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#fanon is what make a story into a legend
kahuna-burger · 3 months
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Fanon is good, actually.
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batfamfucker · 1 year
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Tell the truth comic fans challenge. When's the last time you read a comic and how many have you actually read?
P.S. This isn't me being gatekeepy btw I'm being genuine because I'm gonna be honest I've probably only actually read about five series and every thing else I've gotten from movies/series, online, or fanon. I know all the important events. Have I actually read them? No because my ADHD just wouldn't. And I can't be assed having to read important events if it's in a shit run by a bad writer.
#Also ngl I was determined to read from the very start but. I would not have the time for that in any life so lmao#I have read quite a few of the early Batman comics and do actually hope to read as many of his as possible#But I have not actually sat and read all of the Batfam origins yet tho I intend to#I know them all and I've seen the panels just never actually sat down and gone through it all#I also have read a lot of the Golden Era Batman and Superman team up comics where they basically act like parents#Taking Dick out on family day trips. It's a fun read tbh#And back when I was a early teen and couldn't afford comics I watched YouTuber who would read them for you and tell you about them/show you#So I've read half of Batman Eternal from that but he stopped uploading vids about it which made me really sad lmao#So I need to get around to reading the rest myself/rereading it because it's been a while#I think I liked the story but wouldn't canonise it in my mind#I also read a bit of Suicide Sqaud that way I think? So that too#I totally don't pirate read Injustice#I like it but I think some of it is iffy. But that's the case with comics in general#Batman: Wayne Family Adventures is the only I actually keep up with#Probably because it's more accessible but also because it's the kind of comic I've wanted about the Batfam for ages#There's room for improvement and I would like to see how one similar to that style would be made like. In the fully canon mainstream comics#Because I'm aware it's very fanon/fan servicey but honesty after all the DC chaos we deserve it. But I would like to see more family#Urban Legends is really good. But Idk. I'm very particular about my vision lmao#Let me be a writer is what I'm saving. Or make a competant TV show *Glares at Titans*#Titans is good but God do they fucking butcher Jason and Bruce. I am sick of DC TV and film adaptions doing the Batfam dirty#Like. The animated movies#Tim just is never a thing ever. Why#Titans does have him and I like that. But I haven't watched that season ngl because I don't like how they write Bruce#Like. He doesn't. Look for cjild soldiers bruh. I'm disappointed with Titans because they coulda done so well#But Bruce is far too old and they made Dick almost murderous with him and they fucked up Jason. I haven't seen Tim's-#-Characterisation yet but I'm scared to at this point#Alfred must be fucking dead because he would be SO OLD if Bruce is already like 60 bruh. No offence to the actor but yeah.#Chella Man is the best thing about the show. Tbf I adore the cast other than Bruce. But everyone is just so OOC and it doesn't-#Stick to the comics at all#Idk it just. Isn't it lmao
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damianbugs · 1 year
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dc might not like to address how they've unofficially retconned a lot of jasons original robin run to end up being absolutely classist, but i most certainly will bring it up whenever i can. while this is definitely narrative criticism, it is more of a study, as i am not expecting anyone, readers or dc, to really change how they view the todds.
jason goes from being a rather reserved, kind and genuinely friendly child to an angry and cruel boy who was contemplating murder at some point (batman: urban legends). not to mention willis going from an absent but well meaning man who turned to crime to support his family to now being an abusive father and husband. catherine todd was originally stated to have died from overdose, but was later confirmed in death in the family to pass away from cancer, so while the 'poor addict mother' stereotype still applies, it is more complicated in her case.
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it is no surprise that in modern tellings, all three of them represent very realistic forms of poverty. willis the abusive criminal, catherine the addict (her battle with cancer is always noticeably left out) and jason the violent child left to repeat the cycle.
dc simply couldn't allow the todd family to remain poor but an all in all good family (though i am careful to say they were perfect, past or present, since depending how you read him, willis can still be seen as a bad father and horrible husband), and instead had to dramatise negative stereotypes of poor people in order to really perpetuate the existence of jason being the "angry" robin. this mostly comes down to dc perhaps wanting to bury older comics featuring the original characterisation (since the only way to read them is through piracy), and there is no better way to do that than make his current characterisation nothing like his old one, at all.
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after all, how else can we ensure readers are aware of how angry, evil and emotionally unstable jason todd is, if not making his life the pinnacle of why poor people are terrible and should not have kids? dc is not trying to hide it at all, it's almost laughable.
while the blatant classism is very clearly the biggest issue, from a storytelling perspective it is also really disappointing. deconstructing catherine and willis todd to their morally reprehensible, abusive and neglectful 2d personalities in modern telling leaves a massive gap is what made jason so personable as robin. personally, i also think it takes away how homelessness and his own poverty seperate from his family might have affected jason's morals and opinions on certain topics — another aspect of his character that is very important but often undeveloped.
especially with jason; making him having always been this quick to rage and violent child/robin takes away the true devastation of his death and subsequent revival. he died an innocent, damaged and complicated but caring boy, and came back vengeful and spiteful. he is a boy who has suffered a lot in life, with a sick mother he had to provide for due to his absent father, who also died due to a life of crime — and yet jason broke free from the cycle and became something more.
he loved to learn, to go to school, to play sports and to help people. he loved being a hero, even when it got tough, and though sometimes it was hard to remember, he always tried to stay on the bright side of things.
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it's one of the main reasons bruce is so unable to process and accept his son's return, because to him, the person who came back is not the son he lost. though, that is another conversation entirely.
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on the one hand however, i can see why jason's current life story might be more appealing to certain readers (and depending on the work, fanon or canon, it can makes more sense). since now that he's broken out of the cycle of abuse, he can use his strength to protect other vulnerable people. the true 'people's hero' in a way batman and other adjacent vigilantes can not be.
it is just a little regrettable that to fulfill this, he and his family must adhere to classist stereotypes to make it more believable. after all, jason was very much the 'people's robin' even without all the retcons to his character. he has always stood up for people who couldn't do it themselves.
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burr-ell · 1 month
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With respect to the previous reblog—I sped up almost all of the Otohan combat to 1.5 and only put it back to normal when Sam started FCG's last turn. And it's not that I can't be invested in climactic combat or even really difficult climactic combat! I watched the fights with Ripley, Thordak, Raishan, Vecna, the Iron Shepherds, Uk'otoa, and Vespin Chloras, some of them multiple times, and I was invested the entire way through.
But here's the thing: I do not currently play DnD, and prior to watching CR I knew very little about the mechanics. I learned with the cast as I was watching C1, and as the show went on I paid more and more attention because I could see how the mechanics of combat interacted with the story. When there's a moment where the crunch of combat powerfully reflects a character's arc? That hits, even as someone with little personal knowledge of the PHB. I am not, however, invested in just watching three hours of combat for its own sake...and Otohan's build feels like combat for its own sake.
Obviously the cast is really invested in the story; it's their characters and they're the ones making the choices and rolling the dice. They've been doing this together for over a decade, and they're really impressed by the raw power of Otohan's build. But as a viewer? This simply is not fun to watch. I mean, there are some great moments for the Hells—all of Orym's nat 20s, Fearne using the power of Rau'shan and deliberately casting Blight through touch, Chetney's last words—but I don't know anything about Otohan. I don't know why she's here. I don't know what her motives are. I don't know why exactly she's so OP—"Legend of the Peaks" is just set dressing to me because none of the characters care about the Apex War and Matt has never forced the issue.
Like, sure, they're an exaltant Ruidusborn, but...okay? Why do they get legendary actions and resistances? Where'd their goofyass lil Lands End backpack even come from? Why are they here? No one can do a swagless villain monologue like Ludinus; no one can evade child support like Liliana. But who cares about Otohan, as a character and not just the scary hero-killer? That role in the story could be occupied by any well-built level 20 melee combatant and the narrative wouldn't miss anything.
Without all of the necessary development to get me invested, this just seems like she's OP just to make her "hardcore" or whatever—and Matt's never made a villain like that, so I know this could have been portrayed better and simply wasn't. As it stands, she's had more presence in the stupid Moon Moms fanon (which seems to have been found dead on Ruidus anyway) than she has in the actual canon of the show. I'm always happy when a villain dies, but in this case, it's just good riddance.
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vetinarivimesy · 1 year
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Kenobi-centric fic recs
Everything here will heavily feature Obi-Wan Kenobi in some fashion, and will vary wildly by ship, tone, and fic-type though I'll do my best to give little blurbs/not-too-spoilery summaries.
The fics range from gen to explicit, in some cases pre-date tagging ettiquette, and, no, no I have not re-read them all (ye gods have you seen the word counts).
In a few cases I'm basing my summaries on very hazy memory and I have a noted bad habit of skimming straight past explicit porn when I don't want to read it, then forgetting its there entirely - so caveat lector!
These are mostly fics that I currently mentally catalogue as Wonderful Obvious Obi-Wan Kenobi Goodness fics rather than expecting to dig up any obscure hidden gems. The list would probably look very different on a different day. It's far from comprehensive, and the categories are loose at best. But here it is!
I've been contemplating putting something like this together for a while but been a bit nervous of sticking my head up above the metaphorical parapet. As, follows my fave character around without caring overmuch about the ship trash, I've got quite a list of Star Wars fics inhaled/rediscovered.
(Wee bit too used to coming into very dead fandoms long after everyone's left, put the chairs up on the tables, the metaphorical lights have been turned off... and the not so metaphorical bills have stopped being paid. More than once I've stumbled into a wonderful old fandom fic archive only for it to vanish into, Only What Was Saved on the Internet Archive Remains status. Even when the archive isn't actually an ex-archive, many don't actually allow for interaction. Apologies to the authors I've never worked up the courage to comment on, this is an explanation not an excuse!)
Obi-Wan's apprenticeship fics:
Commander Kenobi - norcumi (complete, 9646 words)
Obi-Wan gets de-aged in the midst of battle. Cody gets to find out what teenaged Obi-Wan was like. Given Obi-Wan thinks he's fresh out of Melida-Daan, nothing like whatever Cody might have been expecting.
A Town Called Stagnation - deniigiq (complete, 33,000 words)
Qui-Gon and Obi-Wan take a trip to Stewjon, to let Obi-Wan get in touch with his roots post the horrorshow of his early apprenticeship. Smalltown thinking and the trauma of recent events clash horribly for everyone involved.
Another brilliant author who's whole fic-output is well worth checking out. Their wry utterly charming character voices never fail to amuse, even when the POV character is one I'm currently in an... actually I wouldn't mind some bashing of this guy kinda mood. I draw amusement and sympathy for Qui-Gon's character in every single one of their immediately post-Melida Daan fics for context here, with my knowledge of that event thoroughly warped and contaminated by the current popular fanon take on the matter too.
Though more Cody-centric, and thus Clone Wars era, than anything parallelogram (Complete, 33,000 words) and they're neutral (complete, 9900 words) by the same author are also wonderful.
poisoned chalice - qigiined (Complete, 9900 words)
Another author with the wit and deftness of characterisation to make immediately-post-Melida-Daan Qui-Gon's POV both amusing and sympathetic. They've also got quite a few other gems!
Qui-Gon's very wry POV as he tries to navigate raising a very traumatised child, and appeasing his various lineage members.
through hardships to the stars - kivaember (WIP, 148,000 words)
Canon divergence where Obi-Wan's apprenticeship snafu on Melida-Daan went just that much worse than those Legends-were-never-technically-canon novels would have it.
As a result Obi-Wan and a very young Jango Fett end up on the run from a terrifying darksider, whilst Jaster Mereel and Feemor despearately try to catch up with the pair.
Little Lights Stories - ms_nawilla (WIP, 628,000 words)
Qui-Gon neglected too much of Obi-Wan's training, so Obi-Wan isn't immediately knighted post-Naboo despite saving Qui-Gon's life and defeating the Sith.
Anakin goes to the creche, Qui-Gon's in utter denial, and Obi-Wan begins the rocky process of finding his own feet post-Naboo, getting through the thorny process of working out who you are as your own person after living under someone else's oppressive shadow for far too long.
Super detailed epic detailing all sorts of wonderful possible jedi-culture headcanons, illuminated manuscripts! beer! force-manipulation games! communal caring! crystallography! sex ed! old-people's homes! the engineers! clerical branch! outreach via art! dance instruction! reincarnation! politics! spies! terrible james bond esque spy films to hide that the spies were really real! lightsaber classes! non-jedi temple residents! U and L leaning prejudice! Alderaan!
Just what would happen if Qui-Gon Jinn were exactly the sort of irresponsible unpleasant adult who should never ever be given a child a lot of fandom suspects he is. His implied treatment of Obi-Wan here can be fairly harrowing, for all that its emotional neglect rather than anything graphic.
The jedi are never depicted as anything less than trying their best, unfortunately no matter how thorough the system tries to be, sometimes people do just fall through the cracks. As was v.nearly the case for Obi-Wan in this verse.
Mostly character driven, though the hints of the greater plot bubbling away underneath all of this glorious worldbuilding and character growth are both ominous and intriguing. The pairing is a hell of a spoiler, but also one that could potentially be a bit of a squick, I don't want to spoil the slowburn of this thing but I do want to give fair warning. Does tumblr offer spoiler tags?
Preventing Order 66 fics:
When Duty is Done - thosenearandfarwars (WIP, 257,000 words)
Wonderful long-form piece - technically a WIP but all installments so far are complete - a what happens next post-Palp's getting his comeuppance, messily. Features Codywan, grief, internalised ableism, jedi order reforming in a very nuanced 'we were this close to the brink' and lost so many people to the war sense *not* the sneaky 'jedi-positive but actually bashing' sense.
Hell I wholeheartedly reccie just about everything this author's ever done tbh!
(This Too Was a Gift (Complete, 69,000 words) is also utterly wonderfully done, and a complete fic in a similar vein, albeit much more focused on the ramifications for individual characters than the ensemble cast of thousands that is Star Wars.)
I Got My Head Checked - frostbitebakery (Complete, 79,000 words)
Codywan Sith!Obi-Wan AU. Cody falls for the hot Sith in the next cell...
Light of the Mists- Snowy Egret Chimes of Kyber, Songs of Kyber, and Anthem of Kyber (Complete, 166,000 words)
This one technically also fits the Obi-Wan's apprenticeship category too. Bit of an epic of, what would happen if Obi-Wan never made it to Bandomeer, and instead trained under a force sect with rather different ideas about how things worked than the modern jedi order?
Supreme Chancellor Obi-Wan Kenobi - stonefreeak (WIP, 113,000 words)
Wonderful crackfic premise done mostly seriously. (WIP)
By an extremely obscure bit of Senate Legalise, Obi-Wan finds himself thrust into the role of Supreme Chancellor. Palpatine is furious.
How A Romance Novel Saved The Galaxy - Ariana Deralte (WIP, 184,000 words)
The galaxy takes a left turn when a popular novel takes the world by storm, and the Jedi and Mandalorians mutually discover their two cultures aren't so different after all...
sanguine - glimmerglanger (complete, 158,000 words)
In which Obi-Wan being a vampire, with all the nasty prejudices that come with being a non-human in the GFFA, somehow saves the galaxy.
Just Go Kill Palpatine - nevertheless_turtle (WIP, 6662 words though this is likely an underestimate due to formatting of a wonderful epistolary/OutsiderPOV social-media-centric chapter)
Just as the title says. Obi-Wan goes and attempts to do just that. Wonderful and hilarious.
The More I Live the More I See this Life is Not About Me - K_R_Closson
Another de-aged Obi-Wan fic. In which post-Melida-Daan suspicious of everyone and everything Kenobi somehow fixes things. Everyone around Obi-Wan is suitably horrified by the news of just what his apprenticeship under Qui-Gon entailed.
Not Quite Sure How to Catergorise these...
This category is the equivalent of the draw marked 'misc.' sorry! Mostly a mix of action/adventure stuff and fics I suspect will turn into, and they prevented order 66 fix-its, but maybe not, with some other truly misc. things thrown in.
backdrop - esama (Complete, 2300 words)
Short and sweet self-contained little tale. Very succinct, but what the author does with those words...
Gunslinger's Paean - Idiot's Array + Homeworld Elegy - Ashcroft_Writes (WIP, 299,000 words)
Epic, what if Obi-Wan post-Rako Hardeen paired up with Cad Bane action adventure tale. Mistrust. Violence. Gunslinging. Espionage. Murder attempts galore!
We Brothers, We Sisters, We Vod'e Few - infinitecompositions(WIP, 322,000 words)
Hell of a fic. WIP. What if canon were to take just a step to the left... Post-Naboo Obi-Wan finds himself recruited for the Shadows branch of the jedi order...
Another epic, cough, can you tell what style I like yet? Uh, starts off as a bit of a dark action adventure romp, rapidly morphs into a detailed dissection of spy-craft, espionage, and galactic politics - but becomes no less tense for it.
Kneading - Threebea O (WIP, 79,000 words)
Manages the miraculous trick of being canon, whilst seeming to be a fluffy bakery AU for a significant chunk of the first few chapters.
Jango/Obi - Jango falls for a local baker whilst hanging out in small town with Boba. Increasingly important to the fate of the galaxy shenanigans inevitably ensue when aforementioned baker turns out to be Obi-Wan Kenobi undercover.
Be Your Love - glimmerglanger (complete, explicit, 9000 words)
I tend not to go for 'real world' AUs but this author's work is so very excellent that I'm reccieing this one - hell I think most of their work is well worth a look through, and every fic-genre they've attempted has proven very fun indeed.
Heed the tags. Explicit Codywan BDSM stuff contained within.
Wizard of the Jundland Wastes - phoenixyfriend (complete, 3200 words)
Obi-Wan on Tatooine, outsiderPOV.
One of many wonderful Star Wars fics this author has written. If this one doesn't catch your fancy, one of their many delightful utterly bizarre premise taken to logical conclusion fics probably will.
Father of the Year (Not) - phoenixyfriend (complete, 2430 words)
Obi-Wan and Jango find out they're each other's soulmates. Mostly they're furious.
Wonderful very pointed skewering of all the usual soulmate and Jango is actually a decent dude tendencies in fic-writing.
Time Travel fics:
I thought I fought this war alone - stonefreeak (Complete, 3783 words)
Wonderful short and sweet Obi-Wan time travelling to his padawan days fix-it.
this is unexpected - MarbleGlove (Complete, 4461 words)
Very succinct and perfect with it time travel what if. Old Ben Kenobi goes back in time and immediately ruins Palpatine's day.
This author tends to be delightful no matter the fandom.
The Sun Swings East - kj_feybarn (Complete, 33,000 words)
Brilliantly done timeloop story of woe and hope. As much about recovery as the initial plot-driven despair. Mind the tags, Obi-Wan is understandably severely depressed throughout much of this fic.
The Making of Mavericks - AppoApples (complete, 146,000 words)
It was extremely difficult to choose just the one time travel fic from this author. Their output is wonderfully varied, don't like their particular take on the Jedi Order and/or the Mandalorians in this fic? Pick another, and odds are they'll have explored the concept from precisely the opposite angle.
This author has a wonderful exploratory sense of, okay okay, so how do we fix this thing/how do we make it worse?
In this case, Obi-Wan, Ahsoka, Cody, and Rex time travel to the past. This creates broad sweeping changes to the timeline, not always for the better.
The Desert Storm (complete, 1,144,599 words) & Rise and Fall series (WIP, 396,000 words) - Blue_Sunshine (WIP)
Wonderful epic-length time-travel fic. Highly recommended. Technically a WIP, but what there is already is well worth the time.
Ben Kenobi, now Nasaade, in utter furious despair finds himself back in time, pre, well, everything. He decides to take matters into his own hands and change things.
Gorgeous character-work, where by the end of the piece the characters are all in very different places than where they started out. And you utterly believe the growth (positive and negative) that got them there.
Draws from both legends and canon in a bit of a hodgepodge approach - despite drawing from a few of the more leaning towards the jedi were the bad guys sources in legends, impressively manages to tread a nuanced stance on, okay so what if the jedi and mandalorians did decide to start reforming in the face of this grave existential threat that's been brought to their attention?
Wonderful utterly enviable pacing - I know this one's extremely long. But at no point do you ever feel/notice the length when reading this thing.
It Was Another Time and I Another Man - Pell_Binterhol (WIP, 196,000 words)
Multiple Kenobis time travelling. Absolute chaos for absolutely everyone else; fellow time travellers, fellow Kenobis, and plotting Sith alike.
the massive machinery of hope - Killbothtwins (Complete, 150,000 words)
Obi-Wan travels back to his padawan days and annoys everyone else into helping him save the day. Wonderful sense of wry humour throughout this fic.
Living Memory - elsa3beth (WIP, 363,000 words)
Epic very detailed wonderful fic detailing just what General Kenobi would do if he had to fight the war again.
Deals with just what could happen if Anakin had ever had to face his fellow jedi with even a few of his flaws laid bare, and the fallout.
Meanwhile, Obi-Wan, just barely managing to hold himself together, fresh out of the middle of his exile to Tatooine, is desperately playing four-dimensional chess against Palpatine and trying to use the awful structure of the Republic's Army to save both the Jedi and the Clones.
The 212th Attack Battalion's Guide to Saving the Galaxy by Accident - antigrav_vector & quarra (WIP, 783,000 words)
Long, character driven fic that's an incredibly fun take on just what might happen if Obi-Wan and a bunch of Ghost Company stumbled into Jaster Mereel's True Mandalorians and get themselves adopted. Heed the tags wrt pairings!
All the complications that come from being an adult stuck as an apparent child ensue. From being squicked out about being a kid again, to having other people being concerned that a kid is behaving like an adult, to just... time travel complications, kidnapping, force esoterica, and fighting a small war.
Plenty of Jedi thoughtfully staring at this strange miniature jedi master, lots of Mandalorians being both stunned and horrified by these tiny soldiers, and Dooku/Sifo-Dyas being a surprisingly lovely central pairing.
Not Qui-Gon friendly in the least, and in this verse you can't help but feel he very much deserves it.
Suicidal Misunderstandings - nevertheless_turtle (WIP, 67,000 words)
Obi-Wan spends much of this fic convinced he's hallucinating and on a bad spice-trip. The trigger warning is very much in the name here.
That said, wonderful, often hilarious time travelling Obi-Wan fic, as the jedi desperately try to work out 1) what's wrong with Obi-Wan, and 2) how to stop Palpatine.
Re-Entry (Complete, 568,000 words) and Re-Entry Journey of the Whills (WIP, 889,000 words) - flamethrower
Fair warning, might turn into a deadlink fairly soon. The author's stuff is in the process of being transferred to another archive. Not a big deal (though fandom being a collective arse is, ffs), as with many older fics this one has moved home fairly often! (Squidgeworld.)
Wonderful absolute epic time travelling Obi-Wan Kenobi fic. Even if you're not a fan of the central Qui/Obi pairing it's written from a very believable perspective, of you can see precisely how these two adults got there, and an extremely enjoyable read with it.
Starts off as a fairly character-driven piece, as the plot slowly builds into something extremely ominous indeed, though once the plot momentum gets going ye gods it gets going.
Another case of technically a series that's a WIP, but every individual story that's up is complete and a satisfying individual whole.
Filled with all the things I love in a Star Wars fic, Obi-Wan getting to be awesome, force esoterica, Obi-Wan getting to be a little shit, plotty plot, the jedi getting to be nuanced and awesome, canon and fanon star wars lore all over the place, and plenty of action adventure and gorgeous character work.
I don't want to go into too much spoilery detail here, but suffice it to say this one is a classic in the fandom for a reason, and deservedly so.
Warning that the dark stuff in this fic can get dark, the level of whump Obi-Wan endures goes all the way up to extremely creepy Palpatine-torture on par with the Ventress/Sith-mask/Alpha-17 situation. It's never gratuitous with it, but in places this fic is explicit, at turns in both the fun porny way and the whump sense.
Star Wars crossovers and fusions:
Alas this section will be shorter than I'd like it to be - unlike a lot of other sci-fi fandoms Star Wars fandom seems to shy away from crossover fic by and large. There's both less of it, and what there is seems to get a hell of a lot less interaction than it would in a different fandom. Not guilt-tripping, again, I am very very guilty of failing to interact myself, just a weird, 'huh, where are all the crossovers?' thing I've noticed.
Rouge Handed - nevertheless_turtle (complete, 2190 words)
As the name hopefully implies this one's kinda sorta a Moulin Rouge crossover. Ish. In that it's firmly set wholly in the GFFA.
Delightful little crackfic.
The weeping stone - Gabriel4Sam (complete, 6965 words)
A wonderful crossover with The Mummy that somehow manages to thread the needle, hitting the humorous tone of those films perfectly whilst simultaneously making you feel very sad indeed for Obi-Wan.
A Star to Steer By - dogmatix, norcumi (first fic in the series is complete, second a WIP, 109,000 words)
Absolutely wonderful Stargate crossover/fusion - it somehow manages to be both a crossover and a fusion at once.
Largely told from Jack's POV, the Jedi are symbionts, with all the misunderstandings that would imply, given the SGC are much more used to dealing with malevolent parasitic Goa'uld than benevolent symbiosis.
Lost Jedi - Augusta Pembroke (complete)
A Velvet Goldmine crossover fic. Curt Wild meets Qui-Gon Jinn, and things get complicated. Qui/Curt with implied unfulfilled Qui/Obi feelings.
All the unhealthy messy relationship stuff the Velvet Goldmine tag and the age of the fic implies is probably present and correct here.
Qui-Gon ends trapped on the wrong side of the galaxy, he finds Curt who's force sensitive, and trains him to help him get back home to Obi-Wan... Things get messy.
Snow and Cinder - MrsHamill (explicit, complete, 16,000 words)
The pre-requisite wonderfully done Highlander/Methos crossover fic. Obi-Wan hangs out with the ROG for a while post-Naboo in a bid to get over a falling out with Qui-Gon Jinn and work through his own messy feelings on the matter. The main pairing is Qui/Obi as many older Master&Apprentice archive era fics are.
All you really need to know about Methos is he's very old, and very cynical. He's literally seen and done it all.
This one doesn't fall into the all too easy to fall into trap of having Methos, understandably an extremely old and cunning immortal being so much better at anything and everything than everyone else around him that it stops being fun and starts bashing the other-verse in the crossover, for which I'm extremely grateful. It's a difficult balance to tread and this author manages it wonderfully. (I say this from first-hand, I have tried and failed to airdrop this character into other sci-fi fandoms you'd think he'd work well in, fic-author perspective rather than as a crit of anyone else's work!)
Look at the publishing dates please.
A few of these fics pre-date Attack of the Clones. They were written in the 90s.
If I find out someone's been bashing an author for outdated terminology or characterisation or for not using the current 2022 language, or a character the fic pre-dates in a fic they've not looked at for over twenty years, or how they wrote the central pairing in the era when the punchline to every single joke in Hollywood was 'haha they're gay!' I... Well... I won't be writing another one of these rec lists. Which isn't much of a threat I realise, but please, be civil.
I could probably easily fill a couple more of these lists tbh, and get more specific with it genre-wise... But as a general, here's a few fics I remember fondly often. I can feel myself getting neurotically 'this has to be perfect' at this thing, so, this'll do for now.
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writerbuddha · 6 months
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This is gonna get a bit negative, but I don't understand how some say that they love the George Lucas movies but yet the Jedi were wrong and forbid love and family. Like how???
It's quite complex, Anon...
This has its origins in the way how fans reacted to Episodes I, II and III. When they did not get the young Darth Vader they imagined for themselves, they started to insist, the reason why Anakin Skywalker is nothing what they imagined, is because George Lucas cannot write and/or direct and Jake Lloyd and Hayden Christensen are terrible actors and they can't portray the character in the correct way. This resulted in that the idea, the story that you can derive from the actual movies is not the real story, embedded itself into popular culture, and it mutated into the idea that you have to "find out" the "real" story behind the fall of Anakin Skywalker.
This idea, "the Jedi were wrong and forbid love and family" is just the latest mutation of this phenomenon, and it fits neatly into the "good idea, bad execution" narrative fans perpetuate, but most importantly: some fans are more comfortable with declaring compassion being unconditional love and attachment as selfish grasping as nonsense and even unhealthy and malicious, than to accept, Star Wars is, in fact, challenging them to think about how they relate to their loved ones. So it makes perfect sense that they insist on this narrative. In addition, there is this cultural notion that you have this list of "must have" things that you need to be content and happy. Just look at Legends stories: they couldn't rest until Luke Skywalker got laid and ended up in a marriage with kids, because, "duh, that's how normal people are" and anything that deviates from that must be in need of a reformer, someone who enlightens/fixes/liberates them. When you add the even more central notion, that children "belong" to their parents because they "made them" and a "truly loving parent would never bear to be without their children" and the idea that when parents are making decisions for their children is somehow letting the children to decide for themselves, you end up with "the Jedi were wrong and forbid love and family" very quickly. And the biggest issue in the Star Wars fandom is that fans are so caught up in fanon that they're no longer able to tell the difference between what is actually in the movies and what they more or less agreed to be in the movies.
This reaches a new level when people are trying to impose this kind of narrative because they want one of the most popular stories of the globe to affirm their values and ideas and way of life, I wrote this about in detail here:
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stick-ball · 6 months
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Hi! I'm about to end my whole career!
Here goes the Riko rant that dear @capcavan asked, demanded and begged for.
You know, I get it.
So here's the thing. I get it, Riko sucks. He is the bad guy we all got hung upon. Why? Because he is a rival for our protagonist. He is an angsty, young guy, born into wealth that came from money laundering and human trafficking. It's despicable, the Ravens are bullies and he himself makes lots of bad things happen. Yeah sure, I get that, whatever.
Being raised as a superstar must've been really, really difficult for you.
But I want to really dig deeper right now, this is a Riko rant after all, and you need to really know your fighters. So, to start: a huge trap in toxic families is that the children, even when grown up, will refuse to identify their parents and guardians as negative and toxic people. Not even outside influence can really sway them, usually. Kids that get away from a sinister situation can later tell they were abused, that it wasn't right, but still, they don't get the specifics of what and why, and they are doomed to repeat the same abuse and call it good. Call it right. And sometimes that's substance abuse, sometimes thats domestic abuse, sometimes that's racism and sexism and xenophobia they will grow into believing as the way the world works. Sometimes, thats nepotism and sadism. Only thing that can help is therapy and an environment removed from the control of the original abuse, lots of therapy, lots of space, years of it. A perfect case of a typical toxic family is Aaron.
A perfect case of that could also be Riko.
And here you can call bullshit because Neil had such a fucked up, abusive father and he *knew* it was wrong. Yes, he knew it was wrong for his father to hurt him to the measure he went. Why? Because his mother protected him, because his mother feared his father, not adored him. Because his mother took him away and kept running. A mother, a role model a child feels very strongly about, subconsciously.
Riko was taken from his mother. He was pushed aside by his father and left in the care of a family member, who was easy to glorify for an impressionable child. Because he was a legend. In fanon I often see Tetsuji's character taking a very background role in everything, and sure, he seems pretty background to Neil, because every bad guy seems background to Neil in comparison to his Father - besides Riko, who is the one dangling that threat in front of him. Tetsuji just wants his property back, Riko is playing with fire though. So yeah to us, reading the story, Tetsuji is a total asshole among many such men in the book.
But to Riko he must've meant almost everything for a long time. A crucial thing about Tetsuji is, he is a sadist. Oh sure, sorry, it's only called sadism when done against his team, right? Against Jean or Kevin or Neil? When it comes to Riko, who was in his care for all of his formative years, it was just strict childbearing right? He is a Moriyama after all, so he is evil from birth.
Yeah, I must've mixed something up about Riko being beaten to unconsciousness several times being mentioned in extra content. You think that was a one, two, third times the charm occurance?
Always a commodity, never a human being, not a single person in your family thinking you’re worth a damn off the court— yeah, sounds rough.
I always wondered how sarcastic Neil was saying this. I mean, he definitely meant to land a punch where it would hurt. And he actually knew Riko as a little kid, so he knew more than most.
Stockholm syndrome is very common among victims of childhood abuse. I would know, anyway. It's like the most logical option - the survivior is living in a dual reality. These people are my family, the care for me. They provide for me. They want me to be the best. They also abuse me. They hurt me, but it's for the best. Hurting me is a expression of love. I am grateful to them.
I often wonder how many people who read the books know what a commodity is. A commodity, in the most basic terms, is a basic good that can be used in ccommerce to interchange with goods of the same type. A commodity is not a king, or a queen, or a bishop or a knight, or even a rook. It's a fucking pawn. It's cannon fodder.
Riko is worthless to his family. Riko is just a tool to Tetsuji to generate profit. Riko wants to be worthy to his family. Riko most likely loves his uncle and is ready to do the most insane thing if only it gives him the one thing he desires, which is being seen as worthy by his family.
Kevin and I talk about your intricate and endless daddy issues all the time.
Then there's grooming. Grooming is more obvious when it's done by a stranger who sees the child randomly or in some intervals of time. It's much harder to resist when it's constant. To Riko, Tetsuji is a good person, he is a hero, he is his family, he cares for him, they have a common goal. Riko wants to be what Tetsuji wants him to be. There is a price to pay for it, of course. There is a price for everything. But the price doesn't matter. Riko wants to pay the price he has to pay, to be what Tetsuji wants him to be.
And the thing is, do you think Riko learned how to use his money and crime connections to control others? How to gain power through fear and pain? You think spending his whole life locked in a fucking stadium he taught it to himself how to break people in body and spirit? That torturing them was his special interest? Or maybe are you forgetting that amongst valid responces to trauma, besides fight, flight and freeze there is also fawn? Don't you think it's much more likely, being groomed and enamoured with his captor (bcs thats what Tetsuji is to me, their captor) he impersonated him to the best of his ability? That he learned every leaf in the book from him, because he was his only connection to the family, to his father, to his brother. He was a legend, the creator of exy. Wasn't he always trying to be worthy of him? To be good enough to be loved and wanted? To be great full enough?
I am not saying this absolves him of any of the things he did, but people do insane things under lesser influence, things they would never do otherwise. And I am not talking of people groomed from early childhood, I'm talking of sane adults, being dragged into dangerous and destructive ideologies.
I know it’s not entirely your fault that you are mentally unbalanced and infected with these delusions of grandeur, and I know you’re physically incapable of holding a decent conversation with anyone like every other normal human being can, but I don’t think any of us should have to put up with this much of your bullshit.
Because it isn't, is it? The things HE does ARE his fault, definately. But the reason why? That is not that easy to pinpoint. And Riko is so unstable it hurts. He is so far removed from real life he is completely incapable of conversation. He is a child brought up in a grave, but...
Pity only gets you so many concessions, and you used yours up about six insults ago.
To me Riko is besides all other things, wasted potential. All the things he dreamed of? He could have had them. He was talented, he was determined and had a lot of courage, but all of that was utterly wasted in the violence and malice he was soaked in. In all the violence and malice he created in return.
So please, please, just shut the fuck up and leave us alone.
The most interesting thing about All for the game though is, that in every other book Riko dying would've been the big bad wolf being defeated. But here, that's just a bleep on the radar. Because Riko was a product, not the producer. What I love about All for the game is it shows none of the madness and evil in life started or ended with me or you, with Riko or Neil. Not even with Keylight or Tetsuji. Fuck it did not even end with Nathan dying. It all ends how it begun. With a deal with the devil made in the back of a car, bought with blood money.
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bardkin · 6 months
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an important thing i've come to realize about my fictionkinity is that my source is my mythology; an embellished or abridged representation of me.
i know there's a post i reblogged ages ago that uses this line of thought (source = legend & fanon = folklore, or something similar), but i can't remember it & wanna put this in my own words.
plus, this is about my personal beef with "canon divergent" as a descriptor for myself, so finding & re-reblogging that post wouldn't satiate the bees in my brain lol
i think it ties into why i adopted folcintera as a term, because i do not see my source as fact. (my source in particular would've turned out very different, if not for the censors on Cartoon Network. all i need to say is "Rubphire wedding," and folks in the know will nod sagely and/or get angry as i still am about how Sugar & their story was treated by CN.)
i thought myself to be canon divergent for a long time, but that just... never totally felt right. it felt more like a label i thought i had to adopt because i'm not just like the Steven in the show/games/comics. i'm just... me; a version of the character that many, many people saw. nothing more & nothing less.
i am my own folklore, taken from my own myth, in the most mundane ways possible.
my source is only rigid because it has to be. that's how documented storytelling works; it is immutable in the final product, be that prose, picture, film, animation, or whathaveyou. new versions of it are made when the original story gets released into the hands of fans, who go on to create different immutable pieces of their own.
myth into folklore, and such and so on. i don't fully know if any of that makes any tangible sense, but like, bare with me-
i'm wholly psychological in my framework, in regards to being Steven. the origin of how it happened doesn't really matter, because i'm still Steven at the end of the day. i have what i label knowledge and memories of things that happened & people i met and love(d) in that story, because the information sits in roughly the same space as my other, physical, memories. sometimes i ache for that story and world, because i've always felt like i was supposed to be somewhere other than physically here. i'm Steven in my brain and in my heart.
so when i first started questioning being fictionkind, almost a full year ago at this point (thanks to @aestherians for encouraging me to dig deeper into this part of myself lol), it felt quietly disingenuous to label myself as "canon divergent."
and that feels like a seemingly small thing that shouldn't matter. but i'm still bothered by it; more than a little. hence why i'm tossing that term over my shoulder and never looking back :3c
viewing myself as just Me and knowing that a lot of things will and won't line up with my source is fine. source is a version of my and other Stevens' stories, told through the limitations it was allotted. for some, those limitations were true for them; others, not so much (to varying degrees).
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silawastaken · 2 months
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I love seeing people compare music to their favourite characters and go like 'oh yeah this verse might be this character... and then this one is the other one... and then this little bit here is them both honestly. Or something like that' because I HAVE gone through every taylor swift song on evermore and folklore and compared it to skk. Sorry to be autistic on the writing account, but this is a fanfic writing account and I'm writing my second novel length fic about them so what did you expect.
folklore/evermore are very canon skk, and verge into fanon and some songs are the reason for very specific head canons, or some of the ways I write the way they perceive each other. 1989... DON'T GET ME STARTED OMFG HAVE YOU EVER LISTENED TO BLANK SPACE? I THINK IT'S IMPOSSIBLE TO NOT HAVE AND OMG IT'S SO SKK CODED LIKE WTF. I HAVE VERY FIRM OPINIONS ABOUT WHICH LYRICS ARE THEIRS. Also the vault tracks literally exist what more do you want from me. 'i think about jumping off of very tall somethings just to see you come running and say the one thing I've been wanting' okay dazai pack it up you did that already, beast exists. 'i call my mom sister she said that it was for the best remind myself the more i gave you'd want me less' yeah yeah chuuya we know he left you get over it, it wasn't personal(think that line could go for either of them but the other line 'the way you faded till i left' feels more Dazai personally). Plus suburban legends. For personal reasons I struggle to listen to song without SPIRALING FUCK YOU THAT ONE PERSON SEHDHSSJNS but very skk as well 'we were born to be national treasures' is very soulmates of them. And out of the woods screams them in fanfic when they try to get better. Red, straight away all too well. They both remember it all too well. All too well skk cover with switching vocals anyone? The last time. The one with gary lightbody. Underrated song, is my favourite on that album, and SO THEM. 'this is the last time you tell me ive got it wrong, this is the last time i wont hurt you anymore' because they're fated to be together and are constantly drawn to each other and yet keep HURTING EACH OTHER RAGH. also 'we are never getting back together' is pretty funny and nice when applied to them. also state of grace. any taylor song with a mild drop of religious imagery is them cause yeah. but 'i never saw you coming, and I'll never be the same'... okay pack it up, we don't have time for your yearning. 'you were never a saint' (dazai abt chuuya) 'and i loved in shades of wrong' (bc hes toxic and doesnt know how to healthily like people) 'we learned to live with the pain, mosaic broken hearts' (bc they continue anyway and stick it out, living with the pain of being bad for each other because of how deeply they care). I almost do. Dazai after leaving. moving on to more religion, holy ground. 'for the first time i had something to lose' 'and i guess we fell apart in the usual way, and the storys got dust on every page' AAAAAA IT'S THEM. Can't really speak on debut- but I've listened to our song and picture to burn and if picture to burn isn't a vengeful chuuya idk what is. BOY OH BOY SPEAK NOW.
excuse me. one moment.
Mine- literally a skk au
Sparks fly- 'the way you move is like a rainstorm and im a house full of cards, you're the kind of reckless that should send me running' that entire verse screams dazai's fascination with corrupted chuuya, and the whole song is well yeah
back to december- dazai when they reunite just trust me on it just trust me on it. the repetition was intentional, that's how serious i am. 'i go back to december all the time' 'I got back to december to make it all right'
speak now- might just be me but it really makes me think of teen skk in fanfic harbouring urges to ruin the others relationship for 'some reason. I don't know, seeing him with her just... irks me'.
the story of us- first verse is chuuya, second verse is dazai, and the third is them both because they're LOSERS and they LOVE EACH OTHER and FUCK I'm CRYING NOW. 'id tell you i miss you but i don't know how' EMOTIONALLY CONSTIPATED BASTARD.
enchanted- self explanatory. for more context, i really think it's from dazai's pov in this case, could probably be both, but dazai fell first and harder so it's really like god he's been in love ever since he got kicked into that wall he wants him around forever. He held Chuuya's hand in the fight with rimbaud and then had all those close moments in the manga and went home to lie on his bed kicking his feet and giggling don't lie. (god im still crying this isn't helping)
better than revenge- they're both pretty vengeful idk it makes me think of iwsynttr for some reason
haunted- chuuya pov. 'i thought i had you figured out, something's gone terribly wrong' 'stood there and watched you walk away from everything we had' they're so sad, but the general idea of chuuya thinking he has figured out dazai and knowing how he thinks and then dazai just leaves suddenly and he's like 'Wow! I thought i knew you. How do i forget this'. 'wont finish what you started' bringing chuuya into the mafia then leaving it.
last kiss- 'you told me you love me so why did you go away' chuuya pov again oh god it hurts why am i doing this to myself? 'never imagined we'd end like this, your name, forever the name on my lips' yep yep ow.
LONG LIVE.- LISTEN. TO. THE. SONG. AND TELL ME IT'S NOT DAZAI AND CHUUYA. I COULD DO A WHOLE ANALYSIS ON JUST THIS SONG. 'promise me this, that you'll stand by me forever, but if god forbid fate should step in, and force us into a goodbye...please tell them my name, tell them how the crowds went wild, tell them how i hope they shine, long live the walls we crashed through, i had the time of my life with you' FUCK IT'S DAZAI AN HE'S IN LOVE WITH CHUUYA AND DOESNT KNOW ODAS GONNA DIE YET, JUST THINKS HE DOESNT GET TO KEEP ANYTHING HE WANTS. FUUUUUCK. THEY'RE IN LOVE AND DAZAI WANTS IT REMEMBERED PLEASE I'M SO SAD.
anyway, i can't pretend I'm normal about skk anymore i haven't even covered fearless, reputation, lover or midnights please somebody encourage me to actually write full things dedicated to each album and the most fitting songs from said albums please i'll do it and plus i need to actually gather proof for my autism diagnosis appointment so this would be a good way to to that probably. anyway yeah this'll never make it out my drafts lol
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tommykinard6 · 21 days
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I hope your weekend won't be bad but just in case I have some questions (mostly about fanon and not canon) to distract you. Pick and choose whatever interests you:
- How/ When do you think bucktommy will make their relationship official? Is it after dating for a longer time or will it be immediately after the wedding?
- Ignoring canon drama, what song should their dance at the wedding be to?
- What was the biggest lesson Tommy learned in therapy?
- Is Tommy still in touch with Sal?
- How would you like Maddie's and Tommy's first meeting to go?
- How would Buck react to Tommy getting injured on the job?
You’re so sweet! And because I definitely need the distraction, I’ll answer them all!
I feel like canonically speaking they’ll put a label on it in one of two places, either right after the wedding or somewhere around 7x10. I’m not sure which one I’m leaning more towards, but I think they won’t wait too long because they know the risks of the job.
Ooooooh I have three possible answers to the dance question. And I don’t listen to a lot of good wedding dance songs 🤣. Either Perfect by Ed Sheeran, All of Me by John Legend, or Halo by Beyoncé.
How to forgive himself. I was going to type how to love himself, but I don’t think he could love himself until he forgave himself. Forgive himself for how he acted, absolutely, but also for all the pain he caused himself. All the stress and the heartache and low esteem that being closeted brought him. Forgive himself for making himself into a person he could barely recognize.
Ooooooh good question. Canonically, probably not. If he’s out, canon Sal would’ve dropped him like a sack of hot potatoes. In my headcanon, it depends on the story. Either no or yes but they talk very little. I feel like Sal being away from the 118 and growing older, maybe having some kids, might have made him into less of an asshole. Or maybe he’ll always be an asshole. Im not sure. Tommy could’ve also chosen to lose contact with him. Again, depends on the headcanon.
Tommy and Maddie’s first meeting! Well we all think that Chimney is being rescued by Tommy, so I can picture them rolling up and Maddie throwing himself into Tommy’s arms, thanking him profusely. Later over the wedding, maybe over the dinner or the dance, she takes the time to get properly introduced and talk to him a little.
Depends if Buck was there! Let’s assume he wasn’t. When he first hears the news (going back to my emergency contact headcanon), he goes still. He vaguely registers that Bobby is telling him to go. Maybe Eddie or Bobby or Hen or Chimney drive him to the hospital. Buck paces around the waiting room. Depending on how serious it is, the 118 might wait with him. Tommy has no family that would come/is close enough to, so when Tommy can receive visitors Buck is first in line to go in. And seriousness of the injury can vary, but let’s say it’s an observe overnight deal, so Tommy’s got his room. Buck barely touches him at first, eyes memorizing every detail of his face. But then Tommy mumbles, “Evan”, and Buck places both hands on his face and gently presses kisses all over it, ending with one to his lips.
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this-acuteneurosis · 11 months
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Can I just say how much I appreciate the fact you don't stray much from the movies?
It's just so refreshing to see a fic that is built on a clear, unbiased and simple canon base. This way, as you demonstrated, a writer not only has the ability to further explore the main themes and ideas introduced in the source material, but they can also go ahead and naturally develop their own by branching out on those fundamentals. They can offer their perspective by using the source material to their advantage, instead of working against it or even worse, trying to include all contradicting canon aspects. Part of writing a fic is kind of like offering your input in a conversation/disagreement. You have to listen carefully to what the other person is saying in order to form your answer...If you're listening to a thousand different people who are all saying a different thing (in this case, The clone wars, legends, novels, comics ect), you won't be able to give an answer that makes sense, much less give a structured and stable opinion.
I love how you were like "I know star wars is entering an era of a shit ton of spin off content with seemingly no end and most star wars fans know shit like who chewie lost his virginity to and what the kessel run is but screw this. The movies and maybe some late night wiki research is enough."
And you were right.
It's so funny, because I feel like I do ultimately stray pretty far from the movies. Not in terms of events I guess, but especially the prequels, I reject some of the underlying assumptions of what is said on screen and just treat it like fallible people strongly asserting opinions that no one calls them on. See: everything I ever assert about the Force/Anakin's "destiny."
I do think it helped me to stick with limited material. And it wasn't even because I saw all of this new SW content coming. I've mentioned this before, but when I started writing Don't Look Back (when it was just Like Fire and I naively believed I was gonna be done in 200k words, lol, rip past me) I hesitated a lot because as far as I was concerned, I wasn't a Star Wars Fan.
I'd watched the OT and PT multiple times. I knew that novels and games and cartoons existed, I knew people had consumed them all. I had been reading some SW fic because @mylongsufferingroommate had been sending me stuff they were enjoying and I was having fun with it. But like, I would never have called myself a Fan. I got goaded into writing this fic by people who knew me too well and really wanted a political thriller. I wouldn't have called them Star Wars Fans either.
Limiting myself to the six movies I had watched was a preemptive defense mechanism against a fan base I wasn't sure would want to accept me. My thin skin is my own problem, but every time I think about writing in a new fandom the same sort of nerves take me: what if my fanon is "wrong" and people are mean?
I guess what I'm trying to say is thank you so much to everyone who gave me a chance and encouraged me and were excited and shared that excitement.
And please, for the love of all the sky and stars DON'T GATEKEEP FANDOMS.
Don't tell people their canon is too big (@blue-sunshine-mauve-morning and @chancecraz have amazing fics that are much more compliant than mine to the broader canon, as a quick example), and definitely don't tell people their canon is too small. Walk away if you aren't enjoying something. Give compliments when you like something that is unique in a fandom you're familiar with. Be patient with people, be kind.
I could easily have given this story up if people hadn't been patient with me. I got comments as early as my first chapter from people who were angry with a single thing that I said and felt the need to tell me I was wrong. I could have left. I could have stopped.
I'm glad I didn't. But I wonder how many other people have.
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docholligay · 1 month
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Do you think having such a personalized and detailed headcanon makes it harder to enjoy fic about the show/game that's written by others?
I mean sure, probably.
But unfortunately things I adore, for people named Doc who are me, fall into one of two buckets:
The character work and plot in this show are incredible, I find myself turning it around in my mind like a rotisserie chicken. I constantly discover new things about the show/book/game or the characters in it. I do not read fic about this, because why would I? Every answer I search for is in the text. I want to talk about this with someone, but about what is THERE, not what could be there. Ex: The Haunting of Hill House, Picnic at Hanging Rock, Piranesi, Bioshock:Infinite, Watership Down, Yellowjackets, among others.
The concepts of this could be amazing but are handled so fucking badly so consistently, in a shocking contrast to how INCONSISTENT the character work is, that all I want to do is steal it and make it better. All i want to do is turn it into something that doesn't suck ass when you look at it too hard. So I am going to take it SO seriously, and I am going to develop the rich inner lives for these characters that they lack, with intense backstories and families and motivation for how they got to be the person we know, or know sometimes, in certain episodes or shorts. Ex: Sailor Moon and Overwatch are the biggies here obviously, this is actually not an emotion I feel very often. I don't have intense backstories and extra-textual feelings and ideas about most of the stuff I read and watch, these two are just my Spiders Georg.
So! The odds on me being into something in the correct way to make me want to Seek Treasure Elsewhere but also I have a chill enough attitude about how the characters are that Any Dream Will Do is almost nil. I do not in ANY way mean this in a shady way, but I mostly read published adult fiction for entertainment and not fanfic. I am very picky about my fanfic. So, "plus these two new red and blue girls into Starbucks" often won't work for me, because the reasons to have Haruka and Michiru meet in a coffee shop are completely different from any of the reasons Fareeha and Angela might meet in a coffee shop, and so many of those types are archtypical plug and play stuff. Honestly, I have skated the idea of making a cheat sheet of fanon archetypes of various characters and buying a typewriter to sell 100-200 word 'quick fic' at cons with my sister. That's how common it is to use these archetypes. This is not a criticism! At all!
But, to take the two couples above, I have read so much BORING SHIT about both HM and FA that I could throw up. Lesbian couples have a lot of very milquetoast writing about them, and a lot of meet-cute which isn't really my bag.
But there are authors I love! @oathkeeper-of-tarth was and is one of the best harumichi writers out there and we don't even have all the same headcanons. The rare occasions @verbforverb decides to grace me with "Jewish Mercy I don't Have To Write" I pop a can of bubbly in the tub. And on both fields of battle @keyofjetwolf has stuff I've had bookmarked for years, and there are some things even within Rei's backstory and history that we disagree on.
Actually, to that point what I like is good writing. You can write me into believing nearly anything. There are things I believe about Amelie when I'm reading @lemon-embalmer's stuff that when I go back to my own world, aren't true, but when I'm in her world who the fuck cares, I'm having a great time. EVEN MORE to the point, I read @moonlight-frittata's stupid sun and moon lesbian League of Legends shit and I would rather shoot myslef than know ANYTHING about the game, but unfortunately she has a beautiful turn of phrase and plot flow to her work that I just....read anyway, because it is good. Fucking @tallangrycockatiel had me like 25 pages or so into a story before I was like, "OH SHIT, IS THIS SLASH??? WAIT I DON'T WANT TO READ ABOUT BOYS' LOVE!! NO!!" *hits next page* And I still could not care less about that podcast and would never listen to it, and if I did I would be massively disappointed because to my mind, her John and Arthur are the actual article, and whatever the fuck is going on in the source material can eat my dick.
So, yes, I DO think that having a very particular point of view is going to mean I back out of a story where like, "Lena stepped out of her Chelsea flat, custom leather high heels clicking against the step" sometimes, or, you know, "Haruka put down her copy of War and Peace, each meticulous note codified by a color-coded tab. Blue was for historical references to research, green for character analysis, yellow for themes, blah blah blah*" But I am actually shockingly open minded in what I will read, often to the point that I'm reading stuff from SHIT I DO NOT LIKE OR CARE ABOUT, because the quality of the writing is excellent. So, also no.
*I met someone who read books like this and I suddenly realized what the literary equivalent of 'knowing someone is a serial killer' was.
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marunalu · 10 months
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Isn't all of the rabid BKDK shippers similar to that one pairing in Bleach where the loud shippers want one pairing and the Editors suggest that the Bleach's author should do it, but he explicitly stated that he wanted this pairing instead because its his story? At best, the official canon ship for Izuku would be Izuchaco or implied of it or no ships at all.
At least Hori agrees with us that the BKDK relationship is abusive and that the two would be treating each other as acquaintances who just happen to grow up together. And the thing is for that BKDK contest, he acknowledges the skills of the artists but the relationship is not romantic at all. So it's really just people being extremely obsessed with the idea that any and all relationships should be romantic instead of platonic. I wonder if he was expecting a badass action scenes between the two working together instead of causal romantic times?
Do you happen to have a citation for the contest so that we can point towards the fact that BKDK is just for fun, not canon?
I remember I saw horis reply somewhere on twitter between 2 or 3 years ago. But I dont have twitter, well X know, anymore. Honestly, I dont quite remember if it was a bkdk fanart contest or just an exhibition. And I think it was only japanese artists. But basically, while he praised all the fanarts and the talents of the artists, he made clear that the way bakugous and izukus relationship is portaied as in these fanworks is not what their relationship is really or ever was like. There were tons of romantic bkdk and fanart of them as children playing happily with each other. He basically confirmed as unbiased as possible that this kind of interpretation of their relationship is completly fanon. Maybe someone who reads this can give us a link though, I tried to find it with google, but google only showed me reddit and quora posts about "why bkdk is canon" and such stupid stuff. 🙄
And yes you are right, the bkdk shippers are VERY similar to the rapid ichiruki shippers back then. Mind you I WAS THERE when the shipping war between ichirukis and ichihimes was at its highest and believe me it was UGLY and for me who never shipped ichigo with either rukia or orihime it kinda destroyed the manga/anime for me back then and its one of the main reasons why I dont like shipping in generell anymore. But despite never shipping it myself I KNEW ichigo would end up with orihime, because kubo made it obvious. The anime cut a lot of canon ichihime moments and included tons of filler ichiruki moments, so its no wonder why so many people believed at first ichiruki was a thing. And to be fair to kubo, he made clear statements back then about ichigos and rukias relationship being pure platonic YEARS BEFORE the manga ended, but the shippers ignored that and played victim afterwards. Hori on the other hand would never make this kind of bold statement, because he is aware of the backlash that would happen. I like hori and I can understand why he wouldnt want to upset people because he was attacked and got death threads in the past already from stupid shippers, but I have to say tite kubo is clearly the braver one of these two. He simply gives a fuck what people think and just does his thing no matter if people like it or not.
The best part was how not that long ago he completly destroyed an hardcore ichiruki shipper on social media who attacked him and insultet ichihime and kubo was just like: "you know what? FUCK YOU! From now on I will make even more ichihime content just to piss you off even more asshole!" Kubo is amazing and a legend!
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eelfuneral · 9 months
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I know I seem to be writing a lot about my issues with certain aspects of how the Jedi were written lately, but I will say that I do like them over all—especially when we look at individual Jedi characters. What has been prompting my flurry of dissection of the less than nice aspects of the Jedi as an organization has been seeing a number of really uncomfortable arguments in their favor. I’m going to elaborate on this, but I’m putting it below a cut and tagging it as “jedi critical” so you can avoid it if it’s not your thing. So here is a list of fandom Jedi takes that I don’t love:
1. The insistence that the Jedi having a repressive view of emotions is nothing more than a fanon myth. Star Wars canon isn’t terribly consistent: it has a number of different writers and George Lucas is famously indecisive about his beliefs regarding canon. As a result, you have a hodgepodge of differing portrayals of Jedi, but the one that people are most familiar with is the one from the sequel and prequel trilogies. While it can be argued that the Jedi are more about controlling how you react to your emotions and avoiding harming people, especially if you look beyond the films and at other canon material, the first six films don’t do a great job of portraying the Jedi in that way. When Yoda himself has multiple lines about how certain emotions (not reactions to them, but emotions by themselves) are of the Dark Side, can you really blame people for coming to this conclusion? The same goes for the idea that they don’t *really* forbid romantic love. When you have a whole subplot involving a prominent Jedi Knight having to hide a romantic relationship or face expulsion from the Order for having a romantic relationship in any capacity, then this argument doesn’t hold a lot of water. A rule stating that “romantic partner = automatic expulsion” does not line up with the idea that Jedi only ban possessive love.
2. Having any sympathy for Anakin Skywalker means you think that he’s never done anything wrong ever. I acknowledge that rabid Anakin stans who bash every other character to prop him up are very much a thing, but I don’t believe that we need to shut down every discussion of Anakin that doesn’t paint him as an ungrateful brat who needed to stop having so many damned emotions. Anakin was intentionally written as a sympathetic antihero and later a sympathetic villain. People picking up on the sadder elements of his life and the times where he maybe didn’t get everything he needed from the Jedi Order are sniffing out intentionally placed story nuggets that are designed to make his betrayal of everyone he loved in ROTS that much harder to watch. Also, acknowledging that the Order may not have been a great fit for Anakin isn’t the same as saying that it was somehow abusive or evil. No organization, real or fictional, can meet the needs of every single person. Anakin was certainly loved and cared about in the Jedi Order, but his personality and trauma arguably made him incompatible with their lifestyle.
3. The weird vitriol at the idea of Gray Jedi. Gray Jedi were very much a thing in the legends continuity and have been a fanon staple for literal decades. A lot of people aren’t fond of this concept, because they feel that it misrepresents how the force works, particularly in current canon. That’s perfectly fine, but acting like this type of Jedi was never, ever a part of canon is silly. Insisting that it’s a cardinal sin to depict a Gray Jedi in fanworks, which exist specifically to be a free-for-all that may not be canon compliant, is just mean. You didn’t have to like every fanwork or concept, but you cannot control what other people create for fun.
4. Outright denial that the clones are enslaved by the Republic. Clones are described as “property” and “equipment”. The Republic BUYS them. They do not have a choice but to go to war and don’t seem to be paid much, if at all. When a group of people are owned, bought, and sold, they are slaves by definition. I understand that the Jedi were dealt a bad hand and weren’t in a great position to do much about the situation, but I and a lot of other people would have loved to see more instances of Jedi advocating for clone citizenship and freedom. People noticing that the Jedi could have done more for the clones are not stating that they think the Jedi were 100% okay with the situation, and it is entirely possible to acknowledge the deep Jedi/clone friendships that we see in canon while acknowledging what the Republic was doing to the clones. Justifications of the clones’ enslavement mentioning that they liked being soldiers (they didn’t know anything different) or were treated well by the Jedi (Pong Krell existed, and they were still owned by the Republic) make me very uneasy. If your defense of your blorbos reads like Neo-Confederate chattel slavery apologia retrofitted to be about pretend space people, then maybe it’s time to do a little bit of self-reflection.
5. Ableism. When you throw takes like “if the Jedi philosophy regarding emotions is so hard for you, then you are a baby or a sociopath” into the tumblrsphere, they are always going to fall and hit people with disabilities that cause emotional regulation issues. The line between stating that people should not use emotions as an excuse to harm others and outright attacking people for having intense emotions in general is one that I have seen crossed, shat on, and lit on fire in defense of the Jedi.
6. Equating criticism of the Jedi to real-wold prejudice. Saying that criticizing the Jedi is the same as being antisemitic or homophobic is uncalled for. Queer and Jewish people exist in the real world, and pretend space wizards do not. Comparisons like this are insulting because they put real-world prejudice and fandom wank over space wizards on the same level. Do better.
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a-manicured-lawn · 3 months
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So I know you like Spirit…what do you think his role would be if he is added to Jojo’s Lay boys? Any headcanons for his personality?
I DO LOVE SPIRIT HOWD YOU KNOW is it cause I won’t shut up about him?
Well! If he was added to Jojo’s cast, I’m honestly not sure. There was an old post mentioning a link with rivets in his tunic in the profile banner back when she was answering asks on tumblr, but she refused to say who exactly it was. There’s been a few suspicions that this rivet hero is in fact the riveting Hero of Spirits himself!
Much as I hate to say it, if spirit were to officially find himself on the LU roster, that is probably what he’d look like. An aged-up version of himself, probably with a few more years of service under his belt, although as a knight or as an engineer is the real question.
Ingame, there’s a dialogue option with Spirit’s Zelda (Phantom? Spooky?) where she’ll ask you what you want to do after the adventure. You’re given three options: be a knight, an engineer, or undecided. If you choose a knight you’ll get an endgame cutscene of Spirit fighting in the courtyard as a knight trainee, and if you choose an engineer you’ll get a cutscene of him driving past the castle and I don’t know what happens if you pick undecided someone please let me know I always pick engineer.
If Jojo goes the knight route I worry he may become a carbon copy of the other knights and knight adjacents in the Chain as a rough blend of Wars, Sky, pre-Calamity Wild and Legend.
Should he be an engineer, however, I believe he may find his place alongside Four servicing more magical items as Four handles swords and shields. He may also serve as an inventor, finding novel and more modern solutions to issues the Chain faces.
However, this speaks mostly to his physical place in the chain, rather than his personality. Unfortunately, with no manga and just his ingame personality, a glass of water has more life than him. The only time he shows any kind of interest outside the player is in response to his Zelda, and that’s to blush when he first sees her and to be delighted when she threatens violence. Thus, any personality has to be built ground up.
Now, I’m not Jojo (obviously), but with such a blank slate I can’t help but add my own ideas and model for an LU spirit (which has a WIP! It’s HUGE!) to add onto the Chain.
Ingame, Spirit and Wind actually have the exact same character models, only changing Wind’s clothes into engineer duds. Thus, I’d headcanon them as identical twins. Slightly different, just because they are still separate heroes, such as giving one or the other freckles or paler skin or different eye colors (blue vs green vs black?) to help tell them apart, but otherwise basing it off of clothes.
For personality, I’d honestly make a foil to Wind. He’s a bright, exuberant young kid, which would be paired beautifully to a shyer, more reserved twin. I’ve noticed that in canon all of the Links tend to have forceful personalities (yes, even Hyrule, shy Hyrule is fanon but if I’m wrong PLEASE tell me I love shy hyrule) which can lead to personality clashes. However, with a quieter personality in the mix, it can lead to Wind “stepping up”, so to speak. Making sure Spirit is heard over all the hubbub, sharing stories to keep Spirit out of the spotlight, etc etc.
However, if spirit were to become canon I doubt that’s how it would go. It’s a bit out there, especially considering the other Links’ personalities like I mentioned before. The fandom represents, though! There’s SO many Spirits out there by now and I am DELIGHTED each time I come across a new one!
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damianbugs · 1 year
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I read your pinned Jason post and just wanted to comment on how smart and compassionate he was while also being emotional and occasionally brazen, and how his negative traits were exaggerated to make him appear destructive and doomed from the start. But one thing that got completely overlooked was how mature he was for a kid his age. Like he was a parentified kid taking care of him mom, he never once blamed her or Willis for their misfortune. Hell, Robin-Jason’s morals barely encompass petty crime, addiction, etc. as “evil” traits. Nowadays, this obsession with portraying Jason as a completely immature, hair-trigger, child in hysterics, and the emphasis on having "daddy issues" without directly clarifying what they are and where they stem from; is so dirty. it's as if the writers looked at fanon's soulless (also classist) interpretations of him and called it a day. Their misunderstanding of poverty and crime prevents them from offering nuanced perspectives on the subject (also because utrh was released during a spike in the War on Drugs era), so there exist a million canon and fanon works of the bats explaining poverty to the homeless guy. (this is also not me saying he's even been right as RH, but the fact that they refuse to add any nuance to the conflict outside of Bruce irritates me.)
perfectly put anon. HEAVY on the differing perspectives of what constitues as 'evil' crime robin jason had in comparison to, for example, bruce. he was an incredibly complicated and mature boy who was a victim to classist writing in every single aspect of his story. even after the introduction of tim drake and how he was basically the exact opposite of everything that made jason jason you get the feel of, oh, so even in death he is ridiculed for who he was.
'Their misunderstanding of poverty and crime prevents them from offering nuanced perspectives on the subject'
this is so real. i think a very recent example would be the 'cheer' story for batman urban legends, which, to my dismay, is often said to be the best jason writing in recent years (to which, uhm, task force z, hello!) because of how the entire situation with the boy and his father was handled. obviously the father was in the wrong, and jason knew that — but suddenly, all the compassion and reasoning jason has for being a character like the red hood is completely pushed away until AFTER he kills the guy. he mentions something along the lines of having orphaned a child and he can't believe he's done this or something and i was sat there like.. what on earth! not to mention the atrocious young jason writing which shows him contemplating murder(?!)
dc has this staggering inability to separate the idea of poverty with crime and again, it is almost laughable how it is not even hidden in subtext. it is very obviously there. children of drug addicts and criminals MUST be evil, for some reason, no we will not explain why.
i agree with you in that the real tragedy of red hood is that he's become a consequence of bruce as opposed to batmans mission. when he was first introduced dc were setting him up to be, what i believe, a permanent spot in the gotham rouge gallery. meaning he would have been developed and stayed separate as his own anti-hero for gotham, being the ultimate enemy that can never be defeated by batman and alike BECAUSE they are doomed to be on opposite sides of a solution.
that obviously never stuck. and now we get jason in stories he doesn't need to be in, or written terribly all in order to emphasise his broken relationship with the other bats. which, maybe, could be done well, but most the time, isn't. red hood aka angry red bat 'daddy issues' extraordinaire jason todd.
maybe one day we'll get a writer who truly loves what jason can mean to a place like gotham and respects his origin but also how that would affect him into adulthood. one day.
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