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#centauri dark
devsgames · 16 days
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Building a new scenario I've been calling "The Gauntlet", which instead of being an arena survival it's more of a linear bullet hell sorta style.
Wishlist Centauri Dark || More Centauri Dark Dev
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Fandom Bingo: Challenge Mode Treasure Hunt
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I didn't quite find the time to complete the Expert mode of the Fandom Bingo from @thehighfiveproject​ as I only found out about it at the end of December. But I got pretty close!
I really loved some of the stories that I commented, and my favourites are have a recommendation in the notes. This is very much a personal opinion and should not be taken to mean that the other stories are in any way bad - they absolutely are not - but it’s natural to have favourites.
Old Fic Orisons by historymiss The second fic on Ao3 for the Locked Tomb fandom, and I already reviewed the oldest. Heartbreaking and recommended
<1000 hits / <100 kudos A birthday present for Gideon by barit0wned A Locked Tomb drabble that had 30 hits and 5 kudos when I commented.
Fandom Classic Hearts and Their Consumption by setepenre_set The fic with the most kudo in the Howl's Moving Castle fandom Recommended
Underdog Trope Horse Sense by lizardnightclub A Locked Tomb Horsegirl AU. No power, modern AUs aren't really my thing, but sometimes they are really fun. Like this one. Recommended
Rare Character/Pairing Like a Flower of the Field by Morvidra Stars Ben Sullivan - a minor character in the book version of Howl's Moving Castle. Recommended
Free Square a mortal hunger by LuckyDiceKirby A delightfully messy relationship story for the Serpent Gates series. A hilarious heartcrime starring Zinandour, Shuthmili and Csorwe. Super recommended!
AO3 Archive Warnings Did They Tell You I'm The Devil by Val_Creative A Howl's Moving Castle Story in which the Which the Witch of the Wastes rapes Sophie Hatter.
<1000 words AITA? by catharsis_in_a_bottle A Locked Tomb Reddit post by God.
New (To You) Author The sky shall open, and I shall drink my fill by rogue_treantess A Sid Meier's Alpha Centauri fanfic with a compelling look at Gaian society from the perspective of Lindly (the worm handler). Recommended
>10000 Words We Don't Need No Education by EarthScorpion A character from the default protagonist faction is captured by the Technocracy in this Mage the Ascension fanfic. The Technocracy shows her their nicest side. (A guy is forcibly cyborgised on alternate days of the week.) Recommended
New Fic Hissing Shadows by SmugBigfoot A Mage: the Ascension fanfic where a Technocracy agent confronts a Yig cultist.
Underdog Character/Pairing white carnations by miilkweed420 A Howl's Moving Castle fanfic where Howl is serious about someone who is not Sophie.
Outside Your Fandom A World Elsewhere by DannyBarefoot The Rookies from Goblin Slayer (which I am not familiar with), have adventures in settings based on other canons, which I am again not familar with.
1st/2nd Person POV Almost Absolution (Anonymous Author) A First/Second Person POV fic for the Locked Tomb fandom. Intensely written, it's Alecto/Harrowhark, where Alecto is the narrator and Harrow is the you. Recommended
Underrated Fave The Nameless Assassins by arianedartagnan A Blades in the Dark RPG chronicle. I understand why it doesn't get the attention it deserves - a long, OC centric piece floating about fanfiction.net's "Misc Games" section doesn't have the best prerequisites to become an instant classic, particularly as "based on a roleplay" is in my experience often a warning sign. However, the writing is very good, with the tone successfully swinging between the serious and the very funny. The character interaction is absolutely fantastic and the plot revelations are really interesting. Recommended
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In 1985, one of the only persons interested in an interview with a “new” writer called Terry Pratchett, after his publication of the Colour of Magic, was one Neil Gaiman. Neil Gaiman was writing for Space Voyager at the time. "The Colour of Pratchett" was the name given here:
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It ran exactly one page inside the June/July issue of that year. The interview took place in a Chinese restaurant in London.
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Here is Neil many years later holding that issue. You can see it here if you want. Warning: extremely emotional video.
Neil arrived wearing a grey homburg hat. “Sort of like the ones Humphrey Bogart wears in movies” he later wrote. (Before saying that in fact he did not look like him, but like someone wearing a grown-up’s hat). Terry Pratchett, photo courtesy of one @neil-gaiman, was in a Lenin-style leather cap and a harlequin-patterned pullover. At this point, Terry was already a hat person, although not that hat.
Terry offered Neil this : "An interview needn't last more than 15 minutes. A good quote for the beginning, a good quote for the end, and the rest you make up back at the office"*. (Terry Pratchett had worked many years in journalism by this point ).
But the meeting went terribly well. The two of them realized they had "the same sort of brains". So well indeed, that in 1985, Neil had shown Terry a file containing 5282 words, exploring a scenario in which Richmal Crompton's William Brown had somehow become the Antichrist. Was a collaboration in the cards as of that moment? Not really. But Terry found in Neil someone to whom he could send disks of work in progress and to whom he could pick up the phone sometimes when he hit a brick in the road of his writing.
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Terry loved it and the concept stayed in his mind. A couple of years later, he rang Neil to ask him if he had done any more work on it. Neil had been busy with The Sandman, he had not really given it another thought. Terry said, "Well I know what happens next, so either you sell me the idea or we can write it together". **
And as you know, unless you’ve been living in Alpha Centauri, the rest is history. That was the beginning of what would become William the Antichrist and later would get the name Good Omens:The Nice and Accurate Prophecies of Agnes Nutter, Witch. (Title provided by Neil Gaiman and subtitle by Terry Pratchett).
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From the introduction to William the Antichrist: “In the summer of 1987 several odd ideas came together: (..)I found myself imagining a book called William the Antichrist, in which a hapless demon was going to be responsible for swapping the wrong baby over, and the son of the US Ambassador would be completely undemonic, while William Brown would grow up to be the Antichrist, and the demon would need to stop him ending the world. The unfortunate demon, whom I called Crawleigh, because Crawley was a nearby town with an unfortunate name, would have to sort it all out as best he could.
It felt like a story with legs.
Terry took the 5,000 words, and rewrote them, calling me to tell me what he was doing and what he was planning to do. The biggest thing he was going to do, he told me, was split the hapless demon into two characters – a would-be-cool demon in dark glasses (which was, I think, Terry’s way of making fun of me, a never-actually- cool journalist in dark glasses) who had renamed himself Crowley, and a rare-book dealer and angel called Aziraphale, who would embody all the English awkwardness that either of us could conceive.”
William the Antichrist being a direct inspiration of the 1976 film The Omen. If the baby swap had just been a little bit messier and the kid had gone off somewhere else he would have grown up as somebody else. “And then there was a beat and I thought, I should write it, it will be called William the Antichrist” says Neil. ***
“The first draft of Good Omens was a William-book. It was absolutely in every way it could be a William book. It had Violet Elizabeth Bott, it had William and the Outlaws, it had Mr. Brown”.
Over time they realized that they would have more creative freedom if they in their own words filed off the serial numbers. William and the Outlaws becoming Adam and the Them.
But the spirit of Just William was never far away.
The joy for Neil was to construct “perfectly William sentences”. The one when Anathema tells Adam that she has lost the Book, and he tells her that he has written a book about a pirate who became a famous detective and it is 8 pages long… that’s “a William sentence”.
Good Omens was also inspired by a particularly antisemitic moment in The Jew of Malta and John le Carre's spy novels. (Neil’s ask)
“When we finished the book we estimated that the words were 60% Terry’s and 40% mine, and the plot, such as it was, was entirely ours.”
(Here are some slides of mine where I go into some other details concerning the origins of Good Omens).
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*Quote: from Terry Pratchett A Life With Footnotes by Rob Wilkins, but said by Terry of course.
** All the quotes, facts listed here : see above.
***all other quotes by Neil Gaiman from various interviews and asks I’ll link.
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dansnaturepictures · 11 months
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15th June 2023: Newborough and a brief look at Malltraeth Estuary
Photos taken in this set: 1. Chrysomela populi, there were loads of these on this beautiful dune walk, the first I’ve ever seen they’re striking beetles. 2. Pansy, possible wild pansy a gem in the sand. 3. Marsh helleborine, an eyecatching and colourful flower that I was thrilled to see, I had heard of them before. Another big flower find this holiday. 4, 6. 7 and 8. Beautiful views over the dunes, forest, across to the mountains of Eryri with Caernarfon Castle seen which was great, it was really nice to do this walk at a place I hoped we’d go this holiday we hadn’t been to this bit before. 5. Beautiful view at the vast Malltraeth Estuary. 9. Six-spot Burnet on valerian, this was a very key species to see on this walk there were so any of these as well. 10. Lady’s bedstraw and restharrow two key flowers coming into my year this week. 
It became a summer butterfly fest today with warm and addictive orange Dark Green Fritillaries and a dainty orange Small Skipper seen here, it was amazing to see two more species I needed to see to get my butterfly year list into the 30s. It’s been a big butterfly week away here. Bright Whitethroat including possibly a youngster, stunning singing Skylark floating through the air, Mute Swan, Swallow, Meadow Brown and Common Blue butterfly were nice to see too. Other key flowers were early marsh orchid my first ever too, bird’s-foot trefoil, self-heal, sea centaury and possible marsh pimpernel. Herring Gull, Black-headed Gull, Sand Martins flying over and tree mallow were good to see as the estuary.
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fuckcentauri · 2 years
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smyle
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ineffablyruined · 7 months
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I don't think we talk enough about the fact that Gabriel & Beelzebub couldn't have gone off together without consequences if Aziraphale & Crowley hadn't been there.
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If they hadn't been there, if they'd gone off together, then Gabriel would have been dragged back to Heaven and punished once he was located and Beelzebub would have been dragged in front of the Dark Council and .. well, we don't know but it was bad enough for Crowley to ask for Holy Water as insurance.
It's only because Aziraphale was there, carefully diffusing the situation with, "Gabriel, Beelzebub - what do you want?"
It's only because of Crowley's soft suggestion, "Alpha Centauri's nice. Always wanted to go there."
It's only because of them that Ineffable Bureaucracy can be together safely.
And I think they wind up where they do at the end of season 2 because they need to be in place to make sure the world (and maybe the rest of Heaven and Hell, too) get to decide for themselves what they want, too.
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genderlessjacky · 4 months
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Season 3? confirmed , skin? clear , crops? watered , depression? cured , suicide rates? at an all time low , teen anxiety rates? 0% , will to live? infinite , nightingales? singing , waist vest? worn out , dying? no more , off my head? on laudanum , actions? not responsible, humans? weird and it takes a few days to know they're in love , tea? fun to look at , naked man? in bookshop , met*tron? fuck you , crepes? eaten , church? burned , zombie? nazis, Jane Austen? The brains behind the 1810 Clerkenwell Diamond Robbery. Brandy smuggler. Master spy. What a piece of work , a bit of a? dark horse ,  She wrote? books , Novels? Yes they were very good , she had? balls , we can be? us , gabriel and beelzebub? ran away , alpha? centauri , we can? go off together , be an? us , we can be? angels , just me and you? what do you say , he leans in? to the kiss , I forgive? you , dont? bother , we could have been? us
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evilwickedme · 9 months
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I just. Ugh. Oh my God. The fucking PARALLELS this season of Good Omens. Y'all know I'm an absolute fool for a good parallel, so to get so many? I'm so well fed today
Crowley and Azira are like, the definition of soulmates of the kind that are made, you know? Like there is no one single other being in the whole of Creation that shares even a fraction of the same experiences. Six thousand years in the making, this ship is - even more according to this season !!! And YET, they are absolutely brand new. They've never been in a romantic relationship - not with each other, not with anyone - and as Crowley pointed out, they've essentially just gotten out of toxic relationships with Heaven and Hell. Except like, not really? Because we see Crowley really got out Heaven so heavily traumatized he never really put all that much stock into Hell. Yeah, Hell might've still been abusive, but Crowley was halfway out the door the whole time. Azira, tho... He still buys into all of it. He's technically out the door, but he hasn't done any of the deprogramming you need to do in order to move on (I feel like I'm mixing my metaphors a little by using cult-related languages, but also abusive relationships are essentially two person cults, so)
And this season sets this dynamic up so perfectly with Nina and Maggie!!!!! And we're supposed to think that Nina is Crowley because she's dark and broody and Maggie is Azira cause she's frankly precious but really it's the other way around and it's Nina who finishes the season being like "I can't be in a relationship right now because I still need to work on myself having just ended an incredibly toxic relationship" and it's just. Nina and Maggie don't end the season together because that's not what they need right now and bc of that they might still be able to be together later, but Crowley and Azira hold onto each other SO DAMN HARD that they end up losing each other SPECIFICALLY BECAUSE AZIRA CAN'T DO THAT SAME THING OF UNPACKING HIS BASE ASSUMPTIONS it's like leaving a cult cause they were mean to you once but still buying into the new agey stuff they used to love bomb you into joining the cult in the first place
And so that's the relationship part of things but also we've got like soo many parallels showing how broken the system is in the first place and obviously ineffable bureaucracy is what stands out here because of the literal lines coming out of various characters' mouths during this plotline but can we talk about how heavily brainwashed Muriel is and how clearly they're supposed to be exactly like a young Aziraphale, one who doesn't "have" Crowley yet!!! Like tell me that if you gave Muriel a fiery sword and told them to watch over the first ever pregnant couple in history they wouldn't give them that Goddamn sword. Nobody on either side is capable of questioning their position in life without exposure to Something Else, but it doesn't have to be like, the being you're going to run off to alpha centauri with. It could very much be a copy of The Crow Road
(sidenote, has anybody read this book? It seems like an incredibly deliberate choice but I've never heard of it! I think I might send in an ask to Neil Gaiman himself if I don't see any meta soon)
Anyway yeah um. I don't know how to end this. Parallels and shadow selves fuck (double entendre)
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just--space · 1 year
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Gems of a Maldivean Night : The southernmost part of the Milky Way contains not only the stars of the Southern Cross, but the closest star system to our Sun -- Alpha Centauri. The Southern Cross itself is topped by the bright, yellowish star Gamma Crucis. A line from Gamma Crucis through the blue star at the bottom of the cross, Acrux, points toward the south celestial pole, located just above the small island in the featured picture -- taken in early March. That island is Madivaru of the Maldives in the Indian Ocean. Against faint Milky Way starlight, the dark Coal Sack Nebula lies just left of the cross, while farther left along the Milky Way are the bright stars Alpha Centauri (left) and Beta Centauri (Hadar). Alpha Centauri A, a Sun-like star anchoring a three-star system with exoplanets, is a mere 4.3 light-years distant. Seen from Alpha Centauri, our own Sun would be a bright yellowish star in the otherwise recognizable constellation Cassiopeia. via NASA
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stuff-and-shenanigans · 9 months
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scattered general good omens season 2 thoughts below the cut
- neil gaiman remains my favorite writer even if he’s unequivocally broken my brain a little bit. and john finnemore, whose work on cabin pressure i enjoyed thoroughly when i was younger, was a marvelous choice for co-writer this time round.
- michael sheen and david tennant genuinely might be the two best actors alive. they’re so perfectly cast and every single interaction they have and every moment they have to themselves is so magnificently calibrated. i love them as aziraphale and crowley so very very much and i hope they are proud of their work because they should be.
- the ineffable bureaucracy was so sneakily and delightfully handled. i don’t think anyone could have predicted that ship ever becoming canon but i thought it was so adorably handled. hope they’re having a nice time on alpha centauri 🥺
- the humor this season is VERY pratchetty and all the funny moments genuinely made me grin. the demons not understanding spelling, muriel as a “human police officer,” gabriel/jim’s himbo moments, THE INEPT NAZI ZOMBIES… so good. i think terry would enjoy so much of this season.
- the historical flashbacks were a DELIGHT and i LOVED seeing their first meeting before the big bang 🥺
- i like maggie and nina a lot and i really hope we get a season three because i am really rooting for them. YAY taking time in relationships after a breakup. that’s so important and healthy and i’m glad that’s how we’ve left them for now. i hope they have a nice juicy part to play in the future.
- the second coming being season three’s plot is too perfect (presumably based on terry’s notes with neil for 668: the neighbor of the beast) and i can’t wait to see how it turns out.
- THE ENTIRE LAST MOMENTS WHERE WE THINK WE’RE GETTING A MUTUAL CONFESSION. BUT NO. IT GOES SO WRONG. AND THEN AZIRAPHALE’S “I NEED YOU I NEED US” AND CROWLEY JUST PLANTING ONE ON HIM AND AZI HAVING NO CLUE WHAT TO DO WITH HIS HANDS AND WHEN THEY BREAK HE’S DEVASTATED AND CAN ONLY SAY HE FORGIVES HIM. and then aziraphale touching his lips as crowley leaves and the dark reprise of nightingale holy fucking shit you cannot make this shit up i am forever devastated and replaying every bit in my head because gooooooood michael and david fucking killed me
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devsgames · 7 months
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Some trails on enemy bullets to convey a better sense of their direction in combat
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apod · 4 months
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2023 December 23
A December Summer Night Image Credit & Copyright: Ian Griffin (Otago Museum)
Explanation: Colours of a serene evening sky are captured in this 8 minute exposure, made near this December's solstice from New Zealand, southern hemisphere, planet Earth. Looking south, star trails form the short concentric arcs around the rotating planet's south celestial pole positioned just off the top of the frame. At top and left of center are trails of the Southern Cross stars and a dark smudge from the Milky Way's Coalsack Nebula. Alpha and Beta Centauri make the brighter yellow and blue tinted trails, reflected below in the waters of Hoopers Inlet in the Pacific coast of the South Island's Otago Peninsula. On that short December summer night, aurora australis also gave luminous, green and reddish hues to the sky above the hills. An upper atmospheric glow distinct from the aurora excited by collisions with energetic particles, pale greenish bands of airglow caused by a cascade of chemical reactions excited by sunlight can be traced in diagonal bands near the top left.
∞ Source: apod.nasa.gov/apod/ap231223.html
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lofan · 1 month
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Guys, you have literally NO IDEA how much I want to draw this... The beauty of them standing back to back, together, in the capital of Centauri Prime, no less--- INSANE. I would have given up everything to see it in the final episode.
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I still don't understand how the hell there's not a single art of these statues in this fandom. IT'S A CRIME, YOU ALL SHOULD BE ASHAMED OF YOURSELF.
- Legions of fire: Out of the Darkness.
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dansevilpianotea · 18 days
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who do you think is more Crowley coded and who is more Azira coded out of dnp?
i set myself hourly notifications ever since you send the ask and it still took me this long to answer, im so sorry 😭
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to answer your question:
It might seem like obvious that dan is crowley coded and phil is azira coded because of their aesthetics and personality but stating that as that is too simple for me. lets break it down:
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dan is like crowley in the obvious sense of having that edgy aesthetic and always needing to question things while phil is the one with the light aesthetic who enjoys what is happening despite the problems it has. just watch them play the game of life.
this reminds me of this quote from a book ive read for uni which really stuck with me:
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so yea, dan is the social scientist who points out what most people miss and phil is the one who tells us that we shouldn't wallow in defeat of it but make our own meaning out of it. and we need both! they are like ying and yang, like crowley and aziraphale in that way.
crowley who questions heaven and thusly falls, but then doesnt stop questioning hell because he doesnt see the world in black and white, good actions and bad actions.
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i think dan for a long time was not like that. i say this with the utmost respect but if you look back, his branding was usually self deprecating jokes and at least to me personally it felt like his perspective was pessimistic. he always made sure to leave a positive message but to me it felt like a wish for a better future, not a feeling of certainty that it will be better.
Phil on the other hand is very much like that:
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Phil is like aziraphale and me in the sense that he gets irrationally worried about things,
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but it is dan who literally did a tour about his worries of the world ending, with branding and all:
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and yet:
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phil and crowley both have that rational optimism, the sense that things will be okay. but aziraphale does not give up in-spite of the odds being against them. in s1 he refuses to run away to alpha centauri because he believes that they should stay and fight. that there is still hope. he does not accept that the world will end. but its crowley who sparks the idea of aziraphale raising the antichrist with him. its aziraphale who tells angel crowley of armageddon , and its why crowley gets upset and questions the almighty.
so my point is that phil has aziraphale's light aesthetic vibes and his fear of near doom but crowley's certainty that everything will be okay in the end despite it.
dan on the other hand has crowley's edgy dark aesthetic, his cynicism and sense of questioning belief systems, but also aziraphale's determinism to fight what he is sure is a losing battle/the end of the world because he wants to believe that it is possible that everything will be okay (that being the message of wad/ywgttn/big/etc...)
i want to talk a bit about 'dark/light polarity'. what we mean by that is two sides of the same coin. yin and yang:
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they depend on each other, they interconnect and intertwine. be it real people or fictional characters, it is never a clear black and white binary, because what the characters have something that the other lacks and when they come together they become a whole. plato said humans once had 4 legs and feet, and then got split in half by zeus to punish us to live our lives yearning to be connected with the other half of our soul/coin, our soulmate. they carry sth of each other within them because there are shards that got broken in the middle when the being was split and were forced to choose sides.
so even tho it might seem like dan is more like crowley coded and phil is more aziraphale coded because of their light/dark aesthetic, there's many things of both in each of them and thats what makes it interesting and real to us.
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youryurigoddess · 7 months
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Case study and analysis of the 1992 Good Omens movie screenplay (“the shitscript”) in light of the ongoing WGA strike
As one could suspect, the topic of the 1992 Good Omens movie screenplay and its infamy has recently emerged from the depths of the fandom. In light of the ongoing WGA strike it’d be good to properly address this issue, starting with Neil Gaiman’s own recollection written in 2004:
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It’s basically the same old story — of brilliant creative workers struggling under the pressure of detached studio executives and being legally forced to mutilate their work again and again for no artistic or economic reason — we’ve heard before in many different contexts.
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If you’re reading this and somehow still wondering why writers are fighting for their rights at the moment, their job security hasn’t changed much since then. Please follow the WGA, SAG-AFTRA, and other unions’ official channels for detailed information and ways to help the cause.
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Anyway, it took over a decade and an enormous effort to print the screenplay in a limited edition of 552 copies. It can’t be distributed otherwise due to IP law, but some fans shared its fragments online and heavily criticized them, dubbing the 1992 source material #shitscript
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There’s been obviously a lot of controversies over the changes in the plot and the relationship between the main characters. And rightfully so — the number of iterations has created something very different from the beloved book and the award-winning show we can all enjoy today.
It’s… objectively not good. Wouldn’t be considered a hit back then and certainly not by today’s standards. I don’t think I would watch it in any other way than through channel surfing. However, it’s not a monstrosity some people believe it to be and not a case of low effort.
Let’s start with the world building: the setting wasn’t changed to the US. It’s still very much based in the UK, mostly London and Tadfield, although the latter lies now by the sea and seems much more ominous. Interestingly, the British Museum becomes a prominent location as well.
The main character and the designated hero is not surprisingly Crowley, this time in his 90s anti-hero glory. If you haven’t watched many movies of this era, esp. dark fantasy, this trope involves middle-age disenchantment, cynicism, as well as hefty doses of sarcasm and brooding.
90s anti-heroes are a dark, grim, and unnecessarily violent embodiment of power fantasy, matching the destructive ideology of that time. Combined with uber-masculinity and performative strength over weaker characters, nowadays they naturally evoke more cringe or worry than awe.
1992 iteration of Crowley is basically in his Furfur era. Deeply unhappy and stuck in a dead end job, all he talks about is how he hates Earth and his assignment here, considering a transfer to Alpha Centauri as his one and only possibility of career advancement. Or life, really.
The talking part is important here, because he clearly compensates by insulting everything and everyone. He hates on the whole planet at length only to confess that he’d rather stay here with Aziraphale due to “no good restaurants”, “no decent bottle of wine” in Alpha Centauri.
Yes, he’s verbally abusive in his automatic response to stress. But doesn’t hate Aziraphale. In one particular scene he calls Azi stupid twice only to assure him that they are friends and to offer to solve the problem when he sees that his words were taken seriously and hurt him.
Crowley refers to him as “my angel” and “my dear Aziraphale”, agrees to Aziraphale’s suggestion of sharing a room, praises the angel as a “miracle worker around the home”, drinks the tea he makes for him, and generally proves to be much softer towards him than he wants to admit.
Aziraphale, on the contrary, wears his heart on his sleeve. He’s the one engineering ways to spend more time together, following Crowley around, checking up on him (including miracling himself into his apartment and office when no one answers the door), offering help right away.
He’s successfully calming Crowley down through his anxiety attacks, overcomes his dislike of heights (!) for Crowley, directly challenges him and even breaks rules only to make Crowley stay with him. Crowley seems to be his main motivation in this movie, not the saving the world.
1992 Aziraphale also has the most badass scene in the whole Good Omens multiverse to date, taking a 180 degree turn from the typical guardian angel we all know and love to the real angel of wrath protecting Crowley from harm in his true form.
But there’s no Their Side in this universe. The only semblance of that concept appears in the context of Anathema not representing either of their respective bosses, but humanity. “That’s the trouble with the humans. They’re on their own side.”
This Crowley appears not as much on Hell’s side as under Satan’s heel. He’s scared of him and subservient, and needs Aziraphale to prevent his escape as a pretext to do what is right. He lets the angel stop him by pretending that he doesn’t even see him cheating during their duel.
By finally standing up to his toxic boss (Satan is like Gabriel during the body-swapped trial, suave and cruel) and leaving Hell’s side to do good, Crowley takes an emancipated and employee-focused stance instead of fighting for his relationship with Aziraphale like shown in S1.
Which is a shame, but matches the overall tone of the screenplay and the times it was written in. The concept of free will, while simplified in a true Hollywood-style to issues like mind control and fear, is still crucial to this interpretation of the Good Omens original plot.
Especially the character of Anathema is seen fighting both of these things. There’s no Agnes Nutter with her prophecies here, only a 21-year-old witch and her will to thwart the ultimate evil versus her fear of doing it at a cost of one boy’s life, versus Satan’s brainwashing.
Madame Tracy appears slightly redesigned as a new character as well, but isn’t 𝘲𝘶𝘪𝘵𝘦 𝘵𝘩𝘦𝘳𝘦 for the most part. She’s been enjoying her youth way too much to see how fast it was fleeting, and this sudden realization left her in shock from which she denies to come back.
Unfortunately she’s also the one who took in baby Adam and now stays under his care. The level of his parentification is unnerving, much like his bullying and loneliness. He struggles to be loved and ask for love, which becomes his main quest beyond, y’know, the apocalypse thing.
Don’t worry, despite everything all ends well just like in the book. The family of two gets a chance to start again on much healthier terms and Anathema to live for herself for the first time in years. Our heroes get back in their car, Crowley tempting Aziraphale with an apple.
All in all, this whole post is a very long reminder for Amazon Prime to #PayYourWriters, #PayYourActors, and #RenewGoodOmens! The strike is still ongoing and crucial for any new content for this and many other fandoms #GiveMeS3orGiveMeDeath
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Here's another Good Omens poem, this time more subtle! I've entered it to a few zines and journals, but I haven't heard back from anywhere yet, and I'm able to post it online unless it gets published! Enjoy! :)
Tangled
Two sunflowers stretch their arms
up to the sunlight, to grow
into the nameless feeling.
No competing for space.
They're on one side-their own.
The riverbed flows for the sake of
unwritten poems like them. They have each
other, through a mess of tangled clutches.
Their roots are so similar, and they grow
at their own, individual rates. One waiting
for the other to catch up. An awkward embrace.
They practice blooming, dressing
themselves in warmth, glowing together.
Circling, like the stars of Alpha Centauri, in a
neverending, clumsy attempt at a waltz.
Who cares if they're growing in the dark when
they're also headed towards their own light?
They have each other. The sun is just another star.
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