"I would like to be remembered as a filmmaker who enjoyed life, including pain. This is such a terrible world, but I keep the idea that every day should be interesting. What happens in my days – working, meeting people, listening – convinces me that it’s worth being alive.”
–Agnès Varda, in the last interview of her life
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I chose this profession because I feel this is how I can fulfill my service as a human being—communicating the human condition.
Mary Alice
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The short film, I Walk With Ghosts, based on a poem written by me. It’s been around the world and is finally out and available to everyone!
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Alain Delon and Monica Vitti in L'eclisse, 1962
Your vigilance as an artist is an amorous vigilance, a vigilance of desire.
—Roland Barthes to Michelangelo Antonioni, 1979
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In my case, a theater near you is comically literal. My apartment in New York is directly above a movie theater that is currently playing my movie, and so every time I leave my apartment to do anything, I walk by the movie theater and I see people coming out or heading in, and I play a little game with myself: which of these people are going to see Past Lives and which of them are going to see, I don’t know… Transformers? Which of these people are my neighbors? Which of them live in my building? How many times have I unwittingly shared an elevator in the past few weeks with someone who has just seen my movie? Every person I see in my building and on my street has been suddenly full of possibility and intrigue — I feel an odd intimacy with them, because I know that it’s possible that sometime recently or sometime soon, they might go downstairs to our movie theater — the theater near us — and visit some of the places I’ve been. They might know me for an hour or so, and, through a kind of osmosis, I might know them. The thought that there are people all around the globe — or at least in many parts of it — who are having a similar experience is almost too much for me to take. It’s surreal and mortifying and enlivening.
-Celine Song
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