A character looks straight into the camera and says "I'm not interested in romance" and people will still say "No, it's not confirmed they're aromantic!!!" "They could change their mind!!!" "it's a challenge for them to overcome!!!" "They'll have character development that makes them fall in love"

It's like they are given the most blatant answer to a character romantic orientation and they actively ignore it. all the while all it takes is subtext for people to speak as if it is fact for a character to be any other sexuality.

ultimately when it comes to shipping and fandom space treatment of aspec characters i just don't accept "aro/ace people can still date/have sex" as an answer from nonaspecs. like yeah. mhm. okay. now i think we both know that you're not saying that out of real interest in the diversity of aspec experiences. so you can turn in your seventeen-page essay on why and how you plan to examine this character's aspec identity within the context of a romantic or sexual relationship complete with evidence from canon and peer reviews from multiple aspec people within the next week or i'm putting you in the pit from the edgar allen poe story

neo trio and their one semi-trusted adult

Jyn Appreciation Week Day 3 ➬ Favorite Relationship

SAW GERRERA & JYN ERSO

“I was a child,” she said. “Saw Gerrera saved my life. He raised me. But I've no idea where he is. I haven't seen him in years.” “A girl who—genetics notwithstanding—had clearly inherited Saw Gerrera's burning rage and icy competence. The need in her eyes frightened Cassian.”

"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck

random note about king on that animation, i got really lucky with how simple his animation was and how clean my sketches were to begin with that i was able to do very minimal cleanup on what i had sketched (and add back. his horn. it's supposed to take place just after echoes of the past, Oops) and call it done that way instead of having to redraw the entire thing like i had to on his dad

first sketch > line cleanup > nearly final animation (i'd added slight eye movements last-second but otherwise that's the final)

How it feels like being a Niki fan at this point

Problems with erasing Bendy Book canon:

With the FNAF books, we were told they were canon-divergent fairly early on. For Bendy, this was never specified, leading many to believe this was all just straight-up canon information that they were running with for theorycrafting. For a long time.

Why the hell would you de-canonize the ENTIRE origin story of Boris? He's a central character to Bendy and the Ink Machine.

You're going to throw out THE ENTIRE AUTOBIOGRAPHY OF YOUR MAIN VILLAIN? THAT'S.......NOT A GOOD IDEA!

(And before it's pointed out, no, we don't "need" Illusion of Living for "gay evidence." The point here is y'all released an autobiography for one of your two main characters and you're saying it's not canon. That's ludicrous.)

Things that were explained/brought up in the novels that apparently "aren't canon anymore": how Sammy got infected, Thomas's conflicting feelings about the machine he created, the origin of Boris the wolf, several instances of Joey's gaslighting and manipulative behavior and his slow descent into madness after Henry's departure, a look into Gent technology and the Gent experiments that took place after they switched over to "research", Abby Lambert (who SHOULD be in the mainline games all things considered), Joey Drew's ENTIRE AUTOBIOGRAPHY including his PHILOSOPHIES AND REAL ASS LIFE, ANDDD the themes of classism, racism, and sexism that were VERY present at that time in history. Among other things.

You're taking out several new characters for no reason. I'm not saying they all need to return, but it makes zero sense to introduce a bunch of new guys and then immediately abandon them...only to introduce a bunch of OTHER new guys.

I've seen a few comments in response to Mike that go along the lines of "oh thank goodness now I don't need to read the books to understand the lore!" No disrespect, but I think that's a fundamental misunderstanding of what the books do. They enhance your understanding of all the background plot. You don't need to read the books to understand the games. But that shouldn't mean erasing the existing information's canonicity because not everyone wants to read it.

Bendy isn't FNAF. Bendy has a much more streamlined plot. Not everything fits perfectly of course, but to take out such a large chunk of what we THOUGHT was the plot (or plot-adjacent) is headscratching to me. You claim to care about the plot, characters and worldbuilding and then you decide that some of the BEST written interpretations of these characters and their world just aren't "legitimate" now? .......All of a sudden?

I want to punch something

i think that the major misinterpretation that people have with taco is that she didn't get attached to mic because of her sad face in the end wanted to show regret because "she hurted her friend". like. no, she wasn't sad because she regretted what she did. she was sad because she's alone again, but she knows very well at the end that she had it coming. the reason as to why taco was so desperate of wanting mic to tell her that she did gain something is because. she SAW pickle in mic, but of course their situation is very different. "Oh but Taco couldn't have done what she did to Mic to Pickle, Mic was fully aware" but she did do that. Mic herself says it. That is pretty much what II is telling you. Taco isn't a good friend, and is not exactly a good person either. Mic was aware that Taco was/is a bad person, but Mic's nature makes her believe in whoever acknowledges her. Taco made Mic feel like she needed her, just the way she made Pickle feel back in s1.

she didn't really change thanks to mic. her faces of "regret" aren't her actually lamenting all of the stuff she did to microphone, but rather just her realizing that she proved what everyone said about her as a result. i will give it to that she might've tried to change, but not because of mic. she wanted to win the prize so she could prove others wrong on her being a loser and a coward, by being a loser and a coward. if anything, mic made her realize that she hasn't changed. she pretty much just ruined everything for everyone who saw her as a friend, and for herself.

taco's whole arc is constantly just downgraded to questionable takes and listen. i do agree that she is heavily flawed as a character. she is morally gray, but ii doesn't portray her as a good person with good intentions, nor she should be really be treated as if she was. neither she had those good intentions with mic at all, i mean, their "friendship" pretty much started because of taco wanting the prize money, taking a part of microphone's prize if she made mic won, you know, an offer. she would get the prize and mic would get recognition. but everyone seems to forget that probably, the main reason as to why she's doing all of this, is because she does regret how she acted on s1. she doesn't exactly regret doing all of that to microphone, and even if she does, it's for the wrong reasons. (that's because she did the exact same thing to you know, pickle, her once best friend, the only person she truly ever cared about)

people do tend to forget that taco keeps sending letters to pickle, and that's often just used for pickle angst and making it his only character trait, but. it's not that. it's the fact that taco keeps on writing those letters, despite fully knowing that she did hurt pickle because of her actions. taco's biggest flaw is that she can't accept that she has ruined everything and wants so desperately to be back on pickle's life because she ended up caring about him deeply as a person. as a friend. but she was never there at all, either.

taco can't seem to understand that she has hurted people badly. sure, she seemed like a "friend" to microphone, and you can argue whatever you want but a fact is that taco IS smart, and she knew that the only way to possibly keep mic by her side is pretending to want to be better, you know, the same way she pretended to be just a odd fella so pickle and her could remain together and have an advance at the game. she played with both of them. because both pickle and mic believed in her but were just used by her for the game.

however, taco does seem to regret the way everything went during-post s1. you can see how she yearns for another chance and is saddened about not getting it, but that's not only for comedic purposes, but that's because the writing is telling you that she won't get a second chance. at least not here.

what i want people to understand is that, yes, taco is a complex character, however trying to sugarcoat what she did is pretty much missing the point of her writing as a whole. she isn't a good person neither was she a good friend. she hasn't grown because she was never able to let go of something that she thinks that she can fix with some words and a prize. she thinks that she can still fix her friendship with pickle, she thinks that she can clear her name (even if she was the one who tainted it), but she only ended up proving knife right. she proved everyone right. she hasn't changed. a morally gray character is that. they're not exactly fully bad or fully good, but it's taco's actions that speak a lot. words are cheap, and taco's title is "The Liar", and that says a lot, because she kept on lying to microphone and to pickle on both of their games. she won't heal unless she lets go.

and i want to be clear here: i do think that taco can go through redemption. i do think that taco can become a better person, but not in the way people portray her to do so. because it just pretty much goes against what her arc has settled in for us, and the other arcs that were involved in hers as well.

taco's arc is meant to be somewhat a parallel with nickel's in a way. hell, even with knife's arc if anything. she treats knife as a simple bully, but when she saw that he became smarter and way more emotionally aware than what she had expected, she felt attacked by that, because he was stable. he became a better person and he was rubbing that on her, and it made her feelings of anger way worse regarding him, but it is true. knife is pretty much everything that taco wants to be, but here's the thing that made them so different:

knife stayed. taco didn't stay.

knife is accepted by everyone in the hotel because meanwhile he hasn't explicitly said that he had a change of heart, he has shown it through actions and a big difference too is that he was there for pickle, even if they weren't close in s1, and taco is on the woods because deep down she is aware that she can't go back. not if she doesn't have something to offer as an direct apology, but here's the problem. whether or not she got the prize, she still wouldn't get forgiven by anyone due to what she said that day.

again. her problem is not being able to let go and to accept when she has messed up badly. she has been lying to everyone but she has also been lying to herself as a whole. she can't keep on doing this because it's just hurting everyone and herself. keeping grudges and holding onto past friendships that were doomed to fall is just hurting her. she is not on the state to keep on trying, she wasn't at all ever.

taco's arc most likely will have closure on a way that fits her character, and i feel like that would be with her letting go of inanimate insanity as a whole and of what she can't fix anymore. her trying to find herself after years of lying to everyone and to herself. she's not a good person. but she can become one. only if she knows what she did was wrong and that her second chance isn't there, and never will be, and if she recognizes that meanwhile she did that damage, she can still become a better person. just not there.

pickle and mic don't owe her anything, especially pickle. taco does owe them an apology, but they won't accept that. the least she could do is to accept their wishes, understand that she needs to leave them and grow to be a better person. maybe, if she does that, she would actually heal.

she doesn't need anyone to fix her. she needs to fix herself.

MODERN AU TIME!!

Every fantasy game gotta have some kind of modern au version of it, right? This time, the party met over an online mmorpg that they all enjoy!

They're all meeting up for the final raid of the latest DLC. They've been invested in the story for years now and are excited to finally end this arc together! They all meet in Siffrin's city, staying the week in a hotel, playing the game the final day they're there as a last hoorah!

On the second to final day, they visit the city's park. The city was founded on Change God's beliefs and thus has a Favor Tree After a visit to the tree, Siffrin guides everyone to a restaurant nearby that he really likes. Going across a street before the sign says to walk. Everyone tells him not to, but he just says this street is always empty, it doesn't matter Then he wakes up in bed, the day having restarted.

*i know, two au drawings back to back, but i do have a lot of actual normal game drawings, but I just like drawing people in new outfits lol*

If you like a character but don't include their disability in art (drawing AND writing) then I'm sorry but I don't think you do as much as you think you do. This includes

- Scars

- Prosthetics/amputated limbs

- Mobility Aids

- Glasses

- Etc

Hi! So you can call this a rant or a vent or whatever I don't rlly care - I just wanted to put some of my opinions out there bc it is eating me inside out to keep my opinions on Alastor's sexuality and all of the discourse about him being shipped to myself.

Also i'd like to state that I'm writing this as someone who is aroace but has no actual wish to be in a romantic relationship and actually struggles to so much as picture what that's be like for myself. I would also like to state how I'm not speaking for the whole community and others will have different opinions to myself.

Firstly - aroace is a spectrum (as someone who is on the aroace spectrum btw) and I completely agree with ppl who say that it is a spectrum and shipping has always existed and you can't rlly stop an entire fandom. My only problem is when ppl completely ignore that he is aroace while doing this, bc to me it seems like there's so much potential to having him have to go through those types of emotions and to write him off as if he's completely allo not only can make some people feel unseen but also just isn't as fun.

Also I kind of believe that he'd possibly date someone for the entertainment - like even if he didn't exactly feel romantic attraction maybe he'd be willing to be around someone closely bc he might like the reactions he'd be getting. (example: he might've stayed in a relationship with Vox maybe not out of pure attraction but if he found out that affection could make the TV short-circuit? He'd be interested)

Adding to that, I personally do not actually ship him with anyone romantically due to his character + the fact that I am projecting my own distaste for romance on him but you do you ig.

Also, on the note of nsfw around him - sometimes you cannot stop a fandom, rule 34 exists and some people who are asexual sometimes may want to have sex and all of that stuff. Personally I think he'd probably be sex-repulsed due to the fact that he canonically has issues with being touched.

ALSO, i personally think that way too many people are brushing over the idea of putting Alastor in a QPR - like that would literally be so awesome.

Alastor x Rosie? Cute af (to me Rosie gives of aro vibes too, but more romance - favourable) like they're already besties and honestly I think that Rosie would defo help him figure out about his identity considering that he's quite obviously not all that sure about slang and stuff.

Vox x Alastor - It has the potential to be SO FUCKING FUN like, you get to experiment with how they feel for each other, maybe what Alastor's got going on bc he died before being aroace was rlly a thing and he'd be confused about how he felt about Vox for sure.

Lucifer x Alastor - I quite like it, ik that Lucifer is supposed to be with Lillith but she did take an extremely long hiatus on her family up in heaven so i think it's okay. Plus the idea of them bonding and becoming close due to Charlie is wonderful.

Even angel and Alastor - maybe after Val Angel doesn't want a super sexual relationship - maybe he's not all that interested in something purely romantic either and though I love huskerdust this would still be pretty cool.

Really all I'm saying is; be considerate. Incorporate the fact that Alastor is Aroace, even if you do ship him - in or out of QPRs - and ofc sometimes writing someone who is part of a group ur not in is difficult (coming from someone who often struggles in writing especially when it comes to romance) but taking a crack at it might actually turn out to be rlly cool.

But please don't ignore his aroace-ness, there's not a huge amount of aroace characters out there and acting like someone isn't can be annoying for ppl who want to find rep around their identity, esp if they haven't seen much before (I can relate and he was one of the first aroace characters I was introduced to after I found out what it meant).

So yeah, that's my piece.

Do you know this queer character?

Percy is Asexual and uses she/her pronouns!

Daenerys and Arya knowing they're the main ASOIAF girlies that have everyone from dudebros to (fake) feminists feeling threatened because of their importance

in your fic “paint it over” is that how you imagine jason making it out of the explosion at the end of utrh? not exactly the events that follow, but the preferable characterization of bruce digging jay out of the rubble and carrying him to help. and how do you think jason made it out canonically (without the help of bruce) also!!! what are your thoughts on the specifics of jason’s scar and how he’d behave toward it. i liked the part of your fic where jason was temporarily unable to speak due to the trauma his neck received. i think the scar is something that rests on the junction of his shoulder/neck, and that can be hidden with whatever clothes he wears -> no one knows he has it (or how he got it) either. i like to imagine while bruce knows his batarang made contact with jason’s throat it’s never fully registered to him that it scarred until he sees it for himself (and while i believe bruce would turn the moment in head over and over again until it’s engraved in his brain, his delayed realization—to me—is due to his repression of the occurrence)

oh i adore this whole ask. some of it i explained in my notes, but this fanfic is quite dear to me, so i will elaborate.

short answer to whether this is how i imagine jay making it out of the explosion: not exactly?

the premise that i wanted to explore with paint it over is almost the opposite of a fix-it, and definitely not what i believe it should be in canon.

what i wished to explore there is, however, the part of utrh that is perhaps the most shocking to many readers: that bruce leaves jason to die.

in-universe, i think the answer why it happens is surprisingly simple enough: bruce does not come because he is just... not there. my understanding is, that in a way, the events of under the red hood did not happen. there is nothing to follow. that purple mist in the finale of the utrh, that is often read as a force resurrecting jason (not technically wrong, either)- i believe that is the timeline already rewriting itself, making the whole story into something that was not.

and the reason for the above is the infinite crisis. if i'm not wrong, it's also the inifinite crisis miniseries where bruce meets dick right after the explosions in (or of) bludhaven-- that in batman clearly happens in the background of his confrontation with jay. however, in infinite crisis (#4, just checked it now), bruce tells dick: "i wanted to make sure...you're alright... i was in new york when it hit. got here as soon as i could." which could be a lie or a matter of the editorial not being synced enough- but i'm willing to give them a benefit of the doubt given how it ties with that sudden, stunted ending of utrh.

this makes sense for canon for several reasons. in the animated movie, since it spares us the infinite crisis tie-in, bruce says of the whole incident: this changes nothing. it changes nothing because although aditf isn't, utrh is a tragedy; it changes nothing because since his death, jason is necessarily always pushed at the peripheries of the narrative, no matter how much the fate itself tries to fix it, becoming a tragic footnote. the dead have one right and it's the right to remain silent. and that is ironically ensured on a cosmic level, with his violent attempt at being seen hidden in the folds of the timeline. you can also see it clearly in canon -- i believe it was not until the infinite frontier that the events of utrh got just tangentially mentioned (before that, even lobdell barely touched upon it). other than that, they have no consequences; they are barely ever spoken of; they seem to slip out even from jay's solo comics.

this move was necessary for batman, as a character and as a title: let's say bruce does hold red hood as he does in the alt cover of annual 25 (and the cover of the deluxe edition of utrh.) that would implore a reckoning with his failure and his (suddenly non-productive) grief that would either reconstruct the whole myth or lead to some terrifying implications. these terrifying implications are, essentially, what paint it over is about. it's about the worst happening and about there being no way back from it. and jason, in receiving what he wanted (his father's love and care) wants to deny that reality. they both want to. yet even jay cannot ignore it completely -- and i chose to use the batarang injury to emphasize it.

and about the scar: i mentioned it briefly before, but in the au jason aggravates the wounds on purpose, hence it will scar worse and cause long-term issues for his voice. it's a theme i also keep in some of my other stories (to come...) and i very much think this is what would happen in canon if he had to take care of that injury. yet as it healed, i believe he'd take to hiding it, mostly. still, as it stands, my primary take might be that in canon (if it was to follow the interference into the timeline from the crisis at least) jason would simply end up with no scar at all, and only memories for evidence of what happened, which is perhaps worse for him too (but of course better for bruce. and as it happens, this is bruce wayne's story and everyone else is just living in it- or dies in it- for better or worse. and if we're ignoring that metaphysical timeline bullshit, as you said, i believe bruce would repress it all anyway.)

(i hope this goes without saying that literally headcanon what you want: i'm criticizing the people who talk shit and can't accept other's people's headcanons. that's who i think is boring and annoying. there's complexity in Mizu's character in a lot of ways. I really cannot see how this headcanon is erasing any part of her identity. Please do feel free to correct me on this.)

I feel like ppl who hate on ppl who hc mizu as genderfluid are 1) boring, and 2) annoying. But most of all, they always use that dialogue between her n mikio, where she says she had to be one to enact her revenge.

Mizu is a person who is in an extremely sexist country, also being targeted for being mixed. In a way, being a boy was necessary. I also think that Mizu has found some comfort in being a man, in living like one. He prefers, in some ways, how a man is treated and is very comfortable being one not only out of necessity, but also because he likes it.

Now, just because he likes being a man, doesn't mean she also doesn't love being a woman. During the mikio arc, we all saw she was comfortable being a woman, she liked some parts of it even: being someone who deserves protection, who doesn't know how to throw a knife or fight for her life, who takes care of horses n cooks not just for herself; for her, being a woman means not doing what she has to as a man, which is fight for herself and enact revenge and live alone n all that.

At the same time, they're not totally a woman, nor a man. Because Mizu is not only about their gender, either man or woman: Mizu is a person who revels in both being masculine n feminine, but if they had the choice they would be both. They're part of both worlds (male n female) of edo Japan, and just as much as both worlds bring them immense amounts of pain, there's also a great deal of euphoria that they both give Mizu, and a mix of both is what gives them total peace.

I always think abt how effortlessly Mizu fought with mikio, since she was completely unrestrained and free there: both of her worlds were colliding and she fought in a way we dont rly see any other time in the series. Not only cuz she wasn't wearing her binder, but because all of her truth was revealed at the time, n she didn't have to hide any part of her then.

So yh anyways. Mizu genderfluid. And bisexual. And polyamorous.