What should you learn from your Sun's house? [1-12]
Sun in the 1st house: You have to learn how to work in a team. Individualism and independence are wonderful, but do not forget that you are a part of society and interaction with people is inevitable. You need to learn how to listen and hear those around you. Don't resist working in pairs or in a team, it's okay to ask someone for help.
Sun in the 2nd house: You need to learn not to get hung up on finances, to switch attention from the material aspect of life to the lively emotional aspect. Be generous, share resources (but in moderation). Look deep down, not at the surface.
Sun in the 3rd house: The lesson here is that you do not carry information through yourself lightly, but seriously comprehend it and accept it. You should learn to slow down, slow down your mental processes and be more in the moment. When you are in your head a lot and thoughts are constantly spinning thoughtlessly in your head, you need to learn how to stop it and be in the moment.
Sun in the 4th house: People in this position may have a strong attachment to the family, so strong that it can stop their own development. Maybe it's not just a tie to the family, but specifically to comfort and safety. You need to learn not to be afraid to leave your comfort zone, not to get attached to your family so much that you forget about your own growth. Trust the world, the comfort zone may be wider than it is now, the main thing is to go beyond it and get used to a wider range of new things.
Sun in the 5th house: You need to learn how to express your creativity to other people, inspire them and motivate them. Appreciate not only yourself, but also those around you, whether they are friends or like-minded people. Be generous with the people around you and don't judge people for their personalities.
Sun in the 6th house: It may be important for the Sun in the 6th house to let go of control, to understand that people, just like you, are not perfect and this is normal. You need to learn to relax, not to take responsibility for something that is not your problem. Be more patient with other people, do not condemn their flaws and inconsistency with your standards. It's okay to make mistakes.
Sun in the 7th house: As the owner of this placement too, I realized an important thing for myself. You and I need to learn not to lose ourselves in relationships with other people. Attachment is not bad, but you should not focus on your partner / friend and put them at the center of your life. Learn to be alone, do not be afraid of loneliness, but accept it. Enjoy the time spent alone with yourself when you can take care of yourself or just relax. Find your favorite business, hobby and put yourself and your interests at the center of your life.
Sun in the 8th house: You need to take life changes easier. Rethink the situations in your head less, instead accept and let them go. Don't get hung up on getting revenge on someone, just let them go. Letting go and accepting is the way to harmony within. With them comes ease in life. Forgive other people and yourself.
Sun in the 9th house: In this house, the lesson will be tied to being in the state of a "student", not a "teacher". You should accept that you may not know everything in the world and your opinion may also be wrong and that's okay. Learn to listen more, accept more, absorb more. Do not teach people, do not think that you know how it will be better for another person. This is not your responsibility. People have different opinions, worldviews, and your truth may not be the truth for others. Don't impose your point of view.
Sun in the 10th house: Your lesson is not to give yourself completely to work, but to devote time to family, friends, and your hobbies. Learn to relax, remember about regular quality rest. Remember that you don't have to meet someone's expectations and exhaust yourself in order to be valued and loved. Patience and perseverance, of course, surmount every difficulty, but have you tried a long and high-quality sleep?
Sun in the 11th house: It is necessary for you to learn to be flexible in communicating with people, to be able to share your feelings, and not to close yourself off from them. Accept that it is possible that you will not always do what you want and will not always be as individual as you would like. We live in a society, we are all connected and similar to each other.
Sun in the 12th house: Dear 12-housers, I understand that it can be hard for you to be down to earth, but you need to do it. Do not drown in your mind, get out of your stagnation and ascetism. Take a look at the world, communicate more with people, trust people. Don't miss the chance to have more joyful moments and experiences! Look beyond the usual, look wider.
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Good day Mr Flanagan. please what does "the rest is confetti" mean to you and in the context it was used in hill house??
Okay, here we go. Buckle up for a long read.
To answer this, I've got to explain a little bit about what was happening and where I was when I sat down to write episode 10 of The Haunting of Hill House.
Hill House was not a fun shoot. The picture above is from very early in production, when I was still chubby and happy.
It was my first foray into television. I was absolutely terrified that I'd mess it up. So I'd opted to direct all of the episodes myself, figuring that - if nothing else - I'd have no one else to blame if it went south.
It was the most grueling professional experience of my career. The shoot was by no means a smooth one, every day was an uphill battle from a budgetary perspective, and between the three giant production entities involved with the production, I spent a lot of time fighting over the creative and logistical elements of the series.
I began losing weight. I was smoking two packs of cigarettes a day.
By the end of the shoot, I had dropped almost 40 lbs.
I was very depressed. Every day was a battle, and for the first time in my career, I wasn't excited to go to work in the morning. We were fighting for basic resources, fighting for the show we wanted, and even fighting amongst ourselves by the end. It was grueling.
We hadn't written all of the scripts when we started production. I believe we had finished through episode 7, but the rest of the scripts had to be finished while we were already shooting.
We'd mapped everything out in the writers room, and I had great support on the other episodes, but I was writing the finale solo. I'd thought I'd be able to juggle it with everything else. I quickly fell behind.
I finally got to the script about halfway through production. I'd work on it between takes at the monitor, and then get home to our tiny rental house in Atlanta, where Kate was waiting with our baby son. (One of the rare bright spots of this shoot came when Kate found out she was pregnant about halfway through production. We even named our daughter Theodora, in honor of her origins.)
I'd typically fall down from exhaustion when I got home, but I had to push through it and work on the script. My weekends were spent shotlisting and prepping for upcoming episodes. We didn't have enough time to stay ahead of prep, so every available day was used for that... I went three months without a single day off at one point.
I'd sit up late staring at the script. I was in a dark, dark place. Overwhelmed, exhausted, and feeling like I lived in an eternal present. Each day bled into the next and it didn't feel like there was an end in sight. That feeling of unreality was heightened because we kept returning to the same sets, same locations, and even the same scenes throughout the 100 shooting-day production. Stepping back into the exact room we had shot in days or weeks or even months ago made the whole thing feel absolutely surreal. Making movies is always an non-linear experience, but this one felt particularly so... it was like the days of our lives were happening to us all out of order.
I remember feeling something like despair creeping into my daily experience on the show. And I remember dwelling on that when I got into the scene work of episode 10.
As I worked through the draft, I recall that despair coloring a lot of what was on the page. My filter was breaking down. There's a monologue at the beginning of the episode where Steven's wife Leigh (played by my dear friend Samantha Sloyan) spews out a torrent of eviscerating insults about Steve's value as a writer. That is just me vomiting onto myself. She was voicing all of my deepest insecurities about myself at the time, and of what I was doing with this series.
She says "Is anything real before you write it, Steve? The things you write about, they're real. Those people are real, their feelings are real, their pain is real - but not to you, is it. Not until you chew it up, digest it, and shit it out onto a piece of paper and even then, it's a pale imitation at best."
This was the mindset I was in for a lot of the shoot. The writing became a reflection of a lot of that turmoil, and I knew who I was referring to in that monologue - I was talking about my family. I was talking about how much of their lives I'd used as building material for this show. I was talking about the fact that I'd lost two loved ones to suicide, and seen what it had done to my mother in particular. And I knew I was using - possibly even exploiting - those people for this series.
There's a lot of despair in this episode. The Red Room, as we conceived it, was a place that would feed upon those emotions. Grief, sadness, loss... those were the real ghosts of our series, and where our characters find themselves at the start of the finale. They're being slowly digested - eaten alive - by those feelings.
So finally, it came time to write Nell's final scene with her siblings. I knew from the outline we'd constructed in the writers room what this was supposed to accomplish - she was supposed to be their salvation. She was supposed to take all of these feelings that we'd been wrestling with and finally provide catharsis... finally say something that would free everyone.
I remember sitting with a blinking cursor for a long time. The Crain siblings had just turned and seen Nellie standing by the door, and suddenly were able to hear her speak. But what should she say? What would I say? What would I want someone to say to me?
What she ultimately says lays bare a lot of what I was thinking about when it comes to grief. It exists outside of linear time, much as I felt I existed at the time. That sense of eternal present, that sense of a nonlinear eternity of moments and memories - it all came out in her speech to her brothers and sisters.
I remember feeling, looking at my insane present and looking back at my past, how strangely overwhelmed I was by memories. That I wasn't experiencing time in a straight line, and hadn't been for a while - for the better part of a year, I'd felt more like I was standing in a whirlwind of moments. "Our moments fall around us like..." Nell said, and I recall sitting back and trying to find the words.
"Rain," for certain, but there was something too uniform about that. The moments of life as I experienced them weren't that orderly, they weren't that small. They didn't fall the same way. Some sailed by, fast and unremarkable, while others lingered in front of me, twisting and stretching. So it was a good word, but not the right word. I left it on the page though.
"Snow" was my next attempt. Better, in that I imagined the snow blowing in the wind, swirling and dancing and feeling more organic. More chaotic. More like life. But for some reason, the word that stuck with me, the word I felt Nell Crain would connect with was...
"Confetti."
And that was because I was thinking not of Victoria Pedretti at this point, but of Violet McGraw.
Violet played Young Nell, and I wondered what she might have said if she experienced time this way. As an adult, Nell was despairing. Nell was overwhelmed. But as a child... there was an innocence to the word. There was a joy to the word.
I imagined moments falling around her, this little girl with the big smile and the wide eyes. Her moments would be colorful. They would be of different shapes and sizes, some falling fast and some falling slow, flipping and turning and dancing in the air, independent of the others. Sparkling, whirling, doing lazy summersaults as they sauntered down to Earth.
I thought of myself, and of the members of my family. I thought of those we'd lost. I realized what I hoped for them, and for us all, in the end... was to look upon that mosaic of experience, that avalanche of days and minutes and moments... and to smile with some of the joy we had as children.
And this, I thought, was something that gave me hope. This gave me a glimpse of some kind of salvation for them. This was also how I hoped my life might seem if I was a ghost - a cascade of color and light and shape and movement, something I could dance in.
So Nell smiled and said... "or confetti."
It stuck with me. The rest of her monologue gets heavy again, and gets to the real point of the show - the point of the whole series, if I'm honest - and that's forgiveness.
I figured the only thing that would let the Crain children out of the Red Room was to be forgiven. I thought of the losses in my own family, and I thought of what I wished for my mother and for my aunts and uncles and cousins and I tried to pour that into her final words.
"I loved you completely, and you loved me the same," she said, "that's all." And this was the point I wanted the most to make. That at the end of our life, if we can say this about each other, the rest doesn't matter. The rest is that rainstorm, or that blizzard, that fell around this one central truth, and maybe built itself in piles around it, to the point we lost sight of it along the way.
And I thought again of that little girl, and almost as an afterthought, wrote "The rest is confetti."
I liked the way it sounded, but I was insecure about the line. I almost took it out, in fact. I remember asking Kate to read the scene and talking about that last line with her. "Is it too cute?" I wondered. She was on the fence. "Depends on how it's acted," she said, and I figured she was right. We could always take it out if it didn't work. The scene could end with "I loved you completely, and you loved me the same. That's all."
Why not shoot it and see what happened.
I turned in the script, we published it quickly so that we could start breaking it down and prepping it. And the next morning I was back on set. I'd deal with episode 10 when it came down the pipe again, sometime in the coming months. We had a lot of shooting to get through before I had to worry about it.
I recall Netflix asking me to cut a lot of that monologue, and I remember them also having questions about the "confetti" line. I pointed out that it didn't cost us any extra to shoot it all, it was only words, and fought to keep the script intact.
Ultimately, they insisted I make a series of cuts on the page. I begrudgingly agreed, but left Nell's speech alone. I made superficial cuts around it, throughout the draft, and even considered changing the font size to fool them into thinking it had gotten shorter (I ultimately was told I wouldn't fool anyone and not to risk starting a war). But Nellie's final goodbye stayed intact.
It must be said - Victoria Pedretti SLAUGHTERED this scene.
By the time we got around to filming it, things had never been worse for the production. There was almost nothing left for a lot of us. Tensions were sky-high, resources had been exhausted completely, and we were all ready to give up.
Filming in the mold-ridden Red Room was depressing, morose, and led to a lot of arguments and unpleasantness. The room itself just felt gross, always, and we were in there for days at a time. The last thing we had to shoot in there was Nellie's goodbye.
Victoria came to set having to push through pages of monologue, and she did so with captivating bravado. I recall being teary-eyed at the monitor watching her work. And when we finally made it to the last line, I watched her deliver it with... a smile. A sincere, innocent, longing, joyful smile. A smile informed by the sadness, grief, and loss of her own situation, of her own life... but a smile that finds forgiveness and grace after all. Pedretti knew how to say the line, and how that word would work.
And as she said it, I knew it would stay in the show.
Over the years, that sentence has become something of a tagline for The Haunting of Hill House. I'm always a bit mystified and touched when I see people approach me with the line on T-shirts, or even tattooed on their bodies.
I started signing it with autographs back in 2020 after enough fans asked me to. Now it's my go-to when I sign anything related to Hill House.
The line, for me, represents a lot of things.
It's about the insane, chaotic, non-linear experience of making that show. It's about trying to find and hold onto joy, even in the grips of despair.
It's about the way the moments of our lives aren't linear, not really, and how we may be unable to understand them as we exist in their flurry. It's about finding hope, innocence and forgiveness in the final reckoning.
And it's about how, outside of our love for each other, the rest is just... well, it's fleeting. It's colorful. It's overwhelming. It's blinding. It's dancing. And, if we look at it right, it's beautiful. But it's also light. It's tinsel. It flits and dances and falls and fades, it's as light as air.
The rest is the stuff that falls around us, and flits away into nothing.
It's the love that stays.
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𝐀𝐒𝐓𝐑𝐎𝐋𝐎𝐆𝐘 𝐎𝐁𝐒𝐄𝐑𝐕𝐀𝐓𝐈𝐎𝐍𝐒🪷 *:・゚✧*:・゚✧
𝐁𝐄𝐂𝐀𝐔𝐒𝐄 𝐈𝐓 𝐆𝐄𝐓𝐒 𝐅𝐑𝐄𝐐𝐔𝐄𝐍𝐓𝐋𝐘 𝐀𝐒𝐊𝐄𝐃 𝐘𝐎𝐔 𝐂𝐀𝐍 𝐂𝐇𝐄𝐂𝐊 𝐌𝐘 𝐏𝐀𝐈𝐃 𝐒𝐄𝐑𝐕𝐈𝐂𝐄𝐒 𝐇𝐄𝐑𝐄!.
𝐃𝐈𝐒𝐂𝐋𝐀𝐈𝐌𝐄𝐑: 𝐄𝐧𝐠𝐥𝐢𝐬𝐡 𝐢𝐬𝐧’𝐭 𝐦𝐲 𝐧𝐚𝐭𝐢𝐯𝐞 𝐥𝐚𝐧𝐠𝐮𝐚𝐠𝐞, 𝐬𝐨𝐫𝐫𝐲 𝐟𝐨𝐫 𝐚𝐧𝐲 𝐠𝐫𝐚𝐦𝐦𝐚𝐫/𝐬𝐩𝐞𝐥𝐥𝐢𝐧𝐠 𝐦𝐢𝐬𝐭𝐚𝐤𝐞𝐬 + 𝐈’𝐦 𝐧𝐨𝐭 𝐚 𝐩𝐫𝐨𝐟𝐞𝐬𝐬𝐢𝐨𝐧𝐚𝐥 𝐚𝐬𝐭𝐫𝐨𝐥𝐨𝐠𝐞𝐫 𝐬𝐨 𝐤𝐢𝐧𝐝𝐥𝐲 𝐭𝐚𝐤𝐞 𝐭𝐡𝐞𝐬𝐞 𝐨𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧𝐬 𝐰𝐢𝐭𝐡 𝐚 𝐩𝐢𝐧𝐜𝐡 𝐨𝐟 𝐬𝐚𝐥𝐭.
𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 𝐬𝐚𝐭𝐮𝐫�� 𝐨𝐫 𝐂𝐚𝐩𝐫𝐢𝐜𝐨𝐫𝐧 may indicate having a serious spouse, disciplined, neat and works hard to make fortune for his family, you’ll have a stable and long marriage due to saturn influence, but there will be many lessons to learn along the way.
𝐂𝐚𝐧𝐜𝐞𝐫 𝐯𝐞𝐧𝐮𝐬 are born to be mothers, you can’t convince me otherwise, they just have this caring aura around them that resembles a hug!.
𝐕𝐢𝐫𝐠𝐨 𝐩𝐥𝐚𝐜𝐞𝐦𝐞𝐧𝐭𝐬 especially 𝐯𝐢𝐫𝐠𝐨 𝐬𝐮𝐧/𝐦𝐨𝐨𝐧 I’ve seen or talked too always tend to be over thinkers, and i know that this might’ve been said before but it’s really one of their prominent traits, they are usually 25/8 nervous and they tend to be a bit perfectionistic.
Having 𝟏𝟏°, 𝟐𝟑° 𝐝𝐞𝐠𝐫𝐞𝐞 𝐨𝐧 𝐚𝐧𝐲 𝐩𝐥𝐚𝐧𝐞𝐭 tells you where you may be original or a trendsetter.
𝐌𝐞𝐫𝐜𝐮𝐫𝐲 𝟏𝟏°,𝟐𝟑° your ideas, your voice may be unique, if you’re an author or just like writing in general you tend to create unique literature pieces that are considered quite creative.
𝐕𝐞𝐧𝐮𝐬 𝟏𝟏°, 𝟐𝟑° your style is original, what you wear, makeup you apply on your face, or even perfumes you buy may be quite underrated or unique etc..
Having 𝐬𝐜𝐨𝐫𝐩𝐢𝐨, 𝐩𝐥𝐮𝐭𝐨 𝐚𝐧𝐝 𝐞𝐯𝐞𝐧 𝐬𝐜𝐨𝐫𝐩𝐢𝐨 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟖°, 𝟐𝟎° 𝐨𝐧 𝐭𝐡𝐞 𝟏𝟏𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 may indicate going through many transformations with your friendships, they are always unstable, changing and evolving, also you may be the type to change personalities and sacrifice lots of things for your friends, please be careful and don’t get way too attached.
Having 𝐧𝐞𝐩𝐭𝐮𝐧𝐞, 𝐏𝐢𝐬𝐜𝐞𝐬 𝐨𝐫 𝐩𝐢𝐬𝐜𝐞𝐬 𝐝𝐞𝐠𝐫𝐞𝐞𝐬 𝟏𝟐°, 𝟐𝟒° 𝐨𝐧 𝐭𝐡𝐞 𝟕𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 may indicate always attracting relationships with people that are calm, like serene or just way too quiet (one may even say secretive) on the outside but freakiest people to exist on the inside, one of my friends has this placement and her boyfriend barley speaks when he’s around us, but when he calls her and thinks we can’t hear him let me tell you.. that man becomes a whole different person, its kinda fascinating to be honest, neptune illusionary influence doesn’t fail to impress me.
𝐀𝐫𝐢𝐞𝐬 𝐩𝐥𝐚𝐜𝐞𝐦𝐞𝐧𝐭𝐬 are hot as hell, both figuratively and well… literally no like they need to chill please calm down a bit you guys are really really fiery, always on your feet and ready to throw hands if someone angers you, seems cliché i know but it’s the truth.
𝐕𝐞𝐧𝐮𝐬 𝐢𝐧 𝐭𝐡𝐞 𝟏𝟐𝐭𝐡 𝐡𝐨𝐮𝐬𝐞 is one of my favorite placements to have, and i believe that it indicates fame and having a very beautiful spouse, also a very ethereal beauty.
I also noticed something a weird pattern on a whim but why does 𝟏𝐬𝐭 𝐡𝐨𝐮𝐬𝐞 𝐕𝐞𝐧𝐮𝐬𝐞𝐬 tend to work on medical fields and 𝟐𝐧𝐝 𝐡𝐨𝐮𝐬𝐞 𝐕𝐞𝐧𝐮𝐬𝐞𝐬 may excel quite well in companies, relations and business in general.
𝐄𝐚𝐫𝐭𝐡 𝐦𝐞𝐧>>>>>>> that’s it.
If they have earth placements combined with fire placements you won at life.
I have 𝐦𝐞𝐫𝐜𝐮𝐫𝐲 𝐚𝐬𝐩𝐞𝐜𝐭𝐢𝐧𝐠 𝐧𝐞𝐩𝐭𝐮𝐧𝐞 𝐚𝐧𝐝 𝐧𝐞𝐩𝐭𝐮𝐧𝐞 𝐢𝐧 𝐭𝐡𝐞 𝐬𝐞𝐜𝐨𝐧𝐝 𝐡𝐨𝐮𝐬𝐞 𝟏𝟓° 𝐝𝐞𝐠𝐫𝐞𝐞, many people have told me that my voice is soothing and beautiful, i also love singing!.
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Uranus in the Houses
A Spark of Unpredictability
Uranus, the planet of revolution and innovation, adds a dash of unpredictability wherever it lands in your birth chart. Let's explore how it ignites change and disrupts the status quo in each house:
1st House: The Maverick
Forget fitting in! You're a natural-born trendsetter, drawn to the avant-garde and expressing yourself authentically. Embracing your quirks, even if they shock others, is key to unlocking your full potential.
2nd House: The Unconventional Earner
Get ready for surprises in your finances! Uranus might bring sudden windfalls or unexpected losses, prompting you to break free from traditional wealth accumulation methods. Embrace innovative ideas and unconventional ventures.
3rd House: The Quick-Witted Communicator
Communication sparks fly! You have a knack for expressing yourself in unexpected ways, sometimes shocking others with your wit and sharp insights. Embrace intellectual challenges and explore diverse perspectives.
4th House: The Unconventional Home
Your home life is anything but ordinary! Expect sudden changes in your living situation or unconventional family dynamics. Embrace the opportunity to build a unique and authentic haven.
5th House: The Rebellious Creator
Your creativity thrives on breaking the rules! You're drawn to avant-garde forms of expression and unexpected romantic encounters. Embrace your uniqueness and challenge conventional notions of love and pleasure.
6th House: The Unorthodox Work Ethic
You disrupt the traditional work environment! You might embrace unconventional methods, challenge authority, or switch careers unexpectedly. Embrace innovation and find a work space that allows you to be your authentic self.
7th House: The Unpredictable Partner
Relationships take an excitingly unpredictable turn with Uranus. You might attract unconventional partners or experience sudden changes in your partnerships. Embrace open communication and respect for individual freedom.
8th House: The Transformational Journey
Expect unexpected transformations in your personal power and finances. You might experience sudden inheritances or losses, prompting deep personal growth. Embrace the power of change and learn to let go.
9th House: The Globe-Trotting Explorer
Embrace adventure! Uranus fuels your wanderlust and desire for unconventional travel experiences. You might be drawn to exploring hidden knowledge or challenging traditional beliefs. Embrace open-mindedness and diverse perspectives.
10th House: The Unlikely Star
Your career path is anything but predictable! You might experience sudden success, unexpected career changes, or unconventional leadership styles. Embrace innovation and find a career that allows you to express your unique vision.
11th House: The Social Revolutionary
You attract like-minded rebels and dreamers! Your friendships challenge the status quo and inspire social change. Embrace collaboration and use your network to make a difference.
12th House: The Intuitive Visionary
Uranus awakens your hidden potential and psychic abilities. You might experience sudden flashes of insight or unconventional spiritual experiences. Embrace introspection and connect to your inner wisdom.
Remember, Uranus' influence is just one piece of your unique astrological puzzle. Embrace the spark of unpredictability it brings and use it to forge your own extraordinary path!
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