📚 April and May Reading Round-Up 📚
I wasn’t able to post my April round-up, so have both April and May together! I am glad that I was able to read more books for both of these months than in March.
I started a few new series (Tiffany Aching, Maisie Dobbs, the Craft Sequence), and continued a few other series (the Memoirs of Lady Trent, October Daye).
In April, I read:
- The Tropic of Serpents by Marie Brennan (very good, enjoyable and compelling, liked it even better than the second book, great relationships and character growth, liked the way motherhood and grief were tackled, touched on themes such as colonialism and research ethics)
- How Not to Marry a Prince by Megan Derr (cute, fun, somewhat heart-wrenching but with a lovely ending, liked the themes surrounding class and privilege)
- Maisie Dobbs by Jacqueline Winspear (good, interesting, liked how it tackled healing and war and trauma, definitely cried at the end)
- Derring-Do for Beginners by Victoria Goddard (read it in one sitting, very relatable protagonists, loved the worldbuilding and the themes, happy to see younger versions of favourite characters, much growth and introspection, some of the emotional fulfillment will have to wait for the next book)
- I’m Glad My Mom Died by Jennette McCurdy (listened to the audiobook read by the author, compelling, kind of horrifying and depressing, very funny, great prose, banger chapter endings)
In May, I read:
- Half a King by Joe Abercrombie (read it in one sitting, bittersweet, good, interesting worldbuilding and politics, great character relationships and interesting character growth)
- Birds of a Feather by Jacqueline Winspear (good, enjoyed it more than the first book, engaging, bittersweet ending, liked the themes)
- A Local Habitation by Seanan McGuire (very good, read it in one sitting, a bit less depressing than the first one, sad but with a hopeful ending, good character growth)
- Clary Sage by Victoria Goddard (amazing!!! delightful read, loved all of the characters, so very heartwarming, Hal my beloved)
- Three Parts Dead by Max Gladstone (read it in one sitting, loved the MC’s motivations and character growth, interesting magic system, loved the themes at the heart of the book, commentary on justice and policing and belief, taking on the patriarchy)
- Le Comte de Monte-Cristo, Vol. 1 by Alexandre Dumas (good, very political, very grounded in the societal issues and references of the time, thoughts on morality and justice and the prison system, poor Dantes, liked the different perspectives)
- The Wee Free Men by Terry Pratchett (amazing, read it in one sitting, loved the themes and Tiffany’s entire character and character growth, felt very much like the books I used to read as a child in the best sort of way, the frying pan!)
- Pardonable Lies by Jacqueline Winspear (highly enjoyable, compelling from the very beginning, better than the two previous books, much character growth and nuance)
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January Book Reviews: How Not To Marry A Prince by Megan Derr
Picked up another Megan Derr (of The High King's Golden Tongue fame) because this had some tropes I usually favor (political marriage, TAX LAW). Prince Amador has nearly given up hope on making a political match-- the only way for him to escape the man who abused him as a child. But perhaps this time, he can manage to convince someone to marry him and do some matchmaking and meddling at the same time.
Like the other Megan Derr I read, this is still fairly bad. Even for a short, novella-length book, the only way it manages to maintain romantic tension is through the main character being incredibly dense-- AND people incessantly walking in and cutting off important conversations. I think overall this was slightly less up my alley than the other book I read, so I had less patience for some of the shortcomings. Still, I am a big fan of people solving problems through the power of TAX LAW, even slightly implausibly. In fact, I would have liked more solving problems using tax law.
Like Baru Cormorant, but the exact opposite. Fluffy extremely short MLM romance with taxes. I think these books are enjoyable if you like the premise, but less so if not.
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wait I have got to hear your thoughts on bruce being lottie!!
Rewatching Princess and The Frog has got me in a chokehold! But basically, the AU as of now;
It's a well established, well know, well respected fact from the White House to the Bayou; If you ain't Wayne rich, you ain't rich at all.
But you won't catch Thomas Wayne bragging and boosting and yapping about hot cars, or big mansions, or pearly white yachts.
Thomas' pride and joy is one tiny, fawn eyed, overly energetic boy that made Gotham collectively swoon.
"And I want a princess when I grows up!" Bruce is just prancing around in his pink prince costume, adjusting a paper crown that Alfred made, " Or a prince! Can you get me a prince, papa?"
"You know the deal, Bruce; You wish it, daddy grands it; Ain't that right, Martha?"
Martha Kent chuckles in that warm, knowing way of hers. Her friend is infamous for the way he spoils his boy. But the Waynes are good people. And not just because they keep her farm afloat.
"Yeah, you're good on that front. But you know, sweetheart; It doesn't matter if you marry a prince or princess. As long as they make you smile, that's all that matters."
Lois, just a bit older than Bruce, makes a disgusted noise, " I don't want no prince or princess. I just want Princess money."
Bruce squeals, " But a PRINCE. I'd love to marry a Prince. We'd have a big big wedding and the sweetest cake in the world, and everyone would have fun, -- Clark! You gonna be at my wedding, right?"
Clark, dressed up in his blue overalls and paper sword, to fit the knight Bruce always calls him, nods, with a smile that doesn't match his words, " Course I will, Bruce. If you'll have me."
Now. Bruce is so very good at forging fantasies. But when a princess from a far away island rumoured to be populated entirely by women comes into town, it doesn't look like make believe at all.
"Women only? Lucky."
Lois doesn't have the time for dreams; She's a bonafide, concise, straight to the point realist. Taking truth by the throat and brings it to light.
And often enough, truth isn't pretty. And ugly truth, as Parry said, right before booting her right out of her job, doesn't sell.
Luckily, Clark's folks were nice enough to give her a delivery job cause Clark can't drive worth a damn. Still. If she's gonna watch him contain another dreamy sigh for Bruce, she'll blow chunks.
"Did you see her in them papers?! That's the prettiest woman I ever did see!"
Mr. Wayne growls behind his newspaper (that Lois could've written better than fucking JIMMY) and Bruce doubles down, " Um. After mama."
Mr Thomas smiles. "Hm. Guess you're finally getting that princess, huh, Brucie?"
Even in adulthood, Bruce squeals like a strangled kitten, " Where's Clark? Can't have the perfect wedding without the perfect best man!" Lois bites her lip and stacks up the peaches in Mrs. Wayne's Cafe.
After all these years, she just refuses to let that old place go. Lois has to respect that. Martha gives her a sympathetic look, warms her up with a mother's love. " How's work, Lo?"
"It's work, Mrs. Wayne. Thank you for that big order for the masquerade ball. At this point, you're the only ones keeping that farm alive..."
"Give those apples some credit," she winks, but squeezes Lois' hand, " If you ever need anything..."
"Thank you. But I don't take handouts."
"Pride won't buy you food, honey. But I guess I gotta wait for you to open your own newspaper. Then I'll make you rich. You'll see."
Bruce is just hugging and squeezing on Clark's arm, ranting a mile a minute about his wedding colors, his cake flavor, the honeymoon, all while nuzzling Clark's toned arm.
And Clark does what he does best; Hide behind a smile.
Alfred sighs, " If he wasn't mine, I'd whack that boy's head with a pan."
"You'll do no such thing, or so help me!"
"Save it for the after party, Tommy dear," Martha chuckles, " But I gotta understand, -- this Diana lady's making waves. I never even seen a woman talk to the mayor before. Let alone yell at 'Im."
"That's cause Tommy Elliot only wants women under his desk," A roll of the eye, a coil of disgust fanning resentment In her gut, Lois takes the box. "Sides, little miss princess probably ain't better than he is. "
The problem with always looking back is you're never ready for the forward.
When Lois bumps up in something tall, solid, and warm, she thinks its Clark. Except neither she or Clark smell like vanilla ice cream and clean air and blue oceans.
Clark certainly doesn't have long, majestic hair gracefully dancing in the winds. He doesn't have blood red lips, or strong blue eyes.
Clark's eyes were summer sky blue. Not a blue Medusa herself couldn't stone.
And he certainly doesn't make her heart stop with a smirk.
"Well," Diana Fucking Prince says, voice satin and velvet, "I don't know about being a better. But I could change your mind about that."
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arthur/eithne: "why are you talking like we'll never see each other again?"
Eithne took a deep breath before speaking again.
"That's not what I meant to imply," Eithne answered slowly. "I just..." she paused. She'd had this conversation again and again over the past weeks but she had known with him it would be different-- with him her heart would hurt in a different way than it had when she'd seen the despair on her sisters' faces.
"You will always be welcome, of course, at Malconaire. My husband-to-be and I would be honored to host you and your family as our first guests after our wedding."
"Your husband-to-be?"
"I'm marrying Cassimir."
Arthur was rendered speechless and Eithne was ashamed at her next action: she fled into the garden, unable to stand the silence. He was following her within seconds.
"Why? What does he have over you to convince you to do such a thing?" Arthur demanded, grabbing Eithne's arm to stop her as she made a beeline for the chicken pen. Eithne whipped around to face him.
"Nothing. This is my own decision," Eithne answered sternly. Arthur seemed unconvinced.
"I won't let this happen. He doesn't deserve you."
"There are reasons I just cannot explain. You have to believe me-- I am doing what is best for myself. My family. My home."
"So he does hold something over you!"
"No, you're not listening--"
"I'll challenge him. For your honor," Arthur proclaimed. Eithne wrenched her arm out of his grasp.
"You will do no such thing!"
"You cannot tell me what I will and will not do-- I am your prince!" Arthur snapped suddenly, almost without thought. The words hung in the air between them and you could see the regret on his face as he realized what he had said. Something ended in that moment-- they'd been balancing on a precarious edge for months now and with that one sentence, they'd slipped into the abyss below.
"Eithne..."
"My most sincere apologies, Your Imperial Highness," Eithne answered, taking a few steps backwards from Arthur. She looked up and met his eyes-- he was silently pleading with her but she knew this was how it had to be.
"I am due to be in the village this afternoon," Eithne continued, trying to keep her voice even. "My step mother and step sister should be home by now-- I am sure they will be more than happy to receive you for tea should you wish to have some refreshments before your trip home."
"Eithne, please," Arthur was walking towards her, arm outstretched. She shook her head and he stopped. "Eithne..."
"Good afternoon, Your Imperial Highness," Eithne sank into a deep curtsey before turning and fleeing through the garden gate before he could see the emotion flooding her face.
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Here’s the thing I need people to understand:
Even if we believe that the (entirely unproven and far too politically convenient) pre-contract story between Edward IV and Eleanor Talbot was true, it doesn’t actually matter. Even if it was hypothetically true, there was still no reason why Edward V – who was already King at that point and was referred to as such – couldn’t have been able to succeed his father regardless.
David Horspool (Richard's own historian) summarizes it better than I could, so I’m just quoting him here:
"[Richard also made] no allowance for any potential solution to the problem that might have re-legitimized Edward V and his siblings. These included securing a retrospective canonical or papal judgement of the invalidity of the pre-contract; an Act of Parliament legitimizing the children of Edward and Elizabeth Woodville’s marriage, as happened to Henry VIII’s variously tainted offspring; or even ignoring the issue and proceeding to the coronation of Edward V, which would legitimize him by making him the Lord’s anointed, and render allegations of his bastardy as newer versions of the old tittle-tattle about his father."
In short, even if Edward IV truly had a pre-contract with Eleanor Talbot, and even if all of his children with Elizabeth Woodville were supposedly illegitimate, it should by no means prevent Edward V from succeeding his father to the throne. If Richard truly wanted to support his nephew, he had a variety of useful and entirely workeable options to choose from. Instead, he officially declared his nieces and nephews (including a literal 3-year-old) illegitimate, kept Edward V and his even younger brother confined in the Tower of London, and declared himself King.
Why didn't Richard take these actions, all of which he would have been well aware of? As Horspool says simply: "that Richard took none of these courses was because he had no interest in doing so."
The ONLY conclusion we can come to based on Richard's actions is summarized most succinctly by A.J Pollard:
"The truth of the matter is that Richard III did not want Edward V to be legitimate because he did not want him to be king."
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