#but most of the time i have no way of sorting them out - they're very generalized and based on things out of my control | Explore Tumblr Posts and Blogs

moodymisty · 2 days

Note

Would you be comfortable writing some courting headcanons for the primarchs?? Thank you!!

Author's note: Here you go, they're sort of random but I hope you enjoy them.

Warnings: Fem!Reader for some like Lion’el because of words like Legion Mother, A few very slightly lewd remarks

Fulgrim:

The primarch who out of all has most devoted himself to things like the arts is nothing short of overwhelming, when he first expressed his desire for you. Flowers, paintings, clothing, food, whatever it is you enjoy, all of it gets gifted to you with no small amount of theatrics. Though thankfully, Fulgrim knows when to turn it down a bit, and you can enjoy his company. Even then however he is still very intense, kisses on the hand, the lips, and gentle caresses abound as he woos you with his silver tongue. His legion is also one of the few who at the start know about Fulgrim's intentions, and actually takes it decently well. Far better than other legions, when finding out their Primarch is indulging in romance. You are the socialite, the shining star in a room and the talk of everyone there, and Fulgrim will have it no other way. But as much as he does all this, he finds it cute if you’re shy or nervous about it. Shyness isn’t in his dna, so he finds it very adorable. You often get purfumed, hand written letters when he is away. Fulgrim has quite the way with words, and many of them you’re glad the one who reads them are him and you.

Perturabo:

He might be a petulant manchild at times, but when the mood strikes him Perturabo can be a bit softer. It helps that you're one of the few people he trusts, now that the two of you are so close. Though it may often be more trouble than it's worth, with how often his mood changes. Perturabo can go from lavishing you with Olympian clothes to sulking in his workshop for hours if not days, leaving you to eventually wander down there and find him, and bring him out of his petulant sulk. A gentle hand on his own, asking if he can explain to you what he’s working on tends to help. Perturabo also becomes very possessive of you, not long after he starts courting you. If Dorn, Sanguinius or Lorgar so much as look at you the wrong way, he's more than ready for a fight. He has one person in his life who hasn’t wronged him, who actually respects him, and he isn’t losing that. Those softer moments with him as he speaks of his plans for amphitheaters and bathhouses while you lay in his arms are worth it, however.

Lion’el Jonson:

Lion'el is, complicated. Part of him wonders how he even got here, something as frivolous as romance was never a significant part of his mind. But here he is. He can’t complain, as he’s become so used to you now that often times, his nose wrinkles anytime he’s away and casts sight on an empty bed. He doesn’t say anything about it, however. Part of him laments he isn't able to give you rides on horseback, as he's far outgrown the horses he rode in his younger years. Though he can walk beside you, even if his men think it's demeaning of his position. Is painfully blunt about some things, and extremely obtuse about others. He wishes to marry you? Blunt. You get a military parade dedicated to showing the galaxy the Dark Angels new Legion Mother with no warning. He wishes for you to wear the colors of his legion and match him so when you arrive on Terra everyone knows who you are with? Vague and obtuse, he will grunt about every option until you choose the one he likes.

Rogal Dorn:

As with all parts of his life, he's extremely stoic and at first, you don't think anything's changed. He's the type that listens to the things you talk about, and silently gives them to you. For instance as a newcomer to Inwit it's incredibly cold, but your current dress just doesn't cut it for the harsh wind and un-acclimated body. You find a new one on your bed three days later made perfect and exactly how you like it, but Dorn says nothing about it. Those few late night moments alone when he brings you into his office, and you sit at his desk while he works are some of his favorite. Dorn gets to feel you safe in his arms, and while he’ll never say it out loud, he is overwhelmed in his love for you. Does not tell any of his fellow primarchs about you. The day they realize Dorn has a beloved is a stressful one, they’re all sneaking around trying to get information about you, and Dorn almost has to lock you in his quarters and shoo them all away. Is surprising talkative in written word. His letters or anything else tend to be very long, talking about the ins and outs of his legion, and their current progress. You’ve never heard him talk half that much in person, it’s sweet. Though once in a while those letters can get a bit salacious; And Dorn is nothing if not detailed.

Leman Russ:

This man's declaration that he wanted to court you was as brash and blunt as he is. You're pretty sure he was half way into sleeping with how drunk he was at the time, a massive hand on your shoulder as he smiles with a red face. Granted when he sobered up he was far more, romantic about it. By his standards. He still stunk of mjød, but at least he held your hand. From that moment on however Russ isn't a man shy of showing off, and wastes no opportunity to plop you in his lap and give you a kiss, pick you up off the ground, or say something far too inappropriate for the current locale. Whether it's day two or day two hundred, he finds keeping himself off of you too much trouble. He’s the type to make others turn away with how overt his affection is. Every one of his kisses and hugs feel like he’s treating it as the last one he’ll ever do. Loves when you comb and braid his hair. It takes awhile and he has no patience for it, but he enjoys when you do it.

Ferrus Manus:

As a recurring theme with all of these, Ferrus finds it a bit hard to show how he feels. While he has moments where he cracks a smile, often times he’s largely stoic. As such, he never really asked you to be with him, it was something that simply progressed overtime. He doesn’t invite you into his quarters and his bed if you aren’t his beloved, he assumes it wouldn’t take a genius to figure that out. Late night workshop time is a must. Ferrus can spend days in there with no issue, and oftentimes you have to come and climb into his lap if you want any time with him at all. He doesn’t mind as as long as you’re quiet; Though over time he’s begun to enjoy explaining his plans to you if you aren’t asleep. If you are asleep, sometimes he gets a bit emotional and talks or thinks to himself. He never thought he’d have someone like you when he lived on Medusa, he just needed to survive. Is actually somewhat hesitant when you first are together. Ferrus is well aware of his size (both out and in the bedroom, or any other local where he deems sex a daring and intriguing idea), and often tries to be quite gentle. It took a bit of coaxing to finally treat you like you weren’t made of glass. You get surprise gifts from Fulgrim at times. Some are sweet; Some are… They’re hidden until Ferrus returns from where ever he’s currently away to at the time and you can surprise him.

Horus:

The same as Fulgrim; Excessive and grandiose, but unlike Fulgrim, there's a tad more subtlety to it. But only a tad. Horus still is eager to show off the love of his life (and so much more that he’s kept just in his head shh), but he’s aware that sometimes you require a bit more subtlety. For a primarch, he’s quite the romantic. Though there’s only so much you can do when you have thousands of gene-sons waiting on orders and don’t exactly get why their primarch is holding your tiny hand and helping you walk down the thunderhawk’s ramp. You can do it yourself, they think. He can also be quite a bit grandiose in the theoretical sense. Horus seems to have your entire future together planned, and he’ll speak it to you during very late nights with stars in his eyes. To marry you, to bring you into his legion as the mother of his gene-sons, to give you your own child one day. He’s more than a bit overwhelming, but it helps he’s so charismatic.

Angron:

I... I hope you're patient. Angron isn’t one that is fond of things like romance. For multiple reasons. One being that it brings him pain because of the Nails, and the other being that in many ways, he doesn’t feel like he deserves it. He’s a slave, he’s a monster, he’s a man who failed his people, men like him don’t get to have someone like you. But you stay anyways despite the fear of him loosing control of the Nails, and eventually Angron supposes that there’s more annoying people to have around. He’s far more applicable to this in his early days. The Nails haven’t degraded his mental state yet, and his legion is still fresh faced and eager to prove their worth. If Angron accepts you, they will as well then. The downside is that many of the primarchs worry about Angron’s relationship and subsequent attachment to you, and the danger it brings. Some for your safety, but mostly for the fact that now that Angron is so deeply attached, if something were to happen to you it would well be within the possibility that Angron would completely loose control of the Nails, and become an unstoppable threat that would have to be put down. On the other hand, it seems that you can calm him down a bit, as much as the Nails will allow, something that not many are able to do. A double edged sword, your love is to him. Often times you have to restrain him during anything, strenuous. It’s for your own safety, though it seems like Angron doesn’t hate it either.

Roboute Guilliman:

The most traditional out of them all. He follows the 'rules' so strictly you have wonder if he's following some sort of manuscript. Your relationship progresses at a very methodical pace, which is a bit odd but you find it oddly sweet he puts so much thought into it. He does little more than hold your hand, kisses and anything heavier are strictly private; If it wasn't for the longing, puppy dog look in his eyes, no one would guess you two were anything more. He's not overt about it like Horus or Fulgrim, but you are still absolutely smothered in gifts. From jewelry to clothing to weird purfumes he's been gifted by high lords attempting to earn his favor through you (Guilliman has made it very obvious that he's not the type to be swayed by gifts but they hope you are and will put in a good word with your beloved), you quickly find yourself constantly or the receiving end of some sort of lavish gift. Roboute is very much in love, it's just hard for him to admit it. As you come to understand his own little love language is the day he's a very happy man. On a bonus note: It is very easy to get this man to completely melt for you. If it’s been a stressful time for him and he’s stressed, giving him a bit of a hand will make him a bit bashful, but overwhelmingly thankful.

Sanguinus:

As kind as he is beautiful, Sanguinius is one of the more heartfelt ones around. Romance abound, the angel and you are the textbook example of star crossed lovers the moment he proposes courtship to you. It almost makes some of the primarchs jealous at how incredibly perfect your love for each other is, like your feet don’t touch the ground He loves to pick you up and give you a hug or a kiss, wrapping you in his wings. He always says it's just so you feel safer, but he also likes the bit of privacy, hiding you from the worlds in his arms. You also enjoy playing with his wings when you’re in private, as they’re quite sensitive. A side note; He thinks it's cute that you use his fallen feathers as bookmarks and quills, and he now gifts you a few of his fallen primary feathers every now and again for you to use. You’ll know about the Red Thirst eventually when you’re with him. Sanguinius won’t ever ask for assistance, but if you were to offer a bit of blood? He’s incredibly careful, but the blood of his lover is nothing short of ambrosia and he will dutifully treat you afterward for sating his appetite.

Jaghatai Khan:

As one of the more reasonable primarchs, Jaghatai is a steal to have as your lover. He’s personable and kind, and funny to boot. He enjoys making you laugh, something his sons have picked up on. Sometimes they’ll tease you (or more likely unsuspecting commissars) when you’re in their company. If he's not able to hold your hand, he'll have a hand on your shoulder or back, always close to you whenever you're both together. He’s extremely dedicated to Chogoris, and it’s incredibly important to him that you adopt some of the culture he grew up in. You don’t have to, but it would make Jagahatai an extremely proud man if you attempted to understand Chogoran. He’s also private; His fellow primarchs don’t even know of your existence let alone close relation to him until you’re well into your romance, and Jaghatai has thoughts for no one else but you.

Konrad Curze:

Konrad’s romance is as toxic as he is. But at the same time, it’s like a drug you can’t get enough of. Because you’re fucking terrified of him, but the man is obsessed with you. Not many of the other primarchs understand the soul crushing, teeth grinding obsession Konrad has for you. He’s willing to fall to his knees and submit to you as long as you tell him you love him, and that he's worth more alive. But if you tell him you don’t?… You don’t want to tell him you don’t. Konrad is painful. He holds your hand too tight, kisses you too rough, bites you too hard. He doesn’t mean it, you don’t think at least some of the time, but he’s so caught in this obsession with someone trying to save him that his martyr complex melts away for a bit and he’s this self-loathing, sad excuse of a man. You almost pity him as much as you love him. Making him happy has become an arduous journey for you. Is the exact opposite of the others in wanting to show you off. You’re hidden for ages, until the primarchs realize Konrad has someone at his side. They worry, but they know separating him from you would cause more harm than good, and you keep Konrad’s emotions a bit more in check. And in the eyes of a few individuals, your safety serves as a good threat to keep Konrad and his unhinged legion on a leash and working towards a desired goal. A note; Konrad is surprisingly selfless in regard to more intimate matters. And he likes to bite. Your thighs don’t get much reprieve from him.

Vulkan:

Sweet as sugar, no one is as good at a proper declaration of love or desire to romance like Vulkan is. No matter how much it breaks his back he’ll always hold your hand, give you a kiss, or pick you up to bring you with him across the Flamewrought or the Terran palace. Besides perhaps Sanguinius and Lorgar, no one is as star-crossed in love with you as Vulkan is.

He’ll do anything for you, if you just ask. He often paraphrases that he would shield you from any threat, but sometimes you fear he’d do it literally. Less seriously he loves to gift you various things, your favorite being a necklace. You never thought he’d be able to work at such a small level, but Vulkan is nothing if not skilled. He got quite the reward the evening he gifted it to you.

Is one of the quicker ones to get serious. Talks of marrying you, writing you down in the history of his legion as their Legion Mother, Vulkan is quite eager to tie himself to you, and you to him.

Corvus Corax:

Corvus is private, and also quite slow to trust. Even slower to admit he likes someone, let alone enough to express that he’s in love with them. Many moments with him are often spent in his private quarters or somewhere else alone, where only you have eyes on him.

Is one of the few primarchs conscious of the fact that he isn’t really meant to exist, and that he’s forcing it by being with you. Your body often bruises and aches if he isn’t careful with you, and it secretly pains him that the one person he loves is so easy for him to hurt. Finding out about this feeling he has swiftly turns you into a mess of reassurances that quickly overwhelm poor Corvus, and while he still feels it at times, he appreciate you trying to soothe him.

Loves to write you letters. He feels like it means more to put the effort into handwriting, and when you send him one back, it’s like he can feel your touch on the paper. One time you left a lipstick kiss on the parchment and the man was insufferable that evening from how pent up he was, unbeknownst to you millions of miles away. You paid for that transgression dearly one he returned.

Lorgar Aurelian:

Lorgar is yet another primarch who is sweet as sugar. He also has quite the way with words, though unlike Horus and Fulgrim, it isn’t intentional. He’s just very passionate and verbose. Is also very touchy. Loves to pick you up and kiss you, show you off to others. He’s so stupidly in love and everyone around him is almost annoyed by it. He just loves his tiny little goddess so much, you bring him light he didn’t know he needed. Lorgar is also very affected by his religious trauma. His self flagellation both emotional and literal has always been an issue. You’ve had nights where you’ve put ice on his back after he whipped himself bloody, crying over his wounds. If it isn’t bad he encourages you to not weep over him, and if it’s worse he often times is beating himself up over worrying you. Being with him is stressful emotionally, to say the least. In another path, he often time beats himself up over the idea of corrupting you with sinful thoughts. Though that doesn’t really stop him, especially if he comes to his quarters one evening seeing you wearing all white draped across his bed. Lorgar will sin alright, but he does it while speaking prayers to save his own soul as he worships you. He’s one of the quickest Primarchs to want to marry you, to make you his own and to bring you closer and closer to his side.

Mortarion:

Mortarion isn’t an easy one to love. He doesn’t really consider the emotion valuable until one day he suddenly realizes that you mean something to him, more than just another baseline human does. Like Ferrus in that he never does the official courtship nonsense, and just upgrades your relationship in his head overtime. Someone who isn’t his lover doesn’t spend hours in the Pale King’s study watching him work, keeping one of his hands in their lap while he uses the other. Is a bit of a pushover in some ways, and takes his self loathing a bit too far sometimes. You’ve learned that sometimes he needs you to kiss him and tell him you love him more than anything else, to get him to stop sulking. Everyone is extremely surprised he found sometime. Let alone someone so personable. Fulgrim jokes that Mortarion should just send you instead of himself to Terra when the primarchs meet up to discuss things, as you’re easier to deal with. Mortarion hates when things like that are said, and he’ll hide you from the world obsessively for awhile after. He loves you, but sometimes for him love and possess get intertwined in his head when he thinks for you.

Magnus the Red:

Isn’t the worst beloved to have, but he has his quirks. He can be a bit stuffy at times, and often times forgets that relationships needs nurturing to grow. Magnus often times gets stuck in his own head and forgets everyone around him, including you. Loves to show off his warp magic to you, especially if you show literally any interest at all. He’s so used to everyone fearing it, fearing him, hating psykers no matter what, that any interest by you gives him hearts in his eyes. You’ll be up all night listening to him read you tomes. Which you don’t mind, it often helps you fall asleep. Since Magnus can change his size, he knows exactly how to make your squirm. You know you’re in for a wild ride when your beloved becomes bigger than Ferrus and starts taking off his armor.

AlphariusOmegon:

The twins are complicated. Given the primarchs consider you only Alpharius’ beloved, you spend more time with him than Omegon. As such, sometimes Omegon can get a bit possessive whenever you two are together. You don’t entirely blame Omegon for it; His other half is the one holding your hand and showing you off, joking about marrying you to his fellow primarchs. As such, those topics tend to be a minefield in your weird little relationship. They often use you to get information about the other Primarchs. It seems your smaller stature makes them almost seem like you're less of a threat, and get a bit more talkative around you than they are around whatever twin is currently frontfacing. You hate when they ask this of you, but you have no power to refuse them. As the twins are extremely meticulous and through, they've been careful to not show anyone how in love with you they really are. If they how just how much Alpharius loves you, it would be easy for you to be used against them. So affection is limited, and they put up an aura that you're not much more than an arm piece when in view of others. They eagerly make sure to show you this isn't the case in private, however.

98 notes · View notes

comradekatara · 1 day

Note

i read somewhere that, after the war, zuko at least hands hama over to the swt instead of keeping her in fire nation prisons 'till the end of her life. Which is nice, I think. But I'm also curious as to how that would work out.

Most notably: how do you think it'd go down if she were to meet Pakku? given they both have some sort of connection to kanna's life, the idea of them being forced to interact even once entertains me very much. like, old waterbending master pakku—white lotus member—who has grown up in a patriarchal society and actively forbidden women from training to fight, under the precedent they are somehow ontologically weaker, fragile, and belonging in the healing huts... THAT guy, meeting his former fiancé's old friend: (or current wife's if you go by canon, which, eugh) A woman who not only fought in the front lines but ended up becoming one of the most skilled, creative, and deadly waterbenders in history. How would he react when finding out that a woman came up with blood bending? How badly would Hama mind-fuck him?? Because I'm confident they'd hate each other's guts-- no way she'd tolerate him,,,

And on a similar note—how would Kanna feel upon reuniting wirh Hama and discovering what she put Katata through, in your opinion? Idk, I'm just full of puppetmaster thoughts today. Hama is incredibly interesting and I wish she wasn't handled so much like a Halloween Specisl creepy witch, (even though katara herself is handled and written pretty well in this episode, i think. but i digress.)

i mean obviously i think about this all the time. i personally think that zuko hands hama over to the swt upon katara's request, and she and aang personally deliver her on appa (sokka is not there, for the very deliberate reason that if he knew what they were doing he would very vocally disapprove). and so katara is sort of retraumatizing herself by doing this, but she also feels like it's necessary specifically because she needs to be able to look hama in the eye and tell her why they're not actually the same (especially now that she actually did bloodbend someone in cold blood). katara has the love and support and safety to step back from her anger and her pain and her grief and hang onto her own humanity and allow herself to be the bigger person even in moments of abject rage and acute trauma, and hama doesn't. hama is a victim of her circumstance, and that's part of what makes her so uniquely terrifying to katara, because katara has that same capacity to make people hurt, she has the same tools at her disposal, and she has the same justifications to exercise that power. but unlike hama, she hasn't actually been pushed past her limits. sometimes she can see the cliff's edge, and sometime she even teeters on the line, but hama was fully just shoved off without a parachute, and that's really what separates them above all. i think katara should be allowed to acknowledge that and forgive herself for that, even if hama doesn't directly apologize to her (although in my mind she does, and it's not enough, but it's also so much more than katara ever expected to hear). even if it is too late for hama, katara deserves to heal.

frankly, i don't really give a shit about pakku or his reaction to hama. i also don't actually think that he thinks woman are ontologically incapable of being talented waterbenders of whatever; he's a pretty worldly guy, the reason he clings to these traditions isn't born of the belief that they're grounded in logical evidence like sokka's is, it's because he believes in the preservation of a system that benefits and valorizes him. pakku thinks katara belongs in the healing huts because he comes from a culture that dictates that women belong in the healing huts. like, he might also subscribe to the bioessentialist logic that women are better healers and men are being fighters, but that honestly doesn't really matter, because (unlike sokka) his epiphany lies not in the fact that woman can fight, but in the fact that his role in upholding these systems has actively driven his loved ones away due to his cruelty. he decides to be kinder, to women and in general, because he realizes that being an asshole has negative consequences. but frankly, who cares what he thinks of hama. realizing that your sister tribe in the south deserves aid and protection after being subjected to a century of genocide is kind of too little too late imo. unlike katara, sokka, aang, or kanna, who can approach this situation from the perspective of being a genocide survivor who even remotely understands hama's trauma, pakku really has no place in this conversation to me.

as for kanna...... god. hama/kanna reunion is genuinely one of the most heart-wrenching concepts to me in all of atla. as a sidenote, hama/kanna fanfic goes so hard every time. there's a total of like 15 fanfics for them on ao3 (last i checked) but they're all sooooooo. fucking delicious. tide locked........... ugh. anyway. i cannot fathom kanna's reaction upon learning that her closest friend once upon a time is not only alive, but also a convicted felon, for crimes including but not limited to manipulating her granddaughter, violating her (and sokka's) bodily autonomy in cruel and perverse ways, and forcing her to participate in that mode of violence in a way that traumatized her forever. even if you don't read them as former lovers (although it is indubitably better that way) it's so gut-churning. kanna lost so many people over the course of her life, and to learn that one of them has returned but in the worst way possible must be mind-boggling and distinctly unreal. like how do you even process that. first, how do you process how much pain she must have went through to become the kind of person who is capable of doing this, and then, how do you process the knowledge that the person you once loved most in the world irreparably hurt the person you now love most in the world? obviously she would always prioritize katara's safety over anyone else's no matter what, but god. kanna has led such a fascinating and impossibly difficult life, and it's not over yet.

#kallianthi #asks #analysis #postwargaang #hama #katara #pakku #kanna #hamaxkanna #hama&katara #also i didn't mention it in the post itself bc i've talked about it before but yeah i very much agree that i wish hama had been framed #differently because i do feel like making her into a cackling witch kind of undermines the whole point of the episode #she's someone who is deserving of our empathy and understanding despite her violence and by reducing her into a caricature #we lose that nuance #but otherwise it's such a fascinating episode....#kataraaa.... katara i love you katara <33333

65 notes · View notes

acourtofthought · 3 days

Note

I like the potential of elucien but they currently have no chemistry. How do you think Sarah will go about their story?

For Elucien it's really as simple as forced proximity. Put them in a situation where they're forced to spend "two weeks alone together" (quote from ACOMAF) and I'm 100% certain that we're going to see exactly why SJM mated them. Heck, give me a day with them alone together, no sisters hovering near by, Elain having no choice but to speak directly too him without the heavy shadow of recent loss hovering over it and we'll see it.

I think some in the fandom are confusing Elain's physical attraction to Az as proof that she has chemistry with him but when physical attraction is used to build romantic chemistry between characters it will always result in a shallow love story. Lucien did find Elain to be the most beautiful female he'd ever seen so I'm not saying attraction can't be there but when you have characters giving into that attraction before something deeper has been established, true chemistry is going to fall flat. Having Az tell us he's avoided Elain for a year while she's still recovering from trauma doesn't call to mind that he's someone she was able to lean on, it doesn't make me believe that he feels anything for her because she could have used his friendship during that time (since she wasn't asking for distance) but he chose to stay away.

It calls to mind desperately crushing on someone in high school, where you watch them from afar, hoping for the day you can be together, and then finally you get your wish but you realize you actually don't know this person at all. You're infatuated with the idea of them rather than the real them.

I'm not saying Elain and Lucien have any sort of wild on page chemistry right now but it was kind of difficult for there to be any while she was mourning the loss of her humanity and Graysen. And though there was a little bit of hope that she was ready to move past that by the end of ACOWAR, she regressed in the novella Likewise was zero chemistry on page between Nesta and Cassian in ACOFAS, when she chose to push him away after the war.

Characters can't have chemistry when they are ignoring their possible love interest, you actually have to see them talking.

As far as how Sarah will go about their story, I think there are a few options.

Right now we have already had Elain volunteering to help with the Trove, Rhys saying that Elain is capable of more than they've given her credit for, that gardening results in something pretty but involves one getting their hands dirty along the way, and Elain saying she'll do whatever is needed.

The options are limitless because of the above.

The issues they currently face are:

Beron allying with Koschei and setting his sights on Spring.

The NC reminding us that they need Springs army as an ally but that Tamlin is even worse after the announcement of Feyre's pregnancy.

Koschei preparing to call Vassa back.

Koschei trying to get his hands on the Trove to free himself so he might rule their world.

The NC could decide they need to utilize Elain's Seer powers and send her to Day Court to help her train her powers. They don't seem very knowledgeable on Seers so Helion's library's might be the best place for her to learn how to train her powers.

The could decide a marriage alliance between themselves and other courts might benefit them and Elain could volunteer to marry Lucien because she's so over the concept of love and men after Graysen and Az's rejection that she's decided she'll simply focus on helping the courts rather than marrying for love (the concept was introduced in SF after all and SJM carried it out an arranged marriage trope in HOFAS).

They could send Elain as an emissary "spy" to the Spring Court. Not in the shadows or anything, just acting as their courtier, where she would gather information on the situation there, to be sure Lucien's reporting has been unbiased.

Elain could end up dreaming of the drums of Calanmai and find herself pulled to Spring on her own.

They could send Elain to the continent to retrieve Mor since Feysands daemati range does not work that far and have Lucien accompany her.

Or something SJM imagines up! I don't think any of us guessed how Nessian would end up being forced together in SF.

#elucien #pro elucien #elain archeron #lucien vanserra

40 notes · View notes

eldritch-spouse · 10 hours

Note

Any Dusknoir related thoughts?

Fucking love em my favorite Pokémon

[Eyyy, they're probably my favorite too right now.]

I mean, if you've seen my Twitter then you know I have some "thoughts" on Dusknoir, lmao. A somewhat more anthro Dusknoir, but still.

And they're not related to Mystery Dungeon, because I don't think I've ever played those games for more than two seconds before getting bored.

I just really enjoy the thought of a dusknoir getting the hots for you and sort of demanding to become a part of your life.

Let me ramble, I guess...

Maybe you're swallowed into that huge hot mouth and you think it's the end, you're pretty sure he's going to eat your soul and spit your corpse out like a piece of food stuck between someone's teeth- But no, he just had to put you in his mouth because the cuteness aggression he was struck with at the sight of you was irresistible!

You're spat out gross and definitely half-molested by a lewd and very interested tongue, but you still have your soul.

And he's just staring at you, beside himself with infatuation...

Everyone else looks at this dusknoir and they see the most stone-faced, intimidating pokemon out there, but that's not at all what you specifically are greeted with.

Your entire team can see the way he changes like a light switch, and they try to warn you in their own ways that you're in danger, but all their attempts are thwarted when a certain ghost type keeps looming around, shooting them pointed stares that gaze straight to the soul.

One day you might just find one of them lying soulless on the ground, misery and agony etched on their face.

Dusknoir thinks he's being very patient with you, not insisting when you push him away, when you hold his tongue at bay, tell him to tone down the affection in public, weasel away as soon as he gently tries to corall you into your bedroom -Because that's where humans do their mating, right?- But even he has his limits.

Trying to plant suggestions in your mind isn't enough, being the most powerful pokemon at your disposal isn't enough, getting rid of the useless teammates that try to meddle isn't enough-

What is he supposed to do when you keep rejecting him?

The second time he stuffs you into his mouth, he knows exactly what he' doing, it very much wasn't an impulse, it was pre-mediated and guilty. But he couldn't take it anymore and the opportunity reared its ugly head at just the right moment.

He's making the most out of it.

Licking you from top to bottom, weaseling his tongue absolutely everywhere, tasting the sweat on your skin, the tears running down your face, your saliva, the peaks of your tits and the slick of your cunt. It'd be easier to list the spots he isn't running his tongue over...

All the while, one big hand holds his mouth securely closed, the other coils around his cock and pumps hard enough to make him see stars.

He doesn't think about how you'll react or how wrong what he's doing is. Dusknoir only thinks about how heavenly you feel inside him and focuses on what'll probably be the most intense orgasm of his life.

#pinnie's art #this is basically just me being improv unhinged

25 notes · View notes

ohanny · 2 days

Text

my least delusional take on how kim and kenta might happen in season 2

so call me delusional but i don’t think the prison trio works for tony. first of all, kenta pretty much murdered him and i don’t think tony is the kind of man to forgive that? one could argue he could use it to guilt kenta but like… there are way more risk-free options not inside a prison for stabbing you. winner was a henchman of opportunity and selfish benefit and just looks like the sort to hold a bitter grudge forever. and dean? dean was caught up in the mess at his weakest point and going through the consequences of his own actions. also i want all three of them to move forward and not back.

but obviously they are working for someone - i see them as being rather reluctantly allied with the common goal of getting and, most importantly, staying out of prison. and this is where i want kim to stumble in on their little operation and actually agree with their mission which leads to him teaming up with them. like maybe the trio is trying to figure out what's going on with tony or way or the rest of the child/organ trafficking ring and maybe it's something the x-hunter team has dismissed or doesn't want to dig into but please. since when has st. kimberly of justice have been able to walk away once he catches the scent of something rotten in the state of denmark? never.

winner and dean have a thing against kenta - winner because he's a bitch and dean because kenta ruined his life - and kim sure as shit isn't going to be on winner’s side: so the circumstances make him partner up with kenta by default. together they get shit done and keep the rest of their little gang of misfits in check.

kenta is a bit feral and unstable and kim is very no nonsense about his “you want to figure out who you are and how to be a better person? fucking act like it” opinions. like give me kim being bossy and righteous and kenta wanting to strangle him because he can't deal with someone trying to control and micromanage his every move again. give me kenta lashing out and kim looking at him all “with all due respect - which is none - you can't pull this shit in a civilized society.” give me kenta trying his best to function, having his own rituals and behaviours - some of them very maladjusted and plain sad - and kim, witnessing it from close range, thinking “holy shit that's messed up.”

(kim snaps and gets into kenta’s face and kenta flinches before shaking it off and striking back. kenta is possessive and stupid aggressive about the most mundane things - like his cigarettes, clothes or food - and kim finds it infuriating until he realizes they're the first and only things kenta’s been allowed to actually own. kenta gets banged up in the process of them doing something and kim barks at him to “sit the hell down and let me look at it” and kenta responds with a blank-faced “why?”)

kim might not start out liking kenta, that'll come later and almost by accident, but he pities the man and doesn't think anyone deserves to like that way. and they don't even need to explicitly end up together but give me and ending where it's hinted at as the natural next step now that they've grown genuinely fond of each other.

bonus:

kim: hey, i don't like the guy either but we’re on the same side this time

alan: you sure about that?

kim: yeah, he wants nothing to do with tony.

alan: not what i meant but good to know

#pit babe the series #kentakim #kimkenta #pit babe season 2

27 notes · View notes

bonefall · 28 days

Note

I personally like Thunder's prosthetic. Explained it to my friend (who does use a mobility device, a cane and wheelchair, and listens to me rant and infodump about BB) and they agreed, it's important to know that not every person needs what someone wants to give them. It's another example of "bad ableist person does a thing that hurts a disabled person because they are bad and ableist".

Clear Sky got Jagged Peak killed and would have killed Sunlit Frost! He would absolutely force his disabled son to be "normal" and present it like a privilege. "I wouldn't do this for anyone else, it's special, why don't you want to be helped?"

Thunder Storm should toss it in Clear Sky's face. (I would say toss it into the river but we do not pollute waterways in this house)

Thank you for telling me this, and tell your friend I'm thanking them too! If they have anything else to add please forward what they have to say

Since BB!DOTC tackles some of the heaviest topics in the entire series because its canon equivalent is so dark, I think very carefully about what I do here and how I show it. I take feedback on its sensitive aspects very seriously. If I'm understanding the criticism properly, it's that I should avoid stigmatizing prosthetics by making sure Thunder Storm's not the only one with it-- which he's not! And I'll add even more.

I don't want to avoid something only because it's uncomfortable if the topic is important, and my portrayal is respectful. Ableism IS uncomfortable! There are some situations where a prosthetic is not wanted! I think the rejection of this particular one is both a good opportunity to show a type of ableism and ALSO is very fitting for the characters.

In BB!Clear Sky's mind, the villain, he's fixing an old mistake. He can't admit that he got Jagged Peak killed or take REAL accountability for it (though he will, occasionally, apologize insincerely), but deep in his bones, he knows what he did was cruel. He'll never tell anyone this because he doesn't really cognate it himself, but Thunder Storm NEEDS to take his gift.

If Thunder doesn't take it, it blows a hole in his newest story. You see, throwing Jagged Peak out was All That Could Have Been Done back then. It was a Tragedy and he simply Made A Hard Choice. He regrets it very much, But You Have To Understand.

But now? Now? Well, behold. Look at what he's accomplished since the tragic death of his little brother. His cats are well-fed, cared for, and stable enough to make such incredible advancements. If only Jagged Peak had been able to hold on longer, if only he could be here now, I could fix him.

Just like I can (MAKE YOU JUST LIKE ME) fix you.

"Everything I've ever done is for Jagged Peak. For Fluttering Wing. For you." Thunder Sky is SPECIAL, but if he rejects any gift, tries to turn down the "privileges" offered to him, in an instant that becomes ungratefulness and arrogance. He both forces him to be special, and then leverages it against him if it's rejected. "Spoiled brat, doesn't appreciate what I've worked so hard to give him."

It all goes back to him and his own guilt. He can NEVER be wrong. He can't accept his family doesn't have to be "normal" or reflect his own ability. He won't see himself as a bully, let alone a murderer. It was never about his son's comfort or finding out what Thunder Storm wants or needs, it was about his own ego.

...All that said I'm still taking feedback if there's anything else I should keep in mind, or if anyone has a counter point, especially if you also have experience here.

(In the interest of having a link trail for posterity, here's the critique/call for feedback this is in response to)

#ALSO also I will take suggestions on other characters who should have prosthetics #Sunlit makes sense and it will make a really nice character moment later for him to have one built #There's also an amputee in RiverClan few people talk about called Stonestream #I can give him one and bump him up into a bigger character. In BB he is the sibling of Willowshine #BB!DOTC #better bones au #Also just as a side note... I love writing BB!Skystar. My ire for the character comes from his redemption arc so I feel like I get to--#--write the character I WANTED to see #Same with Bramble in other BB arcs #cw ableism #tw ableism #ableism #They're fascinating in that they always have to see themselves as the victim or the hero #They believe every lie they tell.#If you ever catch them in a contradiction they will still try to find some way to turn it on you and YOUR lack of understanding.#Interestingly both of them are ableist. Sky's is just more obvious because he's LOUDLY bigoted.#But BB!Bramble is *notably* less close to Jay for a very sad and very subtle reason.#Jay just doesn't serve his ego like the others do until much later in his life.#unfortunately most bigotry is like that.#the type you have a hard time calling out because it's a deniable bias. the constant gaslighting of being part of a marginalized group #Maybe I need to address the criticism by adding a character with a prosthetic to THIS arc even earlier #Problem is that like... Thunder's small merc group is already full of disabled characters and their THING is forming in response to ableism #OH maybe I'll put someone in the Forest Cat group which is lead by Slash?#I need to finish that last book and then gather up all the cats for sorting into allegiances

76 notes · View notes

the-busy-ghost · 1 year

Text

Every day I wake up and there are still new words to learn, this is fantastic, do you guys know about this? Is this allowed?

#Morgengrauen was a nice one yesterday #I mean it's very straightforward and basic but I like the idea of dawn being essentially the morning grey #Especially since that phrase sort of exists in English #Petillant is another favourite (I don't have accent marks on my keyboard so imagine a wee accent over the e)#Just because I like the way it looks and it's nice to have pretty words for the concept 'fizzy'#In English/Scots an ell is something I've been familiar with vaguely for a long time but I had to go look it up recently for size #And found out all sorts of things about its origin and the meaning of the word elbow and I suggest checking out its wikipedia page #I mean I love all the words I already know (well most of them; there are some I hate for both rational and irrational reasons)#And place names are something else that we could add to the mix they're fantastic #But among the many many new things to discover every day (new flowers; new feelings; new birds; new smells)#Words have to be a firm favourite and I sort of hadn't realised that that's something that is always going to happen #We don't stop learning words at a fixed point it's constant and shifting and delightful #Devouring the linguistic feast collectively assembled by our human ancestors of all nations and races

7 notes · View notes

halalchampagnesocialist · 6 days

Text

How to spot Liberal Zionist Propaganda 101

This post is by no means exhaustive at all. There are many Liberal Zionist talking points but these are just some of the most common ones. While on the surface they seem a little naive and hopeful at best, they are very much harmful. If you claim to be an ally to Palestinians, this post is primarily for you!

For starters, liberal Zionists will often try to both-sides the issue of Palestine, talk about how it's complicated, they'll claim that the conflict hurts both Israelis and Palestinians, how the only way forward is one where Jews and Arabs "just need to get along," amongst other things. They also often like to centre themselves, even when acknowledging Palestinians as the victims of Israel or this "conflict." From time to time, they also like to engage in tokenising certain Palestinians whose views tend to more or less align with theirs. Here are some common arguments you may hear from them:

1. Any form of justifying Israel's existence or claiming that the only solution is two states

It does not really need to be said why justifying Israel's existence is harmful but justifying its continued existence also means legitimising Israel's land theft, its expulsions of Palestinians, and its ongoing harm to Palestinians and other populations. Reducing any sorts of “solutions” into a binary is unhelpful. Needless to say, a 2ss would not even address any legitimate concerns Palestinian have, such as the right of return, and would only legitimise Israel’s colonialism. Talking about a two-state solution also implies that the root of the conflict lies in Palestinians not having their own state rather than being an occupied people. It is very much also possible to construct a paradigm where Jews and Palestinians both live together on the same land as equal citizens that doesn't involve two separate states, much less an ethnostate.

2. Security for Israel could only come through peace

This is a similar talking point to the one above. Not only does it centre Israeli safety and security above Palestinian liberation but it mistakenly assumes that once Israel makes peace with Palestinians, it'll achieve security. The reality, however, is that Israel's imagined security has quite often come at the expense of peace. In fact, "peace" has just acted as nothing more than a smoke-screen for Israel to carry out its expansionist policies, particularly in the West Bank. When liberal Zionists talk about peace juxtaposed with Israeli security, they're talking about attaining a negative peace rather than a positive one.

3. Israelis are not their government.

This point does nothing to actually help Palestinians. It is also an incredibly tone-deaf thing to say when Israel has targeted many Palestinian civilians by having alleged proximity to Hamas, such as being family members of militants or leaders (inc. children!), civil servants in a Hamas-led government, or even any male above the age of 15 they consider to be a potential combatant! It also deliberately erases Israeli civilians' support of and culpability in Israel's actions towards Palestinians.

4. Netanyahu and/or the Israeli right are the source of conflict.

While it is true that things have gotten inadvertently worse under Israel's various right-wing governments, they are not the source of conflict, but rather a product of extremist nationalism and Jewish supremacy perpetuated by the system. Both the 1967 occupations and settlements were undertaken under centre-left governments in Israel, and Israeli policy under non-right wing governments has been just as harmful towards Palestinians and has paved the way for where we are today. Blaming Netanyahu just also obscures the violent nature of Israel's military occupation over Palestinians which long precede him coming into power.

5. Netanyahu and Hamas are two sides of the same coin

I don't think I've seen any allies give validity to this claim but it's an extremely reductionist claim and is sort of similar to the one above. Groups like Hamas are merely a response to the Israeli occupation while Netanyahu is a byproduct of it. While some Israelis may see Hamas or their actions as an "obstacle to peace," Israel's actions and policies long pre-date Hamas and how Israel is currently responding to Hamas is no different to how Israel has engaged with Palestinian militant groups in the past, regardless of political affiliations or political goals. It is also important to note that Hamas has agreed to the establishment of a state along 1967 borders while Netanyahu aims to prolong the occupation and empower the settler movement (some of whom are part of his coalition government) as much as possible.

6. Israel is not a settler-colonial state.

While it is indisputable that Jews have historical connections to Palestine, that doesn’t automatically make you Indigenous or negate Israeli settler-colonialism. Colonialism in particular describes a relationship of exploitation. There are many cases of this, but we most clearly see this in the West Bank where Israel exploits natural resources on occupied Palestinian territory for its own political and economic gains. In terms of settler-colonialism, it is widely known that Israel expelled hundreds of thousands of Palestinians to make way for Jewish refugees and migrants to the new state of Israel, and is still actively facilitating Jewish migration to Israel today while denying Palestinians their right of return.

7. (X) doesn't help Palestinians.

It is not up to anyone to determine whether certain tactics or strategies are helpful or not. This point only seeks to discredit pro-Palestine organising. Only Palestinians get to decide what is actually helpful for the cause or not.

8. Any sort of Hamas-blaming.

On the surface it may seem like there’s nothing wrong with this, but this point is often harmful and usually lends itself to right-wing talking points because its objective is to deflect blame away from Israel. Certain arguments blaming Hamas also aim to minimise Palestinian suffering perpetuated by Israel. It also paints Israeli violence as retaliatory to Palestinian violence which only obfuscates Israel’s (and by extension, the US’) role in its state military apparatus and the differing power dynamics between Israelis and Palestinians. In other contexts, this point seeks to also legitimise certain opposition, such as the Palestinian Authority. Hamas-blaming also tends to sometimes lead to racist diatribes about Palestinians and their culture.

9. Al-Jazeera is not a credible news source.

Al Jazeera is a news source like any other. It has varying editorial policies and therefore will have equally good reporting on certain issues while having terrible reporting on others. The difference is that Al-Jazeera's news on Palestine is credible because it comes directly from their Palestinian reporters on the ground and first-hand eyewitness accounts. Western news sources are no more or less credible than al-Jazeera. Compare this to CNN, NYT, and any other Western news sources where Palestinian voices are often entirely missing from the narrative.

10. Overemphasis of antisemitism on the left

Antisemitism is a real issue and has the potential to fester in left circles if not directly addressed head on. Combatting antisemitism is extremely important, however, it is not an issue exclusive to the left. There is also a double standard in that no one expects Zionists to call out Islamophobia and anti-Palestinian racism. Certain accusations of "antisemitism" also seek to distract from what's going on in Palestine by making it about Jewish comfort and feelings. Combatting antisemitism, Islamophobia, anti-Arab racism etc is always important as the basis of good politics.

Last but not least, be wary of native collaborators or any sort of normalisers! They are Palestinians or Arabs who try very hard to appeal to Western liberal consensus and can end up perpetuating a lot of harm to the cause and/or other activists. You will know them when you see them.

#palestine #israel #liberal zionism #other palestinians feel free to add onto this whether it be other points or anything else

3K notes · View notes

birdantlers · 8 months

Text

A heartfelt and grievously expanded-upon update to this—please, please read the whole thing if you can. reblogs much appreciated.

(DISCLAIMER, for all who are saying reasons like abusive parents/legal stuff/toxic ex/triggering memories/page got deleted/job/stalkers/bullying/[[insert any other shitty life thing]], This is not concerning that—personal safety & health ALWAYS comes first, and is worth more than any media ever could be. This is my biggest reason for defending that autonomy. I would be a hypocrite to say I hadn’t deleted triggering posts of mine or ones that got me in trouble with my family.)

it genuinely makes me sad and kinda upset when someone purges all their old art off the internet like. barring harmful content what if someone liked that. What if someone would have. And now nobody will ever know and it's just gone. even people's old invader zim askblogs or whatever getting deleted feels like a micro alexandria to me and that's just something I made up. I wasn't even thinking of a specific one it just stresses me out. Is this the autism I don't get why nobody else seems to freak internally abt it like I do. I see artists whose blogs I've never even looked at go like "man so glad I deleted all my old stuff it's so clean" or saying they throw out art from when they were kids I'm like. how are you not hurling. How is that not distressing that is literally your tree rings why would you do that. I want to see what's out there. people want to see it I promise someone out there likes it

...don't they??? Does everyone get quietly irrationally upset by this as me, or is this just hyperfixation/autism/some amalgam of the two. I'm not a hoarder or obsessive compulsive or anything like that so i wonder..

Anyways. reblog if you had a favorite amateur youtube animator in your childhood whose channel got nuked without a trace one day that you still think about.

I wanted to attach this video because it condenses my point very well. A TLDR of sorts. Please watch the whole thing, it genuinely changed the entire way I think about art as a concept.

(2nd vid is "Subjectivity in Art")

“The moment your art touches an audience, the ownership shifts in an irreversible way. [They're] not having an art experience with you and your intentions. They're having an art experience with the art object.

“You can't just burn your past; it's not even your past to burn anymore. It's other people's history as well. Whether or not you like it, that art is already bonded to somebody's soul, and if you rip the art away, you're ripping a bit of the soul that has adhesive contact to it.”

The digital age makes it very easy to distance or detach yourself from the impact your work has—be it art, fanfic, videos, even memes. Online content is as important to people now as any other media, if not more. But it's also by far the easiest, fastest, and most effective form of it to erase from public access. Media so unbelievably important to people and in general. Yes, you—with the 2010s purple sparkle dog speedpaint. I still think about that speedpaint all the time, because it was the first time i learned that you could draw on a computer, and I thought it was cool as hell. I still do.

I do wish there was a stronger culture of preservation and consideration for this, because every time I see people talk about snuffing their stuff because it doesn't personally resonate with them anymore, I just think ...what about all the people it did?

I've seen lots of people saying "get over it, it doesn't even matter," but it fucking does. It does matter. Even if I didn’t make it, even if I don’t have to deal with being the one who made it, even if I'm naturally inclined to be distressed by it—It still matters. And there’s nothing you could ever say to suddenly make it not matter, because there’s nothing you could ever say to make it not matter to me.

Don't devalue the act of creation. Don't dismiss something you made. It's out there, in people's thoughts and hearts and souls, and that is real. Even if you don't know it. Especially if you don't know it. Especially in a world where physical media is being snuffed out, the internet is constantly dying without any physical remains to recover, social isolation is rampant, and simply because independently produced content online is still media.

Fanfiction can hold equal or greater significance to someone as a book, but you can’t unpublish a book. Authors don’t have a button that can vaporize every copy of their work across all time, but fanfiction authors do. I’m not counting people who download fics either—when you buy a book, that transaction is over. But online, you have the power of unending transaction that can be terminated instantly at your will. The process of publishing fanfic vs. publishing a book may be different, but people’s connection to the art is the same intensity.

So yeah. I do get depressed about the Internet being a constant Alexandria, but the times I get the most depressed is when I click someone's page and see that all their work is gone because they're ‘curating a new aesthetic’ for their page or some shit. Or weeding out all the "ugly" art. Or just went on whatever the hell 'thrill deleting' is, because they just get a kick out of it.

Fuck it—yeah! It upsets me! I’m not wrong to say that. I’m saying it!

Under the cut, because it got long as shit! Also don’t worry the ending is way sappier and more ‘beauty of human nature’ vibe so it’s not all doom and gloom lol

What if that was someone's favorite art of that character. What if someone read that 'cringe oneshot' on the worst day of their life. What if that Warriors meme vid is still burned into a college student’s mind despite being gone for 10 years. What if it's actually not just you and the ones and zeros you rent out to the world—secure in knowing the original will always be on your computer for you to do whatever you want with it.

I really, deeply wish there was more of a general awareness of this, because even though social media can be used like a diary, that’s functionally the opposite of what it is. It’s social media. When you post, it’s no longer in a vacuum, even though you can’t see the real humans that content touches—often deeply.

Media is history. You shouldn’t burn that history just because you personally believe it isn’t worth saving.

Because it’s no longer just your personal opinion. It’s no longer just your personal work. it’s. history. Memory of media is not a suitable replacement for the media itself. If it was, we wouldn’t save anything at all. Nostalgia is an agent of that. The definition of nostalgia is grief for moments of the past that are inaccessible, and the biggest balm for that pain is accessing a physical reminder of those moments. That opinion of yours is no longer personal. It’s weighed against uncountable people across all time that your thing is ALSO personal to. People who would, and will mourn its absence.

How many times have you joined an older fandom only to discover that some of its most popular works are gone? How many times have you routed through random blogs looking for scraps people hopefully reblogged? how many times have you used Wayback machine desperately praying that a fan fiction or a YouTube video will be there? How many times do you look up crunchy old vines or YouTube videos or anime AMV‘s? How many times do you remember old fanfic.net sex that impacted you in middle school, only to shake your head and go ‘probably no point even looking.’

i mourn the absence. No, people can’t and shouldn’t have their agency over what they post revoked, but they should be conscious of that weight. If you’re reading this and getting extremely annoyed, and you’re not in the pink text above,,,, good.

I honestly do hope it gets under your skin. I hope it sits with you. I hope you feel it every time you hit that button, and whether or not you do hit that button—if you hesitate, if you remember this, even spitefully, I’ve done my job. I am howling into the void. And I may not want an answer, but I do want my anguish to be heard and remembered. Because it isn’t me just being melodramatic.

I know I sound that way writing so much, but if my favorite writing YouTuber can drop trow this week and go, "yeah, sorry, all my video essays from less than a year ago that you listen to in the car all the time? I'm "rebranding" my content so i deleted them. besides, my personal views don't really agree align with the analyses i did, or the techniques i taught in them anyway. Sorry if some of the literal tens of thousands of you used them, but I don't want to feel shackled to having youtuber "classics" tied to me”

….then i guess I'm just going to have to sound dramatic! That fucking sucks! Hours of work and knowledge gone! This was a new channel too. It’s very likely there’s no archive of any kind, because who would think someone who worked hard enough to write, record, and edit hour-long videos, would just turn around and nuke it all? I definitely didn’t see it coming, but I did just start a new screenwriting class a few weeks ago, so I’ll tell you at least one person is REALLY missing those fucking videos right now. Because a lot of them were about specifically screenwriting, which I know jack shit about. and that specific person’s pace, editing, and style of breaking down information was the best suited style I found that I could focus on and absorb. There’s no replacement for that. No alternative for his individual perspective. his jokes. his opinions.

No, they may not resonate with him now, but in this decision, he’s put up a big middle finger to everyone who might have. And he has like 100k subscribers! Those are confirmed supporters! Imagine how many silent and untethered observers are feeling this loss right now. Imagine how many will not have it in the future.

If he never posted them at all, we wouldn’t know we had it. It wouldn’t be a loss. But we did. We did have it. Until he decided that no, we didn’t, because he just happens to be the one out of millions of individuals holding the button to burn it in a hundredth of a second.

His personal work, the attachment I had to it, and the ways that it helped me are now just ripped away. I am one person out of millions, literal MILLIONS of people who saw and liked this content before it vanished. The soul has been ripped, the access severed, and by CJ’s (and my) definition, the art is functionally dead. Not for the YouTuber or anyone else lucky enough to save a link or download, but everyone else. From this point until the end of time, even if people even two weeks from now don’t know it. Even if someone who stumbles upon his channel today, doesn’t know it.

We only mourn the concept of Alexandria because we had some kind of scope for what was inside. Yes, maybe you got self-conscious and deleted your 12 year old deviant art account. Do you know who else is doing that?? THOUSANDS AND THOUSANDS of other twenty somethings who ALSO feel self-conscious about their old socials. Art. Fanfic. One direction fan videos. anything.

Suddenly, an unquantifiable amount of information from your age group—an entire age group in 2012, is. gone. And we will NEVER know what’s been erased from that history. We will NEVER know what could have been significant to us ten years from now. Twenty years from now. A hundred years. A thousand.

You could have deleted a fanfic that would have been someone else’s new go-to panic attack distraction tomorrow. You could have deleted a video someone used to laugh at with their friend who died yesterday. When you delete something, you risk tearing a hole in unknowable personal histories.

The Internet isn’t just a big library of Alexandria. It’s a library containing libraries. And those libraries have their own libraries in those libraries have their own as well. libraries inside libraries, inside libraries, ad infinitum. To conceive the amount of destroyed history on the Internet is crushing.

And I just can’t help but I ask myself how in gods name people can choose to contribute to that, instead of reposting everything to trash heap alts titled “hall of shame” or some shit.

You can offload to alts. Put up disclaimers. Make password locked blogs, or dropboxes, or anonymous imgur dumps. Anonymous reuploads. Orphan fics. Make a playlist or linktree of unlisted videos. Cut off the watermarks. Delete all references to it on your main. Make a dedicated unlisted playlist. make a google drive. Make new portfolio sites. Delete any questions you get about it. Change pen names. Pretend it never existed.

Give a heads up.

Something.

But don’t. kill. the media.

The knowledge that our stuff is going to forever be tied to us is a cross we have to bear, but the responsibility that comes with putting it out there in the first place, can’t be ignored.

Anyway. I'm not trying to start conflict. This is not a bash on anyone, nor a call for witch hunts. Or anon hate, or blocks and unfollows or anything of that nature. I'm not wishing ramifications or hate of any kind on anyone who does wants to do any of this.

I'm also not guilt tripping— I am not saying that you should feel bad. I AM saying why it makes me feel bad. That’s not guilting, it’s a dialogue. One I personally feel is long overdue.

It's me yelling into the void: please consider the real people on the other side of the screen before you hit that button. Realize and know that whatever you're about to erase from history could be the most important thing in the world to someone.

Art is an experience. It's why we revisit it. If art and history simply lived in the matter and code of media, we would only need to look at it once. We wouldn’t put things in museums. We wouldn’t build libraries. We wouldn’t look up vine compilations.

If you're able, consider (and I do mean consider, this is not a call to action) not destroying that. And don’t shrug it off as some pretentious asshole venting on Tumblr. You only need to look in the notes and tags to see that it isn’t just me. it’s never just me, or you, or the pixels.

And even if you do shrug it off, then at least recognize that what you make matters. Whatever you think about it, if it’s out there, that's not your discretion anymore. If a tree falls in the woods and even one person is around to see it, it fucking mattered. Because it happened. Don’t mulch your tree rings if you don’t have to. Because if enough people do it, a whole forest is gone. Media is history, no matter whether you think it’s worth putting in a museum, or only has 30 notes.

Thousands of years ago, a child named onfim doodled on his homework. They’re crude, and everyone has the wrong amount of fingers, and they’re also priceless archaeological artifacts recognizable throughout the world.

the only thing separating Onfim’s doodles and your MS paint Pokémon doodles is time. The only thing separating your old MS paint Pokémon doodles from being a priceless artifacts, thousands of years in the future is time. Your creations are already priceless artifacts. No matter what you do, don't ever, ever deny that. It isn’t blowing up your own ass, it’s artistic and anthropological fact.

The mundane and the supposedly unworthy are often the first things lost to time, and that’s why they’re so precious. That’s why artists who were before their time are scorned first only to be celebrated later. Do you think they knew that was going to happen?? What if they nuked it? Many probably did! But now that’s happening exponentially and instantaneously everywhere, WITHOUT the artist having to destroy their only copy—which makes it way easier and more dismissable.

Sometimes, If you’re revolutionary enough, people will make an effort to preserve your work, but recognized and thoroughly recorded work is rare compared to unrecognized and thoroughly recorded work.

Sometimes something is beloved enough that it would be impossible for it not to go down in history, but even then it isnt a guarantee, and it’s rare. But if van Gogh burned all of his paintings in a fit of despair before his death, we would have no van Gogh. Because he wasn’t respected as an artist in his time, but that wasn’t what defined the worth of his art. The people after him did, because his art was still there for them.

If you rip the art away, you're ripping a bit of the soul that has adhesive contact to it. If you belittle your art, you belittle the very real relationships and emotions and revisitations people have with the media. You defy the inherent worth and weight of a creation. you created. That's effort. It's passion. No matter how flippant or unskilled or worthless you think it is, it matters. Because at the end of the day, you could have chosen to make nothing at all, and you didn't.

•

Muting notifs

#artists on tumblr #Artistic #digital art #art history #anthropology #humanity #art discussion #art theory #skit yells

12K notes · View notes

inkskinned · 5 months

Text

the problem is that being single is seen as the consolidation prize, and not the natural neutral state of being-a-person. at the end of the movie or the book or the poetry, there is a person waiting for you at the altar, and they love you. if the play is a comedy, everyone gets married. the metaphor is about how you are not-whole. the metaphor is about how everyone is going to be happily-ever-after. the metaphor is that romantic love is the most important resource on the planet, not just all-love. all-love is not a thing, that is a disappointment. the treasure is not the friends we made along the way. the treasure is the girl you landed.

the metaphor is that you cannot be alone, that means you are broken. are you getting over someone? that is acceptable, you can be getting over someone, but not for long. you must be single because you would rather not be single. you must be single and looking to not-be-single. you must want to date, eventually.

friendship and community are never seen as being equal-to or even-better than romantic connection. that person is your one! you need to find them. you need to hunt through the sand particles until you can shift out some kind of gem. this is regardless to your own experience of the beach and the sun. you need to be somewhere with someone.

if you are taking this time alone to heal, that is so sad. everyone gives you this little pitying look. the understanding is that you are not actually happier than you were before you were single. it is seen as a sort of pity - oh, you are choosing yourself, making yourself the priority? - that isn't quite right. you must mean that you are making yourself ready for the right person. you are just laying the bed better this time. open up your heart. you'll find them, we promise!

what do you mean you're really-truly genuinely-very happy? you are probably misremembering what it was like to be in a relationship. and besides, once you meet your person, that time will look grey and bland and wasted. your person is the only way for you to see in color. so what if you have taken this time - for the first time in your entire life - to actually-for-real do the fucking work. you can be proud of yourself, sure. but the way we need to know that you got better is that you get a partner. you're healed enough for the next bad part!

people don't choose to be single, they just say they're choosing to be single - they actually mean "nobody wants to date me." it doesn't matter how many people you have gently rejected or how many times you've talked it over carefully in therapy. what matters is that you are single, and by all accounts - that means you are something worth our pity. your successes and life all seem pale in the sunlight. sure, you have done amazing things and finally found your way in life. what matters is that there wasn't a person in the room with you while you did it.

you want to tell them - that's the whole thing. i didn't know how to be alone in the room. i didn't know how to handle the silence. every moment was so sharp, and i kept choosing the wrong way to close the door. i have spent my entire life in the empty well, living in the ricochet of someone else's cruelty. for once i have built myself a ladder. for once everything i taste is all mine, every bite of sunshine and laughter. i have learned how to sleep out in the open with my memories. recently, they have started to purr.

your father rolls his eyes. listen. this isn't about you. i just want a grandchild in my future.

#writeblr #i actually didn't want a girlfriend before nat #and my dad recently said to me - raquel. i don't approve of the promiscuity #1. i am 30.#2. i had casually dated about 4 people over 18 months.#3. i do believe he was just mad that i get more girls than he ever did #i had to look this 60 yr old deacon in the eye and say. okay so i have a girlfriend first of all im just not tellin yall about her #and secondly.#OKAY???? OLD MAN I DONT EVEN LIVE HERE WHAT ARE U GONNA DO ABOUT IT #briefly considered asking nat if i could pretend we were a one night stand kind of a thing

4K notes · View notes

whateveriwant · 5 months

Text

The 141 in a reverse harem

18+ content, GN!Reader, Reader is the ruler of an ancient kingdom

Soap

The moment you step into their communal quarters, Soap is always the first one to greet you, almost Iike he was sitting right beside the door

But nooooo, don't be silly. Of course he's not been impatiently waiting since your last visit. Though, you were 28 and ¾ minutes later than normal, not that he's been counting or anything

As you walk around their dwelling deciding on who to take back to your chambers for the night, he's following closely behind like a little horny whiny puppy

More than once, he's accidentally stepped on your robes because of just how close he likes to trail after you

Oh, but he's so terribly sorry! Here, let him make it up to you! Please, please let him make it up to you!

Because he tries to hog the limited time you spend with the men, it's earned him more than a few elbows to the ribs from his biggest “rival” in the group: Gaz. And speaking of which…

Gaz

Always trailing a little less desperately closely behind is the newest member of the harem: Gaz

Though he may be the youngest of the four, that doesn't mean he's any less experienced in these types of matters (and the young ones are always the most eager to please, aren't they)

Have you had a good day, darling? He knows you're very busy running a kingdom and all, so he for one is grateful you've taken time out of your hectic schedule to visit them

Oh, but your shoulders look so tense, darling! He can rub them for you if you'd like

And your poor feet! Those sandals of yours look awfully uncomfortable. Why doesn't he head back with you so he can show your full body the love it deserves

While he and Soap can't help but bicker when it comes to vying for your attention, on the rare occasion, the two have been able to put aside their differences and work together, if you know what I mean

Price

Unlike the two younger men, Price feels no need to fight for your time

No, he knows you'll eventually make your way over to him, swaying your hips in that way that makes him salivate like a dog

As the oldest and the longest resident of the group, he's become somewhat of a right hand of yours; almost like a concubine turned consultant, if you will

While of course he loves nothing more than to get down to the nitty gritty with you, these talks of yours are truly the highlight of his day even when they're entirely polite in nature

Why yes, he has done something different with his beard, thank you for noticing. He got some new oils from the market yesterday. Do you like it? Isn't it soft? Just wait until you feel it between your thighs

No matter who you're taking to your bed for the evening, Price always escorts you to the door of their quarters, leaving you with a kiss to the hand goodbye. Until next time, starlight

Ghost

Last but certainly not least is the man you have the most… interesting dynamic with, to put it one way

It's funny, really. He likes to pretend the sweet taste of you doesn't haunt his every waking moment, and you like to pretend that there was anyone else on your mind the second you walked through the door

But oh, he sees that you've arrived yet again... Well, this book of his is super interesting, so he's just going to sit in the corner and read, and absolutely not watch you out of the corner of his eye

What was that? No, he's not holding it in his lap for any reason. And no, his pant legs aren't shorter than normal. Why would you think that?

Oh, but the moment you hold your hand out for him, he has to stop himself from immediately tossing the dumb book aside and hauling you over his shoulder like some sort of rabid beast

Instead, he takes his time standing from his seat, almost indifferent as he takes your hand and lets you lead him back to your chambers

It's all a farce though, of course. Nothing makes his pride swell more than having you scream his name for the whole palace to hear, echoing all the way back to where the three other men are left to sit and mope

4K notes · View notes

headspace-hotel · 2 years

Text

My random unsubstantiated hypothesis of the day: the popularity of "stim" videos, fidget toys, and other things like that is a warning sign that something's Deeply Wrong with our world.

Don't freak out. I am autistic. These things are not bad. However, can we just...take a second to notice how weird it is that there are entire social media accounts full of 10-second videos of things making crunching noises, people squishing slime in their hands, and objects clacking together, and that enjoying them is mainstream and normal?

It seems that nowadays, almost everyone exhibits sensory-seeking behavior, when just a decade ago, the idea of anyone having "sensory needs" was mostly obscure. It is a mainstream Thing to "crave" certain textures or repetitive sounds.

What's even weirder, is that it's not just that "stim" content is mainstream; the way everything on the internet is filmed seems to look more like "stim" content. TikToks frequently have a sensory-detail-oriented style that is highly unusual in older online content, honing in on the tactile, visual and auditory characteristics of whatever it's showing, whether that's an eye shadow palette or a cabin in a forest.

When an "influencer" markets their makeup brand, they film videos that almost...highlight that it's a physical substance that can be smudged and smeared around. Online models don't just wear clothes they're advertising, they run their hands over them and make the fabric swish and ripple.

I think this can be seen as a symptom of something wrong with the physical world we live in. I think that almost everyone is chronically understimulated.

Spending time alone in the forest has convinced me of this. The sensory world of a forest is not only much richer than any indoor environment, it is abundant with the sorts of sensations that people seem to "crave" chronically, and the more I've noticed and specifically focused on this, the more I've noticed that the "modern" human's surroundings are incredibly flat in what they offer to the senses.

First of all, forests are constantly permeated with a very soft wash of background noise that is now often absent in the indoor world. The sound of wind through trees has a physiological effect you can FEEL. It's always been a Thing that people are relaxed by white noise, which leads to us being put at ease by the ambient hum of air conditioning units, refrigerators and fans. But now, technology has become much more silent, and it's not at all out of place to hypothesize that environments without "ambient" white noise are detrimental to us.

Furthermore, a forest's ambience is full of rhythmic and melodic elements, whereas "indoor" sounds are often harsh, flat and irregular.

Secondly: the crunch. This is actually one of the most notably missing aspects of the indoor sensory world. Humans, when given access to crunchable things, will crunch them. And in a forest, crunchy things are everywhere. Bark, twigs and dry leaves have crisp and brittle qualities that only a few man-made objects have, and they are different with every type of plant and tree.

Most humans aren't in a lot of contact with things that are "destroyable" either, things you can toy with and tear to little bits in your hands. I think virtually everyone has restlessly torn up a scrap of paper or split a blade of grass with their thumbnail; it's a cliche. And since fidget toys in classrooms are becoming a subject of debate, I think it pays to remember that the vast majority of your ancestors learned everything they knew with a thousand "fidget toys" within arm's reach.

And there is of course mud, and clay, and dirt, and wet sand. I'm 100% serious, squishing mud and clay is vital to the human brain. Why do you think Play-Doh is such a staple elementary school toy. Why do you think mud is the universal cliche thing kids play in for fun. It's such a common "stim" category for a reason.

I could go on and on. It's insane how unstimulating most environments humans spend time in are. And this definitely contributes to ecological illiteracy, because people aren't prepared to comprehend how detailed the natural world is. There are dozens of species of fireflies in the United States, and thousands of species of moths. If you don't put herbicides on your lawn, there are likely at least 20 species of plant in a single square meter of it. I've counted at least 15 species of grass alone in my yard.

Would it be overreach to suggest that some vital perceptive abilities are just not fully developing in today's human? Like. I had to TEACH myself to be able, literally able, to perceive details of living things that were below a certain size, even though my eyes could detect those details, because I just wasn't accustomed to paying attention to things that small. I think something...happens when almost all the objects you interact with daily are human-made.

The people that think ADHD is caused by kids' brains being exposed to "too much stuff" by Electronic Devices...do not go outside, because spending a few minutes in a natural environment has more stimuli in it than a few hours of That Damn Phone.

A patch of tree bark the size of my phone's screen has more going on than my phone can display. When you start photographing lots of living organisms, you run into the strange and brain-shifting reality that your electronic device literally cannot create and store images big enough to show everything you, in real life, may notice about that organism.

#nature #thoughts #random #forest

38K notes · View notes

prokopetz · 1 month

Text

In recent posts I've complained that a lot of tabletop RPGs which toss around the term "fiction first" don't actually understand what it means, and I've been asked to expand on that complaint. So:

In my experience, there are two ways that game texts which want to position themselves as "fiction first" trip themselves up, one obvious and one subtle.

The first and more obvious pitfall is treating "fiction first" as an abstract ideology. They're using "fiction first" as a synonym for "story over rules" in a way that calls back to the role-playing-versus-roll-playing discourse of the early 2000s. The trouble is, now as then, nobody can usefully explain what "story over rules" actually entails. At best, they land on a definition of "fiction first" that talks about the GM's right to ignore the rules to better serve the story, which is no kind of definition at all – it's just putting a funny hat on the Rule Zero fallacy and trying to pass it off as some sort of totalising ideology of play.

A more useful way of defining "fiction first" play is to think of it not in terms of whether you engage with the rules at all, but in terms of when they're invoked: specifically, as a question of order of operations.

Suppose, for example, that you're playing Dungeons & Dragons, and you pick up the dice and say "I attack the dragon". Some critics would claim that no actual narrative has been established – that this is simply a bare invocation of game mechanics – but in fact we can infer a great deal: your character is going to approach the dragon, navigating any inclement terrain which lies between them, and attempt to kill the dragon using the weapon they're holding in their hand. The rules are so tightly bound to a particular set of narrative circumstances that simply invoking those rules lets us work backwards to determine what the context and stakes must be for that invocation of the rules to be sensical; this, broadly speaking, is what "rules first" looks like.

Conversely, let's say that your game of Dungeons & Dragons has confronted you with a pit blocking your path, and you want to make an Athletics check to cross it. At this point the GM is probably going to stop you and say, hold up, tell us what that looks like. Are you trying to jump across it? Are you trying to climb down one wall of the pit and up the other? Are you trying to tie a rope to the halfling and toss them to the other side? In other words, before you can pick up the dice, you need to have a little sidebar with the GM to hash out what the narrative context is, and to negotiate what can be achieved and what's at stake if you mess it up; this, broadly, is what "fiction first" looks like.

At this point I know some people are thinking "wait, hold on – both of those examples were from Dungeons & Dragons; are you saying that Dungeons & Dragons is both a rules-first game and a fiction-first game?" And yeah, I am. That's the second, more subtle place where game texts that talk about "fiction first" go astray: they talk about it as though being "fiction first" or "rules first" is something which is inherent to game systems as a whole.

This is not in fact true: being "fiction first" or "rules first" is something which describes particular invocations of the rules. In practice, only very simple games spend all of their time in one mode or the other; most will switch back and forth at need. Generally, most "traditional" RPGs (i.e., the direct descendants of Dungeons & Dragons and its various imitators) tend to operate in rules-first mode in combat and fiction-first mode out of it, though this is a simplification – when and how such mode-switching occurs can be quite complex.

Like any other design pattern, "fiction first" mechanics are a tool that's well suited for some jobs, and ill suited for others. Sometimes your rules are fine-grained enough that having an explicit negotiation and stakes-setting phase would just be adding extra steps. Sometimes you're using the outputs of the rules a narrative prompt, and having to pin the context down ahead of time would defeat the purpose. Fortunately, you don't have to commit yourself to one approach or the other; as long as your text is clear about how you're assuming a given set of rules toys will be used, you can switch modes as need dictates. However, you're not going to be capable of that kind of transparency if you're thinking in terms of "this a Fiction First™ game".

(Incidentally, this is why it can be hard to talk about "fiction first" with OSR fans if you're being dogmatic about fiction-first framing being an immutable feature of particular games. Since traditional RPGs tend to observe the above-described rules-first-in-combat, fiction-first-out-of-combat division, and OSR games tend to treat actually getting into a fight as a strategic failure state, a lot of OSR games spend most of their time in fiction-first mode. If you go up to an OSR fan and insist that D&D-style games can never be fiction-first, then attempt to define "fiction first" for them and proceed to describe how they usually play, they'll quite justifiably conclude that you have your head up your ass!)

#gaming #tabletop roleplaying #tabletop rpgs #game design #fiction first #violence mention #death mention #swearing

2K notes · View notes

praeluxius · 3 months

Text

Red Wine - Karina & Natty

Aespa Karina x Kiss of Life Natty x M Reader smut

thanks to @capslocked & @passingnotions & @friskyriskywhisky

Masterlist word count: 9,957 Kofi

A new girl every week.

Not like you mind it. As long as Karina is having a good time, then that's enough for you. She meets them all at work, and they're all equally pretty.

Of course they are—it's part of the job.

It's just how Karina is—she has always been a fountain of charisma and that's part of what drew you to her—some call it rizz. So, you know all too well how these girls feel when Karina cranks up that natural charm and it leads to her inevitably inviting them over on a Friday evening, an offer they can’t refuse.

A girl's night in. That's what she always calls it—truth or not.

It's a funny thing to call it, given that you're always there. Not that any of them ever complain. You're there. That's okay. You'll join in the chat or stay out of the way—it's all very casual. Most of the time, it’s just that—casual.

Most of the time.

"And then I told him: 'Look, this dress is Dior, and it's worth a year of your rent. So if you think, even for a second, that it's going to end up on your bedroom floor after you buy me a couple of glasses of bottom-shelf whiskey then you can Johnnie-Walk-the-fuck-on-out-of-here because there are a thousand more ways I can spend my night than wasting time on you.'"

The two girls break out into some sort of intoxicated, riotous laughter. The girl with the story? They call her Natty, and she is the latest of Karina's new friends to visit. This one sporting almond skin, eyes with an inky rich hue, thick lips and a smug look on her face that could melt the paint right off the wall, or the clothes off any man.

She has one leg crossed over the other, sitting at an angle towards Karina. The slight canting of her head, the way her black hair cascades over a bare shoulder, all of it conspires together in order to fully reveal her neck line where the loose t-shirt drapes from shoulder to shoulder.

"Yeah, like any dude's got enough bank to buy himself to a night with you." Karina laughs again before taking a drink from her wine.

You are trying to watch the TV, vaguely—your favourite team is on and it's a bit of a ritual for you.

You will never even know we're here. That's what Karina told you. Yet you’ve spent the better part of the last hour listening to them. We’ll be quiet.

As if that's ever true.

They've been reeling off anecdotes all the while, and if you've learned one thing about Natty, it's that she has a lot to say, and a lot if it comes down to either the pleasures, profits, or travails of her career. The stories just keep coming. And each and every one is punctuated by that same laugh from Natty. You have never heard anything quite like it before, and it's that which keeps drawing your attention back to their end of the couch. Much like her voice, it's high pitched, a little nasally and utterly adorable.

Karina laughs along as well; more than a few times a drink threatens to spill onto the carpet because one of them has laughed a little too hard or bumped into one another. Now that would be a disaster: red wine and a white carpet.

"So I got this really nice pink one. It's really pretty, a little sexy, but it's so comfy too." Natty is talking but you don't have a clue what about and Karina, turned away from you, is nodding her head, the ponytail on the back of her head shaking a little as a result.

You don't need to see Karina to know how she looks—as beautiful as ever. That same sharp jaw, high cheekbones and lips glistening pink, hued darker by her drink of choice. Those eyes. It’s always her eyes that captivate.

Her beauty and grace are two things she truly does share with Natty. All the women that come over are all part of the same constellation. Stars in their own right, but Karina is a supernova—or something equally poetic.

Karina says something, but the voice is soft and muffled and lost to you among the animated exchange.

"There's also this blue one. But I don't wear it nearly as much as the others, but it cuts real low. Nearly shows my, you know..."

That lowered voice draws your gaze right over to them both as Natty leans in towards the woman next to her. A gesture and the shape of her voice, the lilt of her accent, makes it sound as if she is being discreet even though you can clearly hear every single word.

"...you know." Natty then tugs a little at her own shirt.

The two giggle again as if they're not grown-ass women; two women who have admittedly drunk quite a lot.

"He loves this one I have, it's part of a set, and I picked it up in Paris last month,” Karina says. “Black and lacy. Super expensive, but it's so worth it."

"That pair would look good in anything," Natty lets out that same laugh again, if a little softer this time, as if the mood shifted a little. You felt this coming all along. If you're honest, sometimes as soon as Karina walks through the door with a girl on her arm, there’s a certain vibe that hangs in the air that tells you it’s one of those nights.

You're stealing glances at the two of them, and it's Natty who's looking towards you, over Karina's shoulder. Your eyes are caught in this awkward collision. Natty holds the stare, her smile shifting subtly from innocent to devilish.

She's a stunner. Even from the angle where you're catching glimpses at her, a glance out of the corner of your eye, there is something seductive and hypnotising.

"He's a really lucky guy." She says to Karina, keeping her eyes fixed on you.

That is usually the cue, one you're very familiar with. A flirty little comment, maybe an innuendo, something meant to test the waters—see where the land lies, the rocks you can stand on before stepping any further out into the surf. It's how so many of your Friday evenings play out. You are just that—an object of curiosity and interest to Karina's friends, and you have to credit the sales pitch she must deliver about you.

"You're damn right," Karina replies with a chuckle as she tilts back the remainder of her drink.

"Do you think he would like mine?"

"Of course, he would. But if you want, I can be the judge." Karina takes Natty's almost empty glass and sets both down on the table. Her expression and attitude—lips and body language—communicate her invitation far more eloquently.

Karina is reaching over and Natty's meeting her hands with her own at the hem of her shirt. A teasing lift and you can already envision what she's about to show. See, Natty's a dancer—you know that much, and a good one at that. That kind of talent comes with the blessing of a body that turns heads. Your girlfriend knew that well too when she had invited her back home.

"Go on then."

The shirt lifts off Natty's skin, with the help of Karina’s hands running up the side of her body, exposing a pierced belly button. You try, very valiantly, to pretend not to be watching, but you can't help it. Natty raises her arms and lets Karina pull off the shirt fully revealing her in her lace bralette. It's pink, it's pretty and a little sexy—just how she described it.

"They really are nice, wow," Karina leans in close and for a moment you think she's going to start kissing Natty right then and there.

Natty doesn't say a thing. She lets the next moment happen, and with their bodies so close you can feel the anticipation, there’s an agonising pause, but, just a moment later, Karina is running a hand up along her belly, cupping a hand over one of her breasts.

"Really nice," Karina repeats the compliment.

And you're all in now. Fuck the TV. You can't peel your eyes away from whatever the hell your girlfriend is about to do.

"Thank you," the girl purrs as she arches her body to push herself against Karina's hand.

A flirtatious hand and those slender fingers of hers begin to move delicately over the fabric. It's a good touch. You've experienced first-hand all the wonderful things Karina can do with it. She touches how she dances—passionate and precise.

"What do you think?" Karina's finally acknowledging you over her shoulder—your official invite to the fun.

"Gorgeous," you mumble, and Natty's smiling like a minx as Karina continues in a way that you should probably be offended. Your girlfriend runs her hands down to the girl's waist, round to the small of her back, and then all the way back to where she starts again.

"Come, take a closer look. What do you think?" Natty follows her words with a wink and a flick of the hair.

"Fuck yes." You whisper under your breath.

"What was that?" Your girlfriend's smirking to herself as you rise from your seat.

"Yes." You take a step towards them both.

"Yes?" Natty repeats, one of her dark brows arching.

"He thinks you're fucking beautiful, sweetheart. Gets a little lost in the moment sometimes." Karina is leaning her head in close, one arm around the girl. She has a finger running up along Natty's slender back as she pulls at the clips holding her bra together. "Isn’t she perfect, babe?"

"Something like that," you confess. You're standing in front of the girls, looking down at the topless Natty, at Karina who's still snaking her hands around her. And Natty looks up at you, eyes wide, inviting, smouldering with passion. She really is something else.

She peers beneath those bangs of hers with a look that says: why don't you sit right here beside me?

"There we go," Karina says and there's suddenly some slack. The weight of her pair is taken by gravity and Natty catches them into folded arms. She sinks back into the couch. You take a step, and taking her lead, you sit by her side.

Karina reaches down, pats you on your leg, then turns back to face Natty. "You were saying you thought he was pretty cute too, weren't you, Natty?"

"Pretty cute, yes. Hot too. Moreso now that he’s up close." Natty says while Karina's got her hands on her shoulders, taking the straps of her bra between her delicate fingers. And then her bra is gone—the last semblance of her modesty lost along with it. Her small nipples jutting, stiffened with arousal, ready and waiting.

"God, he's practically drooling."

"That's hot," Karina comments as her lips descend onto Natty's shoulder and she starts laying kisses up and along her neck, trailing all the way to her ears.

"Sit behind her, babe, let her make it easier for you," Karina says. There is something entirely different and erotic in the way your girlfriend commands you. It’s so often like this, the dynamic, the guest and you are equals but Karina? Karina is a level above, the one in control and setting the pace.

You move yourself further onto the sofa and seat yourself back, then Natty slides over your lap. She takes her place, just as Karina wants, in front of you. The look in your lover's eye tells you exactly what to do, while her hands give Natty some hands-on guidance. Holding her shoulders, she’s placing Natty’s back against your chest.

You lay your own touch on the starlet’s waist, coiling them around her body. Dragging them up towards her smooth tits causes her to respond with a shudder. You keep your touches slow, leisurely, tentative and exploratory, but with no lack of appreciation.

Natty refuses to shy and settles firmly into your body. Karina, meanwhile, sets herself in front of the two of you, resting her hands on Natty's knees. Your beautiful guest parts her legs a little as Karina slips her hands between them, urging her thighs to open wider. Wider until she has to lift her legs over yours.

"Is this okay with you?" Karina is looking up into Natty's face and the woman simply nods."How does she feel?" Karina's asking you now, placing her hands on the back of yours, guiding your touch over her breast into a rougher pace.

"Perfect." The word slips from your mouth, followed by a throaty groan. Among all of this, Natty's ass is against your crotch, the weight of her pushing your manhood to swell and strain against your clothing. You are thankful she's wearing a thin enough pair of yoga pants that enhances it all.

Karina has planted her knees between yours and Natty's legs. She's pulling her own shirt over her head and you already know what's beneath. For all the talk earlier about bras, Karina isn't wearing one; she never does. "Fuck, Karina," Natty coos at her bare chest. "He likes it too. I can feel him twitching."

Natty’s hands are all over Karina as she pulls her in. There’s grace, there’s tension and there’s a coy giggle from Karina as their lips are only inches apart. The hammering of your heart echoes within as you take a front-row seat to their show. It always triggers something inside you when she first lays lips on someone, it always heightens that delicious, tingling, primal feeling.

"Oh shit, girls..."

Your girlfriend's the best kisser and you love watching her like this—exploring another woman's mouth. Natty is matching her tempo beat by beat, kiss by kiss. Her body arches as you squeeze her breasts. You swear Natty's making little whimpers as the two make out.

Her body is all action against you: ass grinding back, rolling slowly and languidly as your hands pull at her breasts—squeezing them together and then apart. You dip into her neck with your mouth. The sweetness of her skin fills your mouth and the richness of her perfume fills your nose.

You lower your lips and gently nibble at her neck, dragging teeth over her flesh until she gasps from a gentle bite and you work your lips on her skin. Tongue roaming as you feast on her taste. Karina's pushing forward now, Natty sandwiched between you, their pairs of tits pressing together with your hands somewhere between.

They break, and Natty naturally moves to your girlfriend’s neck. Karina has her sights set on you, prying your mouth from Natty's shoulder and catching you in a deep kiss. Tongues battling, clashing. There's the familiar fading taste of red wine in her mouth, and the unmistakable flavour of something foreign to you, the lingering taste of Natty.

She pulls away from your lips, staring down the two of you. There's dissatisfaction on her face. "Why aren't the two of you naked yet?"

She pulls at Natty's hips, relieving your cock of the pressure of her sitting on it, and you hold Natty so as to not let her slip too far away. You and Karina work Natty's yoga pants, and her panties, from her hips. They slip effortlessly down to her ankles, leaving her decidedly bare.

No one speaks and you all know this isn't the time to explain anything or ask questions. When her clothing is out of the way Karina descends upon Natty again, kissing her hard and you catch the dying whimpers of Natty's moans into Karina's lips. Karina's hand is snaking down Natty's back, reaching for your crotch. She unbuckles and opens your belt all the time fighting against Natty's movement as she tries to grind her ass back into you.

"Stop moving." Karina giggles into their kiss as her hand delves beneath your trousers. She breaks her kiss again. "Need some help."

Natty's peeling herself away from you, turning to face you. Natty's naked, Karina's halfway there, you're the one slacking. Not for long. Soon the two are tugging away all the unnecessary clothes until all three of you are equally exposed. Your cock stands heavy and ready under their gaze.

"Woah, you weren't lying." Natty's figuratively licking her lips, hungry and wide-eyed, and you'd bet your last dollar she's got an idea in mind. "Can I...?" Natty turns to ask Karina.

"I'd hate to be selfish." Karina shrugs her shoulders and winks. You're transfixed. There's natural magic about the way they move as if it is rehearsed; the way Natty sinks to her knees and the way Karina pulls your hips to the edge of the seat, then rises above you.

Karina hovers and watches, Natty leans in, and then your balls disappear into her mouth. She’s handling them with her tongue expertly as she takes hold of your cock.

"God, what a pro. She wasn’t lying when she told me she knew her way around a cock," she exclaims, savouring every second as the air rapidly leaves your lungs.

It is beyond explanation, the way Natty's tongue is dancing along the underside of your balls as her lips caress each one. Her eyes occasionally flick up and flash mischievously—it's the kind of look that means she could get away with absolutely anything, and there is no way you are going to stop her.

"She's got the face for it, doesn't she? Like she just gives the most amazing head." Karina's on her knees by your side, sliding a hand between her thighs.

"Y-yeah." You manage to reply. "S-so... ahh! Good."

Karina leans forward, cupping one of your cheeks as she looks into your eyes.

"He's speechless!" She laughs, moving a hand to the back of your head and tugging gently at the strands. "Natty baby, give him a few words or something, will you? If you can?"

It's hard to look at her, but you crane your neck and you catch her looking at you again—one hand upon your inner thigh, the other wrapped around your shaft. "That's a good boy," Natty murmurs.

She teases a thumb over the surface of your glistening wet tip. "She loves that shit. Watch her..." Karina explains, smiling, the delight on her face all you can look at for a moment or more.

She guides your chin and you follow your girlfriend's direction, then you see, Natty's taken her mouth from you for a second and she's licking your pre-cum from her thumb; her gaze on the pair of you. She repeats her motion once more and the grin on her face grows bigger as you leak another pearl for her.

"How does he taste?" Karina asks for both of you.

"Delicious." Natty answers—now she's literally licking her lips.

You'll believe anything this woman tells you.

She's running a teasing tongue along the underside of your shaft, and as she reaches the peak, she catches the snow-white trickle you drip right there. You close your eyes in ecstasy, but before long, you’re feeling a finger poke against your lips.

You part them open, letting Karina's two fingers inside, and she's running her digits over your tongue as you suck her fingertips. The taste is so undoubtedly her, nectar straight from her source, your mouth salivating for more.

The feel of Natty's soft plump lips against the end of your cock is incredible as she moves them in an inch, teasing, testing, and then she withdraws just the same and you want to cry out. But you can't, Karina still lubricating her fingers, your tongue swirling around the digits.

She withdraws and your eyes open. And as much as you wanted to see Natty ready to settle her mouth around your cock, she's got something else in mind. She has her tits in her hand. "Are they still gorgeous?"

"Yeah, totally," you sputter.

"Natty girl, let him fuck them." Karina tells her and then she turns to you, mouth to your ear. "You want your cock between them, don't you? Tell her." Karina's not leaving this up to interpretation. "Tell her you want them."

"Oh yes..." you blurt out, without even really thinking. Karina giggles—it's her sign of approval, a tick. "Your tits, Natty. Fuck. Please."

It's not something you haven't done before. You love Karina's pair too, after all. It would be hard for anyone with a dick to resist a pair of round tits like hers. Luckily for you, tonight she's brought you a girl with a pair to match her own.

"He asked so nicely."

"He's a real gentleman," Natty teases and she raises her breasts a little, then pushes them together. As your head slides into her cleavage, she puts her hand around them, and as the skin squeezes the sides of your member, you are reduced to shuddering. Karina knows exactly how this gets you, knows just how this can bring you undone. It doesn't even matter if the actual thing feels nothing like sex—you'll always go crazy over a great pair of tits.

As the tip of your manhood peeks out through the crease between them, Natty lowers her tongue to it and you swear you nearly cum right then. Then the words echo inside your brain: he wants them, Karina's voice and as soon as she says it, your subconscious concedes to the reality.

"Look how easy and willing he is," she says to Karina and both girls giggle, then Natty forms a mock pout. "Such a good boy. I really want to make him feel good."

"He does deserve something." Your girlfriend runs her fingers into your hair as Natty plants a soft kiss onto your cock-head. Instinctively, you reach out but before you can touch anything, Karina's hand finds your wrist. "Tell her what you want."

She's leaning in closer again and Natty looks up from where she's teasing your tip, sucking, tonguing and lavishing affection and attention. "Ask Natty nice. Tell her you want a blowjob. Tell her you want to cum. Tell her what you want," Karina purrs her words.

And god, if anything makes it impossible to think straight, it is Natty's gaze up at you. She wants to make it easy for you, impossible to do anything but give in to your wishes, whether it’s her intention or your deep-seated desire making it seem so.

"Natty... can you suck my cock?" Your mouth's dry and the words grate in the throat.

"Anything," she says with a twinkle in her eye. And now it's all one motion. Her tits clamped against the sides of your length. Your cock drives between them and into Natty's waiting mouth. She's all tongue, bobbing her head a little and taking the tip of you in and out of her mouth.

Karina's all over you—kissing your neck, holding a hand behind your head, caressing, squeezing. "Aren't I just the best? Always doing this for you with all these girls." She's muttering away in your ear. The heat of her breath is constant and burning. She continues with sweet nothings in her deep, sultry voice.

You're sinking deeper into the couch, like you're laid on the shore and the tide is enveloping you. Wave after wave crashing against you, rolling, engulfing you and drawing you out further and further. Natty is pulling you under; every time she takes you into her mouth, wrapping her tongue around you, it's another wave over you. Karina is a life rope. You're grabbing onto the strands of her ponytail, trying to keep your head above the water. All her touches, her words, her encouragement, that's the air you need.

But the torrent grows ever more intense and powerful and the riptide is too great, Natty's drawing the last vestiges of resolve from you. You lose grip of everything—of reality.

You're lost.

Lost in her mouth, lost between her tits.

Karina knows it, she's seen it all before, so many times, for her and others. "Feel like you're gonna cum?" Karina's in your ear asking you the obvious.

Your answer's a growl.

"Cum!" It's a low-roar in your ear.

You don't say a word.

"All over those perfect fucking tits. Her mouth, her face, look at her," and then that's it. You're drowning in pleasure. Every sense abandons you—hearing, touch, and sight, all surrendered.

You can't think or do anything, because every fibre of your being is focused on a single action—pouring out cum. You're rigid and straining.

Your eyes regain focus and you see it all. All of it smearing her tits and just a little on her face, and then more streams erupt. Natty doesn't shy and she doesn't stop. She is milking you for every single drop.

And Karina's ever the encourager, ever full of pride. "Just like that, yes. Empty all of it right there on her chest."

This is her thing now. Has been for a while, ever since she convinced you to try it just one time. Her imagination was fueled by all those dirty little stories she read online about voyeurism and the like. It opened her eyes and redefined your relationship. It started with an experiment. With her best friend, Winter, all those months ago. It was the first time she took enjoyment in her friend getting you off.

Now it's a regular surprise. Sometimes they're girls you met many times before, almost like she was dangling them in front of you, teasing you. Other times it's just like Natty. You barely say a few words to them and before you know it, you're covering them in your cum.

Truth is, you always get the gut feeling when it's one of these nights, as soon as Karina and whichever girl it is start their first drinks of the night; you know it's one of those nights. Then it's just a case of waiting.

Natty didn't take long to get on her knees—she must have been excited.

And lucky for her, you're nowhere near being finished.

Karina is prowling and on the move, towards Natty, and she reaches her with both arms as she locks her into her grasp. A kiss, deep, hungry. All tongue. Seeing is believing; some of you ended up inside Natty’s mouth and now she’s sharing, distributing to Karina. Back and forth it goes between their mouths, with some spilling from their lips. As it’s shared, it’s swallowed bit by bit between them.

"Your turn Natty. I want to watch you cum for me." Karina announces she breaks away, then lapping up what remains on her lips and she has a hand on Natty's chest, playing with the mess you made of them.

You're lying there, spent and watching, as Karina guides Natty to her feet.

"There you go," Karina is pushing the girl towards the couch and she gets to the edge, then places a knee on it. Your eyes drift over her body as Karina bends her into place, her sticky chest planted against the cushions. Her juicy ass is in the air and the light in the room highlights every line and contour. Her flawless curves are accentuated to their perfect best.

"Legs wider, yes, yes. That's perfect," Karina's voice cuts through the air. She's behind her, hand on the small of her back, urging Natty into position. Lower and lower, Natty's head pressed into the cushion; she's turning to look at you, face full of excitement, of yearning.

A quiver passes through her entire body as Karina's lips descend upon her lower back.

Then lower, kissing her tailbone.

Her ass.

Lower and lower, peppering her skin along the way, Karina finally nestles between the two cheeks. Then she places her hands on Natty and starts parting them. "Perfect. Isn't that so perfect?"

Karina doesn't wait for any reply from you.

She doesn't need to. You are fixed there, utterly mesmerised, entranced and completely undisturbed, watching this gorgeous woman lay tongue on her newest conquest. Karina, meanwhile, can't contain her excitement. She's feasting on Natty, lapping at her sex, diving lower and lower with her tongue. "Oh yes. You taste so good."

Everybody's taste is unique. Just as her aroma earlier was something you couldn't put into words or compare, you can only imagine how sweet Natty must taste. And as if she reads your mind, Karina adds to the narrative, "So sweet."

And the sounds.

Fuck. The sounds.

Natty moans, loud, sharp and high. You should have known it, her voice being what it is—the tone; so unique, so unmissable. You should have expected the melodic composition. The pleasure is pure, crystal-clear music. It's perfection in sound. It's the kind of musicality people work their entire lives to compose, to play, to express.

To do all without a care in the world.

With as much freedom, spontaneity and energy as possible.

The tone shifts, and the octaves change. And it's Karina, playing her, burying a pair of fingers into Natty.

There is no question here. The two are in sync. Karina, a performer by profession, plays your guest as if Natty is merely an extension of herself. Your girlfriend, in her element, her playground, her stage and her domain. You are her audience. And she has never sounded, looked, or acted so majestic in her role.

Natty sings a string of profanities, nonsensical and fragmented phrases.

"That good?" Karina exclaims, teeth digging into her butt cheek as Natty spills into the cushion. Her legs quiver. Karina smiles into her ass, nipping her a second time and then she turns to you, staring at you with the same dark hunger, the same thirst, you always see.

"You still with us, babe?" she asks—rhetorical, she know’s you’re fixated. There's no question in her mind. She can read you and she knows how captivating this performance is.

"God yes," you whisper in reply. She's smiling wide.

"Good." That one word response, so laden with meaning.

It's a dangerous smile. It means only trouble. Good trouble.

"Come here," she's beckoning you behind Natty. Your legs feel weak and like jelly, yet you crawl up and behind her, your hand slips up to her thigh, pressing, pawing and grabbing her flesh. She purrs at your touch, and Karina, too, responds with delight.

"Natty," you begin, feeling her ass under your touch. "Do you want me inside you?"

"Mhm. Yes."

Karina slips a hand around your erection, her wet, lubricated fingertips meet your skin and when she says, let me get you ready for her. That alone could have done the job. But, damn, her hand feels so good as it strokes. The motion's just the right pace and when her grip gets tighter, a tremor courses through you.

"You did such a wonderful job already." Her praise is just as nice as her tongue running along the side of your length and then her lips, pursed, locking onto the tip.

"Karina..." it's a long-drawn groan. She lets her tongue swivel over you, each stroke lasting longer and longer. The more she continues, the more feels you grow and get hard—she works you until the last ounce of sanity leaves your brain.

Then she draws away and finishes her sentence, "I told you, you're the best. Now look at her, look how needy she is." Karina's still got a hand on your cock and the other caressing Natty's cunt.

Natty’s now the girl in the center of it all. Her beautiful face turned, eyes closed. She's twitching, aching, longing. She whimpers, and then gasps in desire as you angle your cock at her slit. Her folds open gratefully and the wet warmth of her sex embraces you. Her groans rise again, heightening ever more in the satisfaction as she backs herself further onto your length.

You move, thrusting into her, and she breaks into a tempered moan.

"Oh yes! God, yes."

And you feel a hand grab at your backside, encouraging, guiding, demanding more of you. She partners her touch with an all-telling grin. Karina's about as happy watching you fuck someone else as she is being fucked.

"That's it... You like it like this Natty? Does this feel good to you?"

It's a silly thing to ask, but it still makes Natty stir. It makes her hot—burning hot. As soon as the words are out of her, and she follows with a moan, she becomes tighter around you.

"Ah! Yes, yes, yes..." she trails into several more repetitions as you angle deeper into her.

Your girlfriend is dancing her fingertips over her skin. "So amazing," your lover is still muttering her words. "So fucking hot," Karina says as she tracks her kisses up Natty's back. Gentle kiss after gentle kiss to her glistening back as Natty keeps driving her ass back against you.

There is the unmistakable look of an idea forming in Karina's mind. She's climbing onto the sofa, crawling past Natty onto the back of it, where Natty's head is pressed against the fabric. Natty grows hesitant at the expectation of what's to come, and it allows you to take over. A hand on either side. You're gripping her hips and really fucking her, pushing your cock fully into her and stretching her.

You see Natty's fingers wrapping around the bottom of the sofa cushions in an iron grasp, trying to bear the surge of bliss. She shudders and clenches up as Karina runs a set of nails up her back.

"Yes, baby, you take her, don't be afraid," Karina hisses her words, raking at Natty's back with her claws. "Harder." Karina demands and you pull on Natty's hips, pulling the gorgeous young woman into your hips as you fuck.

Karina's sliding into where she wants to be, right in front of Natty's face, sitting where she rests it. She's handling her like the toy she currently is, pulling her head exactly where Karina wants it, and coercing Natty's mouth onto her. To bury her in and make her satisfy Karina's craving.

And Natty wastes no time, sliding her lips onto Karina, exploring her core the way she has explored her mouth. "Just like that," your girlfriend cries as she rests a hand on Natty's head and rocks back against her. "See, I knew you'd be perfect for us."

You have to admit, Karina nailed it with this one. Before any of the girls even step into the apartment, they know why they're there, but none of them are as ready for it as Natty. It must be a deep, dark fantasy of her own, maybe something she's played out in her mind over and over. It must have been burning inside her before even that first taste of red wine.

Red wine.

That's it. That's how you knew it was always going to end up like this. Fuck, you must be a fool for having missed it all those times before. It's so obvious now that it's when she drinks red wine with them—that's the signal of how the night's going to end. Your subconscious had made the connection, now you realise.

You smile to yourself in the moment of clarity and Karina has noticed, breaking through her moans to ask, "You look a little lost back there, babe. Something funny?"

She's got a coy grin on her lips and her hand gripping Natty's hair, grinding the woman's face further into her pussy. It's a stream of muffled moans from Natty between her hungry licks of Karina's cunt. She's all action between you and Karina's stare. "Nothing."

You raise a hand and spank Natty's ass; the echo fills the air and her cheek ripples. Karina flinches with surprise and she's drawing the young woman further into her body. "Jesus, fuck. Again."

Again and you lay your palm on Natty. Harder. She mewls in pain and Karina shivers in bliss. Her fingertips dig at the younger woman, grabbing her by her scalp and pushing her harder.

A final time you spank her ass, planting your hands and digging your fingers into her soft flesh. Using the strike on your mount to signal one thing; faster.

You're reckless now—manic. Grab her ass and pound; that’s all that is on your mind. You're rabid—not holding anything back. This is the sole reason that girl's here tonight and you're not letting her down, nor Karina.

You hammer against her body, deep into her depths. Her cries echo over Karina's. Each hit a satisfying smack to Natty's cheeks. Slaps and claps and cries. Sounds fill the room. The wet squelch, the grunt of every stroke to the backing track of Karina's rich mewls.

It's a symphony, eroticism on an epic scale.

Your eyes roll upward, over Natty's body and land on Karina. She's bouncing on Natty's tongue. Head back, face creased with pleasure. A grimace so beautiful that you swear it is the definition of raw sexuality.

Natty's struggling; her legs are giving way and she keeps reaching with her hands. To the couch, the cushions, Karina's legs, to anything. There is no steadying her, and it looks like she's barely clinging on for dear life. She has only her waning strength and determination holding her together.

You think she's cumming. But fuck, it is hard to be sure. Maybe you should slow down, but if she is cumming once, better to make it twice. Or thrice. So, you pick up the pace instead. You become wilder, stronger, faster, more forceful.

She's not even eating Karina's cunt anymore—she just can't. You grab Natty's arms and pull her upright so she doesn't slip. Chest to back now—she’s against you and your thrusts drive upward into her.

Natty wails and all the while, Karina is sliding down the couch onto her knees, face to face with Natty. She brings a hand to Natty's throat, grabbing and pushing to pin her against you. And her other hand is sinking between Natty's legs.

Karina's teasing Natty's cunt with the soft caresses of her fingers, and you're sliding between those fingers and into the girl. "Look at you," Karina's saying between clenched teeth, then a loud hiss passes her lips. "Oh, fuck."

A fire blazes across the brunette's eyes—you swear it is an inferno. Fingernails and knuckles are going white in her grip of Natty's neck, and the same could be said of yours holding her arms.

"Oh, Karina!" Your newfound fuck toy screams your girlfriend's name out at the top of her voice.

Karina responds by rubbing her fingers on Natty's clit, then pressing hard, strumming it at a maniacal pace. She's whispering into Natty's ear, words only the girl can hear, coaxing something out of her.

Natty screams again and again. Your name then Karina's.

She's cumming.

Not just that, she's fucking squirting.

Her body's a boneless jelly in your arms as it spasms. And your girlfriend just won't stop her mischievous act, not a single pause until she's dragged more from the young beauty. She's dragging her second and then a third eruption.

It pours. It flows. Eruption is exactly the right word.

Natty's spraying onto your cock—

onto Karina's fingers—

down your legs—

on the couch—

everywhere.

You've got an ardent geyser in your grip and her voice cracks, the climax too much for her, for any of you.

In a flurry of a moment, Natty falls, slipping from your grasp and collapsing and sinking against Karina's chest. Limp. Saturated and dripping, sweat and cum.

The girl has come undone.

You've slipped out of her, set her free, but you're ready to burst. Staggering behind her, a mess and almost drunk on sex, you catch your breath. "Karina... I..." you begin.

"Look at the mess she made." Look at the mess she is.

Karina's laying the girl down to the side; Natty is almost lifeless aside from the aftershocks still tearing through her.

"Karina..." you try again. "Karina, please..."

"Come here sweetie," and that's enough. You sink to your knees on the edge of the seat. Karina's in front of you, grabbing at your erection and lying back. You're collapsing over her, propping yourself with an arm. She's pulling at your cock. It doesn't take much and you're about to fire.

"Please Karina, please" you growl and Karina whispers back the sweetest reply, 'I love watching you do this'.

She's tugging your cock, aiming it at her wet cunt, freshly eaten.

Then your legs grow heavy and stiff, it's impossible to move, muscles tense, locking your body in place. Karina's jerking your cock and it's impossible to hold it.

Release.

It comes.

You can't explain, words can't describe it, the sheer, earth-shattering and mind-numbing rush as it pours. Spurt after spurt, you feel it all come out, and through your hazed vision you're watching it pour over her cunt. Some on her abs, some on her thigh, but most of it coating her pussy. It is all you want to see before you fall, slipping onto her, your head in the nook of her neck. Her words are just a noise in your ear.

"Stay with us," it's her soft voice that you feel vibrate in your ears as her chest rises and falls beneath you. "Natty? Darling, you too."

There's this moment of near silence. Three sets of heavy breaths.

There are things you know to expect before long, but in this space between you don't really know where it'll go. It’s all wild in the night.

"That was... fuck. Intense," you begin, laying the seeds to push the three of you to the next course, "Wasn't it?"

Karina's responding with a push at your shoulders, making you look at her. Her features, still so sharp, she's still so elegantly composed, the dark and playful look hasn't left her eyes. Her smile endearing. "We're not done," she begins, a whisper into your mouth as you lean over her.

Hand grasping your cock, firm, and she’ squeezing a drop or two more out. "I want you inside me." She demands it of you, of your spent dick. This is always the danger. You're just a single cock in a game that demands more.

It hurts as she rubs your cock. No matter how gentle her touch, it feels rough and you wince in her hold, it's raw pain and all you want is to draw back, but you stay. You have to stay. You want to stay. Refusing to let the pain, the momentary sting and discomfort end it. "Give her what she wants," it's Natty's voice, from beside the two of you. Who knows where the young girl even got the strength?

“Please,” It’s rare that Karina pleads, but her mouth is on your ear, nibbling softly. Her hot tongue traces the shell of it and the whole motion gives you a shiver that makes the hair stand on end. "Come on." She coaxes in a sultry, yet playful, sing-song voice. It makes her intentions unmistakable.

You draw your body back and rest on your knees, looking at the two girls, side-by-side, one melting and the other keening. Your heart is still trying to get out of your chest, but somehow the sight of them has calmed you. They make it all feel a little easier.

"I'm sure your cock can still work for me," Karina's words are undisguised lust.

Natty reaches a lazy arm, working her fingers into the cum you left on Karina's body, playing with it. She begins painting Karina's belly, streaking it over her skin. "So much," she purrs, adding a moan as a compliment, her tone soaked in desire.

Karina takes her own finger to it too, dousing it in your fluid before taking it to Natty's lips. It's a question that goes unspoken, not one word, one command, just a mere motion. Natty's reply is perfect; she opens her mouth and accepts it eagerly, slipping her tongue onto Karina's digit and suckling it.

Natty returns the favour, her finger into Karina's mouth. They're both sucking, tasting, swirling their tongues as you watch, drinking the liquid, gulping it down, savouring the taste. Their eyes locked in an impossibly sinful gaze. Neither can bring themselves to break it.

They only give in and finally end it when their bodies move instinctively, rolling in to a desperate kiss. Mouths together, sharing the fluid back and forth in a series of dirty, noisy kisses.

Natty's running her hand down Karina's body, running it through your cum and heading right for her cunt. One finger sinks inside, met by a silent whimper from Karina and a second finger joins the first as the girl's now twisting inside your girlfriend. She draws in and out, each time pulling more of your cum into Karina's hole.

And your cock, exhausted moments before, now wants to wake. It's stiffening, not too far from hard once again. You're a moth to a flame and Karina's burning brighter than ever.

Natty's insatiable thirst is getting the better of her and her finger fucks your lover relentlessly.

Karina's mewl of satisfaction turns into a blissful howl. And when you climb between the girl's legs, finding them parted, you grab her behind the knees. Karina moans once more when you move to slip her ankles over your shoulders and Natty is forced to concede. Your stiff shaft, the one Karina has yearned for, drives into her.

Karina absorbs you, clinging, squeezing, and she holds you, embracing you. Her body is soft against yours, yet inside she's hotter than molten iron. She's even wetter, every slick and intimate part of her is grinding against you. "Yes, fuck yes," she's slurring, muttering nonsense.

She's a fucking mess between her legs—there's some of Natty's, there's some of hers, and there's a lot of yours down there, and you're fucking it all into her as lubricant. Natty's forced to watch as you're pressing Karina's knees up to her chest. She's riding the edge between pleasure and pain and enjoying every bit of it.

And there's no better feeling than when you press her even closer, and now her ankles lock at the back of your neck. Every thrust from you forces her ass to rise from the cushion and her cheeks meet your hips in a way that resembles Natty not long ago. Her tits are pressed almost flat under the weight. She is so open to you—so, so willing.

Her thighs tremble. Her hands claw. She's losing everything inside herself, everything but the one thing she wants most, a violent orgasm.

It's Natty's turn now, a role reversal, as she tries her hand at the encouragement, the guiding partner, "Harder," her first order. "Deeper," her second. Both punctuated with her nails scoring along your flesh. And in an act that's so entirely Natty, she's now spanking your ass and laughing as she does it. She's playfully flirty and full of giddy enthusiasm.

"Faster." Natty's clapping her hands and she's watching your thrusts drive Karina wild. Every stroke, every strike, all of it Karina is crying out for. Every push forward makes her twinge, a sensation, a mix of pleasure and pain, each jolting through her. "God, isn't she great to fuck?"

"She's the best," you groan, struggling to reply with the only response you can formulate. She is, of course, better to fuck than anybody else. There's no question about that.

"And you," Natty turns to her, "are you going to cum for us now?" Karina's hair sways. Her mouth is full of cries and whimpers. Every roll of your hips, every pull back and every plunge into her pussy steals every breath.

"Yes," she says. "Fuck yes. Right there, baby. Don't stop."

Natty relaxes to enjoy the show. She can see your shaft thrusting. She can see it when you withdraw, almost the full length and then every inch into Karina. Each time, your girlfriend's body jiggles and twists and writhes.

Karina's face grows contorted. A contortion of pure delight.

It's what Natty's been waiting for. Watching. The expectation she couldn't express. The feeling inside her core growing.

"Oh. God!" Karina squeals. She's seeing white spots explode in her vision. A flash of colourful patterns swirl in her head. The white heat rises higher and hotter, so high and so bright it consumes her. She's gone in it. Next comes a sound following a deafening gasp that stops the air dead in her lungs, the release as an equally loud scream.

You hear it, and the heat burns inside your ears, as if sound could cauterize. Every cell of your skin sizzles. It's electric, this passion.

Her cunt turns to water and floods. Your cock is saturated. That's all the reason you need to lose yourself. To slip back and slide yourself deeper into her, pumping. Her eyes squeeze shut and a loud, sonorous gasp is swallowed by her lips. She's never seemed sexier. She is utterly engorged with desire.

"Ah! Ah!"

You know Karina's at her limit. A dire need for respite, for air to fill her lungs—for relief.

You know what you're going to do. Natty is oblivious, so when you pull out of Karina, and slide over Natty—who's lying on her side facing Karina—it catches her by surprise. One that brings a look of elated shock to her face. You push up one leg and mount her from the side, driving your cock into her.

Karina's drowning in air as she opens her mouth to take all she can. Her vision clears. It focuses on Natty.

The young woman is caught, once again, and in the best way possible; she's lost and helpless beneath you, she has to clutch and clasp whatever's available—the cushions, her own arms—and take it. She's face down to the couch; her body twisted. Her tit's pressed underneath her but her waist rotating, one knee pointing at Karina and one leg straight between your own.

And Natty has taken this all in stride. She's dug her nails into her own scalp, grabbing at her hair. And there is no uncertainty or indecision within her body, nor in her mind. She revels in her vulnerability. She loves the feel of you inside her. Loves the thrill that floods through her entire being as you dominate and ravish her.

Karina makes her move. To join Natty, she slides in on her side, lifting Natty's leg over her own hip, turning Natty fully onto her side to face her. You relent for a moment and Karina does what she needs to. She pulls her own leg up under Natty's and hooks it around her ass. The girls pull each other close. Pull each other into a kiss. Their mouths together. Their breath shared.

Karina whispers, but loud enough you can hear her, and says, "Told you," and her words are all wrapped up in a smirk, the smile of satisfaction.

You slap the length of your cock against Karina's ass; teasing her but not sliding into her. And only when Karina has worked herself up even higher do you lower yourself and slide in, penetrating, filling and stretching.

You're fucking in and out of her. This might be a new favourite of yours. The girls tangled together, sharing kisses and bites and tongue. Both their holes are there for you—each available whenever you want it, and each is only a hair width apart.

It's hard for you to keep a focus on everything like this. But you fight through, burying your shaft inside Karina. Once, and twice, and a final time again. And it's ever so easy to just drag yourself out, driving it between their cunts for a few short pumps and then slip it up into Natty.

"Fuck. I wish we'd done this sooner," Karina is mumbling more, but her words are rolling together and coiling into nonsensical verbal splashes of pure want and need.

Natty strains a response, "I'd... love... to... join you. Often."

"Perfect." Karina is happy as she shifts, arching her body to make a point, to tell you who to fuck now.

And you slip, and then you're inside Karina. As easy as that. Buried as deep and hard as you can, she's mouthing a silent cry and her hair falls over her face.

Natty's got a handful of Karina's tit now, caressing her nipples. It's hard not to envy the beauty that's in her hands. Soft, round, pert, perfectly curved, her breasts are works of art, beautiful beyond anything you could ever put into words.

And all of a sudden, Natty has shifted from Karina's mouth, planting her lips on Karina's soft pillows. Natty is suckling at them and Karina's mouth is twisted open in a soundless gasp, then she speaks, "I could do this forever."

Her arms draw along Natty's body until she finds her ass, slipping down and around, and then her fingertip sinks between her cheeks. It makes Natty lurch as it caresses her taint, presses lower, and touches her tight rear entrance.

Then she does it, a manoeuvre only the confident would have considered, a twist and she's pushing a slender finger into Natty's ass and causing the girl to nip at Karina's breast. "Fuck," Natty hisses, giving a breathy shudder. And her reaction draws a grin onto Karina.

And they keep going like that, they are perfectly attuned to each other. And you swap again, seeing the opportunity to really punish Natty. You're angling towards her again, sliding into her soaked cunt.

You push up inside her. With no time or inclination to start gentle, you're instantly fucking her fast. In and out, hard and deep, over and over, you hammer her cunt. She's muffled with a mouth full of Karina.

"How's that Natty? Both your holes are ours." It's Karina, whispering her dirty words again, "tell us you're going to join us again. Tell us."

Natty nods her head against Karina's chest. It's not a verbal answer. But it's an affirmation that, fuck, yes, she'd like that—as would you all. You could have this again, and maybe soon, a replay with a fresh twist.

Maybe next time you can be the one inside Natty's ass. For now, it's Karina's finger working her, and it looks fucking amazing as it drives into her and withdraws in the exact same rhythm that you're giving her.

You both keep the pace, driving Natty into nirvana, and at some point, it's clear when the climax hits. But it's an awfully hard thing to gauge the passage of time while being wrapped and caught and tangled with these two vixens. All you know is that all too soon, your balls are beginning to churn.

And that's when you switch back again, driving into your girlfriend's cunt with no time for a rest.You're going for broke. Slamming yourself fully inside and Karina knows the instant you do what your fate has become. She laughs and squeezes Natty, pulling the girl tighter.

It's only natural that the rising tide, the bubble of the climactic force, grows and grows and grows. Your ears pound in the beat of the blood racing and your breaths come in fits and starts. The noises escaping your three mouths become louder than before, more frenetic, more unchecked. More lustful.

"Karina— I— Natty—" You're losing the fight against your own body. The rush, the pressure, all the sounds, sights, and smells have put the signal in the green. There is no stopping it. No controlling it. It's all building, coalescing, into one pinpoint of space and time, right there between their legs.

Karina's pulling Natty into position as you're pulling out of her cunt. They both turn to face you, their cheeks pressed together, tits too, and their legs in a knot. They're lying in such a manner that they feel to you like an oasis in a hot desert, inviting, like a promised paradise, and it's calling you, tempting, and you can't hold yourself any longer.

You're rubbing yourself over the edge, and they're calling out to you in a desperate tones, still riding some faint traces of orgasms, "On us."

"Go on."

"Please cum on me, on us."

"Cum for us."

You barely hear their calls, and there's no fucking way you know who is saying what. It's just words of need spilling from two filthy mouths.

It takes only a handful of seconds, and then it happens.

With a harsh spasm from head to toe, you feel it shoot forward, ripping free from your body, and pulsing as you paint their flesh. Spurts and ropes and slivers shoot up and over the girls. A little on a thigh, on their bodies, over their tits and all the way to their pretty little faces.

They're smiling like idiots as you cum. They're proud of it. They relish it. Natty's tongue moves around inside her lips, just getting another taste—a droplet or two. Karina's teasing as always, "Is that all?"

You're still forcing every drop out you can, the final bits dropping to their thighs.

"There's no way that's all of it, huh," Karina continues to tease. And then it ends, and your body lets go and you fall beside them. You simply can't stand any longer.

"I think that's all of it, Karina," Natty's giggling to herself. She's twirling her fingers over Karina's nipple, playing with the rope of cum that landed there. And Karina is humming out an almost silent cry, twisting under the touch. "Here, taste," and the offer is clear, and again Natty is surprising you.

She offers her own tit to Karina, willing her to lick your cum from it. And the act brings a gleam to Karina's eyes as she cups it, bringing it to her mouth to taste. She's sucking and licking and Natty's gasping at the sensation, and at the way Karina nibbles just a little—just a little too much for it to be painless.

You're laying and watching in awe at the debauchery of the scene and wishing you could watch it forever, or at least capture it. The girls are just lapping at each other now, filling their mouths with your seed and swallowing. Laughing. Panting. Moaning. Sighing. Gasping.

Their limbs tangle. Their tongues too. And it's then you realise, no matter how drained you are—completely fucking bone-dry—these two aren't even close to finishing. There's still a show to be enjoyed yet.

You shift just a little to find the most comfortable view, and Karina's taking control now. Slowly she rolls Natty onto her back, their legs still tied, in such a way that Karina can mount her. Natty's got a playful smile across her lips, looking up, seeing the glistening of cum and sweat shining against Karina's neck and cheeks and mouth, her entire gorgeous face soaked in the stuff.

Karina's getting rougher, her nails cutting into Natty's skin. A hungry bite here, a nip there, another scratch here. She's threatening to draw blood as red as the wine she drank. Right on the edge of true pain, but Natty's relishing it. Her eyes roll back, and she lets out a small squeal. And you watch her buck and writhe.

Karina grows ever more forceful—pinning her and keeping Natty in place. She's starting to drive her hips against her. The desire is clear; she wants Natty to a delirium.

You can do nothing but marvel at the sight. You may be raw, you may be sensitive, but you're here to enjoy the show that may yet last a whole night.

"Me and you now, Natty. Are you ready to cum for me?"

"Yes," the whimper slips out of Natty. "Yes, anything for you."

#karina smut #kpop smut #male reader #kpop fanfic #m reader #natty smut #kiss of life smut #aespa smut #karina x natty #girlfriend!karina #kpop fanfiction #karina x reader #natty x reader

2K notes · View notes

oh-katsuki · 3 months

Text

it's been a really long time since i wrote porn for porn's sake. here u go. it's alpha nanami :)) i don't have a title for it oops

cw: alpha!nanami, omega!reader, a/b/o, breeding, knotting, heat and rut cycles, dubcon on both sides, fingering, cohabitation, taboo, protective nanami, i feel like there is a slight primal kink in here, light dacryphilia,

wc: 3.1k

nanami didn't mean to take in a stray, but that's sort of how it happened. you're staying with him until a particularly careless friend helps to find a suitable living arrangement for you. nanami really isn't sure how it became his problem, but he'd feel awful if he'd told satoru no and left you without somewhere to go, no matter how against living with an omega he is.

frankly, nanami doesn't support the idea of alphas and omegas living together. he thinks it's a bit perverse. there's far too much at risk and the situation can become dangerous if it's the wrong pairing. sure, sometimes it works out. the better of his kind (of which he considers himself to be) give the necessary space and resist the temptation, but the others... take it too far. it'd be easier for you to live with a beta, and nanami wonders why satoru didn't first go to one of them. maybe your pheromones are weak and satoru isn't worried. that's probably why he hadn't noticed them when satoru first brought you by to ask if it'd be okay.

he knows that second gender is a spectrum. some alphas and omegas hardly emit any pheromones at all, even during heat and rut cycles. nanami thinks he likely falls into this category, seeing as he's never been particularly tempted by an omega and very few have ever been all too tempted by him, but it's a gamble. it's—frankly—unethical to ask this of him and though nanami knows that he should have said no, something in his good nature compelled him to say yes.

you've weak pheromones too, he thinks. he, of course, can feel them to a degree, but seeing as you mostly keep to yourself, it's hardly a problem in the first few weeks. frankly, the most tempting thing about you is that you're beautiful. you seem to have an almost standoffish air about you, proud and dignified, with a preference towards a more solitary and observant lifestyle. most of the day, the two of you hardly even see each other, going about your lives entirely separately only to settle into the same house for bed at night.

you don't say much when you're home. in fact, nanami would wonder if you could speak at all if it weren't for the conversations he hears you having on your phone and the little laughs or eyerolls you give in response to his comments. there's understanding there, but it's silent and you hardly ever dignify nanami's words or invitations with a response. maybe you're airing on the side of caution. he wouldn't blame you if you are. so, for the next two weeks the two of you coexist without so much as a hello between you both, silently sharing a space. you stay out of the way and nanami pretends that he isn't slightly unsettled by your constant proximity and the creeping feeling that you don't really like him all too much.

"they're a little difficult," says gojo over the phone. "kinda standoffish and really smart."

"so i've noticed," nanami responds. "i can't say i blame them though. you've put us in a weird spot."

"oh, nanamin, i know you well enough to know that you wouldn't lay a hand on them even if they begged," satoru laughs. "and they really might."

nanami grimaces at satoru's statement.

"i still don't understand why it had to be me," nanami says flatly. "you could have called ijichi. it'd probably be safer."

"how noble," satoru snickers, "but i trust you. hang in there a few more weeks. we've been working on securing an apartment for them and once we do, they'll be out of your hair. you're an angel for letting them stay." he sing-songs into the receiver. nanami holds it away from his ear.

"sure," he says. "it's not really much trouble... it's just.."

"that they're an omega. i get it. stay strong or whatever lol," satoru laughs. "unless of course, you really like them."

nanami huffs and hangs up the phone. satoru's got a good head on his shoulders, but he knew where that conversation was going. satoru was likely to say something about your heat cycle and nanami, being an optimist in cases like these, hopes silently that it won't come for another two weeks. he knows he could ask, but he worries about coming across as something of a creep. nanami is a little orthodox in the sense that he believes alphas and omegas should be separate for this reason exactly. suppressants exist but they don't always work and though nanami has sense about him, he's always had an insecurity about the kind of monster his second gender could make him. it sets him at ease a little that your pheromones appear as weak as they are.

you round the corner into the living room, standing just on the far end of the room. you're wearing pajamas, but you seem to feel no need to cover yourself or hide any perceived indecency. nanami glances at you, making a point to avoid looking at the shape of your body. it's inviting and you look at him for a moment with a small smile before raising one single eyebrow and letting out a low huff of air. nanami decides that you'd heard his conversation and he watches you shake your head as you move to the kitchen to peruse what he has. your hips, swaying slightly with each step, draw his attention to the curve of your ass and he feels ashamed for even having looked.

you're beautiful, that's certain. even the way you move is beautiful. nanami has eyes enough to see that. something stirs inside of you when he speaks, wordless recognition, maybe amusement or irritation, and vice versa. regardless, it's beautiful and nanami finds that the longer you're here the more he has to swallow it down.

you seem to get a little uncomfortable if nanami has people over, even for a moment. not that you've ever said anything about it, but you appear set on edge when he does so in the following weeks, it leads him to not bring anyone over at all. he can't bear the idea of making you uncomfortable. for as little as you've spoken to him since you've been here, nanami finds that he's grown rather fond of you. if things continue this way, he should hate it when you leave. admittedly though, he's looking forward to it a little. nanami feels that you're... a temptation. one he can't really seem to overcome.

one evening, you sit down in the living room with him. it draws his attention to look at you.

"i'm not mean, you know," you say flatly.

nanami is astounded to hear the cadence of your voice so clearly and without prompt. he can only offer a nod in return.

"i'm just picky," you continue, shifting in your seat as if you're made uncomfortable by the way you're sitting. "i have to be, being the way i am and all."

"i understand. i'm not offended," nanami says. "but some people would probably call that rude."

you smile at him, coy and delicate. "would you?"

"maybe," he offers. "if the circumstances were different."

nanami clears his throat, furrowing his eyebrows at your body language. something's off and he wonders if maybe your cycle has begun. he shifts on the couch and turns his full attention to you.

you move over to him and sit just adjacent to his leg. something in him stirs, primal and unrecognizable. you've never been this close and he only now notices that you smell nice, like something light and fresh.

nanami feels his chest stir. "this is the most you've ever said to me, i think."

"sorry," you say.

"don't be," he responds.

this conversation is awkward. it's loaded. it's like a conversation between two people who can't exchange more than a few words without experiencing intense sexual tension. he clears his throat.

"i need your help," you mumble, shifting closer. he knows what you're implying.

"i can't help you," nanami responds through gritted teeth.

"please," you say, standing slowly. you linger in front of him for a moment before reaching out and slowly straddling his legs. nanami flinches as you settle on him, pausing for a moment to breathe. "touch me."

you place your head against his shoulder, fingers grabbing his shirt as if you're agitated. the skin of your cheek is warm against his collarbone and he can feel your hair against his jaw. you twitch lightly when you touch him. carefully, he places a large hand on your head. your whole body flinches, unbelievable warmth soaking into his skin.

you feel like you have a fever and the next time you raise your head, your eyes have gone glassy, face darker. your lips are wet and lightly parted and a layer of sweat covers your forehead.

"not like that," you say, something needy creeping into your voice.

nanami, against his better judgement, rests his hands on your waist. you shudder under his touch and he slowly strokes the exposed skin of your sides with his fingers. trailing the pads of them against raised goosebumps on your skin. between your legs, he can feel heat. he knows you're wet and he knows what you want. nanami isn't sure he can give it to you, he's unsure that he should. it's not illegal, but he feels that it's wrong. something about it is fundamentally wrong and the situation goes against all of his morals. his mind still wanders.

you rest your forehead against his chest, and he feels your pheromones as they hit his nose and soak in through his skin. his body responds, tensing. your breath picks up, little heaves and pants, and you squirm down against him almost involuntarily. nanami feels himself grow hard. it surprises him and shames him. he feels heat rise to his cheeks at the realization that he's pressing up against the inside of your leg, something that makes you stir and settle directly over him. every exhale from you is a borderline whine and the syrupy smell of you grows more intense by the moment. nanami still runs his fingers along your sides, venturing over your tummy and back occasionally.

"just a little bit," you command, rubbing your cheek against him and then placing your mouth on the side of his neck and biting. "i'm sorry. just a little bit."

nanami winces and you drag your hips over him. his hands fly to yours, gripping hard enough as you make you whine.

"i can't," he grits out, speaking directly against the way his cock throbs against your core. he can feel it's dampness, a humidity that soaks through his pants.

"it hurts," you mutter and nanami feels an unpleasant stirring in his stomach. he hates the thought of you being uncomfortable.

"maybe we can find help-" you twitch over him, making him wince, "for you."

you shake your head, "you."

nanami exhales and tips his head back, his fingers still on your waist. he weighs the outcomes of this in his mind. he could push you off and fix you a blanket and a safe space, give you some tools to help yourself and then plug his ears and pretend he doesn't want to do it himself. he imagines the buzzing sound, the way you'd whimper from the other room over, still unfulfilled despite the aid. he thinks about your fingers between your legs, unsatisfying and only serving to worsen the itch. it makes him strangely jealous, nauseous almost, that you should be so uncomfortable in his presence.

you exhales against him and it's a near defeated sound. nanami's fingers buzz with adrenaline, his cock swelling and throbbing every time you so much as shift over him. there's a lack of control in this situation and his fingers move to comfort you almost against his will.

something natural and easy takes over as he slides a big hand down to the front of you and cups your cunt. it feels almost like an out of body experience, but both yours and nanami's humanity drips away slowly to make room for these primal actions. you shudder and nanami's chest swells with relief as he sees your expression. there's a need within him to care for you. it's protective, the same way he'd feel if you were in physical danger.

nanami moves his four fingers over you slowly, his breathing hitching as you push your body against him. he can feel your dampness soaking through your thin shorts and it isn't long before your relief gives way to more need.

"just this once, nanami," you breath against his neck. "please."

nanami's head is filled with something syrupy. probably you. it's probably a chemical reaction caused by you and he knows that any pheromones you're releasing are probably being released in equal amounts by him. they take up space in the room, crowding him so that all he can focus on is you, is the need between your legs that calls to him like song.

"okay," he gives in, pulling your panties to the side and dipping his fingers into you.

you shudder and let out a short cry, thighs trembling. he knows he won't be able to satisfy you like this, but he wants to try. nanami knows though that there is no such thing as nipping it in the bud with these sorts of things and as he begins to move his fingers inside of you with a beckoning motion, he feels himself slip farther away.

you're so wet, dripping down his fingers. your pussy clenches around them, begging for a knot, sucking the two digits up into you and then threatening to push them out. nanami has been with omegas before, but he's never felt himself slip away like this. his humanity leaves him in favor of something animal.

nanami shushes you quietly as he pulls his fingers from your body. you whine and squirm against him, pressing down and grinding against the bulge in his pants. he sucks in a sharp breath and quickly discard your bottoms, leaving you bare and exposed in his lap.

your cunt is sticky and shining, glistening with your wetness. he can smell it, the way you're probably fertile, and the perverse thought crosses his mind that maybe you deliberately avoided your suppressants so that he could do this to you. how out of character for him to think that.

for someone so proper, he makes quick work of pressing the head of his cock against your entrance. you push your body forward to try to take him in and nanami very quickly slides into you. you're tight and with the way your cunt makes him feel, he knows that the stretch must hurt you, but he can't seem to stop. he's so focused on quelling the ache within you, buried deep in that spot where his knot will inevitably catch.

you are barely capable of forming words now, dumb and deaf with your heat. any words of comfort nanami offers to you seem to go in one ear and out the other, but he offers them anyway. they're automatic and they come without his even needing to think about them. things about taking care of you, about knotting you the way you're begging him to, about making sure you're never alone when you have to do this. if he were in a better state of mind, he'd be mortified.

instead, he fucks his hips up into you, holding you by the waist against his throbbing cock. then, when that isn't enough, he lays you on your back on the couch and presses your knees to your chest so that he can go deeper. he needs to get deep enough to where his knot will catch, to be able to stay there to ensure it catches properly. he feels the way air leaves you with every fuck of his hips.

you raise your hand to touch his face, eyes glassed over and watering as gentle tears slip down your cheeks. a silent encouragement that pulls him from his thoughts back to you. nanami turns his head instinctively and kisses the palm of your hand. then, he takes your thumb into his mouth and bites down on the fleshly part at the base of it. he could draw blood if he wanted, but he doesn't. instead he takes your hand as it falls from his lips and kisses you plainly again on the palm before pinning it above your head.

"i'll take care of you," he grunts out and you nod deliriously.

nanami makes quick work of knotting you. he bullies his cock as far in as it will go, swelling and swelling until he sticks. you squirm as he does, gasps growing higher in pitch until you're silenced by the pressure deep in your abdomen. you cum around him, he thinks, pussy fluttering as it throbs around his knot. then, you exhale as the heat recedes into the background with this momentary relief.

nanami winces as he holds himself up over you, slowly returning to his head as the swell of pheromones recedes and leaves only the feeling of the space he takes up in your cunt.

you search his face for something, benevolence maybe, and nanami places a wide palm to your cheek.

"i'm sorry," he breathes as words find him again. "i didn't intend to-"

you shake your head, returning to yourself as well. "don't be, i wanted to."

nanami isn't really sure what to say and you wince under him as he settles his weight a little further, throbbing lightly at the mention.

"hold me," you ask and nanami obliges. he settles fully over you before lifting you so that you're straddling his lap again. you wince and nanami soothes you by gently stroking your face. it's automatic again, the urge to comfort you is well beyond his control.

something in you triggers something in him and it is two full days before either of you are lucid and well enough to separate. satoru calls him multiple times, but nanami ignores him, too preoccupied with his unexpected rut and keeping you comfortable. at present, he's well past the initial guilt and frankly, entirely hellbent on deciding that you should stay. so much for his practicality, nature won out in the end.

nanami doesn't really think he'll ever hear the end of this, especially not from satoru who, when he inevitably gets a hold of them, will tease so relentlessly that it might shock nanami and you back into your senses. he decides to hide out here with you for a little longer, filling the room with the scent of you both until it crowds out everything else. he likes the way you feel nestled up beside him, messy and breathing deeply as you sleep.

a tag for my friends @antizenin and @kentocidal bc they asked!!!

#nanami x reader #nanami kento x reader #jjk x reader #nanami smut #nanami kento smut #tw: a/b/o #tw: breeding #tw: dubcon #i can't find my writing tag #also there are prob spelling mistakes in here i apologize #i apologize if this isnt very good

2K notes · View notes

astrobydalia · 2 months

Text

🪻Lavender Observations🪸

it's pisces season my dudes so here's my fave pisces aesthetic... this music video really spoke to my pisces moon soul so I wanted to pay homage to it. As always enjoy the observations!

work by astrobydalia

.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡

🪻✨Capricorn risings are very full of themselves to be honest. They have an overall pleasant reputation and are loved (Libra 10th+Cancer 7th) but for some reason they're actually very individualistic and conceited deep down, like they think of themselves as being 'on other level' than others. I think this is because their shadow revolves around their ego (Leo 8th house) and we all know they love status but unfortunately fame and popularity tends to change them and/or take out their toxic traits (Scorpio 11th house). Basically they’re the type to become extremely entitled individuals just because they’re successful

🪸✨The virgo placement urge to have a harmeless and innocent personality/reputation while also engaging in the most unholy, taboo and sometimes immoral activities behind the scenes............ iykyk

🪻✨I’ve noticed Geminis are what people think Aquarians are??? Idk Aquarius placements are the most chill and unproblematic people I know and typically don’t make any fuss out of their “quirks” or opinions, they’re just living and vibing them on their own. Geminis on the other hand are the chaotic manic pixie girls/boys or the mad scientists with the most random and out of pocket interests and ideas. They always be leaving me like ‘wtf are you talking about?🤨’ They’re also opinionated af and will jump into controversy pretty easily.

🪸✨Oh! And Geminis are WAAAAAAAAYYY more detached than aquarius dude. Geminis are air AND mutable, for them it is extremely easy to move on and detach from things

🪻✨All the people I've met who's had cosmetic procedures done (botox, plastic surgery, fillers, etc) always had libra placements and/or Neptune aspecting the ASC. Overall Venus and Neptune influence is big in people who wanna look like a glossy instagram filter

🪸✨Chiron in the 6th house are HUGE control freaks due to feeling like reality overwhelms them too much, they feel like their life is never sorted out. They are also the type to overwork themselves with pointless things or hyper fixate on short-term goals cause it gives them a sense of control

🪻✨Capricorn placements are attracted to ambition and independence. It is not so much about age difference that they look for, but rather they like it when someone has their own things going on for themselves and has solid life values that they stick to. Capricorn's love language is supporting your ambitions and you doing the same for them so.... they need to see potential in you and with you

🪸✨Libra+Scorpio placements are VERY envious people and tbh I've seen this in everyone who has this mix regardless of how developed they were.... The type to befriend/get close to people they're secretly jealous of to either ruin them or get a taste of what they have. Seriously these natives are never happy with just themselves they're always focusing on how good others' things are

🪻✨People with fire in their big 3 HATE it and get defensive when other people make unsolicited assumptions about who they are or when people assume they can know the native better than the native knows themselves. It’s hard for them to brush that kind of thing off, they don’t like to feel like people are ‘appropriating’ their identity. The type to be like “you don’t know me or my story so stfu”.

🪸✨All of the Scorpio moons I've met had at least a phase in their life where they had a very unhealthy relationship (scorpio) with food (moon)..... They always seem to turn to food when going through a hard time but in a very self-destructive way

🪻✨Sagittarius is as much of an escapist as pisces. They both crave for things to be good, positive and unserious (Jupiter)

🪸✨I’ve noticed women with personal planets in Aquarius usually have very thin and sparse eyebrows and usually enhance them with makeup

🪻✨Natives with Mars in Capricorn are SUPER hairy. A very thick and stunning head of hair and/or noticeable and abundant body/facial hair. Their hair is usually deep and dark as well

.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡

🪸✨Scorpio Moon men I’ve noticed are attracted to a woman who is a bit cold, mean or is not easy to get to her because it makes him feel like she can handle him and his intensity. They’ll likely commit to a woman that captures his heart in such a way that he knows she can potentially hurt him more than he can hurt her. Deep down they wanna be the softer one in the relationship cause they’re a water moon after all

🪻✨I personally never had any 2nd house synastry relationship that actually involved money (except for business relationships ofc). Instead people who had planets falling in my 2nd house always make me feel like a million bucks frfr 🥺 They made it clear that they valued my opinion, my talents, qualities etc (essentially they valued all I had to offer which is 2nd house themes) and also made me feel like they favored me in many ways, like I'm a part of their top priorities, one of their 'faves' and wouldn't let me go easily. I have to say this turned pretty superficial in some cases on both sides, with 2nd house synastry there's a tendency to think of the person in terms of what they can offer be that money, time, services, advice, skills....

🪸✨That been said, you're more likely to be hired or promoted by people who have their planets in your 2nd house because they value your talent and skills. The best feedbacks I've gotten were mostly from clients who had their planets in my 2nd house

🪻✨Cancer Jupiter gives a very loving and caring husband that will totally adore you and provide for you both emotionally and financially. Husband is bound to be highly emotional and sentimental as well, the type to make it obvious to the world that he is truly in love with you. This is Jupiter's exaltation so this placement really gives Disney's Prince Charming vibes fr

🪸✨I've also noticed Scorpio Jupiter gives a similar kind of husband^ but less Prince Charming and a more 'dark fantasy novel'. This placement is giving Edward Cullen’s “your scent is like a drug to me” vibes when it comes to your husband

🪻✨With debilitated Jupiter (Virgo, Gemini, Capricorn) you might get a husband that is kinda detached and could even be distant or indifferent depending on other aspects or positions. Best case scenario is they love and support you but they are just not good at showing affection for some reason and might provide in more practical/straight forward and less sentimental ways. Again, house position,aspects,degrees, etc will give nuance

🪸✨I find Virgo and Aquarius are so similar in that they’re kinda judgmental of people and also tend to be very detached and analytical

🪻✨A crazy amount of athletes and fitness people have debilitated Mars

🪸✨I've also seen a lot of YouTubers, podcast hosts, etc have Sun-Mercury conjunction which makes a lot of sense lol

🪻✨Moon/Venus in Scorpio/8th house natives have a 'I hate everyone but you' kind of love. They really do have a level of misanthropy in their personality but it's low-key amusing

🪸✨Couples that have this best friends and partners in crime dynamics always have 3rd house synastry, I haven’t really seen 11th house as much… The 3rd house creates a fraternal understanding in a couple, two keen minds thinking alike (Gemini, twins, etc)

🪻✨I’ve actually observed 11th house synastry is pretty messy??? It creates connections (any kind) that are a bit all over the place tbh. You really don’t know if you’re gonna be together forever or fall apart tomorrow. You haven’t talked to each in years now one of you is reaching out like nothing happened and both people are keeping it chill the whole time specially the planet person. I guess this dynamic is okay between friends, colleagues or acquaintances (which is what this house rules) but when it’s a romantic or more intimate relationship…. Like I said it’s just messy, not necessarily bad, it be can refreshing and exciting but it has to be your cup of tea (I assume Air venus/mars people will dig it). You’re always wondering what’s next with this person, it feels like the sky’s the limit. I’ve seen this synastry a lot in couples who make odd decisions in the relationship that make people often question if the couple is actually serious about each other like that or not like being engaged for too long, etc

🪸✨Capricorn moons are extroverted or at least they easily pass as extroverts in social situations. They really stand out to me for having a very defined public persona that they’re mostly known for but they’re not really like that in private at all, you’d be surprised for better or for worse lmao

🪻✨"My love language is all of them" = Leo Venus

🪸✨Virgo placements are just as talkative as Gemini placements, they ramble just as much (Mercury). The difference is Virgo’s speeches are usually more thoughtout and eloquent like a presentation they’ve practiced a hundred times, in fact they tend to talk about the same stuff and repeat the same jokes, themes and rambles in most conversations because they like to stick to what they know (earth). They’re 100% the type to give you an unsolicited lecture on whatever it is they’re interested in. Gemini’s speech on the other hand is usually more spontaneous, random and chaotic, they tend to brainstorm out loud and enjoy finding new ideas in conversations (air). They’re more likely to wonder, play with ideas and ask ‘what if’ questions cause they like to explore the possible connections of different things

.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡

🪻✨Pluto-asc aspects/Pluto in the 1st house/Scorpio rising come across as the cool girl/boy. They always have some unattainable energy to them that people secretly look up to and this admiration often translates into jealousy

🪸✨Aries in the big 3 always have something with their forehead. Either they have a big forehead or they have a sacar there etc

🪻✨Capricorn placements work hard and party HARDER. This results in them having a rather fast-paced life style honestly

🪸✨Istg Virgo Moons got a stick up their ass. In their minds they are judge, jury and executioner and never give people grace or just the benefit of the doubt. I don't doubt they're soft deep down but damn they can be very very stubborn and they can get mean easily.

🪻✨Best Virgo placement imo is Virgo mars, I’ve noticed they tend to channel the best traits of virgo (constructive criticism, self-accountability, collaborative, understanding but know what they don’t tolerate)

🪸✨When I first joined Tumblr I read an observation that said Aphrodite (1388) conjunct Mars creates injuries or scars from beauty products and that is SO true! I have this and I've burnt myself several times with curling irons and laser hair removal gadgets

🪻✨All the people I’ve met who loved country music, country life style and that sort of cowboy aesthetic mostly had Sagittarius placements 🤠🐎 (myself included lmao)

🪸✨People with Virgo+Scorpio placements are the most intimidating people I've ever met. Imagine the nitpickyness of Virgo mixed with the intensity of Scorpio.... yeah... not the best at going easy on others or letting people in. Don't test them, they have a “get away from me you fucking scumbag” energy whenever they’re upset or simply dislike something and are the hardest to please. They are very sensitive deep down tho, very sweet and selfless if they genuinely like you.

🪻✨Sagittarius is the master, teacher, guru and guide so it makes a lot of sense for the Sagittarius Pluto generation to be hung up and obsessed (pluto) with influencers, life coaches, etc (sag)

🪸✨Moon in the 3rd house natives tend to make vey quirky movements and gestures with their mouth/jaw when they speak or they're very expressive with their mouth like they may grimace or pout a lot

🪻✨Cancer Mars men are huge mamas boyzzzz!! The type to be completely dependent on their moms/wives to even fry an egg and provide overall home security. They will marry a dominant woman who is fully or mostly in charge of the house and family stuff

🪸✨Speaking of, men with domicile or exalted mars (Aries, Scorpio, Capricorn Mars) can be huge assholes if underdeveloped. If immature they can channel toxic masculinity since mars feels very comfortable here it could go a bit overboard and give fuckboy vibes. The type to be very controlling, inconsiderate and always feel entitled to sex

🪻✨On the opposite end, men with debilitated mars (Libra, Taurus, Cancer Mars) are super chivalrous and often present themselves as very polite, thoughtful and modest. Very popular among women for sure. They can be players and have huge ego too if not mature but even then their energy is very inviting

🪸✨Fire moons process their feelings by letting things out in the moment as they come either through anger, humor or simply speaking their mind. They can often appear rude when expressing something that they feel very strongly about but they'll always value authenticity above anything else

🪻✨Earth moons process their feelings by creating a course of action. Like they internally make a plan for things they will do in oder to make themselves feel better, fix their issue or fulfill their needs on a long-term/permanent basis. They could develop a whole personal system or life style that caters to their emotional needs

🪸✨As we all know Air Moons process their feelings by rationalizing their emotions. Ironically, this can make them lack some emotional intelligence because they put so much focus on their feelings making sense that they don't allow themselves to feel their feelings and figure out what genuinely feels right for them

🪻✨Water moons process their feelings by fully owning their emotions. They find comfort in the mere validity of their own feelings which is why they often have this tendency to victimize themselves, blame others for their issues and constantly look for sympathy

🪸✨I’ve very very very often seen Sagittarius/Jupiter in 7th house, Sagittarius Groom/Juno/Briede creates age gap with spouse!!! As mentioned, Sagittarius is the master and guide of the zodiac so with the influence of this sign in your marriage you are bound to have a teacher-student dynamic where either one of you has much more life experience specially in relationships

.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡.・゜゜・・゜゜・．｡･ﾟﾟ･･ﾟﾟ･｡

work by astrobydalia

#astrology #astro #astro observations #astro notes #zodiac #birth chart #astrobydalia #astrology observations

2K notes · View notes