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#don't we all bert
microwavepopcorn · 9 months
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roguetelepaths · 9 months
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the third wave "experiment" and its consequences have been a disaster for the human race
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19burstraat · 6 months
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ketterdam dashboard simulator
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goedmedbridge420
who up boeking they canal
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drydens follow
I can't believe some of you log on here and thirstpost about barrel vagrants. it makes me so sick. these men are the very pits of society and have never honoured ghezen a day in their lives. there are so many other young men who make their living in a reverent way. have some dignity.
#ghezen #inghezenssight #ghezenhonouring #churchofghezen #handofghezen
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kooperomno1fan
lionsroar12 follow
omg HOW is kaz brekker winning this he's SO problematic he's not even good for the economy he killed members of his own gang and kidnapped councilman van eck's son
dregsundrained
cranky coz your gang fell apart aren't you
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oskervoexchange follow
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guys is this a mandela effect or what bc I SWEAR this painting used to be in the university district art museum, I literally saw it this week??? but I went today and it was GONE?????? there wasn't even a plaque?? guys pls I'm so confused why is everyone acting like this is normal for ketterdam? do priceless antiques just VANISH? am I being gaslit?
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stadhall-clerking
guys I'm so sorry I've been MIA :( I found out that my landlord was using my rent on the staves rather than fixing my black mould problem so I pushed him out the window and told the stadwatch he must have fallen and died because he wasn't honouring ghezen and got away with it. anyway I think maybe the black mould explains the dirtyhands/sturmhond fic I was writing sorry :( but I WILL finish my fairy queen of istamere meta post once I've moved into my new lodging
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dregsconfessions follow
SUBMISSION: sometimes I lie awake thinking about the time I fell down an entire flight of stairs at the slat when kaz was at the bottom, and he just stared at me (still lying on the floor), and then asked if I'd changed the beer kegs at the silver six yet. GIRL NO?!?!?!
#submission #dregs #dirtyhands #admin comment: laughed so loud my upstairs neighbour threatened to shoot me
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dregsconfessions follow
ADMIN NOTE: if the razorgulls don't fucking stop sending anon hate to this blog we'll tell dirtyhands n he'll send you your own IP address back
#see what happens you hack job seagulls
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kerchtourismboard
it's us, the real kerch tourism board, here to tell you what we're putting in the new summer season pamphlet. we got 1) three pages all about kaz brekker that end up being more of an advertisement than a deterrent 2) list of slipperiest spots in the barrel where you will fall over and get a concussion when ur drunk 3) top 10 ways to get your wallet stolen by a child in broad daylight 4) paintings of the komedie brute 5) advert for sten's stockpot 6) map of public toilets
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kerchtourismboardreal follow
we are not affiliated with any degenerate impersonator accounts who claim to be us. we are the only real kerch tourism account.
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kerchtourismboard-real follow
grafcanal smells like piss and you should bite everyone you see wearing the mister crimson costume
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stensstockpot follow
it's all 'fuck sten's stockpot' and 'I got food poisoning from the special at sten's stockpot' until you realise you don't have the money for cilla's fry, and then you come CRAWLING back to the loving arms of sten's stockpot and our special. you fucking traitors. you'll be back! you'll all be back
canaljumpings follow
what's in the special sten's stockpot
stensstockpot follow
it's a surprise ;)
bertskerch follow
nah I thought this was the real stens lmao
stensstockpot follow
bert smit you still have 45 kruge to pay on your tab and if you don't cough up we'll send our debtors to break your legs
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exchangingbabey follow
my grisha girlfriend who still wears a kefta and says things like 'nikolai lantsov is a bastard': ugh they're still debating whether or not the council of tides should be able to control kerch shipping, I hate inter-country politics
me: I think I hauve the queen's lady
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(insp) (insp)
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i-like-eyes · 1 year
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Trying to figure out how they'd work as puppets
More in depth analysis below the break
For those that don't know, typically the three most common variants of foam puppet are know as rod hand, live hand, and walk around. Examples would be Elmo, Cookie Monster, and Big Bird respectively. Rod hands are smaller in size and held up by, well, rods. Live hands have the puppeteer (or two!) insert their hand in a sleeve connected to the puppet for more interaction. Walk around puppets are full costumes the puppeteer wears, but what makes them puppets and not like, fursuits, is that there is still puppet mechanisms like moving the mouth or blinking.
Here is what comes from the website/Clown's tumblr:
Julie is a rod hand
Eddie is a live hand
Poppy is a walk around
Barnaby has a walk around and live hand
Howdy has a walk around and live hand
Sally is a live hand but "required an additional hand to help move her head, as it was much larger than other puppets"
Frank is said to have a fixed expression but his head could spin, rather he was rod or live or magic third thing I cannot figure out
Wally doesn't have any details regarding his puppet anatomy because he is special like that
Of note:
Julie likely has smth holding up all that hair (please be a fucked up skull please be a fucked up skull)
Poppy is a pretty standard walk-around puppet (she's just Big Bird), but I'm having trouble understanding how a human could fit into Barnaby or Howdy. Then again, 2d artwork of puppets tend to take liberties for the sake of stylization. So if someone were to make them IRL they'd either look really different or utilize tech I don't think was available in the early 70's
Howdy's legs could work on Squidward Spongebob Musical logic. Arms I have no clue, as a live hand he could have multiple people filling up those arms, but as a walk around idk cheap spider costume logic were the lower arms are attached to the upper arms ala a string?
I do not know what to make of Sally needing extra help to hold up other than that's so specific it might become a plot point
Frank.
Okay Frank lacking details or having weird details that stand out is a running theme for him. He has no listed backstory whereas everyone else can say where there were from and who their family is. Every character's first name ends with a long "e" sound whereas Frank is. Frank. (His last name "Frankly" does cover that though). The fact that WHRP lacks any concrete detail on his creation is a story reason, what's the story no clue we are 5% in dudes
Regarding his puppet, he obviously had a fixed frown because puppet but also could spin his head. Now I have absolutely zero clue how you can have the head spin and also have room for the hand for the mouth, unless this is a rod puppet (Rizzo the Rat) where the mouth is moved by some other mechanism. All I can say is I'd suspect Frank to have a very stiff (read: not majority foam) head and body in order to hold up such a feature. If his head can detach, I can imagine a metal ring of sorts that his collar covers up
His arms are a different story. The website not clarifying how his arms work doesn't really mean there is anything particular about them, but I am going to over analyze is anyway dammit
Points for rod hand: arms/hands are slim, inspirations Bert and Mr.Robinson are rod hands, lack of other rod hands/variety reasons
Points for live hand: Sally also has slim hands but is live hand, not all live hands have thick arms (looks at how small Ernie's upper arms are compared to his fore arms), Beaker hasn't been listed as an exact inspiration for Frank but look at him, and most importantly is Poppy. Poppy is noteworthy for being the only walk around puppet without a live hand counter part. As a result of having wings for hands the puppeteer cannot realistically perform any of the baking tasks in her segment. As a result she gets help from Sally, Howdy, Eddie, and Frank. The former 3 are all live hands, and one can assume that because of this Frank could be a live hand as well
And finally I know he's said to not super expressive but my heart says that he would look great with the eyebrow mechanism Bert and other puppets have.
I should point out that puppets from the 90's (Dinosaurs and TMNT come to mind) used more robotics in order to achieve more expression with the characters, but I don't think that kind of tech was common place in the 70's and would apply here.
The big take away is that this post was made for practical reasons; I am just Quite Fond of researching this kind of thing. This will probably not get you any lore, but it could provide context for the characters. I personally suspect that Poppy not being able to fly or perform tasks she swore she could will play a big of her character. In general I think that what other puppets can and cannot accomplish will play into the theme of figuring out who you are. That's the real fun.
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inkdemonapologist · 14 days
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FINALLY got these scribbles from last session of the Cthulhu game scanned in lmao, THINGS HAVE BEEN SO BUSY but cthulhu has been very exciting!!
While looking for some Alan Leroy guy to figure out why the Phantom is following(?) him(?), we asked around with (a) his book club friends and (b) the mob, as one does. Sammy managed to avoid seeing the yellow sign when he realised very quickly what Cool Obscure Book this book club pal might be describing (unlike Jack, a polite boy who does not RAPIDLY AVERT HIS EYES FROM HIS CONVERSATIONAL PARTNER), but did not manage to avoid being hustled off by the mob to talk to The Boss when Henry asked just a few too many questions. it went fine but Sammy was SO STRESSED, HES ALREADY BEEN KIDNAPPED BY GANGSTERS ONCE HE DOESNT WANT TO DO IT AGAIN
also hes still cute in this hat. you should wear hats more often sammy. ANYWAY if you're here for Out of Context quotes from this session, I GOT EM RIGHT HERE UNDER THE CUT:
[Sammy is played by me, Joey is played by Boo (inkyvendingmachine), Henry is played by Maf (inkcryptid), Jack is played by Mochi (whatyouwantedmetosee) and Thren (haunted-hijinxer) is our GM!]
[Sammy] He will mention to Henry, something about "Oh boy, dreams are starting up again" kind of thing. [Henry] Yyyyup. [Henry] Don't get possessed again. [Sammy] [Sammy] i dON'T THINK SAMMY KNOWS WHAT TO DO WITH THAT!! The last time he got possessed was BY PROPHET, whom he still shares a body with!! [Henry] Prophet doesn't count! Don't get possessed by anyone else. [Sammy] .... I'LL DO MY BEST, [Sammy] I just like the idea of Henry being like 'don't get possessed' and Sammy just LOOKS at him, like............ I'm already possessed, what are you talking about
[Sammy] Given how these things like to happen on auspicious days, I'm a little worried about New Years,
[Joey] That's exactly the spin he's going to put on it -- Some time off for New Years, and a bonus day off to recover from the celebrations! [Jack] Gotta account for those, now that drinking's back!
[Henry] Oh good, I was really worried Joey would call Norman and get a "who are you?" [Jack] Norman DOES do that, but just because he thinks it's funny. [GM] That's possible, yeah, [Sammy] Oh my gosh. I believe it, is the thing. [GM] I do too, honestly... this might just be a thing that happens.
[GM] And the studio seems normal, and nobody got kidnapped in the night, not even Norman, and Henry's family is safe -- things are doing so good! [Jack] Nobody that we're currently in contact with got kidnapped in the night! [GM] That's true. [Jack] I'm not ruling out Bertrum getting kidnapped. [Jack] ...unrelated to the Carcosa nonsense, he just got kidnapped. [GM] That's what he gets for hanging out with the mob. [Jack] Sorry, I mean, "The Great Bertrum Piedmont." Have to use his full and official title. [GM] That's how you get him un-kidnapped, he just breaks through a wall to correct you. [Jack] *laughing* The Kool-Aid Bert................ [GM] The Great Kool-Aid Piedmont, [Jack] Now that's fanart I don't want to see.
[GM] Welcome back! We've been talking about the Great Bertrum Piedmont Kool-Aid-ing through a wall to correct you about his name. [Sammy] *startled wheezing* Okay, well it sounds like I've missed some really important developments!
[Jack] I think Jack would lean in the direction of like, they wanted to get in touch with him at the charity thing-- aaagh, that's technically not true. He's not the fast talk boy, he's not allowed to, [Sammy] I mean, he CAN fast talk, Henry does it all the time! [Jack] But does he succeed-- [Sammy] Henry's not the Fast Talk Boy but he keeps LYING anyway!!!
[Sammy] I feel like Jack is good at looking worried, and, caring about his fellow man, [Jack] I don't think he has to TRY to look worried??? [Sammy] I don't think Sammy contains these qualities. Sammy looks like he's here to arrest you. [GM] She's actually giving Sammy a concerned look, [Sammy] Sammy is HERE FOR THE PROTECTION MONEY.
[Jack] Well, this was lovely! Time to leave, because Sammy's already... vibrating against the door trying to clip through it.
[Sammy] Sammy's IMMEDIATELY going to tell him about this clarinet with the missing E flat extension. [Sammy] ....and then ALSO mention that he thinks maybe he's seen this guy before.
[Joey] Joey slightly fixes Henry's hair before they head in. [Sammy] (That's a little bit gay, but alright,) [Jack] (I think it's more than a little bit) [Joey] LISTEN, listen, Joey recognises-- [Jack] Linda's out of town! [Joey] --Joey recognises the neighbourhood,
[GM] The door gets opened pretty quickly, but the guy inside actually looks a little like he's suddenly out of his depth, because whatever he was expecting to happen is not what is happening. [Sammy] That's a common reaction to Joey Drew.
[Joey] I feel like it's not going to be a fast talk roll, actually, to make this guy feel like this is NOT a dangerous ask? So I'm gonna go with persuade instead. [GM] Are you going with the tack that you were concerned parties from the event? [Joey] I think, concerned party, perhaps leaning towards the notion that they hit it off well at the party, and -- I'm just turning it into a fast talk, [Joey] *trying again* I think Joey is leaning more into an idea that they are freshly met, but have similar interests? Or... possibly leaning into he's ...a friend of a friend and we're looking into it for that friend? [Sammy] Joey trying NOT to lie is really funny. "Oh well obviously I'll just say -- oh, I guess that's not true; I'll just -- WELL, that's not technically true either," [Joey] ADMITTEDLY, if this does turn into a fast talk roll, using the same roll it's now a BETTER SUCCESS, so, [Sammy] Just really funny how hard it is for Joey to just, HONESTLY REASSURE someone without inventing a whole narrative [Joey] I'M GOOD AT COMING UP WITH STORIES!! I'm not good at... fact-checking them first...
[Joey] Please, if you hear from him, or get any more information, please reach out to us as soon as possible, because the sooner we can prevent this, the better off he'll be -- y'know, that whole thing! [Joey] Do the most heartfelt, emotional connection he can... it's a little gay, but... [Sammy] I fully believe in Joey's ability to extoll the virtues of this man he's never met.
[Sammy] We can just check with Norman, have him peek out the window and see if it looks weird, [Joey] "Hey Norman, is your house in the right location?" [Jack] "Dunno why you called me outside just to tell me that you moved my house!"
[GM] Norman answers the door, and gives you guys a quizzical look. [Henry, out of character] :D Hey, did your house move? [Sammy, in-character] >:/ Did your house move?
[Sammy] Sammy will point out things Jack noticed as being different, as if he also noticed them. [GM] He'll turn back to you, and just kind of observe in a blase sort of way that he's apparently moved. [Jack] I love Norman,,,, [Joey] I love Norman's 89% Sanity score that never gets hit, apparently! [Jack] His sense of humour is actually an indefinite insanity. [Sammy] A constant coping mechanism, [Jack] Can't go insane when you already are!!
[Jack] Jack is, not happy about this, [GM, as Norman] He wonders if you'd like to come in for a housewarming, then.
[Sammy] Sammy's going to just catch her up on, the guy we're looking for read the play, [Sammy] Also, might be a guy that Sammy saw in New Orleans, and that might be why he knew the music?? [Sammy] ALSO, WEIRD THING with his clarinet, he doesn't have the E flat extension that you'd EXPECT HIM TO HAVE? [GM] I think Susie knows enough that she would say that's weird if he's playing seriously. [Jack] I was about to ask if this meant anything to these two-- [Joey] Norman is regaining sanity by watching Sammy rattle on about all this. [GM] He's probably chiming in opinions, too, that are completely not based in any actual musical knowledge -- [Henry] Norman just like "He's missing the E extension? Next he's gonna lose the, the F Shortener!" [GM] "What's the world coming to!" [Sammy] Sammy's giving him the most unamused look, and this is all Norman wanted. [GM] Yeah, yeah, this is how he keeps his sanity high. [Sammy] Just annoy Sammy Lawrence. That's the secret.
[Jack] Good to make sure things aren't going weirder over here-- which, uhhh, [Sammy] Which they are!!
[Sammy] That's smart, but that's also really spooky. Like okay, cool! The whole world has re-written this! Cool cool cool cool cool. [GM] He doesn't seem PLEASED about it, but he seems about normal. [Henry] He seems Norman about it. [Jack] Yeah, Normal Polk. [Jack] *cracking up* He shows up at work the next day and he's called "Normal Ponk." That's his name now.
[Jack] Reality's rewriting itself, wanna kiss about it? [Henry] Ah, Jack's okay again.
[Jack] If this was Fowler, then WHO WAS PHONE????
[GM] Well, okay, first things first, does Joey have Peter's number memorised? [Joey] HM. [Joey] ...I feel like he wouldn't admit it, but yes.
[Joey] Joey says he's going to call Peter back in a minute. And hangs up. [GM] You cut him off in the middle of some sort of response-- [Joey] Cool.
[Joey] He managed to break into a safe once by doing this! [Henry] "Break into" is... a bit of a strong phrasing. [GM] *mumbling* "Get locked inside of,"
[Joey] The main thing is, Do Not Go Alone, because if something happens to Peter... we have no way of tracking down the information that he has! We, we lose, all of his evidence! [Jack] .....and that's the ONLY thing, [Joey] Yup! [Henry] We ALSO lose his, HIM, [Joey] *mumbling* No, no that doesn't matter as much, as evidence, [Joey] It's clearly just, the fact that they lose all the benefits of having a reporter with ghost powers on their side, and NOT Peter himself, that is the issue! [Jack] iTS NOT LIKE HE CARES ABOUT YOU OR ANYTHING!!!
[Jack] *spongebob meme* You like Peter Sunstram, don't you, Joey?
[Joey] Both Henry and Sammy are the best able to get themselves out of a tough, fight-y situation, [Sammy] We can both punch, and Henry has magical power if something supernatural happens... [Joey] Also! Also, neither Joey nor Jack are there to be taken hostage and used against them! [Sammy] ... I think you're actually right. I hate to admit it, but I think you're right. [Jack] I can't wait for Jack to be kidnapped at the magic shop, you guys!
[Henry] I can't believe we're sending the two least talky boys off together to talk to the mob, [Joey] LISTEN. Henry and Sammy can go to the restaurant! Henry likes food! There we go! [GM] I can't believe Joey's just making sure Henry gets a nice meal after his shake-up earlier... [Sammy] I dunno, maybe Peter should come with us, just in ghost form. Henry can see him, potentially, [Jack] So Pete's body can... Not be where he left it when he gets back to it! [Sammy] ....hm, [Joey] *startled laughter* [Sammy] ....okay, nevermind,... [Jack] Just leave him in the car, what could go wrong! That's not disappeared MULITPLE TIMES!
[GM] Johnny Nero is of average height and build, with dark, slicked back hair, and a neatly trimmed moustache -- so not like any of the other people that you know! [GM] Wears expensive tailored suits, though. [Jack & Joey] *snickering* So, not like, any of the people you know-- [GM] It narrows it down a bit!! [Sammy] Alright, alright; bargain bin Joy Drew, got it.
[GM] You guys do get an offer to have food, while you're waiting. [Sammy] Yeah.... why not..... [Henry] Henry will, not,,, [Joey] *shocked* NO????? [Joey] *absolutely flabbergasted* FOOD!!!!! [Sammy] Gangsters don't usually poison you, they usually give you nice food and then they knock you out and throw you in the river. [Henry] WELL HENRY DOESNT KNOW THAT! [GM] He hasn't done speakeasies like Sammy has!!
[Sammy] I'm noticing that this guy actually looks really nervous, and isn't taking charge of the situation, [GM] He DOES have something that's probably a firearm in his pocket. [Sammy] Yeah, yeah, but, [Jack] It's his emotional support firearm!
[Sammy] Actually... Sammy WILL ask him if he saw it. [GM] Uh, [Sammy] Because he was RIGHT THERE looking at him. And I feel like, once you've seen it, and it does the weird thing where it gets in your head, you're not going to be confused what somebody's talking about if they ask you if you saw the yellow sign. You're going to know what that means. [GM] [GM] Are you going to say the thing...? [Sammy] Have You Seen The Yellow Sign?
[Henry] Henry is half-considering... [Sammy] *manically excited* DO YOU WANT TO TAKE THE THORN OUT OF THIS LION'S PAW, HENRY???
[Henry] You haven't been able to think straight since, have you? [GM] He kind of squints at you, because he's a gangster and he doesn't want to be like "D: YEAH, ITS BEEN REALLY ROUGH :(" [Joey] *laughs* Henry IMMEDIATELY knows this look, because Joey does this as well!
[Sammy] Push the roll!! Push push push! [Henry] *nervous* I DON'T KNOW IF I WANT TO PUSH IT,,, [Sammy] WE'RE ALREADY KIDNAPPED! WHAT ELSE CAN GO WRONG!
[Henry] We didn't get kidnapped, so it's you guys' turn! [Joey] We have the kidnapping charm with us, also known as "Jack Fain"! [Sammy] Oh I thought it was Peter Sunstram. [Sammy] [Sammy] DO THEY STACK?
[Jack] I can't wait for us to get to these spooky occult magic shops, and it's just like, "here's a bunch of overpriced tumbled gemstones and some incense!" [GM] The first one you go to is kind of that style. [Jack] Ideal! I hope they have a really tacky fake skull. [Joey] Joey is judging the whole place.
[Joey] WAIT, wait, they took you from the bar to the restaurant, and then you got the heckin' sign out of Nero's head, and he's not even gonna offer you a ride back to the bar?!? [Henry] I think what we got out of it is "not being kidnapped". [GM] JOEY is the one with the history of talking kidnappers into giving him rides, [Sammy] I do think it would be classier if he gave us a ride. I'm with Boo on this, it would be a classy gangster move. [Sammy] With that guy they kidnapped to do music for whoever's birthday party, they dropped him back off later, but, you know, it's fine, [Joey] Show your heckin' appreciation! *exasperated* THIS IS HOW WE CAN TELL HE'S AVERAGE!! [GM] Uh, lemme roll a quick like............. etiquette roll, [Sammy] Gangster Classiness, [GM] *rolls terribly* Yeah, I think he's frazzled enough -- this is gonna reflect poorly on him later. [Joey] Wow.
[Jack] Normal success for Jack! How many terrible tacky skulls do I see? [GM] Just SO many. [Sammy] This place won't help you, buddy. [Jack] I dunno, if you buy enough tacky skulls, maybe the guy won't wanna get near you. [Henry] Just throw tacky skulls at him! [Jack] A tacky skull a day keeps the pallid mask away!!
[GM] A more discerning occult collection than the other one. [Jack] The kind of place that has the more occult things like, in a locked cabinet instead of in a heap on the counter. [Sammy] In the bargain bin, [Jack] "Box of assorted random magic junk"? Yeah, I wanna rummage my hand in that, I'm not gonna get five curses, [Jack] *laughs* I'm not even AT the other place anymore and I'm still dunking on it! [Sammy] Jack's just saying these things to Joey to like, keep his spirits up. [Joey] It would be working,
[Sammy] I am curious if the restaurant is at the same address that we remember it being on. [GM] It is the same address! The name is different. [Jack] What's the new name? [GM] Lombardi's! It was Leon's. [Henry] ... some dude got his whole name changed, [Jack] Oh man, when do they do that to me, I want a legal name change! [Jack] Bringing the Yellow King into the world to get a free transition, [Sammy] No! Don't do it! He won't transition you into a human, it'll be..... something else,
[Henry] We're gonna run over the Pallid Mask. Vroom vroom motherfucker.
[GM] You do bump into something that is unyielding. [Jack] Oh no, Jack's car! [Jack] ... and also, whatever he hit, I guess!
[Joey] Joey is immediately flipping around to grab his cane; if the guy tries to get in the car, he's going to bash him in the face! and say GET OUT!! [Sammy] Well, it worked really well for Nero, so [Henry] The guy just got hit by a car and didn't move! I don't think the cane's gonna do much! [Jack] Especially not with Joey's weak noodle arms! [Joey] Yeah but he's upset!! That this guy is trying to get in the car! He was not invited in! [GM] ...make a CON roll. [Joey] [Joey] oKEY DOKEY,,,
[Sammy] Peter now is NOT the time to astral project [GM] Luckily he doesn't have that insanity currently, or he'd already be gone! [Jack] The car stops and Pete's ghost just flies through the windshield,
[Jack] I'm losing my mind... [GM] You are! 1d6 of it!
[GM] This is kind of wild magic zone, so you get some creative license. [Joey] Hmm. Hmm! Hmmmmmm... [Sammy] Oh no, you've given Joey Drew creative license,
[Joey] But when I picked out Jack's car, it's the first car that has full safety glass in it!! [Jack] [Jack] SO EVEN MORE EXPENSIVE TO REPLACE!!!
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theillusionofpants · 11 months
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I never really had pets growing up. My mom lived on a farm when she was younger and I think she was fully saturated by the time I came around.
So when my (now) wife and I moved in together and she wanted animals, I was sceptical. She is much smarter than I am and managed to trick my dumb ass into just "going and checking out what is available" at the shelter. Low and behold, I found an adorable orange kitty as dumb as I am who booped me on the nose and I was in love. We dubbed him "Ernie" and adopted his brother "Bert" as well. They were....they were cats. They were annoying and hilarious and frustrating and were normal cats that did all the regular cat things that every person who has lived with a cat for the last 5000 years has dealt with. They moved with us and were a part of the family.
Ernie and I were lovers. He would post up in my lap and flop over and expect his luxuriously soft belly to be rubbed and I would reply. He wouldn't bite or attack, he just wanted some good scritches. We'd hang out and watch TV that way. When I was too busy to hang out, he would grumble like an old man all around the house, complaining.
The problem is that cats get sick. I remember one morning before work Ernie was having trouble keeping his head up. He normally wanted affection ALL the time, but this particular morning whenever I would try to pick him up, he would jump out of my arms and sit on the floor panting. For those of you who don't know or who have only had dogs, panting is a VERY bad sign in a cat. The majority of the time it means you need to seek medical attention right away. That's what we ended up doing and unfortunately in this scenario, it meant that we had to put him down.
It was a very strange experience as one who has never really had a pet. It is very quick but there is a definite moment where the light that was once your buddy is no longer in their eyes. Eventually you are just in a room with a dead animal and a stranger who is trying to ignore the fact that you're a blubbering mess. And you leave your friend there.
I was shocked how much of a mess I was. I couldn't even talk about him for months without tearing up. How stupid it is to have pets! They make you love them, integrate themselves into your life and your family, and then they leave you.
Anyway, it has been 6 years now since he's died. He was only 8 when he got sick. I guess I just miss my cat today.
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The man himself
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non-stop-imagines · 4 months
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Ok I'm not the nonnie that just asked that question, but I can 100% imagine Lance and Oscar being in a poly. And it's perfect cause they never cross paths it seems like. So a SMAU where the reader (Marsai Martin) comes to the paddock for a visit and everyone is just like wtf?! How did yall pull her?!
You have no idea how crazyy brain went when I got this. And then I almost immediately began working on it...and then I was unable to edit ask responses on my phone for almost a month and a half 😔. Also I absolutely did not mean to do this but my brain read it "Lando and Oscar" and I completely missed that it said "Lance and Oscar" and now I feel terrible but I hope you like it still! 😬😚
(A/n: Also I know I said Charles was next, but I was so excited I could finally edit this post I had to go and finish it. I have been working on my Charles fic though I promise 💖)
~~~~~♥~~~~~~
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user_yn
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user_yn Thank you Japan for giving my loves a double podium (and the epic celebration after) 🧡🇯🇵
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user1 They are so wholesome it gave me clear skin
landonorris So happy our pretty girl got to see us (almost) win 😚
>user_yn And I'm very proud of your (almost) win ☺️
>oscarpiastri It was your beauty radiating from the garage that helped us stay in the top 3
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>mclaren We agree 👍
user2 Exhibit B of how Yn is their good luck charm
>user3 Yes, but elaborate 🧐
>user2 The last race she was at was Silverstone, when they basically told the rest of the grid "Sike, here's our real car" and now double podium
>landonorris We've been trying to tell @/user_yn, right @/oscarpiastri?
>oscarpiastri If she listened to us, forgot about acting and just came to all the races, we'd be World Champions by now🤷‍♂️
>user_yn Os, baby, don't let Lando drag you down with him
landonorris
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landonorris Had to get that double podium for our lovely lady 😍 🏆(Also Note to Self: Never leave your phone alone with @/user_yn)
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user_yn The real note to self should be "post better pictures of Yn instead of whatever photo you have of her sleeping"
>landonorris But you're so pretty when you sleep 👉🏻👈🏻😚
>user_yn As sweet as that is, don't 🫵🏿
user8 Still accepting theories of how those two even met Yn
>user9 The configuration of the stars the night they met was the same as when the upgrades for Silverstone were finished. That was the most luck those two have every experienced int their lives and they will probably not have such luck again until it is time for their own respective grand prix race wins
>user8 Yes.
oscarpiastri Baby 🧡
>landonorris Couldn't be more proud of you 🧡
>user_yn And I'm the proudest of both of you 🧡
>user4 These 3 deserve each other and I mean that in the purest way possible
>mclaren we just want to join on the orange hearts (even though we love them too)🧡
user5 We stan Bert, Ernie, and their impossibly hot girlfriend
>landonorris Please tell me I'm Ernie 🤞🏻
>user5 Man do I have a treat for you
oscarpiastri
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oscarpiastri Had to place 2 and 3 because she's our #1 😊
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user6 Logan's here, we can finally start the festivities
logansargeant @/user_yn is the really Japanese gp winner
>user_yn No don't talk to me you ignored me most of the weekend 😔
>logansargeant I JUST COULDN'T SEE YOU YOU'RE SHORT
>user_yn All I'm hearing are excuses 🙄
user_yn Such a cutie 🥰 So so proud of my boyfriends 💖
>user_yn (I swear if you don't smile with your teeth more often I'm telling your mom.)
>oscarpiastri Yes ma'am (Love you, don't tell my mom ♥️)
>landonorris THANK YOU I've been trying to tell him he has a pretty smile
user7 Yn, the fashion icon ✨
>user_yn It's the hat 🤠
One last thought: Hopefully this is the start of a spark of inspiration because I would love for the ideas I have for all of these requests to LEAVE MY HEAD AND WRITE THEMSELVES OUT ON THESE POSTS!! Anyway, I hope you all liked this and you're all doing well. 😊
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otomefiend · 9 months
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Alfons Sylvatica & Elbert Greetia
Story Event: Villains want to bother little 'Robin'
Epilogue
Chapter 1
Chapter 2
Chapter 3 Premium
Kate, we gotta talk girl, cause this scenario was ready to go places. Also, how cute are those two. I might have teared up a bit here and there. Love this throuple so much. 🤧
~~~
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Alfons: "Now that you've been taken straight to your room, `Your Majesty`..."
Alfons: "Please, grant us our reward."
Kate: "Re...reward, what the...?"
Elbert: "... you can give me anything."
(Uh....)
Just by looking at Alfons' face, it was clear that he truly enjoyed playing with me.
Lord Elbert, on the other hand, was overly protective and surprisingly forceful.
Now that the two of them had come to my room, I couldn't afford to send them away with nothing.
(I was perfectly aware that those two supported and protected me, physically and mentally, all day long)
I would feel guilty if I repayed that effort with something perfunctory.
(Though I'd be lying if I said that I did not deserve something in return since I was a part of this mission as well...)
Still, it was true that I was indebted to both of them.
(I wonder what Her Majesty would give...)
(A medal or something expensive? Those are out of my reach. If not an item, then... maybe something that can be shown through actions?)
It was presumptuous trying to guess Her Majesty's thoughts, but I was willing to give it a try.
-- I was reminded of my desire for the debutantes' happiness that I had experienced earlier today.
(If Her Majesty felt the same way about them as I did... if she acted upon it at that time...)
Kate: "Could you both be so kind and sit there, please?"
Alfons: "Heh, you're Her Majesty now, right? You'll have to order us."
Kate: "Both of you... sit there."
Alfons: "Can't you simply say 'sit down'? That's what you'd expect from a well-bred lady."
Elbert: "... you would, huh."
Feeling a little nervous, I walked over to them sitting side by side on the sofa...
And lightly kissed them on their forheads.
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Elbert: "........."
Alfons: "... what was that?"
Kate: "It's a kiss of blessing for each of you that means 'May you find happiness'."
Elbert: "... happiness."
Alfons: "May we find it...?"
Kate: "Yes. I don't remember who it was, as it happened a long time ago, but I recall someone saying it to me and kissing me on the forehead."
Kate: "I've heard the nobles do that as well, wishing for happiness."
Kate: "If there was a reward worthy of Her Majesty that I was able to grant you, I thought this would be it..."
Elbert: "........ "
Alfons: "......ha."
Alfons: "I'm disappointed by how pure the reward is. I was hoping for something more radical."
Kate: "Good luck trying to get it from Her Majesty."
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Alfons: "Please try again, this time a little lower."
He smiled seductively whilst tapping his lips with his index finger.
Kate: "N-not a chance."
Elbert: "... Kate."
Kate: "Yes, Lord El...bert?"
I felt a gentle tug, then my face was pulled towards his and something soft touched my forehead.
(...ah?)
The moment I realised Lord Elbert had kissed me, his beautifully shaped lips whispered.
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Elbert: "My blessing may have no effect, but..."
Elbert: "I also wish you happiness."
Elbert: "I hope you're happy."
Kate: "...t-thank you."
(I wasn't conscious of it when I did it myself, but... now I'm starting to feel embarrassed)
When I thought about it calmly, I realised I did something quite daring, kissing them without permission.
(Maybe it's because I spent the day trying to be dignified like Her Majesty...)
Elbert: "...... was it unpleasant?"
Kate: "What!? No, not at all!"
As he peered at me at close range, I became aware of his lips, and my face grew hot.
Alfons: "You're so cunning, Elbert. Getting a head start like that."
Suddenly, a hand appeared from the side, and --
Alfons seized my chin from Lord Elbert's hand and pulled it towards himself.
Then planted a soft kiss on my left cheek.
Kate: "Ah!?"
Elbert: "........."
Alfons: "Blessings from me too."
Kate: "A kiss on a cheek means something entirely different, doesn't it?"
Alfons: "Haha! It's nonsense to give a meaning to a kiss in the first place."
Alfons: "Kissing is just the act of touching sensitive parts of the body for pleasure, isn't it?"
Kate: "Only you have such distorted views...!"
Kate: "Saying that, if this is what you believe, then your kiss wasn't a 'blessing' after all..."
Alfons: "No, no, I put it all in there, didn't I? That pure wish for happiness..."
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Alfons: "If feelings are as important as you say, then it shouldn't matter where you kiss?"
(What a quibble...)
He shrugged his shoulders, not even trying to hide his mocking attitude.
(Seriously... I've been swayed by those two all day)
Lord Elbert, who returned the kiss of blessing,
And Alfons, who scoffed at the kiss of blessing.
They were polar opposites, after all, and their follies had a bad effect on my heart.
(In the end... I was able to act on behalf of Her Majesty and returned to the Castle without any problems)
(Granted, I didn't expect to be asked for a reward)
(I'm glad we spent the time together... huh?)
Four entwined arms prevented me from drawing the curtain on today in my mind.
Kate: "Um... Why am I being hugged by you two...?"
Elbert: "... it happened when I was looking at you, somehow."
Alfons: "I tried to carefully hold Lord El, and one thing led to another."
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(Neither of them explained why...)
Kate: "Then, can we assume that the reward has been granted...?"
Elbert: "...I want more."
Kate: "Eh!?"
Alfons: "Ah, I see."
Alfons: "Given that the kisses you got from El and me in return evened out your `kiss of blessing`,"
Alfons: "I'm afraid you still haven't rewarded us adequately."
Kate: "Huh!? But... what more can I to do...?"
Elbert: "I want you to kiss me again."
Kate: "Wha...!?
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Elbert: "And then... I want to kiss you on the cheek as well."
(Won't those cancel themselves out again...?)
Alfons: "Ah, that's greed for you. Hmm, I have an excellent idea."
Alfons: "How about the three of us welcome the morning in bed together?"
Kate: "No, absolutely not -- !"
~~~
After quite a bit of struggle in their arms that night,
-- two kisses on the right cheek and two on the left finally set me free.
~~~
Alfons: "Seriously, 'May you find happiness"... what a silly little 'Robin'."
Alfons: "I've never been offered such a pure blessing in my entire life... I think."
Elbert: "... yeah."
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Elbert: "Her blessing was warm, dazzling and... scary."
Elbert: "I feel like I will always want this..."
Alfons: "........."
Elbert narrowed his eyes as if remembering something, and muttered.
Elbert: "Hey Al --- is Kate beatitlful?
Alfons: "......no."
Alfons: "There aren't many people in the world so beautiful that you'd have to collect them."
Elbert: "......I see."
Elbert: "...... that's good."
Despite the words of relief, Elbert looked terribly sad and depressed.
Alfons, who was smiling all the time, let out a sigh that was far from happy as well.
Alfons: "Really, there is no way to save... you and me."
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dnphobe · 4 months
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i am so deeply fascinated by the specific culture of internet fame and the conflation of the brand and the personal that happens as the result of a form of fame uniquely reliant on (perceived) interpersonal connection rather than a specific professional output. and dan and phil are one of the only not-deeply-depressing examples bc they have semi-successfully escaped their original personas while still retaining boundaries with their audience. the straight man/fool schtick is still a part of their dynamic (bert and ernie fr) but they're able to be so tongue in cheek about it at this stage it's very interesting to me
it's like. such a specific thing. because to equate dan and phil to comediens (the closest comparison i can find to their careers but from traditional media. or even radio personalities (something they actually were for years)....i don't know anything about those people's personal lives, at least not until there's a scandal that breaks everyone's view of them because it doesn't match with their stage personas.
but dan and phil's jobs, and the majority of online public figures, pretty much Require some degree of personalisation. there's possibilities for that Not to happen, like with people who Just post short films, or even the comparatively more recent rise of video essayists (and before that commentary youtubers) where the focus is very much on a Topic. but the very First youtuber boom (compared to youtube Video boom) was very much. person sits in front of camera and tells you about their life. and that's what those youtubers did. except in all the ways they didn't both because they had to be entertaining and many Real things are simply...not entertaining or interesting to people who don't know you. so you exaggerate who you are and stretch the truth of the stories you tell. and second of all because...who Wants strangers to know them personally? i don't. there's things my closest friends don't know about me. because i don't Feel like sharing those things (i will clarify here i am a painfully private person who hates being perceived for no real reason. but i'm sure Everyone goes through this to some degree.
and YES. dan and phil have indeed semi-successfully escaped those personas and i feel like there's a lot of youtubers we can't say that about. like yes their audience isn't as big as it used to be, but i feel like next to none of that is because of people disliking the shedding of persona. i largely put it down to the following things: the passage of time. all 'celebrities' level of fame fluctuates, largely with a rise then fall, but potential for a rise again; tied to the passage of time many people consider dan and phil to be a part of their 'cringy' teenhood and haven't given their newer eras a chance due to their own internalised shame, and; yeah, a Large aspect of the phandom was the Mystery. Are they Gay, are they Together, Why won't they Tell us they are Gay and Together. then they told us they're gay and told us they're Not gonna tell us concretely they're together. I don't LIKE admitting this because those of us here are like. here for more than 'phan' (or out of genuine appreciation for their relationship rather than treating it as something to get to the Bottom of), but this Is proven by the numbers their click bait videos did.
that was a a tangent. now i am going to go on another one and theorize on Why dan and phil have gotten through their rebranding(s) largely unscathed:
so first of all the parasocialisation or whatever you want to call it in the fandom was. Always more intense than even many other similar fanbases. except it wasn't i Feel like i know you from your on screen persona. it was i Feel like i know you Past your persona and i know this persona isn't You. which makes us sound tinhat as hell, like oh we know you Better than the things you show us? except we were right (phannie mantra tbh). like there's a reason people were fighting tooth and nail for phil to say 'fuck' for so long and it's not because we were interested in seeing him be something different than he was, but because we were perfectly aware he was a man around the age of 30 who can and does say swears and we wanted him to be Him with us. in many ways we Always wanted them to shed the personas.
second of all, they timed shedding their personas Very well. they started doing it after tatinof, which, while many of us were still young we were getting Older and changing a lot ourselves. so we were adjusted to change in the way we wouldn't have been before. and they dropped it even more Post coming out, and, i mean, how are you gonna be mad about that? their sexuality is in a way very tangled up in the personas, and as a largely LGBT+ fandom we wanted them to be able to express this part of them they've been holding back freely, and if that comes with dropping Other facades then, well, the closet is a hell of a drug. like. of Course they are going to change after a Big Change. which is another thing. they always Communicated they were about to change. whether that's dan making a whole video on a rebrand and changing his hair, or post-baking universe, or post-coming out.
but mostly i think it's this: dan and phil CULTIVATED their audience. they learned not to surprise us with the backlash from tabinof's sudden announcement and then would pepper in hints for any project and any change months-years in advance. and if you didn't like the hints you were getting? you could leave. only here for the mystery? here's the line of what you're gonna get, you can leave. but the people who stayed are people who Stayed. they have a staying power where it wasn't just...trading in one group of kids for another when the first group ages out, or being left to flounder after the first group ages out. and the second they stopped having a young audience, they stopped trying to Appeal to a young audience when they stopped having one, locking those doors. and i think that maturing with us was very important bc look if they Were still in those 2015 personas? i wouldn't be here. i'd be like...thanks but i am too old for this. so, conversely to everything, i think shedding those personas was, in a way, only BENEFICIAL to them
does any of this makes sense lmao
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oivsyo · 3 months
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[It's only a few hours before arriving in Odiha, we need to take some rest]
Initially I wanted to draw it as a random cuddling because I really love drawing fluff with Reiner and Bertolt, espesially post timeskip BertRei one. After making the sketch I put this drawing away for quite a long time and all this time I was thinking over Bertolt survived AU. Headcanons warning.
I needed a moment when Reiner and Bert can finally have the TALK after RBA reunited in the forest. And at some point I realised that this scene should happen on the way to Odiha and it will be a rather bitter-sweet one.
They didn't have a chance to talk earlier. Last night, in the forest around the campfire, RBA reunites. They haven't seen each other for 4 long years. For 4 years, Reiner and Bertolt grieved thinking that the other was no longer alive.
There is a short break to rest before arriving in Odiha. And this is the very moment when the characters can have privacy and finally talk, say what they failed to say to each other before the battle for Shigansina and enjoy a long-awaited reunion.
However, at this point in the story, no one knows that they will eventually be freed from the curse of Ymir. So the happiness from their reunion is overshadowed by the realization that they only have around 2 years left.
Even if they somehow survive tomorrow, in a destroyed world they won't be able to live the rest of their lives peacefully. The realisation crushes them down. It makes them hold on to each other tighter and not let go.
Too much of their precious time has already been taken from them, and they have even less of it left. Now they don't want to waste a single moment. Unfortunatly duty calls and they still don't belong to themselves.
They are too exhausted both physically and emotionally, so being overwhelmed with emothions they just fall asleep in each other's arms, promising each other that they will survive tomorrow or die fighting shoulder to shoulder.
Spoiler: in this AU they will survive and will be freed from the curse, so they will have a chance to live long life.
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microwavepopcorn · 8 months
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siflshonen · 2 months
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Omg, could you tell us more about your experience at the con? how did they find out about the manga development?
Uh, okay, so some context is necessary here. lemme just copy-paste what I told my friend in the chat real quick.
This weekend I had the pleasure of being a guest handler for the cosplay contest judges at Tora-Con this year (look them up - they're all incredible!) and after the awards ceremonies, me and one of the judges hit up the day-ending Yaoi for 300 panel, which was hosted by the cheerily gay cosplay contest emcee dressed as Alfred Fire Emblem - er, mostly. The panel began with him kicking up his feet, looking to his co-host, ripping off his wig and saying, "It's been a day. Pass me the yaoi!"
Basically, the panelists had organized BL, yaoi, and “yaoi” titles and popular ships into goofy categories (wholesome, doomed, toxic, Baby's First Yaoi, divorced, old man, rivals, toxic and doomed, Komaeda, musical, etc.) with a different pairing (fanon, canon, whatever) per slide. As each popped up, the audience laughed, cheered, booed, whatever-ed in response. “Yaoi” was used loosely and of course there were slides for stuff like Supernatural, Sherlock, the red and yellow M&Ms, Bert and Ernie, Metal Gear Solid, Homestuck, Genshin Impact... Very broad and meant to garner reactions. In many ways it was a retrospective of the Greatest Hits of popular guyxguy ships on Tumblr, so for a lot of attendees it was really more like a walk down memory lane.
So like. They had several “My Hero yaoi” items in there like DabiHawks (which got a big reaction! The people love HotWings!), TodoDeku (got a polite reaction), KiriBaku (a mild reaction and some awwwwwws.) (The guest with whom I was attending with politely claps but shakes their head at TodoDeku, so after I was polite and was like, “I just like Todoroki to be included”, I then was more honestly like, “but dude it’s BakuDeku or nothin’!” and they were like, “Thank you. Thank goodness.” I didn't realize it then, but this moment heralded what was to come.)
Finally, near the end of the panel, BakuDeku comes up (with the anime still of Izuku as Katsuki's cane, of course) and the room FUCKING ROARS.
Our hosts (who evidently don't closely follow the series) go wide-eyed and then, after a pause, wigless Alfred Fire Emblem tries to take back the energy and goes, “Oh, so you make a big reaction for THAT?!” and it turns out I am not the only manga reader in attendance because then like half the room - myself, my escorted guest, and two other folks at our table at the center-front of the room included - scream in perfect synchronicity, “THAT ONE’S REAL!!!!!!!!!"
A person at my table - clearly also an anime-only - says with the playful innocence only an individual with a kind and sugar-sweet romantic heart can possess, “No! They were right with the KiriBaku! :)” and then turns to meet me and my guest's and another girl's eyes, and I watched as theirs widened in fear as we all looked them dead-on and said, “No, you don’t understand. THIS one is real.”
And the room got REAL quiet until the hosts changed slides to, like, I dunno, Gravitation or Yugioh or something and the energy picked back up.
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lesbianrobin · 7 months
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rating stobin halloween costume options that u guys submitted!
doc brown (robin) and marty mcfly (steve): 7/10 using back to the future for them is very fun but it's a bit expected... a bit normie.... also steve would just look like himself i think like it would just look like robin was an old guy and steve didn't wear a costume.
kurt russell (steve) and the thing (robin): 9/10 the thought of robin constructing some horrific sfx costume to be the thing is fucking incredible and i think steve would enjoy being sexy kurt russell. also he would definitely tell people he was kurt russell and if they said you mean rj macready? he'd be like who?
snoopy (steve) and woodstock (robin): 5/10 ok i know i KNOW it's cute in theory but think about it in practice. how would they actually do these costumes. we know they're diy'ing this. i fear this would just be like t-shirts with some marker on them and perhaps scary-looking face paint. maybe it could be cute but idk i don't have faith in them </3
bert and ernie: 10/10 this would be absolutely iconic and i think they would slay. no notes.
cagney and lacey: 6/10 i must admit this one was my idea. i think it's not recognizable enough and they'd be explaining it all night but i just love the thought of them having such a dykey couple costume.
bonnie and clyde: 7/10 once again i fear this might not be super recognizable but it is a fun idea and they'd look so hot.
ripley and the alien: 9/10 i worry about how they're gonna pull off the alien but i like to imagine that steve is wearing the panties + tank top combo and that is worth enough for me to set aside practicality.
the blues brothers: 9/10 they would look so sexy and have so much fun in their little matching suits <3
batman (robin) and robin (steve): 10/10 this would be so fucking cute and i Know they would spend the entire night waiting for somebody to say robin's name so they could both go "yes?" at the same time and then giggle like little children.
hammer and sickle: 7/10 idk how they would do this one but i thought of it weeks ago and haven't stopped laughing at my own idea since.
merry and pippin: 9/10 because when i got the ask suggesting this costume i almost cried bc it is just so precious to imagine HOWEVER if they went to a halloween party barefoot i'd have to kill myself.
shaggy and fred: 8/10 very cute but i feel like they need a scooby...
twins from the parent trap (1961): 9/10 this one is so funny to me like it's such a funny reference to make and it also implies that either they get wigs or they get the same haircut which is just an incredible visual.
princess leia (steve) and han solo (robin): 7/10 ok listen. listen hear me out. i love the gender fuckery we know this BUT i truly believe that steve would refuse to do a star wars costume if he couldn't be han solo. like i just don't think he would do it. however if she could convince him then robin would absolutely eat! it would be so sexy she would be absolutely crushing it with the ladies.
miracle max and valerie: 7/10 ok listen i support this one but it's just not my favorite. like it's funny it's unique it's original but i think steve wants to be sexy on halloween and i also suspect they would have to explain this one a lot.
salt and pepper shakers: 8/10 it's giving blues clues and i love it. very much classic couples costume but the classics are classics for a reason!
wesley (steve) and inigo montoya (robin): 10/10 hot. imagine robin doing the little monologue. steve wearing the mask. them fencing with like toy lightsabers or something. this one fucking rules.
ok that's it thank you for attending my presentation <3 love u all xoxo bye
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dduane · 1 year
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I've been following the fanfic & author discussion and I definitely see the issue with fanfic based on your own work. However, I'm curious how that doesn't extend to, well, everything else. If an author reads a coffeeshop AU based on their works and then writes something similar into a book, how is that different from reading a coffeeshop AU from a completely different media and then writing something similar with the names changed to their characters?
At the fanfic level, for me, it does extend to everything else. Let me tease this out a bit for you.
All writers distill their output at least partly from huge amounts of data, fed into their storymaking systems over (routinely) decades of time. When that input comes along in the form of traditionally "published" material—books or films or comics or whatever—I’d expect there to be an inherent understanding that what one publishes or films may (if you're lucky) wind up in the public consciousness. And thereafter—assimilated and, ideally, much changed and individualized—it may also end up in the work of people who create in the same general way you do.
Where traditionally published materials that I've internalized are involved, I've paid for them (or libraries or similar institutions have paid for them for me). Money''s changed hands, confirming (as it were) the contract between the creators and me. After that, what I make of Paradise Lost or Perelandra is my business.
And my business, both generally and specifically, is subversion. It's a rare work in any genre that doesn't afterwards leave me wondering "But how about if this was done completely differently...?" I.e., "What if a prince rescued a prince?" "What if you don't need a school to learn magic, because the universe teaches you?" And so on. ...The only hard and fast rule I have about this process is one that Heinlein handed me: "Sure, file the serial numbers off that idea and make something else of it. But you have to leave it different, and ideally better, than when you found it. If you're going to be the magpie who makes off with a pretty shiny thing, you must bring back something bigger and shinier in return."
So that's how that operation goes, when I'm dealing with what we might consider mainstream/tradpub works.
But fanfic operates under different rules. No money changes hands (because no money may). Fic writing is founded in a gift economy. And for me, to steal a gift or steal from a gift-giver is vile.
So, per the original question: For me, the primary difference between the two kinds of fics you're positing above is that in the first case, the fic's author and I are (creatively speaking) in a relationship... even if (strictly speaking) it's a nonconsensual one. I therefore feel a responsibility to protect their work from me by not allowing myself into situations where I might, however accidentally, borrow from it. And I also feel a responsibility to protect myself from possible adverse consequences of having seen their work. Safest way to ensure that protection on both sides? Not to see their work.
In the second case, let's say we've got a coffeeshop AU where, oh, I don't know, Bert is a barista and Ernie is a regular customer. (And Big Bird is the manager, and Cookie Monster is—no no, let's STOP this now...) Here it's safe to say that my relationship with either the IP owner* or the fic writer is likely to be nil. The writer doesn't know about me, or (I'm sure) care. They've put their stuff out there on AO3 or wherever for their own reasons, and at least theoretically for others' entertainment. So I'm at liberty to take it as such.
Which is all very well on the face of it. But if I caught myself inserting business from that Bert/Ernie AU fic into something of mine, what I'd consider the right thing for me to do would be to discard that whole line of thought and start over... because this is material sourced in a gift economy, and to me it feels wrong to use a gift this way.
And stressing this point: I'd do that once I'd caught myself. Because as I mentioned at the start of this, all writers pick up and digest concepts and situations that then go "into the pot", as Tolkien said, and get lost over time in the general melange of flavor. If I don't catch myself, and then the flavor of the original gets submerged in the overall taste of the soup to the point where I can't ID it... that could get troublesome. And if I later realize what's happened, it'll pain me no end.
This is why I do not want to see Young Wizards fanfic at all. The chance always exists that if I do look at any of it, I might accidentally internalize it and pop it out, however changed, years later... and would thereby have abused my relationship with the fic writer. (And yes, ever though they would by definition be in that relationship with me nonconsensually, that would not make it right, or all right, for me to do the same thing back to them.) In this regard, I'd sooner be safe than sorry... because being sorry about something you've written is a very sad, bitter place to be.
...Maybe all the above will strike some people as unusually rigorous. (shrug) That doesn't bother me; not least because they don't have to live inside my head, and I do. My creative life doesn't have a billion rules, but this is one that seems obvious to me, and which I do my best not to violate. It's not all about legal exposure. It's about trying to do right.
HTH.
*It's surprising how many potential scenarios I had to throw out just now because I am in relationships with the IP owners, or have been. Pity. The Cap/Bucky one would have been fun...) :)
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You wanna talk about Reiner, Jean and Marco?
Okay, let's talk about Reiner, Jean and Marco. Buckle up, there's a lot to talk about.
Disclaimer: this is not an anti post to any character or ship, quite the opposite. Read the whole thing before you jump to conclusions, thanks :)
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Well, yes and no. First and foremost, the background. Jean and the rest of the cadets, while each had a goal, were training to defend what they thought to be all that was left of the human species. For 100 years, the walls protected them, but they were no longer secure. The military was humanity's last hope of survival. With these unimaginably high stakes always looming over them, the cadets ought to have developed a complex bond that would be very hard to put into words. Let's just say they were something more than just siblings in arms, and you could tell that. Throughout the series, you never get the impression that Jean and the others truly wanted to kill RBA. It also explains why Marco questioned Reiner and Bert about their conversation before he even realized he's made a mistake.
However, we also have to remember this scene. This happened not long after Marco's death. Realistically speaking, I don't see how Jean wouldn't have harboured a healthy amount of hatred in his heart. But it never overcame him because his grief over losing Marco was much stronger than his hatred for those who caused it.
He won't get his answers from Annie, but he could get them from Reiner after they captured him in Shiganshina. He convinced Hange to not execute him due to a mix of the aforementioned bond and his need to understand what truly happened to Marco and what were the shifters' true goals. And of course, because preserving one's life, even an enemy's, is in Jean's nature.
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There's so much to unpack here, but first, let's focus on the idea that "the people who killed Marco were the same as Jean himself", which is a false equivalence supported by other false equivalences.
There's RBA's mission to commit straight up genocide against Paradis, and the raid of Liberio or Eren's plan to steal the War Hammer, ensure that the world hates Paradis, and use his friends as his escape route. Sure, the Scouts could have chosen not to aid Eren, let him be captured, lose the Founding Titan, and allow Marley to destroy them once and for all. Not a hard choice at all, right? The only thing that those two events have in common is the fact that the shifters were responsible for almost all of the casualties. In fact, as a commanding officer, Jean did everything in his power to avoid civilian casualties in Liberio. He even failed to kill Falco and Pieck.
Then there's Marco's murder and the clash with the Yeagerists. All I'm going to say about the former at this point is that Reiner had other options to keep Marco from endangering their mission other than killing him. But fundamentally speaking, the two situations share nothing in common. The circumstances that led to them happening, the power dynamics between the parties involved, the stakes, and the context itself makes them practically unrelated. The alliance had to leave the island or the Rumbling would have ended the world. The Yeagerists gave them no choice other than to fight them. Saying that Reiner and Jean are "the same" it's like saying a killer who murdered their victim is just as bad as a survivor who killed their aggressor in self defense. The killer could've chosen not to commit murder, whereas the survivor didn't have a choice. In this case, the world is the victim while the Yeagerists are complicit for interfering with the only people that could stop the Rumbling. Of course, that doesn't mean Jean shouldn't have felt anything after he killed his former comrades, he'd be ooc.
In fact, these aren't just my thoughts. Some of these points are made by Isayama himself:
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Notice how Yelena frames the raid as a nation wide attack? Except, that's not what it was at all. The Scouts only attacked the internment zone while Eren and Armin ravaged it and the port of Liberio respectively, two locations in one of the thousands of cities an empire as large as Marley must've had. And they did so to prevent Marley from gaining the means that would've allowed them to destroy Paradis. As for what Reiner and Annie did to the walls and their people, Yelena's accusations are hitting the nail.
These issues are never properly addressed in the following chapters. Instead, they were used to lay the foundations for the "we're the same" fallacious dialogue. Isayama didn't have to throw every single Scout in the same gray soup as the Warriors since they've already proven to be complex characters in the previous arcs. His own writing didn't support it. Imo, that's why he failed in this regard.
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The campfire scene is a highlight, that one thing is true. It's extremely important for Jean and Marco's relationship. Marco wasn't just Jean's most significant person throughout the series (aside from his mom), he was also his most significant loss. A wound in his very being.
Not knowing what truly happened to Marco, what were his last moments, was an open wound on its own. When Reiner finally confessed, Jean had the closure he'd thought he'd never get. Now he could start the long process of healing - partially, because such pain never truly goes away. You just learn how to live with it, and Jean already has plenty of experience in that field. I think this is a very powerful message, important too. Grief is not something inherently bad. It's up to you what you do with. You either allow it to consume you, or you hold it tight, you cherish it as a sign that what you had was real, still is real, you let it shape you into a better person, one that understands pain and wishes for no one to have to go through something similar. Jean is the latter, ever the kind-hearted man.
This should have been Jean and Marco's intimate moment, but Reiner intruded on it with his self-pitying babbling. There are lines that mustn't be crossed. That's when Jean snapped and attacked him. He didn't do anything after he learned the truth, just told Reiner to shut up, which he didn't do.
There's a glaring difference between Jean's reaction and what Reiner did after Marco overheard his discussion with Bert, what he did after Marco begged him to talk it over, to talk with him. He executed him like an animal; worse than that, he betrayed him, crushed his soul, denied him any chance of survival, left him behind for the titan to finish the job.
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Marco was kind, understanding, supportive, good-natured, bright, forgiving, a true leader worth following. He wanted to serve the king because that's how he thought he could serve his people best (this is clearly inspired by the relationship the people of Japan had with their emperor before he renounced his divine status). Yes, he was also wrong about some things he didn't have the chance to understand as one of the early deaths. But Marco represented something we should all strive to be: a good human being.
On the other hand, Reiner strived to be a hero. Someone who'd wipe out all the devils. Someone driven by selfish ideals that have been shaped by prejudice and hatred. Only a monster would kill someone like Marco. As I said earlier, he had other choices to deal with him. He already broke his legs, so Marco would've been entirely dependent on his help to survive. Reiner could've coerced him to keep quiet or else Bert would kill everyone with his shifter ability, or even force him to aid Annie with gathering intel in the inner walls. Reiner knew Marco wasn't stupid, he would've complied with his demands, if not to save himself, at least to prevent a disaster. And yet, Reiner still chose to murder him, a choice that only a monster could make, a choice that would ruin his mental health, a choice that would turn him into a shell of a man.
If there's one character that is bound to Marco by trauma and guilt, it's Reiner. He was no hero as his story was written with the blood of his many victims. Killing Marco forced Reiner realize he was the monster all along, not the people he was sent to exterminate. Not the people he didn't see as people. His trauma was so egregious because he couldn't face this monster that would murder someone like Marco, - and once he did - because he couldn't stand this monster that was he. Quite ironic to say that Marco symbolizes naivety while the hero that never was was falling apart as the realization of what he did started to kick in. Hard.
Combined with this realization, that choice would make him do the right thing in the end. To me, this was the whole point of Reiner's character arc. To stress the idea that a single choice fueled by hatred has an unmeasurable weight and only leads to unthinkable consequences. It's about doing the right thing after constantly doing the wrong thing. It's about showing that there is no us vs them and that the dehumanization of the Other only leads to mass destruction and self destruction. Change is not impossible as long as you keep moving forward and you give meaning to pain and guilt. Unless you stand for nothing, kill for nothing, and then die for nothing, like Bert did. A literal representation of the quote "Apathy is death". Or end up as self-centered as Annie, to the point where you'll unapologetically say you'd do it all again. Instead of saying you'd try to change your actions. But Reiner did change. He joined forces with Jean and the rest because he was finally able to see them as what they always were: human beings whose lives are just as precious as all the lives in the world. And that his own life might still be worth something. Reiner hurt Jean far too deep to fully reconciliate, but they were no longer divided by hatred.
Take away the impact Marco had on him and you'd do Reiner a great disservice.
Jean could've also chosen to do some things different. He could've returned to the camp and kill Reiner and Annie in their sleep. Cut off their heads and return back to Paradis as a hero, and finally have the quiet life that he wanted, but he didn't. Or he could've stayed in that forest for the rest of his life, to hell with everyone else, but he didn't. It wasn't because Marco's expectations had him on a leash.
Learning the truth about what happened to Marco, learning his final words made him realize that he became a man worth Marco's timely praise. And that man would never let resent, revenge, or retribution turn him into a monster. He is a man that always chooses to do the right thing because he strives against his own demons, and Marco is the person who helps him choose this life.
It's not trauma nor guilt that keeps Jean and Marco connected, it's love, be it platonic or romantic. How can it be anything else? Marco gave him this moment:
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And before this, Marco told him he's cut out to be a leader. Marco told him "I'm alive because of you". Marco made him smile for real. Do you know how much of an impact just a few words of encouragement can have on a 15 years old boy with low self esteem and no real purpose in life? He'll never forget them for as long as he lives, especially if they're coming from someone who means a lot to him. How can you take something as meaningful as that and turn it into something ugly? Marco gave him clarity.
Marco's neither a blessing nor a curse. Especially not the latter. This is how Jean remembers him four years after he had found his lifeless corpse:
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Of all his fallen comrades, Jean only sees him. This is the face that Jean turns to in his darkest hours. The eyes that look back at Jean are soulful, kind, sincere, comforting. Marco's facial expression is warm and tender. You wouldn't tell this was a 16 years old boy who had died a most gruesome death.
It matters too little they don't have cameras in Paradis, no picture could reproduce Marco's image with as much love as Jean's mind does. And it matters that much when you think about how much symbolism there is in aot. None of this is coincidental at all.
Jean always turns to Marco for hope, for strength, for solace, and to remind himself of his own kindness, that in a world as cruel as that of aot, there's still love and there's still light, if not outside, then within.
Marco's no curse, no blessing, no symbol, he is just a boy whose words and actions had a great impact on those around him, especially on his best friend (and dare I say, soulmate) who misses him dearly. He left his mark on the plot and themes of aot, whether you want to acknowledge that or not.
Edit: Forgot to add this (my drafts are a mess):
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I do agree that Jean saving Reiner's life is important. No, they could never go back to being friends. Who'd be friends with their best friend's murderer? I'll say it again, Reiner hurt Jean far too deep for them to ever fully reconciliate. Besides, Jean himself stated that he could never forgive him for what he did. The logic is sadly not logic-ing with this one. But that doesn't mean he cannot see Reiner as a human being. The difference between Reiner and Jean is that Jean always saw everyone as people.
It's important because it shows how far Jean has come. It's important because it shows how much truth was in Marco's words right from the beginning. Jean is humanity's best - not because he is flawless, far from it, but because this flawed man will always find the strenght to do what's right. Because when good men go to war, they don't see sides, not really, they see the horrors of their actions.
In a way, aot is Jean's story. And Reiner's. And Marco's. I still have plenty of criticism for this series, but the web of complex relationships between these three characters is one of the things that Isayama did right.
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cripplecharacters · 1 month
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Mods
[large text: Mods]
Sasza
[Large Text: Sasza]
Hi! My name is Sasza and I use he/him pronouns. I am a disabled artist who loves to write and draw characters like me! I am autistic, (mildly) intellectually disabled and have several physical conditions including-but-not-limited-to dyspraxia, severe hyperkyphosis, cranial nerve diseases (causing double vision, chronic pain and a facial difference among other things), and hypermobile joints. Sometimes I use a cane. I'm very passionate about accessibility and disability representation in all kinds of media - books, comics, video games, and any other kind of art that's out there!
Bert
[Large Text: Bert]
Hello! I'm Bert (previously Mason), and I use he/they pronouns. I am a writer who loves to write plays and fiction with characters like me and my friends. I am autistic and have ADHD, I have psychotic PTSD and a DID system. Physical health-wise I have migraines, fibromyalgia, and a lateral lisp. I love talking about representation and ways we can make a kinder and more inclusive space everywhere we go.
Sparrow
[large text: Sparrow]
Hi, I’m sparrow, they/he for me. I’m a disabled artist who makes a lot of disabled characters like myself and probably like a quarter of the world. I have autism and ADHD, among other brain things, as well as chronic pain in both my jaw and my knee and ankle. I also have POTS and some sort of sleep disorder. I am a sometimes cane user as well. I really enjoy research and thoughtful art that makes people feel seen. Aside from that, I am a huge fan of historical fiction and really enjoy fantasy as well.
Rot
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My name is Rot, I use all pronouns including neo pronouns as well as any rot and insect themed nounself pronouns. I’m an artist who loves putting disability in my stories. I’m mostly undiagnosed due to medical neglect and have chronic fatigue, hypersomnia & chronic pain that ranges from mild to debilitating. My known disabilities are pots, ganglion cysts, nerve damage, tics, autism (level unknown), asthma, GERD, anxiety and psychosis. I have a metal implant, use a cane and am mostly verbal and use aac infrequently. I have experience with temporary palsy, needing carers (family members who stepped up, not hired carers) and being in a wheelchair, though I currently don't have any of those.
Patch
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Hey! We’re The Patchwork Quilt but please call me Patch! I use sof/soft/softs, red/red/reds, they/them/their, and ae/aem/aeir pronouns. I’m autistic (level 1, the very high end of low support needs, unreliably/semi-speaking, AAC user), and I’m a system with highly complex dissociative identity disorder (we use we/us and I/me language interchangeably. Please don’t ask who’s fronting). I also have hypermobile Ehlers-Danlos syndrome, attention-deficit/hyperactivity disorder, specific learning disorder with impairment in mathematics (AKA dyscalculia), developmental coordination disorder (AKA dysgraphia/dyspraxia), chronic fatigue syndrome, essential (kinetic) tremor, avoidant restrictive food intake disorder, dependent personality disorder, severe auditory processing disorder, psychosis (likely somewhere on the schizophrenia spectrum), and Tourette’s syndrome. I use a rollater that can turn into a powerchair. I love drawing, writing, and playing D&D and coming up with creative ways to incorporate disability into those three things. I will be attending college for a degree in disability studies this fall.
Virus
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Hello! I go by Virus and I use She/Her but anyone can use any pronouns for me, have fun with it. I'm a writer—mostly fanfiction—who has been in fandom very long and used to be a classical musician. I have Hypermobile Ehler Danlos Syndrome along with it's fun co-morbidities (MCAS, POTS, Gastroparesis, Fibromyalgia, and Von Willebrandes). I also have Pan-Hypopituitarism which is the following: Adrenal Insufficiency, Hypothyroidism, Diabetes Insipidus, Precocious Puberty, Growth Hormone Deficiency, Hyperprolactinemia/galactorrhea, as well as High Estrogen and Testosterone issues. I have Pituitary Dwarfism/Proportional Dwarfism, Myoclonic Epilepsy, and a Speech Disorder. I used to have a Port-a-cath, Picc-Lines, and a feeding tube, amongst many other things. Phew, now that that's over. I love every art form with a favour towards music, writing and the fiber arts. I love seeing representation no matter how big or small especially in medias that rep is often glossed over!
Rock
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Hi! I am Rock; any pronouns are okay. I am a writer, mainly of sci-fi and fantasy, and I love adding all sorts of disabled characters. I am hard of hearing (mild-moderate bilateral hearing loss) and have profound auditory processing disorder. I have scoliosis, POTS, and lower-body muscle weakness so I am a full-time mobility aid user. I am also intersex; I have several hormone deficiencies among other conditions as a result of my intersex variation. I am excited to join the mod team!
Aaron
[Large Text: Aaron]
Hey, I'm Aaron, he/him. I'm a writer of fantasy, science fiction, dystopia, utopia, and historical, and I like writing incorporating casts of disabled characters into all of them and reworking magic, technology, and science to accommodate them. I have a TBI, a lot wrong with my speech, cognitive issues, slight developmental disability, myofascial pain syndrome, medium support needs autistic but fully verbal, OCD, multiple types of anxiety, PTSD, depression, severe ADHD, dyslexia, dysgraphia, articulatory initiation anomia, medically significant migraines, a chronic headache, chronic pain, and chronic fatigue. I'm also visibly disabled (one of those people who looks autistic) and transmasc. And I can't wait to see what amazing things you guys come u with.
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