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#does this mean this is a common occurence???
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Actually could we put some light on the class difference clash epel is experiencing in school. The situations looks a little weird to me. Cuz in epel's robes vignette it starts with the other pomefiore students asking him about carpet brand preference and he has no idea what to answer. They end up having a misunderstanding that never clears up. Epel proceeds to make a table manner mistake which Rook helps cover up with a lie so epel won't be embarassed (rook can probably sympatise) while vil is more strict. It is in this vignette we see that instance of vil first making epel lie about his favorite food for unclear, debated reasons.
In Epel's labwear vignette we hear some of the NPC students whisper about him and they seem to be asuming he must also be from some rich family due to the clothes he wears (which vil gave to him and makes him wear) and maybe also because he's in pomefiore. I know that it's just like vil to give people clothes he thinks will fit them best,and some of it might be so epel blends in pomefiore better, but could Epel actually be more likely to get picked on if he was perceived as from a lower class? NRC is a prestigious boarding school but it's not like he's the only character with more...average circumstances. Compared to the literal royalty and celebrity attending.
[Referencing this post!]
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Mmm... I mean, aren't the mobs (in the Labwear vignettes) already bullying Epel because they perceive him to be of high social status? I don't think it would make a difference if they knew he was of a low social status since the mobs were already bullying him (again, under the impression that he's rich) to begin with. What I'm saying is that bullying would have occurred regardless of Epel's socioeconomic status. It's not necessarily nice, but it seems to be the norm for NRC students to verbally bash one another.
I don't really recall other major or frequent instances of middle class (Trey, Jack, Ace) or low-income students (Ruggie, Deuce) in the main cast being bullied. In fact, Trey and Ruggie are pretty well-liked and respected within their own dorms despite not being as wealthy as the majority of their peers are. (In this post, I go over how roughly 75% of the main cast come from at least upper middle-class backgrounds.) The bullying seems to be centered mainly on Epel, and I think that's probably because his peers perceive him as being small and cute--and therefore delicate, meek, and easy to push around. Epel just seems like the ideal target from a quick glance. Notice how B-kun comments on Epel’s face first:
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I think it's also worth noting which dorms the bullies in Epel's Labwear vignettes come from: B and C are from Savanaclaw, and A is from Pomefiore. Savanaclaw mobs are notoriously belligerent and are usually the go-to mobs to pick fights with their peers for what are very minor things. The Pomefiore mob bully seems to be an outlier; most other Pomefiore mobs, at least as depicted in Epel's Ceremonial Robes vignettes, are polite and refrain from this type of behavior.
Importantly, (Savanaclaw) C is the one that calls Epel a “little rich brat” and (Pomefiore) A says Epel is “daddy’s fancy little lad”. This wording makes both sound resentful of the rich, thinking them spoiled—so it makes me think maybe A, B, and C are actually not rich themselves and are the less privileged picking on someone they think is wealthy but unable to stand up for themselves.
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Now, within Pomefiore itself, it does appear that many of its students are upper class or at least sticklers for appearances. Their knowledge of brands and aesthetics itself is not damning evidence (anyone of any class could know this too; there’s also lots of non-rich people who obsess over brands). However, the fact that all of Epel’s first year peers already seemed familiar with how to handle a full set of cutlery at a formal meal does indicate high socioeconomic status, as the common man would not know how the heck a salad dork differs from the fish fork. (Most people use 1 fork or 1 spoon for the entire meal, and forget about having courses.) Buuut we shouldn’t assume that this one vignette is representative of all Pomefiore students, just as we cannot assume the one mean Pome A is a good example of all Pomefiore students, since there are limitations with the game. (Another famous game limitation is all Savanaclaw mobs being beastmen and every other dorm having zero beastmen mobs; in the manga, we see humans in Savanaclaw and beastmen in Heartslabyul. Riddle also verbally confirms that Heartslabyul has a cat beastman in the second Beans Day event.)
I think there’s definitely intersectionality at play as well. There’s something to be said for a culture clash in addition to a clash of classes. Epel is the only one in the main cast from a decidedly rural area where there isn’t much to do (ie no brand name shops) and everyone is close and casual with one another (ie there is little in the way of formalities). This likely contributes to the disconnect between Epel and his Pomefiore peers.
Now, where is this all leading to? Am I claiming that bullying based on socioeconomic status doesn't happen at NRC? Of course not! I have no doubt that it happens, but I don't think it's specifically the rich-on-poor type. In Epel's case, it seems to be the poor-on-(perceived to be) rich kind, but the opposite also occurs (in book 1, Riddle insults Yuu's pitiful education, something which is typically associated with the lower class; magic and magic education in particular is associated with the upper class). And, of course, we have the middle ground of people of similar socioeconomic status going at each other (for example, Leona and Malleus's rivalry). What's sort of sad is that the environment at NRC is conducive to animosity and no adults ever intervening because: 1) the students are so prideful, who would actually have the guts to tell an authority figure they were being picked on? and 2) the students tend to try and retaliate or get into fights instead, which only escalates the situation.
At NRC, I get the impression that class is one thing you could get bullied for, but that power and/or connections are much more important factors. Let's revisit Ruggie, who is the most impoverished of the main cast. If we assume that the less well-off students are predominantly the ones who get picked on, then shouldn't we have many examples of Ruggie being bullied? But he isn't. In fact, the big, burly Savanaclaw mobs (who are known to be combative) seem to defer to him instead of bullying him. Leona even leaves Savanaclaw in Ruggie's care while he is away in book 6, fully expecting that the mobs will listen to Ruggie. Why? Well, Ruggie is not physically or magically strong, but he has Leona's backing. It's through this association with the powerful Leona that Ruggie gains the respect and the following of the others in his dorm. This is something we consistently see in other characters, including Epel's own dorm leader. Because Vil beats him in combat, Epel agrees to listen to what he says even if Epel dislikes it. We see mob students bend the knee to the main cast once they've gotten glimpses into their power or abilities (Leona versus the Savanaclaw mobs, Idia versus the Ignihyde mobs, each in their respective Dorm Uniform vignettes).
Circling back around to the concept of Epel being bullied! Would the Pomefiore mobs turn on him if they realize he's actually not wealthy? Maybe...? We don't really know enough about the individual personalities of the mobs to judge for ourselves. If they did bully Epel for that though... I feel like those mobs would be in for an ass whooping from Vil (and Rook) for being so petty, vindictive, and disregarding decorum. Vil can rub people the wrong way with his demanding and stern attitude (I'm one of those people sometimes), but he wouldn't stand for such "ugly" behavior. It sullies the good name of the Fairest Queen and the dorm made in her image that he oversees. Those are my thoughts on the topic! I apologize if I ended up straying a little from the initial ask (I felt like I wasn't even truly talking about Epel for half this post ashdbsadlbayw).
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teddysatan · 2 years
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these are the exact same images, i see no difference here
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sysig · 5 months
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So much experimenting to be done, where to even start (Patreon)
#Doodles#Handplates#UT#Fellplates#Gaster#Papyrus#Sans#Mostly silliness :) Mostly :)#It's still fun to draw these two Gasters next to each other hehe ♪ Even interacting!#They're more similar than I think either of them would admit haha - ''No clearly we have very different ideals'' sure but you're both Gaster#I like the idea of classic being So Annoyed at any iteration of himself thinking positively towards humans haha#I mean it would probably hurt - that's a big piece of his trauma! - but on the surface it's just Ugh I can't believe this -.ó#I feel like they'd have a lot more common ground when it comes to their experiments tho - not a perfect Venn Diagram but enough!#Maybe even just different enough to offer a new perspective - enough to give them new ideas! Uh oh that's never a good thing lol#I do love Fell!Gaster just so pleased to be having a conversation haha so smiley - classic still not smiling but interested!#Cute face <3#It was after making the Toriel comic that the thought Really occurred to me - like obviously I saw so I knew they were still in the gowns#But it took a bit for that to strike me as odd since I mean that's just what they wear! That's normal! For Handplates anyway#He talks a lot about isolating whatever it is in Monsters that Make Them Like That - what does that entail#Gaster no seriously what are you doing to them don't just smile actually reply#And as much as I like the boys being a bit more Fell-ish I've always been of the opinion that no matter what they're brothers!#They love each other <3 And in Fellplates they'd have to rely on each other even more than regular Underfell#If anything would cause some codependency it's the Handplates setup - no matter what version you throw at it!#They're still both delicate little things - they need each other to survive ♥ If Gaster is sometimes kind to them well...#Similar to Mercyplates but Not Quite hmmmm#At least sometimes doing cute and harmless things tho! Studies how they react to flowers and teaches them to make chains hehe ♪#There's also that Underfell thing of Sans calling UF!Papyrus ''Boss'' rather than ''Bro'' yeah? Doodling ideas around that haha#An opportunity to teach! Sans only came away with the basics tho it probably annoys Gaster lol#The idea of them doing cute harmless little things and /that/ being what gets under his skin hehehehe#And ending with a Babybones! :D Surely he'd have no problem being attached since they're meant to be good...? Surely
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alasroundrock · 4 months
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Okay soooooo
First statement from the 18th century? Oh I wonder who else was born in that century and why it wasn't Chester or Norris reading this
Very Posh Voice (someone who could have believably been an old man from a different century)
'But I was young and frightened, and simply watched in quiet awe.' ?? that's what I thought you'd say you dumb fucking horse
A tale with themes of hubris and a man sacrificing both parts of himself and the lives of others to place himself above his fellow men???
Where else have I seen someone bleeding for their own goals (ehm gouging own eyes out ehm) and feeding their entity via the life and fear of others. I know the second part is a common feature of avatars (assuming they even exist in this universe) but I want to hope it's him ok
With all the deaths and the terror it was all still worth it to the violinist because of the music??? Remembering Simon's talk about how being an avatar is like hearing the most beautiful music in your dreams. Thinking about Elias admitting the exhilaration of knowing you would be willing to sacrifice the entire world in the name of your own freedom. Thinking about 'Nothing's wrong with him. He's the pupil of the Eye. He's won.'
In conclusion: Jimmy Magma enjoy your vacation inside the computer
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caffeinatedopossum · 1 year
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Physciatrist: does x effect your ability to maintain relationships?
Me, who has managed to maintain one long distance friendship for 8 years and occasionally talks to other people: no
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tundrakatiebean · 1 year
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The mail person leaving a stupid little note when I tried to indicate the package isn’t for me TWO DAYS AGO is really pissing me off. Like this is not helpful buddy
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sassygwaine · 1 year
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also i reject the idea that “this thing we have in common” automatically equals community
community requires effort and intention, not passively holding the same opinion
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skitskatdacat63 · 1 year
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The indoctrination was successful guys, I just showed my dad a bunch of Seb clips and he said he's now his favorite
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prokopetz · 2 months
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On the one hand, it's true that the way Dungeons & Dragons defines terms like "sorcerer" and "warlock" and "wizard" is really only relevant to Dungeons & Dragons and its associated media – indeed, how these terms are used isn't even consistent between editions of D&D! – and trying to apply them in other contexts is rarely productive.
On the other hand, it's not true that these sorts of fine-grained taxonomies of types of magic are strictly a D&D-ism and never occur elsewhere. That folks make this argument is typically a symptom of being unfamiliar with Dungeons & Dragons' source material. D&D's main inspirations are American literary sword and sorcery fantasy spanning roughly the 1930s through the early 1980s, and fine-grained taxonomies of magic users absolutely do appear in these sources; they just aren't anything like as consistent as the folks who try to cram everything into the sorcerer/warlock/wizard model would prefer.
For example, in Lyndon Hardy's "Five Magics" series, the five types of magical practitioners are:
Alchemists: Drawing forth the hidden virtues of common materials to craft magic potions; limited by the fact that the outcomes of their formulas are partially random.
Magicians: Crafting enchanted items through complex manufacturing procedures; limited by the fact that each step in the procedure must be performed perfectly with no margin for error.
Sorcerers: Speaking verbal formulas to basically hack other people's minds, permitting illusion-craft and mind control; limited by the fact that the exercise of their art eventually kills them.
Thaumaturges: Shaping matter by manipulating miniature models; limited by the need to draw on outside sources like fires or flywheels to make up the resulting kinetic energy deficit.
Wizards: Summoning and binding demons from other dimensions; limited by the fact that the binding ritual exposes them to mental domination by the summoned demon if their will is weak.
"Warlock", meanwhile, isn't a type of practitioner, but does appear as pejorative term for a wizard who's lost a contest of wills with one of their own summoned demons.
Conversely, Lawrence Watt-Evans' "Legends of Ethshar" series includes such types of magic-users as:
Sorcerers: Channelling power through metal talismans to produce fixed effects; in the time of the novels, talisman-craft is largely a lost art, and most sorcerers use found or inherited talismans.
Theurges: Summoning gods; the setting's gods have no interest in human worship, but are bound not to interfere in the mortal world unless summoned, and are thus amenable to cutting deals.
Warlocks: Wielding X-Men style psychokinesis by virtue of their attunement to the telepathic whispers emanating from the wreckage of a crashed alien starship. (They're the edgy ones!)
Witches: Producing improvisational effects mostly related to healing, telepathy, precognition, and minor telekinesis by drawing on their own internal energy.
Wizards: Drawing down the infinite power of Chaos and shaping it with complex rituals. Basically D&D wizards, albeit with a much greater propensity for exploding.
You'll note that both taxonomies include something called a "sorcerer", something called a "warlock", and something called a "wizard", but what those terms mean in their respective contexts agrees neither with the Dungeons & Dragons definitions, nor with each other.
(Admittedly, these examples are from the 1980s, and are thus not free of D&D's influence; I picked them because they both happened to use all three of the terms in question in ways that are at odds with how D&D uses them. You can find similar taxonomies of magic use in earlier works, but I would have had to use many more examples to offer multiple competing definitions of each of "sorcerer", "warlock" and "wizard", and this post is already long enough!)
So basically what I'm saying is giving people a hard time about using these terms "wrong" – particularly if your objection is that they're not using them in a way that's congruent with however D&D's flavour of the week uses them – makes you a dick, but simply having this sort of taxonomy has a rich history within the genre. Wizard phylogeny is a time-honoured tradition!
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daloy-politsey · 2 years
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“They’re trying to discharge her constructively. Do you know what Constructive Discharge means?” She asked.
As soon as I heard the term ‘Constructive Discharge,’ I knew I’d never seen it on a vocabulary quiz.
“No. What does it mean?” I asked.
She explained.
“Constructive discharge is a fancy way of saying “being forced out.” It’s not good. And if you’re not a lawyer or in human resources, you’ll probably learn what it means when it’s happening to you.”
“Oh my God. I’ve seen this my entire career and never knew it even had a name.” I thought.
You’ve seen constructive Discharge too. You may have experienced it. We’ve all made choices to avoid it.
Constructive discharge defined
“We can’t fire you, but we’ll make you so miserable you’ll quit, and then we won’t have to pay your unemployment.”
Then there’s the textbook definition:
“A constructive discharge occurs when your employer has made working conditions unbearable, forcing you to resign.”
Or as one person put it.
“I didn’t get handed a pink slip, but when you’re not wanted, people have a way of letting you know.”
HR isn’t always the secret police.
Employees aren’t always victims of evil-doers.
However, employers push employees out all the time to maintain and protect the, “We didn’t do anything wrong, YOU did,” power structure.
Constructive Discharge looks like this:
— Meeting invitations slow to a trickle, and you’re excluded from emails and generally looped out of what’s going on.
— People stop talking to you or stop talking when you walk in.
— Your emails don’t get answers, or they arrive too late to be of value.
— Suddenly, your work is not good enough, though nothing about your work has changed.
— Reviews, once good or even glowing, are now mediocre or bad.
— Instead of a bonus, you get a Performance Improvement Plan.
— Warnings and write-ups start so they can justify your eventual termination with documentation of your “poor performance”
— Your work, clients, assignments go away, or they overwhelm you with work.
— The words “Set up to fail” were practically invented to describe this scenario.
Constructive Discharge is illegal
It isn’t easy to prove you’re a target, and it’s even more challenging if you don’t even know constructive discharge is a real thing.
If you’ve ever experienced this and don’t fully understand what’s happening to you beyond knowing you’re in the process of being excommunicated, it can be hell. It’s not uncommon for the experience to leave long-lasting scars.
Talk to anyone who’s ever been through it. They’ll tell you.
Knowing constructive discharge exists and how it’s used gives you power to predict what’s coming and to protect yourself.
Seeing the endgame helps you in two ways.
You know what to expect. Having a sense of what’s coming next is enormously empowering. You can go on the offensive and protect yourself. Constructive discharge works to crush your ego, making you feel you did something wrong and deserve this treatment.
Without strategy, you end up being a miserable pawn in your employer’s endgame.
Remember, they’re almost certainly building a case to fire you in the event the hellscape they create for you doesn’t persuade you to quit.
If you’re getting pushed out, and you know what to look for you can prove constructive discharge and you can get unemployment benefits, be released from payback obligations on a signing bonus, and protect your mental health.
You’re not crazy, incompetent, or a failure. This is real and it’s carefully executed to leave you holding the bag and feeling like you did something wrong.
If they force you out, in addition to feeling horrible, you lose your paycheck, benefits health insurance, and possibly owe them money.
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power-chords · 10 months
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Can you please explain your dialogue theory of fanfiction?
In short, that dialogue, more than anything, makes or breaks a fanfic. What do posts like "He would not fucking say that" and "They would NOT have communication skills that good" have in common? Talk. Characters expressing themselves to one another. The faithful recreation of identifiable speech patterns is weighted heavily in the evaluation of a fic's quality. By "speech patterns" I do not just mean the semantic content of a given character's expression, but idiosyncrasies of style and slang, vocabulary and idiom, even gesture, musicality, and rhythm.
Of course believable dialogue is far from the only thing that makes a good fanfic Good. And there are forms of fic writing, particularly highly abbreviated ones like drabbles and ficlets, that in practice tend to de-emphasize its significance. But if we are talking about the romantic, erotic shippy stuff that is the meat and potatoes of online fandom, dialogue does the heaviest lifting short of the consummation itself. Arguably more so! It's the real keystone to the catharsis, and often the catalyst for it. Is there a confession occurring? A provocation? An evasion or ultimatum? Zoom out, big picture: What is the most potent and fundamental mechanic for developing complexity, tension, and transformation within a relationship, getting it to go from one thing to another? Making these two idiots talk to each other! Often clumsily and indirectly and maladaptively, at the worst possible time and in the worst possible situation, about anything or everything but what they should be — but talk they usually do.
What makes fanfic specifically so challenging and rewarding in this regard is that the talking is as much a feat of translation as invention, because both reader and writer are working off an existing model. Liberties taken with plot, form, and even narrative voice have wider buffer zones; you can get creative with circumventing the events of canon while still conforming to its emotional and substantive essence.
But the training wheels come off the moment you open your mouth to speak in another character's voice. And man, nothing will break a reader's immersion quite like he would not fucking say that.
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catsvrsdogscatswin · 4 months
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Underutilized bit in LOTR, I feel, is how deeply out of his depth Boromir is within the Fellowship.
And by that I don't mean that he's the weakest or the stupidest or any of that, but rather that –against all appearances– he is the sole member of the Fellowship who is a Regular Normal Human, and he would have such a shocker slowly figuring all that out over the course of their journey. I mean:
Age. Legolas and Gimli wouldn't surprise him, since the lifespan of elves and dwarves seems commonly known to be way longer than humans, but Gandalf? The hobbits? None of these ages work as advertised and when he goes down to sit and commiserate with Aragorn about being the only Men in the company and how weird this all must be for them both Aragorn has to cough into his fist and mutter "Eighty-seven." "WHAT?!" (Yes, I know that Gondor keeps records of their Númenórean ancestors and said ancestors' extended lifespans, but consider this: the blood has thinned so much in Gondor that practically nobody lives longer than regular humans nowadays, and Boromir is canonically the jock in a family of scholars. He had to look up what/where Rivendell was after he got Faramir's Prophecy Dream, for god's sake.)
Bilbo. The entire Fellowship except Boromir has a personal relationship with Bilbo, and Boromir has neither seen nor heard of this creature in his life. Everyone else is starting off this quest with significant background knowledge of Bilbo's life and The Hobbit, whether having been told by Bilbo himself or having had family members personally involved at the time it occurred, and Boromir, again, has no clue what they're all on about.
Moria. Dwarves presumably have some built-in sensory adaptions for living underground, elf eye physics are bullshit, hobbits are stated to be far more comfortable/better navigating underground than most races, Gandalf is an Istar, and Aragorn has been hunting and tracking in various ungodly locations for most of his eighty-seven years. This means that, once again, Boromir is the only Normal Person trying to Normally Navigate a mostly-pitch-black cave system while everyone else side-eyes him for bumping into walls all the time.
Elves can sleep with their eyes open. This is admittedly not the most common thing among the Fellowship, but please imagine Boromir, still struggling to understand the fact that he's surrounded by nonhuman beings who have no shared concept of the passing of time, rolling over at 2AM to see Legolas bluescreening contentedly up at the sky, and then everyone acts like he's the weird one when he starts freaking out about it because all of them are used to traveling with/know more about elves than he does.
Even just remembering stuff off the top of my head, Boromir must have had such a weird time adjusting to being the only normal human being among the Fellowship before he, y'know. Died.
(Plus I can totally imagine Merry and Pippin giving him shit for "Well, if you're the only normal one amongst nearly a dozen people, then that's not very 'normal', is it? Maybe Men are the odd ones out and everybody else is normal.")
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cinnamonest · 2 months
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I'm not looking to start shit so I'm not linking it or anything, but you may have seen a recent anti-dark-content post circulating with a lot of notes making rounds in the x reader sphere and while I have nothing against people posting their feelings in their own private spaces, every time I see these kinds of posts there's a lot of misinformation that gets regurgitated in the reblogs/replies and I saw what looked like a battlezone in the replies, so.
I know posts like that can be very jarring and affects people like my readers, so to combat misinformation/shaming for anyone who saw it, I'm going to share some of my information on combatting fandom puritanism/misogyny/kinkshaming in its most common forms.
The most important fact, if you read nothing else, is this:
Most women have rape fantasies.
62% to be exact. I think the most pervasive myth on this content is that consumers are "weird" for it, when the numbers don't indicate that. You're in the majority!
The vast majority of people who have rape fantasies do not put them into practice in real life. A variety of factors can determine whether or not they do, particularly specific psychiatric disorders. (X)
To specifically address common harmful and pervasive myths:
the "go to therapy!" line
Generally any academic or professional resource will immediately tell you that consuming and engaging in "dark" fantasies is accepted and encouraged by mainstream psychiatry and part of the professional education for psychiatrists. (This also used to be pretty well-known until like the last 5 years or so, not sure why that changed.)
Here are some particularly insightful resources:
1) This article by Dr. David Wahl, in my opinion, hands-down does the best job of simply and thoroughly explaining why these fantasies occur and why couples practice CNC, as well as the fact that they are both harmless, psychologically beneficial to those with them, and not at all correlated to real-life rape.
2) Dr. Claudia Six has some of the best and most thorough material out there on the subject, specifically explaining why this is taught in mainstream academia psychology and how it is incredibly helpful to rape victims (X).
3) Lisa Diamond is a professional who focuses on this subject a lot, and was featured in the documentary "The Dilemma of Desire," in which she specifically focuses on how these fantasies are not correlated to real-life desires. (X)
4) Dr. Casey Lyle has specifically talked a lot on his socials about how fantasies, even in men/the perspective of the offender, do not correlate to actual risk of offending.
5) This article is not by a professional, but from the perspective of a survivor discussing how it is beneficial to survivors.
the "why would you want that?" line
The idea that fictional tastes = what you want to happen to you in real life is actually of misogynistic origin. I don't want to seek out or add links on this one, but if you're really curious, you can research about how the idea that "women read rape fiction, that means they secretly want rape!" was originally a classic "red pill"/MGTOW/4chan talking point that made its way into mainstream dialogue and thus the public mind in the last 15 years or so due to the incel epidemic popularizing those communities.
the "it's only valid for survivors then!" line
On one hand, yes it's very important to acknowledge that trauma victims use it to cope, however I feel that over-emphasizing that gives the impression that non-victims should be excluded from consumption of dark content, so to clarify, it's a very valid means for all women. Many women who have not personally experienced rape still fantasize about it, and that's fine.
The full explanation as to why this is true for many of them would be lengthy (and addressed in the aforementioned Dilemma of Desire documentary), but in the simplest terms, nonconsensual sex is the only context in which patriarchal society permits women to have sex at all without feeling guilt. For many women, particularly those in more heavily misogynistic or religious cultures, these fantasies are appealing because the idea of consensual sex may give them feelings of shame, guilt, "sin," etc. These fantasies allow them to experience the feeling of being desired without guilt of participation.
No society on earth is free of the psychological grip that cultural misogyny has on women, and shaming women for adapting to the conditions they are forced to exist under is as harmful as the misogyny that causes it itself.
ALL women experience a form of psychological trauma inherent to female childhood and female adolescence in a patriarchal world, and that is just as valid as coping with individual traumatic events.
Good resources on the subject of why women have these fantasies and how they are helpful in general:
(X) (X)
The "what you consume will make you do it in real life!" myth
Although the resources above already address this, it's important to establish why this myth is so prevalent and what its origins are.
The idea that consuming media with dark themes leads to or indicates desires to replicate those acts is a residual element of two major events:
1) Puritan revival culture, popularized in the US and UK in the 90s and 2000s (also known as "Satanic Panic"). A major facet of this movement was TV megachurch preachers making money off of exploiting well-meaning but paranoid parents into believing that your child playing Dungeons and Dragons or Pokemon would make them future serial killers and lure them into satanic cults. (X)
2) at the tail end of this, it was cemented in the public mind as a cultural ripple aftershock of the Columbine shooting, where this sentiment became popularized as the general public blamed violent video games like Doom and "dark" music like Marilyn Manson (whose life was temporarily completely upended by the events and took him years to recover/be safe from) for the 1999 shooting. This event had MASSIVE permanent and global effects in all sorts of ways that the public often underestimates the sheer scope of, notably that it solidified, prolonged, and, in the minds of many, "proved" the paranoias of the preexisting Satanic Panic. (X) This established a precedent, leading to virtually any major horrible event being blamed on the perpetrator's media consumption, including murder and sex crimes.
What this myth ignores in the cases it references (the slenderman stabbings, columbine, sasebo slashing, batman shooting, etc) is two crucial facts: that hundreds of millions of people consume the same media with no negative effects (helpful effects even), and that in every single case cited as "evidence" to the claim, the perpetrator had a preexisting psychiatric condition correlated to acts of violence (which usually went ignored, downplayed and even accelerated/worsened by those around them rather than the help they needed).
Sorry for the wall of text, but I feel an ethical obligation to combat this kind of misinformation, and I hope these resources are helpful for those who may be negatively affected by common misunderstandings.
You are not abnormal or wrong for the fictional content you consume or the fantasies you have!
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kunaigirl · 11 months
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Happy Disability Pride and awareness month! Let's talk about Epilepsy!
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Hi there! I got tired of seeing my condition (that impacts my literal every day life) being left out or forgotten about during discussions about disabilities, so I made my own post about it! Let's go!
First Off! What the heck is epilepsy? Epilepsy is the fourth most common neurological disorder in the world, and it's a chronic medical condition. Epilepsy is a brain disorder that causes recurring, frequent, triggered, and unprovoked seizures to occur.
The official Epilepsy Foundation describes seizures as follows: "Seizures are sudden surges of abnormal and excessive electrical activity in your brain, and can affect how you appear or act. Where and how the seizure presents itself can have profound effects...Seizures involve sudden, temporary, bursts of electrical activity in the brain that change or disrupt the way messages are sent between brain cells. These electrical bursts can cause involuntary changes in body movement or function, sensation, behavior or awareness." (Source link)
Sounds like a lot of fun right? This is our life. Even with medication, we can be VERY limited to what can be safe for us. Seizure medications are NOT a cure, they only exist (at least as of now) as a tool to help have your seizures less often, or be triggered less intensely. Even on medication, seizures can still happen.
If you have epilepsy as a child like I did, it impacts your entire growing and developing experience. I spent MANY times as a child in and out of hospitals, neurologist and specialist offices, an getting so many EEG tests done. The pain of scrubbing the glue out of your hair for DAYS is horrible.
At a young age my seizures were so frequent and serious, it impacted my brain's ability to retain information. I had to re-learn the names of things at age 8 and 9. I had to re-learn HOW TO READ at age 10. I had to be home schooled because the public school system of my state at the time refused to work with me. I have VERY distinct and vivid memories of crying over my little baby ABC's book that I needed as a 4th and 5th grader. I knew I should've known this by this age. I knew that at one point I already did, and it was TAKEN FROM ME.
As an adult, I'M NOT ALLOWED TO DRIVE A CAR. And I can NEVER go to see a movie in theaters or go to see concerts or live music. There are entire TV shows I don't get to see. I can't go to clubs, arcades, dances, or raves. I miss out on A LOT of fun things. I always do, and I'm WELL AWARE of the fun I'm missing out on. The social, casual, and fun life experiences I'll never get to have. That WE'LL never get to have. And oh yeah! Seizures can KILL SOME OF US. Yep.
And the list goes on, and every person with epilepsy experiences it differently. There are multiple different types of seizures you can have, they're NOT always convulsing on the floor. For example, I have complex-partial-myoclonic-seizures. Meaning my muscles DO twitch when I have seizures, but I'm not always completely unconscious and sometimes I'm even able to stay sitting up. However, I'm still very "off" and can't focus or remember much for a good while after the fact. I can't talk or communicate during one, even with my slight bit of consciousness.
My experiences are not universal, I just wanted to talk about it and bring it up. It helps to talk about it even a little bit. Here's more about different kinds of seizures. Here's more about common seizure triggers. Here's more about CORRECT seizure first aid. And here's more general information/resources.
Please stop leaving us out of disability awareness. Please stop ignoring us or saying we're "not really disabled" or anything else like that. Please. Why does it always feel like the only people who care about epilepsy, are people WITH epilepsy? We're so tired of being ignored by others who don't have our condition.
If you're an epileptic person reading this, I see you. I love you. You're so strong, we all are. I believe in you, I believe in us. We're so much stronger than we get credit for, and it's going to be ok. Your anger and frustration are valid. Your emotions and struggles are real. You're valid, and I see you. Hang in there, we got this.
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astrogre · 7 months
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Astro Observations 1
My first Astro observations post, I would like to confirm that my observations are the niche ways in which a placement may manifest, it is the way I’ve noticed it in others, the people around me, celebrities, myself and in my studies. It is not the doctrine wide broad way the placement occurs for everyone.
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Venus in 10th house natives tend to be well known for the person they may date. They tend to date people that really match them physically and can have their relationships idolized by others. The sign it’s under can show what their partners may be known for. This is also a common placement for celebrities because the interest from others in your love life increases your public image, making you more desirable and of interest to everyone including agencies/record labels, they will see your influential potential and love that. Even if you guys don’t date anyone people may have someone in mind who they think matches you or others can just look at you and wonder what your “type” is. Your love life in itself is of interest to others.
Eg. Chris Brown, Johnny Depp, Jimin, Victoria Beckham, Kristen Stewart, Billie Eilish, Kanye West.
Another way Venus 10th housers may manifest is they may have crushes on renowned key figures from history like JFK, Alexander Hamilton, Stalin, Cleopatra, Marilyn Monroe, royal monarchy literally any people of historical significance. (Saturn influence is long lasting and for Venus to be here it can make natives romanticise powerful historical figures)
Pluto 3rd housers can dominate the conversations they have with others so much that they don’t let the other person have their own opinion.
Capricorn Chiron in 6th house makes people feel worthless and terrible if they haven’t been productive for a day, these people don’t like to be lazy, it makes them feel inferior. They put a lot of pressure on themselves to produce and their day routine may be their greatest pride.
10H stellium always have career plans, they like to advance their CV and career prowess for fun, always taking up opportunities. Especially if sun is here.
12H stellium always posting the weirdest stuff that others don’t understand but it has a unique vibe to it that just feels “right” at the same time, they may have this aesthetic that feels eery but overtime enjoyable and something to look forward to because of its uniqueness. I have a 12H stellium friend and they always post pictures of weird random abandoned places with crocs and dirty teddy bears laying in the middle of them. At first I thought it strange but overtime, I look forward to what monstrosity of visuals they will bring next. 12H really does bring out things never seen before. 🤔
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Venus in 1H makes you look very feminine, you may style yourself in a feminine manner or have a naturally feminine appearance. Eg. Leo Venus in 1H May have very beautiful feminine looking long hair.
1H Libra Mars has a similar effect as Venus in the 1H however these natives have a hint touch of masculinity, are rather playboy, Casanova and can have a big ego. Think of Flynn rider from tangled. Very pretty boy.
People with 12H Capricorn placements may procrastinate or find difficulty in bringing the planets in there into reality and get frustrated at themselves for it. It’s similar to the planet being in retrograde E.g a 12H Capricorn moon not being able to fully show or act on the way they feel in their head. Look at the house of where Saturn is in your chart to find the topics and how you can bring the energy of your Capricorn 12H planets out.
0 degrees for any planet or asteroid means that you embody that planet/asteroid and its sign in its most pure authentic form. It can make you the epithet of that placement.
Lilith Square Asc makes someone not able to escape looking like a bad boy/girl it always comes out in their appearance without them intending to. They don’t want to present themselves in a way that looks scandalous but at the same time a part of them is and they can’t escape that. It’s like an energy. They’re dynamic and free, they like what they like and that shows in their face and appearance. They also can’t change things about themselves to please others even if they wanted to.
Jupiter 1H usually have big features, like a glossy kind of look to them. It may be big eyes, flushed face, supple puffy skin, wide nose or just have an abundant looking face. I’ve also noticed they tend to have a squared shape face with rounded edges. E.g Hailey Beiber, Abraham Lincoln, Gerard Butler, Aishwarya Rai, Niall Horan, Ashton kutcher, Whitney Houston, Cristiano Ronaldo
Also this is completely random and not astrologically backed up but whenever I think of Jupiter 1H I just think of clear gleaming skin. Perhaps it is backed up astrologically as Jupiter blesses and brings luck to the house it’s in and it being in the 1st rules a natives appearance. Anyways when I think of Jupiter 1st house I always imagine that they don’t need very much makeup they have this glow to them already that cannot be copied.
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Virgo ASC style and dress themselves in a way that’s unique for them, for an example they may always have a signature accessory that they wear that only they understand why it’s so important to be worn. E.g. can be a headband, jewellery or hat. They may also be consistent in the way they look, they don’t tend to have “bad days”. In my personal opinion I find Virgo rising men the most attractive. But beauty is in the perspective of the beholder.
Speaking of which, my unpopular opinion is that I don’t believe that a sign or planet can make you more beautiful than another sign E.g like how people say Venus, libra and Taurus is an indicator of being beautiful -I just think that each sign personifies beauty in a different way. In my eyes I see Libra and Venus beauty to be feminine and attractive, but I find Pluto Scorpio beauty to be alluring and intense, magnetic, like Phantom of the opera, like an enchanting vampire that resides in the shadows. I also find Uranus Aquarius beauty to be far more entrancing, striking and even as if the native looks like their from a game fantasy novel or a manga protagonist. I don’t think we can just say “having Venus prominent makes someone more beautiful than others”, perhaps conventionally but not universally. Planets and signs of the first house can show us HOW the beauty is made manifest. It being of Venus, libra influence just kind of makes it feminine or conventionally attractive like butterflies or roses rather than intense or of large magnitude (unless making aspects to magnifying planets like Jupiter)
Aquarius moons can feel a lot of emotions but they’re very good at holding it in. People say that they don’t feel much because the nature of Aquarius being detached however I’ve also seen it occur in a way where the Aquarius moon native may pretend they’re not hurt or sad so that they can keep it pushing and force this happy facade so it hurts less but in reality their just burying the pain deeper. They are kind of avoidant but it makes you feel sorry for them because even if you try to comfort them they don’t even acknowledge the pain themselves so it doesn’t make much of a difference.
Jupiter in 6th house always have action packed days, they spend their days with joy and have a really good time. They usually have their dream day to day life. They’re your one friend that is always doing something interesting, fully booked and loves it.
Jupiter 8H are never strapped for cash, these natives can just be very lucky in getting money from others. Especially if in harmonious aspects with sun, Pluto and Venus. If aspects are negative native still doesn’t worry much but may find that people are a little more hesitant to giving or Jupiter 8H native doesn’t want to ask for it.
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Mars 1H makes someone want to work harder on their body by going to the gym, may want to look more manly, aggressive.
Jupiter conjunct moon in 7th house makes you a very passionate lover, anyone who is in a relationship with you can always feel excited and you excel in relationships.
Mercury conjunct ascendant can make someone always think about their goals, plan their next move. They use their minds to get what they want from life and can talk about the principles they apply to themselves which can make them look rather intelligent to others. Can also make someone appear very youthful, not only in appearance but their mannerisms too. Like a dimply smile, blushing and shaking their head when complimented. An animated response.
Moon opposite asc, tends to make a person unable to think clearly when emotions are involved, especially when it’s related to topics in the house your moon is in, like you can look a little mentally unstable here 💀 because your emotions that you show can drastically change from 0-100. moon opp asc also can have a person go against what they want, their principles and approach to life, the opposition forces them to deny their feelings existence in order to act in the way they believe is best. You can even care more about your image than the themes of the moons house.
E.g 7H moon opposite ascendant can make someone care about their image in the relationship, display an image of nonchalance when in reality they’re very protective of their partner. The feelings from their partner and their relationship can be irresistible and make them at times abandon their vices and plans for themselves
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kaciebello · 3 months
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Not even the addressee
Masterlist Badger express ★ Theodore Nott x Hufflepuff ! reader (fem) Summary: When Theodore's name gets misspelled he's not happy about it.  Warnings: no use of y/n, cigerets Authors note: Haiya! This is a sequel series to the whole delivery one. This one is gonna focus on the boys separately! hope you enjoy it! English is not my first language, so I apologize for any mistakes beforehand. Proofread by me and me only (T▽T) word count: 1.1k Song: Up to You - PRETTYMUCH, NCT Dream
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Mr Theodore Nott was one of his kind. Or he liked to think so, when one of the Ravenclaw girls could not remember his name he was baffled. How dare she. She went through his whole friend group before she came to something resembling his name. He would understand if he was some kind of low-muggle-born. But he was part of what was essentially a royalty. Now, it did occur to him that she might have done it intentionally. He is not dumb, he very much knows all the mind tricks and hacks. And although it was supposed to get his yearning to make her remember his name, he was just mad. Mad is not enghou, he was pissed.
Sitting down and zoned out, he kept playing with the note in his hand. He did not even notice the Hufflepuff girl standing before him with a concerned look. He registered her only when she waved her hand in front of him. He jumped a bit and looked at her. Her yellow bow adorned her hair. Her usual uniform was covered in a long fluffy yellow sweater. Her arms were now retracted to her body.
It was not unusual to see her in the Slytherin common room. He wouldn't even bat an eye if he saw her in the boy's bathroom, or the chamber of secrets. To see her in his room was questionable. He may have asked a question, be it not his mood right now. He was just going to assume she was here to get something for Enzo.
“You okay?” She asked, still a bit startled by his quick movements. He just sighs and reaches over to his bedside table for a pack of cigarettes. He lights one up and offers the other one to her. The girl declines and waves her hand around to get the smoke away from her face. He shrugs and puts them into his pocket. He exhales the smoke and stares at the wall for a minute before speaking.
“You know my name right?” The girl looks at him even more puzzled. Of course, she knew his name, they had been friends for a few months now. Granted sometimes she calls him Theo and both he and Mattheo turn around, but that hardly seems like her fault. She was hesitant to answer.
“Have you changed it?” She asks. She does not mean to offend him if he perhaps decides to go by Denim or something like that. He just gives her a side eye before getting up to fetch the ashtray. She took a few tiny steps to get out of his way. When he passed her back, he gave her the note. She took a look at it. It was a love note alright, Theodore's name was misspelled in all the ways possible. Not even his last name was spelled right, missing one t at the end. The girl was starting to frown and Theodore could see she was getting mad. Finally, someone who understood him.
“Oh hell no!” She yelped. Theodores smiled in bliss, he knew he could count on the Hufflepuffs when it came to empathy. She took a few steps to him and grabbed his face so he could look at her. 
“Who gave you this and how dare they steal my business.” His smile instantly dropped. She was mad but not for the same reason. looking up at her caged in her arms. For a second he thought it didn't matter if she did not know his name. But then he remembered that the Ravenclaw girls pretended to not know and he was pissed again.
“Is that what you're mad about?”
“YES!? What else?
“LOOK AT MY NAME!” Her eyebrows scrunched together and she took another look at the note. She read his name over and over again. Deep down she knew it was supposed to be his name, but it looked like a poor attempt by a kindergartener. Her lips twitched to a smile and her eyes kept flying between him and the note. She was trying to keep her giggles down, he knew it, and she was doing a horrible job at it. He was starting to lighten up.
“Who the fuck is Thieodor.” She laughed out loud. He hung his head in defeat. Debating whether or not to change it. Whether or not to change his whole identity. He however snapped when the girl in front of him placed her hand on his shoulder and wheezed at the fact that his last name is not written as Nott, but as Noot. His hands reach to the base of her neck. He stands up now towering over her. 
She looked at him dazed, eyes full of tears from laughing, seemingly not releasing the position they were in. He's very close to her face, even closer than that one time she was forced to count his eyelashes as a dare. He leaned closer to her, only stopping by her ear. Her breaths were now quick and sharp.
“Theo?” She asked, her voice very weak and quiet. He liked it like that. He liked that she said his name, he liked that she knew his name. If she were to say it again, he swears his knees would bend and he would not be responsible for what was happening after that. He wanted to beg, he would never, but he wanted to. He didn’t answer her, rather he leaned in even closer. She could feel his breath on her neck.
“Say it again, please say my name again.” He whispered. He was so close. One little move and he would kiss her neck and take their friendship on a different boat. He just needed to hear the magic words. He should have known something was wrong when she giggled first before speaking.
“Noot.” She says softly and starts laughing. He shoots up to his full height looking at her in disbelief. He pushes her away with a grimace as she continues laughing.
“Go fuck yourself.” He murmurs and lights up another cigarette. She was now on the floor clutching her stomach. There was nothing he could do but watch her. He waited till she was done. It took her a good 10 minutes. When she was done, she got up, her legs a little bit wobbly. She could not look at his face without smiling excessively but Theodore decided that it was enough for him.
“Let's go, we need to find the others.”
“Okay, Noot Noot.”
“Stop.”
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