insane over fit's last three streams and how far in denial he still is despite being told by multiple people with varying amounts of proof that tubbo is Dead and not dead .
he watches tubbo Die and people tell him tubbo is Dead but he can't be because it's tubbo and he's just being dramatic he always does things like this . him and richarlyson were just messing around - they do that all of the time
the next day he doesn't see anyone thats not an egg really . a couple of people for like five minutes at a time, but it's really just him and ramon and then dapper which is unusual but it happens . tubbo should be awake by now . dapper tells him tubbo is Dead and he can't be . it doesn't matter that he hasn't seen tubbo since he died because tubbo will come back
sunny is awake without tubbo and tells fit that tubbo is Dead and she wants to bring him cakes like ma lenay . that some creature thing called creation is here to protect sunny because tubbo is Dead and that she needs someone to hang out with/feed her and fit & ramon can do that ! but tubbo is not Dead because the islanders don't Die here for real (ignore dan and maxo and spreen . they were special cases . the islanders don't Die .) . in the letter he writes, he doesn't believe tubbo is Dead . he might have died, but he will come back because sunny misses him (the heavily implied he does too, but if he writes that then it's real)
phil is the first not child fit really gets to talk to after what happens and he tells him that tubbo is Dead but that he can come back and of course he can ? all they need to do is get this computer thing and his purpose data which makes no sense but it's tubbo and he doesn't always do things that make sense and honestly it wouldn't be the strangest thing tubbo has done to gate his respawn behind an item quest . hell, theres a small chance he has part of what he needs by complete coincidence
116 notes
·
View notes
Hey batman/batfam people, I wanted to talk about something. I know this might not be received well, but...this is my blog. So if you disagree with me, feel free to block me! Literally that's what's great about this site. (I've been trying to do so on my end, but I thought I'd reach out a bit.....idk maybe try to form some understanding?)
I have been a batman fan since like...age 13 or something. Batman as a character means so fucking much to me, as does all his kids and massive extended family. (can't forget Alfred, Kate, Lucius, and Jeff Gordon!!) And I know that they mean a lot to you guys too.
In comic book and fandom spaces we talk a lot about misrepresentation of characters in fandom, but even in "canon" or rather published/produced content. I have beef with a lot of live action adaptions of Batman for example.
The thing with comic book characters, even more than some fandoms/pieces of media, is that there is SO MUCH content out there, that two people can say they like this one character but those two versions might be in total contradiction. But does that make one right over the other? does that make one superior?
Now, I hate Ben Affleck's Batman. And to fans of his, I'd say, you want the punisher, not Batman, because to me, that goes against who Batman is fundamentally. I read the comics, watch a lot of the animated stuff, and formed my own opinion and version of Batman. However, and this seems to be a controversial take, i really enjoy Wayne Family Adventures.
I see a lot of hate on here for WFA (and on tiktok but they're another beast), which, it's not for everyone, that's okay! Not everyone has to like what I like. But what I don't agree with, is that people who like WFA are seen as "not true batman fans", "they haven't ever read a comic". "they only like the flat fanon versions of the characters", etc.
These comments I would like to rebut- some comic readers such as myself might enjoy WFA. There might be people that have never read a comic or even watched anything batman related but like WFA. Are they not valid to enjoy that and have their own fandom for that? Are they not allowed to be fans of Batman?
I also would ask, how much of WFA did you actually read? In it's nature, it's suppose to be the bat family on their time off, or more light stories, but it actually addresses things like Jason's trauma, Duke moving in to the Manor, Damian struggling to fit in at school, things like that. Now if you read pretty far and still didn't like the portrayal of the characters, that's fine, I'm not asking you to change your opinion, however I am asking you to make space for those who do enjoy it, or that WFA is their first introduction or only experience with the Batman and co.
WFA isn't perfect, but it holds a special place in my heart, and gives me more content for Not Perfect but Trying and Cares Dad Bruce Wayne which I am grateful for. And tbh I feel like it just shows other sides to the characters we don't see that often!
And again, obvi people have their opinions, I guess I'm just asking for us to be more aware and create a space where people can feel free and excited to talk about these characters that we all love. I enjoy content and discussions I see in the tags and different blogs but then I see the hate for WFA fans and it just puts a real damper on otherwise really good content.
Anyways, thanks for reading!
22 notes
·
View notes
i'm about to get mauled ALIVE for saying this but here goes:
i think m'leven's relationship should be based on a mutually requited crush. both the implications it would have on their personal development as characters and the message it would send to the audience would be substantially more impactful, healthy, and progressive than if they only dated out of obligation. in fact, the thematic message of their relationship SIMPLY DOESN'T MAKE SENSE without a foundation of genuine romantic attraction.
still with me??? okay, good.
when shows deal with romance they tend to fall into the categories of either having pretty much every character shipped with every other character at some point, or of having the endgame ships be the most obviously pushed from the start. byler has definitely been built up from the start, but the majority of the show's audience didn't consider it as an option for canon until s4, when they started making it blatant. hell, a lot of people didn't even realize WILL was queer until s3 (again, when the show started to place heavy emphasis on it), and even then a lot of people thought he might be ace rather than gay.
mike and el, on the other hand, were practically the show's flagship couple for the first 2 seasons at least. it wasn't until s3 that their popularity started to dip and their relationship began to receive a lot more criticism. which makes sense, considering they hadn't actually been IN said relationship in the previous seasons. they had a couple of romantic interactions, sure, but we didn't see how they would interact *as a couple*. people obviously couldn't predict how their dynamic would actually pan out!!! that isn't to say that the negative aspects of their relationship were a bait-and switch, though: red flags were visible since at least s2, but they were far from being the focal point and a lot of shippers interpreted them as being cute (like el's jealousy over max).
having a show acknowledge the fact that the first person you get a crush on (because correct me if i'm wrong, but i'm pretty sure they're canonically each other's first crush???) isn't necessarily your ~soulmate~ is a great thing. even better when they go a step further, and play with the concept!!! the text of stranger things doesn't actually push m'leven as a paragon of romantic love. if you listen to what the other characters say about their (romantic) relationship, their opinions are entirely neutral/negative???
lucas teases mike about his crush in s1, but calls him hopeless in s3. hopper is out of line with how agressively he acts about their relationship, but the resolution of that character arc for him is about him acknowledging that he's been overbearing and accepting that he needs to let el grow up, and NOT some hammy realization that "what they have is true love, i was wrong to interfere!!!" max thinks their clinginess is sweet at first in s3, but she isn't very close with either of them. once she and el start to bond AND SHE LEARNS THAT EL HAS NO EXPERIENCE WITH ROMANTIC ATTRACTION OUTSIDE OF MIKE she encourages el to assert her own self-worth and dump him. [which... actually mirrors the progression of opinions in a lot of audience members??? 🤔🤔]
and those are just a few examples!!! i won't go on an exhaustive list, because honestly we'd be here all day.
furthermore, m'leven's steady downward trajectory is not the only instance of the show basically dunking on the trite expectation that a character's first love interest is automatically their happily-ever-after, AND the recurring motif that any relationships a character explores before their endgame ship are wrong because the alternate love interest is Bad.
dustin has his first crush (onscreen, anyway) on max in s2, but ends the season happy despite his sadness over rejection and later gets together with a girl who's basically his perfect match. in s3, robin confides to steve about how she was so far gone for tammy that she would cry into her pillow. in s4 she's able to laugh over just how bad her singing is without denying it, and is tentatively flirting with vickie. joyce was genuinely really happy with bob, but after having time to heal from the tragedy of what happened to him she's ready to move on with hopper.
again, not an exhaustive list. why??? because outside of m'leven, the only relationships where the characters ARE each other's first love interest are: lumax, whose entire arc together is about growing up as a couple (you know, the exact arc m'leven shippers pin on mike and el, as if it would make sense for 2 couples to have the same format and message...); stancy, which is only one prong of Love Triangle Hell and the controversy around it speaks for itself; and TED AND KAREN. WHO ARE POINTED OUT EXPLICITLY BY THE TEXT OF THE SHOW IN S1 NO LESS, TO BE AN EXAMPLE OF A WORST TIMELINE FUTURE THAT CHARACTERS DO NOT WANT TO REPEAT.
but if you're reading this, you already know all of that.
the point i'm trying to make is that stranger things shows a consistent palette of themes across all the relationships it portrays. i've obviously been going over the romantic ones, but this applies at least as much to the plationic bonds as well. those themes are of GROWING AND MATURING, of SHIFTING DYNAMICS, and of BECOMING SECURE IN YOUR PERSONAL INDEPENDENCE.
i'm sorry but to present a pair of characters with apparent mutual feelings; to elaborate on how dysfunctional their relationship is; and to ultimately reveal to the audience that actually they were both just confused, they never had feelings for one another in the first place and that's why their relationship didn't work out; sends an extremely mediocre message, to put it nicely. all the characters learn from that lived experience is "don't date people you don't have feelings for, and if you were unsure about how real those feelings were... get good???" meanwhile, all the audience learns from that VIEWED experience is "if the relationship doesn't work, it's because the people involved don't like each other enough." if byler goes on to be canon and is immediately much healthier, that only enforces that shitty message. in that situation the only reason THEIR relationship works while mike and el's didn't is that they actually have feelings for one another!!!
from a show which has explored complex arcs and messages with *LITERALLY EVERY OTHER RELATIONSHIP* they touch on, this would be beyond disappointing. particularly as the central message for the arc of 2 of the mainest main characters in the whole show!!!
on the other hand, to present a pair of young characters at the start of the show and flag them as having an obvious mutual crush; to allow them to explore that crush as a serious prospect; to have them realize that their relationship is dysfunctional; and to have them move on as friends; sends???
a great???
fucking???
message???
they both get to progress and move on as more enriched people than they would have been without their time in a relationship, and that is fucking wonderful.
el has a deeper understanding of romantic interactions based on actual lived experience and not just TV shows. she's able to develop into her fledgeling sense of identity more securely with the knowledge that relationships can change, and that's okay. not everything has to be forever.
mike understands how to process and manage his own feelings much better, and is equipped with a firsthand understanding of how a relationship can become emotionally dysfunctional without proper communication, making him ready to enter a new, healthier relationship. he has displayed the same overprotective behaviours towards will as he has to el, but he's begun to learn how to manage them so that he doesn't stifle his partner. after previously failing to communicate his feelings to both el and will in s3 when he fought with them, he's been making a deliberate point of doing so in s4. this didn't work with el when he tried to open up about his own experience with bullying, but it DID work with will when he admitted to his failings in balancing relationships.
are either of them finished in their personal arcs??? no, of course not!!! they're not even fifteen!!! but they have both grown as people, not in spite of their romantic relationship, but BECAUSE of it. you don't change as you grow up, so much as you start to understand yourself better. but self-discovery and subsequent self-acceptance CANNOT come without self-explaration.
it's okay to try things out, and it's okay if they don't end up being right for you.
meanwhile, the broader message about relationships that this imparts on the audience is an extremely important one. one which gets overlooked continually by storytellers in every industry. one which the show itself has brushed on, but not explored in depth.
one which fandom, in particular, likes to ignore.
ATTRACTION ≠ COMPATIBILITY
(...and that's okay!!!)
145 notes
·
View notes
What's your opinion on barn cats/mousers? Are they an acceptable subset of "outdoor cat"?
Certainly barn cats pose the same problem as pets that live in more urban environments. They still hunt birds, spread disease, out-compete native wildlife— all that bad stuff. In an ideal world barn cats wouldn't exist so those things would all stop happening. I don't think harmful, invasive species are in any way "acceptable" and I definitely wouldn't encourage it.
At the same time though I do think sometimes the barn cat solutions proposed on tumblr (hiring ratting terriers among some other ideas) also seem a little... unrealistic. At least given my personal experience with farms and farmers, particularly in places far less populated and more remote than the USA. Asking people to get rid of their barn cats cold-turkey is an approach I think would see more pushback than progress.
Working towards better welfare for barn cats and restricting their impact on the environment through education, low cost spay/neuter/vaccine programs and limiting cats' range to the barn buildings only seem like more attainable goals right now. Barn cats are not good for the environment or the cat, but I think we need to take a more gradual approach to the issue than a rip-off-the-bandaid solution in order to make progress. As animal welfare laws continue to develop and indoor cats become the norm in urban areas I think that will also encourage the transition from rural outdoor cats to indoor ones as well.
45 notes
·
View notes
Feeling very violent rn so here's a very controversial opinion:
Everything after season one of Young Justice sucked.
Look, I know I'm obsessed with the show but that doesn't mean it's good, it means that I'm too deep into it at this point to get out. There are good moments within the other seasons but in general? They were not good.
I'm sorry. I understand that they wanted to be creative and have a neat narrative and deep lore and all that. And they do! The narrative and lore is extremely deep.
But the plot? The characters??
Season one was an actual functional show that balanced character development, plot and dialogue with world building, lore and messaging.
The other seasons do not do that.
Season two bounced back and forth between like 16 characters. We got some development for some characters but even that was minimal compared to the character development in S1. And this isn't me complaining that the og group wasn't in S2 enough. That's not my issue. I would've loved to focus on a new group and I think that Jaime, Bart, Ed and Gar would've been super cool to focus on. I loved what character development they did have and I craved more.
But the problem? The problem is when you have 16 fucking characters that you are trying to develop and shove into a coherent plot and have actual meaningful scenes. There just wasn't enough focus on S2. Imo, S2 was meh because the characters got left by the wayside. The plot, dialogue, world building, lore and messaging was fine, there just seemed to be a lack of heart/warmth in the show because of the characters. It's hard to get invested.
Then holy shit. S3 introduced more characters. And the plot got more contrived and 'big picture' to the point that it started to abstract. It felt like nothing mattered. There were no stakes, you were just watching things happen. There was 50 fucking things happening an episode and 80% of it was lore/world building. It felt like I was studying for a fictional history exam.
I'm pretty sure the main character in S3 was earth 16. Just the entire universe. Because goddamn. We checked in on almost every living being and EVERYTHING was a plot point. Most of it wasn't even relevant to anything happening in the season. Man it was.... it was bad.
And at that point it just wasn't enjoyable at all to watch. I probably should've stopped watching but at that point the sunk cost fallacy had already kicked in. I knew it could be good. Maybe it could be good again. And people were constantly praising it as cinematic genius so I was like 'okay well maybe I'm missing the point? Maybe you aren't supposed to enjoy shows? Maybe this is fine?'
But season four broke me.
The creators heard that people were frustrated by the lack of character focus and the episodes following 72 characters and the episodes switching between 50 different subplots every episode and their solution? Their solution was to take allllllll the different unconnected plots and, instead of evenly spreading them throughout the season, jam them all into 'arcs'. So you had a bunch of mini seasons consisting of 3-5 episodes dedicated to a cast of ~5-8 characters (some of them new). And each of these episodes had unconnected a plots, b plots and c plots.
THAT IS NOT A SOLUTION
Holy shit that is not a solution.
Not to mention the overarching plot of the season, in which we had no fucking clue what was happening until the final episodes where everything became a speedrun to wrap everything up. We literally had no idea what the main plot was until it was ending.
Good god it was bad. It's bad writing!
I know people liked it and good for them. You should like what you like and you don't have to justify it. But for me it was insanity. I'm sorry I actually don't want a season long subplot where Beast Boy is depressed and sleeps all day. I would be cool with it if it had anything to do with the larger story but, surprisingly, spending five minutes watching Beast Boy sleep every episode didn't make for compelling storytelling.
I'm still not over how we didn't even know who the main villain was until the end of the season. And then all of a sudden he does a villain monologue to tell everyone his evil plan and his motives. Super cool actually. I love it when I have no idea what the stakes are for the majority of a show. It's incredibly good storytelling when you leave the audience in the dark about a major player in the plot for all of the plot. And then doing an info dump evil monologue in the final episodes to rush through the explanation??? Fucking fantastic and not a sign of terrible pacing at all.
I'm just so frustrated. The show isn't about being a show anymore. The show is an entire cinematic universe shoved into 20 something episodes. It's desperate to tell every single story at once, audience, pacing and good writing be damned.
I'm so tired of the constant praising of Greg. His whole 'i don't write endings because life doesn't have endings' and 'i don't write cliffhangers, I just leave things open ended' thing is pretentious bullshit. I'm tired of pretending it's not. A good story has an ending. Stories are not life! Some of the best shows I've ever watched had planned endings. And oh my god. The cliffhanger thing... that's just semantics my guy. Greg you write cliffhangers. You can insist they aren't but I'm going to call a spade a spade.
It's also.... I'm fine with explaining things, in fact I love it because it's an excuse to talk about the stuff I love, and I have a fairly decent knowledge of comic book lore. So, I could not only understand what was happening in the show but I was also super enthusiastic about explaining it to people. But hey Greg? Hey buddy? If 90% of your audience doesn't know what the fuck is going on and needs to be familiar with super specific obscure comic characters from the 70's then you might have a problem.
I think I realized halfway through s4 that the most enjoyment I got from an episode was when an obscure comic character would cameo in it. But then I realized that a) they generally weren't explained at all and b) 50% of the time they weren't just hanging out in the background and they were vital to the plot. So to understand who the fuck they were and what the fuck was happening you had to be familiar with... well all of DC comics actually.
Anyway this rant is getting long and unhinged and I don't think there's a point so I'm going to cut myself off even though I have so much more to say on the topic. I think my general point is just that I didn't enjoy watching the later seasons and it's chill if you did and we should all respect each other's opinions ✌️
191 notes
·
View notes