, I think what surprised me most about re-visiting all of this is how much the manga has framed them as equals since the beginning even though it was never explicitly stated between the characters themselves. Lucci’s always been far more lenient with Kaku than with anyone else, and Kaku in turn has never had any fear of Lucci even if he wasn’t really expressing his true self with him for a long time.
The cover story being the turning point makes perfect sense, and the progression throughout Egghead of Lucci being more outwardly willing to show his concern and Kaku not hiding his emotions at all seems like a natural progression of their relationship and their level of comfort around each other.
And the fact that Oda is never really…hitting us over the head with any of it until that final moment when Lucci says everything so plainly because Kaku’s life is the most important thing to him even when faced with a literal monster… It’s so effective. 
I don’t know where we go from here. To be honest, I’m kind of scared of where we go from here. But regardless of the outcome, I hope this little essay has been at the very least interesting and perhaps allowed you to look at these two in a different light.
Thanks for reading.
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aluhnim · 5 months
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Hello!! When you start a comic, how do you go about deciding your panelling layouts?? If this is too big of an ask for covid brain, how about your favorite song of the moment / a song that really inspires you?? I hope you feel better soon!
I was searching around for an old write up I did for some Original Character Tournament folks who were interested in my thoughts on panels and layouts. To try and answer your question, I go off of vibe now that I’ve made a LOT of comics. However, as much as it doesn’t seem like it at times, I do typically stay as “conventional” as possible to make sure my readers are still following the plot. I make a lot of adjustments along the way. Smarter layouts allow me to draw less, and drawing less is better for me in the long run! It’ll allow me to put more time in other places of the comic.
Anyway, here’s my write up back in the day that’ll hopefully answer some comic drafting questions!
More conventional paneling is a necessary stepping stone because you know your reader won’t get lost and the structure will have you more focused on flow and pacing. It seems remarkably easy to do comics with more “static” or traditional panel layouts but they work for a reason. There’s no real need to break out of something that works, unless you want to! Breaking out of the structure can really add some OOMPH to your important pages.
Some tips, note that these have been my preferences and some definitions don’t quite match their descriptors.
Bleed
I consider open panels or panels that stretch out beyond the edge of the page to be considered bleeds. They’re simple ways to make you feel like your not just sticking within your margins and making your page feel less static without much extra effort. Manga does this quite often, and Western American comics, especially during action packed moments or large splashes.
Some examples of things bleeds can do:
- They can also be used as transitions between pages (first panel bleeding in, last panel bleeding out).
- They can be used to interrupt or add a beat to a moment. Although the example below is mostly bleeds, you can see the one full panel at the bottom stands out because it’s not like the others. A subtle beat.
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- They can also just be used to extend a panel to make it bigger. That seems obvious, but larger panels do make people spend a bit more time on them, regardless if there is text or not. Though, “more time” means probably several milliseconds or even a few seconds more than usual.
- Collaging with a bleed is a really great way to think beyond panels and open the space. You will be spending more time thinking of how much you can cram in along with the flow of how your text is going to lead through a series of images.
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- Removing panel borders can really open a space and allow for more room without having to go above and beyond the ideas of comics and panels. (sorry, gale galligan is just good)
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Gutters
The space between panels is almost just as important as the panel itself. That’s where readers and inferring actions and time. You can only control so much of what the reader is doing between their eye shifting between panels, which is why composition within panels and clarity are so important.
Gutters can also be played with! A simple example is changing your gutters from white to all black. It can be a subtle shift in time, a transition to a new space.
Even the amount of space between panels leaves an idea of time! I think webtoons/manhwa really work well with the gutter space, leaving you to physically scroll and feel the effects of time passing with the amount of empty space you encounter.
It’s important to understand that the gutter has a lot more to do with reader imagination, and your goal is to have them understand that the next panel is somehow plausible.
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THIS SCENE EMFIELDS DID IS VERY FUCKING GOOD. TIME, SPACE, GO OOOOOOFFFF KING
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Panels themselves can be a part story!
This one is a difficult thing to write for, since I feel like there isn’t many examples out there. There are very structural examples of panels out there, like Watchman. While the 9 panel grid was intentional, it also was likely the only way to deal with Alan Moore’s script effectively without missing details. The panels themselves don’t ENHANCE the story, but a means to an end.
But it’s also an incredibly good example of how conventional comics paneling can still be effective, especially when you start breaking that mold just a little bit.
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But then you have comics like M. Dean’s “Baby fat”. Where the comic paneling itself never strays from its original structure, but is indicative of the story itself, representing tiles, mirrors, patterns.
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Or Robert Hunter’s “The New Ghost” which he uses circular motifs and has circular panels representing the telescopes sight line.
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Predicting Reader Navigation
These are my rules of thumb when doing general sight reading panel by panel.
1. Text is what people gravitate to first. It’s the context needed to approach the next panel.
2. Faces are next, this provides context to what the subject is feeling.
3. Familiar people/animals/objects and SFX.
4. Everything else!
This is an example of sight reading notes I gave to my friend Holocene when we were collaborating.
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