Mizu was wrong to let Akemi be taken because they both deserve better
First, a confession. When I saw this for the first time:
I was relieved. I knew that was what Mizu was going to say and I felt like it's what I would have said in that situation too.
When Akemi does this:
I cringed, because if we know anything about Mizu, it's that she (1) isn't quick to make friends (though to be fair, even though Akemi did try to kill Mizu, so did Taigen - multiple times! - and look how that turned out lol), and (2) doesn't take orders.
So when Akemi and Ringo and later Taigen get angry at Mizu, are they being unfair?
Sure, Mizu isn't obligated to treat Akemi - or Taigen or Ringo or anybody else - nicely, or to serve them, or to be honorable, or be a hero to them, or whatever. No human being is obligated to any other human being. We all have the choice to do whatever we want to anybody else. But the point of flawed characters in storytelling is the tension between those characters and their potential. Their growth into someone who can choose the higher, harder path, who chooses to be obligated to others, who chooses kindness and compassion.
Because Mizu's problem isn't revenge. Nobody is preaching at Mizu that revenge isn't the answer. Her circumstances do suck, her life has been incredibly unfair, she is marginalized, and as far as we and Mizu know for most of the season, she is a child born of violence and no one is saying that that violence doesn't deserve to be repaid in kind.
Mizu's problem is isolation. And the fact that she thinks she has no responsibility toward her fellow human beings, because her hatred of her own circumstances and her having no life outside of her quest devours everything else. This is a problem because it turns Mizu into the worst version of herself. A version that hurts the people who like Mizu, the people who care about her.
Practically, Mizu has just taken on an entire army almost by herself. She's hurt. She's exhausted. If she were to defend Akemi now, it'd be yet ANOTHER fight, this time against horsed and armored samurai.
But that's not the reason Mizu gives Ringo. Mizu's ability or willingness to fight isn't even on her mind. All she says is, "She's better off."
"She's better off" is Mizu deciding what's best for Akemi. Akemi's entire story is about her being a caged bird longing to fly free.
One after the other, every man and woman in Akemi's life makes her decisions for her. She has to grovel and smile prettily and lie through her teeth just for the chance to be heard. Mizu judges Akemi for being a rich princess who isn't being more grateful for what she has, all without understanding Akemi's situation, and without any curiosity for why Akemi feels the way she does. From Akemi's perspective, Mizu is just one more person (one more man!) in a long lineup who ignores Akemi's wishes and (casually!) makes a decision for her that impacts Akemi's life greatly.
In the end, even Seki concludes that Akemi should get to decide what's best for Akemi. What others think that Akemi SHOULD want does not matter compared to what Akemi wants for her own life. As Madame Kaji said - Madame Kaji, who despite calling out the weirdness of Akemi's situation as well as the childishness of her decision to run away - is the only person Akemi meets who doesn't try to make decisions for Akemi, but instead only challenges Akemi to work for and be worthy of what she wants - she needs to decide what she wants for her own fucking self, and then take it.
Mizu being born female does not make her automatically wiser for letting Akemi be taken, and it does not preclude her from having a hand in giving Akemi back to her jailers. A patriarchy that Mizu knows full well would stop Mizu from achieving her own goals if she didn't present as male.
Mizu is still understandable here. She just had to kill Kinuyo, a disabled girl sold by her father into prostitution, a girl in a situation so far beyond Akemi's worst imaginings that I can practically feel Mizu's world being rocked just by comparing them in her mind the way she most likely is. That still doesn't make it right for Mizu to let Akemi be carried off to be sold into marriage by her father against her wishes. Those "good options" Mizu thinks Akemi has don't exist, no more than they ever existed for Mizu. Akemi and Mizu both have to get creative, make the best of their circumstances, take dangerous risks, and break rules in order to have any control over their own lives.
Even on my first watch, when at first I thought that Mizu had made the right decision and that Akemi was being unreasonable, Akemi screaming Mizu's name while being dragged, LITERALLY DRAGGED, back to her father was haunting as hell.
Mizu had the power to help Akemi, and simply chose not to.
Mizu lets Akemi be taken, Akemi who has just begun to trust Mizu. Mizu calls Ringo weak and quickly - seemingly easily - turns her back on him. Mizu values her quest over Taigen's life, after Taigen has endured days of torture to protect her, and she not only risks his life in the process, but doesn't tell him that Akemi is engaged to someone else, or that she came looking for Taigen, or that she is in danger.
Mizu's sword breaks because it is too brittle. Too pure. Too singleminded. Mizu only melts down the meteorite metal when she mixes the metal with objects from parts of her life that have nothing to do with her quest. Objects from the people she cares about, and who care about her.
All I'm saying is - Mizu doesn't have to be a hero. But she is the better version of herself when she reaches out to help and connect with others. When she's just a decent, kinder human being. And I think that's what this story is telling us that we should want for Mizu.
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I love the gender and sexuality discussions that come out of blue eye samurai, and i’m all for everybody’s headcanons about Mizu’s gender and sexuality and everything, it’s all so good
But can we just agree
That fucking off to the other side of the world on a six-month boat ride just to avoid the sexual tension you have with two people is the most bisexual move of all time? Like. Babygirl spent an entire ep focusing on growth and acceptance and learning to be more than an instrument of revenge, and then, after all that, the first chance she got to ghost all her new friends and maybe love interests she was like dope yup let’s go I’d rather be seasick and shit in a bucket every day for half a year than deal with my emotions. None more bi.
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The real moral of Face-Off (the hockey game episode) is that Lorelai Gilmore has zero boundaries and used this benign situation as an opportunity to manipulate her daughter's love life. My unsolicited dissertation follows:
What the episode SHOULD be about: two teenagers have different expectations for their relationship, leading to a minor misunderstanding that could be easily solved with one conversation.
What we got instead: Lorelai playing all sides of this totally normal teen conflict until it blew up into a catastrophe that would come to define Jess and Rory's entire relationship.
The episode starts with Rory waiting around for Jess to call, because apparently "call you later" meant he was supposed to call by 9:00pm that night. Lorelai initially teases Rory about it - a quip about the Bay of Pigs, implying that BOTH Jess and Rory are bad at planning ahead. Fair! The next morning, Lorelai asks why Rory didn't just call Jess herself - great question! Rory makes a weird excuse, then shifts to comparing Jess to Dean. After telling Rory not to compare them, Lorelai goes on to compare them by calling Dean the perfect first boyfriend who spoiled Rory by calling so much. It's a fascinating distortion of the events, which was that Dean called so much that Rory felt completely suffocated. She actually hated that, remember?!
Then Lorelai starts setting imaginary rules. Jess is supposed to (1) immediately sense that Rory is upset, (2) automatically know WHY Rory is upset, and (3) apologize the SECOND she walks into the diner. Jess doesn't do that, because he's not clairvoyant and he's literally in the middle of working a shift, so Rory is apparently justified in storming out of there without a word. Lorelai then sneaks in a side convo with Jess (another thing Rory hates, by the way!). Mocking Jess for not calling and getting annoyed when he doesn't stick around to hear her lengthy diatribe about how much he sucks.
Rory sits around waiting for Jess to call, which is even stranger because they had no plans that day. And she also knows how to use a phone, so theoretically she could call herself. But Lorelai sets MORE imaginary rules. Rory is home at 6:00pm on a Saturday - something that seems totally normal for a homebody like her - but Lorelai catastrophizes it. It's SHOCKING that Rory is home, she should go out immediately! How dare Jess leave her unescorted on a Saturday evening! This, of course, gives Lorelai the opportunity to give Jess her second sarcastic lecture of the day. Because calling at 5:30pm that day would have been fine, but showing up at the house two hours later is an unforgivable crime (who is making these rules?!).
Jess then waits for Rory at the hockey game, completely unbothered by the fact she went out without him (because he actually allows her independence) and not remotely blaming her for the angry silent treatment she gave him earlier. Instead, he's trying to make amends with concert tickets - which seems like a pretty nice gesture! It's interesting that the episode distorts that into something bad. Rory keeps it a secret like they've done something wrong, and the episode ends with her all sad. While Jess is presumably thinking he's fixed the problem. Because that's a reasonable conclusion.
So in the span of 24 hours, Lorelai took this tiny misunderstanding and blamed Rory, used Dean as the standard for 'perfect' behavior, set a bunch of imaginary rules for Jess to 'break,' then switched to blaming Jess for the entire thing. It's a masterclass in manipulation. Emily Gilmore couldn't have done it any better!
I look forward to @saltygilmores take on this later! Maybe we can scream into the void together.
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