Danny has an Ice Core.
He isn't aware of it, but this does, in fact, greatly influence how his ghost form looks as he grows up.
His appearance starts getting more rugged, eyes a paler, more piercing green, hair a bit more uncontrollable and wild.
He packs muscle easily, even in human form.
When in ghost form, he has an aura of something patient and dangerous, and that sense only grows the older he gets.
Basically, our boy starts to look like a viking.
No matter how goofy and bumbling he really is, his first impression is always a horrifying moment for whoever is meeting him.
And as his ghost form grows with his human form, he outgrows his hazmat outfit. Frostbite and the Far Frozen fashion him some new clothes-which only compliment and play off of the viking aesthetic he's got going on.
And with the height he inherited from his father?
Our man is a very, very intimidating figure to look at. More so than Dan; because while Dan was dangerous and scary, he was all energy and lightning and rage.
Adult Danny comes across as lethal and terrifying, all ice and persistence and that final, terrible silence before you realize you've already died.
Dan felt like the warrior in front of you. Danny feels like the wilderness in winter, vast and unforgiving.
Anyways, when a summoning for Klarion goes horribly wrong and Danny gets called instead, the Justice League has a moment where they're convinced they've summoned something much, much worse than Klarion.
And Danny, standing there completely confused, is not helping by remaining silent and still while staring John Constantine in the eye.
Good news, the bad guys are also very concerned about the weird ghost viking and are actually moving to stand side by side with the Justice League on this.
Bad news, who the fuck is this guy?
"...Fuck," is all Constantine whispers, backing away slowly.
@simplestoryteller
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I'm seeing some confusion out and about over the title A Companion to Owls (generally along the lines of 'what have owls got to do with it???'), so I'd like to offer my interpretation (with a general disclaimer that the Bible and particularly the Old Testament are damn complicated and I'm not able to address every nuance in a fandom tumblr post, okay? Okay):
It's a phrase taken from the Book of Job. Here's the quote in full (King James version):
When I looked for good, then evil came unto me: and when I waited for light, there came darkness. My bowels boiled, and rested not: the days of affliction prevented me. I went mourning without the sun: I stood up, and I cried in the congregation. I am a brother to dragons, and a companion to owls.
--(Job 30:29)
Job is describing the depths of his grief, but also, with that last line, his position in the web of providence.
Throughout the Old Testament, owls are a recurring symbol of spiritual devastation. Deuteronomy 4:17 - Isaiah 34:11 - Psalm 102: 3 - Jeremiah 50: 39...just to name a few (there's more). The general shape of the metaphor is this: owls are solitary, night-stalking creatures, that let out either mournful cries or terrible shrieks, that inhabit the desolate places of the world...and (this is important) they are unclean.
They represent a despair that is to be shunned, not pitied, because their condition is self-inflicted. You defied God (so the owl signifies), and your punishment is...separation. From God, from others, from the world itself. To call and call and never, ever receive an answer.
Your punishment is terrible, tormenting loneliness.
(and that exact phrase, "tormenting loneliness," doesn't come from me...I'm pulling it from actual debate/academia on this exact topic. The owls, and what they are an omen for. Oof.)
To call yourself a 'companion to owls,' then, is to count yourself alongside perhaps the most tragic of the damned --not the ones who defy God out of wickedness or ignorance, and in exile take up diabolical ends readily enough...but the ones who know enough to mourn what they have lost.
So, that's how the title relates to Job: directly. Of course, all that is just context. The titular "companion to owls," in this case, isn't Job at all.
Because this story is about Aziraphale.
The thing is that Job never actually defied God at all, but Aziraphale does, and he does so fully believing that he will fall.
He does so fully believing that he's giving in to a temptation.
He's wrong about that, but still...he's realized something terrifying. Which is that doing God's will and doing what's right are sometimes mutually exclusive. Even more terrifying: it turns out that, given the choice between the two...he chooses what's right.
And he's seemingly the only angel who does. He's seemingly the only angel who can even see what's wrong.
Fallen or not, that's the kind of knowledge that...separates you.
(Whoooo-eeeeee, tormenting loneliness!!!)
Aziraphale is the companion.
...I don't think I need to wax poetic about Aziraphale's loneliness and grappling with devotion --I think we all, like, get it, and other people have likely said it better anyway. So, one last thing before I stop rambling:
Check out Crowley's glasses.
(screenshots from @seedsofwinter)
Crowley is the owl.
Crowley is the goddamn owl.
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Undead Unluck has no freaking business having such a cute couple dynamic with such an insane plot and wild character design.
Like, watching Fuuko's and Andy's relationship grow from Andy just teasing/wanting to use her, to him actively trying to make her fall for him to get the best death ever, to them just naturally starting to grow together as characters and just, respecting each other and actually learning to love the other, like, hurghhh!! Why is it so good??? Andy is literally insane yet he has a more mature and stable relationship with Fuuko than most other protagonists?!?
Also, the way the mangaka draws them constantly being physically so close is gonna kill me. Like, yeah, during the fights Fuuko's gotta play Koala to get her unluck on him, but there's rly no reason for the two of em to be all over each other out from battle (i mean, before they obviously start to like each other). I just keep thinking back on that one plane scene, where they literally have a whole plane for themselves, yet Fuuko naps in Andy's lap and cluthes his tie.
A man who looks like he smells of stale cigarette smoke should not be allowed to be adorable istg.
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Hey, so today KING IN LIMBO volume 1 came out, and I HIGHLY recommend it.
Full disclosure: I’m the letterer on this manga. Kodansha paid me for that, but not to plug this book, or to gush about it with the editor. This is probably my favorite title I’ve ever worked on. The SF premise is very cool and the sense of place is spot on, but what makes KING IN LIMBO stand out is the multifaceted, layered main character.
If you’re into grounded, character-heavy SF and want more comics for mature readers please check it out.
I just got the script and assets for the third and final volume and am so excited to see how it wraps up.
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