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stopeatingwhales · 3 years

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the 1995 brits x damon albarn & liam gallagher

hhhiiii I'm here with a very cute little fic about the brits!! the idea of writing something with Damon and liam fighting over someone was requested quite a long time ago (sorry it’s taken so long omg) but I loved the idea!! I do hope you all enjoy it as I enjoyed writing it a lot hahah xx

Pairing: 90s damon albarn & 90s liam gallagher x reader

Warnings: nothing, just a little bit of bickering n dat

Word count: 3.057

Requested by anon x

༉‧₊˚✧

Being a part of the madness that adapted the name ‘Britpop’ was truly an experience. Paparazzi at every corner you turn, equipped with the brightest, flashiest cameras, also having the most annoying click noises to the point that after one image you’ve earned yourself a migraine that would last the entirety of the day; parties that would last entire nights, bearing millions of different kinds of drugs - some that hadn’t even been given a name yet, but you’d still give a try anyways, since you’re so high and drunk that you simply lose the intellectual capability to construct decisions, you say fuck it, and get so high to the point that you’ve blacked out in a booth in a bar, with the owner asking you to get out since you’ve been inside for one too many hours after closing time; as well as constant press coverage. With your name plastered over literally every newspaper and music magazine known to man, as well as having your entire life consistently dictated for the entire nation to read about every Sunday morning and indulge themselves into as a form of entertainment, it was what being famous delivered, right on your doorstep at 7 in the morning. Any earlier and you’d feel rude not to give them a cup of tea as a form of dignity and respect towards their sublime dedication to the job. Although it was fun being associated with it all, my band in particular gaining a different form of calidity due to it being a female fronted band, by the time that the entire nation was hooked on this ‘Blur vs. Oasis’ rivalry, it was as if every other britpop band had been washed away from existence, due to eight boys arguing as to whom had the better music. And the better looks, according to Liam Gallagher.

Tonight was the night of the Brit awards, perhaps the most prestigious awards ceremony for music. To be awarded a Brit was probably the largest achievement possible in British music in the form of an award, and it was definitely either going tonight to either Blur or Oasis. The chances that another band, say Pulp, were to get the award, would not only be extremely amusing to see the reactions of the two biggest names in the Britpop game, but would also cause the largest uproar in the nation. It’s either Blur or Oasis. “Their drama is so silly,” laughed Emily, the guitarist in our band whilst flicking through the latest edition of the Sun, the cover of the newspaper being, of course, Liam Gallagher. “They’re literally bickering about who looks the best. How do people find this interesting?”

“Because of how silly it is, people never leave their secondary-school-like selves. Just a bit of fun I guess.” I replied, fixing up my hair in the mirror in front of me. We were currently getting ready to go to the award show, and needing to look your best was an expectation. Though I wasn’t dressed in anything that would result in jaw’s dropping, it was important that I at least appeared somewhat admirable - the entire nation always had their eyes on us, but tonight they were going to see us all, live. Perhaps the reason why bands like Oasis and Blur are so obsessed over nowadays, since all they’ll do is turn up in some flimsy Adidas t-shirt and call that fashion. I suppose scruffy was the new elegant.

“Who do you think they’ll give the award to?” she questioned, still aimlessly flicking through the recycled pages of the magazine. “I think Oasis. Their music is so much better than Blurs.”

“Really? I’d say Blur. They won on top of the pops, so the likelihood of them winning the Brit award is highly likely,” I answered, shuffling away from the strong reflection of myself towards Emily, my eyes quickly scanning the page that she had her eye on currently. “Gosh Liam’s so full of himself.”

“He’s got his eye on you, you know,” She said, shoving the paragraph she had just read in my face of Liam boasting about his little crush he had supposedly gained from watching our latest performance on top of the pops. “Thinks you’re ‘well fit’.”

Scoffing in response, I mumbled back to Emily. “If he thinks that he’s sleeping with me, he’s very deluded.”

By the time we had arrived at the venue, you weren’t able to walk into the entrance without at least 50 cameras blinding your eyes and the shouts of so many begging for you to quickly turn your head and grin - the price for the photo would reach the many thousands. Once walking in, it was less crowded, only having select people by the ground floor, dedicated for musicians and bands, with the occasional interviewer walking past to every circled table, adorned with white cloth and champagne glasses, asking questions about how they’re feeling, who they think may win, and what they thought of the music throughout the past year. What was nice was that people didn’t have that much interaction with one another, just with their groups. It created a sense of formality in the space, which made me feel a bit at ease from the idea of some random row happening in the middle of the floor, most likely between Liam and Damon. The past year in music was truly something. Britpop was at its peak the entirety of the year, with songs like Parklife and Supersonic pouring out of every radio station in Britain that by the end of the year, you had ditched casual radio music and began blasting the classical station. It was a nightmare. Since the fall of grunge subsequent to Cobain’s death the previous year, the talk of any other genre in Britain apart from Britpop didn’t occur. It was as if we were living on this mystical island, miles away from any other music and culture, whilst adorning and obsessing over our own. What was nice about Britpop was that it was a pure celebration of English culture, whether it be a simple Sunday roast, or going to school, they all carried the same ambience of nostalgia and pride - also disregarding whichever band wrote what song.

“Free champagne… Yes please,” said Madeline, the secondary guitarist of the band, whilst heading to the first seat she could sit on, then quickly indulging herself with the first taste of the rich drink. “Oh my gosh it’s heavenly!”

Laughing at her reaction, the rest of the band took a seat around the table and took their first sips of the champagne, which we would all come to find to be indeed heavenly. Small talk was shared here and there with the rest of the group, but overall I stayed silent. In all honesty I found attending award shows was quite boring because if you didn’t end up getting an award, you would essentially be sitting there for two hours doing nothing. Even if you did win an award, it’s simply a minute of glory with the speakers blasting your music, and another minute of all eyes piercing into your soul as you make sentences about your gratitude towards those who had helped you along the way to earn such an achievement. I doubt anybody genuinely liked attending shows like these.

“The champagne is good, yet we don’t get enough for our table,” I complained, grasping my now empty champagne glass and waving it around in the air. “I’m gonna head to the bar to get a refill, anybody want anything?”

After receiving a handful of nos from the rest of the band, I took myself out of my seat and wandered over to the bar, which was empty, perhaps due to the venue not yet being completely filled with all the artists that were set to attend the night. “Just a refill of the champagne, please.” I asked politely, handing the bartender the used glass I had kept in my hand. Whilst waiting, I noticed that Damon was on the other side of the bar, who also didn’t notice me there, until he caught eyes with me.

A grin broke out on his face as I walked over to him. “You alright?” He asked me, quickly thanking the bartender for his drink and turning back to look at me. The height difference between us was evident, but it wasn’t the case of something so dramatic that he was the height of the empire state building and me, just a measly common tower in the city. He looked quite content, his hair scruffy yet neat, along with his outfit being just as I had assumed: a white shirt with jeans, a used pair of Adidas for shoes.

I smiled back at him and nodded. “Suppose you have high hopes for the award tonight.” I said, simultaneously receiving my refill of the beverage I had ordered, followed by my thanks. We stood adjacent, although there was enough distance between us to establish our relationship - mutual acquaintances whom had met every now and again, since they’ve both been dragged into this wormhole of madness. He was quite the opposite in comparison to his rivals, though he himself could be quite bothersome occasionally, he still had a grasp to what those may call sensibility.

“Oh well we’re better than them, aren’t we love?'' He chirped, his head now cocked to the side in a teasing manner. “I’ve heard that you’re rooting for us this year.” He added, a little smirk pasted on his face.

“Do you read every paper you see?” I questioned, my face turning away from him in slight embarrassment. Between us, there was no shared intention for a relationship to stem, though there was definitely a flirtatious tension that followed between us wherever we had met. Whether it be a random photoshoot for a magazine double-spread, or backstage at top of the pops, we always managed to share a chat with one another, and nothing else followed on from then. It was quite sad, because once you’ve established a connection between something you either both disagree or agree with in terms of societal views, something in the press, or life in general, you’re instantaneously cut off and asked to hop onto stage to record a meaningless three-minute performance with fake, plastic instruments which practically mean nothing.

“Well it was nice seeing someone else's face on the papers for once.” He replied, downing his drink, then ushering at the bartender for another. A thing that we both realised was that, between our conversations, we indirectly indicated that we were both there for each other, because we both had a complete understanding towards what may be happening to the other person. It was stressful being in the limelight constantly, and for someone who was the frontman of a band so large, with his face plastered on every magazine cover imaginable, things were bound to be stressful.

Sighing, I turned to face him again. Despite the fact that before I had the ability to respond, our conversation was cut short from a voice shouting my name from behind. “Well if it isn’t bloody Y/N.” the voice said, and from then I instantly knew it was Liam’s. Turning my face away from Damon’s, I locked eyes with Liam. As always, he was dressed in the usual: a parka, with casual jeans. Oh, and don’t forget the Adidas shoes. Even though he and Damon practically hated each other’s guts, they always seemed to have similar fashion senses, but I could never picture Damon in a parka. And I don’t think I even want to.

“How’ve you been love?” He asked, swinging his arm around my shoulder in a warm, but nonchalant manner. Me and Liam had a similar relationship to that of mine and Damons, simply just minusing the sentimentality of it. We were friends, and had come across each other at random parties, which opened the gateway for us to drink and get high together many a time. While he was quite the idiot, he was also a very fun guy to be around, but I knew Damon would never understand that. “And why’re you letting this twat chat to you?”

A laugh escaped Damon’s throat. “I think you’re the only twat here, Liam,” he began, a sigh leaving my mouth as I was trapped in a situation that I could only pray didn’t gain much traction from the rest of the attendees. “Me and Y/N are friends, don’t suppose we’re getting jealous are we?”

Liam’s grip on my shoulder tightened as I stared at his reaction to Damon. I felt quite small in this situation, due to me needing to tilt my head a good amount to properly look at Liam, and knowing if I left it would just erupt chaos and make it worse. “No need for me to be jealous when I know that she wouldn’t want to spend a minute with you in bed you bastard.”

“And you’re so sure about that are you?” Damon replied, amusement laced in his words. “Because you’ve totally spent a minute with her haven’t you?”

“Well I’ve got my arm around her haven’t I? And she’s not stopping me,” Liam argued back, a smirk entwined on his lips. Reaching for my hand, Liam grasped it lightly, then then brought it to his lips, kissing it, before holding it gently. Method of intimidation, perhaps, and though it was sweet, there was a time and place. And this was definitely neither the time, or place. “Who’s the jealous one now, eh?”

“The last I recall, she had hoped that we were winning this year, not you,” He boasted, moving the contents of his drink around whilst grasping it firmly. Whilst it would be something that would offend Liam, he was simply the type of person to not take criticism regardless of whomever it was coming from. I respected him for that. “So much so for a healthy relationship.” Damon mocked, staring into my eyes as a small laugh escaped my lips.

Granted that I had found the argument shared between the pair of them to be extremely silly, it was good entertainment as the time passed before the award show would begin. Watching them both, attempting to throw insults at one another, each one trying to cut a little deeper than the one previous, made me almost laugh at the both of them right there. “You know, it’s so silly that you both think you know me so well to think which one I’d pick from the both of you,” I said, detaching myself from Liam’s embrace and snatching my half-empty glass of champagne. “At this point, it’s neither of you.”

Walking back to my band’s designated table, I quietly took my seat as the show began. “Saw you chatting to Damon,” Emily whispered, raising her eyebrows. “Also saw you grinning like a madwoman.”

“Oh shut up you,” I replied, looking back at the bar to notice that both parties had left, assuming back to their places. “There’s nothing going on between me and Damon- Liam too in fact.”

~~~

As the ceremony went on, the boredom got to us. Even the amount of drinks I had didn’t entertain me, but what could we do, we were stuck in the middle of an award show celebrating music, even though I had largely doubted that the majority of those attending were enjoying themselves. I had no clue who the awards were going to be handed out to, and whether that somebody may be us in a category, but we all knew Blur were going to win something. Yes, Oasis had gained a lot of fame and had become one of the most famous bands in the music scene at the minute, but by the way things had gone for Blur after the release of Parklife, things only seemed to go further up from there. And that was only proven to be truthful, after Blur had left with four different awards.

After Blur had received their fourth award for best British group, we all knew that there was nothing left for Oasis. “They’ll get it all next year, they only debuted this year you know.” I said to the table, who were staring at the four smiley boys on stage as they trotted up to receive their award. I admired Damon as he said his speech, then also turning to look over at Liam, who looked quite evidently pissed off. He was practically drooling in anger from the sight brought to him at that particular moment, and I couldn’t blame him - their band hadn't gone home with one award that night, but neither had ours. “They’ve taken four awards home, isn’t that like, the most anybody has ever taken?”

“Indeed it is,” Madeline replied, taking a sip from her drink. “Must be a good year for them then, eh?”

As I watched the band leave the stage in absolute glee, I stared at Damon as he walked back to his designated seat for the short remainder of the evening. Despite the fact that my band had been sat in our seats the entire evening in complete boredom, just like Oasis and so many other acts that had been nominated for pointless awards, it would be a lie to say that I wasn’t proud of how far Blur as a whole had come and evolved through their music, and especially Damon. From beginning as young, bowl-cut boys only charting so far on top of the pops, to creating songs and melodies that could unite our entire nation, it was impressive.

Damon was the face of Britain at this very moment, and a very good looking one. Once I watched him sit down, he scanned the room for a while until he was able to find where I was sitting, which was parallel to his seat, merely a couple metres away. He connected eyes with me as soon as he found me, also accompanied with a small smirk painted on his expression as he raised his eyebrows and sent me a wink. I simply smiled back at him in response before turning away abruptly, disrupting the little moment we seemingly shared, and though I felt my heart flutter a little, he’s definitely not winning me that easily.

#britpop #fanfic #bandimagines #Liam Gallagher x reader #damon albarn x reader #damon albarn #blur #Liam Gallagher #oasis #blur band #oasis band #my writing #fluff #angst

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itsbenedict · 3 years

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I just finished hosting a 15-person game of Mafia for some friends. One tradition we have for these games is that every death is accompanied by some themed narration, so for my game I opted to spice it up with some art on top. Had to draw it real quick since I didn't know for sure who was going to die next until it happened.

The game's theme was "JoJo's Bizarre Adventure", with the hidden subtheme that all the roles (stands) were named after They Might Be Giants (@tmbgareok) songs! A list of their powers, links to songs, and a recap of the game under the cut.

01) Mogis - 「Flo Wheeler」

02) TD260 - 「Working Undercover For The Man」

03) JGH27 - 「Good To Be Alive」

04) Raya - 「Stone Cold Coup D'Etat」

05) KK / Sahrimnir - 「Thinking Machine」

06) Spontaneous Combustion - 「The Statue Got Me High」

07) Leviwulf - 「Push Back The Hands」

08) DarkFalco - 「I Am Alone」

09) Deli064 - 「Doctor Worm」

10) Fedaykin - 「Letterbox」

11) Surge - 「I Am Alone」

12) Wikxen - 「Put Your Hand Inside The Puppet Head」

13) Minby - 「Where Your Eyes Don't Go」

14) Bel - 「(She Was A) Hotel Detective」

15) SnakeInABox - 「By The Time You Get This」

Bold roles were Jotunheim (Mafia), normal roles were Johnsburg (Town), and italicized roles were third parties. (Jotunheim is the realm of giants from Norse mythology! The mafia were, in fact, giants! And the town's job was to figure out who might be giants! And the two sides were Jo and Jo! JOKES!)

「Flo Wheeler」 was a town role with a power that was pretty dangerous to the user- if anyone happened to be watching or tracking when a kill took place at night, Mogis would look like they'd visited the target that night in addition to whoever actually did. It could potentially be used to catch a mafioso in a lie, but otherwise it was more of an obstacle for the town to overcome- a miller-type role.

♪ You can't do the time, therefore you didn't do the crime ♪

「Working Undercover For The Man」 was a third-party role working for the Speedwagon Foundation to perform a threat assessment. TD could win with the town, but could win and leave early if he could guess all the names or powers of every other stand in the game. He could scan a name every night, to help that along.

♪ Planning midnight raids / On our unsuspecting fans / While the roadies rig / The video surveillance van ♪

「Good To Be Alive」 was a spin on the usual town doctor role- normally, a doctor can target a player and prevent their death if they would die that night. But... JGH couldn't actually prevent deaths- just fake it. The dead would become ghosts, who couldn't vote and couldn't be killed but were still allowed to talk as if they were alive.

♪ Hello leg / such a shaky leg / Just barely more than decoration ♪

「Stone Cold Coup D'Etat」 was a third party with an unusual win condition. They had to recruit a certain number of people to a private side-chat- and then make sure all those people got killed. Plus, she could redirect anything that happened to her at night to her recruits. If the recruits figured out what she was doing and got rid of her, they'd get a boost to their power.

♪ The bark now commands the trees / The queen is overruled by the bees ♪

「Thinking Machine」 was a town role with a mysterious purpose that didn't seem to make much sense at first. Sah would get, every morning, a strange series of numbers and letters of uncertain origin. It was information, somehow, but how to use it?

♪ Tape has brightening arm connect (Wait, that didn't make sense.) / Self-paint lever itching does! (That made even less sense!) ♪

「The Statue Got Me High」 was a mafia power. As the song describes, the victim is enthralled by the monolith and forced to obey its commands, until their eventual death. That is, Spont could recruit a player to the mafia, but they'd die one night later- and if he wasn't careful, he could die and his recruit would flip back.

♪ And now it is your turn (your turn to hear the stone and then your turn to burn) / The stone, it calls to you (you can't refuse to do the things it tells you to) ♪

「Push Back The Hands」 was a passive ability that caused anything that would happen to Levi- a nightkill, an execution, some other power- to be delayed by one day, giving him some time to react. He'd be told who it was that targeted him, so going after him as mafia was risky.

♪ Screeching tires but never a collision / Endless day without a sunset provision ♪

「I Am Alone」 was a weird one. See, DarkFalco, who was mafia, didn't have a stand as such. She was the stand- and she was the stand of Surge, who was town. They were linked together in everything, meaning the mafia had to work to keep Surge alive on top of their own people. She could send messages to Surge at night to mess with him, though.

♪ Before you fire I should inform you / One of us is a double ♪

「Doctor Worm」 had no real special abilities. His ability was to be pretty good at playing the drums, a power that had absolutely no relevance in a game of Mafia.

♪ I'm not a real doctor, but I am a real worm I am an actual worm ♪

「Letterbox」 was a mafia ability that let Fedaykin pick another player, and offer that player a chance to deliver a private message to one other player of their choice. He could see the "secret" communications, though, and once per game he could edit the message before delivering it.

♪ I'll never know what you'll find when you open up your letter box tomorrow ♪

「Put Your Hand Inside The Puppet Head」 is a classically mafia ability, but in the hands of a town player: the ability to force another player to vote for another. Normally the manipulated person isn't allowed to say what happened, but there was no such restriction here- confusion's no good for the town.

♪ Memo to myself: do the dumb things i gotta do: Touch the puppet head ♪

「Where Your Eyes Don't Go」 let Minby pick someone else to watch him at night. If anyone visited him to target him with an ability, the person he designated would be told the names of those people. A nasty trap for the mafia, as long as Minby doesn't pick a mafioso to share the information with.

♪ Where your eyes don't go, a part of you is hovering / It's a nightmare that you'll never be discovering / You're free to come and go / Or talk like Kurtis Blow / But there's a pair of eyes in back of your head ♪

「(She Was A) Hotel Detective」 was a very powerful town role- Bel was the cop, and could scan another player's alignment at night, plus track or watch them. Except... not directly. She couldn't scan players- she could scan hotel rooms, and if other players didn't check into the hotel at night or give up their room numbers, her information was useless.

Here are the room numbers, in order: Levi (1) Snake (2) JGH (3) TD (4) Spont (5) Sah (6) Deli (7) Fed (8) Minby (9) Falco/Surge (10) Raya (11) Wikxen (12) Mogis (13).

(Oh, and Thinking Machine's codes were actually encoded versions of her results, and Sah would get a weaker version of her power if she ever died.)

♪ She's got her ear to the walls / And she's tappin' the calls / If you've got a secret, boy / Forget about it! ♪

「By The Time You Get This」 imbued its wielder with the incredible powers of... an estate lawyer! Which meant Snake could leave a will behind when he died, naming another player and casting a vote on them from beyond the grave the next day.

♪ By the time you get this note / We'll no longer be alive / But our skulls are smiling still / At the thought of things to come ♪

So! Here's how it all shook out.

Day 1: The first day is always kind of a tossup, since no one has any information yet, and everyone's just trying to verbally stir the pot. Levi soft-claims his role right out the gate, warning town not to try targeting him or else. Mogis is executed, casting a vote on himself to save the town the trouble of dealing with Flo Wheeler.

Night 1: Spont uses the statue to recruit Wikxen, at the same time that Wikxen forces Snake to vote for Levi. So, now the usually-scum power in the hands of town is in the hands of scum for real. Bel scans room 3, and learns that its occupant is innocent. Raya recruits DarkFalco, and accidentally recruits Surge alongside her, to her surprise. JGH tries protecting Levi, to test if his claim was a bluff.

Day 2: Levi tries to push JGH on the basis of having targeted him last night, but everyone agrees to wait and see if Levi actually dies first. Votes circle around Wikxen and Raya for suspicious-seeming defensiveness on Day 1, and ultimately, when it seems like Wikxen's about to be executed, a small group of players flip their votes at the last minute and vote Raya out while she's asleep and can't defend herself. Rude! She was poised to win the game for herself and the town, since she'd convinced Falco that the mafia would benefit somehow if they were all recruited.

Night 2: The mafia kills Minby- and Minby opts to tell have Fed watch him, wasting his power. Lucky for town, though, Bel happens to scan room 8, confirming Fed is mafia since he volunteered his room number. Wikxen's coat contains a furnace where there used to be a guy.

Day 3: Wikxen forced Snake to vote for J, making him look bad- but Sah begins sharing his bizarre results from Thinking Machine, and Bel confirms that they're a log of her detective power. Then she points out that Fed is mafia, and the town falls in line behind the accusation with Sah to confirm.

Night 3: Spont uses the statue to recruit Bel, to keep any more problematic scans from ruining them. Bel, before being recruited, scans room 10, though- and now the town knows there's something funky with Falco and Surge, because Sah gets the results and knows what they mean. Due to their mismatched alignments, though, the encoded version is still misleading, so there's wiggle room. TD scans Spont and learns his role name.

Day 4: Spont concocts a daring scheme. He has Bel lie and claim to have received an incriminating result on him- so that Bel will be caught in said lie when Sah produces his own results. The plan is to frame Bel, who's a dead girl walking anyway, and clear Spont's name going forward. But the town talks themselves into explaining away the contradiction- even when TD reveals Spont's stand name, and Spont denies it outright and claims 「Combustible Head」, a fake vigilante (town nightkiller) role instead, the town explains away that, too. After a few more people claim, TD260 has completed his mission- his correct guess wins him the game and he leaves. Spont cleverly excuses himself by claiming that TD lied about his role to get him to claim his "real" one. Afterwards, the town ends up executing Deli064 instead, for some reason- poor Doctor Worm!

Night 4: The evidence vanishes from Bel's charred and smoking chair- because JGH tries to protect her at the same time the mafia are killing him! Bel is a ghost now, and the town never finds out her alignment.

Day 5: Bel not dying poses a problem for the mafia, because Spont was supposed to prove his own innocence by pretending to kill her! The mafia tries to misdirect by having Bel lie again, claiming to scan room 10 when she actually scanned room 6, Sah. Ultimately, though, the town is able to coordinate behind killing Surge and Falco, which- because they're linked- is a compromise option that both parties are happy with (when perhaps they shouldn't be).

Night 5: Since Bel is technically dead, Spont recruits again, grabbing Sah and removing the threat of scans entirely. If he'd recruited Snake instead, they'd have won on the spot, since only his will-vote prevented them from winning instantly due to outnumbering the town. We move on to a somewhat redundant...

Day 6: It's now down to five players- Spont, Sah, and Bel vs Levi and Snake. The mafia technically outnumber the town, but Bel's vote doesn't count, and Sah's going to burn the next night- so the town can still win by forcing a tie and then using Snake's By The Time You Get This power to place a vote on Spont. But that's if they can figure it out and get on the same page, and... they don't. There's no way there could be three mafia still alive, so the mafia are able to sow total confusion and ultimately get the town all voting for Bel... who's a ghost, and can't vote or be executed, which the town doesn't know because JGH died before he could fully explain. The execution defaults to Snake, and the mafia win the game.

#mafia #they might be giants #tmbgareok #jojo #jjba #benedict art

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shepherds-of-haven · 3 years

Note

And what about a Stardew Valley AU? Pretty please with a cherry on top?

I’m on my phone in a waiting room so this will be very short--it also won’t be a 1:1 AU, I took some liberties!

Blade: the local hunter/woodsman who basically lives alone in the woods and barely interacts with anybody except to slink into town, give the butcher some dead animals and pelts, and then leave again for the season Trouble: the town blacksmith who forges weapons for the local adventurers and mercenaries who go to explore the mines/fight monsters. He dreams of coming up with some kind of invention (think the world’s first revolver or something) and becoming a gunsmith or adventurer in a bigger town/city. He probably also plays football in a strange anachronistic twist. Does this AU take place in the modern world like Stardew or a weird fantasy farm AU? Idk. But wait, does Stardew take place in the modern world?? There’s corporations and cars... but also slimes and wizards? I guess it’s its own thing. I’m going to pretend it doesn’t have guns.

Shery: the town veterinarian who looks after all of the valley’s animals, from the dogs and cats to the farm animals! She also lives above the town grocery store and helps Riel out when it gets busy. She helps organize the town’s flower festivals and other events!

Tallys: she’s an artist living on a cottage on the beach; you can sometimes see her collecting shells and making structures out of deadwood. She’s basically a hippie who wants to commune with nature, and is generally solitary until Shery recruits her to start using her expertise to help with the flower festivals!

Riel: he was once a promising executive in a large corporation, but his health suffered from the stress, so he now chooses to run a small grocery store in this idyllic town. He generally seems innocuous and nerdy--he wears glasses and does his account books with an abacus in his shirtsleeves--but when another corporation (or his old one) tries to muscle in, he starts using connections no one knew he had to defend the town...

Chase: a young man who got into so much trouble in the big city that he was forced to return to his hometown at the behest of his worried mother. He chafes under the boredom of small town life, but in a strange twist of events, somehow finds himself becoming the relied-upon town sheriff. He has an unorthodox way of doing things and an alarming willingness to kill anyone who threatens the town, but he keeps the valley safe from harm!

Red: the local wizard who lives up in his tower, performing experiments and researching the arcane. Many are unnerved to discover that he’s not an old man with a beard; he’s young, tall, and hot! Many farmhands feign illness in the hopes that he’ll drop by with a cure--he’s like the rural Howl!

Ayla: she is the valley’s premiere horsewoman, running a stable at the edge of town. Her horses win prizes for both their looks and their skills, and she’s willing to train anyone to ride if they’re willing to put up with her tough style of teaching. You can always catch her at sunset, watching the sun go down behind the mountains with a piece of straw in her mouth and her hat pulled down low over her eyes!

Halek: the owner of the local saloon who generally keeps to himself, but is always willing to listen with a smile and a dishrag on his shoulder. Everybody is surprised when his twin brother comes to fetch him and it’s revealed he’s some sort of royal in a neighboring country!

Briony: a girl who drifted into town and quickly made fast friends, but who refuses to reveal who she really is or where she came from. She rooms with Shery above Riel’s grocery store and earns money by serving as a cattle herd, riding one of Ayla’s horses and guarding the local cows as they’re transported from place to place or grazing, fending off wolves, slimes, and even bandits! She keeps saying she’ll have to move on someday, but is reluctant to go until her past finally catches up to her... (Secretly, she’s a magic-user too!)

Lavinet: a socialite who retreated to this remote town following a scandal. Then she buys the local ranch (the one that Ayla runs) and decides to convert it into a luxury resort to show people the beauty of Stardew Valley! She first harbors ambitions to return to the big city and return to her career in force, but eventually falls in love and learns to truly love her life in a small town!

Mimir: local cryptid and creature of the night. Rumor has it that you can see a pale woman walking the woods outside of town on nights of the full moon, and that if you see her, she will deliver a prophecy about your life... by day, she appears in a traveling caravan, selling sundry goods and dried herbs as an innocuous wanderer

Caine: just your typical neighborhood boy who dreams of becoming an adventurer and slaying monsters! Instead, he is a farmhand on his family’s successful farm, learning how to grow greenbeans and blueberries and running around town with his dog, Good Boy!

#Shepherds of Haven #Stardew Valley #Stardew Valley AU #AU #all characters #anon

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watching-pictures-move · 3 years

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Put On Your Raincoats #21 | Double Chinn Double (Double) Feature (with Hyapatia Lee)

By the time the '80s rolled around, Bob Chinn, best known for his collaborations with John Holmes (the inspiration for Boogie Nights), had been directing movies for over a decade. For much of that time, he'd been making them for peanuts (in an interview with the Rialto Report, he recounts being once asked to make a movie for five thousand dollars, which was handed to him in fifties on the spot), but in the early '80s, he was directing for Harry Mohney's Caribbean Films, working with respectable budgets (by porn standards). Some of these films starred Hyapatia Lee, one of the most popular porn stars of the era and one of the first contract girls. Now, I suspect these aren't necessarily the defining works of Chinn's career, and I do intend to get to some of his movies with Holmes. But Vinegar Syndrome had a sale and there were two double features of their collaborations going for dirt cheap, and because I am weak and foolish with money, they ended up in my cart and a few weeks later in my grubby little paws. How did this happen? Through the magic of Canada Post, of course! Anyway, what I found was that these didn't represents any extremes of artistic ambition. They were neither seeking to elevate the genre, nor were they hackwork. Rather, they represent a happy medium, movies that seek to deliver the genre's goods in a polished, diverting package. Slick cinematography, courtesy of Jack Remy. Catchy theme songs that wouldn't sound out of place if you caught them on the radio. Flashy titles. Lee recounted the atmosphere on set as one of professionalism and engagement, where everyone present wanted to do as good a job as possible. Chinn claims to have been losing interest in his work at this point, but the results onscreen are the result of confident execution by somebody who had been doing this kind of thing for years and knew how to put the production's resources to good use.

The first one I watched was The Young Like it Hot, where the operators at a phone company worry about being replaced by computers. To keep their jobs, they scheme to go the extra mile in helping their callers. As this is a porno, most of this help is sexual in nature, as when Rosa Lee Kimball stays on the line while an obscene phone caller played by Bill Margold finishes. (In an interview on the DVD, Margold says after shooting his scene, he was invited to record additional dialogue. Being the method actor that he was, he insisted on whipping it out during the recording session despite the lack of cameras.) Sometimes they are informative, as when Bud Lee (real life husband of Hyapatia at the time) explains why the perineum is referred to as taint ("cuz it taint cunt and it taint ass"). But the highlight of their efforts are Shauna Grant's increasingly life threatening home improvement advice to one poor sap played by Joey Silvera. Hyapatia Lee is ostensibly the star, and has a certain charisma, playing the supervisor, but this is really an ensemble piece, and she's joined by more experienced actors like Kay Parker and Eric Edwards. The latter I've occasionally found bland elsewhere, but he has a nice obnoxious quality that serves him well as the villainous manager whose idea it is the automate the operators' jobs. The movie reflects a very real concern (that's very much still an issue in the modern workplace), but overall this is a breezy, affable comedy.

A bit more serious in tone is Sweet Young Foxes, a coming of age story whose dramatic parts are more sensitively realized than I expected. The screenplay was written by Deborah Sullivan, Bob Chinn's wife at the time, and this is a case where a movie definitely benefited from having been written by a woman, and it seems like an earnest effort to capture the anxieties and yearnings of its young women protagonists. Lee moves closer to a real starring role, and is joined by Cara Lott and Cindy Carver as her friends, who aren't quite as strong actors as her but do have decent chemistry. I can believe they're friends even if their line delivery can be stilted. (That the movie has a good ear for genuine sounding dialogue also helps.) Kay Parker is especially good as Lee's mother, hitting some of the same notes as Taboo, and has a credibly emotional masturbation scene in front of a mirror that did not leave me unmoved. (In what way? That's none of your damn business.) This was shot by Jack Remy, the same cinematographer who worked on The Young Like it Hot. That movie looked nice and slick, but this one is a little more stylish, with the solo sex scenes in particular resembling magazine centerfolds. There's also some nice new-wave-ish music that shows up on the soundtrack, which I certainly didn't mind. I do wish some of the sex scenes didn't run quite as long (the previous movie kept them refreshingly concise) as I'd prefer more of the runtime was dedicated to the dramatic elements, but what's there is still good.

Body Girls goes back firmly to comedy territory, where Hyapatia Lee and the members of her gym are trying to win a bodybuilding contest despite a rival gym's attempts to undermine them. This comes in the form of a pair of schlubs in yellow tank tops who break into the gym after hours to sabotage their equipment, only to be foiled by Hyapatia and her girls who just happened to be having sex in the locker room as people do. Of course, despite Lee's attempts to teach them a lesson (which depending on your proclivities, may have the opposite effect), they don't give up, and during the contest threaten the judge at gunpoint. Not one to take things lying down (okay, poor choice of words here), Lee finds a way to influence the judge back in her favour. (The judge is played by Francois Papillon, bringing a dopey charm to the character as he fumbles through his lines in his French accent.) Her method is pretty ridiculous and certainly in service of genre requirements, but I did laugh.

Now, there's probably a dilemma in audience sympathy here as both Lee and her rivals are cheating, but Lee's methods are more agreeable and directed at the judge instead of her rivals so I guess we ought to root for her. She's also buoyant, charismatic and has a real star quality, and is joined by such fan favourites as Shanna McCullough and Erica Boyer, all of whom sport wildly different hairstyles. As can be expected given the exercise theme, most of the ladies have toned, athletic bodies (and given the decade, voluminous coiffures), with the exception of Tigr, who brings a wiry punkish energy that stood out to me despite her limited screentime, and she also performs the miraculous feat of making a mullet look cute. (I'd previously been moved by her work in Kamikaze Hearts, the great mockumentary about a porn production and her relationship with Sharon Mitchell. She didn't stay in the industry for too long, but I'd be interested in seeing more of her work.) The screenplay was written by Lee with her husband Bud (who plays the judge's assistant with an agreeable presence that's neither too alpha nor too schlubby) and is full of exercise-related dialogue. Most of this is pretty clunky and calling it wordplay might be a bit generous ("sexercise" features at one point), but I did appreciate the effort. Also as is requisite for the premise, the longest set piece in the movie is an orgy in Lee's gym with the various participants snaked around different pieces of equipment. I must note that one of the male actors resembles Barry Gibb and that Francois Papillon is shown to wear a tiger-striped speedo. Did I enjoy the movie? Yes, but not for reasons cited in that sentence.

At the end of Body Girls, Bud Lee suggests to Hyapatia, "Let's get physical", which is the title of the next movie. (Body Girls also features a character looking at dirty magazine with stills from Sweet Young Foxes and ends with a plug for some of these other movies, anticipating the MCU's narrative and marketing strategies by a few decades.) Now, all of these movies have had decent theme songs, but the one in Let's Get Physical has lyrics that are plagiaristically close to those of Olivia Newton-John's 1983 hit. (The delivery however is more shrill but not unpleasing.) This movie is a drama where Lee plays a dance instructor trying to put together a ballet performance despite her strained relationship with her impotent husband played by Paul Thomas. (In the interview I listened to, Lee speaks well of almost everyone she worked with on these films, with the pointed exception of Paul Thomas. If there was bitterness behind the scenes, it arguably helps their performances.)

Lee wrote the screenplay for this one, and unlike Body Girls with its surface level references to bodybuilding and exercise, the dialogue here feels packed with knowledge of the real thing, which is understandable given Lee's real life interest in dance going back to her childhood. (I looked up "Luigi jazz dancing" after finishing the movie and was pleasantly surprised to learn it was a real thing.) This movie goes all in on her star power, and features a number of dance numbers that seem genuinely interested in the form rather than just leering at the performers. (There is one scene where the song Lee dances to sounds suspiciously like "Beat It".) I did appreciate that the sex scenes were kept relatively concise and tied into the dramatic aspects, although in some cases, the choices made could be goofy, like the scene where Lee makes love to her student Shanna McCullough while Thomas, in a dramatically justified but still awkward gesture, watches from another room and jacks off. (I assume he's playing the audience in this scene. Also, McCullough's character remarks "I've never done this before" when going down on Lee, and yeah, okay Shanna.) Other highlights include a car stunt that may or may not have been lifted from elsewhere but still looks decently executed, as well as a dream sequence where Thomas (or his character at least) plays the piano and sings a song. This is held back a bit by the genre's demands, like when it places a completely superfluous sex scene at the end after Lee's reconciliation with Thomas, but on the whole this is probably the best one of the lot.

#film #put on your raincoats #movie review #the young like it hot #sweet young foxes #body girls #let's get physical #bob chinn #hyapatia lee

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parvuls · 3 years

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fic: at certain times

word count: 12k

tags: year 2 canon-divergence, getting together, first kiss

summary: The Swallow's Samwell Awards issue of '15 crowns Jack and Bitty as Samwell's cutest couple. It is somewhat unfortunate, then, that they're not actually a couple at all.

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The kitchen smells like something burnt, a smoky tang that clings to the walls and floors, stings inside Bitty’s nose. April should smell like hot cross buns and zucchini bread, he thinks wistfully, but it turns out that some Aprils poor ovens are pushed to their last legs prematurely, leaving his kitchen smelling like Ransom forgot his frozen pizza in the microwave again.

Dex has been tending to Betsy on her deathbed all month, spending most of his free hours at the Haus. Bitty called him again after class, while he was standing in Superberry with Jack, and promised to pay for his services with froyo. Said froyo -- which Jack insisted on paying for, bless him -- is still on the table, untouched, yogurt melting over the rim of the paper cup and dripping onto the wood. Dex has been kneeling in the same strip of sunlight on the floor since he arrived with his toolbox. Bitty isn’t sure what exactly he’s been doing, but he seems to be too busy waving a screwdriver in the air and ranting to remember his abandoned bribe.

“So we finally got over the fucking Samwell Republican sticker thing,” Dex says, his face red and his brow furrowed. He’s been disgruntled all day because of an email he’d received, which he claims Nursey will never let him live down. "And Bitty, I know this is Massachusetts, okay? But I haven’t even actually voted yet! Fucking Swallow. How can I be Best Republican?"

Bitty hunches over in his chair, palms clasped together on his knees like a prayer. He’s anxiously following the motions of Dex’s screwdriver with his eyes while listening with only half an ear, deeply confused by the conversation subject. “The Swallow does pieces on politics? I can’t even imagine what an article like that’d look like, honestly.”

Dex grumbles quietly, shoving a hand under his backwards snapback to scratch at his hair. “No, it’s like -- their Samwell Awards thing? I don’t know, I just got an email about it this morning. I guess it’s like that 50 Most Beautiful shit they do.”

Bitty’s never heard of it, but then again, Bitty carefully sidesteps most articles of The Swallow whenever he comes across them. Those guys write about their team an uncomfortable amount for a university with almost ten thousand students. As long as Holster or Ransom aren’t reading it aloud at team breakfast, Bitty’s not eager to find out what The Swallow has to say.

He asks, though, because Dex seems to be upset about this and his frogs need to be handled with care. “Like in high school yearbooks?” Heather Barron was his class’ Best Laugh back home, and she made everyone who signed her yearbook tell her a joke so she could laugh for them.

“I guess,” Dex says distractedly. He bends down low to reach something close to the floor. “This girl from my Intro to CompSci class got the same email about it -- she won Best Dressed. I mean, who even judges these things? That’s a matter of taste.”

Dex wipes a dusty hand across his forehead and Bitty momentarily forgets to care about The Swallow in favor of looking on worriedly. Betsy is unplugged from the wall with her back side facing the room, surrounded by loose cables and scattered bolts. She looks old and frail. Bitty kind of feels like he’s watching an open-heart surgery occurring right in front of him.

“Can you save her?” Bitty presses a hand over his heart, dreading the reply. Dex wrinkles his forehead even further and doesn’t meet Bitty’s eyes.

It is then that their ordinary afternoon is interrupted by three emphatic knocks on the front door of the Haus.

"Did someone just knock on our door?" Shitty yells from somewhere down the hall. Bitty assumes he’s still curled up on the couch of sins in a t-shirt and flimsy underwear, mourning his grandparents’ affirmative RSVP response to graduation.

His tone sounds downright shocked at the sound, but that’s probably reasonable. Bitty’s been living in the Haus for over nine months now and he’s never once heard anyone knock on that door. It’s always unlocked, anyway; it’s actually nothing short of a miracle that they’ve never been burglarized. Not that there’d be anything to steal, of course, other than Holster’s collector's edition Simpsons DVD box set, or maybe one of Jack’s used jerseys to be sold to the highest bidder on ebay.

"Well, whaddaya know,” Ransom appears in the hallway outside the kitchen doorframe, likely summoned downstairs by the abnormal noise. His eyebrows are high on his forehead as he stares down the hall at the door. “It didn't collapse. I told you it’s sturdier than it looks."

Neither of the boys makes a move to actually open the door. There’s a second set of knocks, this one slightly louder than the first, and Bitty huffs as he gets off his chair. He casts one last hopeful look over his shoulder. Maybe, he wishes silently, Betsy has performance issues and would be magically fixed once she’s not under his constant scrutiny. Or maybe Dex does, and would magically fix her. “Y’all, when someone knocks on a door, they generally expect you to open it for them.”

He shoulder-checks Ransom on the way to yanking the door open, and is presented with some guy Bitty’s never seen before standing on their front steps. He’s wearing an atrociously ugly plaid vest and an awfully wide smile, which only grows wider when he sees that it’s Bitty who’s opening the door.

“Eric Bittle!”

“Yes?” Bitty agrees, eyebrows drawing together. He’s usually pretty good with faces, but he doesn’t think he’s seen this guy in any of his classes. Maybe a hockey fan. Still -- Bitty’s mother brought him up right, and he’s resolved to stick to his manners even if he now lives in a frat house. Someone with malicious intentions, he rationalizes to himself, wouldn't knock before entering. “Hi. Wouldya like to come in? I’m afraid our oven’s down, so I don’t have much to offer in terms of baked goods --”

“Oh, no, that won’t be necessary!” The man dismisses quickly, his smile not waning any; it’s hard not to eye it suspiciously. Absently, Bitty can make out the sound of feet shuffling, which presumably means the boys are crowding together behind him to peer curiously at the stranger on their doorstep. “I’m from The Swallow, I’m here to deliver a message for you. And Jack Zimmermann, but I’m sure you can pass it on. Our annual Samwell Awards issue is coming out early next month, as you know --”

“Sure,” Bitty confirms politely, although he’s never heard of the thing until about two minutes ago. There’s no sense in getting the man down.

“-- and we wanted your response on the win. We do that for the real popular categories. If you want to draft a short statement, you can reply to the email we sent you two --”

“I’m sorry,” Bitty cuts him off, maintaining a carefully polite tone. He hasn’t checked his email since the previous night, too preoccupied with avoiding his American Publics essay and fretting over Betsy. Somewhere behind him there are more heavy footsteps coming down the stairs and one of the boys whispers excitedly, Bitty won a Samwell Award!, though he’s not sure which. “What win? Who’s you two?”

“Oh,” the Swallow guy blinks, obviously taken aback. His smile doesn’t completely disappear but thankfully thins a little bit, at last stretching over less than two thirds of his face. He looks marginally less maniacal like this, Bitty thinks uncharitably. “You and Jack Zimmermann?”

There’s another shuffle of feet. Bitty turns his head to catch Jack pushing Shitty aside, coming to stand a step behind Bitty’s right shoulder. Bitty hasn’t seen him since they got back from Superberry and Jack headed upstairs to study, chirping Bitty for not doing the same all the while. He’s taken his thin fleece jacket off since, and the soft V-neck he’s had underneath clings to his biceps, to the shape of his pecs. His hair is messy, the smell of his aftershave hasn’t faded yet, and his palm rests lightly between Bitty’s shoulder blades to keep his balance in the narrow, crammed doorway. Bitty’s stomach jumps at the sight of him and he can feel a reflexive smile tugging at his lips. It’s an uncontrollable reaction to Jack’s presence, no matter how many times Bitty’s seen him that day. Good gracious, but it’s plumb pathetic.

Jack is oblivious to Bitty’s eyes on him, too busy frowning at the Swallow guy from above Bitty’s head. “What is this about?”

The guy’s expression is clearly confused, despite the upturned mouth in his creasing face. His eyes survey the huddled group in front of him searchingly, as if waiting for them to catch up. When no one adds anything his smile drops entirely and he says: “You guys won Cutest Couple!”

Time seems to slow down while Bitty’s mind stomps on an emergency break and short-circuits completely. He knows things are happening in the backdrop, can hear someone behind him, probably Holster, choking really loudly on their spit, but none of it truly registers.

The Swallow guy is frowning now, looking completely baffled as to why they’re not enthused at the news. “Seriously, did you not get the email?”

“We. What?” is the only thing Bitty manages weakly. Whatever smile was on his face is thoroughly wiped off now. His heartbeat begins pounding in his ears, drowning out any further background noise under its heavy thrumming. From the brief glance he braves, Jack is not coping much better. His mouth is opening and closing silently.

"Yeah!” The guy recovers, apparently blind to the catastrophe he’s inadvertently causing. “I mean, I’ll be honest, some of the staff was like, ‘enough with the fucking hockey team’, and Khalil and Sara who did that awesome Halloween costume, they came really close -- but I was totally on your side. Anyway, the draft should be in your inboxes. We’d like to have your response in the next couple of days so we can start running it. The more romantic and gooey the better, of course. Thank you!"

He smiles and then skips down the stairs before Bitty’s brain fully catches up with what has just occurred on his front porch. He can barely grasp at tail ends of thoughts before they slip away from him, disappearing in a cloudy daze of absolute horror. His pulse is still racing and his fingers, wrapped around the door handle, are trembling.

Behind him, Ransom makes a slow wheezy sound and then descends into hysterical laughter. Bitty’s feeling rather hysterical himself, actually, but he’s not in the mood for laughing at all.

“Can’t believe it’s another year we didn’t win Best Party,” Holster mopes back in the kitchen, sprawled out spread-legged in a chair with his arms crossed over his chest. “It’s because of Alpha Sigma Phi and their fucking tropical Christmas party, I know it, Rans, I can feel it in my booze bones. Like, okay, they served drinks in real coconuts while bare-ass naked in twenty degrees, so what."

Ransom reaches out to give him a consolatory clap on the back. "We've always got next year, bro. Our names will appear on the holy Swallow pages, I promise."

“You’re right,” Holster sighs rather dramatically, sagging down a few extra inches in the chair. “We mustn’t despair. I’ve already bookmarked some ideas -- think we can keep live parrots in the Haus? Only for a few hours!”

“What I would like to know,” Shitty muses, stroking his mustache between two fingers while looking from Jack to Bitty’s flaming face and back again, “is who the fuck is their source. I mean, no offence, Bits, but if anybody is going to be Jackie’s fake-ass boytoy I call double fucking dibs and I’m willing to fight you on it.” He then considers it for a split second longer and says, “Or negotiate with food, honestly, I’m amendable.”

“Cooking is a touchy subject right now,” Dex mumbles from his perch by the counter, away from the cluster of boys that’s spread out at the table.

Dex looks like Bitty feels, actually: like he’s seriously regretting being present in this instance, and is looking for any excuse to make a quick escape. Or -- maybe only partially how Bitty feels, anyway. There’s another whole side of Bitty that’s feeling like there’s a vacuum in his chest, a ringing in his ears, a voice in his mind whispering, they know, they all know, Jack knows and he hates you for it.

Bitty has been studiously avoiding Jack’s face since they all withdrew from the door. He’s convinced that his feelings are written all over his face, pining daydreams altering his features and sappy midnight fantasies painting his cheeks bright red. He’s sure that one look in his eyes would give away every guilty thought he’s had since November, so he determinedly keeps his head down. Only, then Jack clears his throat and Bitty can’t help but spring his eyes up to look at him -- like a moth drawn to the flame that’d inevitably scorch it.

"Well, whatever is the misunderstanding, obviously they can't actually run that, Bittle. I mean, because. Hockey, and." His eyebrows do something complicated that Bitty cannot bring himself to study too closely.

The words hit like a two-hundred pound flour bag dropped on Bitty’s chest, weighing him down into the floor. Bitty tries to swallow, fails, tries again. His throat still grates like it’s made of raw sandpaper when he speaks.

"Right, no, of course," there’s this horrible sinking in his gut, a phantom sensation of freefalling that tastes like acid when it reaches the back of his tongue. "Of course, Jack. I know that. The last thing you need right now is --" he finally swallows past the lump in his throat, drops his eyes to watch his toes curl inside his shoes and dent the fabric upwards. “-- rumors about the gay kid on your team.”

Shitty says, “Bitty,” with a sharp edge in his tone, and when Bitty looks up Jack looks like he’s been struck.

"Hold on, Bittle, that's --"

“It’s okay, Jack!” Bitty makes a valiant effort to smile reassuringly. His chest is growing tighter and tighter, and he really can’t handle hearing Jack’s explanation right now. He feels like he’s shaking all over, like more and more words are being rattled out of his mouth without his permission. “I mean, it’s utterly ridiculous, but that’s The Swallow for you, I ‘spose. We’ll tell them it’s nonsense before anyone in the league catches wind of it. I’m sorry I even put your career at risk like that, honestly.”

“Bittle,” Jack says again, more firmly. He looks almost angry.

Holster’s stunned look is flickering between the two of them, and Bitty can feel the humiliation crawling up the back of his neck. He thinks that if he stays sitting in the kitchen any longer the boys might actually hear the splintering sounds his heart is making in his chest. Or he might start crying, whichever comes first.

“Don’t worry about it, really,” Bitty forces himself out of his chair, squeezes Jack’s elbow in passing for good measure, even though bringing his hands anywhere near Jack feels like torture. He doesn’t want Jack to feel guilty about this -- it’s not his fault. “It’s fine. I gotta go, I’m meeting Prof. Atley, but we’ll talk about it later, okay?”

He bolts out of the kitchen and rushes down the hall. The last thing he hears is Ransom saying, “Dude, I’m pretty sure his meeting with her was like, four hours ago,” before the Haus door slams shut behind him.

The worst part is, Bitty knows Jack is straight.

Jack dates 50 Most girls from the tennis team, he takes ladies in tall heels to Screw, he brings puck bunnies to his room during kegsters. Or -- that turned out, actually, to be not all that true after all -- but.

Jack is straight. Bitty knew this all along. Bitty knew this and still let his foolish, stubborn heart say, maybe. Bitty saw Jack laughing at his weak chirps, and looking at him sometimes when Bitty was turned away, and there was that party, with Parse, and Bitty’s blood was rushing in his ears and he tried so hard not to listen, but they almost looked like they -- and Bitty thought, maybe --

But Jack wasn’t. Of course not. And Bitty knows it’s so unfair and so unjustified that he’s allowing himself to be mad about Jack’s words. Because these boys accept Bitty for who he is, have never shied away from him, have always been comfortable with his presence in their lives and their house and their locker room, and that’s not something to be taken for granted. It’s not their fault that they’re straight and that’s easier, not their fault that Jack’s straight and Bitty can’t bring himself to let go. Besides, something like this, it could wreck Jack's career even if it were true, and it isn't, so of course Jack would want it gone. It's not personal, Bitty knows. He has no reason to be so hurt.

Except maybe it stings a little, how untrue it really is. Maybe it burns a little inside to know that other people see what he sees, what he wishes were true, and still know that he can never have that for real. And maybe it hurts, that Jack can so easily make the article go away and never deal with those rumors again, because it's simply not true about him, but it will always be true about Bitty. Maybe he’s tired of how he will always have to fight for his place while people like Jack Zimmermann can walk right in.

Maybe.

But none of it is Jack's fault. Because Jack is straight, and Bitty isn’t, and he’s gone and fallen in love with him anyway.

Breakfast with only Lardo and Jack is a quiet affair the next morning. Habit has them settled down at the team’s usual long table, but they take up significantly less space just the three of them. Bitty is surprised by the two empty seats remaining to each side of them despite the crowded dining hall, but considers that maybe the Samwell population knows whose seats are available and aren't willing to risk it.

Lardo is chewing her toast silently by Bitty's side, oversized hoodie draped over most of her face. Jack is sitting across from them, peeling the shells off a pile of hard-boiled eggs. His body is curved in a stiff line over his plate and his elbows are tucked in close to his sides. He keeps sneaking glances at Bitty every few minutes, looking torn; Bitty busies himself with spooning exactly three banana slices in every dip into his oatmeal bowl, keeps hurriedly shoving them into his mouth every time Jack looks like maybe he’s going to actually say something.

Bitty spent the majority of the previous night hiding out in a quiet corner of Norris library, binging episodes of The Great British Bake Off on his phone. When he ultimately found the courage to come back to the Haus, he power-walked straight into his room and didn’t venture out for anything more than brushing his teeth. The walls in the Haus are thin, however, and he could still hear Jack in his own room through the closed doors, speaking on the phone with his father in brisk French. They didn't exactly sound angry, but Bitty had unintentionally overheard enough of Jack’s phone conversations to recognize Jack’s business tone easily.

Jack’s lawyer had sent The Swallow a sternly phrased email first thing that morning -- for formality, Jack informed Bitty when the two of them left the Haus for breakfast with Lardo. His hands were tucked deep in his pockets and his eyes were hidden beneath the bill of his Habs cap. He kept his body angled away from Bitty, maintaining a careful six feet between them, and Bitty’s whole body ached like he’d spent the night playing consecutive shifts instead of tossing and turning in his bed. It was the only time they’ve acknowledged the Swallow article since the previous afternoon. Bitty changed the subject immediately after, and prattled meaninglessly the whole way to Commons.

The three of them separate after breakfast, Lardo heading for the studio and Jack and Bitty for their respective classes. Bitty spends most of his spare noon hours trying to do work in the kitchen, but he steals longing glimpses at Betsy more often than he does the reading for US Intellectual HIST or the darn American Publics essay he still hasn’t started.

This day needs an assist, he justifies when he eventually deserts his open notes on the table in favor of hunting down a clean towel. Polishing dishes is a more effective way to escape his blues. Maybe he’ll make some jam -- that doesn’t require a working oven, and it’d be a longer-term distraction from the mess he’s landed in.

Jack’s lawyer's actions in mind, the knock on the Haus door doesn’t really surprise Bitty. He can’t help the way his body tenses at the sound, though; the blood rushing through his body is too much like the terrible lightheadedness he experiences when checked.

Jack comes down the stairs, taking them two at a time, and grinds to a halt when he sees Bitty leaning against the wall at the entrance to the kitchen and staring at the door.

“It’s probably the Swallow rep,” Jack states the obvious, voice completely monotonous and face blank.

Bitty's gut lurches. He tries his very best, but he’s certain that his smile looks even more put-on than it was the day before.

“We should probably go get it, then,” he says. He keeps his hands wrapped in the dish towel as they move to open the door, to have something to do with them and to cover up the way they’re shaking.

The guy standing on the bottom of their stairs is the same one from yesterday. His loose printed shirt is somehow even uglier than the plaid vest, but this time no smile is taking up the majority of his face. In fact, he isn’t smiling at all; he kind of looks like he’s been sent to the gallows and couldn't beg out of his sentence.

“We've been informed that a mistake was made,” the guy says promptly, glancing between the two of them. Everything about his face and his body language appears cautious.

“Yes,” Jack confirms firmly. The guy blinks in sync with Bitty, both of them waiting to see if Jack has any intention to follow that statement with an explanation, but none seems imminent.

“We understand that it’s an honest mistake and we just want it scrapped," Bitty says instead, trying to keep his voice from betraying any emotion, even when his vocal cords are wound tight. "We can't be the cutest couple if we're not -- if we're not."

“You talked to your lawyer,” the guy says faintly. Bitty's not sure that he actually heard a word of what was said. He keeps eyeing Jack’s rigid posture and bulging muscles like he’s afraid that he’s going to be dragged into a fist fight right there on the lawn.

“It’s a legal matter,” Jack replies curtly, frowning.

“No one ever sent his lawyer after us,” the guy says, fainter still. “It’s just The Swallow, man.”

Jack's frown deepens. He’s wearing his hockey face, mouth pinched and eye narrowed, every angle of his face turning sharper. He looks serious, assertive, like he’s getting ready to step out on the ice for the puck drop. Bitty’s heart hurts so badly looking at him that he has to turn away. His eyes, mid-movement, catch on three faces eavesdropping from behind the living room’s doorway. He just barely suppresses a heavy sigh.

"-- you’d be spreading misinformation with unwelcome consequences,” Jack is talking, apparently, and Bitty tuned out most of it. “So you understand why we need you to retract that immediately and delete all further copies."

"Yes," the guy nods tentatively, eyes jerking in Bitty’s direction and then immediately back to Jack. "I'm -- sorry? We really thought you were --"

"Well we ain't," Bitty says, wringing the towel in his hands to hinder an uncommon urge to break something with them.

"Yes, I -- I understand," the guy seems as spooked by Bitty now, contemplating him and the towel as warily as he did Jack. "But we --"

"And I've got a date!" Bitty blurts, before he can hold his tongue from making his situation worse. Shitty whispers, the fuck, brah?, loud enough to carry all the way to the front door. "A date! With. Someone else, obviously, who is very much not Jack Zimmermann, so if you could -- make it go away -- good heavens this could be embarrassing for my date --"

"Of course,” the guy is nodding more vigorously now, head bouncing much like a dashboard bobblehead. He takes a cautious step back. “We're, uh, sorry. We’ll take care of it."

The guy retreats from the porch, glancing back every few steps as he hastens down the sidewalk.

Jack shuts the door behind them when they step back inside, and has to move closer to Bitty to allow the door to close. It brings his arm flush with Bitty’s back, solid and warm through the thin fabric of his shirt.

Bitty’s breath catches. His look flits sideways to watch Jack’s face twist into something Bitty hasn’t seen since the playoffs last year. He really felt like Jack and him were getting steadily closer throughout the year, considers Jack one of his closest friends, but he doesn’t think he’s imagining the distance between them in the last twenty-four hours. It’s more painful than the verbal confirmation that Jack will never like him back was. It’s painful that Bitty’s been shoving his feelings so far down to avoid this very outcome, only to have it blow up in his face through no fault of his own.

"What's that now!” Holster’s booming voice snaps Bitty out of his brooding, and he jerks his eyes up to see that Ransom, Shitty and Holster have crawled out of their eavesdropping spot and are blocking the hallway. “You've got a what and didn't tell us!"

“It’s not a big deal, y’all,” Bitty mumbles, mortified at how much he’s really not lying at all. He slinks away from Jack’s touch, tries to at least be subtle about it. Jack's expression is shuttering further with every moment that passes and Bitty is feeling irrationally miserable about it.

“Is too, Bits!” Ransom claps him on the shoulder excitedly, shaking his entire frame. "You know you gotta tell us all about it, we get veto rights! Is he hot? What's his name? Is he going to be your shoulders for Spring C?"

Bitty’s lousy day has only been getting progressively worse, which he thinks validates the way he bristles and knocks Ransom's hand off his shoulder. "I am average height, Justin Oluransi!"

So it's not -- really a date.

Anthony from his Eating Practices Since the 19th Century course, who sits two seats away from Bitty and always forgets to bring a pen, caught up with him after class and offered to study together. Bitty’s doing alright in that course, but Anthony is smart and friendly and it’s a good incentive to actually get some work done before finals, so Bitty smiled and said yes. He didn’t think a few days later he’d be lying about it to his friends.

They meet outside Annie’s because Anthony preferred it to Founder’s, which Bitty didn’t mind. He was a little embarrassed about how the librarians might react to the sight of his face. They, unlike some others, don’t have a problem believing he’s a member of the Men’s Hockey Team, and the treatment earned by his teammates’ behavior extends to him.

Ransom wouldn’t let him leave the Haus until his outfit has been appraised, which means he’s maybe a little overdressed for a platonic study date -- but Anthony is in nice jeans and wearing neither a team logo shirt nor a marijuana crop top, so he’s already setting the bar higher than Bitty’s usual company.

"After you," Anthony beams, opening the door for Bitty. It’s awfully nice of him. Maybe Bitty should consider running cotillion classes for his boys before graduation.

It’s easier to revert to his sunny nature in the company of someone new. Anthony keeps up chatter about the last subjects they covered in class, relates to Bitty’s chronic procrastination tendencies, and even insists on paying for both of their drinks. Bitty tries to refuse, instantly dejected by the stark reminder of coffee runs with Jack, but Anthony argues that they’d probably refill several times and Bitty can get the next one. His winning smile is so convincing that Bitty can’t find it in himself to say no.

It happens again when Bitty begins leading them to a larger table in the middle of the café where they’ll have more room to spread out. Anthony points at a table by the windows instead, says, “There, it’ll be quieter,” and Bitty instinctively thinks, those are the windows Jack and I always sit by. He then thinks, good Lord, ERB, get a hold of yourself, and agrees. There’s not much point in attending a study date if he’ll be constantly thinking about Jack Zimmermann.

They spread out all their notes and laptops and books, settling on both sides of the small, round table. Anthony drinks his coffee extra hot and the steam fogs up his glasses, which causes Bitty to laugh and Anthony to grin sheepishly. It sets a good mood for their joint studying.

They work decently well together. Anthony's been more diligent with his schoolwork but Bitty is a faster reader than him, so they catch up with each other fairly quickly and proceed from there. Bitty finds it fun, partnering with someone who doesn’t consider violent food breaks an essential part of studying, and enjoys having somebody to complain about the professor with. The two of them are just starting on technological advances at the end of the century when Bitty’s shoulders fully loosen for the first time in three days and he thinks: this is going well, this is nice, maybe we can do this more often.

This is also the exact point he looks up to tell Anthony about Louis Pasteur and catches Holster and Ransom spying on him from outside Annie’s front window.

His knee-jerk response is uncontainable: he groans out loud. Anthony seems alarmed, twisting in his chair to look over his shoulder and detect what Bitty’s glaring at. Ransom, who clearly knows they’ve been caught, looks directly at Anthony with a deliberately threatening face, pointing two fingers at his eyes, then at Anthony, and back at his eyes.

Anthony makes a confused face into his mug and says, "Um."

"Gosh, I am so sorry," Bitty drops his face into his palms, trying to smother the waves of heat rushing to his cheeks. "It's my teammates -- they have no boundaries and they -- gracious, they think this is a date --"

Anthony swallows a mouthful of coffee too quickly before he sets his mug on the table. "Oh, uh. Do you… not think this is a date?"

Bitty lets his hands fall into his lap. His eyes dart to where Holster and Ransom are waving their thumbs up in the air as they mercifully walk away from the window and then back to Anthony, whose face is unmoving. "...What?"

The top of Anthony's cheeks pink, and he adjusts the glasses on his nose with a knuckle. "I... totally asked you meaning this to be a date."

"Oh," Bitty exhales numbly. Oh, butter my butt and call me a biscuit, he thinks, and then opens his mouth to say something to Anthony -- anything at all, because the poor boy is starting to squirm in his chair -- but all his words seem to get stubbornly stuck behind his teeth.

Because Anthony is perfectly nice. He’s mild-mannered, has a pleasant smile, and he's made Bitty laugh in class a few times when the professor wasn't looking. He's sitting across from Bitty with his hands twitching on top of the table, like Bitty's answer on the matter of their date is important to him. Like he would actually really like it to be one, so he found the courage to ask.

"Oh boy, I really didn't realize," Bitty confesses, finally, clutching his coffee tightly between his fingers. He's never thought he'd be this bad at this, but apparently he's just completely and entirely blind to anyone's affections as long as anyone isn't Jack Zimmermann. And now he made this difficult for both Anthony and himself.

"That's okay," Anthony says, clearing his throat. His lips quirk up in some intimation of a smile, which is, while still very pleasant to look at, much less genuine than his usual smile. "No, really, it's cool. My fault for not being clearer. We can -- I can go and order a refill for this coffee, and when I'm back we'll forget about it? We still have work left to do." He drags his legs out from beneath the table, turning sideways in his seat, before he risks another look at Bitty. "Unless you --? I mean, now that you -- realize -- would you want it to be…?"

The answer to that, Bitty thinks regretfully, is too complex for an acquaintance. Because how does one say, you're very nice and I imagine liking you could be very easy, but I've never dated in my life and right as I thought maybe I'd give it a try, I went and fell head over heels for a grumpy, kind-hearted, heterosexual Canadian?

One doesn't, Bitty reckons, but one also cannot keep waiting forever for something that will never, ever come. So he straightens his back and says, with his best Georgia smile, "Well, how about we carry on studyin’, and maybe we'll see how things go?"

It's a little more strained after that, but that's more Bitty's fault than anything. Anthony is still as perfectly polite as he was before, as focused on the reading. It's just that now every time Anthony smiles at him Bitty freezes, and then feels guilty for freezing, and gets mad at himself for not giving this a fighting chance, and by then he's not smiling back for so long that Anthony's smile shrinks, and Bitty feels even guiltier --

"Look," Anthony tells him after they packed everything back into their bags and walked companionably outside. "This hasn't been ideal, but I still had a good time. I'd like to maybe -- do it again?" Anthony smiles genuinely this time, and his smile is so pleasant, and he tilts his head the slightest bit closer to say, "As an official date this time?", and --

This is the second time Bitty freaks out about a very nice boy leaning in to possibly kiss him at Annie's, and it's exactly as mortifying as the first.

Bitty jumps back painfully obviously, as startled himself by his physical reaction as Anthony clearly is. He's blushing fiercely when he stammers, "Oh -- I -- I don't think it'll work out, I'm so -- I'm so sorry --" turns around, almost breaking into a run, and calls out, "I'll bake you a pie!"

The corners of Bitty’s eyes begin to burn, indicating the impending shameful tears. He’s terribly upset with himself for his reaction, but he’d be even more upset if he allowed himself to cry over it, so he makes the effort to blink furiously the entire way home.

The team gathers to eat dinner together that night. Bitty’s still a little vulnerable in the aftermath of his failed study date, but he does his best to hide it, pushing himself to be cheerful and revel in quality time with his boys. It’s easier when Ransom spends most of the walk to the dining hall engaging him in a conversation about wild alien conspiracies. It’s harder when Shitty and Holster join forces to cajole him into giving deets, and don’t take his, “Oh good Lord, there’s nothing to talk about!” as an acceptable answer. Telling them the truth is not an option -- they’re his best friends, but they would absolutely, no question about it, chirp him to death, and he’s really not in the right mood to take it good-naturedly.

Bitty’s surprised when it’s Jack who eventually tells them to knock it off, shoving Holster’s shoulder to force his way into sitting between him and Bitty at the table. Holster topples sideways into Nursey, and Jack seizes the vacated space and grants Bitty a miniature triumphant smile.

Jack’s dour mood had persisted through yesterday and during their walk over, but Bitty’s been watching him gradually thaw ever since they arrived at Commons; this smile is the first true, earnest one in days, and it melts Bitty on the inside. He’s immensely relieved that at least their friendship isn’t ruined, that the past few days have only been an unfortunate bump in an otherwise smooth road. Bitty tries to cling on to that, use it to move forward from the raincloud lingering over him since his afternoon with Anthony.

A baby-faced freshman approaches their table while Chowder is telling them about a text conversation with his sister. Bitty has his phone out before anyone else even reacts -- the nervous look in the kid’s face is enough warning, and he’s not disappointed; the kid zeroes in on Jack and asks for a signature on his Samwell jersey. There is absolute silence at the table while Jack surrenders to his inescapable fate and pulls out a pen. He then ducks his head and hangs on to that pen once the kid is out of earshot and the boys begin chirping him ruthlessly, yelling loudly enough to rattle the cutlery.

Bitty’s hiccupping laughter comes as a surprise to himself, but it’s the welcome sort. He directs his smile at his phone while he tweets -- true friends don't care that you're a professional hockey player; true friends ask you to sign their mashed potatoes during dinner -- and when he raises his head Jack is peeking at his screen and grinning at him.

“Not a professional player yet, eh? You can’t go lying to the Twitter.”

Jack is so obviously pleased with himself, white teeth gleaming in his mischievous grin. Bitty's heart soars and then swiftly sinks to the bottom of his stomach. He tries to hang on to the gratitude for what he has, but something in Jack’s voice triggers the memory of it stating, obviously they can't actually run that, and then, consecutively, the memory of Anthony's dumbfounded look when Bitty fled away from him.

Not even Jack's benign chirps or his concerned glances can restore Bitty's uplifted mood after that.

Can’t make it to Founder’s tonight. Sorry! :( :( Raincheck?

The reading room is quieter than the rest of the Haus at night. It's dark out, gray shingles lit only by the lamp inside Bitty's bedroom and the faint glow of the streetlights down the road. Bitty lets his legs dangle from the edge of the roof, cradling a can of Twisted Tea and watching his shoes swing twelve feet above the shadowy green of the lawn.

There's the sound of a creaky window sash sliding up behind him. “Hey, Bittle.”

Bitty turns around. Jack is sitting on the ledge of his windowsill, holding a folded blanket in his lap. It takes a few seconds to blink away the disorientation caused by rumination and beer. “Jack! What’re you doing?”

Jack shrugs. “You said you’re not coming with me to Founder’s, and then you didn’t answer your phone. I wanted to check in.” He holds out the blanket with a modest smile. “Here -- so you won't get cold. Spring is pretty rough on you Southerners, eh?”

Bitty snorts inelegantly at the chirp, but stretches his arm to accept the blanket. He twists back to watch the twinkling Christmas lights on the LAX frat house across the road. They never take those down, and never add any new ones during the holidays. It’s as good a reason as any to hate the lacrosse team.

Jack clears his throat, an obtrusive sound in the relative silence. “Can I -- do you want me to stay? I mean, I can leave if you need some quiet.”

Bitty looks at him from over his shoulder, chin digging into his collarbone. Jack’s face is gentler than Bitty’s seen it in a while, mellowed out by the orange tint of the streetlights, and it’s so unfair. Even when Bitty’s upset about Jack he wants Jack near him, wants to hear Jack’s opinion, wants his straightforward, pragmatic type of advice. He wonders what Jack’s face would look like if Bitty was brave enough to tell him the truth about what’s bothering him. A sardonic laugh almost escapes him at that visual.

“No, you can stay,” Bitty says instead, and then makes a herculean effort to brighten up. “As long as you promise not to prattle on, you chatterbox, you know I like silences.”

The chirp falls flat when Bitty’s cheery façade cracks. Jack swings both legs out the window and slides down to sit by Bitty while Bitty takes another swig out of the can. There’s a lot of space on the roof, two empty lawn chairs on Bitty’s end, but Jack sits right next to him. Bitty’s shoulder knocks into Jack’s bicep and Jack’s thick thigh brushes against his, but Jack doesn’t take any action to inch away.

Bitty collects his knees close to his chest, leans his chin on top of them and continues watching the span of street visible from their roof. Beneath their feet, some couple probably returning from the bars by the river stumble together on the sidewalk, the echo of their giggles drifting up to the reading room. Bitty can’t quite cover his grimace in time to hide it from Jack.

"You're upset," Jack jabs Bitty’s elbow with his own, brow furrowing.

"No!" Bitty objects quickly, hoping his voice is only a lick squeaky. He's not drunk by any means, but the Twisted Tea makes everything a bit fuzzy, softens the world at its fringes. "I'm not upset. It's -- finals are coming up in two weeks, and I've got this essay I haven’t started, and -- you know, Betsy hasn’t been well and what am I gonna do, if I can’t bake to distract myself before the tests --"

"Bittle," Jack cuts him off quietly. Bitty lifts his head off his knees just enough to enable a quick glance; Jack is looking at him, those intense eyes trained on Bitty’s face, making his cheeks flush self-consciously. Jack’s expression is his distinct blend of uncomfortable but determined. "You're upset. Are you -- is it -- your date was this afternoon…?"

Bitty’s blush deepens, and he lays his cheek down to avoid eye contact. "So?"

"So," Jack begins, clumsily, and then shifts his arm so it nudges Bitty’s, fingers curled loosely into his palm. "Did he -- I mean."

It takes Bitty a moment to decipher Jack’s faltering sentence, but -- "Gosh, no," Bitty denies with profound embarrassment once he follows Jack's train of thought. Jack, unable to shake off the role of captain, is assuming some boy hurt him. Bitty doesn’t know how to tell him that he couldn't even get through the date to get hurt how normal people do. "He was a gentleman. If anything, it was me who was on my worst behavior."

Jack doesn’t look convinced. He bumps the back of his curled fingers against Bitty’s thigh. "But you're upset."

Bitty loosens his grip on his knees, keeps the hand not holding the can busy by fiddling with the hem of Jack’s blanket. Jack is both the last and the only person he wants to talk to about this. Bitty’s original plan was to get tipsy enough to fall asleep without thinking his emotions through, and then spend the next day compartmentalizing it away -- but Jack’s presence brings everything to the forefront of his mind, plucks at the tangle in his chest until it unravels.

"Well, because --” he sighs, and the expansion of his lungs must fracture some dam, because the words begin spilling out in long strings of nonsense. “I just -- I came here from Georgia because I thought it’d be different, y’know? I couldn't fit in there, and I know -- you said yourself -- I know it’s not any different here, not really, not in hockey, but outside of hockey it’s Samwell, so at least I could be me, right? But apparently I can't even be that, because I can't manage a simple thing like a date with a cute boy," he stops to take a deep breath, buries his face in the nook between his knees. "And, goodness, I can't believe I'm -- none of this is on you, I'm sorry --"

"Bittle," Jack touches his knee, inches away from his cheek, causing Bitty to look up. Jack doesn’t move his fingers from Bitty’s bare leg after Bitty lifts his head. "Don’t be sorry. It's okay."

Bitty searches Jack’s face. He doesn’t know how to read it, what the tiny microexpressions currently mean, but Jack’s fingers are splayed in the valleys of his joints and there’s something grounding in it. He takes another big breath in an attempt to calm himself down.

"I guess," Bitty whispers, but the turmoil in his chest doesn’t settle, not after he started letting it all out. He can almost picture it surging in him, clawing its way up to his mouth. "But -- is it? Okay? I'm just." He runs a hand through his hair, frustrated with himself, both for feeling so much and for being unable to articulate feelings with the proper words. "I feel like I can't just be me. Because who I am isn't good enough at home, and isn't good enough for hockey, and who I am likes boys but apparently I'm no good at liking them right, or -- the right ones --"

He restrains himself from saying anything incriminating, biting his lip hard enough to taste the metallic flavor of blood.

"You are good enough for hockey," Jack says, stilted. His hand tightens on Bitty’s knee and belatedly pulls away. "You're a strong player, and you did a great job this season. I know we lost, but you still did good. You'll be even better next year."

Bitty exhales sharply, rubs his eyes. He knows Jack; he knows he chose to latch onto hockey because that's something he’s capable of expressing. Telling Bitty he's a good player is something Jack can find words for. Bitty didn’t expect Jack to be the right person to talk through an identity crisis, but it’d be an easier evasion to accept if he wasn’t wrong.

"Jack, no offense, but that's a load of horseshit." Jack is clearly caught off guard, seems to be gearing himself up for retaliation, but Bitty talks right over him. "It is! It is, because I might do alright now -- here -- but if I wanted to go into real hockey, into the league, you think they'd be alright with who I am? You've heard what some guys’ve got to say on the ice, and this isn’t even professional hockey."

"You want to play professionally?" The familiar glint in Jack’s eyes indicates that he’s losing track of the grand scheme of the conversation.

"No! But that's not the point!" Bitty swallows, because it isn't, but getting to the point might as well be impossible with Jack. He can't exactly tell him that he's heartbroken and disappointed in himself and everything looks more bleak from this perspective. He's no better than Jack right now; they’re both afraid to dip their toes into the murky waters of everything Bitty said that isn’t about the game. "I couldn't if I wanted to because of who I am."

"You could," Jack says, looking away, his shoulders tight. The conviction in his voice gets Bitty's attention. Jack really isn’t the most emotive of guys, and it takes a lot to get his voice to change pitch. "The league isn't a very welcoming place, but it's hockey. The whole point is hockey. And if you're good at hockey, they'll just have to accept that -- at some point. It might be hard, but if hockey is what you want, then --" he looks up, catches Bitty's eyes. Jack’s are unfocused, like somehow he forgot Bitty was even there. "I mean -- you said it isn't, but if it was -- all I'm saying is --"

"Sure," Bitty brings the can up to his mouth for another swig, skeptical even in the face of Jack’s unanticipated speech. "I get it. You can play, and all."

"Yes,” Jack insists, turning his upper body towards Bitty. Their knees press together and Jack’s face is suddenly a lot closer than it was before. Bitty has to blink a few times until he can get his pulse under control. “You can. Because you are good enough, Bittle."

They stare at each other, time stretching between them, caught up in the unforeseen gravity of the situation. Bitty can’t really wrap his head around hearing Jack defending him with such vigor, but he knows there’s nothing he can say to argue. That’s Jack’s opinion. He’s never been guilty of handing out compliments he doesn’t believe in.

"Thanks, Jack." Bitty whispers. "'m sorry. It's been a rough day. Sometimes --” He sighs again, bows his head, and musters the last shreds of his courage to be at least a little honest. “I guess sometimes it can get lonely. And it sucked to realize that it's my own fault I'm alone in the first place."

Jack subdues gradually, his shoulders folding inward and the fire in his eyes dying out, leaving room for something much more empathetic than Bitty expected.

"I'm sorry, Bittle." He reaches out to grasp the ball of Bity’s shoulder in his large palm, squeezing it tightly. It’s a friendly gesture of comfort, one the boys in the team offer each other all the time, but Jack’s thumb is absently rubbing small circles on the base of Bitty’s neck and it spreads tingles through his skin.

“It’s alright,” Bitty moves away, smiling, but the words are like dust in his mouth and it isn’t really alright at all. They settle back into sitting side by side, and Bitty notices Jack's fixed eyes on the side of his face, but he doesn’t turn to look.

Friday evening finds Bitty scrambling to complete last-minute assignments before Spring C the next day. He shuts himself away in his room and turns off his phone, tries to make his eyes focus on long lines of text instead of on any creaking noises in the Haus that might provide a distraction. This tactic has failed him more often than not, but for once the Haus is completely empty and any creaking Bitty might hear could only be chalked up to Ransom’s ghosts. Lardo and Shitty are out buying booze for Spring C, Holster is with the frogs, Ransom is at his weekend study group, and Jack has been in Providence with his mother all day, looking at potential apartments, and will be returning later to have dinner with her and her former Department Chair.

Studying is easier when Bitty’s using it to avoid thinking about other things. Lately, since his oven has been acting up, it’s been easy using studying as a distraction from thinking about Jack -- about Jack moving to Providence, about Jack taking the first steps in his adult life away from Bitty and the team. It isn’t a better distraction than watching Say Yes To The Dress with Holster or listening to music with Lardo, but in the absence of all other options, it’s good enough to push Bitty to make his deadlines, even if it’s at the last minute.

Bitty’s laptop emits a sharp ping that alerts him to a new incoming email, and Bitty scrambles up from the floor, almost tripping over two piles of reading material on his way. His room is an absolute mess; papers covering the bedspread and the desk, textbooks spilling from inside his bag onto the floor, pens scattered haphazardly. He’s been reviewing for the HIST test while emailing back and forth with the TA for his American Publics course -- the last three lectures of which he honestly cannot remember, but is somehow expected to write two thousand words for anyway.

The new email in his inbox isn’t from his TA, however. It reads, RE: RE: Your Nomination in the 2015 Samwell Awards, and only contains one line of text, visible in the thread’s preview without Bitty clicking it open. Attached is a confirmation for the removal and termination of the aforementioned article.

Bitty pauses, his essay forgotten, and goes over the subject lines four more times.

Bitty hasn’t read the article. Bitty didn't want to read the article, had convinced himself that he was indifferent and was more interested in putting the whole ludicrous affair behind them. But now he’s incapable of dragging his cursor away from the email’s subject line. He can’t help but want to know what they have to say -- want to know why anyone would mirror his misguided feelings for a close friend.

It can lead to nothing but trouble. Bitty still opens the article file for the first time since the whole mess began on Monday, because he won't have the guts otherwise, but for some masochistic reason he just has to know.

The Samwell Swallow

Vol. 26, Issue 31 | May 2015 | Special Edition | The Samwell Awards

CUTEST COUPLE AWARD: ICE HOCKEY AS A LOVE LANGUAGE

Our most dedicated readers will know that the title of Samwell’s Cutest Couple is highly coveted. Perhaps only second to Dream Date or Biggest Gossip in prestige, this award is one of the greatest honors young Wellie lovebirds can strive for. This year, we’re proud to elect JACK ZIMMERMANN ‘15 and ERIC BITTLE ‘17. We know: enough with the fucking hockey bros. But hear us out.

These unlikely candidates were initially nominated by Zimmermann’s fellow photography class students with an exclusive scoop. Bittle was the subject of Zimmermann’s midterm project! (Awe.) Such a grand romantic gesture could not go overlooked, and we set out to investigate. Copies of Zimmermann’s photos are brought to you here, courtesy of the Department of Visual Art.

[Images: a collage containing a dozen semi-professional photographs, all depicting BITTLE. His character is consistently linked to themes of warmth and light, and is obviously portrayed with great affection.]

We were delighted by what we learned. Observant Wellies report that the two are often seen taking long romantic walks around campus, with Zimmermann’s lens sometimes pointed at the scenery, but more often at his boyfriend. Sources at Annie’s, the local café, tell The Swallow that, “Yeah, they’ve been like, coming here at least two or three times a week this year? There’s their table [points at a secluded window table in the corner]. The tall guy always pays -- what? No, they’re almost always alone. Except this one time that they were here with this other couple? I don’t know, man, I see lots of people on dates, but these guys kinda stand out. They’re always giggling with each other, it’s ridiculous. And loud.”

Our research yielded clear results: service staff at Samwell’s Jerry’s, Superberry and Stop&Shop have gone on record with similar statements; students who shared a class with the two disclose that their constant whispering and flirting have been impossible to ignore; even the janitor at Faber Memorial Rink reports that current team captain and fellow liney spend every weekend skating alone as they watch the sun rise, while no practice is scheduled! It’s official - Bittle and Zimmermann are, indeed, 2015’s Cutest Couple.

[Image: BITTLE and ZIMMERMANN at the Samwell Men’s Hockey Team’s #Epickegster this winter. The two are standing very close in the midst of what appears to be an intimate conversation, leaning towards each other under a bag of free condoms. Text under image reads: Our staffers report that the two then disappeared upstairs while the party was still in full swing. Get it, boys!]

Bitty spends a long, breathless moment staring at the screen with unseeing eyes.

It’s like an out of body experience. Bitty can’t feel the tips of his fingers, can’t feel his toes. He can’t lift his hand to ram the laptop lid shut so his eyes are still glued to the block of text, words blurring together into a solid sheet of gray. His mind keeps losing footing, coherent thoughts cutting off before they can run their course, parts of sentences jamming into one long sequence -- grand romantic gesture, long walks, whispering and flirting -- that plays over and over. Distantly, he’s aware that there are stray tears in the corner of his eyes, but he’s too disconnected from his limbs to do something about it.

People look, he thinks, brain stuttering over the realization, pushing itself out of its shock, people look and see -- people look at the two of us and what they see is --

A loud noise behind his back scares the living daylight out of him, enough to send him spinning on the chair. The door to his bedroom swings open, nearly banging against the wall with the strength of its motion. Behind it is Jack, standing in the doorway with his eyes blown wide and his face pale, looking like he's seen a ghost; panting for breath like he ran a marathon to get there.

Bitty nearly collapses out of his chair, stumbling over the papers on the floor to step closer, arms reaching out automatically. “Jack -- what --? Is everything alright? Aren’t you supposed to be with your mom --?”

“Bitty,” Jack breathes out, unsteady, and then tumbles further into the room. His hair is disheveled and his buttoned shirt is smeared with stains of sweat, and Bitty’s brain is still coming back online but he’s suddenly overcome with how handsome Jack still is, even like this.

And then Jack takes a lengthy step forward right into Bitty’s space, his body enveloping Bitty’s and his broad palms cupping Bitty’s burning cheeks, and tips Bitty’s mouth into his.

Bitty’s eyes remain wide open for one paralyzed split second, taking in the sight of Jack’s dark eyelashes and sculpted brow bone from extreme up close, and then Jack’s lips move and Bitty’s eyelids flutter closed, melting into the unfamiliar action.

Jack's mouth is as soft as Bitty imagined, as hot, velvety lips sliding against Bitty's and catching on the dip of his cupid’s bow. Bitty’s mind keeps up a remote chant of oh my god, Jack is kissing me, oh god, what is happening, before that too is silenced by the thrill of Jack’s mouth parting against his, deepening the kiss, and then everything goes blessedly silent.

An undetermined amount of time later, Jack’s phone begins buzzing insistently; Bitty can feel the vibrations from where his hip is aligned with Jack’s. Jack ignores it, separating their lips to angle his head in the other direction and suck Bitty’s bottom lip into his mouth, tongue wet and tentative. His phone buzzes again, though, and subsequently two times more, and then Jack finally sighs into Bitty’s mouth.

“That’s my mom,” he says quietly, breaking their mouths barely far enough apart to speak. His lower lip is shining with spit and Bitty feels faint, needs to sit down before he falls over, needs to step back before he sinks his teeth into it impulsively. “She’s waiting for me...”

“Oh,” Bitty says. His voice sounds like it’s coming from very far away. He has so many things he wants to say -- what the hell, and what does this mean, and but aren’t you, and stay, stay, don’t go -- yet the only sounds his mouth can apparently make are, “Uh. Okay.”

“We have this… dinner…” Jack continues, and his eyes are so blue and his lips are so red and his cheeks are so pink, and Bitty thinks that maybe this is a very vivid stress-induced hallucination, and also thinks that he wouldn’t mind hallucinating a little longer. “I gotta go, but I’ll -- I’ll be back.”

“Okay,” Bitty says again, even though he’s not sure it is. He’s pretty sure, actually, that once Jack exits the door of his bedroom this spell will break like at Cinderella’s midnight clock strike, and Jack will return from dinner with his mother still painfully perfect, and still painfully straight, and still so, so far out of Bitty’s reach.

Jack backs up towards the door, eyes lingering on Bitty as his hands drift down Bitty’s arms. “I’ll be back,” he repeats, although Bitty’s not any more convinced, and then he takes his hands away and fumbles blindly for the doorknob, slips out into the hallway from whence he came.

Bitty hears his breaths shallow into nothing more than gasps of air, and promptly crumples backwards onto his chair.

Bitty spends the entire time Jack is absent slowly going out of his mind.

Once the shock passes and the fogginess clouding his thoughts clears, all he can do is think: think about Jack kissing him, and the lovely shape of his mouth, and the bewitched look on his face; wonder how the hell it happened, and why, and what it even means. He conjures a dozen, a hundred versions of what transpired to bring Jack to his door, and even more of what would happen if he does indeed come back.

Bitty paces back and forth across his room, unable to focus or hold onto any one scenario for more than a few seconds. His heart beats so fast for so long that it develops into nausea; he continues pacing while clutching his stomach and praying that he won’t throw up, because he doesn’t think he’d survive that kind of embarrassing memory.

Shitty and Lardo come back at some point, stoned and bearing three bags of sour worms. They squint at his messy room but don't comment on the condition of his hair or his shaky limbs, kindly offer him some sour worms and the opportunity for contact-high in Shitty’s room. They back off and close the door as soon as they see the look on his face. Bitty runs his hand through his hair one more time when he tries to imagine what his face must look like to successfully scare them away.

A long while later there are footsteps in the hallway outside his door. Bitty braces himself to tell Holster or Ransom or, god, Chowder that he’s busy right now. He tries to remind himself that he loves them even when he's in a state, and sits down on the bed to tell them that he isn’t feeling well -- except then the door opens, and it’s Jack standing in the doorway.

Bitty’s heart jumps, somersaults, and plummets all in the space of one millisecond, as he stands up abruptly from the bed and stares, openmouthed.

Jack doesn’t look as rumpled as he did earlier. His collar is adjusted neatly and the tails of his shirt are tucked and smoothed into his pants, but his face is a rich shade of pink and he’s clenching and unclenching his fists by his side. He seems so awkward, standing there, that Bitty’s continuous state of panic morphs into a different chaotic mess of confusion and affection, all while Jack does nothing but stare at him.

“How was dinner?” Bitty squeaks out, eventually, when it’s clear that Jack’s not going to speak anytime soon.

Jack looks like Bitty has veered off script unexpectedly. His eyes widen and he clenches his fists and then releases them again, compulsively. “Eh -- good, good.” Bitty nods. There’s a long stretch of silence neither of them fills. Jack inhales and says, right when Bitty is sure that his heart is sincerely going to beat out of his darn chest, “I. Bittle. About earlier.”

The color in his face deepens further but Bitty can’t tell what that means, if he’s already regretting what he’s done or if he’s just tripping over his own emotions like Bitty is. “You should -- the door,” he stutters, because whether he’s going to be kissed again or be let down gently, he’d rather do it without an audience. Jack looks at him like he spoke in a cryptic foreign language, so Bitty forces out, blushing to the roots of his hair, “Come in and shut the door, Zimmermann.”

“Oh -- shit, ouais,” Jack jostles into action, stepping away from the threshold and kicking the door shut after him. It’s the first time Bitty has seen him move with anything other than practiced poise.

Bitty’s room isn’t very large, and with the door closed the atmosphere in it quickly shifts. There’s an inherent intimacy in the short gap between their bodies that heightens in a small, enclosed space, and Bitty can feel his body heat rise and spread to his palms and his face as a result of it.

It’s unsettling, and Bitty suspects that he could grow to crave it, but not as long as he has no idea what is going on. “Jack --”

Jack interrupts him, keeping his eyes on the floor. “Wait, Bittle, listen. I -- it’s really important that you know that you shouldn't feel obligated.”

There are maybe a hundred thousand things that could’ve come out of Jack’s mouth after Bittle, listen, and Bitty spent two and a half hours imagining a good deal of them. Telling Bitty that he shouldn’t feel obligated is so perplexing that Bitty’s too wrongfooted to protest, and Jack carries on speaking. “I know as team captain I have a certain amount of authority and I didn’t even -- think about that, before, which is really wrong --”

Bitty squints, slowly gaining a renewed grasp on this bizarre situation. The only thing he manages to think with clarity, through the storm brewing in his chest, is, You doofus, what on earth are you talking about. “Jack. The season is over."

"Right," Jack shoves his hands in his pockets, squares his shoulders. "But -- still. Technically we kept up with a.m. practices even after the playoffs, so."

Because you are an insane person, Bitty thinks to himself, coming to terms with the fact that the tone of his thoughts is on a scale ranging between neurotic and cloyingly smitten. He opens his mouth, not sure what’s going to come out of it, but Jack keeps talking without pause.

"Anyway, the NCAA allows intra-team dating but doesn't say anything about involvement with captains. I checked."

This bowls Bitty over, a new wave of warmth rushing to his cheeks. "You checked?"

There's a sheen of what can only be nervous sweat above Jack's upper lip that shines under the glaring ceiling light. “It’s only thirty pages.”

Bitty feels lightheaded again, as he allows himself to consider for the first time that evening, with some measure of possibility, that Jack Zimmermann in fact came into his room and kissed the right sense out of him with the intention to date him. It’s almost too much to consider, making him weak at the knees. He grabs the edge of his desk to be on the safe side.

“You -- I -- dear god, what is even happening? What brought this on?” Because they’ve been spending -- well, they’ve spent almost every waking moment together this semester, excluding this odd week since the damned Swallow article. Jack had plenty of opportunity to confess his feelings had he possessed any, and the best time certainly wasn’t while his mother was waiting for him downstairs to go to a formal dinner.

“Well, I,” Jack stammers, dropping his chin to his chest. His ears are bright red, dark enough to be seen from a few feet away, and Bitty is enchanted by it. “I didn’t know, but. I read the stupid thing in the car because I couldn’t -- my mom said -- I kept thinking about you in every kitchen that we looked at, and I…”

Bitty can feel his eyes widen, his organs flipping over inside him. "You… did?"

Jack lifts his head, and when the two of them finally make eye contact it zings through Bitty’s body. "Yes. I mean, I guess it’s hard not to. If you're not on ice, you're baking, Bittle. Or tweeting. Or baking and tweeting."

He winces as soon the words are out of his mouth, and Bitty can’t help it: he bursts out in laughter, high-pitched and giddy. This boy, Bitty marvels, and euphoria spreads like thick cotton candy in his chest, making it hard to speak; to breathe.

Jack’s face still looks vaguely horrified, like he’s regretting ever opening his mouth. "Crisse, sorry, it's not -- I wasn't trying to --" he blows out air, starting over. "It's fine that you do. I mean, more than fine. I thought about you in the kitchens because I like it. I like you."

His voice is unmistakably uncomfortable, and beads of sweat are glinting on his temples. Bitty’s so overwhelmed by hearing Jack speak candidly about his feelings that he blurts out the first thing that comes to his mind. "You like me? But you're -- I mean, I thought you --"

Jack’s eyebrows draw down and his mouth thins. He looks irritated, but Bitty knows it’s the shape his face takes when he’s distressed. "I know last year it didn't seem like -- but I thought this year you knew things changed --"

"-- were straight," Bitty exhales, chest heaving. God. This is real. "I thought… you were straight."

Jack squints, stopping himself in the middle of his sentence. He seems honestly, genuinely confused, the big lug. With a more functioning part of his mind Bitty recognizes that this is probably the most facial expressions he’s seen Jack make since meeting him.

"But I kissed you."

"Yeah," Bitty swallows, cheeks probably glowing bright red. Somehow it’s so much more jarring hearing the words out loud than it was to have Jack’s mouth on his. Like something that’s not supposed to be discussed out in the open. A secret lifted right out of Bitty's subconscious, manifested by sheer will. "Uh. Sure did. Thus my confusion."

"Your -- confusion…?" Jack trails off. His flushed face begins shifting by degrees, a smile spreading slowly but steadily and creating the smallest, sweetest crinkle at his eyes. He wipes his shiny brow with the back of one forearm and then crosses the distance between them in a few short strides, sweeping in to kiss Bitty.

It’s not any less mind-blowing the second time around. Jack's fingers slot under Bitty's jaw, titling his head up, his other palm sliding from Bitty’s neck to his shoulder and down his back in a tantalizing stroke. Bitty grows hot all over, bending his body into Jack's to press their chests together, his hands hesitatingly finding their way to Jack's hips. He hooks them over the sharp curves of Jack's hip bones, feels the strength in Jack’s obliques through his clothes.

Their mouths create a soft slick sound when they glide against one another, lips meeting and parting smoothly. Bitty gathers the confidence to attempt parting his own lips, applies the slightest pressure of tongue to Jack's bottom lip, and is rewarded by Jack's shudder and the tightening of his hand on the small of Bitty's back.

Jack pulls his face back slowly enough for Bitty to blink his eyelashes open and catch Jack licking his lips, exhaling shakily.

"I like you, Bitty," Jack leans their foreheads together. His eyes are staring right into Bitty’s, drooping and soft and so clearly fond that Bitty feels the tremor flow in his body all the way to his toes.

"Me too," Bitty whispers. His heart is still beating irregularly, vainly trying to catch up with the emotional upheaval of the last few minutes. “Jack --. I like you, too.”

Jack smiles at him, and it’s more honest, more tender than Bitty's ever seen it. It makes Bitty so happy that he wants to burst into giggles, wants to hide his beam in Jack's chest until butterflies stop fluttering in his ribcage.

Jack runs his fingers into Bitty's hair, gently brushes through it. He's bashful, both of them avoiding prolonged eye contact, and it's so absurd that they're shy after kissing like that, but Bitty can't help it. Jack tips his head to kiss Bitty's chin, his temple, makes Bitty actually giggle when he kisses his ear and then settles his lips in Bitty's hair, tugging him closer into the crooks of Jack's body.

"Hey, Jack?" Bitty says quietly, leaning his cheek on the curve of Jack's shoulder and wrapping his arms around Jack's waist, hands linking at the arch of his spine.

"Yeah?" Jack mumbles into Bitty's hair, mouth moving against the crown of his head.

Bitty presses his lips briefly to the closest patch of Jack's skin he can reach, which is the dip in his clavicle. It's barely a kiss, but his entire body shivers with the knowledge that he’s allowed. "Wanna be my date to Spring C tomorrow?"

Jack draws back far enough to be able to look down, tilting his chin into his neck and catching Bitty's eyes with his. His face is pink and his lips are swollen and Bitty's so unbelievably in love with him, but it's the furthest thing from pathetic now. It seems funny that it was ever something shameful at all.

"It'd be my pleasure," Jack smiles, and leans in for another kiss.

#omgcp #zimbits #zimbits fic #omgcheckplease #pavfics #ooof. finally done. i'm sure i'll edit again in the morning BUT

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mizjoely · 3 years

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Day 12: Office Holiday Party

I've gone more than a bit off piste with this ASiB redo, but it does start with an office party, so there is that...It's also a bit long so it's under the cut below. Enjoy!

Office Holiday Party

She doesn’t attend John and Sherlock’s Christmas party, even though John invites her. It’s the same night as the St. Bart’s party and she attends that one instead, a spur-of-the-moment decision that she makes after thinking about (brooding a bit) the fact that it was John that invited her, somewhat off-handedly, rather than Sherlock. While she waffled she’d bought gifts for the two of them, and one for Mrs. Hudson, Greg Lestrade, and even something for John’s new girlfriend (the ‘boring teacher with the dogs’, is how she vaguely recalls Sherlock’s description of the poor woman). She debates her decision long and hard, but in the end caution wins out over hope, and off to Barts she pops. She’ll deliver the gifts on her way home, she decides, if it isn't too late.

She wears a new dress - black, with black straps decorated in silver and a fitted skirt (she never learned the proper names of skirt shapes aside from “pencil” and “mini”). She carefully does her hair, letting it cascade down her back, and dons a silver bow in honor of the season; she drinks a bit too much rum punch and enjoys herself as much as someone who’s as socially awkward as she is can.

As she’s gathering her things preparatory to leaving - still of two minds whether she’ll go home or stop by 221B Baker Street - she hears a commotion by the doors. She looks over, surprised and a little disconcerted to see Sherlock Holmes in the company of a slightly older man she’s never seen before.

“Ah, Sherlock, good of you to join us!” Mike Stamford says, cheeks flushed with hearty good cheer - and more than a bit of that rum punch. He thrusts a plastic cup into Sherlock’s hand. “Toast the season with us, eh?”

Sherlock doesn’t take so much as a single polite sip, simply hands the cup back to Mike while his eyes scan the crowd. He stops when he finds Molly, their eyes meeting, and he beelines for her while Mike sputters a protest (and quickly downs the rejected drink) and the stranger follows in Sherlock’s wake.

She recognizes him when they get closer; she doesn’t know his name but she’s seen him around the hospital once or twice during government inspections. “Miss Hooper,” he says, his voice very much Government Official, “if you would be so kind, there’s a body we need to examine.”

She looks uncertainly at Sherlock - surely they don’t want her to perform an autopsy when she’s half in the bag! - and he offers her a curt nod. “We just need to look at it,” he says, his voice a bit rough with some unidentifiable (to her, at any rate) emotion. “To possibly identify it. Her.”

Molly stammers out her willingness to be of help and the three of them head down to the morgue. She finds the proper drawer and wheels the body out for the two men (who is the older man and how does he know Sherlock?) to examine.

The face is badly damaged, bashed in with some sort of blunt instrument so she’s not sure exactly how they’re going to be able to identify the woman - but then Sherlock whisks back the sheet and nods. “It’s her.”

He turns and leaves without another word, and Molly looks over at Mr. Government. “Who is she?” she asks. “And how did he identify her from...not her face?”

The man gives her a rather pitying smile, then leaves without answering either question.

She puts the body back and heads out, only to find Sherlock waiting for her. He smells of cigarettes but she can hardly blame him for needing some sort of crutch, not tonight. “Share a cab?” he asks, then escorts into the one that arrives at his hail, climbing in next to her.

“Are you all right?” she asks.

He shrugs. “How was the party?” he asks, obviously changing the subject.

She shrugs back at him. “It was all right, I guess. Lots of booze and people getting a bit too chummy with each other, if you know what I mean.” She laughs somewhat self-consciously. “Of course you know what I mean, what was I thinking, putting it that way.”

“What about you?”

“Pardon? What about me?” she asks, confused.

He’s looking straight ahead, not at her, and his jaw is clenched. “Did you get ‘a bit too chummy’ with anyone?” He reaches out, still without looking, and fingers the fabric of her skirt. “That’s a new dress, a bit fancy for an office party, don’t you think? And that shade of lipstick, such a bright red!” He glances critically at her bag of gifts - gifts for him and the others who’d attended the party at 221B - and adds with a sneer, “It matches the ribbon on that top gift, the one you’ve taken so much care to wrap. For your new boyfriend?”

Before Molly can do more than gape at him - her cheeks reddening in humiliation, he continues, his lip curling in a sneer, “Judging by your appearance, Miss Hooper, it’s obvious you have lurrrve on your mind.”

She wants to slap him. She wants to slap him three times, so badly that she balls her hands into fists to keep from doing so. “Are you finished?” she asks when he finally falls silent. “I know you’ve had a shock tonight, but that’s no excuse to take it out on me!” She shakes her head. “You always say such terrible things.”

They remain in cold, uncomfortable silence almost until they reach Molly’s flat. As she starts to get out of the cab he stops her with a hand on her arm. “I am sorry,” he says softly. “Forgive me.” Then he leans forward and drops a kiss on her cheek.

“Why?” she asks, ignoring the cabbie’s grumbled complaints of ‘you gettin’ out or not, miss?’ from the driver’s seat. “Sherlock, what’s going on? Who was that woman?” She draws in a deep breath and asks him the question she’d asked the other man at the hospital. “How did you recognize her from not her face?”

Sherlock responds by handing the annoyed cabbie the fare, then ushering her out of the cab and joining her on the pavement. “Let’s go inside, shall we?” he says, indicating her front door. Still a bit dazed, Molly unlocks the door and waits until they’ve shed overcoats and shoes (no wet shoes on her nice clean carpets, thank you very much!) and settled on the sofa.

“Not what I would have expected,” he says, glancing around and taking in the clean, cool colors and lines of her minimalist first floor.

“I had a decorator in,” she says with a shrug. “I need someplace calm to unwind after a hectic day’s work and...Sherlock,” she interrupts herself, daringly placing a hand on his, “please. Tell me.”

So he does; surprisingly, he tells her even more than she’d asked. Irene Adler is the woman’s name - no, The Woman, she thinks with a pang. She can hear the capitalization, the importance of this client, in the way he speaks, sees the pain he’s trying to hide in his eyes. “You look sad,” she blurts out as he finally falls silent. She ignores the silent rejoicing in her heart at his description of his and John’s first meeting with Irene and her nudity, instead giving his hand a slight squeeze of sympathy. “I’m sorry, she must have meant a great deal to you even though she was a client.”

A client and definitely an adversary of sorts; just the sort of woman to pique his interest, she thinks sadly. Not like me at all.

“Stop that,” Sherlock says sharply, and Molly looks up at him, startled. She’s even more startled to realize that their hands are still clasped; when she tries to pull away he makes an irritated sort of growling noise and holds her tighter. “You’re thinking far too loudly, Molly. There’s no need for you to be jealous. Yes, I admit, she caught my attention, she was a challenge but don’t ever feel you need to compare yourself to her.”

With a flash of insight - that she prays isn’t just her hopes, however forlorn, getting the better of her - Molly breathes out a soft “Oh” and says, “You don’t have to be jealous either, Sherlock.” She reaches with her free hand into the bag of gifts and pulls out the top one with its red bow and careful wrapping and hands it to him. “Go on, read the tag.”

Brow furrowed, he does so, remaining silent for a long pair of minutes before finally speaking. “Dearest Sherlock, love Molly,” he reads, then looks up at her. “Girlfriends aren’t my area, Molly.”

She nods. “I-I understand.” She can feel tears clogging her throat but she’s never been one to cry in front of anyone, especially not a man. Certainly not this man.

She tries to pull her hand away again, only to let out a muffled squeak as he suddenly hauls her closer, until their faces are only inches apart. “I’ll be a terrible boyfriend, Molly, but perhaps...you’d be willing to give me a chance?”

Then he kisses her, and she kisses him back, and all she can think is that if she’d just gone to his party in the first place, maybe they could have been doing this that much sooner. Or perhaps not; either way, she’ll never know, but she’s happy enough with the way things have turned out not to care.

#dis is mine #sherlolly #fandom christmas in july #mizjoely writes #mizjoely's fics

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rwbyconversations · 4 years

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RWBY Volume 7 Review

Two weeks out from Volume 8 and I finally cared enough to write this. Go team I guess.

Part of it came down to my feelings on Volume 7. It’s a complicated season that’s made me realize a lot of my overall feelings on RWBY as a series, particularly a lot of the less flattering feelings. Volume 7 is just... frustrating in general, as for all the good that it does have, and it does have a lot of great elements to it, it’s let down by a frustrating script and writing choices that feel distinctly amateurish, especially as the series moves on and gets better and better looking each year. There’s elements and kernals here of great character writing, season-wide arcs that land in a really good way and get me emotionally invested in the characters. But on the other... Ren only has two hundred words the entire season and you can tell!

Volume 7 is a season of dizzying highs, some of the best moments of the entire franchise... and some of the series lows. It’s a season where there’s no production reason for its shortcomings... it just comes down to an awkward script that focuses on the wrong elements far too often. Let’s talk about that. In a very long and drawn out manner.

Thanks to @jamesbranwen, @h-e-m-o-goblin and @retro-riffraff for help with GIFs and consultation on this review.

1) The Good Stuff!

A) Atlas is very pretty!

I cannot stress enough how on a set level, Volume 7 is leaps and bounds above the other seasons in sheer environmental detail and setting dressing. Mantle has a great atmosphere with its New York influences, the smog covered backgrounds and oppressive streets and alleys. Ironwood’s office which is deliberately designed to evoke astronomy themes to represent James’ love for the stars. The cold oppressive atmosphere of the Schnee Manor and how Jacques has begun warping it to glorify him with only lip service paid to Nicholas in public. Penguins!

There’s a lot of great set design work that went into this season and the crew deserve props for it. Genuinely.

B) Ironwood’s arc is the best character arc in the entire franchise

Yeah just wearing my heart on my sleeve there, I fucking love Ironwood and his character arc here in Volume 7 is the best written arc of the show. I simp for the tin man who just wants to do the right thing. This one season of content is better than a lot of the series-wide material being honest. I went back to James’s big volumes in the last month to rewatch the show and it’s interesting to see the early seeds in retrospect for where his arc goes. His need to protect everyone he can and the brutish measures he considers necessary for such an act, his conflicting loyalties towards Ozpin that manifest in both frustration at Oz’s seeming apathy to the growing conflict, but also desperate desire for validation from Ozpin that what’s he doing is the right call. After the Mistral seasons set up James as going off the deep end following Volume 3, having him open the season with an earnest smile, an immediate apology for the team’s arrest and trusting them with his plans for Amity and Salem is a jarring but pleasant surprise. He’s not been slacking off, he’s been trying to keep the world together in the way he thinks is best. He lets his guard down around the heroes and we see the good man underneath, which makes the moments where he raises his walls hurt all the more. While Em and Merc are still probably my favorite characters period, James is absolutely my favorite character in Volume 7 and Top 5 favorite characters series-wide. I’m very eager to see where he goes from here. He also rocks the beard and fixed his T-Rex arms so James came out of the washing machine that is Volume 7′s costume design. He truly is the Best Boi, and I cannot give Jason Rose enough credit for his performance this year. He hit every note of Ironwood’s character perfectly and I wish the fandom would give him more credit for giving James as much life as he does.

Oh, and as the obligatory comment on mlm rep that I am known for getting obsessively weird anon hate over: IronQrow hug nearly had me crying on a convention floor from how goddamn soft it was. Remember conventions? Ah good times.

This just... hits me... ya know? Seeing him lower his guard so much to come in for a hug just shows how isolated he’s let himself become to let himself have this moment of contact... Godamnit James. Also this is the second time after Martial Arcs that two guys hug and I really liked their ship for the following hiatus.

C) Soft Qrow hours are nice

Qrow’s a good guy, he went through a lot of bad stuff in Volume 6 but now he’s on the other side and purged his voice of the demon within. I think Volume 7 was a very good year for Qrow overall. It was great to see him interacting with more characters his age and lowering his own guard. His moments of letting the facade drop around James and Clover especially are great expansion for his character. Jason Liebritch hit the ground running as Qrow and gave him a far more dynamic range than I think Vic could. While I wish Qrow going off alcohol had been given more of a focus as it’s kind of done off-handedly that he’s gone cold turkey and otherwise doesn’t get brought up barring his revulsion at the wine in the Schnee Manor, he overall had a great year. And trust me I’ll get to the fights later, I have a lot more I can say about the bird boi there.

D) I liked the Ace Ops!

I was ambivilent towards the Ace Ops on first watching. They’re kinda underdeveloped in the context of the season at large and most people immediately pegged them as a miniboss squad/fodder for Salem to kill. But in rewatch they do still get to shine, if not as brightly. They’re very enjoyable. Clover especially is just really fun in retrospect, I love cocky fighters in general, and he was infectiously enjoyable (I’ve already covered the FG stuff in the past, not doing it again). Marrow came a close second because... well it’s Marrow, he is The Best Boi. Harriet got points for being a punchgirl which is always cool, I liked how her Semblance was shown and being cocky while being able to back it up is always a win. Elm and Vine are tied for dead last, I like the body diversity Elm introduces with her muscles and Vine... existed... but overall I think with the time they had, they did get to establish themselves well. I wish I could say that about their relationship with Team RWBYORNJ but this is the Nice Section so we’ll leave it there for now.

This is one of the best shots of the entire season. I adore it. God I like the Teryx design.

E) God the villains rocked this year!

I am a villain whore. I own that. I will embrace that monkier. But when they’re as cool as this, I feel validated in this Chilli’s tonight. Watts and Tyrian really make the season shine and don’t have a dud scene all season. They have great chemistry together, shining bright in even the weakest or most mediocre episodes. Watts went from “Oh yeah you exist” tier to “Oh yeah you rule” tier. His vendetta against Ironwood feels so real and pre-established, even though this season is the first time it’s ever come up. Watts just ozzes style in everything he does. The animators bring him to life and make every step, every flick of his twist and even just how he moves his eyes all bleed contempt. He’s such a rat and I love him! Chris Sabat finally gets to stretch his wings after a few years playing Watts as just Evil Scientist Guy, and he makes the most of it.

And Tyrian remains an absolute treat. He didn’t get much in V6 but here he takes center stage with Watts and also gets so much impact because of it. All the little twitches, and tilting of his heads, and dramatic gestures, he’s still just so goddamn cool to watch and we even get a little backstory of him. I know he’s irredeemable. But I just want to watch Tyrian kill people and scream. Like hot damn his line “THE GRIMM SHOULD HAVE DESTROYED OUR ENEMIES, NOT MADE THEM FRIENDS!” is so fucking raw. He’s having fun destablizing a nation with his boyfriend!

“You want more chaos than a Grimm invasion?” “If anyone on Remannt can do it, wouldn’t it be you?” There is no heterosexual explanation for how these two look at each other and yes this is me outing myself as a Nuts and Volts fan.

Watts and Tyrian really do become the absolute highlights of the season alongside James. They have a great dynamic and even during their more slower moments there’s so much care and thought put into their every mannerism. Animators, seriously, great job, I love what you did. And their fights... we’ll get there. But they’re so goddamn good.

Look they even run the same! They’re soulmates!

Honorary mention to Salem by the way. She’s only in two scenes but her presence is felt throughout Ironwood’s arc and his growing fear of her and she damn well delivers when she shows up. That shot of her arriving in person is a killer shot to end on as well.

Oh and I guess Cinder and Neo exist don’t they? Eh, we’ll come back to them.

F) Oscar got a character arc!

Finally! He did it! He got an arc that began, continued and ended all onscreen! It only took four tries!

But yeah Oscar had a really good set of scenes in Volume 7. I like him being the first to confront Ruby on the Ironwood lie, bringing up the hypocrisy after their condemning of Ozpin just last season. I like him having a more forward role (outside of not getting to be part of the celebration in episode 4 what the hell guys), and that he’s the big link between RWBY and Ironwood was a great call. Having Ozpin shelved for one more season so Oscar can take center-stage was an inspired choice. I love his dynamic with Ironwood, and how James closing himself off emotionally gets reflected in how he begins slipping in how he refers to Oscar, starting off as treating him and Oz as separate, ending with him gunning Oscar down as he doesn’t care anymore to differentiate the two.

My big issues with Oscar’s arc are that I’m first of all annoyed at the lack of followup on the Oscar stuff from V6, I’m still waiting for Qrow to apologize for punching Oscar guys! I also really wish Neo’s first attack wasn’t offscreen. CRWBY’s cliffhanger fetish meant I got to break out the Offscreen Pine jokes again. And of course, the Neo hallway punch was a bit bullshit.

G) (Most of) The fights are amazing

There’s no punchline. These fights are great, two of them are in my Top 10 Series Wide fights list and at least the duds aren’t Volume 5 bad.

If you’d told me before Volume 7 that Watts would get an extended firefight with James, I’d have felt that a bit cheap as Watts to me doesn’t feel like a fighter, more a planner who hides behind armies of mechanical soldiers. But damn if they didn’t sell me on Watts “You’ve yeed your last haw” Watts whipping out a Glock just to spite James.

This is another one of my favorite shots in the entire series.

Ironwood vs Watts is potentially my favorite fight in the entire series, and if it’s not, it’s easy Top 3 alongside Yang vs Mercury and Pyrrha vs CRDL/Mercury. It makes great use of Amity in the abandoned gravity biome meant for SSSN vs JNPR, with Ironwood and Watts deftly moving around in a manner that very easily could have been difficult to track with the constantly shifting gravity, but the crew do their best to keep it coherent as to who’s where. The credits showed their dedication also stretched into visual continuity, as James and Arthur’s route throughout the Arena was carefully considered so they’d loop around organically.

This is what I mean when I say the crew went above and beyond to keep things clean.

Ironwood vs Watts could have easily failed to impress, given its lack of choreography on the level the series usually does, but the team’s efforts went instead into showing a situation that lets Watts get a dragged out battle: James wins whenever he closes the distance here, so Arthur’s constantly on the run and being forced to tamper with the arena. Great camerawork, a GOD TIER song from Caleb Hyles that I’m still listening to today, and two characters with a fantastic history coming to blows makes for easily the best fight of the season and a series-wide highlight. Watching it develop from storyboards, to mocap, to animations and the full version is a delight to see. This is what CRWBY can do when everything comes togehter. The orchestra’s all tuned. It’s a goddamn symphony.

THIS is my favorite shot of the season.

Tyrian also gets to shine with his two battles this year. His alley fight with Qrow, Robyn and Clover is short but sweet, the corvid and the scorpion especially trading brutal blows in the cramped space. Qrow goes full Devil May Cry with his style-switching here, Harbinger being swapped between sword, tonfa and gun forms freely alongside Qrow applying The Power of Punching. His 1v1v1 with Clover and Qrow though is the true highlight of the season in terms of choreography. It’s lighting-fast, and has some impeccable shot work. Qrow gets to use his scythe with deliberate nods to the Red Trailer, Clover gets to shut up everyone who doubted his weapon, and Tyrian is just along for the ride and he makes the most of it. It’s frentic, it’s heart-pounding, it’s everything a fight should be.

Honorary mentions as well go to Ace Ops vs the Geist, which is just really fun and has a great backing music choice, the opening battle with Sabre having Ruby’s obligatory ten seconds of fighting that come at the start of every new era of the series, and the Ace Ops vs RWBY fight which has some good choreo in places.

H) Winter and Penny have good chemistry

I don’t have a ton to add here, I just like their dynamic and how they advance each other’s arcs. It’s nice writing. I also like Winter apologizing to Penny when she’s angry at Jacques and takes it out on Penny by accident with the “You wouldn’t understand” line.

Penny as a Maiden is a nice idea, I think her new design is cute. Penny says trans rights.

Those are a lot of my favorite things about Volume 7. It’s a killer season when it’s firing on all cylinders but unfortunately... it often misfires in frustrating ways, many of which are unfortunately due to core emblematic problems with the series that won’t go away.

2) The Bad Stuff

A) The costumes

It’s been a over year. It’s low hanging fruit. I don’t care. Most of them are still not good and they’re ludicrously over-designed.

Blake’s in a fetish suit and I wonder how she even goes to the bathroom. Weiss just looks like an abino Sabre alt, Yang is what a Halloween costume site would describe as “Sexy UPS Driver,” (why does she have a thigh window) Ruby... looks fine, it’s one of her better costumes. Jaune’s hair is silly, Ren’s model has lost some muscle definition and he looks like an e-boy, Nora’s costume really doesn’t fit the Atlas visual design and looks like a rejected Kingdom Hearts costume. Cinder’s is too black and I actually can’t track her in darker scenes because of it (which is kinda bad during... a fight scene... where I need to know where she is...), Neo looks like a Ren Fair cosplayer doing a bit for her OnlyFans, Winter’s is anatomically weird with super skinny arms and legs, and Blake’s hair is a fucking hate crime.

Qrow’s is one I liked at first but in retrospect it does feel like a downgrade. To quote @h-e-m-o-goblin from a Discord chat:

in a show like rwby, where color is such a vital defining aspect of every character, a cohesive colorscheme goes a long way. qrow's original outfit works great in this regard. neutral tones. greys, whites, and blacks, with red accents that pop against the otherwise sparse color. it's good! it's distinctive! it doesn't feel cluttered and it doesn't look like a clown vomited on him! the subdued colors really lend themselves to the grey, cynical energy qrow seems to carry with him. a literal lack of color in his life. the outfit itself feels like something he would wear; a combination of "clearly trying to look cool" and "a little disheveled and laid back." the design breathes, it isn't cluttered. let's contrast this with his vol 7 outfit. a lot of outfits in vol 7 suffer from this problem, but first and foremost it doesn't look like something he would wear. where his old outfit had a casual feel to it, his new look feels like someone dressed him up for a family christmas dinner. it's too... tidy. now of course you could argue this is him "cleaning up his life," but i dont feel like you have to sacrifice his own personal style in order to convey that. if that's really what they were going for, they easily could have just, oh i dont know, given him a cape that isn't tattered???

remember how i said qrow's original outfit really made his colors pop? how less is more when it comes to having a character with a specific color theme? vol 7 butchered that. we suddenly have articles of clothes that are tinted with greenish blue tones, browns, and with gold trim? on TOP of the old colors he already had in his design. it's muddy. it's ugly. the burgundy vest is fine, if they wanted to work more color into his outfit they should have done it that way throughout, shades of grey and different tones of RED. his COLOR. it just feels like they tacked so much on there without a second thought and i really think he deserves better. its just. such a mess.

The ones I did like were Watts’ new coat (I like the puffy hood), Penny’s is fine, the Ace Ops look great, Ironwood’s new outfit is stellar (those last six are great examples of how to do a lot with just primary colors of white and red), Neon’s Jolyne cosplay is cute and Flynt is slick. Otherwise, Volume 7 feels like it’s taken a lot of the wrong lessons from the costume design of the earlier seasons. Less is often more but now it feels like they have a pathological aversion to empty space on the costumes, leading them to feel like... costume vomit for lack of a better word. I didn’t love the Mistral outfits, but their modifications at least were carried by how many of them called back to the Fall of Beacon and emphasized the themes of loss in Volume 4. The new Atlas outfits... don’t have that shared theme. It feels like a hodgepodge of different design influences without trying to find a way to unify them. It’s like putting Baki the Grappler beside My Little Pony, they just fail to mesh.

Also for fuck’s sake already CRWBY just give the girls muscles already.

2) JNR suck and Ren’s arc is glorified character assassination

I don’t love JNR. They’re fine, but the show has arguably not needed them for a while and while I’ve liked them all at different points, it’s never been adoration outside of Ren in Volume 4. I was cool with the idea of them staying in Argus to help cover Mistral after its Huntsmen were wiped out, and Volume 7 has... made me wish they did that.

Jaune is just comic relief, and it kinda blows for later reasons but the big one is that he’s just not very funny. His big role in Volume 7 is basically to crosswalk some kids so we can have a joke scene during the Mantle Battle where Jaune uses his tactical genius to teach people to walk in single file. I feel like at this point Miles is just actively trying to kill Jaune’s fandom out of spite for how badly Jaundice was received. He’s never allowed to be cool or try and redeem himself. His hatedom aren’t going to stop hating Jaune because he gets more comedy guys. They’re going to stop when you write Jaune well. It’s a bummer he got some genuinely great upgrades for his sword and shield and never gets to use them outside of the opening.

Nora exists. She got a surprising amount of focus this season in that she got focus of any kind. I liked her confronting Ironwood over his choking of Mantle because we know she was once the kind of person Ironwood would have been stifling. I like her being the one to realize the loophole in Jinn’s “You can’t” line. I don’t like much else about Nora this year, or at least the Nora the writing team are pushing. She’s not funny like Jaune but Nora just absorbs so much screentime in the first half with her constant shrieking. Sam Ireland has good range but making Nora into Discount Harley Quinn is pushing her out of it. She sounds shrill, making Nora sound like she has no heart outside of the election rally. A shrill voice is one thing. A shrill voice that never lands a single joke? Yeah that character is tainted by association.

And Ren... oh God Ren what happened to you.

The Volume 7 commentary confirmed a suspicion of mine that Ren’s arc was heavily cut down from what was planned. Even watching V7 I could tell his arc was bare-bones at best, and it’s downright character assassination in places. Why is he suddenly so cold to Nora? Why is he now so obsessed with training? Why does he side with Ironwood for all of... one line which is this last between episodes 7 and 11. Ren only has two hundred words of dialoge in Volume 7 and they feel so weird in places. Ren goes from seemingly disliking Nora, to kissing her, to never referencing the kiss, to partaking in the Worst Scene Of The Season, all with no consistency. It’s not even threadbare. Ren’s arc just has no connecting tissue for so much of it! It’s insane how badly Ren was hurt by this, and I shudder to wonder how bad his Volume 8 arc will be because you know that was one of the first plotlines they cut down on when they inevitably overreached again.

I don’t know how they made Renora kissing feel unearned? But by God they found a way with how much of a trainwreck Ren’s writing is in regards to tainting this.

If Ironwood is an example of RWBY doing character writing well, Ren is the mirror image of how badly they can do. JNR really suffered from Volume 7 (also fun fact, Ren has about 200 words of dialogue? Ironwood has 4400). Maybe not to the level of irredeemable dislike? But very close to being on the same tier as Cinder of “Just go away already.” I’m not looking forward to their content in Volume 8.

3) RWBY themselves are poorly handled in Volume 7

It’s unfortunate that the actual title characters of the series are also some of this season’s weaker links. RWBY feel... superfluous to this season in a way they’ve never felt before. It’s baffling how much of the season doesn’t change if you just don’t include them, and apparently Volume 7′s first draft? Was even worse.

The commentary says that many of the RWBY moments were added later in production. Stuff like Ruby and Renora at the rally, Blake and Yang’s talk with Robyn and Ruby and Qrow’s chat were all either added in near the end of the writing or were “low priority” enough that they could have been cut which is... veyr alarming that’s stuff even the main protags have to worry about!

Ruby feels half-baked. I was looking forward to her in V7 after how V6 gave her a more dynamic personality and the focus she got in Brunswick, and having Penny’s return had me interested in seeing Ruby grapple with her emotions about it. She watched Penny die, how would it influence her to see Penny back and OK? Good question, we never get to see it. Ruby’s just OK with Penny’s return, the one time they touch on it Penny immediately glosses over it. Ruby just goes back to her old happy go lucky persona where any and all negative emotions are immediately forced down instead of confronting them and growing from them. I’m getting a little tired of Ruby bottling her grief and being teased about finally getting her snapping like a Twix Bar. We finally got her crying and it lasted all of ten seconds. And it doesn’t help that Ruby’s still getting shafted for fights. Her scythe choreography has no excuse being as flacid as it is now after Qrow vs Clover showed they can do scythe fighting! Why is Ruby being upstaged by (let’s be real) a supporting character! Why is she being limited to ten seconds of good combat then nothing for the rest of the season outside of flimsily swinging it or shooting. It’s disappointing, especially after how good V6 Ruby was.

I swear, Gravity’s not just my favorite episode of the season just because Ruby finally cries in it.

Weiss was kinda just done dirty though. At least Ruby has a good outfit. Weiss confronting her father has been a long standing plot thread for the series, it’s been Weiss’s Big Thing since the White Trailer. And when Jacques finally appears, he’s very... bland. He’s just evil corporate dude who exists less as an obstacle for Weiss and more just a roadblock for the plot through the election. Weiss finally gets a chance to take her father down and work to redeem her family name... but instead of earning said victory and it being treated with the same gravitas and emotional weight as Blake defeating Adam... Weiss has her victory handed to her. And it’s played for comedy by her abusrdly attractive mother.

Listen, I like I Willow Schnee. I think she’s a fascinating character and I like the idea of a person who is aware of the harm they’ve done by accident but is too broken to fix the issues she accidentally left. I love her calling Weiss out on her treatment of Whitley. But she is absolutely a Deus Ex Machina that exists to get Jacques out of the plot as fast as possible. You mean to tell me Hackerman Watts never once made sure Jacques had hidden cameras? Or that none of the staff found Willow’s cameras and reported them under the assumption they were White Fang spies? It’s so... convenient. It’s handing Weiss her victory on an unearned platter. Which sucks. I was really looking forward to Weiss beating Jacques. Instead she just gets given the plot device while JNR engage in the Worst Scene of The Season in that Whitley food stunt.

Me whenever I’m asked to rewatch Cordially Invited

Blake and Yang have much the same problems, in they never separate. I know they’re going to be together. I know CRWBY are making it canon (get it over with already). I still would like Yang and Blake to have individual character scenes. I’d like Blake and Marrow to talk about being a Faunus Huntsman in Atlas (another thing that got cut thanks to Robyn Hill). I want Yang and Ironwood to discuss their PTSD and have Yang thank Ironwood for his trust in her that he commissioned the arm despite Yang attacking Mercury. I want Blake to be well animated in fight scenes so she’s doing more than just jobbing so Yang looks better. I want Yang to stop hogging all the good Team RWBY choeography. I want them to interact with other characters and continue to grow instead of feeling like two halves of one character. And no, making a meta joke of how Blake and Yang don’t talk to other people doesn’t make it OK. It just means you’re self aware about your own faults.

(Also give Yang better merch or quit the favoritism. If you’re gonna milk her, put effort into it beyond crapply overpriced flannel. RT’s merch store is actively making me hate Yang.)

Team RWBY’s biggest contribution to the season is the Ironwood Lie which is... a can of worms. They certainly had a point in withholding some of the bigger truths from James but I feel by Pomp and Cirumstance he’d proven himself truthwrothy enough to warrant being told the truth about Salem. But then when he’s finally told the truth, it’s offscreen’d and the consequence isn’t “Why didn’t you tell me earlier” but “Fucking Ozpin man.” Gravity has it bite them in the ass, but it’s more an accessory to Yang and Blake telling Robyn about the Amity tower. I wish more had been done with the team disagreeing on whether the lie was a good choice or not, maybe have Yang be hardline against it due to her own “No more lies and half truths” policy instead of... having Yang tell more lies and half truths (Commentary confirms she never told Ruby and Weiss about the Robyn stuff BTW). But that’s a wider problem where RWBY aren’t allowed to disagree beyond surface level “I don’t know if this is the right call” dialogue. There’s never a threat of one of them cracking and just spilling the beans to James, everyone just blindly trusts Ruby and Qrow tells the audience “No this is different from when Ozpin lied. Trust us.”

This is the most RWBY get for content in the season finale: Ruby just nuking Cinder with no difficulty after having trouble with the eyes three episodes ago. Kinda lame tbh.

Team RWBY are just disappointing in Volume 7. They’re not given good animation, their story roles are largely insignificant, the impact of their roles on the story is threadbare and... well most of their costumes suck don’t @ me even CRWBY have admitted Blake and Weiss’s haircuts looked bad. It’s a whole barrage of a letdown for the main girls. And it’s really sad that the best scenes of the season... are usually the ones where RWBY are nowhere in sight.

Why the hell didn’t Yang get to keep the sunglasses come on guys. One job.

4) Robyn, the election plot, and the Happy Huntresses

Oh God, Robyn Hill is... not great. I could and likely will write a full meta on her character and how they bungled it but I’ll just be blunt here: I don’t like her design, the colors don’t mesh well, he head’s too small, Christina Vee is sleeping through the role and her weapon’s lame. Introducing her in a scene where she threatens to attack our heroes, and her agents are actively sneaking up on them to do it, is not a great first impression for a hometown hero. And that the commentary thinks she’s meant to be the hero in that scene is... staggering.

RWBY’s greatest threat yet is a wine mom Karen and her Home Owners Association army.

The election plot is less a misfire and more the engine just exploding. There’s so little good content between when it’s introduced and concluded, with it usually being individual scenes that are more good in spite of their connection to the plot (such as Tyrian’s massacre). It drags in pacing, going on for nearly half the season between episodes 5 and 10, and it purely exists as a roadblock to keep RWBY spinning their wheels while Watts and Tyrian keep going with the main plot. I don’t know why CRWBY went for this plot. They could have easily had something else fill the gap that also allowed for a lot of the character beats (such as Marrow and Blake’s talk and Ren’s entire arc) to shine, or at least condensed it to the important elements instead of letting it become bloated. It ends in such an unsatisfying way where Willow just shows up and goes “We have four episode left, here’s the plot device to beat Jacques, get back ot the main plot.” If they wanted to do the election plot, the best route would have been to give Volume 7 more episodes or stretch out its events to two seasons, but neither is realistically possible while RWBY lives off the teat of AT&T.

Jacques and Robyn are just boring. Evil corporate man and a lame adaptation of Robyn Hood who only has fans because of thirst who also like downplaying Robyn making a racist remark at Marrow (to say nothing of that weird subsection of Robyn fans who make her a Fox Faunus who cut her tail off to join Atlas Academy which is... certainly a creative choice especially when Marrow and Neon are punching holes in that angsty BS backstory). They can’t carry this plot and the artifical attempts to make it seem more exciting with the two cliffhaners ending on Mantle under riot or Grimm attack are laughably cut short by the next episode in each case opening the morning after. On binge watch it becomes weirdly funny more than anything and that’s not a good reaction. The dual cliffhangers being cheaply resolved is a short but succint example of V7′s pacing issues, and they almost always loop around to the election plot being too bloated, slow and just boring.

Also the Happy Huntresses are just... lame. I like their Semblances but that’s it. Fiona’s OK because she gets some screentime but May’s just “the surly one” and Joanna doesn’t even get her Semblance or much dialogue (oh wow she really is just a female Sage Ayana isn’t she). Robyn should not have been leading the HH and running for Council. That’s really stupid. And kind of wrong. Having May or Fiona be running instead while Robyn leads the team in relief efforts would have been better and could have split the focus more effeciently instead of leaving May and especially Joanna feelng like roster padding. There’s also some delicious irony in the show trying to frame the HH as the resistance fighting for the people and representing individuality, only for them all to have the same boring outfit and weapons (I think even the exact same model just with different sizes) while the Ace Ops are meant to be the military drones who are “Just following orders,” only for them to be more racially diverse, more diverse body-type-wise, and have more unique weapons. It’s another one of those odd creative dissconnects between what the writers wanted and what the artists/animation teams chose to do.

The election plot is overall toxin for Volume 7, and Robyn in my opinion, has one of the worst introductory scenes of any character in the franchise (and CRWBY have tacitly admitted that V7 had a character they were surprised at how controversial they were, which has to be Robyn). In a year where they were already juggling so much content and characters, adding in this bloated subplot was something I don’t think anyone wanted, especially now that we know we lost so much content on the sacrificial altar for this. It’s a black mark on the season and I don’t really care for the return of the Happy Huntresses or Robyn in Volume 8. None of them are interesting enough to care for outside of meta reasons like “cute.”

Also fuck you Fiona, can’t believe you got a shirt before Ironwood.

5) Cinder and Neo sure exist

To be fair, this is one of Cinder’s best years, easily her best since Volume 3 but that’s more because Cinder in the Mistral era was crap. (And if I wanna be cruel, because Cinder wasn’t in two thirds of the season)Her fans were finally vindicated after years of telling anyone who dunked on Cinder that “nooooo she has a super covert backstory that’s gonna be amazing when it’s revealed! You’ll see!” And well they finally got it. All of one line during a fight about how Cinder “refuses to starve.”

It’s still something so I guess we have to take it. Seriously... how do we still not have Cinder’s backstory.

There’s just not a ton to say about Cinder and Neo in V7 barring I that don’t think they needed to be here. They feel very superfluous and just here to have a big boss fight in Cinder’s case alongside continuing her streak of ending the odd numbered seasons fighting a female side character... which for me became an exercise in tyring to find during Cinder during the damn fight.

And this is why when most people saw Cinder’s V6 outfit they went “It’s gonna be hard to see her in darker environments,” then were vindicated when it became legit difficult to see Cinder in this scene. God if they at least just made the inside of the cape red it’d be easier.

Neo is Neo, which means she makes funny faces and mocks Cinder (I like that), but she doesn’t get a super good fight which uh... we’ll get to. I’m interested to see her finally exploding at Cinder and going for a backstab, but really Neo in V7 was kinda hit hard by the double whammy of the Oscar Hallway Punch and how humiliating ORNJ vs Neo was for ORNJ. Cinder’s definitely had far worse years and after how aimless she was in Mistral this feels like a sep in the right direction, but at this point CRWBY just need to shut up and tell us her deal. It’s been seven years guys. Come on. At least make her interesting if she’s gonna say around. They’ve had worse years, but unfortunately Cinder and Neo’s role in the finale leads into...

6) Some of the fights weren’t good

I wanna be clear, I like most of Volume 7′s fights. It’s just a bummer the worst ones are back and back and make up a chunk of the finale. ORNJ vs Neo is just crap. It’s the worst fight since the Battle of Haven. There’s nothing else I can say, it’s poorly animated, paced, choreographed and written. JNR especially are made to look like complete jokes after they spent all season training, to the point where it looks like V2 Yang could solo V7 JNR after this. Oscar I expect this from because he’s not allowed to have fun stuff onscreen after accidentally stealing the Haven budget for his fight with Hazel, but JNR were just done dirty. There were ways to make the fight work in a way where Neo still won but JNR looked good. They went for the worst possible outcome that just leaves Neo looking like she got fan-wanked and JNR looking like they’re just not allowed to be cool due to Miles’ spite at the Jaune-Self Insert stuff (and that’s not even getting into JNR being forced to run from lame rent a cops who can’t even handle a single Grimm). Cinder vs Winter and Penny isn’t much better, with her dark outfit making it very hard to track the fight because she blends into the background too well. It’s not a great showing for Winter or Penny given their earlier feats but, hey, some random female character had to fight Cinder in this odd numbered volume, carrying on Glynda, Pyrrha and Raven’s tradition. It’s at least better than ORNJ vs Neo, but that’s really not saying anything. At least Cinder’s VA work isn’t too bad this time but this fight commits the cardinal sin of a finale fight: It’s just not super interesting because we know Cinder can’t kill both Winter and Penny and she’s not becoming a Maiden, while Winter’s been too blatantly set up so it has to be Penny.

RWBY vs the Ace Ops also gets a dishonorable mention due to the choreography on display here... and the lack of it for Weiss, Blake and Ruby. Ruby never once swings Crescent Rose the entire fight and is just reduced to getting the tar kicked out of her by Harriet. Weiss barely gets to use her sword and largely just sticks to her summoning and glyphs which makes for a very visually uninteresting fighting style at the best of times. Blake just swings around and gets caught by the bad guys so Yang is motivated to fight stronger. She never dual wields (again) and her best moves are just setting up Yang to do all the hard work while Yang gets to personally KO two of the Ace Ops. There’s a lot that can be said about whether or nor RWBY earn the win, but while the animation team try to sell the Ace Ops landing heavy hits, having only Blake’s Aura even flicker really undercuts the idea from the commentary that this wasn’t meant to be a stomp for RWBY and they had to work together and be in synch to win.

Which is why Yang solos two of the Ace Ops whle Blake plays support, Weiss beats Marrow alone and then kill steals Harriet from Ruby, all while the song playing is an extended diss track from RWBY to the Ace Ops about how badass they are now, and the commentary itself says the Ace Ops are hard carried by Clover’s Semblance (because you gotta love basically saying four POC were only competent because a white guy led them, and then have them lose because said white guy wasn’t around to carry them!). Great job guys, you really sold it.

And talking of Clover, I feel it worth mentioning Qrow vs Clover vs Tyrian. It’s animation wise near perfect, but unfortunately I do feel it would be remiss to not mention that I feel the writing really has to bend over backwards to justify this fight. A lot of it is stuff I would say in that hypothetical Robyn essay, but I feel Robyn, Qrow and Clover all have to become massive idiots for this specific sequence of events to occur, and for Clover especially every retroactive attempt to explain why he prioritized Qrow over Tyrian just sounds more and more desperate. Between the references to MCU Captain America (a person whose entire arc is about learning when it’s OK to defy bad orders) or the attempt in the commentary to say “Oh Clover thought it would be easier to take out Tyrian alone instead of Qrow,” none of them land and just further drive home how much the plot had to stretch and reach to get that moment of Tyrian killing Clover. I like the fight. But I hate the road the show took to get there.

Some of the misc fights are also weak like ORNJ vs FNKI and elements of the Mantle Grimm battle, but those are the big offenders. Otherwise, again, the fights are largely good.

7) The soundtrack wasn’t... great

I mean the vocal songs only, don’t crucify me. Trust Love is just lamer Let’s Just Live/Triumph, Celebrate and Let’s Get Real are so boring I thought they were the same song until the OST dropped, Brand New Day is boringly peppy and Jeff’s vocals are dreadful. I completely forgot Touch the Sky until I was checking the tracklist to make sure I didn’t forget any songs. War has good singers but tries to sell the RWBY-Ace Ops bond as way deeper than it was. The lack of a villain song did really sting though, those are always the highlights.

There are good songs. I really like Fear, I feel it encapsulates the themes of the volume well and serves as a good condemnation of Ironwod’s mentality. Until The End is finally the Ruby song I’ve waited for since Red Like Roses 2 and I enjoy that she got a melancholic song, and Hero is easily, hands down, best track of the record and probably best RWBY track, full stop. Caleb killed it, I loved the second verse, opening opera was strong, guitar riffs were a plenty. Stellar work all around for that one.

The OST has great work from Jeff and Alex as usual, but the Jeff and Casey songs are really starting to lose their appeal. Going for a peppy feel this year didn’t help cover the cracks that are beginning to show with RWBY’s vocal songs (especially Jeff’s vocal range), and while a few standouts remain such as Fear and Hero, they are the slim minority in an otherwise very boring vocal tracklist that barely scrapes above Volume 5 for weakest set yet.

8) It wasn’t as funny as it thought it was

Comedy is subjective but man a lot of these jokes didn’t land. RWBY really needs to realize that does work in traditional 2D does not translate into 3D and just comes off as making official reaction GIFs for your Twitter account. Making characters SUDDENY SCREAM LOUDLY is not good banter. Please stop making Nora into Harley Quinn. Marrow was probably the most consistently funny character but that was it. Also I dunno why CRWBY thought Forrest was funny or what the deal was with that FRWBY crap.

“Honorary” mention to the JNR food scene in Cordially Invited which is genuinely one of the worst scenes in the entire show and I hope whoever animated it has their save files deleted for a game where they were about to beat the final boss. Nothing sums up JNR’s pointlessness in the series more perfectly than this.

C) Conclusion

See what I mean about Volume 7 being frustrating?

It’s weird that I overal think of Volume 7 as a mid-tier volume. There’s so much here I genuinely adore, with some of the best stuff to do with the show coming out of this season (barring lame, overpriced merch that feels like clothing gacha), but simultaneously the whole thing is let down by outside circumstances that unfortunately are ones the show can’t ever really recover from. Put bluntly, Volume 7 is the most technically proficient season of the show with the best lighting, backdrops, (some of the) character models, etc. CRWBY definitely didn’t slack off this year, but the problem isn't with them. It’s with the writing. A wider reaching problem is just that Miles and Kerry can’t really improve to the level that the series now requires. Eddy and Kiersei’s first season could have gone far worse, but it definitely was notable whenever they took over. Volume 7’s core problems are fourfold: The comedy is terrible and none of the jokes really land, the season focuses on the wrong plots and gives them too much effort, too many episodes are spent building up to new plots only for them to be weakly resolved (especially the Mantle Riot/Grimm attacks that are shoved off-screen), and the character bloat strikes hard here and leaves a lot of the cast feeling like dead weight. CRWBY don’t need more writers. They need more editors willing to tell the team what has to go instead of them hemming and hawing themselves on if they if they can include a plotline. The election never should have gotten past its first draft, there was too much already in this season before adding that.

When this is an unironic shot in your series... you’ve got character bloat issues.

At this point, I think JNR need to go. The show had no idea what to do with them throughout the season, leading to Jaune just being comic relief while Ren and Nora became characters I actively dislike. Renora was the easiest ship in the show to land, and they still managed to blow the engines and ram at least three icebergs just to prove that RWBY can’t romance to save its life. Team RWBY themselves are little better, with Ruby’s feelings about Penny’s return being shelved, Weiss’s victory against Jacques feeling un-earned and undercut by comedy, while Yang and Blake are benched for the volume and become a singular entity with how tied at the hip they are. Maria basically yeeted herself out of the show and I didn’t notice, Pietro is just a death flag, and while the Ace Ops had a good intro, it was undercooked by how they had to play the villain role to give RWBY something to do in the final hours. Cinder and Neo didn’t need to be here. Robyn had one of the worst introductions for a character I’ve ever seen, I never enjoyed her moments and it genuinely feels like she only has a fandom because RWBY’s community are in fact that desperate.

On the brighter side, Ironwood’s arc is fucking perfect and Jason Rose deserves all the love. Great fight, great song, great design, love the beard, it was a perfect downfall for Volume 7’s true protagonist. Qrow had a fun volume and I loved his dynamic with Clover (I don’t see the ship stuff but that’s more because I’m an IronQrow main so my blinders were on). Clover was also way cooler than I remembered. His fights stood out but the guy’s just really cool at the end of the day, with Chris doing great work as a VA. Oscar even managed to do stuff this year which was a shock and a half, but a welcome shock and a half. I didn’t mention it, but the Ozpin fear monologue is one of my favorite scenes in the entire show and it and the Ironwood/Oscar confrontation in the vault save the finale. And of course, Watts and Tyrian were the MVPs. I don’t have a bad word about either of them, they fucking nailed their roles and I can’t wait to see them again.

And that’s kind of what I mean when I say Volume 7 flummoxes me. It’s frustrating at times with how it handles seemingly easy tasks and drops the ball. Renora went from “everyone liked that” to wondering how badly Ren’s stuff got butchered for him to be the way he is. RWBY themselves could be almost entirely cut and so little would change, and the fact that the finale basically hinges its entire emotional stakes on Winter, Penny and Oscar is a staggering call. And it really feels like the season was compressed beyond necessity because they decided going in that Volume 7 had to end on Salem’s arrival. There’s two volumes worth of material here, and maybe it would have been best to have broken up these events. Volume 7 does too much in too little time, and RWBY especially suffered from it. But when it works… it’s good. Never close to the highs of Volumes 6 or 3, but there’s genuinely good material here. The fights are mostly getting better with far less missteps than previously, the acting (mostly) continues to improve and it’s obvious that RWBY is a very good looking show at this point. Ironwood’s arc is franchise-wide highs, I loved Clover, and Marrow remains the best boi. But it’s frustrating that despite all the tech advances Volume 7 has made, it still makes such threadbare, rookie writing mistakes in cast management, comedy and character arcs. I’m glad Miles and Kerry finally realized that they needed more writers, but it won’t mean anything if the show just continues to circle the drain on the core mistakes it’s been making since 2013. Volume 7 has good in it. But I can see where it could have been great.

Thanks for reading, stan IronQrow and please get Whitley a therapist.

And for the love of God already make an Ironwood vs Watts shirt!

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fleckcmscott · 3 years

Text

After

Summary: Arthur is heartened to have Y/N back by his side. But moving forward isn't as simple as he'd daydreamed.

Warnings: Adult situations, Swearing

Words: 3,391

A/N: This request comes from @jokerownsmysoul! It's a continuation of Ch. 23 of Watch What Happens and takes off right after the last paragraph. Funnily enough, when Karen originally beta'd that chapter she said, "Where's their conversation? Oh, well, I guess it's implied." 😄 Special thanks to Domino, aka @thegirlwho, (who also wanted their conversation 😂) for sharing her point of view and helping me see things from a different perspective.

A good portion of my life is the exploding head emoji right now, so it's been a while since I've posted. However, I'm still here. Still writing. Still trying. Work on the new multi-chapter continues. If you've got any requests, let me know. Your patience, support, and you mean a lot to me. Thank you.

Nimble fingers twined through his loose, brown curls, a gentle tug as lips met and parted, met and parted. Her body surrounding that soft, most intimate part of him was visceral. Warm and wet. "I love you" fell from her mouth. Once, twice, more than the walls of his apartment had ever heard. He swallowed but was unable to murmur an appropriate reply. She came back, his mind affirmed. She came back.

Shit, I haven't mopped for a week.

Arthur braced himself on his knees and elbows to look down at her. The notched collar of Y/N's blouse had somehow remained uncrumpled. Strands of her hair fanned out messily over the beige, aged hexagons of the kitchen linoleum. Her tears had reduced to stains on her flushed cheeks. He brushed them away with the back of his knuckles. She'd said he hadn't hurt her, that she was happy. Both good things. If he could figure out the next step...

His eyes flitted back and forth between hers, brows pinched. Moving to kneel, he tucked himself back into his briefs, pulled his light blue pajama bottoms over his rear, then ran his hands along his thighs. "Have you had dinner?"

Buoyant laughter left her as she propped herself on her forearms. "I'm famished. Especially after that." She extended her hand and he accepted it gladly. When she started to pull herself up, he grabbed the other. Her kitten-heels slid the weave rug along the floor; it took some effort for her to get her footing. Once she stood, she tied the drawstring of his pants and adjusted her skirt. "Be right back," she said and scurried to the bathroom.

The thud of the door closing cleared the awe from head. He'd rather have kept it. Changes in mood were typical as of late. The bliss of her return was already twisting into dread. No longer consumed by the need to be inside her, his mind conjured questions, too many to brush off. He turned the knob of the toaster over. Studied the orange glow of its heating element. Had charity - or worse, pity - caused her return? Had distress afflicted her as deeply as it had him? Had she thought of him half as much as he'd thought of her?

Was she going to abandon him again?

He suddenly felt very silly and quite small for allowing himself a modicum of relief. Nothing had been clarified. By having a quickie on the floor after they'd barely exchanged a word, he'd set himself up to be hurt. The way he had when he'd kissed Helen, or when he'd considered Randall his friend, or when he'd believed, for one foolish minute, that Murray might be kind. He flinched against the fury simmering in his stomach. That same panic and anger from when Y/N had walked out of his apartment and, he'd been convinced, his life. He clutched the counter's curved edge so hard his fingertips went numb.

But then she curled herself into his side and squeezed him tight about the waist. Her blithe bearing was almost enough to quiet his tumult. "Anything I can help with?"

"No." He moved to dig through the freezer. Beans and franks with a brownie. English style fish 'n' chips. His mother's favorite, meatloaf. Only the teal packaging made them appealing. He grimaced at the meager offerings. He snatched one from the door, held it out with some trepidation. It was possible the gel-like gravy, slices of turkey roll, and drowned stuffing wouldn't put Y/N off. "Um, this was on sale. I bought a few."

"It's perfect." She accepted the carton and tore it open. "I heard a song on the radio yesterday that made me think of you."

"Oh yeah?" He closed the door of the toaster and set the timer with a flick of the wrist.

"The man was singing that his name was Carnival. That's your clown name, right?" She chuckled, dragged the black, wooden stool from under the counter, and perched on it. "It reminded me of the subway." A flirty pinch to his abdomen. "And that I still have to see one of your performances."

Arthur scoffed and averted his gaze, struggled to push through his anxiety and enjoy her. But he wasn't the type of man to let questions lie. When he'd gotten the courage to ask Y/N on a date, he'd taken the risk. When he'd read Penny's letter, he'd hopped on the first train to Wayne Manor. After the confrontation in Wayne Hall, he'd gone to Arkham and stolen that wretched file.

His curiosity tended to pick wounds that hadn't yet healed over.

The warmth of her hand met his back. "Thank you for giving me time."

The tenderness of her tone loosened the clench of his jaw. But he still couldn't bring himself to look at her. He'd done what she'd requested, because he'd feared mistakes would drive her further away, not because he'd wanted to or understood. He wondered if someone without a mental illness would have behaved differently. She'd pleaded with him to listen, kissed him goodbye, then left like it was nothing.

Whatever the case, her appreciation felt wrong. He didn't need gratitude. He needed answers. He inhaled sharply. "Why did you go?"

She traced the knobs of his spine. "I had to figure out the best way to be with you."

"Am I that hard to be with?" he bit out.

"Of course not. That's not what I said."

He gulped and released a ragged breath. "It broke my fucking-" He faltered when his voice cracked.

"Arthur, I didn't want to hurt you. I'm sorry." Her embrace was tight, a welcome pressure on his ribs despite the ache. Her palm slid up his sternum. "I was afraid to do more harm than good." He should have contradicted her, told her she was crazy if she believed loving him would damage him. But he stopped himself when she nuzzled his bicep. It was a while before she cleared her throat. "I love you more than I imagined possible." She giggled, then, and sniffed. "Which isn't bad for six weeks, Mr. Fleck."

Tears threatened as his eyelids fluttered. He managed to keep them at bay, covering her hand with his to distract himself. He pressed it tighter to him, until he thought her fingers might break through his chest. Finally, he met her stare. Found it full of love and what might have been joy at being together. In that moment, he knew nothing would ever separate his heart from hers.

~~~~~

"Christmas is coming up. Let me know what you'd like to do."

Arthur's slight nod was typical of their conversation this evening. Well, that wasn't quite fair. More like half of it. He'd been vacillating between bouts of confidence and timidity, with the latter tending to win out. He'd put his arm around her, examined the latest issue of TV Guide, and asked what she'd preferred to watch. She'd let him choose; he'd picked a three-hour variety show. Minutes later, he'd been squished into the corner of the sofa, legs neatly crossed with his hands clasped in his lap. She'd risen to refresh their ice teas, and he'd halted her with a kiss to her knuckles and his handsome grin. Upon her return, he'd focused on the floor and kept quiet. The changes were difficult to predict.

At least the periods of stillness made it easy for her to reflect, even as those reflections weren't entirely pleasant. She'd had faith in his ability to take care of himself and his judgment to reach out to her if he was in crisis. And while she had no regrets about taking five days to ensure she could sustain their relationship, she lamented the pain it had caused him. She'd detected it in his stiff posture in the kitchen. Seen it in his glistening eyes. Sensed it in his inconsistent reluctance to be touched.

It had been hard for her, too. The absence of their nightly calls, of shared laughter, of his presence had been keen. She would have returned to him without receiving his letter. But the ink on the page, with its occasional misspellings and earnest admissions ("I don't kno if I'm doing this right but I want to try. Maybe you want to try with me, to?") had prompted her to run to the subway before she'd taken off her coat. Confirmed that despite their differences, them being opposite in many ways, their hearts were the same.

He perked up slightly when the next performer came on, an old man from Whitefish, Montana and his paper mache ventriloquist dummy. Y/N's attention drifted to Arthur as he leaned forward onto his knees. Though the act was nothing special - terrible jokes, drinking water while the puppet talked, strumming a ukulele as it sang - his face crinkled in amusement. "They just have regular people on there," he said. "I haven't seen anyone from Gotham. I should try out."

Thankful he was focused on the show and not her, she pursed her lips. Had he forgotten how Murray had gone? Or Pogo's? Then again, he'd believed both had gone great. And she wanted him to succeed. To strive. To dream. His determination impressed her, made her proud. She searched for a truthful but kind answer. "Once you've got a set you're comfortable delivering, sure. Would you send a tape? I have a recorder you can borrow."

"I wrote a lot this week. Not many jokes but I've done some brainstorming." He flicked ash from his cigarette into the pink ashtray on the coffee table. Splayed his fingers and rubbed his palms together. The bob of his Adam's apple was faint in the dim, blue light. "Do you- Do you want to sleep over?" He turned to her.

Elated, she smiled widely and shifted to sit side-saddle. "I'd love to, but I didn't bring any clothes."

"Hold on." He rose from the couch and disappeared into the bedroom. After a minute, she followed to find him digging through a couple of cardboard boxes. Boxes filled with his mother's things, she realized. She'd have to follow-up for details, find out what had happened to ensure the transition would go as smoothly as possible. Though the relationship between him and Penny was complicated, change wouldn't be easy.

He held out a threadbare, light-blue, nylon nightdress with ruffled cap sleeves and a ribbon at the neckline. "Here."

Y/N cocked her head. The gown was exceedingly narrow, its seams stretched. If she had been inclined to wear it, it wouldn't have fit. Arthur's hopeful expression made it plain he did not see the oddity in offering his romantic partner his mother's nightwear. It was logical, she supposed. His years had been spent living hand to mouth. He didn't have any siblings. Hand-me-downs - a spare sweater here, a pair of socks there - would have come from Penny. A tad strange, to be sure. But poverty had a way of making the abnormal normal.

"Thanks," Y/N said. "But I'll be fine in my panties." At his pout, she closed the inches between them. "If you have a t-shirt, I'll take it." His brows lifted and he gave a toothy smile, comprised of surprise and conceit. The shirt he retrieved from the living room was plain and white. The lightly stained armpits didn't bother her, nor did its loose fit. It was part of his work outfit, he explained. And he claimed she looked cute in it.

Her sleep was restful, deep, better than it had been the last two weeks. Arthur being nearby and her certainty when she'd lain her head on his pillow had calmed her. She didn't think about the Wayne Foundation. She didn't worry about how to pursue a future with him. She didn't waste her energy being afraid of powerlessness. Warmth filled her, aided by contentment and cozy blankets.

When the mattress sunk beneath his weight, she didn't check the clock. Judging by the speed with which her drowsiness dissipated and the blackness of the room, it was likely around 4:00 AM. She'd gotten a solid five hours. With a slight stretch and mewl, she blinked up at him. Her elbow accidentally bumped his chest. "Aren't you tired?"

"No." He palmed her shoulder, caution palpable in every movement. Then his caress dragged down her upper arm, hovered over her breast.

She stroked his stubbled cheek. "What are you up to?"

"Making sure you're really here."

It was unclear if he was kidding. The extent of his imaginations or hallucinations - if that's what he experienced - weren't yet known to her. She recalled how he'd clutched her jacket, the way he'd fiddled with her wall calendar and coffee table when he'd come to her for help. Tactility oriented him, as it had her father before the final stages of his diagnosis. And, outside of acute episodes, Loving Someone with... had advised her to carry-on as always.

Laughing gently, she entwined their legs. "Where else would I be?"

"I don't know," he scoffed. He tucked his chin. Silence permeated the room, interrupted only by their exhalations. Eventually, he spoke, his rasp bashful and desperate. "Are you going to leave me again?"

"No." She pressed his hand to her breast, tried to soothe his tremble away. "I like it here."

She could hear his smile in the dark. He dipped his head to capture her lips. He kissed her and kissed her and kissed her again. She kissed him back until she ached with emptiness. Until she felt him hard against her hip.

"Y/N?" he breathed into her mouth.

Her pulse throbbed in her ears. "What?"

His forehead met hers and she shivered all over. "I wanna make you come."

~~~~~

Drip, drip, drip. A calming, predictable sound. The pungent smell of generic brew wafted to his nostrils, slightly burnt but familiar. Coffee. He was making his girlfriend coffee before she went to work. After they'd made love and snoozed until sunrise. After she'd admonished him for smoking in bed, then caressed his flaccid sex and teased him about his "secret freckle." (He'd covered his face in horror and delight and promised himself that one day he'd find a "secret" on her.) He hummed along to the radio, though he disliked the song, and whistled while he filled their cups. Once he'd added three sugars to his and the last of his milk to hers, he padded to the bath. He leaned on the doorframe, an imitation of nonchalance.

In her apparent rush to get to him, Y/N hadn't simply neglected to pack a change of clothing. She was swiping his stick of deodorant under her arms with haste. When she grabbed his comb and tried to tame her hair, he didn't mind. She declined his offer of Penny's eyeliner and mascara but that was fine. She didn't need them, anyway.

As she buttoned her pleated blouse, he giggled. He'd heard jokes about women going to work in identical outfits two days in a row. The innuendo had escaped him until now. A thrill went through him at finally getting the joke. He blushed. "You're dressed the same."

"I left Patricia a message that I'd be late. It won't surprise anyone." She accepted the proffered mug and took a long drink. A mischievous look as she arched a brow. "She'll want details."

Arthur's eyes widened and he rubbed his forehead. This would take getting used to.

She squeezed a line of toothpaste onto her index finger. "What are you doing today? Any gigs?"

He shifted his weight from one foot to the other, braced his arm on the wall. "I have to call the hospital. Figure out where to send my mother." He was glad to begin the process of moving on, moving forward. To start building a life of his own. Freed from the woman who hadn't protected him. Paired with the woman who understood him most. Still. He was daunted.

After a few seconds of attempting to brush her teeth, Y/N rinsed her mouth and washed her hands. "The social worker should be able to help. There must be homes specializing in lobotomy patients, given how common they were. Actually..." She stepped to him and wrapped her arms around his middle. "I bet there's an advocacy group for the elderly in Gotham. I'll call around on my break. We can have lunch and review their recommendations."

The tightness in his chest prevented him from holding her gaze. His longings for kindness didn't make it any less peculiar. He hoped he would be able to accept it without skepticism soon, like a normal person. That he wouldn't wait for the other shoe to drop. He tried to fight his negative thoughts rather than give into them.

But he couldn't. Not yet. "Why are you doing this?" he mumbled.

She gave a small shrug, as if what she was about to say wasn't a miracle. "I love you. Why wouldn't I?" Before he could react, she walked to the front door and slipped on her heels. "Besides, we should plan this weekend. Shall We Dance is showing at the Monarch. We could catch it and have dinner at my place. And there's a doctor I found for you - when you're feeling up to it. We'll go over the particulars."

The offer to see the film, one he knew every number of, was an obvious attempt to butter him up for that discussion. It would work. "That sounds nice." He went to her side and took her coat off the wall mounted rack, guided her arms into the sleeves

"Arthur," she started, zipping her jacket. Her pretty eyes met his. "I wasn't going to end our relationship. I don't want you to fear that."

He winced and clutched his hands together, annoyed she had raised the subject again after the wonderful morning they'd shared. "I believe you now."

"Back home, I made mistakes. That's why I needed time." She shook her head. "The thought of repeating them with you..."

Mistakes? What kind of mistakes was she referring to? She'd said her divorce had been mutual. A big fight with her sister or mother hadn't been mentioned. She almost never talked about what had happened with her father, other than to name his diagnosis and state she'd gone on medication. She was a good woman. Whatever she had done, it couldn't be that terrible. Not half as bad as the notions that wormed their way into his brain like a broken record.

Then she continued. "I didn't know what to do then. But I think I do now. " She nuzzled his sideburn and carded her fingers through his hair. "If I see you walking towards a cliff, I won't follow. I'll pull you back before you get there."

He stared at her, blinking rapidly as he tried to hold himself together. Her words felt like the kind of fantasy he'd created to ease his misery. To try to convince himself he should exist another day. That he should stick around. Multiple hospitalizations had proven that hadn't always worked. But this was new. Real. Maybe that reality would allow him, for a little while, to be all right.

He cupped her face, drifted his thumbs over her cheeks. She leaned into him, into the kisses he placed on her brow, her nose, her mouth. His lips parted but all he could manage was a shaky exhale. The press of his face to hers.

She must have noticed he was overwhelmed. It frustrated him - he wanted to find a way to articulate himself. But her peck to his jaw, her hand covering his, made him feel safe. "Meet you at my office at one?"

"Mm-hmm." He nodded into her hair, not quite ready to let go.

Gently, she pulled away from his grasp, took her purse, and opened the door. She smiled. "Call if you need anything."

At that, she strode down the hall in the direction of the elevator. He stepped out and watched until she disappeared around the corridor's corner. He rested against the door and closed his eyes, wishing harder than he ever had before that every morning would be like this for the rest of his life.

~~~~~

Tag list (Let me know if you want to be added!): @harmonioussolve, @ithinkimaperson, @sweet-nothings04, @stephieraptorr, @rommies, @fallenstarsabyss, @gruffle1, @octopus-plasma, @tsukiakarinobara, @arthur-flecks-lovely-smile, @another-day-in-chuckletown, @hhandley80, @jokerownsmysoul, @mrscarnival

#arthur fleck #arthur fleck fanfic #arthur fleck x reader #arthur fleck x ofc #arthur fleck x female reader #joker 2019 #watchwhathappens

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moviewarfare · 3 years

Text

A Review of “Zack Snyder’s Justice League (2021)”

The movie that hardcore dedicated Zack fans fought for has finally been released. I'm not a huge Zack fan and I honestly didn't like Batman v Superman (BvS), although I did like Man of Steel, I also supported the movie because I believe the movie released should've been Zack's true vision. I watched Justice League (2017) in theatres when it came out and thought it was a very bland movie that had very obvious reshoots from another director in it. If I had to give that movie a rating then I would give it a 1.5/5. The premise is still the same "Fueled by his restored faith in humanity and inspired by Superman's (Henry Cavill) selfless act, Bruce Wayne (Ben Affleck) enlists newfound ally Diana Prince (Gal Gadot) to face an even greater threat. Together, Batman and Wonder Woman work quickly to recruit a team to stand against this newly awakened enemy. Despite the formation of an unprecedented league of heroes-Batman, Wonder Woman, Aquaman (Jason Momoa), Cyborg (Ray Fisher) and The Flash (Ezra Miller) -- it may be too late to save the planet from an assault of catastrophic proportions". So does this live up to the hype or is it overrated?

Let's get this out of the way first, this version is infinitely better than the 2017 version. The best scenes in the 2017 version were all Snyder from watching this version. I did wonder how different this version was going to be from 2017 one but it feels completely different. I would say 70% of the 2017 version is in this movie but the editing, removal of Whedon scenes and addition of new scenes changes this into one with tonal consistency and coherent storytelling. Since this version is longer, it also feels like there are more build-up and tension throughout. Due to this every scene that was also in the 2017 one now feel a lot better and earned. The screenplay is still written by Chris Terrio but unlike BvS it feels a lot more engaging and not unironically silly. Some powerful and emotional lines here resonated with me which is quite surprising.

Additionally, the action scenes are more enjoyable in this one due to its R rating and how it's longer now. The biggest change is to the action in the climax where instead of in 2017 where Superman does everything, the team all contribute so it feels like everyone was relevant to the team. Junkie XL returns to score this version from BvS and it is amazing. His score adds a lot of impacts compared to Danny Elfman's 2017 version. It's a lot more memorable and makes scenes feel more exhilarating. There is also an Aquaman and Flash theme of the sort that sounds great albeit not as iconic sounding as say the Wonder Woman, Lex Luthor or Superman theme from BvS. The cinematography by Fabian Wagner is pretty good for the most part and there are still those gorgeous shots that we expect from Snyder. The humour from the 2017 version is now toned down substantially so no more "wHaT iS BRunCh? or Flash landing on Wonder Woman boobs, thank god. Surprisingly, there is still a fair amount of humour here compared to BvS which some say was lacking in a lot of fun. The humour in this version land a lot better and is the right amount as well which add some levity to a mostly serious natured story.

The biggest improvement this version has is the characterization. Cyborg has a proper fleshed out arc in this version. You have a greater understanding of his dislike for his dad and his feelings about his current situation but still having a believable development where he grows to accept who he is now. He is the heart and soul of this movie in thanks to Ray Fisher's wonderful performance. They turned a character I barely cared about even before the 2017 version, into one of the most interesting and memorable characters. His relationship with his dad played by Joe Morton is some of the best aspects of the Justice League. They also conveyed his power very well and made it seem incredibly powerful. Flash is also improved a lot as he now has more to do. Despite still being the comic relief of the team, he is no longer unbearably annoying or treated as trash compared to Superman and is now actually doing super cool things that make him way more interesting. Ezra Miller is quite lovable in those comedic moments which are genuinely funny but when the serious moments come, he delivers a great performance.

Aquaman has some slight improvements as well. More scenes are explaining his reluctance to become King of Atlantis and also some more scenes showing his stone-cold outwards personality but hidden kindness compared to the others. I also love his interactions with the Flash including a small scene where Flash is asking Aquaman which looks better which is just a nice interaction. He also does a bit more aqua looking powers in the neat climax. Wonder Woman has more action scenes that make her more badass which is nice. Her animosity and rivalry against Steppenwolf is a lot clearer as well. She also has some nice interactions with nearly every member of the league including Superman and Alfred. Batman has a naturally continuing story from BvS where he is the one who is trying to assemble the team. His interaction with Alfred are some of the best with Alfred questioning him not doing things with a reason but from guilt instead. Unfortunately, his action scenes don't live up to that of BvS and he doesn't change at all from beginning to end. Superman appears near the end, so there isn't much to his character arc or story since it was just beginning. He wears a black suit in this version but it doesn't have much significance in terms of story or reason behind it apart from it looks cool I guess? Batman and Superman the most iconic characters are the weakest characters in the story surprisingly. Steppenwolf (Ciarán Hinds) has clearer motives this time around as he now wants to collect these Motherboxes to get back into his master, Darkseid, good graces again. His new design makes him look more alien and his action scenes make him more fearsome. He is a better villain compared to the 2017 version but is still just someone for the league to fight rather than an interesting villain.

However, some characters don't improve in this version including Lois Lane (Amy Adams) who in every scene is just mourning Superman. She is described as a key character but doesn't do anything else apart from hogging screen time. Commissioner Gordon (JK Simmons) has fewer scenes in this version compared to 2017 and both just involve him talking. Makes me wonder why JK Simmons bulked up for the role just for talking scenes.

The 4-hour length of this movie is honestly fine since it is releasing on streaming and since fans have been fighting for ages, they might as well see everything that Zack shot. However, in terms of the story, the movie could still convey important aspects without having to be 4 hours. There are a lot of scenes that drag on for too long or pointless scenes that don't add much which could easily be cut. The pacing of the first half is incredibly slow as well and it takes a fair amount of time for things to start picking up. There are also some scenes with slo-mo and some vocal song in the background that are kind of cringy and go on for way too long as well. The team don't even assemble until over 2 hours. The ending also goes on for too long which is weird as there is a very satisfying ending but then it keeps going. This new additional shot ending from Zack is cool but it feels slapped on. There are also some scenes concerning a certain character that occurs over halfway through the movie but is just really distracting from the main plot. They then appear at the ending but it feels kind of unnecessary for the story. I don't particularly mind the 4:3/square ratio that this movie has but it does take a while to get used to and I still find 16:9 would look better on my TV. Finally, some of the CGI looks bad and unpolished which is slightly distracting because they are very noticeable.

Overall, I was incredibly surprised at how much I enjoyed this version of the movie. I'm not a big fan of Zack Snyder but this might be his best work so far. I am glad he got to release his vision of Justice League and hope that this isn't a complete one-off thing. This was a great win for fans and was worth the long, gruelling fight.

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duhragonball · 3 years

Note

Krillin for the character ask :)

Give me a character and I will answer:

Why I like them: It’d be easy for me to say “he’s just a good dude” and leave it at that. I think people would agree with that statement, but I think it runs deeper than that. The thing that stuck with me about Krillin was when I was checking out the bonus features on the Movie 6 DVD I bought in 2002 or whenever, and they had an interview with Sonny Strait where he explained that Krillin only got into martial arts to impress girls, and that was the same reason Sonny got into voice acting. Maybe I’m misremembering that, but it always stuck with me.

Krillin wants things out of life, and unlike a lot of the other characters, he’s not looking to get them by wishing on a magic dragon. He wants to become worthy of the things he wants, and he may not always be sure of how to get there, he knows that he has to become more than he is.

Recently, I’ve been seeing excerpts from Barack Obama’s book, where he talks about reading up on subjects to try, unsuccessfully, to get girls to like him in college. I think the idea was that he was trying to be self-effacing, but it hasn’t gone over very well. I’m not sure if the problem was that he wasn’t being self-effacing enough, or if there’s something more sinister about reading Karl Marx just in case it helps your odds of getting noticed. I’m not going to wade into that controversy, except to say that it reminded me of Krillin.

Is it shallow to have self-serving reasons to improve yourself? Did I just answer my own question? The point I’m making here is that it’s a useful motivator. Krillin has self-esteem issues, and he joined the Orin Temple and then Kame House to try to overcome them. He thought “If I just get really good at this one thing, then people will like me.” And we can say “Oh, no, it doesn’t work that way, Krillin, people like you because you’re a such a good person, and besides, it doesn’t matter how good you are at martial arts.”

Okay, fine, let’s assume that’s true, and Krillin deceived himself by training in martial arts. Oh no! He put in all that work, and all he got out of it was... being the strongest human on Earth. Shoot. He made himself a better person for nothing.

The reality is that I don’t think he would be as well-liked if he hadn’t gone down this road, simply because people wouldn’t have gotten to know him. That’s really what it’s about. It’s easy to say that you’re liked for “who you are on the inside”, but what people really want is to be noticed long enough to be liked for who they are. And sometimes you gotta take a long look at yourself and say “I need to do something to grab people’s attention.”

And sometimes, in order to motivate yourself into that kind of work, you have to play that trick on yourself. “Just think, if I put in those extra reps in the gym, the ladies’ll be all over me!” And it never actually happens, but it gets you through that workout, and the next, and the next, and the next.

I think we can all relate to that. I’m writing this because three people asked me to, and I’m sort of hoping a few more will see it and like what I wrote. I try to get better, because I like the rush of validation that comes with it. And if I don’t get it, well, boo-hoo, I wrote a few hundred words about Krillin, a subject I enjoy writing about. It’s a no-lose situation, and there’s some non-zero chance that attractive single women might see this and decide to slide into my DMs. It’s a tiny chance, hardly worth mentioning, but it’s a lot higher than if I just sit in my apartment and stare at the wall.

Why I don’t: Ocean Dub Krillin really rubbed me the wrong way, because they wrote and voice directed the character to be really nebbishy. That wouldn’t necessarily make him a bad character, but it definitely conflicted with what you see on the screen, where he’s stepping to Nappa, Vegeta, Dodoria, and everything else he has to deal with. Once Sonny got the role, everything turned out cool. Mondo cool, if you will.

I suppose I should point out the flip side of what I wrote above. Krillin’s so focused on being worthy that he fails to recognize his achievements. That’s admirable in its way, but it also makes you worry about the guy. Like, he knows 18 is crazy about him, right? Wait, does Obama know people like him? Do I? Oh I might have made myself sad there for a minute, excuse me.

Favorite episode (scene if movie):

Probably the moment he tries to take on Super Buu all by himself. One of the cool things about Krillin is that he’s taken on every major villain from Piccolo Junior to Buu, despite being outclassed. I think the Super Buu thing is the best one, though, because in that situation there’s literally no chance of anyone jumping in to save him. His entire plan is to hold off Buu for a few seconds and maybe buy a few minutes for the others. He’s doomed and he knows it won’t even work as a diversion, but he still jumps in anyway. It proves that this is who he is. When there’s literally no one left to impress, and nothing left to gain, he’ll still play things out the same way.

Favorite season/movie: The Androids/Cell Saga is probably his best material overall, just because of his conflicted feelings regarding 18, and the difficult choices he makes because of that. You can make a strong case for the Namek Saga, where it’s literally just Krillin and Bulma and Gohan, so he has to take the lead by default, but I’m just not that into the Namek Saga.

Favorite line:

This is really more from one of the video games. I think Budokai 3, but I’m not sure. Piccolo demands custody of Gohan and Krillin’s like “No way, you’re probably gonna eat him or something!” and I’m pretty sure this wasn’t in the Ocean Dub, so it completely caught me off-guard, like it was the last thing I expected Krillin to say. And then Piccolo comes back with “I’m not going to eat him!” like he’s offended at the very suggestion. As a runner-up, I dig that part in DBZA 54, where Trunks and Vegeta are both reeling from their losses to Perfect Cell, and Krillin reminds them that they don’t have to posture around him, because it’s just him... “Krillin. Everyone’s friend.”

Favorite outfit: That’s easy.

Yeah, the Frieza Soldier armor looked mighty good on this dude, and the cop uniform does too, and the classic Turtle Hermit outfit is a signature look, but this, right here, is the Krillin for me. My man’s got the blue shirt under his orange shirt. No more of the Yamcha slipppers. Those look great on Yamcha, don’t get me wrong, but Krillin needs those big chunky Goku boots, because they’re perfect for stomping those pesky girlfriend-exploding remotes. Fellas, this is the ideal male body. You may not like it, but this is what peak performance looks like.

OTP: Maron HAHAHAHAHAHA oh wow. No. It’s 18, obviously.

Brotp: Clearly Goku is his bro, but it’s not surprising at all how effortlessly he gets along with just about everyone else. He’s bros with the entire world.

Head Canon: I’m pretty sure the Maron/Marron thing was just a coincidence in real life. Maron the girlfriend was a filler character, and Marron the daughter was introduced in the manga some time later, and both used the same naming convention to end up in the same place. However, I choose to believe that Krillin actually named his kid after his ex, and he somehow convinced 18 to go along with that idea.

By that, I don’t mean he had to sweet talk her into it or promise a bunch of stuff in exchange. I mean he must have discussed what to name their kid, and 18 was like “Your ex-girlfriend? Seriously?” and he was like “Yeah, I know she’s a ditz, but you gotta understand I was in a really low place and she helped me through it.” Or something like that, where once he lays out the whole reason 18′s like “Yeah, you know what? Okay.”

Or maybe Maron helped deliver the baby or something. Or she was the surrogate mother? Holy shit I might be onto something.

Unpopular opinion: Krillin clanks when he walks, due to the solid brass balls he’s got.

youtube

A wish: They should do a movie where Krillin just fights Frieza and wins. Decisively, undisputably, irrevocably. Krillin is stronger than Frieza from that point forward. I don’t care if that means nerfing Frieza or godmodding Krillin, but I just want it made plain that if they use Frieza from here on, it has to be with the understanding that Krillin can whip his ass at any time.

That might sound silly, and I guess it is, but you see what this accomplishes, right? It forces Frieza into a new character dynamic, so it’s not just the same old shit with him. Or Toei collectively admits that they can’t use him anymore, which was what they should have decided in 1995. I’m fine either way.

An oh-god-please-dont-ever-happen: Don’t grow his hair back, okay?

5 words to best describe them: Qualified to sell real estate.

My nickname for them: The Kriller.

#ask duhragonball #dragon ball #krillin #heavydbz

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helahades · 4 years

Text

By the Water Fountain

(Natasha Romanova x Black!Fem!Reader)

A/N: This is my entry into @fanfictionaries trope challenge! I sort of completely twisted the prompt up. Mine was Best Friend’s Brother.

This fic doubles as a songfic for Water Fountain by Alec Benjamin.

I recommend listening to that song before reading. ( on youtube // on spotify )

Warnings: Red Room like abuse. Codependency. Trauma. Angst. Rejection. Seriously, abuse. Everyone is abused. Injury. Dissociation. Trauma.

Word Count: 3.4k

—

Under a blended peach sky, and during the in between that hangs both the sun and moon, a pretty girl is thinking about her soft and unshakable love for you.

Practice is over, and you’re smiling, looking out across the courtyard from where you sit with Natasha on the fountain’s edge.

“Do’ya ever want to get married, Natalia?”

When you say her name, it’s tangy and sharp, the Russian way, with a hint of Spanish, but gentle all the same. A drip of nectarine streams over your lip and down your chin, and you don’t even catch and cover it like you might if you weren’t high on dreams.

This dance academy seems like forever sometimes—its been years of your life since they demanded your recruitment—but you always take time to dream. If you don’t, Nat won’t, and her unspoken appreciation of your hope keeps the both of you warm.

At first, because she can’t help it, she thinks about marrying you, as if that’s what you meant.

“Maybe someday, I guess,” comes a thoughtful monotone that only Nat can conjure, “Why—you thinking about marrying Alec?”

“God no,” you huff, cuddling into her shoulder as the fruit goes bitter. She opens up to you physically in a minute way, receiving your warmth and closeness despite the neutrality of the coming breeze.

“Well...I just don’t know actually,” you continue, “The two of us fell in love way too young, you know… And I needed him then, so maybe it was more like dependence.”

Shifting on the cool stone of the fountain's edge, you are suddenly aware of the way the tights sit on the skin of your thighs, stretching with each movement.

It becomes hard not to think about the love shell you’re trapped in. Everyone at the academy has found a different way to cope, and for some, including the you of the past, that meant lying with someone just to remember intimacy.

That was before. Before you knew the meaning of the word, and before after dance practice naps in your little haven turned into kissing and heat and softness.

Some days, swaddled up and tangled with the other, you would press kisses under Nat’s jaw, where she smelled like cinnamon and flowers and fabric softener, and she would giggle like the world never gave any weight to feeling. She would dance her fingers along your spine when the peach stretched into moonlight, and the darkness would stun her into remembering you’re promised to another. Her brother.

“Sometimes, Nat…I think I love you instead, and that kinda scares me.”

You look at her, you squeeze the sour fruit.

She says nothing.

Her rejection is acid to your soul.

—

Shadows and blown glass and dried petals and the wood of your apartment at sunset.

It all runs through Natasha’s mind in a haze when she begins to think about the energy here and why she loves it, and why it feels so secret. She doesn’t go this far, but it all feels like sapphic poetry that a man might try to capture, but would never understand if he barged in here. It’s a secret world made for fond hearts.

When the both of you are here, you can pretend that your instructor doesn’t make you repeat across the floor routines til you bleed, or that you haven’t been criticized to the point of tears and vice. You shed the day together, so that when the masks go on in the morning, they aren’t shoved away by the bends of emotion. You touch and whisper and still yourselves passionately, being at one with dancing dust and ticking clocks.

Some days, you can’t explain, but she always understands, it’s easier to lie still and it feels like autonomy after a day of being forced to move. You can’t stop stretching your ankles and marking routines, and some nights you wake sobbing when the transition of a routine leaves you. But she’s here, like she always is, as you are for her.

You remind her to eat, when to stop, and when to put on clothes when the AC chill rattles too bitingly. You dream for her, until she can do it alone, and her soft grins grow into beaming cheesy smiles.

When you kiss her, she’s sweet. Her lips are plump and hydrated (because you can only stop dancing to drink water) and she makes soft sweet sounds against you that run down your throat and into your heart.

When she kisses you, she’s breathless, and she remembers all the ways you taught her to dream. She likes to hold your hand and kiss you languidly or sharply, like you have all the time, or none of it. Hands pushing up tank tops, thighs between each other, collarbone kisses, then Alec. He comes to take Nat home, to tell her it’s time to go, and he kisses you hard and scratchy before slamming the door, stealing your peace, and shattering your haven.

—

It’s not that you don’t like Alec. You did at one point, even feel in love with him. His energy is as strong as his body, and he seems to comically be everything Natasha isn’t. He fills rooms with overwhelming charm, his dancing is sharp, agile, cutting through the air like licks of flame.

You prefer to see Natasha dance in her tortured grace, she can be quick, but when allowed, her grace is slow like a bloom and moves outward from her form.

Natasha and Alec both have learned how to play this system. They’re both clever and witty, but Natasha is the best because of natural skill, while Alec is exceptional because he still runs the sibling rival race that Natasha dropped from years ago.

Alec plays everything to win, he is outwardly passionate, and to be the focus of his attentions is a life secured in… something. You love him in the way that you must love someone that is good enough, that can get you out of here.

If Natasha would say the word, you would leave him. She doesn’t hesitate because of some familial loyalty. Her brother isn’t a jerk, necessarily, just oblivious to the finer things. Nothing about the unique circumstances they’ve survived together brought them closer together as siblings. Natasha didn’t know that hurt people could heal from two into one. She didn’t know people should have someone to confide in, and you don’t really either.

Alec is just… a pleaser. A source of abject power in social circles. He rides the line of knowing how to deliver performance, but knowing which one will get the right results. He controls. And he is incredibly hedonistic. It’s hard not to compare this with how you and your best friend only try to pleasure the other. She lives for your smiles, even if they’re just chemical, and even if she has to squint for them in the moonlight.

There’s just something about having someone who knows hurt in the same way as you without explanation. You scratch a line in the baseboard by your door when one of you sprains or breaks an ankle again from the incessant repetitions forced upon you at the academy. You’re both fucked up enough to laugh about it.

You roll frozen water bottles over knots and stretch through the resistance of scar tissue. When the sky falls into the time of buttery peach, she falls into you, warm like sunset and lovers’ candles. You like to kiss between her thighs, where she smells sweet like sugar cane, even like bubbly hand soap, and you kiss the moons where her nails dug into her thighs too hard when she tried not to let the instructor make her cry. In the soft tissue of your underarms, when you fold over her, sometimes you feel the gentle drag of her body’s scattered hairs. And it’s intimate in ways unspeakable.

She’s pink everywhere. In her cheeks, in the reflection of her hair on the walls, between her thighs, and her lips. She feels vulnerable with you. It’s enjoyable in a way she resists some days. Reminds her of getting tickled. She hates it just like she hates not being able to pull the thread back that unwinds from her heart, and the way she opens when you smile at her.

It’s intimate and innocent the way you learn how another woman’s body can be different. The rounds of your nipples are wider, darker, softer in their edges. The curls of the hair on your mound roll into you, framing you, while Natasha’s aim down, straight, the way rain points down windows. Your eyes are honeyed caramel, Natasha’s are the splashes from the water fountain. You could look at each other forever. But you don't. You have class in the morning.

A frigid and grating rap of knuckles lets you know Alec is here. Shooting up, it’s a flurry of sweatpants and tossed scrunchies, a routine you and your best friend know too well. When you come to the door, he pushes in like he does, kisses you with the sharp grating of his newly shaved face. He groans into it, pulling you in with a scoop of a muscled arm. When he pulls away, your head drops. You can’t see her cat eyes, her firey hair, her composed face wearing its mask before she really should.

“Nat. Walk yourself alone, tonight,” Alec commands into the night, eyeing you with the calm and cool intent of predation, freezing the wax of your candles. The crickets seem too hush outside.

Nat makes for the door, with a face that reads as stoic to anyone who can’t read the slight upward curl of her lips. She pulls the ends up like strings, lest they melt into a grimace in front of this man made of fire.

“Are you sure”—

You knew it was futile before you began. He raises an eyebrow like you’re crazy, and she’s looking back, just for a second, eyes like oceans, before she picks up her bag and is out the door, walking brusquely across the quad.

You wish the chill had swallowed you instead. That you had slammed the door.

Motions happen.

You pull off your shirt, because he never knows how, he carries you to your little bed. His belt buckle hits the floor like a gunshot, and when he crawls over you, you stare at the ceiling.

—

“Baby,” he nudges.

When he touches you, you leap out of the fog, sleep leaving in a gasp.

He knows.

When he passed out without learning to perfectly spot during fouettés, they dumped buckets of ice water on his bare back. Poked him in the ribs for not improving his cambré. Made him balance relevé in the snow, naked, for falling out of it on an off day. You know why he’s the best. And it’s not because he wants to be.

“I’m sorry,” he whispers, accent tumbling. He rolls closer to where you sit, hands pulling your waist til you’re close enough to gather in his arms. He tugs you to lie with him. It’s comfortable enough.

“Baby,” he starts again, massaging a welt on your shoulder, “we need to get out of here.”

You want to scream at how obvious it is. You think about how you’ve cried it on your bathroom floor. How Natasha would say “One day.”

“And baby,” he whispers again, soft like he can’t stop, always, every night, “we’re doing it together.”

He presses a ring into your hand. It might not fit, it’s most likely stolen. But that’s not the point.

“I love you.”

The innocence has left.

—

The sun has risen, the sky is white like it’s running off a dandelion, and you’re in class.

Rose. Roza. You’re the rose, the pretty flower, paired with fire for a man.

You’re in the middle of a showcase—new dancers, new victims watching your display, sitting in a line against the mirrors, watching your demonstration with Alec before they themselves will go on and show their best.

It’s controlled—always. Each turnout and disengagement from the floor matches a single piano note. You face away from each other, the idea being that you can only trust yourself to be on time, and that your partner must know you won’t fail. There is a lift at the end, that depends on this synchronization, and if you fall before Alec comes ready from his pirouette, you’ll surely be injured. He’s always ready, it’s hardly a worry.

Launching out of your plié, you spin like leaves in the wind, like the flower they named you. Catching his eye as he plants after the pirouette, he catches you by the hips, raising you with a press of his shoulders. A gentle wrist, pointed toes, arched back, and the silence of your peers. Nobody claps. Claps are for the surprised.

When Alec lets you down, slowly and controlled, at least fifteen seconds after the final note, you catch a red bun when your vision levels. Mask sealed.

—

“Did you get home safe?”

“We don’t have homes.”

“Clearly not,” you spit, burning with her rejection.

Her face says nothing. You can only hear the spouting, rushing water.

“Does it not matter to you, Natalia,” you question, voice breaking slowly.

Her voice never comes.

“We’re getting married—Alec and I…”

You say it carefully. Like a threat. Hoping she’ll care.

“I remember the you that couldn’t imagine that.”

“I remember the you that didn’t make me want to.”

She looks bored. Like she’s waiting through the tantrum of a child. Your heart swells. Irritated with anger. Mask cracking.

You turn the ring in your pocket, upset with letting her win. Upset with knowing this is how it ends, and that your one day isn’t together. Upset with spending endless nights growing into her, just for her to watch you leave with indifference.

Pulling out a coin, the one that matches hers, the ones that you found before the fountain, you watch where she sits. You watch until she looks at you, and slide it closer to the water. You don’t push it in.

“He says he loves me. Who knows if he means it. But he said it...and you didn’t. I can’t be here forever, Nat.”

She blinks, willing words to come, and as you walk away, they still haven’t.

The sky turns sour.

—

Porcelain. Smooth, painted baby angel porcelain. You twirl like you’re in a music box, like a spring propels you. You dance until the days blend together, and you perform for Americans. You dance until they want to take you.

The rose and the flame.

—

Your American pointes are stiff. They expect you to break in new ones. When the sky turns peach, you’re under fluorescents, twirling like the wind. Twirling for hours.

“I heard Americans smell like wet dogs.”

He doesn’t bother to be quiet, and he’s smiling with the promise of intertwined futures. It also helps that no one practices as late as you, lovers more in love with a journey to come.

“I heard they have a lot of money.”

“That, they do, Roza,” his tongue rolls Russian, and he crosses to kiss the tips of your fingers. He’s so sweet in the nights.

His hands are unwrapped, his regular shoes are on the floor. Your eyes flicker to them, disapproving, before looking at him. Regular shoes scuff the dance floor.

“What will they do?”

He pulls your arms out of third, pulls your hands into his, stroking your locked up knuckles, undoing the forced curves of your hands. He’s telling you to come with him. To rest your overworked body. There will be plenty of time to practice in America.

It’s a sweet moment, soured only by being the wrong ending, and your unfinished business.

“Come with me. It’s our last night in this stupid place. Let’s celebrate.”

You let him pull you close. You kiss him and you mean it.

“I just have one thing to do.”

—

Knocking on Nat’s door, you realize it’s the first time you’ve done so and been unsure if she would answer. It’s 2am, after all, and the words you spoke before were very final.

When the door swings open, not enough time passes for a wait. She hadn’t been sleeping. There aren’t many words. There doesn’t have to be. What would you even say, really?

You go for a hug, but closing the distance, it morphs into a kiss. A gentle one. A sweet meet of the lips. A goodbye. Then, both of you are crying. Neither of you knows enough about America, enough about life without the other...but too much about saying goodbye.

There aren’t any words because they’re the kind of words you’ve already said to other people. The words that you hate to hear, that have been wrung too many times from the back of your throat to cover the spaces between that no language can. There aren’t words to say how this sucks.

Your lover, your confidante, your supporter. You try not to think about that strange fight. You try not to think about how she couldn’t say she loves you. You both know she does. Only she knows that her love won’t save you from this place. If you leave and have a boring life with Alec in some city or countryside, at least no one will beat you again. No more broken ankles, and no more bad jokes about them.

Some place squeezes in the back of your throat, pulling at the wells of your eyelids. When she pulls out your coin, the one you left behind, she presses it into your hand, watery tears on her pink cheeks, and she looks like a peach sky. Standing together with silent tears, it’s a moment before you calm them, breathing together like you would when tears meant harder hits.

You put the coin in your bra, giggling, because there’s nowhere else for it to go. She giggles too, and it’s a stupid thing, but the thing you find, because something needs to do. Something needs to be tallied in the baseboards.

“He’s waiting for me,” you whisper in your watery voice.

It’s always like this. Someone always has to start it with a timer.

You come closer because she’s so warm.

She strokes your face, pushing back some fly away hairs.

“You’ll do amazing. Don’t mess it up there. Don’t doubt yourself. Don’t be afraid of them…”

She pauses, conducting the waves that threaten her composure.

“Don’t forget me...I won’t forget you.”

And that is the most she can give. That is her love, in different words, and that is the most she can say without you deciding to stay. You’d tough it all out with her, but it wouldn’t be right. She will make it out. You need to believe it.

You kiss her again. You hold her hands, and you walk away before more tears fall.

—

When you wake up, your back and legs ache, but the sunlight is in your bones, and your soul is light with new beginnings, and mourning like you’re already gone.

Alec made love to you last night, and you enjoyed it. Maybe… maybe there’s some understanding. Maybe life won’t be bad.

When you’re walked to the car that will take you to the plane, you pass the water fountain. The sky is blinding and empty. So is the seat that Nat usually takes. You taste nectarines.

Alec squeezes your shoulder, and you’re back in the moment. He tells you he loves you, the wind twirling around like a blessing. It feels unearned.

It’s an easy car ride, and as time clicks by on the digital clock, you recoil at the car freshener blowing into your nose with the biting freeze of the air conditioner. You can’t stop watching that clock. You take moments when you know Natasha’s alarm is ringing on her floor, when class starts, when lunch begins.

You think about what the American schedule will be like all the way to the plane. You wonder where you’ll go when the sky turns peach.

Soaring over cities, you see water. You see the glimmer of Nat’s tears, and you wonder if she’ll see the same sea when she makes it out.

You wonder if she’ll think of you too.

—

(reblogs appreciated!)

tags: @xbuchananbarnes (ty honey) @invisibleanonymousmonsters (ily) @threeminutesoflife @honeychicanawrites @sapphirescrolls @tropicalcap @mariahthelioness29 @avintagekiss24 @allaboardthereadingrailroad @venusbarnes @hurricanerin

#fanfictionariesclassictropechallenge #nat x reader #natasha romanoff x reader #natasha x reader #ballet au #dancer!au #nat x black!reader #natasha x black!reader #natasha romanoff x black!reader #black!reader #woc!reader #nat x woc #nat x woc!reader #nat angst #natasha angst

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