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#don’t talk to me I can’t speak
airheadcandy · 2 years
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Go get him tiger!! Y’all I’m living this is exactly the scenario I’ve pictured in my head a million times over and over of them reuniting after their breakup. Like the sudden passionate and angry kiss. THE CHEMISTRY. Y’ALL. I’m off the walls and speechless it was perfect. 🖤💣
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chrollohearttags · 3 months
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meg baby, I promise we’ll all look the other way if you decide to strangle that chimera ant built bitch. I promise we won’t say nothing.
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astronomodome · 3 months
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Feeling conflicted about the cyberpunk thingy impulse is going for because like yeah it’s a great theme and I like the aesthetics a lot but what I really like most about cyberpunk is the themes of corporate alienation and/or transhumanism etc etc which I know will not be addressed at all and in fact it’s kind of stupid of me to expect that at all from a minecraft series. Does anyone else get that or just me
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verave-evare · 1 year
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i hate it
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feelslikegold · 8 months
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I know some of you on here are actually bold enough to talk like this bc i’ve seen it but uh here’s an unfriendly reminder that you don’t know any of the boys and definitely could NEVER know what they struggle with/if they need an emotional support or service animal?? and if you think you’ve “gained enough knowledge” from following the band as a fan to speak on that kind of topic as confidently as this bitch you are seriously unhinged and need to log off. in the end the entirety of gvf are strangers to you and you don’t know a single thing they struggle with unless they open up about it?? it’s as simple as that??? and someone’s disabilities/illnesses/struggles aren’t even a debate topic like please shut the fuck up or die
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safewavess · 3 months
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I love love love that the ccs will be forced to use the translator in order to communicate with the new ccs joining qsmp because that’s what it’s there for!!!!! it’s a translator!!! use it to translate, even if both of you are able to speak the same language!
I don’t see enough people use the translator, especially when the ccs are both able to speak (usually) english, and it’s still great that they can speak easier if they speak the same language, but the language barrier is one of the causes for the creation of the qsmp! Let the language barrier be a barrier in the first place, and let the translator do the work it was meant to do!
Let people who physically can’t speak the same language interact! It’s part of what makes qsmp qsmp, and even though it has impacted hugely just from adding people who generally create content and talk in different languages, I do think it somewhat lacks in the people speaking different languages category, because while that is true, it is also somewhat untrue in that all of the ccs can speak one of the same language (usually english), even if they’re not a natural at it!
Now, that’s not a bad thing at all! But, it does blur the speaking different languages problem that was meant to occur in qsmp. They speak different languages! Let them speak whatever language they want and let the translator do the work! Again, that is what it is there for! It is a translator! (I’m looking at you twitter)
And even if it takes a million repeats of the same sentence for someone to finally get what another person is trying to say, a hundred fuck-ups of the translation or a thousand language barrier/cultural miscommunications, again, qsmp was made for this to happen! It was made so people who come from different backgrounds and are usually unable to interact because of cultural/language barriers can interact, whether it start out negative or positive!
And I trust them (the ccs and fans) to communicate if controversy/confusion happens culturally and language-wise, and (hopefully) for the fans to not turn anything minor** into a huge drama, so I am extremely excited to see the ccs be forced into using the translator!
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fan-dweeb · 4 months
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*in the middle of conversation*
Keigo: Wait, please stop talking
Touya: excUSe me??
Keigo: Just- just shut up for a minute
Touya: *scoffs*
Keigo: No- I just- please, shut the fuck up for like, 30 seconds
Touya: What are you- Oh
Touya *mouths*: Bad day?
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hobisexually · 3 months
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I have so many problems with karamo but the s8 finale… he sees an asian woman who has severe trauma surrounding her father due to (some) asian culture(s) not allowing people to properly talk to their parents about their emotions or issues with them because that could be seen as disrespectful, oui? so she hasn’t spoken to him after her mother died and that is hard, yes?
and this man chooses to surprise her in the car (after making her cry) with an unannounced FaceTime call with said father, which forces her to immediately talk about why she’s upset with him after three years of not speaking??????? without being prepared, without knowing what to say to a stubborn elderly asian man who never learned to deal with his emotions and fucked up because of it? REALLY?
the LEAST he could have done was tell her in advance so she could write it down for herself and so she could be prepared
sure they talked. sure they made a start. but at what cost. what violence did this wreak on her for no reason. jesus CHRIST THIS MAN ANGERS ME SO MUCH
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lvrhughes · 10 months
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I feel like one of the only people on this app not in a gc🧍‍♀️
am I missing something here? must I be older for this shit?? should I care this much?? (probably not)
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jq37 · 4 months
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Please let us know if you solve this mystery!
OK! It’s the end of the year so let me compile everything I was able to come up with (with the help of everyone I dragged into this–you know who you are and thank you and I’m sorry). 
To anyone who’s just seeing this and doesn’t have context, in November, right before the movie Wish came out, I made a longish post questioning who Allison Moore was (which, incidentally, is the first post that comes up when you Google “Allison Moore Disney”).
The reason I was curious about who this random writer is is because she’s credited as one of the co-writers of Wish, Disney’s 100th Anniversary Feature Film BUT she has no obvious experience writing for animation, children, or fantasy when everyone else on the main team has credits on stuff like Frozen and Encanto. I thought it was bizarre that there would be someone so green on a project so big so I went digging. 
Here’s what I learned:
(1) Moore wasn’t originally announced as being attached to the project. Chris Buck, Jennifer Lee, and Fawn Veersunthorn were all mentioned when the project was officially announced in Sept 2022 (for example). Moore was not. And you’d think they’d mention the *co-writer*, right? You don’t start to see her name until a year later in Sept 2023 when the trailer dropped (for example). So it seems like she was brought onto the project later. Of course, this could just be a normal quirk of the industry or something I’m misinterpreting, but I think it’s worth mentioning. 
(2) Moore seems to have a lot more credits in stage writing than she does in screenwriting. I wasn’t able to 100% confirm it until recently (I’ll get to that in a second) but she’s written a bunch of plays and it seems like this is where she has most of her bona fides. 
“Allison is the recipient of two Jerome Fellowships, two McKnight Advancement Grants and the Bush Artist Fellowship.”
That sounds fancy. But it still doesn’t say “Top Choice for Disney Anniversary Movie” to me. That’s not a statement on writing quality. I haven’t read/seen any of her plays. It’s about the subject matter. Look at some of these synopses:
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None of that really screams Disney. Which isn’t to say people can’t have range. George Miller wrote all the Mad Maxes but also Babe and both Happy Feet. But if I was hiring someone for a really big project, I wouldn’t want that project to be their first attempt at expanding into that genre. 
(3) This isn’t actually inherently important but she was on an episode of Nailed it. That’s where this picture comes from:
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She won the first round and the game ended in a three way tie for the first time in the show’s history. 
The only reason this is noteworthy in the larger scale of things is that, until very recently, this was one of only two places online you could see Allison Moore talking. The other is this very short interview on the red carpet during the premiere. 
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There’s nothing in that interview that explains anything. It’s mainly her talking about how it was fun working on the movie and how good the movie is. 
Honestly, good for her for not being Extremely Online, but it really felt like I could get a bit of a handle on everyone else who’d worked on this project in a high profile way but not her. Which is part of why I started down this rabbit hole to begin with. There was nothing to show where she might have had a connection or an interest or anything that would connect the dots. 
For reference, Fawn (who was one of the Directors and story writers) has the kind of resume that I was expecting Moore to have when I initially Googled her:
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Smaller jobs on other kids/animated movies (Hop, The Lorax, Despicable Me 2), some storyboard or art work on other Disney stuff (Frozen, Moana, Zootopia, Ralph), and then a big break (Raya and Wish). Based on my understanding of the industry (and I know a fair bit because it’s one I’m interested in professionally) that’s a very typical track to get to the writing side of animation.  
A couple of people speculated that Moore got onto the project in a mentorship capacity. Now, I’m a Black woman who writes fiction professionally when I’m not on this hellsite (affectionate) with the rest of y’all. That means I have firsthand experience with what mentorship looks like in writing–both official Diversity and Inclusion type mentorship and more organic “Let me take you under my wing” type mentorship. I have *never* seen anyone get a job this high profile at the jump just due to mentorship alone. Going from zero to Disney’s 100th anniversary is kinda insane. This wasn’t some B project or something. It was a Big Deal Project. And this is Disney so they could have hired basically anyone they wanted. So you have to assume this was an active decision someone made and not just a thing that happened for lack of options. But in all my searching, Moore wasn’t mentioned except to just say she wrote the screenplay with Jennifer Lee. It was just the baking show and the Youtube clip.
Until today.
(4) I’m going to preface this by saying this doesn’t actually answer the question in a big AHA! way, but it is the only interview I’ve seen about Wish from Moore besides the red carpet clip.
On December 15th, Moore gave this interview with the San Antonio Current.
I stumbled across it while searching for a different piece of information and eagerly clicked to see what she had to say after three weeks of silence after the movie dropped on November 22.
Here are some highlights:
-In high school she was a theater kid and thought she wanted to pursue acting. 
-I college she did playwriting and eventually she got her MFA from Iowa (which has a weirdly great MFA program btw, and also, this interview is how I confirmed she was the playwright Allison).
-When she started on the theater track at her college, she told them she was a playwright so she could study that too even though she’d never written a play before. So it sounds like Wish isn’t the first time she’s just jumped into a new thing without experience. You have to respect the hustle.
But this is the most important line in the interview because it’s like, an answer and a non-answer all in one. She’s asked, “How did you go from writing plays to writing for TV and film?”
And her answer is, “I had a whole career writing for theater, and then when my son was born, I realized I needed to make more money, so I started pitching for TV. I worked in television for about a decade. In the midst of working in TV, I continued playwriting. That's how I got on the radar at Disney.”
Which kind of sidesteps the most intriguing part of the question? Like, first of all, it’s not 100% clear if she means her playwriting or her TV writing caught Disney’s attention. I’m guessing playwriting, but I could be wrong. Secondly, who is “Disney” in this situation? A Disney recruiter? A Disney director? Did Jennifer Lee see a production of Slasher: A Horrifying comedy while passing through Texas and think, “Her. I want her to be my co-writer on this children’s film.” And what did she do to impress them so much that they right away put her on the the *Anniversary Project*? Like, I know I keep harping on this but I can’t stress enough how big of a deal this is. It’s hard enough to write for just your average sitcom or little movie. To just jump on something this big is baffling. I obviously don’t expect Disney to be justifying their every hiring decision publicly but, usually, when someone is doing something like this, it’s very obvious why they were chosen and, even with this sliver of explanation, it’s still frustratingly opaque. And with the strange post hoc timing of the interview (seriously, doesn’t promotion usually happen PRE movie release?) It almost reads like an interview that exists because someone realized the lack of any online presence was weird. 
(5) When she was a kid, Allison Moore had a crush on Fox Robin Hood. That’s not at all important to the mystery, that’s just information she volunteered during the interview and that I’m now sharing with you. So when you search her name now, the top results are me wondering who she is, her IMDB, and her talking about how she liked Fox Robin Hood's little hat. Which isn't a LOT of information, but it’s more than we had before and that’s something.  
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james-p-sullivan · 3 months
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where’s the love for the writers out there writing your heart out for a fandom of three and a half people i love you
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arbitrarycategories · 23 days
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what if I indulged my inner twelve year old and wrote crossover fanfiction
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lyriumlullaby-ao3 · 6 months
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god they really did do Justice kinda dirty in da2, huh
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j-esbian · 2 months
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no but like. why can’t i talk to wyll about anything. i can’t even ask him how and why he met mizora lmfao hello???? can i get a basic explanation of his backstory?????? you can ask astarion how he became a vampire and karlach how she ended up in the blood war and gale how he started pondering the orb
even if he just deflects like he did when i asked about his eye, bc im sure it won’t Actually be revealed until i try to get him out of the pact but it should still be an option???
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shima-draws · 1 year
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Told my boss that NO I cannot take over customer phone calls because my anxiety will literally not be able to take it. And I’m being SO brave about it,
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broflovski-brah · 1 month
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i’m so done with this shit. i don’t want to get political but
why do people (namely in the sp community) insist on censoring israel and not palestine? like here’s the deal. i support the free palestine movements. i acknowledge everything that is going on in palestine
but you also have to acknowledge october 7th. you have to acknowledge what went down in its entirety. yes. i support free palestine. but here’s how it’s gonna be for me. if you wanna talk to me about not wanting matt and trey to make an episode revolving around israel and palestine, you either censor one or censor neither. i would be saying the same exact thing if people were censoring palestine and not israel. i don’t care if you ‘don’t want the pro israel people to find my post’, i don’t want either side to find my posts. i’m not fully educated on the issue and i don’t feel like getting into political discourse.
so that’s my rule. if you wanna send an ask in, you either censor both of you censor none. and yes. i get that this doesn’t directly affect me since i don’t belong to either religious/ethnic group. but it does affect people of those groups when you turn an entire group into what you view those involved in the war is. it may not affect me but it affects others. and i don’t stand with that. i don’t care which side you take in this conflict but i am not into the discourse that’s been going on in my inbox. i’m not fucking dealing with it. if it has the potential to hurt someone it’s not going on my blog and it will be deleted. i don’t care.
anyway. end of story. either censor both or neither. up to you. or don’t engage at all.
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