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#but obviously it's more than that
collieii · 1 year
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one line in trimax that's always stuck with me is from chapter 65, right after wolfwood's death. when vash is sticking the punisher by his grave and he says "it was part of his life". that phrasing is so interesting to me. the neutrality of it is one thing that gets me, i think. it was part of his life. for better or worse, whatever it was, the punisher was wolfwood's.
It's pretty easy to think that the punisher might represent violence, the eye of michael, the role of assassin that was forced onto wolfwood, the loss of childhood. but it's not really presented that way, not overtly anyways. we never see wolfwood shun the punisher, he's not conflicted by his use of it. he never considers abandoning it for some other weapon. it's his weapon. he doesn't discard it when he eventually decides to take a more vash-like approach and actually let people live. he pretty easily accepts it as his own, a tool he can use. (to be fair, at least part of that is probably because the punisher is a very good gun.)
the punisher can still represent the harsher aspects of wolfwood's character, the violence he's committed, that he's capable of. that's an important part of his life! and the idea of it as representative of his violent adolescence, childhood that was stripped away, goes along with this - it's literally a cross to bear. but besides showing his past as a burden, i think of the punisher as being a cross of responsibility. when you have a gun you have power, agency - you have a responsibility to make a choice. that's what wolfwood tells vash in chapter 4.
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the ability to take a life, the burden of it, is literally his cross to bear. that ability - and that responsibility - was given to him by the eom, literally in terms of the gun, and in terms of his skills. but the eye doesn't think twice about killing people. for them it's not really a choice, a responsibility, it's just a given. but wolfwood can't accept that. he's constantly considering the choices he makes.
so the punisher isn't only a symbol of the eye of michael, of the path that he was forced onto. it's also a way of expressing autonomy. the eye gave wolfwood the gun, but he decides how to use it and what it means. for much of the story wolfwood struggles to decide what to do, he's a very conflicted character. but eventually he resolves to use it against chapel, against knives, to help vash, and protect the orphanage. the gun gives him agency.
so the punisher was part of his life. it was the tool that he used to commit acts of violence, acts that he was forced into, but also the tool he used to break free.
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it's heavy for vash, too. he's not exempt from that idea, the idea of responsibility. as wolfwood said much earlier in the story, vash has always been able to sidestep the question of "what do i choose?", because he's only ever given himself one option - everybody lives. and he's always succeeded. but as wolfwood says, "the day will come when you'll have to choose". one day, it's not going to work.
and of course the story progresses, the stakes ramp up, and vash learns more, goes through more, and is pushed to his limits. i think by this point, by wolfwood's death, and maybe because of it, vash has realized that he might have to make that difficult choice in the near future. that's one reason why he wants to "do him proud". he has a lot of reasons to say this of course - to not let wolfwood's sacrifice go to waste, for example. but if we're thinking of the cross as responsibility, then vash is saying he doesn't want to forget the lessons he learned because of wolfwood. wolfwood has always grappled with responsibility, with what the right thing to do is. and the right thing is often not easy. vash hopes that when the times comes for him to make a choice, he'll make a good one, one that does right by wolfwood's memory.
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kilometresrufflefuck · 10 months
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just realised the most important one didn't attach to the last post
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sysig · 3 months
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Permission to headbutt: Granted (Patreon)
#My art#UT#Sans#Papyrus#Ft. something smol and I do on a regular basis ♪#This could be Handplates or it could be classic Undertale I leave that up to you lol#I definitely picked up a lot of the style quirks lol - but there are some of the ones that I like myself! Like Papyrus' darkmode clothes lol#And Sans' shorts having the stripe in the front haha - little details ♫#Realistically it probably is Handplates tho just based on where my head's at lol - I love the Handplates dynamic :D#Handplates#I talked myself into it! Pfft ♪#I found myself relating a lot to Sans especially while rereading - I want nothing more in the world than for my siblings to be happy! <3#So I gathered up a bunch of ideas of things especially me and smol do together and this was the most obviously cute one haha#Easiest to do! Tho I did still go a little extra on this lol#I'm trying to do more digital stuff ♪ It wasn't the best art day and I'm still a little nervous to jump right in :')#Not doing any sketches on paper beforehand feels weird but I guess it is thematic in a way lol#And I'm still pleased with how they turned out hehe#It really does feel nice to be drawing them again <3#And doing silly sibling things! Hehe#I dunno how clear it is since it's so ingrained into how smol and I talk to each other lol family language!#One of us will literally just announce ''bonk'' and the other will prepare for/lean in for a headbutt haha#She is a tiny bit taller than me - it's not quite /this/ extreme but she does lean down for me! S'cute <3#I like to think Papyrus would do the same hehe ♪ Let your lazy brother headbutt you! He can only reach so far!#On minimal effort anyhow hehe#It's just a fun way to be silly together ♫♪#Also yes I did show this to her and she cosigned lol - ''Cute'' -smol
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wiisagi-maiingan · 2 months
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I am actually a Native person who has always gone by animal names, both my deadname and every name I've used as a trans person, and I think if you have a Native character who you feel would have a nature name (because of hippy parents or because they're trans or whatever), then you can avoid stereotypes by having ~more than one Native character~
I know, it's a shocking concept, but it's actually pretty easy to avoid contributing to stereotypes in your works when you remember that you are allowed to have more than one character from the same ethnic and/or racial group. Just have a different Native character with a "normal" name. Problem solved. Have fun.
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tibli · 7 months
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In light of that little "sharks are older than the north star" post, here's some other little fun facts i keep in my brain for such an occasion:
-mammals are older than flowers
-fungi are more closely related to animals than plants
-the t-rex existed in a closer period of time to humans than it did to stegosaurus.
-hyenas are closer in relation to cats than dogs
-the mitochondria in a human cell was originally a kind of bacteria that later evolved into the organelle we all know and love
-Cleopatra lived closer in time to the Iphone's debut than to the construction of the pyramids
-Oxford University is older than the Aztec Empire, and the modern English language (which i'm including Middle English in, as well, just for the record.)
-if you laid the blood vessels in a single human body end to end, it would be over 60,000 miles long, or, long enough to wrap around the earth twice.
-the oldest company in the world still in operation is kongo gumi, which was founded in the year 578
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snarkspawn · 8 months
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some floating heads of my boy Asher, his guardian and his favourite people to go adventuring with ♥
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the other thing about being disabled in academia is everyone is like "yeah we can't do much about the buildings they're old :/" as if "old" being a synonym for "inaccessible" isn't just a constant reminder that the people who built the school did not imagine that someday someone like me might study there
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swampthingking · 1 month
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can’t study for my test because i’m having brain rot about neil accidentally getting super drunk and stumbling up to aaron like “andrew???” and aaron is like “wrong one” and neil is like “andrew.” and aaron is like “???? are you stupid” and neil goes to look for andrew but he stumbles into the table, and aaron has to catch him or he will get trampled for fucks sake, and neil just collapses into him in a drunk cuddly heap. and aaron is like “neil. you need to stand up” and neil is like “i am” and aaron is like “that’s because i’m holding you up” and they get neil to stand but neil kinda just flops into aaron’s arms again. and neil is like “i don’t hate you, i don’t, but it’s okay if you hate me” and aaron is like “ugh, ew are you really an emotional drunk???” and neil, to aaron’s horror, looks at him with tears in his eyes because you know when you’re too drunk and you kind of just get a little scared and you need help???? ya. and aaron is like … ok. and kinda holds neil until andrew comes back from the bar with more drinks. and he sees neil basically asleep on aaron’s shoulder, and aaron looking uncomfortable but accepting, so he kinda raises an eyebrow, an okay? and aaron nods and is just patting neil on his back
and tomorrow they’ll wake up and neil will toddle downstairs with his hand against his temple and aaron will have advil ready for him, and he’ll say “you’re annoying and you don’t know when to shut your mouth or mind your own business, but i don’t hate you” and the thank you for helping repair my relationship with my brother and thank you for testifying and thank you for staying goes unsaid but yeah
and that’s how aaron and neil became kind of friends
edit: vomited out a one shot for y’all (this will prob become a 5+1)
Aaron swirled his drink a few times, listening to the ice clacking against the glass.
Eden’s was packed tonight, courtesy of it being the end of the school year. College students and the regular patrons flocked to the bar, the dance floor, and all of the tables, leaving Aaron to reserve a high-top table, and his legs to dangle from the stool.
“Drew?”
Aaron ignored him in favor of the twinkling sound the ice makes in his glass. He’d already taken shots, danced, had another drink, danced again, and now Aaron’s body was heavy with alcohol and exhaustion.
“Drew,” Neil said again.
Aaron looked around their table and didn’t see Andrew. He remembered Andrew getting up and walking to the bar with their empty tray. Aaron found him a few seconds later, hands in his pockets at the bar. That and Neil, staring up at him, looking uneasy.
Before Aaron could tell Neil to get out of his face, Neil was speaking.
“Are you’nt having fun?” Neil frowned, blinking sleepy, hooded eyes at him. He leaned closer to study Aaron’s face.
“What are you doing?” Aaron grumbled, pushing Neil’s face away.
Aaron hadn’t even pushed him hard, he more removed Neil from his space rather than pushed him, but Neil wobbled like his world had tilted out of orbit. Aaron realized, quickly, that Neil was going to fall backwards. He grabbed two fistfuls of Neil’s shirt and pulled him forwards. Neil’s head lulled on his shoulders with the force, his chin hitting his chest then righting itself.
Aaron’s stomach lurched, sick with the thought that someone had put something in one of Neil’s drinks, as he would for anyone, but thankfully he’s never been put in that situation. Neil’s eyes were hooded, his face flushed. Aaron snapped once at Neil’s ear, and Neil recoiled immediately.
“Does your head hurt or anything?” Aaron asked. Neil shook his head, frowning.
“Are you dizzy? Follow my finger.” Aaron pushes Neil back so he can see his face, keeping one hand on Neil’s shoulder to hold him up. Neil follows Aaron’s finger as it moves back and forth, albeit a little labored, but not as if he’d been roofied. Aaron declares that Neil’s reaction times and responses are fine, but he still pulls the front of his shirt up and checks his belt, the button of his pants.
“What—?” Neil slapped a hand on his abdomen, stopping his shirt from being lifted any higher. Aaron didn’t need to see anything but his pants, but it was reassuring that Neil still had inhibitions.
His clothes were fine. His belt was still done, zipper up. No one had tried anything. Aaron relaxed.
“Sorry,” Aaron said. “Sorry, I just needed to…”
While racking his mind back to why Neil is this drunk, Aaron remembered Neil taking shots with Aaron, Nicky, and Kevin. Four shots. He’d seen Neil sip on another drink like the idiot had the tolerance for alcohol that the rest of them had.
“You’re a fucking idiot,” Aaron said and released Neil. Neil attempted to step back, his hands raised in surrender.
“No?” Neil asked warily. Even drunk as fuck, he still respected boundaries. Andrew’s boundaries specifically, as it still hadn’t registered that he wasn’t talking to the right twin.
“I’m not Andrew,” Aaron said.
“Where’s Andrew?” Neil asked, turning his head pathetically in search. Aaron only had a good view of Andrew because they were seated at a high-top. Over the throng of taller people coupled with strobing lights, Neil’s view was obstructed.
“At the bar,” Aaron nodded in that direction.
Neil turned towards the bar. Well, he attempted to. He pivoted, lost his balance, and toppled into the table. He tried to right himself and started to fall to the other side. Aaron caught Neil before he could bust his shit and get trampled.
“Jesus Christ, Josten,” Aaron spat, righting Neil with hands on his biceps. Neil slapped a hand on the table and leaned his weight on it. The table quaked under such abuse, but held.
Neil turned slowly, grappling against the table as if he was standing in one of those spinning fair rides. In his excursion to simply spin 180°, his hand slipped off the edge of the table as he faced Aaron once again. He reached for the table, missed, reached for it again, missed, said, “Motherfucker,” under his breath, and finally gripped onto the edge. His eyes locked on Aaron’s again, and Neil’s useless hand landed on Aaron’s shoulder.
“Andrew,” Neil said. Aaron didn’t know if it was more a request or if it was just not registering.
“Wrong,” Aaron said, tense under Neil’s hand, but he didn’t push him off. He’d rather hold Neil up than peel him off the floor. “Aaron.”
“‘m very drunk,” Neil said, looking up pleadingly at Aaron as if he had a magical cure to shitfacedness, and all Neil had to do for it was look a little scared. “I’m sorry.”
“Why?” Aaron asked.
“I’m drunk.”
Aaron snorted. “That’s kind of the point when you’re at a bar.”
“But,” Neil said, taking a labored breath, “I’m…too drunk.”
This was beginning to feel exceedingly similar to speaking to a child. Aaron was annoyed, but not completely heartless, unlike the narrative of Aaron Neil had likely concocted. “It’s okay, Neil,” Aaron said. “You should sit down.”
Neil promptly sat as if there was a chair under him, but there was not. Aaron, still holding Neil vertical, got pulled out of his chair with the momentum. To avoid toppling to the ground—which did not get mopped as often as it should—Aaron planted his feet on the floor and hauled Neil up by his armpits.
“Help,” Neil murmured. His arms dropped to his sides as he yielded his dead weight to Aaron.
“Stand up,” Aaron grunted, readjusting to wrap an arm around Neil’s back. One of Neil’s arms flopped over Aaron’s shoulder.
“I am,” Neil complained.
“No, you are not.”
“I am.”
“Neil,” Aaron said through clenched teeth, “I am holding you up. You need to lock your knees.”
“Oh,” Neil said. He looked at his feet as if he needed to check they were on the ground.
To be fair, Neil did lock his knees, but he also leaned all of his upper body on Aaron, arms still hanging limply at his sides. He tucked his head into Aaron’s neck with, what seemed, every intention to make a home there for the night.
“Neil,” Aaron said, frozen against the hair tickling his cheek. “God dammit.”
“And…ron,” Neil spoke against his shoulder.
“Yes,” Aaron said sarcastically. “That’s me.”
“Can I j’stay here?” Neil slurred.
From what Aaron had seen of Neil’s dynamic with his brother, he knew Neil would get off if he said no. He could place Neil into a stool or pull up a chair with a back so he wouldn’t fall out and concuss himself. He could shove Neil off and make him fend for himself. He could pawn him off to Andrew.
At the moment, those other options seemed like far too much work.
That, or maybe it was the med student in him, the intrinsic urge to heal and help and nurture that smarted at the thought of pushing Neil off.
Aaron didn’t push him off when Neil readjusted and tucked an arm into his chest, the other gripping Aaron for stability. He didn’t when Neil asked again, a quiet, “Aaron.”
“Okay,” Aaron conceded. He rubbed a hand up and down Neil’s back placatingly, but also because Neil seemed like he needed it. And he came to Aaron for it. Well, he came to Andrew and got Aaron. But he didn’t push Aaron off, and Aaron hasn’t done the same.
And they just…stood like that. For what seemed like a long time, but it probably was only a few minutes before Neil spoke again.
“Aaron,” Neil said.
Aaron hummed in response.
“I don’ hate you.”
“What?” Aaron asked. “What the fuck are you talking about, Neil?”
“I don’t hate you.”
“What?” Aaron said again.
“I don’wanna fight.” Neil lets out a colossal breath.
“We haven’t fought in a long time,” Aaron says, his idea of agreement. Acceptance.
Neil was quiet, because it was true. Neil seemed content to lay in Aaron’s arms, and Aaron didn’t have another stool next to him. He sure as shit wasn’t giving his up for Neil, but Neil was genuinely so unsteady on his feet that Aaron couldn’t let him go.
He trembled a bit, and Aaron was almost amused that after everything Neil had been through, being a little too drunk is what finally did it for him.
But Aaron had felt that way before. Inebriated and scared in a crowded room of strangers. Neil, however, has people he knows. How can Aaron be upset at Neil for wanting the comfort that he also craved? How can he be upset that Neil feels safe enough with Andrew to ask for help? That his brother finally feels safe with someone too?
“Aaron,” Neil said.
“What,” Aaron said.
“It’s okay if you hate me.”
“Oh God,” Aaron groaned, “Ew. Are you really an emotional drunk?”
Neil pulled back and, to Aaron’s horror, there were actual tears in his eyes. His lip trembled as he bit it, holding the tears in. Aaron hated how much of himself he was seeing in Neil tonight. The harrowing fact that maybe they are quite similar.
“Oh God,” Aaron said again, mortified. He grabbed the back of Neil’s head and shoved it back into his shoulder, effectively hiding Neil’s teary face.
He cast a desperate look to Andrew, who was finally on his way back to the table. He patted Neil on the shoulder, like one would burp a baby when they have no idea how to do so.
“Andrew.”
Andrew didn’t need prompting to look. His eyes were trained on Neil and Aaron from the moment he turned around. By the nonchalance of his movements and his lack of alarm, Aaron guessed he had been watching their interaction.
Andrew set the tray down on the table and cast a significant look between them, settling on Neil’s intoxicated form keeled over on Aaron’s shoulder.
Andrew raises one eyebrow, a silent question, an okay?
Aaron finds himself nodding, and unsure why. All he knows right now, a few drinks in, is that he doesn’t hate this. And he doesn’t hate that Neil doesn’t hate him.
-
The smell of coffee set Neil’s feet moving like a Pavlovian response. He was half awake already with a pounding headache, like his eyeballs were beating his closed lids to death.
Neil toddles down the stairs with his eyes closed, a hand pressed hard to his temple, stabilizing his brain.
Aaron was standing at the counter already, facing the sputtering coffee pot. His arms were crossed, hair ruffled from sleep. At the sound of footsteps behind him, he turned.
The memories from last night played past Neil’s mind like a sped-up movie. He grimaced in embarrassment, and felt a little sick at how drunk he was. How stupid he was, to drink that much. He should have known his tolerance isn’t matched with the rest of them. He could have gotten hurt, could have said something—
Fuck.
“Fuck,” Neil said, covering his eyes. “I’m sorry.”
“It’s fine,” Aaron said. He turned back to the coffee, though his posture was rigid.
Neil grabbed a glass of water. He noticed Aaron watching from the corner of his eye, but Neil chose to ignore him, figuring that’s best. He sat on the counter with his water, sipping it slowly while he and Aaron waited for the coffee to finish brewing.
The silence was thick, but they were both too stubborn to leave the kitchen. Usually, they preferred to wait and pretend the other wasn’t there.
That’s what Neil thought, at least. After a painful few minutes, Aaron huffed and grabbed the bottle of Advil from the drawer next to the sink. He shook two pills out and sat them next to Neil.
Neil stared at them until Aaron cast a pointed look at the pills, then physically gestured to them with raised brows. Neil took them while Aaron watched.
The coffee pot beeped. Aaron made a split second decision, grabbing two mugs and pouring coffee into them. He slid Neil’s across the counter. It sloshed over the side, but Aaron wasn’t capable of caring at the moment. His mind was busy, and he knew Neil had noticed his lack of eye contact; the analytical fuck.
“Look,” Aaron said. He did not look at Neil to say it. “You’re annoying, and you never know when to shut your mouth or mind your business. Most of the time, I’m convinced you have a death wish, and a lot of the time I find myself resenting you. You complicated our lives, put us all in danger, didn’t give a shit.”
Neil’s chest hurt. He didn’t know if it was anger or guilt. Aaron started talking again before he could figure it out.
“But I don’t hate you. I can’t, really. I can’t even fault you for the shitty things you did, because it all worked out.” Aaron glanced quickly at Neil, looked away. His cheeks were red.
The thank you for helping repair my relationship with my brother and thank you for testifying and thank you for being good to Andrew went unsaid, but Aaron hoped Neil wasn’t obtuse enough to force him to say it out loud.
Neil must have understood, because he nodded. Aaron figured that was as close to a reconciliation they were going to have, so he leaned against the counter and pretended everything was normal.
For the first time, they drank their coffee in silence without animosity orchestrating it.
Neil’s mug was half empty when Andrew joined them. He paused in the doorway, squinty eyed and mussed, looking between the two. Neil on the counter, Aaron leaning against it. Their silence, but lack of tension.
“This is weird,” Andrew finally said, his voice gravely from sleep.
“Yeah,” Neil and Aaron said simultaneously.
Neil glanced over his mug at Aaron, the corner of his mouth twitching. Aaron regarded it, but looked away, because something like contentment had made its way onto Andrew’s face.
Aaron smiled at that instead.
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iwasbored777 · 5 months
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The amount of times they teased Broppy wedding isn't funny anymore, I just want it to happen now
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reasonsforhope · 2 months
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You don't need to believe that people as a whole are good or well-intentioned to be an optimist about fixing climate change.
A lot of the time, it's enough to trust in this: people hate being screwed over. And even more than that, they hate feeling screwed over.
Climate change is actively screwing over almost every single person on this planet, whether they know it or not. We just need to keep making sure that people do know that they're getting screwed over, along with all their loved ones, and who's doing it.
Spite and righteous anger will honestly do a lot of the rest.
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nyctophorum · 10 months
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I love the film version of nimona but I do find it very funny how they’re like ‘ambrosius cut off ballister’s arm but he didn’t mean to 😢😢😢 he was just traumatised and reacting to a dangerous situation 😢😢😢’ whereas in the comic it’s like ‘ambrosius shot ballister with a laser canon that took off his whole fucking arm just because he couldn’t bear to lose lol. Lmao, even’
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ruporas · 11 months
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endless love!
[ID Two drawing collage pages of Vash and Wolfwood from Trigun Maximum. In the first collage, top corner, Wolfwood looks upwards disgruntled with a flushed expression, lying against a pillow, as his hair is being pet by Vash's hand. Next shows Vash and Wolfwood from behind, Wolfwood with his top bare and hickies covers around his nape area. Vash lifts hair away from his nape and asks, "More?" Wolfwood nervously says, "No." Next is a side profile of Vash, his arms around Wolfwood from behind while Wolfwood rests his hands against Vash's arms. Next to this are two smaller drawings; Vash turns to Wolfwood and says repetitively, "Wolfwood, Wolfwood..." Wolfwood, not looking at him, says "What?" He finally turns his head and looks shocked as he exclaims, "So close!" Vash says plainly, "You just noticed?" Below these is a drawing of Vash and Wolfwood sitting together as Vash kisses and hugs him from behind with his right arm around Wolfwood's neck and his left hand around his side. He also has his right leg propped against Wolfwood's knee. Bottom of the page has a comic. Wolfwood looks annoyed, speaking to himself, "Where is that idiot?! Need to get out of town before--" A chat bubble exclaims, "Wolfwood!" The next panel shows Vash running from the townspeople, small text saying "Get him! Vash the stampede!". Wolfwood, mad and about to pull the Punisher off his shoulder, says, "Argh, you fucking dumbass!" Vash exclaims, "Ah, don't!" before pulling Wolfwood into a quick kiss. He then tugs on Wolfwood's collar and says, "There's no need to shoot, just run!" Wolfwood stammers, "R-right..." with a flushed, dumbstruck expression.
Second collage; Top left, Wolfwood spoons Vash in bed, his arms around his chest and the other beneath Vash's head. Vash has his hand on top of Wolfwood's as he sleeps while Wolfwood lies awake. Behind this drawing is faint sketches of Vash's face. In a small panel, Wolfwood hides in Vash's neck as he mumbles to himself "Stop. Stop thinking embarrassing things, Wolfwood..." Beneath this drawing is another of them in bed, Vash now turned to Wolfwood and a hand on his cheek as he kisses him good morning. In a simpler style, Vash wraps an arm tightly around wolfwood with the text "snork mimimi" next to him while Wolfwood says, "We need to get up. Spikey! HEY!" In this corner, there are faint sketches of Vash and Wolfwood; one of them looking at each other; Vash kissing Wolfwood's forehead; Wolfwood saying, "Hand" with an outstretch hand and Vash says "ok" behind a drawing of them holding hands, both turned away from each other shyly. Next is a 4 panel comic. First shows Wolfwood's face getting squished by Vash's hands with the text "squish" around his face. Next, his cheeks are stretched with the text "Chee--" Wolfwood then hits Vash's face with his palm, exclaimining "That hurts!" The last shows Vash on Wolfwood's lap, smiling to himself as he continues to have Wolfwood's face in his hands. Next to this is another comic; A close up of their hands, Vash holding Wolfwood's with both of his. He then kisses the palm of Wolfwood's palm and says, "They're soft!" Wolfwood looks at him with flushed cheeks, "There's no way that's true..." END ID]
#vashwood#vash the stampede#nicholas d wolfwood#trigun#trigun maximum#just posting first for now!!! wanted to have these two spreads together grah#ive been weirdly selective when it comes to posting on tumblr but i really need to start dropping everything from twitter/insta onto here...#anyway what is there to say... i like to just draw them being in love and silly. there are so many flavors to vw#and i so happened to really enjoy the intimate sickeningly affectionate aspect of it... lays down...#give these two touch and loved starved selfless individuals the chance to pour their entire being into loving the other....#thoguh in particular i drew these both for wolfwood wednesday (which is everyday to me) so theyre wolfwood centric#i think for some time i was just seeing a lot of work of vash being loved by wolfwood and obviously that makes sense#ww loves that fool so much and will love him two times as much for the love vash refuses to give himself#but i also love wolfwood and desperately needed to see wolfwood being loved so i drew it#bc it goes both ways... i def believe that ww would be adamant about giving affection to vash at first bc vash would hesitate asking#but once he gets comfortable vash's love pours and he'd noticed too that ww avoids getting spoiled affectionately bc of his own issues#vash is. stubborn to me. more so than wolfwood. he will destroy him with love!!!!!!!!!!!#and wolfwood will adjust and get used to it. being loved. loving. steadily but slowly as his days are filled with soft touches and reminders#that he's being handled gently and with care for the first time in a long time#ruporas art
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incomingawn · 4 months
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Of the many MANY things I am looking forward to in the Percy Jackson show, high up on that list is a concrete definite ultra canon pronunciation of Thalia’s name
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crimeronan · 10 months
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i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!
(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)
listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.
but the things discussed in the post Can and Should improve your execution!
you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it
BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.
so i have outlined some basic important concepts about polyamory.
MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun
future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.
i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)
sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.
here we go:
compersion!
compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.
compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.
by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.
i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.
it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.
(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)
if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.
metamours!
a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.
the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.
there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.
the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."
(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)
of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)
open versus closed polyamorous relationships!
i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown
google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).
this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.
an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.
some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!
with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.
i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.
feelings for multiple people!
i was gonna tack this on to the previous section but decided it warranted its own lil bit.
a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.
this is perfectly fine!
the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.
for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"
some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!
some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)
or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)
i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.
like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?
that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it
alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?
it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.
i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad
first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:
how does each pair act when alone?
how do they act differently alone compared to when they're with their third partner?
are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?
if so, what are they?
are there any boundaries or hard limits within this dyad that aren't shared with the third partner?
if so, what are they?
partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?
(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)
what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?
what problem do These Two Specifically need to solve in the story before their relationship will work?
how is that problem DIFFERENT from the problems being solved within the other two dyads?
doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.
those questions should be enough to get you started, i hope
then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?
but the main goal is to figure out how to Differentiate each relationship!
a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.
(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")
AND FINALLY.
if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)
you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.
polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.
seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.
in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.
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brookheimer · 1 year
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phenomenal episode overall. kendall demanding clouds because he saw them in berlin and trying not to cry when the stagehands cannot in fact build berlin in a day. matsson walking barefoot across a tarmac. shiv and tom biting deep into each other's forearms to see who can withstand the pain the longest in public at a fancy business event. roman firing a random woman because she didn't seem to think he lived up to his dad. roman firing gerri because she doesn't think he lives up to his dad. roman regretting firing gerri immediately and asking ken to undo it but ken is overjoyed and says it's what dad would do so roman smiles and says okay. kendall floating faceup in a body of water that he dove into of his own accord. shiv booking an empty conference room to cry in when no one's around. gerri saying fuck. karl serving cunt. roman genuinely feeling bad about not including shiv, apologizing to her, and asking if they could all hug. kendall announcing a bizarre dystopian real estate project that's framed as 'like a cruise but on land and forever and by forever we mean forever we're talking cryogenics.' tomshiv playing straight chicken all episode. roman listening to an edit of his father insulting him over and over on the ride home. everything i ever could've wanted
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bardspeak · 7 months
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VERY late entry for Ulysses Week's prompt "the divide". Lyrics are from Autopsy Garland by the Mountain Goats. I have a project for fnv planned involving the whole song, but I couldn't get this concept for an alternate Ulysses thing for these lyrics out of my head. I love Ulysses and the divide very much. >24 hours of drawing on this one.
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