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#female subjectivity
bread235 · 4 months
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"I can't deceive myself out of the bare stark realization that no matter how enthusiastic you are, no matter how sure that character is fate, nothing is real, past or future, when you are alone in your room with the clock ticking loudly into the false cheerful brilliance of the electric light. And if you have no past or future which, after all, is all that the present is made of, why then you may as well dispose of the empty shell of present and commit suicide. But the cold reasoning mass of gray entrail in my cranium which parrots "I think, therefore I am," whispers that there is always the turning, the upgrade, the new slant. And so I wait. What avail are good looks? To grab temporary security? What avail are brains? Merely to say "I have seen; I have comprehended?" Ah yes, I hate myself for not being able to go downstairs naturally and seek comfort in numbers. I hate myself for having to sit here and be torn between I know not what within me."
-- from The Letters of Sylvia Plath
she just gets it
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chanarie69 · 5 months
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THE KIOSK OF DEMOCRACY PRESENTS "Oral fixation" Performance. A collaboration "The materialised vision unites all contemporary female subjectivity tropes, the revengeful woman, lover, labourer, artist and feminist." By Alma Gačanin & Anastasija Pavić - Bosnia and Herzegovina & Serbia www.facebook.com/kioskofdemocracy/
Alma Gačanin & Anastasija Pavić ©
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helgatisha · 21 days
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(TS4) POSE PACK N04 |& CAS|
Download: boosty | patreon | simfileshare
The author screenshots by @john-ts-sh-ai <3
Cast: Bella Goth, Mortimer Goth, Nina Caliente, Nervous Subject,Mary-Sue Pleasant.
ENG | You will NEED
- andrew’s pose player
or WW (tutorial)
- teleporter any sim (x1 on the same spot)
or using mc command center
Including: 30 poses
unisex
all in one
CAS - mean or horse lover trait
| Tag ‘’ helgatisha ‘’ so I can see it
– The poses all of them are from the CAS traits and slightly edited. I hope it will be useful for you –
RUS | Вам НУЖЕН
- andrew’s pose player
или WW (урок)
- teleporter any sim (1 шт. в одном и том же месте)
или с помощью  mc command center
входит: 30 поз
унисекс
все в одном
CAS - черта характера задира или любовь к лошадям
| Тэг ‘’ helgatisha‘’ так я увижу вас
please read and respect my tou
Linktree
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melrosing · 1 month
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you know a lot of people talk about the relentless 'male gaze' in asoiaf but I do think there's something (maybe even a lot) to be said, given that, about the surprising presence of the female gaze. im serious and i think jaime is a great example. lots of people like to observe how popular jaime is amongst female readers like it's a bad thing but I think that mistakes the female gaze as requiring nothing more than 'hot man'. and I think jaime's appeal to female readers is a lot more interesting than that. like lbr the guys who 'like' Daenerys are not writing half as much about her as the girls who like her, and interestingly enough the same applies for Jaime. let me muse on this for a bit and report back
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sarcastic-clapping · 2 years
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already seeing people who clearly don’t understand that a lot of us who are upset about what happened to marwa in this episode aren’t upset about the characters’ in-universe morality but the real life misogyny and racism in the way that this plot was handled lol
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merrysithmas · 10 months
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paramount MAY continually fuck up star trek regularly but at LEAST disney doesnt own star trek. that's a whole diff breed of decay
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A Woman Painting a Man – Artemisia Gentileschi // Vision – Jacek Malczewski // Barbie (2023) – Directed by Greta Gerwig
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merakiui · 8 months
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overblot! Riddle nonconning you in front of Ace and Deuce while going on about how this is the only thing a magicless nobody is good for 👍🏼
Omg yes,,,,,,,,
(cw: yandere, gender neutral, nsfw, non-con, humiliation/degradation, public sex)
Amidst a ruined, debris-ridden rose maze, a monster looms. No one dares stray close, lest they find themselves maimed and sent to the grave, and so they can only watch helplessly from the safety of overturned chairs, tables, and uprooted rose trees. The scene was once serene, an almost-perfect Unbirthday. Now it is desolate and bleak, a nightmarish reality that leaves thick, discomforting silence blanketing the grounds.
Riddle casts a grotesquely bone-chilling shadow, and his appearance mirrors that of a creature torn from the pages of a classic horror; that's the only way to describe him: cruel and cold, all sharp, vicious edges and thorns, dripping blot. He's on the verge of a supernova, toeing the line of life and death, a monstrous mage who has reached the consequences of a culmination of excessive magic, spilled over into bitter negativity. The aura that clings to him is, in a word, utterly terrifying.
And you're right there in his shadow, a fragile, caged thing bent down on your hands and knees. Your fingers curl into the grass, tearing clumps. No one dares to speak up, to demand he release you, to fight for your safety and dignity. Hopelessly collared, Ace and Deuce, your closest companions in all of this mess, look on in horror even though they don't mean to.
It's like a tragedy spun right before their eyes. They want to look away, but they can't. It's morbidly ensorcelling.
"Observe!" Riddle's voice booms, commanding absolute obedience and attention. His pallid hips press against your ass while clawed hands dig into your hips, holding you perfectly still. Blood is drawn; it seeps beneath his sharpened nails, leaving painful indents. You feel filthy and fearful, cut down to something small and insignificant and weak. Droplets of blot speckle your backside each time he shifts. It's warm like candle wax, but it doesn't burn.
The betrayal does, though—stains through to your very soul.
You grit your teeth, squeezing your eyes shut in hopes of drifting off elsewhere. Anywhere that isn't here, speared on his cock for all to see, forced into the grass like you're bowing apologetically before the Queen and her card soldiers.
"You lack the key capabilities all mages must possess, and yet you thought it wise to challenge my rules? Here? When my word is law?" He barks out a laugh, sickly amused. Scarlet eyes narrow with disdain. "Perhaps you're as slovenly as you are disobedient. As expected of a disrespectful, magic-less fool who knows nothing! Absolutely nothing of the order I so carefully uphold!"
He pulls back, seething through grit teeth, and snaps his hips forwards. You collapse on shaky arms, gasping in pain.
It hurts more than heartbreak, more than a bruise, more than a slap. Tears spot your lash line, threatening to fall with one more well-aimed, brutal thrust. Spidery fingers dance along your waist, tracing a line towards your neck. He grips your chin and forces you to look upon a crowd of terrified faces, all ogling with bated breath. Ace is watching and so is Deuce, albeit through the cracks in his hands.
"What did you hope to achieve—to prove—by defying me?" he demands, his grip a deadly vise. "That I could be in the wrong? That all I've worked tirelessly for, all that I've done, is wrong?"
"Riddle..." You wince in your futile attempt to pull away. "Riddle, please... I... I'm sorry, but please... You're hurting me..."
He turns your head towards him, eyes ablaze with a furious tempest, and he leans closer, pinning you with startling ease. His cock presses up against your insides, enveloped tightly in your walls, and you shudder through the discomfort and the agony. A single claw traces dangerously close to your jugular.
"Speak up if you have something to say!"
"It hurts!" You gasp again, outright sobbing now. "It hurts! Please..."
"It's a punishment," he sneers, glaring disapprovingly. "It's meant to impart a lesson—one learned through pain. If you understand this, stop sniveling and respond appropriately."
You're not sure which is worse: humiliation at the hands of someone you considered a friendly acquaintance or the fact that, no matter how villainous he may be, you only wish for him to return to himself. You'd never wish this fate on anyone, but maybe it's your too-big heart that makes it impossible to hate him. You don't hate him. You can't.
And perhaps that's the worst part of all this.
You hang your head, defeated and devoid of hope. "Yes, Dorm Leader..."
And so he teaches you and all those who witness the devastating spectacle a lesson neither will ever forget.
Red is passionate and fiery, a reflection of roses and redamancy. But it is not a pleasant color. Not anymore. Not in the aftermath.
Red is the color of Riddle and Heartslabyul and blood and pain and anger. And every time you spy the slowly healing marks from that day, you feel it all over you. Red everywhere, inside and out. Externally, you may heal with all matter of magical cures, but internally it's not an easy fix.
So red is no longer a comfortable color. You wish you could look upon it and admire it for what it is: a color. But that proves impossible, for a color that is so highly revered as pretty does not evoke pretty feelings for you.
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corfisers · 3 months
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one of the reasons i didn't accept being trans sooner is because i'd look at the cishet men i know and at how they treat women in their lives, at how fucking vile they can get and how casual they are about being blatantly misogynistic, how there are usually absolutely no repercussions for any of it, and i'd think to myself "if this is what being a man is about then i don't want to be one". eventually i'd figure out that no, this isn't what being a man is about, it's just something a lot of them perpetuate, it's not inherent, you don't have to be That. so seeing other trans men who, generally speaking, should've had somewhat similar experiences, come out of it on the opposite end where they gleefully grab onto transmisogyny and have fun with it and feel justified and righteous perpetuating it is fucking baffling
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mrpsychokiller · 4 months
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tex red vs blue is insanely transgender but im the only one who sees it that way because im crazy in the head.
what if there was a past version of yourself. a woman, a wife, a mother, with long hair and a sweet smile. and she died long ago. and you are her. but you are not her. you're nothing like her, but the people who knew her desperately want you to be her, want to preserve the memory they have in their minds of the woman they loved through you. but you never asked to be her, never asked to carry the burden of someone else's expectation of who or what you should be. you have a new name. you prefer to go by this one. people remark on how weird it is that it's a guy's name. sometimes the people who loved [the past version of] you call you by your old name. they are not referring to you when they say it. you live in the shadows of someone who's long gone, and you're something different now, but you don't feel like you're ever allowed to define yourself on your own terms, to be your own person, to control your own life, because you exist solely through the memories people had of you. and the longer she has been gone for, the more desperately people try to get her back, the less you resemble her and the less you know who you are, or if you ever even got to be anything at all. what i mean is that transition could have saved him
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thefiresofpompeii · 29 days
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i hope ruby gets a well-that’s-alright-then-style notdeath. on the one hand it will make haters mad because oh no not another companion with an impermanent end (and i like to see haters mad) on the other it would require creativity to depict this in a new way + i love all the implications i love the dark fairytale quality of these companion exits i love my un-undead schrodinger’s women
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with the way the legend of ruby sunday is titled… legends aren’t usually told about living people. legends are stories of the bygone past, of an age long since over, fictionalised and overgrown with folklore like barnacles sticking to an abandoned shell. there is such a thing as a living legend, but they’re exceedingly rare. the unmistakeable raven’s call in the 73 yards teaser, the trailer’s cut to fifteen crying alone after promising to cherry he’d protect her daughter… the foreshadowing is clear as day…
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and yet. there’s one massive HOWEVER. ruby appears in s15: millie’s been spotted on set filming it. which leads me to believe — the doctor isn’t one to take the time travel route and revisit companions that in his future are genuinely dead. that would hurt too much, it would cause unnecessary trauma and could break the timeline. that must mean ruby stays alive in some way. ish. she’s alive and a legend and a mystery. girl-ballad girl-song girl-paradox
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here she is, fading out.
p.s.: thesis statement on moffatgirls from the tags i left on somebody else’s post about charley pollard.. well it belongs here since it’s basically the semiotic hurricane swirling around ruby at the moment :)
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#on a personal level what interests me about these characters is precisely what gets them labeled as being subject to#misogynistic writing by pop-feminist video-essayists. as an autistic girl* (*ish) however; i find female characters that#aren’t quite ‘normal people’; women who represent an idea or concept or are a puzzle to be solved or a manic pixie dream girl to be#more and in a way far more interesting than a girl-next-door-type universally relatable protagonist#they make for more nuanced stories with more symbolism and more layers of interpretation usually. why should there be realism in a#fantastical narrative? similarly i like characters that are haunting the narrative or dead before it began (big locked tomb fan if you#didn’t know) and like. not to be tvtropes but the lost lenore archetype. dead woman who spurs the hero on to recklessness or revenge.#i identify with that dead girl. the laura palmers of the world. set the story in motion without#necessarily having agency. maybe it’s something to do with my#constant background radiation of passive suicidality. in a fun whimsical way :) i would never kill myself but i don’t want to be a real#person. i want to be objectified but not necessarily in a k*nky s*xual way (that too) in a princess in a tower way#the ultimate femme fantasy innit? there’s something about it. hashtag problematic hashtag conforming to gender roles#10000 tags be upon ye#ruby sunday#millie gibson#doctor who#dw#steven moffat#clara oswald#fifteen#fifteenth doctor#twelveclara#amy pond#charley pollard#river song#donna noble#ncuti gatwa#doctor who meta#jamie.txt#haunting
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angel-archivist · 8 months
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It's so interesting and so exceedingly frustrating how agab is being utilized now within the queer community as a way to isolate and sort nonbinary and genderqueer folks into binary boxes that determine their moral purity levels, and their authority to do and write and exist.
The way nonbinary writers are being put under accusation of fetishizing gay men while their AGAB is continually brought up in a way that feels like queer-space-approved misgendering.
The way feminist circles that are supposedly trans-inclusive will use the word AFAB in a way that implicitly but intentionally isolates nonbinary people who aren't AFAB from joining. It's for women*.
The way the language is already flawed and leaves out intersex folks from the conversations while focusing on a binary of sex that isn't truthful.
The constant obsessing over whether someone is AFAB or AMAB and whether or not that gives them the privilege to join, do, write, or be present in certain spaces really really concerns me. How are we supposed to dismantle a binary system of gender if we can't even move past forcibly assigning and focusing on people's genders assigned at birth?
#and yes i understand! that agab language can in some circumstances be helpful in inclusive language and in the medical world but ultimately#is misgendering and unnecessary it should be up to the person to disclose their agab not an expectation of them to give up freely#I think that inclusive language shouldnt be misgendering in nature and agab as far as i can tell should only be used in select discussions#and certainly not as a way to frame a nonbinary writer as a “biological woman” but in a way where the queer community will nod along and sa#“oh they have a point” because you used the word AFAB instead#honestly afab is the term i see used most frequently and most harmfully towards other nonbinary people who don't identify w the label#to exclude trans women and amab nonbinary people#to frame nonbinary people as “still women” because of their assigned gender at birth#also i understand its not as simple as “not using” these terms bc they still serve a purpose and are important#but as they leave the queer community and as they enter the hands of cis queer people they become weapons#i wish i could like manifest my thoughts super clearly but i really cant bc its a difficult situation#its just another example of misogyny and bio-essentialism creeping into the queer community#because the patriarchy impacts all things including our discussions of trans oppression and gender we need to stop viewing it#as a strict binary of male female and oh sometimes we'll mention nonbinary people but we're all afab and amabs at the end of the day <3#like flames literal flames#if you wanna like chip into the conversation just shoot me an ask or respond to the post i'd love to hear other peoples perspectives#im not infalliable so if i said anything you view as incorrect especially in regards to intersex folks and how you all would like to be#included in these discussions as im not intersex but am aware of how agab is a subject that leans into the idea of a binary of sex#so yeah rant over <3#retro.bullshit#rant
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cowgurrrl · 2 months
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“Women can’t work under the pressures of urgency and special considerations inherent in much of the Agency’s work.” — From the 1953 report on the role of women in CIA, also known as the “Petticoat Panel”
“It’s somehow easier to endure together.” — Anton Chekov, from Complete Works of Anton Chekov; “A Living Chattel,”
In the 1980s, women made up 35% of those working in the CIA— even less traveled on official government business. In the 1980s and into the 90s, you worked for the CIA, tracking down one of the most dangerous drug cartels in history. You worked alongside countless men from other agencies like the FBI and the DEA to bring down the Medellín cartel— Javier Peña and Steve Murphy among them. They got to be the heroes. They got the praise. They got to tell their side of the story. Maybe it’s time you finally tell yours.
La Golondrina: The Prologue [1.1k]
Playing the Game: The Aftermath [4.0k]
The Palace in Flames: Back to work [3.8k]
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miekasa · 4 months
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worst tropes
men dating women in the same career/field as them an get silent/bitter because she's having a big moment/is more accomplished than him
men dating women in time-demanding careers and then are upset that their careers demand their time
men with podcasts
men dating independent/emotionally unavailable women and then are upset that they are independent/emotionally unavailable
men who can't drive
best tropes
friends to lovers
men who can drive
love on purpose, love that's intentional, love that's not rotten work because it's you
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german-garbage · 6 months
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I love it and I hate it at the same time
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uiuishii · 7 months
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I'm surprised by the lack of popularity of Imodna. Don't get me wrong, the ship is popular, but it could be more.
These days, I was thinking about wlw/mlm representations, and it's just crazy how a majority of people seem more enthusiastic about mlm ships. I like mlm, but why would people prefer it? I don't understand the "love is love, but mlm > wlw" logic. I'm saying that because I'm pretty sure that if imodna was a mlm ship it would be waaaaaay more popular. When you search on AO3 (Critical Role) there are around 8353 mlm fictions and only 5434 wlw. Why? 
It's like with powerful male characters vs powerful female characters. I mean if Philippa was Philippe, a powerful and morally grey gay sorcerer, I'm pretty sure he could be a top 5 fan favorite characters of the Witcher fandom. Same for sooooo many fictional characters. You only have to switch the gender to change the fandom perception of a character/ship.
Yeah I'm really random tonight but this thought was stuck in my brain and I had to write it down somewhere.
No offence to mlm or male characters btw.
Why am I thinking about that at midnight.
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