How much better would it have been if instead of saying "shut up emo nerd no one ever pushed you away, you imagined all the rejection" Will said something like "listen, those people are judgemental jerks, but there are people here who want to be your friend! *I* want to be your friend, if you'll let me! There are people here who would be happy to see you stay, myself included!"
Cause him saying that no one ever pushed Nico away is literally just not true, we see from other characters perspectives that they see Nico as weird and untrustworthy. He has no cabin to stay in before the Last Olympian and many people are disturbed by the sheer fact that a child of Hades is walking around. There's literally a scene where the seven, including Jason who later becomes one of Nico's closest friends after he begins to understand him better, debate on leaving him to suffocate to death alone in a jar. For real I don't know how it was seen as a good idea to make Will borderline gaslight Nico and have that be seen as like....tough love??? What Nico needed to hear???
Isn't a better explanation that Nico WAS rejected by some people at camp, but there were others (including Will) who tried to befriend him but Nico always thought they were just trying to mock him so he'd respond by being mean aka "pushing himself away"? That's a really common thing with kids who are bullied or feel rejected, if someone is suddenly nice to you, you don't trust it. You think they're just trying to get close to you so they can make fun of you.
It would be especially fitting since Nico along with all half-bloods have ADHD, the fact that ADHD also often comes with rejection sensitive dysphoria could've been leaned into. Nico WAS rejected, and because of that, any time someone would make a legitimate attempt at befriending him he'd push them away. That actually makes sense and validates the feelings of the most depressed and isolated character in the series instead of turning it into him just imagining the years of people acting like he has the plague.
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Part 2 of changes I would have made to Heros of Olympus.
Obligatory disclaimer: I do not think I am better than Rick Riordan and what he has created is amazing but that doesn't mean we should not criticise it and it's important to be able to step back and see the issues or missed potential of a piece of writing
There would be at least 1 year gap b/w the PJO and HOO and both Percy and Annabeth would be 17, making them significantly older than most of the cast who all (with the exception of Jason for reasons I will get into) would be 13-15. This means Percy and Annabeth would be mentoring them.
Also as a benefit of the gap I would love to see Nico and Percy's relationship be slightly better though that's just because I love them
Grover would take the place of Coach Hedge and help Percy and Annabeth with mentoring the others. Also he and Nico would talk about Bianca as he was in the quest with her and her friend. Grover would help Nico with accepting that Bianca's death was mainly the fault of Talos.
Jason would still be 16 along with Reyna and Octavian. The three would have been friends pre-HOO (I have a whole trilogy planned for them that I will Inshallah write in the summer) and Octavian would start dating Jason shortly before TLH. He would also assume that Reyna would have assassinated Jason for political reasons (credit to @percabeth4life for this entire arc idea)
Jiper would become canon shortly before Mark Of Athena in the months after The Lost Hero. Octavian would be extremely upset about this and this would probably cause issues.
Percy would be called Perseus among the Romans
Percy would help Octavian search for Jason and get all the water life and Pegasi to look for Jason which would bring the 2 close and create a point of tension between Percy and Jason as Percy would be upset on Octavian's behalf that Jason went and dated Piper without even breaking up with Octavian (BC he didn't remember their relationship at first)
Percy also wouldn't sleep for months and instead wake up at the owl house (it was supposed to be wolf house but it's funny so I'm'n keeping it) at the same time as Jason showed up on the bus and he would be Praetor for several months slowly regaining his memory
Instead of just remembering Annabeth, he would also remember Grover because of the empathy link
Nico and Hazel's relationship would receive more focus. In the Cupid Scene, Hazel is there instead of Jason and Cupid instead of out right outting would instead subtly hint at him to do so. He'd talk about queer ppl in the myths and how being gay is okay and how you should accept yourself and not hide it and make Nico promise to try before giving them the staff. Hazel would ask and Nico would admit his crush on Percy. While surprised (40s kid) she would accept him unconditionally because that's her brother
Frank would be 14 and they wouldn't get together until a few years after the books
Hazel and Frank would have more focus and would have interest they still took part in like Hazel still drawing (maybe doodling in the corners of pages during meetings)
Percy and Annabeth wouldn't be as interested in moving to CJ. Like yeah Annabeth would immediately use it as a reference for New Athens but Percy hates strict rules and CHB is both Percy and Annabeth's home. It's also close to where a majority of their support system (Sally, Paul, Chiron, Annabeth's siblings, Clarisse bc you pry her friendship with them out of my cold dead hands, e.t.c). Also Annabeth is v ambitious and seems like someone who would eventually want to go to a very prestigious university. Emphasis on eventually as I think both she and Percy would take a break from school to recover from their trauma and get in a better headspace for dealing with all that
Tartarus would be far worse but while Annabeth would freak out at the Akhlys thing, she certainly would understand why Percy did it and wouldn't make him promise not to use those powers again
Piper and Annabeth would not get along at first. Annabeth enjoys girlie things and was friends with Silena so Piper insulting the Aphrodite cabin and looking down on girls for being feminine would not fly with her. While I do think this would change as Piper accepts her femininity (see previous post ABT changes I would make to HOO) I think Annabeth would be closer to Hazel and be like an older sister to her
Also Hazel would have dark hair and dark eyes like a normal black girl. No exotic bs. Same with Piper.
Frank would have dyslexia too because I am living proof that Asians can have learning disabilities too.
These are all for now. Will probably add more
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Idk if you’ve gotten this ask before, but is there anything you would have changed if you wrote pjo/hoo/toa? And how would you have written it?
never gotten this ask before! and oh man, yeah, there are some things i would change. i wouldn't call myself someone who does analysis on their favorite media (at least i don't do it very often) i just read/watch and enjoy, unless there's something that seriously strikes me as Kind of Very Weird. half the time i don't mind occasional bad writing if i enjoy the media very much, which is the case with pjo, but again, there are some things that were odd to me lol. keep in mind it's been a while since i've reread so these are just things i remember vividly as being something i very much didn't like/understand.
percy jackson and the olympians:
that whole 'entwining history' with pjo thing felt weird to me: like with harriet tubman being called a child of hermes? for one, it feels unnecessary, and two, it feels as though all the things she's done, all of her bravery, wit, courage, are being attributed to her demigod status, as hermes is the god of travelers, cunning, roads, etc. it feels insensitive and not handled very well. there's also a blurb that mentions that hitler was a child of hades, that world war II was a conflict of the big three, and that the civil war was a roman vs greek conflict - again, these all just feel so insensitive to the actual historical events that occurred, ascribing all that violence and catastrophe to a squabble between the children of the big three when the actual causes of these events were so much more complicated and deep-rooted. i believe it was an attempt at trying to see where the gods fit in the modern tapestry, but i don't think actual history needs to be bastardized in order to write smth like that. there's also the issue with the "western civilization" narrative portrayed in the story, but i don't feel like i could even adequately sum up the issue here.
the fix-it: just. don't have the historical stuff? the insertion of demigods in wwII is supposed to show the destruction of these big three children in battle, and the later prophecy would supposedly give more reasoning as to why the big three can't have children. but why not just have the prophecy recited before wwII and cut out the 'oh demigods partook in wwII" nonsense? [before the war, after the diangelos are born] the gods have already witnessed wars that actual demigods took part in, such as the trojan war, and saw how terrible those effects were. and there were hardly any big three kids in that battle that were main players. if demigods who weren't of big three ancestry caused that much destruction, wouldn't that be apt enough reason, along with the ominous prophecy, not to give birth to any kids? especially because greek mythology is rife with sons trying to overturn their fathers, and said fathers trying to overturn that future. that itself gives perfect context for why this child-making ban would be introduced, and why zeus especially would enforce it (ex. attempted murder of the diangelos) because. he's literally the "son who overturned his father" (kronos.)
luke having romantic feelings for annabeth: why. why. when i was reading the series i always assumed he had spared annabeth because of their familial ties, but in staff of hermes percy describes their relationship as "luke later gaining feelings for her" which...why? lmao
the fix-it: luke does love annabeth, but as a younger sister, and it is that sibling love that makes him spare her all the times he did, and inevitably helps him break from kronos' hold. i think it's much more meaningful, makes more sense [ties into the threeway "family" conflict between thalia, luke, and annabeth], and obviously isn't weird to think about it like the aforementioned canon dynamic.
heroes of olympus:
portrayal of poc characters: now, i'm going to be honest, when i first read hazel's description, i never thought there was anything wrong with it. my rationale for this was "oh, golden eyes because she controls minerals" however many people have brought up how this feeds into the exotic poc caricature. while many characters have oddly colored eyes, i haven't done enough in depth research on the history of written poc characters and their applied descriptors, i don't want to minimize what could be a genuine issue. on another note, while i don't claim to be an expert on native american culture and tradition, i am aware of the numerous claims that native american pjo fans have made about piper, especially her wearing feathers in her hair. i think in her case it's very much cut and dry; rick didn't do his research regarding her heritage, at least in the earlier books.
the fix-it: research.
portrayal of medea (and other mythological characters): in the lost hero, medea is portrayed as a "blood-thirsty psycho," all while ignoring the terrible way jason (from the mythos, not Grace) treated her and the hardships that she went through. and that is my point - pjo does subvert some tropes, like hades being the villain [although given the fact that it is also canon his children were on the axis side, well.] but many times it falls into the same overused narratives, like medusa being characterized as the killer when in reality she was born a gorgon and often visited by heroes who wanted to kill her for glory [the version where she was a priestess was written by ovid, and ovid seems to have a passionate hatred for athena and women in general, as can be seen in his retellings.] i can understand this in pjo, but i think heroes of olympus truly would have benefited from more nuanced characterizations.
the fix it: research!
di angelo's Otherness + the ooc behavior of characters: one detail i always remember is how leo and piper behaved around nico, and the apparent...teasing? bullying? that went on behind his back - at least, it's alluded to that they both make some not-so-nice remarks about him. and it doesn't make sense to me, especially when leo and piper are both victims of bullying, have been judged for their appearance, etc. leo's literal first scene is him making fun of a bully [dylan] to jason, and in the mark of athena, when he and hazel see the vision of sammy making fun of one of hazel's bullies, leo mentions that he used to do that all the time. i think having leo and piper behave this way was supposed to emphasize nico's "not-belonging" within the argo II environment, but why at the sake of their characters? additionally, the scene were he does make those comments seems another way to frame jason as nico's "ally" [which the fandom loves to do while ignoring jason's actions towards nico in general, but that's a whole other thing lmao.]
the fix-it: don't include that post-cupid jason + leo + piper scene. there was already a layer of distrust between that group and nico, which is enough to emphasize a divide.
the detriment of caleo on leo's character arc: romance is everywhere it doesn't need to be in this second series. everyone is with someone, for better or for worse. however, while relationships like jasper and frazel are either unnecessary or badly developed, there is no relationship, i think, that is as detrimental to a character's arc as caleo is to leo. i won't be doing a deep-dive, as there are other posts on this site that delve into the issue better than i could, but i wanted to list it as one of my biggest gripes - it basically takes all his struggles with self and decides to give him a girlfriend as a shoddy fix-all.
the fix-it: there are a lot of ways you could go about rewriting this, but i'd have calypso be freed after the second titanomachy, join the hunters as her sister did - that way she could retain her immortality - and travel the world with them. khione would blast leo off the ship - maybe he gets injured and has to find his way back, thinking all the while that his friends have probably moved on, but he finds that they're all still there, desperately searching. he tells them they should have moved on, and they'd say that they aren't leaving him behind, that he's important to them more than to the mission, etc. although i think for this to work other dynamics would need to be tweaked - [no jasper after the first book; focus is instead on strengthening the lost trio's friendship throughout the rest of the book.]
the ending + gaea: i think it's a general fandom consensus that the ending for blood of olympus left much to be desired. the final battle felt so rushed and...didn't make much sense to me? how do you lift a being who is the earth...out of the earth...? and that's the main issue with me, honestly. how do you defeat the earth? there was that whole "scatter her essence" blurb at the end of the book, but that also didn't make much sense to me. gaea as a villain seemed like a bad choice because a.) her rising up to destory the olympians because of their treatment of her children is a repeat of the gigantomachy, just as pjo is a second titanomachy. it feels like the same narrative is being recycled, and b.) because she is the earth. a primordial being. i don't know how to re-hash this, but it's simply unrealistic to have a band of teenagers defeat an entity as old and powerful in a handful of chapters.
the fix-it: different villain entirely! at least, that's what i would do, because i can't think of a way to destroy the earth that doesn't involve actively poisoning it/j. there are a plethora of interesting mythological figures who would make for good antagonists, and also shed light on issues besides the ones pjo already touched on.
trials of apollo: i have not reread this series in a long while, and unlike the others can't remember as vividly the details, but the thing i remember bothering me the most occured in the dark prophecy, in which two lesbian hunters of artemis describe how they had to leave the hunters on account of their relationship. @solisaureus has an in-depth post about this which effectively sums up the issues and goes into other problems with the hunters, and i think they break it down better than i do, so go check that out!
the sun and the star:
pacing: i enjoyed the book but did feel like it was paced weirdly - for a book all about a couple journeying into tartarus, they only entered tartarus during the last hundred pages. i think this contributes to the bad fight at the ending, too, as it felt very rushed. i think having the couple spend a lot of time in the underworld was supposed to establish will's discomfort and the later conflict, but three hundred pages is a bit much. i also find it difficult to believe that nyx, the literal definition of night, was defeated so quickly, or defeated at all. i did enjoy her as a villain more than i did gaea, but i had the same problem of being dissatisfied with the ending battle.
the fix-it: i feel like having the villain be akhlys would make sense. as the goddess of misery, she might want to convince nico that grief is eternal, inescapable, and that he may as well succumb to a life of tragedy. buuut that would also mean no cocoa puffs. and i like the cocoa puffs - so this one is a bit up in the air for me!
plague will: this is personal to me because i love this headcanon and when it became canon i was all "oh, woah" but then it was. never brought up again lmao.
the fix-it: have him use it earlier in the book [perhaps discover it when he goes out by himself] and try to suppress it, but eventually learn that his negative emotions + memories - "darkness" - shouldn't be suppressed, but rather released; that those aren't things to fear. or at least have him talk about it later with nico and try to sort out what their existence means for him.
[there are other problems with tsats that people did bring up, but i don't actually have issues with them - i.e. "the first kiss," "coming-out scene," continuity errors, etc. the coming out scene is especially controversial, but my only issue with that is that nico asked out will without considering will's closeted status. the continuity errors aren't really something to dedicate a whole bullet point to, seeing as rick's timeline is eternally convoluted and just not worth getting irritated over at this point.]
if you want me to elaborate on any of these in a second post i can! thanks for the ask!
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