𝐚𝐭𝐳𝐟𝐢𝐥𝐦'𝐬 𝐚𝐭𝐞𝐞𝐳 𝐟𝐢𝐜 𝐫𝐞𝐜𝐨𝐦𝐦𝐞𝐧𝐝𝐚𝐭𝐢𝐨𝐧𝐬 𝐦𝐚𝐬𝐭𝐞𝐫𝐥𝐢𝐬𝐭 .ᐟ
all works of writing/summaries are not owned by me, and all credits go to the respective writers! this list will be updated periodically with stories i have read ♡ i thought that as a writer myself who consumes talented stories on this site, it would be good for me to show you all a fraction of what i read myself tehe (i read majority poly!teez/mc so that category will be filled!!) ☆
— note: 90% of these fics will contain mature themes, since it's all i read! please read the specific author's notes before reading!
❤︎ - personal favorites
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— ❤︎ mists of celeste (??/reader, several pairings) by @hongism
genre: scifi/space au, pirate au, space pirate!ateez, angst, smut, fluff
summary: sneaking aboard the ship of a renowned space pirate may not have been the best idea, but you’ll have to make do with what fate has handed to you.
notes: as an atiny on tumblr.com, i feel like it's a rite of passage to read moc. it's one of the best written works i have had the privilege of reading. it's gripping, it's heartbreaking, it's filled with yearning and love, and has you hoping that the characters survive this ordeal. san i love you most you can tell by the masterlist alone that she has crafted a whole space pirate universe intricately and with the utmost care. she deals with the trauma of the characters so so well and i cant lie ive cried a lot reading it jdhdksjddj, it's the fic that made me start reading ateez ff, i mean, i started reading before even knowing ateez and i had to have a separate tab open to remember who was who. that alone can tell you how much of a work of art this is. omg, im blabbering, but please read this.
— hotel california (ot8/reader) by @mint-yooxgi
genre: yandere, demon!au
summary: checking in to a hotel ran by yandere!Ateez, the boys decide she can no longer leave
my notes: im not too sure how i came across this work, i think it was an endless scroll of me trying to find something to read, but nevertheless, this story. i have not finished it yet (a great and utter pity) but from what ive read so far. im actually very concerned on how much ive read of this in one night 😨, i think the plot is so so unique, i love a strong mc who does not take any shit whatsoever, i love gaslighting demon!ateez 🙂↕️. i had to stare at the wall several times while reading,, felt like jim in the office truly. UGH it's just so good??? i can't recommend enough!! PLEASE READ.
— ❤︎ the answer (ot8?/reader, side pairings) by @berryunho
genre: cult au, thriller
summary: life is great until your best friend goes missing your senior year of university, leaving little more than an apology and goodbye. Months later, you’re determined to find out what happened to him and discover a situation much more complicated than you would have ever anticipated - as in - Kim Hongjoong doesn’t like the word ‘cult.’ He prefers 'sect.'
my notes: i first discovered this fic on ao3 and somehow found out lauren had a tumblr blog but i digress – i found this one night and was so excited that i found something so so unique and different and i am pretty sure i didn't sleep until 4am reading everything omg . it's truly so funny and i adore the main character more than anything, the snide remarks truly encompass and make you feel their emotions? cult leader hongjoong is something else... without spoiling hfjdjf. i beg lauren often for a spoiler because it's just that good. please read.
— OUTLAW (ot8/reader, side pairings) by @staytinyville
genre: wild west!au, smut(?), angst
summary: you thought you would be spending the rest of your life tending to the hotel your family ran. while you knew it was common to see bandits come and go in your town, you felt safe in your home. at least safe enough with a weapon at your disposal. however you were no match for eight men who were known to most as outlaws around the plains. hawt kind of adventures did they go on?
my notes: i started reading this a while back and have yet to finish, but so far the premise is so so so interesting and i love readying cowboy aus rjkfjkdrfkj ITS SO GOOD!!!! I CANT WAIT TO CATCH UP
— sway with me (ot8/reader, wooyoung/reader) by @luvt0kki
genre: sci-fi/space/futuristic!au
summary: former noble turned space pirate, wooyoung was now part of one of the most revered and hunted group of pirates of the galaxy. sure he’s only known them for six months but there’s only so much you could do in a ship when you travel from one planet to the next. the ship was their home, his home…and the members of this crew were friends that he felt he was fated to meet.
my notes: tokki already knows all of this but,,, i started this a month or so ago? and i read the first chapter and i legit lost my mind,,, in the calmest way possible... the first chapter is gripping and it sets a environment that i very much would love to live in??? it's just so so well written, and the reader is very much my type NDFAKKJ ANYWAY... it's told from the pov of wooyoung and i love it??? so MUCH?? please read ok bye
— one more rep (woosan x reader) by @cheollipop
genre: smut, f2l, trainers woosan
summary: san got a little too excited watching you exercise in purple – his favourite colour – and wooyoung was nothing if not a tease. turning their attention back to you, they didn't expect to see you equally worked-up.
my notes: ???? i actually read this a few times,,,, this fic yall.... i cannot... the mental image of woosan in the gym makes me delusional enoughdsjkaskfjksd PLEASE.
— like a dream (yungi x reader) by cheollipop
genre: bf!yungi, smut
summary: with only the orange hues of the lamp illuminating the room, they have you for the first time, and it feels just like a dream.
my notes: yunho and mingi are my weakness,, so the both of them together.....
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ʜᴏɴɢᴊᴏᴏɴɢ
— horizon by @pxedpiper (ft. ateez/f.reader)
genre: pirate!au
summary: once a princess of a kingdom you loathed to call yours, you have somehow found yourself aboard a pirate ship, stuck on the ocean waves. now you try to figure out how to escape them, but as you continue to journey with them, you find yourself wondering if you even want to.
my notes: i just found this the other day but remembering reading it a while ago! it's so so well written and i enjoyed it sm 🥹
ʏᴜɴʜᴏ
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ʏᴇᴏsᴀɴɢ
to be added!
sᴀɴ
to be added!
ᴍɪɴɢɪ
— safe haven (mingi/reader) by @atxxzist
genre: bodyguard!au, fluff
summary: your father has had enough of your shit, and hires Song Mingi; his best friend's son, to be your personal bodyguard
my notes: is it possible to fall down the mingi hole deeper than i already have? maybe! this fic pretty much lives in my head,,, endlessly,,,, i love mingi. i love this au so much and i especially love bodyguard aus, i think it's one of my favorite genres and this deepens it.... PLEASE READ.
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— rough rider (wooyoung x afab!reader) by @choism
genre: smut
summary: In which you meet a hot twink at a club who has a slightly unhealthy obsession with the 2000's and y2k bimbocore.
my notes: i......... there's no way i can describe this fic... if u yearn for wooyoung the way i do. read this.
— what happened to slow down? (bf!wooyoung x reader) by @ja3hwa
genre: smut
summary: coming back from a house party, you and woo couldn't seem to keep your hands off one another. everything was happening so fast. you two didn't even make it to the bedroom.
my notes: insert a photo of someone throwing a phone and screaming crying, then picking it up to read the rest. thats me kjrfakfajkf
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Writing Advice #?: Don’t write out accents.
The Surface-Level Problem: It’s distracting at best, illegible at worst.
The following passage from Sons and Lovers has never made a whit of sense to me:
“I ham, Walter, my lad,’ ’e says; ‘ta’e which on ’em ter’s a mind.’ An’ so I took one, an’ thanked ’im. I didn’t like ter shake it afore ’is eyes, but ’e says, ‘Tha’d better ma’e sure it’s a good un. An’ so, yer see, I knowed it was.’”
There’s almost certainly a point to that dialogue — plot, character, theme — but I could not figure out what the words were meant to be, and gave up on the book. At a lesser extreme, most of Quincey’s lines from Dracula (“I know I ain’t good enough to regulate the fixin’s of your little shoes”) cause American readers to sputter into laughter, which isn’t ideal for a character who is supposed to be sweet and tragic. Accents-written-out draw attention to mechanical qualities of the text.
Solution #1: Use indicators outside of the quote marks to describe how a character talks. An Atlanta accent can be “drawling” and a London one “clipped”; a Princeton one can sound “stiff” and a Newark one “relaxed.” Do they exaggerate their vowels more (North America) or their consonants more (U.K., north Africa)? Do they sound happy, melodious, frustrated?
The Deeper Problem: It’s ignorant at best, and classist/racist/xenophobic at worst.
You pretty much never see authors writing out their own accents — to the person who has the accent, the words just sound like words. It’s only when the accent is somehow “other” to the author that it gets written out.
And the accents that we consider “other” and “wrong” (even if no one ever uses those words, the decision to deliberately misspell words still conveys it) are pretty much never the ones from wealthy and educated parts of the country. Instead, the accents with misspelled words and awkward inflection are those from other countries, from other social classes, from other ethnicities. If your Maine characters speak normally and your Florida characters have grammatical errors, then you have conveyed what you consider to be correct and normal speech. We know what J.K. Rowling thinks of French-accented English, because it’s dripping off of Fleur Delacour’s every line.
At the bizarre extreme, we see inappropriate application of North U.K. and South U.S.-isms to every uneducated and/or poor character ever to appear in fan fic. When wanting to get across that Steve Rogers is a simple Brooklyn boy, MCU fans have him slip into “mustn’t” and “we is.” When conveying that Robin 2.0 is raised poor in Newark, he uses “ain’t” and “y’all” and “din.” Never mind that Iron Man is from Manhattan, or that Robin 3.0 is raised wealthy in Newark; neither of them ever gets a written-out accent.
Solution #2: A little word choice can go a long way, and a little research can go even further. Listen carefully to the way people talk — on the bus, in a café, on unscripted YouTube — and write down their exact word choice. “We good” literally means the same thing as “no thank you,” but one’s a lot more formal than the other. “Ain’t” is a perfectly good synonym for “am not,” but not everyone will use it.
The Obscure Problem: It’s not even how people talk.
Look at how auto-transcription software messes up speaking styles, and it’s obvious that no one pronounces every spoken sound in every word that comes out of their mouth. Consider how Americans say “you all right?”; 99% of us actually say something like “yait?”, using tone and head tilt to convey meaning. Politicians speak very formally; friends at bars speak very informally.
An example: I’m from Baltimore, Maryland. Unless I’m speaking to an American from Texas, in which case I’m from “Baltmore, Marlind.” Unless I’m speaking to an American from Pennsylvania, in which case I’m from “Balmore, Marlin.” If I’m speaking to a fellow Marylander, I’m of course from “Bamor.” (If I’m speaking to a non-American, I’m of course from “Washington D.C.”) Trying to capture every phoneme of change from moment to moment and setting to setting would be ridiculous; better just to say I inflect more when talking to people from outside my region.
When you write out an accent, you insert yourself, the writer, as an implied listener. You inflict your value judgments and your linguistic ear on the reader, and you take away from the story.
Solution #3: When in doubt, just write the dialogue how you would talk.
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ayo idk if this question has been asked before but did you have any character inspirations for nat, reagan and the demon dude? like, were they were inspired by any movie/tv show/video game characters or any ppl irl? ik the demon dude was probably based off of biblical lore (i feel like i heard you mention this, correct me if im wrong) but idk much about nat and reagan and i was wondering if there were any particular aspects that went into their personalities or any specific character designs choices. basically, how did you come up with their personalities and character designs lol. PS love your drawings <3
Tyyy and yep! Rabel was based off of Christian lore along with some other stuff, I talked about it a little before but there's more to it that I can't say at this time muahaha
As for Nat and Regan, I'll talk about them a bit under the cut! Here's the very first designs I made of them lol.
Originally Regan was conceived as a red herring candidate for the demonic possession who was actively seeking an encounter with the occult so I themed her to look kind of spooky and edgy. Over time, that aspect sort of got pushed out by how the plot was coming together and her character became more about opting out of agency over her own life and sitting back while the world around her did its thing, so she kinda morphed into being a disheveled losergirl who wears big clothes.
The idea behind Nat was to go in the opposite direction of Regan's original concept. Someone who looked clean cut and unassuming but felt small and powerless and restrained in every aspect of their life; the actual ideal target for a demon. Only thing that really changed about her is she looks gayer now.
In terms of external influences, there's some Jennifer's body baked into the premise for sure but additionally I'd say that the true sourdough starter for their personalities/dynamic can be traced back to... butterfly soup Noelle and Akarsha..
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the way you write is so beautiful... tips for somebody new to writing who wants to write like you?
YOU are so beautiful, thank you so much! im not sure about any tips i have, but ill give it a shot. these are what i personally believe to have been the most important things:
find your wavelength
my writing became a lot more stylized and personalized after i found an author that i resonated with, as well as a couple of themes. it just helps to know what you are actually interested in writing in, versus what you think other people would like to read. im personally interested in writing about relationships and dynamics, so my writing will always be more character than action driven. also, it helps, because youre always going to end up writing what you want to write, even in the smallest of ways, so why not embrace it fully? write what you want to read. otherwise, you wont have fun. and writing is SO MUCH FUN. knowing what youre into and what youre trying to channel gives you a really strong basis for all of your writing - not only will it take time for you to find your wavelength, meaning that youll have to expose yourself to many different genres and authors, which is a must, youll always be able to look back at that ONE creative piece and grab some motivation from it.
expose and explore
creativity is everywhere - tv shows, movies, books, fanfics, comics, art, architecture, history (!!!), mythology, sports, reality - literally everywhere you can think of. dont wait for inspiration because its everywhere if you look hard enough. familiarize yourself with the seven basic plots, the thirty-six dramatic situations, basic foreshadowing elements, and other essentials. this isnt something to study or memorize, just to KNOW - its good to be aware of the foundations of literature.
embrace the brainrot and maintain a balance
become obsessed w your own ocs, your own plots, your own everything. be your own biggest fan. to enter an abusive relationship with your own work is extremely upsetting, because youre doing wrong by the wonderful world youve made, and doing wrong by that part of you that just wants to be creative, too - and if that happens, its probably because you arent writing what you want to write, or controlling what doesnt want to be controlled. let your characters be individuals, let them go where they want to go, just follow and note what theyre doing. sometimes writing is a passive activity rather than active creation, and thats okay! thats when you know youve built a solid world that can run by itself and you just contribute to. that being said, while theres nothing quite like the hours spent ravenously typing, you need to find a balance. you are as important as your work, because without you, the work wouldnt exist. i also reccomend forcing yourself NOT to write on specific days. some ideas need to marinate, and some people need to rest.
i hope this was helpful <;3 if you ever need more help (and this also applies to those reading), feel free to reach out! im open to being a beta reader or just a brainstorming partner. lots of love!
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i never realised just how much tgb had changed how i thought about the characters (mostly vee) until yesterday when i was re-looking over my toh fan-art. You wrote them so well that i forgot that it wasnt all in the show. like how vee and gus weren't shown to being best friends, vee never got to be angry/shocked by hunter or just willow still holding a little grudge against amity. They are just cool details and im so clad they were added! ps your great
Thank you! Wow that's very flattering! I'm glad you are enjoying it!
I really like Vee, and the more I think about the gang's time in the human-realm, the more I sit back in my chair and think "Ah man, these arcs are really necessary and interesting though.."
Vee also holds a lot of plot, as a basilisk. We can speculate what the reason is that they were extinct, for example (grimwalkers were extinct too).
Wat I really enjoy about TOH's characters are how easily and smoothly they weave into each other's themes and arcs. Their personalities and histories makes them all perfect friends to both build them up and break them down. It's a chefs kiss.
Vee is no different! The set-up for her character was perfectly slotted in to what the other characters needed for their time in the human-realm. And the theme I think the human-realm was supposed to embody.
The demon-realm arc for Luz was a hero's journey, but because of the foil of the trope, and that the point was that: there is no hero/chosen one actually, and the rebels didn't make it in time like in the books, and just because it's a different realm it didn't mean Luz could escape - escapism is temporary.
Dana has said grief and hope are core elements of the story, and she chose to tell it through a foiled trope of being chosen/hero's journey, layered with a religious trauma lens.
To me, looking at Luz as the main character, means looking at her as a nerdy girl in need of escapism, wanting to find purpose, and avoiding her emotions about her dad's passing.
The return to human-realm would be, for Luz, a turning point where TOH turns from being about a hero's journey and a journey about the steps of grief and healing - at the end of it, she will find the light.
Vee, to me, is kind of like a new take on the guide character. She is not a guide, in the sense that she has all the answers, but rather all the truths.
She was right when she told Luz she had everything and still chose to run away. They're not the same. Vee is also a lot better than Luz at being normal and fitting in, something Luz has been playing off and avoiding facing.
Luz sees herself as being different as a bad thing, she tried to run away to a place where "weird" was normal and that didn't work out. Now she's back home and feels that it's all her fault bad things happened, because she is herself. And the person she is is different. And different didn't mean special, just different. Of course she's depressed.
The same is true for all the other characters. Vee gets to reflect their truths too, simply by being crafted, narratively, into being the guide.
Hunter gets to face his actions as the GG, come to terms with the nuances of his bad actions, whatever reason he committed what he did. Find forgiveness not just from Vee but himself too. He gets to start over, just like her. She shows him it's possible.
Gus gets someone to share his dream with, his love and enthusiasm for the human realm. A place that Vee feels is more home than where she came from. Gus gets to grow as a person, both morally and intelligently. As does Vee, she gets somebody who shows her that she doesn't just have to be a refugee, she can have a purpose here. She can be an ambassador.
Willow was set up to have an arc where she mistook her newfound magical and physical strengths (she is working out a lot in canon after she changed track), for inner strengths. Willow is a sensitive girl, and a bit of a berserk (I mean she was willing to burn her own mind just to hurt Amity).
Willow having to face Vee, who isn't physically stronger than her but is significantly further down the road of being internally strong, is something Willow can learn from. Perhaps even have conflict with! (but more so a conflict with herself than with Vee, really.)
With Amity, Vee has a simpler role. I think to Amity it's more so showing that it's possible to live in the human realm, and giving her hope that going back and forth is a future for everyone who wishes to do so. Creatively speaking, I think Amity and Vee more so to bounce off one another for the plot, rather than character growth or decline.
Camila, I think, is the most interesting. Because she has now spent approximately a year with Vee, half of it thinking she was Luz and having feelings about her daughter having changed so much, the line "I'm glad youre still creative" comes to mind. As well as the terror of losing Luz again.
But also, because she has had her own unseen arc and development with Vee, and them having bonded into a foster family that we never got to see glimpses of, it goes without saying that Camila has already done the internal work to take on more kids if that's necessary. I think she saw these kids by her door and thought "yep. They're mine now too."
Vee, I think, is interesting to toss into the family dynamic between Luz and Camila, who seemingly are misunderstanding one another significantly. Vee sees them both, and can be a voice of reason when it comes to it. Or if it would come to it.
ANYWAY MY RANTS ARE LONG. IM DONE. THANKS FOR READING.
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