Did... Didn't I ever post this one??

Prompt 271

“Grandmother is visiting,” Damian suddenly said with no warning and with his usual not-quite demanding tone. 

“Who?” Tim wasn’t the only one to startle, seeing as Bruce had practically froze, a downturn to his lips in a silent show of confusion. 

Damian scowled. “Are you deaf Drake? Grandmother is coming to Gotham to, quote, make sure I am being properly cared for.” None of them had known that Ras was with anyone actually. At least Tim was pretty sure that would have been in the files. 

“Oh?” Dick didn’t quite crouch to Damian’s height but it was a near thing. “She-” “He,” Damian corrected, interrupting him. They all exchanged a glance before Dick continued. 

“Is he coming to the Manor or…” 

Damian scoffed again, a tiny bit of a flush against his face. “No, Grandmother will most likely be staying with Akhi-”

Now wait one moment-

“YOU HAVE ANOTHER BROTHER?!” 

Now that Ghibli's new movie is coming out soon, I've been thinking about anime films and wanna talk about my favorite animated movie ever, Tokyo Godfathers.

TG is a 2003 tragicomedy by Satoshi Kon, following three unhoused people––an alcoholic, a runaway girl, an a trans woman––who find a baby in a dumpster and set off across Tokyo to reunite her with her parents.

If you like the sound of that, go watch it because the rest of this post is spoilers and I have FEELINGS about this movie.

URGHH, the fact that only two moments of true kindness, generosity, and care given to the three protagonists without any expectation of reciprocity are given by a Latin-American immigrant couple and a drag show club full of trans women. The fact that, despite her loud and dramatic personality, Hana is the glue that holds the team together and the heart of the whole movie. The fact that this movie pulls no punches at showing the violence and inhumanity committed by "civilized Japanese society" against the unhoused. The fact that Miyuki craves to be loved by her parents and ends up seeing Hana as her true mother. The fact that Miyuki starts off accidentally using transphobic language against Hana, but slowly begins calling her "Miss Hana" out of respect. The fact that, according to Kon, Hana's role in the story is as a mythological trickster god and "disturb the morality and order of society, but also play a role in revitalizing culture." The fact that Hana so desperately wants to be part of a true family, yet is willing to sacrifice her found family so they can be with their own, and is rewarded for her good deeds in the end by becoming a godmother. The fact that, throughout the movie, wind and light have been used to signify the presence of god's hand/influence (this movie's about nondenominational faith––faith in yourself, faith in others, faith in a higher power. Lots of religious are referenced, such as Buddhism/Hinduism, Christianity, and Shintoism), and in the climax of the film, as Hana jumps off a building to save a baby that isn't hers, a gust of wind and a shower of light save her from death. The fact that god saves a trans woman's life because she proved herself a mother, and that shit makes me CRY.

i love liking video games that are difficult to play assuring that i will never actually play it. i love making my siblings play it for me

Ouhhhh friendship I love friendship……..

pls i need to provide updates

I watched Lily Simpson's analysis of the trans Two-And-A-Half Men episode, and I'm sorry, but it's hilarious and iconic that Bill's old name was Jill... like it sounds so absurd and completely unrealistic if you're trans, but honestly, that's just a power move 😭

Now that I finally got to play TWST diasomnia chapter 1 myself, I'm gonna need everyone who said Malleus was a baby throwing a tantrum for no reason to pay me 2000 dollars each

'live up to your name' au where og knight of blood and iron javier gets "killed" in the middle of the plot but instead of dying he's transported to modern south korea, waking up in a random alleyway with no injuries whatsoever. and because he's a protagonist no matter what universe he is in, despite being deeply disoriented and confused when he sees a group of thugs harassing a guy he steps in and chases them off with no problem and barely any mention of cutting off limbs. and then after making sure the guy is okay he very sheepishly asks him if he could please help him because he was lost and had no idea of where he was or how he got there

and kim suho who just saw a gorgeous but obviously foreign stranger in awesome cosplay chase off his would be muggers with what looked like a real ass sword and is currently high and smitten in "oh thank god i didn't get my week's work salary stolen" endorphins and is about to have the weirdest week of his life innocently says "yes of course"

I don't like DDLC'S MC very much on a very petty level but I still wish there was more fic or meta speculation about him. I'm not interested in him as a character, though, because he's barely a character. Literally by the game's standards, he has no inherent "character file." He is the SCRIPT, if anything. All of his thoughts and actions occur within the little text bubble at the bottom of the screen, and so do the characters'. He barely appears in CGs, has no body sprite, and it is through his observations and his thoughts and his call to make choices that the game progresses.

I think that specific trait of MC is fascinating, especially given how deep reaching Monika's manipulation is. During Act 1 he is active, he is talkative, he has a definitive (and yet inconsistent, based on which girl(s) you're speaking to) personality. He has thoughts about just about everything going on. And yet in Act 2 he is reduced to dust. He stops having any kind of commentary and he almost never remarks upon the horrible occurrences around him unless prompted or unless it is something that could plausibly happen in the realm of reality, like Yuri abandoning him for 10 minutes and Natsuki collapsing on him. But even then he's still significantly muted. Yuri and Natsuki have a horrible fight and the only kind of response he tries to throw out is co-opted by Monika. He witness Yuri declare her love for him and talk about how she would love to pull his skin open and crawl inside of him and the only thing he has to say is "yes" or "no" when she asks if he likes her back. And then he physically cannot move or speak or react because the world is so far gone that Yuri's death has damaged him, the script, so much that all he hears is gibberish coming from her lifeless mouth.

And like... that's neat to me. I like that by the end of Act 2 the script is so off the rails and so far gone from reality that MC can no longer really function as a person, because the script is barely functioning. He stops reacting to anything happening around him and most of the conversations he has are just the girls talking at him. Monika has to literally rewrite the script and force Yuri and Natsuki to say things to further her agenda or keep the scene rolling. MC had a clear and very human response to Sayori's death because it was a plausible but horrible (and not forced) event that could happen naturally. Yuri's death was so jarring and away from the scope of the natural order of his world that MC (and Yuri, by extension) can only sit frozen and broken until Natsuki and Monika show up to force new progress.

Like Monika's effect on the girls has been talked to death and it is an interesting topic but I also think what she unintentionally did to the POV character of the game is also something neat. It really adds to the feeling of the world in DDLC being hollow. The MC is a half-character who can only react in incredibly predictable ways, and when the world stops being predictable, he stops being anything more than a walking camera for Monika to speak into.

I’m the anon from the post before and I understand what you mean! I guess I just took differently when I watched the show. I don’t think Charlie or Nick was upset about Ben being closeted I think they (especially Charlie) we’re just upset how Ben treated Charlie the entire. Also I’m not saying this to be rude or start anything this is just how I saw it:) I think Charlie was angry (as he should) about how Ben treated him through out the relationship they had and not about him being closeted. Because I do believe if Ben just communicated better and treated him better and didn’t treat Charlie the way he did it could’ve worked out. I’m just saying that I didn’t see them bashing Ben for being closeted only bashing him for treating Charlie the way he did without acknowledging how it felt for him.

Yeah I don't think Charlie or Nick is mad about Ben being closeted but weirdly I think the narrative is and that's what irks me. All his issues and bad behaviors are because he's closeted (you said yourself that it's because he's closeted that he treats Charlie the way he does) but the story doesn't seem interested in exploring that so much as punishing him for it by having both Imogen and Charlie yell at him and then throwing him out of the series before he can improve at all.

And when this show is so renowned for it's love and celebration of queer experiences and identity it will always feel out of place that Ben was left out in the dust seemingly because he and his experiences were too complex.

not to be dramatic but if that is actually short hair edmond i'm going to kill myself

i finally finished bg3

and it only took me [looks at steam]

SIX HUNDRED HOURS

every day when i wake up i say to myself “dykeyuu you are not purchasing any sanrio merchandise today” but then i find the deal of the century……..

so uh. that 2.2 Special Program, huh

talking to able bodied people about being disabled is exhausting lol