ao3 down for maintenance
what do i do now
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Went to the park the other day....
One kiddo (regulus) is screaming
AHHH CIVILIZATION RUN AWAY
anytime anyone comes near them
Another (James) is randomly going over to strangers and whispering
"It's free real estate"
A third one (barty) started crying
"No not humans! Call the pest control"
We had to go home when the fourth (Sirius) started a screamo version of the peaches song from Mario
And the fifth (lily) said I NEED TO DO A BUSH WEE
And I (Remus) just wanted to read some more from Chained to the Moon.
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I was reading reviews of a book I really wanted to buy to see how it was and for whatever reason a guy decided to FUCKING SPOIL A MASSIVE PLOT POINT LITERALLY WHY WOULD YOU DO THAT IN A REVIEW?!
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You guys rlly don't realise how much knowledge is still not committed to the internet. I find books all the time with stuff that is impossible to find through a search engine- most people do not put their magnum opus research online for free and the more niche a skill is the less likely you are to have people who will leak those books online. (Nevermind all the books written prior to the internet that have knowledge that is not considered "relevant" enough to digitise).
Whenever people say that we r growing up with all the world's knowledge at our fingertips...it's not necessarily true. Is the amount of knowledge online potentially infinite? Yes. Is it all knowledge? No. You will be surprised at the niche things you can discover at a local archive or library.
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*person has consented to being eaten; they’ve donated their body. they died without suffering. you can cook the meat. you will not get sick from the meat.
bonus: explain why!
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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Everyone thinks that dick was the golden child when in reality it was Jason.
Clark: Bruce who was your favourite robin?
Dick: obviously it’s me?
Tim: it’s dick
Damian: I am superior robin, it will be me.
Bruce: it’s Jason
Everyone: WHAT?!?!???
Bruce: why are you so surprised? He didn’t jump on too my chandeliers which I had to replace each week
*everyone looks at dick*
Bruce: he didn’t drop out of school
*everyone looks at tim*
Bruce: I didn’t have to stop him from killing everyone who annoyed him
*everyone looks at Damian*
Bruce: in fact, he enjoyed school and handed all his homework in on time, we would spend hours in the library reading his favourite classics. He even helped Alfred with most of the cooking, He was my little boy
Jason: stop spreading lies, I hate you go away
Bruce: my precious little boy
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One thing I’ve noticed about people in or entering their 30s is they don’t make as many compromises anymore. If someone doesn’t meet them halfway, is not up to standard, is just not where they’re needed to be, they’re just like “ok cool” and they move on from the person. Which is not to say they’re less empathetic or understanding, but more that they have learned that time is their most prized possession and they’re not willing to make massive compromises on it. They are not obsessed w the idea of fixing someone (bc the concept of fixing a person doesn’t really exist). They simply move on to someone who is up to par. I want that. I want to always move w the awareness that time is my most priceless belonging and I can never buy it back. Ever. So I have to use it wisely
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cursed construction core hi vis bra that came to me in a dream
In the dream I saw it in the window display of a hardware/DIY/trade shop, implying it was meant to be a practical garment designed for actual female constructions workers in a Female Armour level missed-the-brief attempt at gender inclusion
The practical support from the visible underwire combined with the hi vis implying it’s not meant to be worn as an undergarment, I just-
I blame my binge-reading ND Stevenson’s gender comics talking abt masculinity and femininity incl the one abt Victoria’s Secret lingerie yesterday for this monstrosity x’D
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