Im sick of people trashing the 'damsel in distress. That simply means a girl who can't save herself. If you want to write a story about a girl who saves the day do so, but don't stomp on those who can't help themselves that's not what heroes do.

The math just adds up!

Sometimes girlhood is matching hello kitty oodies with your mortal enemy

picked up my dungeon meshi reading again. kikimari

You know, it's rather interesting to me that Taylor Swift's parasocial relationship with her fans is honestly more akin to a YouTuber than a writer's. When I scroll through her tag on tumblr/Twitter, it's far more regarding the connection to her personal life/relationship developments than the actual metaphors/fictional story she might be telling. Everything comes back to how her songs reflect back on her relationships with Joe/Matty/Travis/Jake/insert ex-boyfriend here. And what fascinates me about it is that even though she complains about it, she leans into that very perception because it strengthens the parasocial bond.

The marketing for TTPD so clearly being about Joe Alwyn and the songs to Matty Healy. The marketing/video for Red TV so CLEARLY being about Jake Gyllenhaal, with so many of the new lines in All Too Well specifically being digs at him (I'll get older but your lovers stay my age, casting an actor that looks like him for the video, specific lines in I Bet You Think About Me). The fact that songs like Getaway Car and Bejeweled and Gorgeous and London Boy and Lavender Haze being picked apart at time of release and long after for signs of relationships crumbling. The way she uses surprise songs in relation to her relationship development with Joe/Matty/Travis. The damn TTPD "stages of grief" playlists where she deliberately undid/changed the meanings of old songs just to keep her audience speculating on her love life.

It's not sexist to point out that her wielding her love life is a marketing tool and that the strongest connection to her audience isn't the strength of her writing/the composition of her music- it's her deliberate crafting of a connection between her music and her personal life, leaving the audience invested in her music as an extension of Taylor the Person/Girlfriend rather than Taylor the Artist.

why do people on the internet know so much about the epic of gilgamesh

My biggest beef with the way Annabeth was written in the show is that I think Rick fell into his own trap. Like his whole thing with Annabeth is that just because someone doesn’t look smart doesn’t mean they aren’t. And while it’s about their literal looks for both the show and the book, book Annabeth also sometimes acted in ways that people wouldn’t stereotypically associate with “smart” because I think we’ve all be condition to think bbc sherlock no emotions genius is the only way to be smart. Book Annabeth acts super flustered around Luke because she's a kid and she has a crush on him, she's afraid of spiders, and wanted to see the arch just because she thought it was cool. In general book Annabeth is allowed to be sillier and have a wider range of emotions than show Annabeth without it detracting from the fact that Annabeth is smart. I find this whole "stoic genius" idea is often used to put down teenage girls for being dumb and superficial just because they show emotions and the only way to beat it is to be cold, calculating, and emotionless and most people just aren't like that.

These are the best years of my life????

THESE????

Older men are the strongest drugs and I'm addicted.

Some reunions, like Naruto and Lee, are filled with happy hugs and warm welcomes.

Others...not so much.

Ino and Sakura's reunion...yeah it doesn't go great.

Sakura had been invited back into her mother's estranged family after her accident, but on the way through Tea Country, the caravan had been attacked by bandits/dissidents and Sakura ended up jumping into a river to save herself.

Her body was never found, and she was considered dead. She has an empty grave right beside her mother's and father's in Konoha.

Ino, Naruto and Lee were devastated. Ino, in particular, was inconsolable. She'd just made up with her friend and they'd been struggling to find footing after Sakura's accident, so to get the news of her death crushed Ino.

She'd felt so guilty, fighting over stupid things like boys, all the dumb insults they'd leveled at each other, and her helplessness at Sakura's condition ate at her for a long time. Ino threw herself into the job and she left flowers at Sakura's grave every Sunday for a year (and her parents did it for her when she was on missions) before finally beginning to heal.

To learn that Sakura was alive the entire time, that she didn't care enough to send Ino a single letter...that she just let Ino go through all that heart-wrenching grief is a betrayal that Ino can't suffer. It's like having that wound, only just now scarring over, be torn open and salted.

She spent a year mired in grief, and the next three trying to mend the hole Sakura's death left in her life. And to have all of that history, friendship and grief disrespected... Ino doesn't talk to Sakura for almost 7 months.

As for Sakura, she was in such a depression after her accident, she managed to convince herself that she didn't matter to any of her old friends (especially because it was so awkward and difficult to find common footing with everyone after being honorably discharged). So she made the mistake of assuming no one cared, almost as a method of protecting herself from the consequences of her own decisions.

This bites her in the ass, ofc.

Eventually, they enter a 'cold but civil' relationship when Sakura makes a sincere, heartfelt (and groveling) apology. After that, the walls come down, but their friendship won't ever take the same form as it did before, but maybe that's for the better.

Their new friendship is much stronger.

Once again, thank you so much to everyone for all the amazing asks and the incredibly kind words about this AU!

@evaregia

act 2 bloodweave has a certain Flavor

Randomly thinking about grrm’s deconstruction of knighthood in asoiaf and how ironic it is that the Night’s Watch - an organization known to be half full of murderers, rapists, thieves, and all sorts of criminals - is essentially in charge of defending all of humanity when shit hits the fan. Like westeros just scrambled ‘the lowest of the low’ together into a penal colony in the far north and is totally fine depending on them for their survival; though tbf, i guess part of it has to do with expecting these societal ‘others’ to give their not so valuable lives for the good of the realm, who really cares if they live or die because they’re out of sight and out of mind. And it’s kinda funny too when we factor in the kingsguard because it’s a far more respected institution than the NW presently, but it too has its fair share of monsters. Quite a few men of the kingsguard have been morally bankrupt individuals, and we even see how the men of the KG sometimes forget other people they should be responsible for because their one priority is the king (we see what happens when you put the people of the realm first and then are ostracized by it a la Jaime tho there’s more to it). Missing the forest for the tree is something both institutions share, making them quite similar. So it’s interesting how grrm flips the fantasy classic of the black knight vs the white knight. The black knight is often anti-heroic, if not straight up villainous, and is often made to be diametrically opposed to the valiant and ever good white knight. But asoiaf has white and black knights both be shown of great virtue and great vice. The white knights in this story really are no better than the black knights. I’d love to see how these two entities could intersect, i.e., what happens when a white knight eventually changes his cloak for a black one (*cough* Jaime *cough*) and how that falls into grrm’s deconstruction of the romance of chivalry, the extent of personal heroism, and perceived knightly virtue. Welp I don’t even know what point I’m trying to make anymore, I just wanted to talk about the KG and the NW because they’re really cool.

i was gonna do this meme with the original format then a much better came to mind

they call me the world’s number one fan of dnp’s ffxiv catboys (who bought matching red and blue carbuncle mounts if you care). just like they call fditl the most important video to ever exist in the world

yesterday my dad asked me ‘why can’t you like pink, girly, feminine things like most women?’ (lol) what i didn’t tell him is that i do like pink, girly, feminine things………. i like to fuck them 💖