hawke and loghain have a weird homoerotic tension

Boyfriends

joe alwyn following nick galitzine on twitter is the single most important fact about my life

we'll do fine.

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".

The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.

He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.

So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.

Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.

It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.

How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.

im annoyed and a little pedantic so can i just say as a blanket statement

queerbaiting is when the promotion for a FICTIONAL STORY intentionally hints towards two characters having a romantic relationship, without any intention to follow through in the show, in order to get queer people watching without discouraging the homophobic enjoyers of the show

queerbaiting is NOT:

a celebrity who you think is queer because theyre gnc or they have a 'vibe'. that is a real person and they cannot queerbait

two friends of the same gender pretending to flirt with each other for fun. those are real people and they cannot queerbait

a show with two characters of the same gender who are canonically friends that YOU PERSONALLY think would be better in a relationship. that's not bating, that's shipping, and subject to opinion

there are more but those are the main examples of people misunderstanding what queerbaiting is and being mad at something that isn't actually a problem

going insane thinking about the harrow and palamedes friendship. harrow, who has never met another necromancer her age forming a bizarro 3D chess rivalry while pal worries about her safety at every possible turn. harrow, who is up to her eyebrows in paranoia and secrecy, trusting the sixth house with gideon unconscious and hurt, letting them into the ninth house quarters unsupervised. if “i cannot conceive of a universe without you in it” is goth for i love you, “death first to vultures and scavengers” has got to be goth for i love you (platonic). pal’s first reaction when harrow comes into his bubble in the river is to scoop her up in a hug, and at this point she doesn’t remember anything about him because cutting out all her memories of gideon is impossible without cutting out memories of the sixth, but she still makes him a skelehand to inhabit anyway. when harrow’s memories are finally whole, she tells dulcinea she couldn’t face pal knowing that his pen pal girlfriend died on her account, but the next time she “faces” him, palamades’s soul is in someone else’s body and harrow’s body is full of nona’s soul. he spends six months protecting and caring for harrow’s body (and nona obv), believing in the possibility of bringing her back to it the same way cam believed in him. “god, do you know i miss harrow terribly.” and by the time harrow comes back to her body at the very end of ntn, pal is gone forever, fully pauled. the last time harrow and palamades see each other as their complete selves is in canaan house, alive and unlyctored. two of the smartest and loneliest people in the solar system meet each other in the worst of circumstances and spend the rest of the story dancing around each other as fragments of themselves, trying to care about each other in the interim but never fully meeting like they did the first time. a friendship made almost entirely of missing the other person. “do you know i miss harrow terribly.” god. i need to lie down

i heart these rivals so much. maybe they'll kill each other. maybe they'll kiss. maybe they'll make ou

I think about this moment on a daily basis.

these 2 dragging sniper out of isolation to come hang

Can’t decide what’s funnier- Benoit Blanc meeting his husband during a high stakes murder mystery or Benoit Blanc meeting his husband at like, the grocery store

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

Bonus 8: How met your mother (CSSR design by @qourmet!)

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I had a vision

alex ± always needing to touch henry