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#but i also like to think it's because zoro's views on life and death are exactly what sanji needs
beanghostprincess · 2 months
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Luffy not knowing about Zoro promising Sanji to kill him if he ever ends up losing himself makes me go feral because that's something they can only know about. Because Zoro's respect for life and death goes beyond anything, and Sanji knows he understands. Sanji knows that if somebody has to kill him, it's him.
And I don't even think it's because Sanji assumes Zoro's opinion of him is hatred and it would hurt less for him to do this, but because Sanji knows only Zoro would be able to treat the promise as it is. Because he would put Sanji's wishes before any feelings he has for him. It's not that Zoro doesn't care, but I think he respects people's ideals and decisions to the extent of being able to kill Sanji if he so desires.
That being said, he'd do it if there's no other way to fix it. If it's either dying or living as an emotionless machine, which is the same as dying for Sanji, Zoro would fulfill his promise. And there is just... Something about Luffy not knowing. Their captain. The man they're devoted to the most as if he were their God. Luffy doesn't know. It's something only the captain's wings are aware of and the thought of these two keeping this from Luffy until the end is just insane. Not even trying to make it romantic here, but the bond and respect these two have for each other is crazy.
Maybe it's the poetry of it all, too. Somebody like Zoro, who has looked at Death in her face multiple times and said "no", ending Sanji's life, who wants to give in to death to not experience a fate worse than death for him.
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thegreatcaptainusopp · 3 months
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Straw Hats Ranked on how important being a pirate is to them
10. Zoro
He went from pirate hunter to pirate and it didn’t even cause any kind of internal crisis. His past with pirates is basically negligible, he wasn’t raised by any or befriended any until he met Luffy. He joined the straw hats first as a way to achieve his dream faster, then out of loyalty to the crew and to Luffy and particular. But being a pirate? He’s neutral to that, most likely. He is that now and he doesn’t think about it more than that.
9. Nami
She started out with a very negative view of pirates because of the way she was traumatized by them. None of her friends or immediate family were pirates, so she had no positive emotional connection to them prior to meeting Luffy. So unlike Zoro, who has 0 emotional connections to piracy, she does have one even though it isn’t a positive one. Nami taking on the role of pirate is thus very meaningful as her view on them has changed, and as a result, what it means for her to be one. However, I don’t think she has any particular need to hold onto that title in her personal goals.
8. Franky
Like Nami, Franky initially starts with a negative view of pirates because of his pirate parents abandoning him, and he rejects offers to join pirate crews prior to meeting Luffy. However, I don’t think he hated them to the same extent that Nami did, and hated the world government a lot more. His mentor, Tom, was also allied to and worked with pirates (Gold Roger), and Franky’s ultimate goals very much rely on the freedom that piracy provides. I think Tom is the deciding vote here in placing his importance to the “pirate” title above Nami.
7. Robin
Robin, like Zoro, didn’t have any particular emotional connection to the title of pirate in her childhood, as she didn’t know any pirates during her time in Ohara and only really saw the marines and world government as villains in her life. When she became wanted at age 8 she joined a pirate crew out of necessity before getting kicked out, and later making her way to Baroque Works. So I think being a pirate was her only available option to survive and she saw the role as just that. After joining Luffy and after Water 7/Enies Lobby in particular I think the need to live & travel & find joy in adventure ended up meaning a lot more to her. So I think her association with the pirate title is slightly above the other three mainly based on the newfound context it provided in her life.
6. Sanji
I think Sanji is the first person here who had a loved one that was a pirate before becoming one himself. Sure, his first encounter with Zeff probably turned him off pirates a bit but that resolved itself pretty quick after Zeff sacrificed so much for him. He also interacted with pirates all the time at the Baratie in order to feed them and found a lot of personal satisfaction in feeding hungry pirates. So I think mainly based on Zeff’s pirate past and his job in feeding them, Sanji generally saw pirates in a more positive light and it’s probably meaningful to him to have the same job that Zeff did. On top of that, the freedom the piracy represents contrasted with the prison of the Vinsmoke family means he really values what piracy can provide for him.
5. Brook
We don’t really know Brook outside of piracy, and I think that says a lot about how much he values being one alongside of being a musician. Brook’s whole life and death have all been taken up by being a pirate, and it was pirates who saved his afterlife after he’d been stuck in thriller bark for so long. All his loved ones also seem to be pirates too. It seems he has nothing but positive associations with piracy and very much sees himself as one and nothing more, and it’s a core part of his identity but not necessarily one he thinks about constantly.
4. Jinbe
Jinbe’s emotional connection to piracy I think is very much tied to his reasons of initially joining under Fisher Tiger & the Sun Pirates. It’s pretty clear to me that joining that crew represented freedom & equality for Jinbei, especially under the tutelage of Fisher Tiger. In my opinion Jinbe connect being a pirate directly to his & fisher tiger’s goals of providing freedom and equality to the Fishmen, and therefore being one is very important to him because it is directly tied to his dream. His loved ones also all seem to be pirates, even though he didn’t start his life being one or being connected to them. Gaining leadership roles & warlord titles also I think indicate that he also takes pride in being a pirate specifically.
3. Chopper
I placed Chopper above Jinbe here because while they both place being a pirate in very high regard, I think Chopper got there sooner just by virtue of when he actually encountered pirates & pirate symbolism. I think Chopper’s emotional connection to piracy is a bit more intense than Jinbe’s because of his specific experience and how young he was when he encountered it. To him, piracy was directly connected to Dr. Hiriluk, and he was so certain that the skull & crossbones of the pirates were a good thing that the poison symbol to him meant safety. Even the symbolism of piracy carries emotional weight for Chopper, and Luffy protecting the pirate flag for him is what wins him over completely. Piracy, through Dr. Hiriluk, saved his life and gave him personhood and he very clearly places it in the highest regard.
2. Usopp
Usopp gets placed above Chopper here but only just. Like Chopper, Usopp’s emotional connection to piracy is also family based: Yasopp’s job as a pirate is a great source of pride and love for him. He is fiercely protective of the role of pirates as a result and won’t hear anything negative about them, and about his dad in particular. Because if pirates are bad guys it means his dad is one too, and he absolutely will not accept that. This also means that he’s wanted to be a pirate his whole life as a way to emulate his dad, so piracy has been a goal ever since he could conceive of one. He also places over Chopper here because unlike Chopper, his dream (brave warrior of the sea) is also directly connected to being a pirate, so it’s a one two punch if emotional connection through family and also through his dream.
1. Luffy
Being a pirate is everything to Luffy. It’s the beginning and end of who he is and what he wants and all he loved. It defines his dream and has been the driving force of everything he does ever since he was a child. It is everything that he is, the freedom of it and the journey of it and the reason he met all his dearest friends and family. Luffy is piracy, he is not Luffy without it.
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general-cyno · 4 months
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Hey hey have you ever thought about how zoro breaks his body again and again for Luffy gaining scar after scar loosing eyes and shit trying to keep up with Luffy and his devil fruit and sanji with his genetically modified body. Do you think zoro wonders what will be the thing that tips him over the edge into death??? Do you think Luffy does???
well hello to you too, anon! sorry that it took me a while to answer but I love this and ended up typing a lot. so, I also apologize in advance for the long-ish read.
but yeah! actually I was sort of thinking about it thanks to some twts I saw discussing thriller bark again. I gotta say, perhaps I have a bit of a less angsty view? because the thing is... zoro's a pretty straightforward and single-minded character, which doesn't mean he's flat or lacking in depth, but his overall thought process isn't extremely complex.
though zoro treasures his life (just like his swords, both which he needs to achieve his goals), he's not naive. he knows death is a real possibility, more so in the pursuit of his dream. zoro says as much to sanji back in baratie:
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zoro doesn't seek death, the opposite actually, and he refuses to die in situations he finds dishonorable or out of his control, but he's come to terms with the idea of his own death. aside from that (or additionally), zoro's most prominent traits are rooted in his deep sense of commitment, devotion and loyalty to what he wants and believes in - namely his dream and his promise to kuina. this aspect of his character doesn't change imo, rather it broadens to encompass luffy and the crew as well.
all this to say that albeit I've called it a sacrifice myself, I don't think what zoro chooses to do for luffy or the crew would count (for him) as such. it's just what he believes he must do - to achieve his personal goals as much as to ensure luffy gets to fulfill his own and to protect the crew as a whole, because they've all become intertwined with zoro's dream to begin with. especially where it concerns luffy. what good is ambition if I can't even save the life of my own captain? indeed, for someone whose end goal is to become the strongest, what's the point of doing so if his strength doesn't allow him to protect those who are important to him? the person who is most important to him?
so when zoro chooses to keep pushing himself to train harder/become stronger, to do the exchange with kuma, beg mihawk to train him or agrees to do crazy stuff like take the drug that will help him recuperate enough to fight but will worsen his injuries/pain tenfold the moment the effect wears off in wano - they're not sources of regret or decisions he sees as tragic sacrifices. he's quite like luffy too, who's made similar choices along the story.
the angst of moments like "nothing happened" for me lies more on the implications of what could've happened (zoro dying for real), what eventually did (almost getting killed in sabaody, the crew's separation) and what luffy's reaction would've been if he'd found out. I do agree luffy would ultimately respect his decision, what I don't usually agree with is that he'd be immediately okay with it. the last thing luffy wants is to lose someone he loves, less so if they get hurt trying to protect him. points at his backstory, marineford and post marineford. this is exactly why sanji insists on not letting him know.
on the other hand, imo, zoro's not trying to keep up with luffy per se... how I see it, it's more like meeting him halfway. when you're faced with how powerful luffy's become nowadays, it's easy to forget he's not infallible. luffy has weaknesses and shortcomings too. post TS zoro is even more aware of both of their limitations (he's the one who's literally experienced luffy's pain as if it were his own) though he's also become more confident in their strength and the crew's as well. zoro will do his best to stand by luffy's side and protect him/their crew, but luffy has to measure up! zoro has no qualms about reminding and demanding him to get his shit together. zoro might not reach luffy's levels of raw strength (and I'd argue he doesn't need to), still, there's other ways in which he makes up for what luffy lacks or can't do in certain circumstances. so if you ask me, it's not about keeping up - it's meeting each other in the middle and striding forward together.
as for sanji, a similar thing applies. for all their petty rivalry and their roles as crew combatants, it's important to remember sanji's more of a nurturer (he is the cook, after all) and his dream of the all blue has little to do with strength, unlike zoro's. his genetic modifications don't really become an issue (for the crew) until wano and if anything, rather than this setting him above zoro in terms of power/abilities or turning into something zoro has to catch up with, sanji relies on zoro to keep him in line if he ever endangers the crew because of it.
all in all, I don't think zoro's the type to wonder what's gonna make him kick the bucket, though he knows dying is a realistic possibility. plus, he's not the only relatively Normal Guy who's ever become crazy strong among DF users and other enhanced characters. rayleigh is a very good point of reference as to what zoro is capable of becoming or achieving, and it's no coincidence they share a bunch of a similarities too.
AND FINALLY LUFFY. I rambled about this in the tags of a post a while back but luffy is a bit of a more complicated case imo. the manga doesn't exactly provide insight on luffy's inner thoughts/feelings (he voices most of them anyway) and though he's not naive in this aspect either, especially not post TS, the story rarely lets him witness situations in which zoro's vulnerable or in real danger of dying. this leads to him sometimes coming across as insensitive or being unfair (by having almost unrealistic expectations wrt zoro) but part of it is that he sees zoro bouncing back from the seemingly impossible more often than he sees him down.
however, the way he loses his goddamn mind when mihawk hurts zoro at baratie, when kizaru almost kills him and as kuma sends him away in sabaody, is a very good indicator of how he handles the idea of losing zoro which is - not well. at all. OPLA also gave us a more blatant example of this with the near dissociation, panic, losing his appetite and actively refusing to eat etc when zoro's wounded and unconscious after his duel with mihawk.
whether he thinks about zoro dying or not is probably more headcanon/fanfic territory, since it hasn't come up in the manga itself. even so, I do believe luffy's the type who... deliberately does Not ponder about sad or potentially upsetting things. one very brief moment that stood out to me while reading was this:
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luffy not wanting to remember when garp left him on his own as a kid and straight up getting mushroom-high after being separated from his friends? man.
despite his cheerfulness and confidence, luffy is at his innermost terrified of losing the people he loves and hates the idea of being alone, ever since he was a kid. he begged ace not to die, has fought time and time again to rescue his friends and bring back those who've left. zoro's not just his first crew mate but he's also been the most long lasting and steady throughout the story. as some people have pointed out - zoro is the only one of the east blue gang who's never left the crew, even if the rest all had very understandable reasons for doing it each time. so on a more speculative note, after all the losses luffy's suffered, I'd say wondering when or how zoro will die is something he'd very much avoid. the thought's likely pretty devastating. instead, it's easier to put his entire trust and faith into believing zoro will pull through anything, like luffy says in dressrosa, and zoro would accept no less than that imo - because that's the kind of trust/faith he places in luffy as well.
lastly, about the scars and such... this is where zoro and luffy's similarities are highlighted. when it comes to all the choices they make wrt their dreams or protecting their friends, those luffy understands well. he's pretty much the same as zoro in this regard. that's why he refuses to let buggy interrupt zoro's fight with cabaji and stops johnny and yosaku from interfering in his duel against mihawk, even if seeing zoro get hurt upsets him greatly. zoro and luffy match in many ways, their dreams and determination to fulfill them is one of them, no matter what they have to do or how many scars they collect along their journey as a result.
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roydeezed · 1 year
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One Piece-Chapter Round-Up(Chapter 1082)
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Haven’t written anything in a while on here manga-wise but there’s no way I miss talking about such a banger One Piece chapter. To start off with we get an adorable cover of Chopper mistaking Zeus for cotton candy. It’s good to know our collective son is being fed. It takes a fandom to raise a human animal hybrid after all. Jokes aside, I’m going to be diving into spoilers for this chapter below the “Keep reading” so check it out if you’re curious. Also, ya’ll should probably hold onto your butts cause this one’s gonna go a lot of places.
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R.I.P T-Bone. As a lover of weird and offbeat characters in One Piece, I am genuinely crushed by T-Bone’s death. If you don’t remember, as he was mainly a minor antagonist in Water Seven, here are some reminders. 
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He is one of the most lionhearted and kind character’s of One Piece, looking after both his subordinates and innocents. To me, the most logical way for T-Bone to have been killed is to have seen the citizens' plight and laid down on his sword so that he could get the reward money for his family. That’s the kind of man T-Bone was. He transcended the Marines as an institution and stood up to the strawhats as he believed them to be villains on the way to enact evil. After having his car disconnected and facing Rocketman bearing down on him, he faced Zoro in a one move duel, losing but having Zoro acknowledge him in the process. In a certain way he was also used to foreshadow Ryuma in Thriller Bark as he was skeletal looking and a swordsman. But most of all, he was an unquestionably good person in a world where muddled alliances and the forces of the world can waylay and mislead someone from their dreams and ideals. In my heart you will be missed T-Bone.
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Moving on, with a heavy heart, I do want to take a second to talk about old One Piece, specifically Water Seven. As I went back to get screenshots I couldn’t help but marvel at the art of Water Seven. While Oda’s art has probably gotten better, his paneling in those days was in my opinion, at the height of Shounen paneling, matching up with the original Dragon Ball in terms of fluidity of action but bringing such a heavy emotional weight to the characters and line work that it really felt like the peak of his art style. His art has gotten a lot more refined but I really missed the adventurous romantic feel of his pre-timeskip art. As a whole, as things get more dense and locked in, the lack of romanticism and sense of adventure is really felt at times. Despite that, it has been replaced, for the most part, with other equally amazing things. Though I can’t help but miss it at times. 
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Talking about the actual chapter again, I’ve looked favourably on the Marines in the past, like Garp and Koby, but if I spend an extended period of time thinking about them, that pleasant taste turns to ash in my mouth. Because the Marines as an institution, are broken and corrupt, more intent on perpetuating themselves than they are with forward momentum and progress. As is the territory with institutions. It’s a portion of why policing doesn’t work in real life. Living in Japan, with their harsh views on crime, Oda would know better than most. Despite what this chapter seems to be about, this chapter is actually exploring what I believe to be one of the main themes of One Piece, the inevitability of institutions. There are probably punchier and more accurate ways of conveying this theme, such as systemic oppression and such, but this really resonates and covers the full gamut of ideas that I believe Oda covers. I will expand on this as we move along but I wanted to put it out there so it would be on the back of yalls mind.
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I absolutely despise Sengoku. Like as a person. As characters I don’t think there’s any that I actively dislike because the way Oda characterizes just works on me. I need to make that distinction because I think my dislike for Sengoku is something Oda has purposefully generated within me and others. Talking earlier about Koby and Garp and Hibari and T-Bone and other marines, there is a very important distinction to be drawn in that regard as well. And some very important points to be made. Marines that are on the younger side, like Koby and Hibari and Tashigi, are people that have joined the Marines to do good without having yet become fully complicit in its evils. But they have done so because it is, despite its flaws, the best way they can make a difference and not be stopped. It’s the inevitability of the institution, where despite it’s evils it must provide some sort of benefit, and where those with dreams must filter through it and make it greater just to have a shot at their dreams. People like T-Bone and Smoker are clearly different from similarly old people like Garp and Sengoku and Aokiji in that while the former may be in the Marines, they do their best outside of its systems, being forces of good in spite of their association. The latter on the other hand, as a result of their complicity, whether or not they have good hearts, have become tools of the Marines oppression. Garp’s name is repeatedly used to strike fear into the hearts of pirates and as a symbol for common people to look up to, despite his best attempts at changing them from the inside. And the argument for changing the Marines from the inside itself is such a flawed argument as can be seen with Garp himself. Trying his whole life to change things ended up with him being ground into the dirt while watching his grandson be murdered by a coworker. Dragon must have realized this as well and so created an organization to oppose it. The revolutionary army are an institution itself but one built on the premise of opposition rather than self perpetuation. They are meant to end when the World Government and Marines do. Though I do believe Oda also doesn’t think that to be the answer as our hero is a Pirate. Arriving at the end of this paragraph I just realized I didn’t address the moment that made me go on this tangent. As pictured above, Sengoku hears of T-Bone’s death and rather than mourn the man who many looked up to, he worries what it will do to morale. He wonders how the institution of the Marine’s will keep going. If he was ever a good man, the ways of the marines have corrupted him to think this way. In a way Cross Guild, another institution, also occupies a similar area as the Revolutionary Army, but Oda makes it even clearer that it’s not the way as our first big introduction to it is through the death of such a great character. 
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Now let’s move on to the meat of this chapter. Buggy and Cross Guild. As we see above, this really down on his luck man was the one who killed T-Bone. Though knowing how strong T-Bone was, being called the ship slasher and being acknowledged by Zoro, as well as how kind he was, it’s easy to believe he let himself be killed to save this man's family. But it’s also through this interaction that we get a repeat of the theme that I mentioned earlier, The Inevitability of Institutions, as well as a great bonus where we see the inherent romanticism of Buggy. Buggy and his lackeys, Mihawk and Crocodile, have propped up Cross Guild to be an institution for Pirates, a much more successful version and iteration of both the Utopia Crocodile wanted and the Pirate Kingdom Blackbeard wants. They have made themselves the doors one must walk through. But this need also sets up the way that Buggy will later reject this monolithic thinking. 
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As we see here, these institutions make it so that now, even to live, you must subscribe to one of them. As much as Cross Guild claims to be pirates, they are an entity in and of themselves. Because the whole dream of piracy is the freedom of not having to cater to anyone else's whims or conform. Cross Guild aren’t pirates, they’re Cross Guild. Another thing I want to comment on is the In the Flesh chants. Obviously the dramatic irony makes it funny since most of it is just cloth, but it’s also such a great representation of the makeup of Cross Guild itself. By propping up Buggy as the leader of Cross Guild, he comes to represent something that is mostly not him, just like how his giant persona isn’t him. 
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In the panel above incorporates One Piece’s trademark humour, and later levies it into an emotionally resonant and stirring declaration. I know most people are freaking out about Sabo returning but I can’t get over how much I love Buggy. And his crew pulling a similar stunt to Barto Club, and having him be the figurehead of the ship actually also highlights how close Buggy is to Luffy as well. Also I love Buggy’s crying face, it’s so pathetic. 
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I know this panel is mainly played for laughs but I can’t help but feel sorry for Buggy. He really hasn’t done that much wrong to deserve this. And seeing the meeting room, it seems Mihawk, the edgelord that he is, really enjoys his torture. Remember, Mihawk’s full name is Dracule Mihawk, the first part being based on the famous Vampire who’s namesake in turn was known to impale and torture people. It’s really interesting how, other than the mentor and goth side of Mihawk, we also get to see his sadistic side here. But Buggy’s declaration that his life wasn’t supposed to be like this really calls my attention. While Mihawk and Crocodile argue about how to make sure Cross Guild and Crocodile’s Utopia can stay afloat and perpetuate its own system, Buggy dreams. 
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Buggy is one of Luffy’s best foils in the story, their interactions being so explosive that they can’t help but reveal things about each other. Luffy has a lot of parallels in the story from Blackbeard being a cowardly mirror to him to Koby being a weaker version whose cowardice was driven by his lack of strength. Buggy doesn’t have courage or strength and his circumstances had forced him down quite a dark path by the time the two crossed paths. Buggy was someone, who, seeing the potential of his peers, was forced to give up on his dreams and take the route that life gave him. As he stated, he never wanted to be what he became, he genuinely believed in Shanks and probably would have followed him had he set out for the One Piece as Shanks was the reason he gave up on the dream in the first place. Buggy, in an elevated sense, also represents those swayed by the circumstances of their life into having their path chosen for them and filtering into an institution, this time in the form of Cross Guild but earlier in the form of Impel Down. Buggy is someone who was forced to give up on his dreams and Oda shows what dark paths that can lead to but he also loves Buggy a lot because he doesn’t let Buggy fully give up on his dreams. 
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And there it is. With just those words, driven purely by dreams, Buggy injects such a heart-stirring sense of romanticism back into the series. Because here's the thing. We already know Luffy’s unwavering goal has been the One Piece. And he is the most romantic character in the series in terms of love for adventure and exploration. But it’s been a constant and now he has the strength and clout to do all of it without barriers. Buggy is chasing that dream while impeded by some of the strongest people in the verse. In the face of such strong adversaries, Buggy dares to blindly dream and it reminds me so much of Luffy at the beginning of the series, looking down a Sea King as it stood in his path. Crocodile and Mihawk are monstrous but Buggy actively defies them. I love One Piece ya’ll.
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So is Buggy a bad guy? Or just a fool who couldn’t hold onto his dreams as the waves of reality slammed into him? Here, he rekindles those dreams by verbalizing the feelings that drove him and every other pirate out to sea. A dream of freedom and treasure. The dream that you could aim for something other than what life had laid out for you. 
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This is by far, one of my favourite speeches in One Piece. It reminds me of Rogers speech and delivered by such a pathetic character, hits so much harder. By doing this, Buggy defies Crocodile and Mihawks desires for a self perpetuating kingdom as there is now an end goal and really stands for the ideals of the series itself, a blind dreaming hope, the desire to chase after impossible dreams, and the love of the journey itself. What matters to these people isn’t that they’ll get to the treasure, it’s that they tried to. And were free while doing so. 
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Not me crying at Buggy D Clown. One Piece gets me so emotional sometimes. It’s so beautiful. But asides aside, let’s wrap up some other thoughts in this final Buggy panel before getting to Sabo and the Revos (good name for a band?). First of all before we get to what this symbolizes for the series itself, I want to say a few more things about Buggy. His situation of failing upwards has always been shown in a comedic light but I believe it shows the insidiousness of the world. Because while the lower rank people, like the man who killed T-Bone, have to get filtered through these organizations to live, so does someone like Buggy, who doesn’t have the strength to resist such a fate. If you don’t have the strength to resist these institutions, they will use you as tinder, as fuel. Luffy isn’t in an institution because he’s strong. Almost every other character in the series doesn’t have a choice against it. Wheen you think about it, Buggy’s story really is a tragedy. Somewhere along the way, through necessity of survival his values got twisted. He’s always been a dreamer through and through so I think that’s why it’s sent him on an upward trajectory. But it all began with Luffy, who not only set him on the right path, but also gave him hope when he broke him out of Impel Down. 
And now the other purpose of this panel. With Buggy declaring his hunt for the One Piece, all 4 Yonkous are now on the hunt. Do ya’ll realize what this means? What the structure of the next arc is going to be? So this part is going to be mixed with some speculation and some evidence, but I strongly believe the next arc is going to be a showdown at Elbaf for the last poneglyph with every major Yonkou involved, with the final arc possibly after getting the One Piece or at the location itself being a showdown between Luffy, the Revos and the Marines. Or it very well could be a final showdown with all the involved parties at Elbaf. That all depends on how fast Oda wants to end things. I believe one of two people could be the man with the burn scars. The obvious choice is Jaguar D Saul. And that would be the way to go if Oda wanted to end the series faster, as him having the writings of Ohara as well as the last poneglyph would also set the Revos and the Marines scrambling after him. The other could be Scopper Gaban, the third prominent crew member of the Roger Pirates. That would be the final Roger Pirate marking Luffy’s journey and a great source of info. The last possible bead we had on him, if it wasn’t Shiki the lion, was him drinking with Crocus. But effectively, having one person hold the last key to the One Piece makes it so that the four Yonkou’s are on a collision course with them. I would love to see a Mad Max style race where the Yonkou’s are forced to clash purely for the love of adventure and their dreams, instead of ideological differences setting them against each other. It would be a really romantic and fun way to cap off some character’s journey’s. 
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Moving on once again, we see some new Revo’s and I particularly love Ushiano and Ahiru. While the other two are also very cool, I love Ushiano’s way of speaking and his character design, he reminds of Barney but if he was soft and lovable. And Ahiru’s character design is just so great. I don’t know if anyone remembers Nami’s early character sketches but she was supposed to have a bionic arm so I’m really glad to see that return in another character. 
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And here we get to see them interact with Sabo and find out that Ahiru was going to blast him. Ugh, Oda’s just so great with characterization! In about three panels we find out that she has a stoic demeanor, is a shoot first type of character, and worries about and misses Sabo, letting her guard down and being quite cheery around people she just met. And Ushiano is just adorable. I want to hug him. 
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Oh yeah, Sabo’s back by the way. So it appears that Sabo did indeed survive the bombing of Lulusia and he’s seen something. His interaction with Koala is adorable and mirrors Koby and Hobari to a tee. 
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And here we get the theme of this chapter rearing it’s head back one last time. Another set of down on their luck, weak citizens forced to filter through an Institution. This time the Lulusians through the Revolutionary Army. Oda has, in every instance possible in this chapter, where we look out into the world, highlighted the absolute despair involved in the inevitability of institutions and the forced choices that come with such a world. And is it a coincidence that this only happened when we took a look out into the world, away from our beloved strawhats? No, as we saw even earlier, through Aokiji being forced into the Blackbeard Pirates and the 100 damned souls onto beehive, in a world of inevitable institutions and forced choices, such decisions are forced on the weak. It’s why our protagonist is Luffy, and why he desires freedom. It’s exactly what he fights against, and it’s reflected in his crew as well as he took them away from the lives they thought they would be forced to lead. 
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And finally we arrive at the final panel of this chapter. The truth about Mary Geoise. And a promise of a reveal. Oda usually likes to cut away at moments like this to maintain the breakneck pace of weekly releases but I really hope we get to learn what happened. Because it could very well contextualize for us what the next part will look like and whether or not the final confrontation will include everyone. It’s also very sweet that Sabo thinks about now involving his subordinates as it might get them killed. This information could also line up with the potential release of information that could happen from Egghead coming up so it could be saved for that. I’m really excited to see what it brings. Another thing that this chapter, being so good, makes me think about is how I’ll feel about it later when I binge the series. Because it’s always a balancing act between week to week storytelling and making an engaging continuous story. Back in Dressrosa, the week to week was a bit of a slog but on a reread and binge it was frankly amazing. I wonder if the breakneck speed and absolute amazing experience week to week right now will affect it negatively as a whole later on. Well, the only thing we can do right now is wonder and wait for next week.
If ya'll got this far, thanks for reading. I'm super late on this one but I'm glad I took my time because I could let my thoughts develop. And once again, if anyone wants to talk One Piece or any other manga with me in-depth, don't be afraid to hop into my dm's. See ya'll next time.
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zonaenthusiast · 9 months
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BESTIES *slams the table* TODAY WE’LL BE TALKING ABOUT THE ONLY MAN EVER, YES, THAT IS CORRECT, RORONOA ZORO. But not any Roronoa Zoro, we’ll talk about Zoro in chapter 687, his relationship with Tashigi, how he views women and how Kuina has everything to do with that.
Make yourselves comfortable, I'm not going to shut up for a while.
We start strong with this conversation between Sanji and the G-5 right after Sanji tells them he doesn’t kick women, it doesn’t matter if the woman in question is her enemy.
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Up until this point, Zoro had already fought against women but never in a direct face to face and without more enemies (the exception is Film Z but it’s not canon so I don't count it for this). What Sanji says implies that he has noticed please just kiss already that Zoro, contrary to what it may seem (and unlike Luffy), does make a distinction when fighting a man and when fighting a woman. But it is not the same distinction Sanji makes.
As I said in the post where I talked about Tashigi and Law, she doesn't know that. Tashigi reflects her own insecurities in this particular trait of him and takes things for granted that aren't true.
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Since Zoro was only defending and had not attacked her even once, Monet believes Tashigi's words because she was thinking the same. Now she really thinks she has a chance of winning because she is confident that Zoro is not going to hurt her and doesn’t seem to consider Tashigi a difficult enemy to defeat.
And because of Tashigi’s never ending nagging, he decides to step back and let the women fight. He only decides to intervene to save Tashigi when she is put in a difficult position... and it’s the moment both women realize they might be wrong about him.
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Look at what he says here, just before he defeats Monet by cutting her in half:
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And this is where I wanted to get to because it's time to talk about Kuina and the impact she had on Zoro.
When he met her, Zoro was an arrogant brat who thought he was invincible (and he was only eight years old, he had to be unbearable). Even adults couldn't beat him and then another girl came along and humiliated him in seconds. No matter how much he trained, Kuina was always so much better than him and he could never defeat her.
But Kuina had the same insecurities that Tashigi has now and she shared them with Zoro. And it doesn’t matter that he didn't believe any of the things Kuina told him about her womanhood and her skill with the sword, she never had the chance to prove herself.
Zoro doesn’t consider women to be weaker than him because the only person in the world that Zoro can never, ever defeat is a woman. But she died and it was so unexpected and in such a simple way that her words stuck with him after all these years. Kuina’s death defines Zoro’s life and Kuina’s words define his approach to women.
He doesn’t consider women weaker just because they are women but he doesn’t feel comfortable fighting with them, even when he has to. This is why he doesn’t finish off Monet and let Tashigi do it. He will do it if it’s what it takes to protect his people... he just prefers not to.
Tashigi is the only exception, she is the only woman he CAN’T fight. I don't think we'll ever see something like that because Tashigi will fight on his side when we get to the final war but, if the two had to face each other, it would be a very traumatic thing for Zoro. He would probably be able to attack her if he needs to but mentally it would be a very hard blow to him.
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And while we're on the subject, I'll take this opportunity to mention that Kuina’s death and words are also why Zoro is so angry with Enel when he throws his lightning at Robin and he rushes to catch her before she hits the ground in Skypiea. That’s because he says she is a woman, because he is afraid that something similar to what happened to Kuina will happen to Robin here. He just doesn’t do well with women falling.
That’s it for today and as a bonus I will put this panel here because why a few lines on paper look so handsome, I don’t understand it.
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mastomysowner · 1 year
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The Snow Woman of the Biscuits Room
I wonder what made Monet think Doflamingo would kill her for losing to a superior enemy.
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彼は追わせないわ!! "M"にもしもの事があったら ......わたしジョーカーに消されちゃう // I won’t let you go after him!!! If something happens to "M"... Joker will waste me.
She also licks her lips just like him. Guess it’s contagious.
From what is known, there is no reason for this: Doffy didn’t punish Buffalo and Baby 5 in any way for their failure to retrieve Caesar, not to mention the fact that he let enemies snatch Caesar from under his nose to save Giolla’s life, even though he risked never seeing him again.
But Monet was pretty much ready to give up her life, and I don’t even mean the detonator switch.
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困るわ... 子供達は"M"の大切な実験体... 私の任務は... [シーザーとその実験を守る事] // I’m in trouble... Those children are Master’s precious test subjects... My duty is... “to protect Caesar and his experiments“...
As Caesar’s assistant, Monet should’ve been well aware that the gigantification experiment was complete bullshit, and all Big Mom’s money were spent on wrestling with cabaret girls. She was an important crewmember, in fact the only Logia user, and she thought she was expected to detonate the weapon in case of emergency. Despite all this, she entered into a hopeless battle.
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あなたさっきから... 受けるばかりで私に刃を向けようとしないのはなぜ...!? 正直あなたには勝てる気がしてなかったけど... 案外...... そうでもないかしら? // All this time... Why’ve you been only blocking and never pointing your blades at me?! To be honest, I didn't think I could win against you, but... unexpectedly... It might not be the case?
Maybe she thought that if she failed at anything, then she was already dead meat... But in any case she was ready for death.
Well, even with all her resolve, she didn't become less afraid of it.
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斬られる!!! // He’ll slay me!!!
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バカに...... シテル...!!! // Huff... Huff... Don’t make... a fool of me!!!
The whole personality of Monet is of duality: a beautiful woman and a snow-cold monster, a warped maternal instinct and death that awaited children at the end, a part that said goodbye to her life and the part that wants to live.
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体の自由が利かないんだ...!! 覇気を使われてたら死んでいた事実と... 圧倒的な強者への[恐怖]で!!! こんな勝ち方があるの...!? // She can't control her body..! It’s because of the fact she would've died if he’d used Haki... because of the fear of the overwhelmingly strong person!!! Is such a way to win even possible?!
逃が...さない...!! // I-I... won’t let you... go!!!
Her being left alive was the best scenario for the situation (not to mention herself), but she forced herself to make one last desperate attack with no chance of victory. Even if Zoro hadn't finished her off, Tashigi could’ve delivered the final blow, which she did.
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...あなたの... 負けです......!! // ...It’s your loss..!
But Monet somehow managed to survive and get to building C. To be honest, I don’t think Tashigi intentionally spared her, especially if we recall Tashigi’s views.
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こちら...... モネ...!! // This is... Monet..!
モネ...!! よく生きていたな... ヴェルゴはやられた...!! シーザーもな...... だがベビー5とバッファローが身柄を確保できそうだ. おれの見誤りだ... おまえらに悪い事をした // Monet..! It’s amazing you survived... They got Vergo..! Caesar too... But Baby 5 and Buffalo should be able to retrieve him. I misread the situation... I’ve done a terrible thing to you all...
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ー だが万全を期しここで若僧共を消しておきたい. その第三研究所には ー 4年前に第一第二研究所及び その島を滅ぼした兵器がもうひとつ眠っている......!! 起爆スイッチを押せば その島で生きて残れるのは猛毒ガスに耐えられるシーザー唯一人... スイッチの場所は...... // ...But in order to ensure safety I want to waste those brats there. In lab 3... lies in wait the same weapon that destroyed the labs 1 and 2 and the island 4 years ago..! If the detonator switch is pressed, the only one who could survive would be Caesar, who can withstand the poison gas... The switch is in...
それ以上言わないで ジョーカー. はじめからそのつもりよ // Say no more, Joker. I've been meaning to do that right from the start.
It's basically a race against time with the group that will soon be able to get to Caesar and leave the island, and despite this, Doflamingo takes a long time to explain the things that should’ve been drilled into her from the very beginning. Why? There’s only one logical explanation: he thought she didn’t know. Her words shocked him, as evidenced by his "!?" after hearing them.
If she really didn't know, she would've been forced to go all the way from building B to C while wounded and probably wouldn't have made it in time. It would've made more sense to instruct her to do this long before, and yet he didn't.
This makes me remember Mr. 7 and Ms. Father’s Day in chapter 206.
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Crocodile gave them the job of guarding the cannon until it went off and killed everyone fighting in the middle of Alubarna, but he deliberately didn’t tell them that they would be promoted to a better world. On contrary, Doflamingo made sure Monet fully understands the consequences of detonating the weapon.
Monet wanted to be useful to her savior, so she didn’t even think about about not doing it. Perhaps she thought that she would be killed anyway, but she herself didn’t consider her life important.
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今その起爆スイッチの前にいる... 爆発はタンカーにまで及ぶわ. 一隻無駄になるけどいい? // I’m in front of the detonator switch right now... ...The explosion will reach the tanker. Do you mind losing one ship?
......悪いな // ...I’m sorry.
隻 is the counter for ships, and 一隻 means “one ship” - just some ship, not even Oro Jackson, meaning Monet valued her life less than one single ship (even though, again, a Logia is much more valuable).   
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全てを道連れに...... 死んでくれ...!!! // Please die taking everything with you...!!!
了解"若様" // Roger, young master.
Why did I write “please”? Kure is a form of kudasai. Let's look at, for example, Chapter 5 (Japanese Imperatives and Force Exertion) of The English Imperative: A Cognitive and Functional Analysis, a doctoral dissertation in linguistics by Hidemitsu Takahashi from Hokkaido University (pp. 188-190):
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Yes, it was a request, not an order, but there’s is also a question of relationships. When your boss says “please print the documents”, is this an order or a request? It’s easy to guess how Monet, who considered herself not a real comrade, but just a tool, would interpret this.
This is most likely related to the image that Trebol created for Doffy specifically for this purpose.
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ドフィを王に掲げ部下たちに威厳を示し!! // We’ve declared Doffy king and instill awe in the subordinates!!!
Although the Donquixotes are a family, he is first and foremost their boss, who must be strong 24/7 and on whom the life and death of his subjects depends.
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すまん 相棒...... ......おまえとは一番古い付き合いだ. 今日まで... ごくろうだったな // ...I'm sorry, buddy... ...You go back with me further than anyone. Thank you... for your hard work until today.
ご苦労 (ごくろう) is used by superiors to express appreciation for all the work their subordinates have done. This might’ve sound heartless as the last words to a friend, but Doflamingo seemed to know that Vergo would be happy to hear just that. Him being happy in the face of death due to being praised for his service still looks very sad.
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That's all Doffy could do for him; there was no way for him to save Vergo, as Law left him for dead in the SAD production room, which was about to explode. Could it be that Law made Vergo unable to speak in order to put him in the same position he was in 13 years ago, when he was unable to say his last words to Corazon? If we follow the principle of "an eye for an eye", then at that moment his personal revenge to Doflamingo was completed.
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D棟だ. SAD製造室......!!! // It’s building D. The SAD production room!!!
It was the explosion that Monet heard.
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どこかで爆発だ... // There's an explosion somewhere...
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さよなら若様. あなたこそが海賊王になる男...!!! // Goodbye, young master.  You are the man who will become the Pirate King!!!
So much like Ace, who wanted to make Whitebeard the PK. It’s noticeable that in her last moments she didn’t think about her sister, but Sugar was still part of the crew of the man on whom Monet placed all her hopes and dreams. Come to think of it, it's like the moment Nami couldn't bring herself to say that Luffy wouldn't become the PK even when Ulti was about to bash her head in.
Monet wanted Doflamingo (with whom she may've been in love) to achieve what almost every pirate wants, but she didn’t know that he wasn’t interested in piracy at all.
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もうおれに望みはねェのか......!? // Is there no more hope for me?!
ハッキリ物をいわせるな ...ベラミー おれとおまえは目的が違うんだ 昔からな...!! おまえはずっと"海賊"になりたがってた ーだがおれは違う ......なんでもよかった この[世界]さえブチ壊せればな!!! // ...Heh heh heh!!! Don’t make me put it straight, Bellamy... You and I have different goals. It was so from the very beginning!!! You’ve always wanted to become a pirate. ...But not I. Anything is fine, as long I can fucking annihilate this world!!!
But that's a whole nother story.
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redhatmeg · 7 months
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Back when the Thriller Bark Saga was in full swing in the anime, this scene in manga version started to pop up on the internet. This was also the moment when I decided to come back to One Piece, because I wanted to know its context.
And the scene when Zoro offers his head in Luffy's place just to spare him, saying that he may be worth less, but he's going to be the best swordsman in the world, and on Kuma's question: "Why would a man with such ambition sacrifice himself for someone else?", he gives the reply above... this was a scene that completely changed my view on Zoro. In this one small scene from an interesting character I wasn't particulary crazy about, he became a character that gained my utmost respect. I never saw him the same way ever since.
In my opinion this is the culmination of Zoro's relationship with Luffy. Remember - he joined his crew under condition that Luffy won't stand in a way of achieving Zoro's dream of becoming the best swordsman. And now, he is willing to sacrifice his own life for Luffy. He even says: "The way I see it, this is the only way to help the crew. How can I protect my ambition when I can't even protect my Captain! Luffy's the man who is gonna become the Pirate King!"
Zoro puts his nakama above his dream. He puts his crew, his captain and his captain's dream above becoming the best swordsman. Ever since Luffy first learned about it and said that he can't expect nothing less from future Pirate King's nakama than have such a lofty ambition, Zoro probably started to think that their dreams are intertwined, but here it's something's more than that. Zoro isn't a lone bounty hunter anymore: he has friends and a man he's willing to follow to the Grand Line and beyond; and as a honorable man with principles, he can't just abandon his nakama and especially his captain.
Luffy earned Zoro's respect long time ago. He earned respect of all of his crewmen by fighting for them relentlessly. Right now Luffy is vulnerable - he's wounded, exhausted and unconscious. He can't defend himself. So this is the moment when someone else needs to defend him; someone who will put his life on the line for him the same way Luffy did countless times.
And Zoro is that someone.
But then something strange happens - Sanji shows up and offers his life instead. Now, all throughout the series Sanji and Zoro didn't get along, in fact they were often fighting with each other over petty things. However, now Sanji says: "What'll happen if you die? What about your ambition, idiot?" Of course, he wants to save Luffy, but he also puts Zoro's life over his own ambition - finding All-Blue. He prepares himself for death, asking Zoro to say goodbye from him to everyone and tell them to look for the new cook.
(Probably we are to assume that if other Straw Hats were conscious, they would do the same for Luffy and each other.)
However, just like Sanji was ready to die for Zoro, Zoro is ready to die for Sanji and he knocks the cook out. He throws away his katanas and stares Kuma in the eyes. And this is when the Shichibukai decided to change the sentence: instead of killing Zoro, he makes him "experience hell itself". He uses his Devil Fruit ability to extract pain and fatigue from Luffy's lifeless body and put it inside Zoro.
"If you really intend to take his place, then you must literally share his suffering."
With Zoro's own state, this means he probably not survive this. Even tiny bit of the extract makes the swordsman experience millions of little hits that cause him to colapse. But Zoro made his mind: he only asks to do it in a different place. And so, near the forest, Zoro enters Kuma's extract.
I don't know if Luffy later learns about Zoro's sacrifice, but - as of the moment in the manga when I've stopped reading (Ace's execution) - he still is unaware of it. And probably his first mate would prefer it like that.
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bubbly-bungee-may · 3 years
Text
ZoNa Valentine’s Week: Day 5 Why I Ship ZoNa: Part 2
A continuation of why I ship the marimo and the cat burglar together
3. Saving each other
This isn’t necessarily a legit reason to ship them as a couple; saving each other doesn’t always mean they like each other, but I personally love whenever the guy saves the girl. Also equally love when the girl saves the guy which Nami does too (just not to the extent that Zoro does)!
Nami saves Zoro, or maybe “helps” would be a better word? Regardless, Nami saves Zoro by giving his swords back to him because she knows he is much stronger with three swords than one.  (Ep 14)
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Another example would be when Zoro is trying to fight and Nami chips in with her badass self. (Ep 942)
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And I think when Zoro saves Nami he is usually desperate to do so. I don’t think he ever wants to see her hurt or in pain.
Firstly, I mean just look at the smirk... he’s like “yeah, I got you. don’t worry” (Ep 116)
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And the touching. The protecting. I need more. (Ep 160)
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Bruh Zoro was SO DONE with these things that kept coming after his girl. Like he punched it HAHA (Ep 161)
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Okay this is the continuation of the gif from the last post. It’s one of my favorite episodes because Zoro saves her and is with her a lot in this episode. This is the first time he saves her by, maybe not so gently, pushing her down the stairs. Now look, you can’t save everyone safely when it’s a life or death matter. He saw a weapon and was more concerned about protecting Nami than her getting hurt. Remember what I said about him being desperate when it comes to saving Nami? Yeah... there you go. (Ep 225)
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“I did it to save her! Got a problem with that?!” AHHH I LOVE IT honestly I don’t think Zoro minds saving Nami. Like the moment in Dressrosa when he wants to go and save Nami on the ship, but Sanji interjects. Like I think Zoro always has Nami’s safety in mind. And look, yeah he sometimes saves her in not the safest of ways, but he still saves her. Can you imagine Zoro and Sanji fighting over Nami OH MY GOOOOODNESS. Sorry, but Zoro would win. 
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Like here he ran to his girl SO FAST. Also Zoro may not be the brightest when it comes to a lot of things, but here he noticed that the beam would go towards Nami, something that Sanji didn’t think of. AND the fact that it was Zoro saving her instead of Sanji, the one who usually would rush to her side.... max blush 
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Desperation 2.0. Zoro was about to jump in and save her, but the frog did instead (sigh) Also we only saw Zoro get ready to save her, not Sanji or Chopper or anyone else! (Ep 272)
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Zoro looking hella mad that this bird lady is trying to hurt his girl. (Ep 612)
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4. These two can think so similarly. (Ep 585 and OP Strong World)
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Both are the only ones who have commented on Chopper’s fur like this. It’s nice to see them think similarly even though most of the time they have differing points of view (as stated in the last post). And I love all the interactions between Nami/Zoro/Chopper. They’re such parents and I love it. Like can you imagine Zoro and Nami and Chopper as a happy family, because I can.
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Okay next moment, “ Leave it all to.... luck.” (Ep 267 & 297)
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Maybe Nami was inspired by Zoro’s successful entering of Eneis Lobby through his “luck” and decided to test her own, or maybe they are just on the same wavelength that day. Either way, they both decided to leave everything to luck.
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Hatchin, the fishman. (Ep 386)
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This is another one of my favorite moments between the two. These are at two different times with Zoro hearing about it later. They both feel uncomfortable after hearing that the person they are rescuing is a fishman named Hatchin/Hachi. Now it’d probably mean nothing IF Zoro wasn’t the only one concerned, but he is. Everyone else on the ship (Sanji, Usopp, and Luffy) was there at Nami’s island and all fought fishman, but none really remembered the name Hatchin. I think the reason Zoro remembers so clearly is that he was the one who fought Hatchin directly. But isn’t it kind of suspicious that Zoro is the only one specifically tied to this event? 
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And I love this part because Zoro is concerned and wants to know how Nami feels. (Ep 387)
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And they knew it... they knew it so well. Their faces, the sighs, the words, its all the same (Ep 387)
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Now this part was most likely added for humor’s sake, but I still love the fact that Zoro got angry when asked if they were friends. I like to think he got angry for Nami’s sake. (Ep 387)
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And for the finale, their mutual hatred for Buggy. Again, their faces, and even the tone of their voice, its all the same (Ep 400)
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Final part will be up tomorrow!
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vannahfanfics · 3 years
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Good tidings to you! I'd like to request a fluff alphabet for Zoro, if you please!
Of course, hun! Thank you so much for your Ko-Fi donation; it was mighty kind of you! I hope you enjoy this fluff alphabet~!
Fluff Alphabet: Zoro
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A-   Activities: How do they spend their time with their s/o?
We all know how much Zoro loves to snooze, so you can bet that he loves taking naps with his s/o! There’s nothing better to him than finding a nice spot on the deck or within the ship to snuggle up with his beloved and catch some good Z’s. A lot of times he will actually try to stay awake instead of falling asleep right away, though, because he wants to enjoy his cuddle time! Plus, he thinks his partner is so cute when they’re dozing. When they are awake, Zoro also loves to train with his partner! It doesn’t matter how intense his partner is athletically; even if they are just in the same space honing their respective crafts, it really makes him happy. And getting to see his s/o all sweaty and breathless after a workout? That’s hot to him, LOL. 
B- Body: What does this character appreciate about their s/o? What part of their body are they most proud of, and in reverse, what body part are they ashamed of and how do they respond to their s/o gushing over it?
Zoro is an ass man; sorry, I don’t make the rules. He is gonna grab his s/o’s booty at every available opportunity. He just can’t help himself; I mean, it’s right there, just ripe for the taking, and the man has got to cop a feel! He’s also fond of his partner’s tummy, though; he loves to lay his head there when he’s dozing-- bonus points if his s/o gives him head scritches. That is a one-way ticket to a happy Zoro. 
As for himself, Zoro is very proud of his scars, ironically. They’re proof that he’s survived and overcome obstacles as a swordsman. He loves when his s/o traces his scars, or, when things are getting a little steamy, kisses along the patterns criss-crossing his body. He’s proud of his muscles, too, and loves when his s/o compliments them. He definitely flexes for his partner; he loves to get them all hot and bothered, LOL. 
C- Cuddles: Is this character a cuddler? What is their favorite way to cuddle?
Zoro loves to cuddle, mostly because he loves to nap. There is no better sleep to him than when his s/o is snuggled up against him. He likes to spoon his partner (this man is not the little spoon, no way, no how), but he also likes to sleep on his partner’s lap or tummy while they play with his hair and massage/scratch his head. 
D- Dreams: How do they picture their future with their s/o?
Zoro pretty much doesn’t think about much besides becoming the world’s greatest swordsman and helping Luffy achieve the title of Pirate King before his s/o comes along. After that, however, he begins to consider what happens next. After sailing for a while, he’ll entertain the idea of settling down and starting a dojo like his master, or maybe even returning to the old man and asking to take over one day. It’s not something he thinks about a whole lot, but he does, on occasion. Really, he just wants his partner to be happy, and will go along with their plans for their future. 
E- Equivalence: Is this character the dominant force in the relationship, are they passive, or is the relationship more or less even?
Zoro’s a pretty stubborn guy, but in a relationship, he’s actually kind of chill. He doesn’t mind not making decisions and will go along with his s/o’s flow. He just doesn’t see the point in trying to control of dominate aspects of his s/o’s life; they’re a person with their own free will, after all. As long as he can get his cuddles, he’s honestly good! 
F- Fights: How does this character respond to arguments with their s/o? What would they fight about, and who would cave and apologize first?
We all know most of the Straw Hat Crew share a single brain cell and most of the time, bless his heart, Zoro does not have it. He will get so confused when his partner is mad at him. He will have no idea what set them off, and that will frustrate him, so he’ll lash out in retaliation. Before the fight can escalate too much, he’ll stomp off to go nurse his feelings with some sake. It bothers him, though, knowing that his s/o’s feelings are hurt and probably because he did something stupid... so he’ll go to Nami or Robin for advice. Once they finally get his brain to click, he’ll go back to his s/o to apologize and talk things out. So, even though fights may occur often, normally they work out well when he finally puts two and two together. 
G- Gratitude: How does this character show their s/o that they are grateful?
Zoro is pretty low-key with his affection. To show his gratitude, he normally snuggles up to his partner and lavishes them in physical affection. It’s his main way to express his feelings, and he isn’t smart when it comes to gift-giving, nor is he eloquent with his words. His partner will have to recognize that this is how he is trying to express how he feels!
H- Honeymoon: If this character had a honeymoon with their s/o, where would they go?
Again, Zoro has no real preference with these things. In fact, he probably doesn’t even know what a honeymoon is. After his s/o explains it, however, and he realizes how important it is to them, Zoro is on board. He will probably let his partner choose the destination and activities; he righteously doesn’t care where they go. He just wants to spend time with them and make sure that they are having a good time. 
I- Insecurity: What is this character insecure about? How do they deal with their insecurities with their s/o?
Zoro is very much still haunted by Kuina’s death. It frustrates him that he was never able to best her, and he still carries a sense of guilt for her death, though it was a tragic accident. It’s not something he’ll bring up to his s/o very easily, because it’s not something he wants to talk about, but eventually after his s/o catches him brooding on it enough times, he’ll divulge the full story. He’ll probably tear up a bit, so his s/o will need to comfort him. 
J- Jealousy: Is this character the jealous type? How do they deal with being jealous?
Zoro is 100% confident in himself as a man and so he does not get jealous, lmao. Again, he doesn’t really have much desire to have his s/o on a leash. In fact, watching his s/o flirt and play coy with others is amusing to him, because it makes him oh so satisfied knowing that they are still going home with him that night. If he realizes his s/o is actively trying to get him jealous to have some fun, he’ll play along, but never for a moment does he actually doubt his s/o or their intentions. It’s honestly sweet, how much trust he has in them. 
K- Kiss: What does the character want their first kiss to be like with their s/o? How does it end up happening?
Again, this man? No brain cells. He’s just cruising, having a good time, and doesn’t even think about a kiss. His s/o will actually have to be the one to plant one on him the first time, because this poor guy is just like, “This is going well. Nice. Look at me go. I bet the Ero-Cook is so jealous.” Bless his heart, the poor, stupid thing. After the first time, though, he picks up on it and will take care to initiate PDA so his s/o doesn’t feel unwanted or undesirable. 
L- Love Confession: How does this character first profess their love to their s/o?
Once again, this man is as dense as a brick wall. He will not even realize that he caught feelings for someone; he just vibes, thinking that it’s just an aspect of their friendship. His s/o is going to have to be the one to confess, and then it will finally click in his head that the things he feels go beyond friendship, and then he will be like, “Oh. Yeah, I like you too, let’s go out.” It’s almost infuriating, because it can lead to a drawn-out mutual pining situation except Zoro doesn’t realize that he’s pining. Nami, please, give him the brain cell. 
M- Marriage: How does this character view marriage? What is their ideal wedding like?
Zoro doesn’t think much about marriage, just like his thoughts on his future with his s/o-- but when they bring it up, he isn’t opposed. Rather than a fancy proposal, it will probably be a mutual decision between himself and his partner. They will go with him to pick out the ring and there won’t be a big affair, just “Hey! We’re gonna get married!” If his s/o really wants the whole shabang, though, he’ll have Nami and Usopp help him put something together. Again, he doesn’t care, but if his s/o does, he want’s them to be happy. 
As for the wedding, again, he leaves all of that up to his s/o. The furthest his mind goes is imagining them in their wedding attire, and that makes him a little excited, the idea that they’ll be joined forever in love. 
N- Nicknames: What does this character like to call their s/o?
Zoro’s not really that into pet names. One might hear an occasional “babe” or a demeaning “sweetheart” or “sweetcheeks,” but he thinks it’s more intimate to call his s/o by their name. 
O- On Cloud Nine: What is this character like when they’re in love? Is it obvious to others, or are they good at hiding it?
Like I said, this fool is oblivious himself that he’s in love. Others might notice if they are astute because he spends a lot of time with the object of his affections, does things for them without complaining, and is protective over them. Other than that, it really isn’t that obvious.
P- PDA: Does this character like PDA? If so, what kinds of things do they do in public to show off their s/o?
Zoro does like PDA, especially if his partner is easily flusterable, because he thinks it’s cute. Throwing his arm around their shoulders or waist or sitting them on his lap are his personal favorites (and the aforementioned ass grabs). But if his s/o is also a fan of PDA, he’ll return any kisses, hugs, or hand-holds they initiate too, because he ain’t gonna say no to an excuse to touch his s./o! 
Q- Quirks: What random traits or quirks does this character have that positively affect the relationship?
Zoro has a habit of picking up random things he thinks his s/o will like. “Hey, I saw this flower and thought you might like it, here you go.” He totally doesn’t think anything of it, he just acted on a whim, but he does enjoy how happy his s/o gets about it-- so sometimes he goes out looking for stuff on purpose. He usually gets lost, of course, and someone has to go find him. 
R- Romance: Is this character a hopeless romantic, or a bit on the low-key side? Are they cliché when it comes to romantic gestures, or can they get a little bit creative?
As I’ve alluded, Zoro’s pretty lowkey in relationships. He’s not really prone to grand gestures, and just acts on whims rather than putting a lot of thought into his gestures. Occasionally, he will seek Nami and Robin out for advice to make sure he isn’t getting too boring or repetitive for his s/o, but mostly, he just does whatever comes to his mind. 
S- Secrets: Are there any secrets they hide from their s/o? If so, how do they deal with it when those secrets finally come out?
Besides his past with Kuina, Zoro doesn’t really have anything to hide from his s/o. He believes in honesty in relationships and just in general, so he won’t have any secrets. 
T- Thrill: Does this character prefer routine in their relationship, or do they like to shake things up every once in a while?
Zoro doesn’t even really think about it! Again, he just does whatever comes to mind. Sometimes there are spells of doing basically the same things every day, and then all of a sudden he’ll up and surprise his s/o with a random compliment or gift to keep it a little exciting. 
U- Understanding: Is this character level-headed and empathetic toward their partner, or do they sometimes have trouble figuring them out, which leads to some butting heads?
Zoro, bless his heart, will take a long time to learn how his partner really ticks. It’s just a little hard for him to learn how they think, so they will butt heads sometimes and have disagreements. He does try to be empathetic, it just doesn’t work out like he wants it to sometimes. 
V- Value: How does this character value their relationship with their s/o? How does it hold in comparison to their goals, ambitions, etc.?
Zoro does hold his relationship in pretty high regard, but his ultimate goals are making Luffy Pirate King and becoming a master swordsman. If his s/o does not support those goals, or if he has to choose between them, he’ll probably choose his goals. That isn’t to say he won’t make an effort to have both, though. 
W- Wild Card: Any random fluff headcanon that does not fall within the other categories!
Zoro talks in his sleep and it’s adorable. Sometimes his true feelings come out in his sleep, so he’ll babble on and on about how much he adores his s/o. It’s so cute, but he will deny it until he’s blue in the face despite the fact that everybody has heard him do it. 
X- XOXO: How does this character show affection?
As I’ve mentioned, Zoro’s primary love language is “physical affection.” He’s not great with words or gifts, so he primarily speaks through his actions. “Acts of service” is also in his repertoire, though; he doesn’t mind doing things for his s/o, and will often initiate without them even asking. 
Y- Yearning: How does this character deal with time apart with their s/o?
Oh, boy. He gets so pouty and grumpy. He doesn’t sleep as well when his s/o isn’t there, so he gets tired and oh-so-irritated. He is absolutely miserable to be around, and he and Sanji get into so many fights because he’s being a dick. He drinks a lot more, too, and is mad about the fact his alcohol tolerance is too high to drink himself into a stupor. As soon as his s/o returns, he is dragging them off for a much-needed nap. 
Z- Zeal: Is this character willing to great lengths for their relationship? If so, how far, and how long does it take to get to this point?
Although I said Zoro is more likely to choose his goals over his s/o, he still will go to great lengths for his s/o. He has faith in their capabilities, but if he gets even an inkling that they may need help, he goes charging off. It doesn’t really take Zoro that long to reach this point, either, as he becomes somewhat dependent on their presence quite soon. 
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nyasha-of-germa-66 · 4 years
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Hello! I just found your blog and I'm in love with it ❤v❤ Could I maybe ask for hcs for Luffy, Law and Kid (separately) with a 45/55 year old friend who's like their mom figure who also lives on an small island with her grandkids and they accidentally called her "mom" in front of their crews and they're embarrassed and later she talks to them alone about not being embarrassed because there's nothing wrong with that? I'm so sorry if this was too much to ask for!
Hello, hello! Hopefully, my failure to post at a reasonable time hasn’t tainted your view of my blog, but if it did... I completely understand haha.~ I really loved this request, it was so wholesome and creative! I hope you’ll enjoy, and thank you so much for the request and your patience! 😁
Accidentally Calling Motherly Friend “Mom” HCs - (Luffy, Law, Kid)
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Luffy
Dadan and Makino were perhaps the closest people that Luffy could consider as mother figures, but now he's very close friends with one woman who's motherly inside and out. He sees the way she treats her grandchildren, and he feels as though she treats him in a very similar way.
On top of that, Luffy's crew is always teasing him about how his friend is almost like his mom, the way she frets over him and constantly feeds him along with her grandchildren and the way she hugs and comforts him as if he was actually her son.
With all of his crew's teasing and his friend's motherly personality, it's no wonder that one day Luffy slips up and calls her "mom." He doesn't even realize he's said it until Usopp or Nami points it out to him.
Now, Luffy rarely, if ever, gets embarrassed, so to see his cheeks begin to grow a rosy tint before he pulls his straw hat down to hide his face is truly a strange sight to witness.
Things are a little awkward afterwards with Luffy staying relatively quiet, only speaking when spoken to but with a mopey tone in his voice. He wants to run back to the Thousand Sunny, but he reckons Zoro or Franky will stop him, maybe even Robin, too.
Luffy eventually finds a chance to leave when his friend's grandkids ask him to go outside to play, to which he happily accepts and flees the scene. How could he say something so weird?
Once the children are done playing, they go inside to wash up and grab some snacks while Luffy chooses to stay outside. He's so caught up in his thoughts that he hardly hears his friend walking up to him until she takes a seat next to him and puts a hand on his shoulder, startling him quite a bit.
She laughs and asks him why he's outside by himself, and when he tells her its about the embarrassing mishap, she laughs and brings him into a tight hug. Seeing her lighthearted reaction, he'll laugh, too, saying that he doesn't even know why he called her "mom" in the first place since he's never called anyone that before.
As she reassures him that she doesn't mind being called "mom," Luffy's wearing a huge grin on his face and joking about how he's finally found himself a mom.
It's not obvious since Luffy is almost always grinning and laughing, but after this encounter, he's just gleaming with joy. Blood-related or not, anyone who treats him like family would get nothing but the best from him.
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Law
From time to time, Law will mourn the loss of his family even after all the years that have passed, especially when it's their birthdays or the anniversary of their death. The death of his family weighs heavily in the back of his mind, but he never once thought he'd become so close to another motherly figure.
Law was surprised at all of the advantages of having a motherly friend to dote on him. He likes to think that he's got his life figured out and that he's capable of handling himself, but he learns so much from this friend that he'll often call her up in search of advice.
His crew absolutely adores his friend and her grandchildren, so they've all pretty much integrated themselves into her family. They even go so far as to call her "mom," too. Unfortunately, the crew's habit of calling her "mom" must've grown on Law subconsciously.
Out of the blue during one of their visits to the small island, Law mistakenly call his friend "Mom" and doesn't even pick up on it. The room suddenly grows quiet as his friend and his crew stare at him in bewilderment.
He's confused at first, and when they reveal to him his slip-up, he looks on with astonishment at his embarrassing mistake. Just what was he thinking!?
His face goes red, of course, because his crew is laughing and teasing him about joining them as his friend's "adopted children." And all he can really do is slump back in his seat and pull his hat down over his face.
Luckily, he's not the center of attention for long since the conversation quickly changes to a new subject, but he replays the memory in his head over and over again, wanting to throw himself into the ocean. With everyone else preoccupied, he makes a quick escape to the other room where he grovels at his mistake.
When his motherly friend enters the room to check on him, he apologizes for making things awkward. He's more than surprised at her lighthearted response saying that she doesn't mind being called "Mom."
It's comforting to hear her say that, and her kindness and acceptance is something he cherishes. He sees his own mom in his friend, and it's almost as if he's been reunited with his deceased mother, just through a whole different person.
Despite the horrible first experience of calling his friend "Mom," Law feels relieved at having someone he can consider family, almost like he's filled a hole in his heart that he never knew he had. And with his friend's fondness toward the nickname, Law decides he'll call her "Mom" but only when the two are alone.
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Kid
Kid has never really prioritized making friends or building strong relationships with his family, but he does make one exception for a very special lady.
Sure, she tends to scold him for his reckless behavior and his unprecedented cruelty which gets on his nerves, but he can never bring himself to dislike her in any way. He's much too attached, and the pros of having her as a friend far outweigh the cons.
Her constant encouragement and support of his dreams are more than welcoming to Kid. And for that reason, he's sworn to protect her island and her family, often mentioning that she's the only person to ever get this kind of treatment from him and that she should feel lucky.
One day during a particular visit, Kid is spending his time catching up with his motherly friend, while Killer and a few others are playing with the grandchildren in the same room. Meanwhile, the kids keep calling for their mom to watch them do somersaults despite their mother being in the middle of a story.
She apologizes to Kid for the disruption and turns her attention to her grandchildren for a moment, praising them for their impressive skills before returning to Kid to continue her story.
As Kid was waiting for the mother to finish, he noticed a new picture frame hanging on the wall. Curious, he decides to ask her about it. And in the midst of the children chanting for their mom and Kid preparing to ask his question, he accidentally says, "Hey, Ma, what's-?" He barely manages to catch himself, and it's absolute torture for him.
His face is nearly as red as his hair, and he doesn't even know how to react. He can hear muffled chuckles from his crewmates with Killer trying to shush them. When that fails Killer shoos the children and small group of pirates outside, leaving Kid to pout alone with his friend.
Kid tries to tell her it was an accident and that she ought to forget about it if she knows what's good for her. They're nothing but empty threats, and his friend knows that. So instead, she gives his arm a comforting squeeze and tells him that she doesn't mind if he refers to her as "Ma" since she finds it fitting.
He tries to argue with her, but she uses her motherly skills to quiet his fussing and convinces him to calm down. He's still embarrassed, of course, yet he's now able to calmly ask her to never bring it up again since his crew is likely to poke fun at him later. And she agrees, much to his relief.
It's comforting to know that such a close friend is willing to consider herself family to him. In fact, he's delighted to hear her say that, but Kid feels that it's better if they remain friends. After all, it'd be hard on his friend and her grandchildren if someone they considered family never returned from the seas again. But hey, he now knows someone he can call "Ma."
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psychedelic-ink · 3 years
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This is my commission for @smol-fatale ! Sorry for the delay, I had to work on this a bit longer then I anticipated since the ones I wrote before never felt right :’) Thank you so much for commissioning me and letting me post it! I hope you enjoy this!
Pairings: Chiara (OC) x Sanji , Zoro x Sanji (established relationship) , Sanji x Chiara x Zoro (implied) 
Genre: Hurt/Comfort, Romance
Word count: 2.5k
Summary: After Chiara sacrifices herself and gets injured, Sanji is angry that she would put herself in harms way without thinking about the consequences. 
Commissions | Ko-Fi
Chiara gritted her teeth as her eyes darted between the marines who surrounded both her and Usopp. Honestly, they were just supposed to get a couple of supplies and return to the ship, it wasn’t supposed to be a life or death situation. Sure, maybe she was over exaggerating, this wasn’t the first time they were surrounded by marines but the amount of the soldiers just seemed to be unend this time. How long were they supposed to fight these fools? 
Quickly her gaze went from the soldiers and to Usopp, she could tell that he was thinking the same thing as her. The sniper sighed and pulled down his goggles. He shot a quick glance at her. 
“Let’s try to make an opening,” he said as he pulled out his trusty slingshot. “And run for it when we do.” 
“Aye aye.” 
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Chiara groaned as she felt herself being laid on a bed. By the smells alone she could tell that she was in the sick bay. Feeling two hooves holsting her shirt up, Chiara tried to remember what had happened. The last thing she remembered was fighting a shit ton of marines with Usopp, then...a bullet shot, but it wasn’t aimed at ther it was aimed at the sniper. 
“What happened, Usopp?” Chopper’s worried voice reached her ears. 
“W-We…” he stuttered, sounding equally distraught. “We were fighting marines, I don’t know how they found us but there were so many of them...one of them fired and she pushed me out of the way.” 
“Did she get cut anywhere, do you know?” 
“It should be just the bullet wound.” 
Oh, so that’s what happened. 
“Alright, you can leave Usopp, I’ll let you guys know when I’m done.” 
Chiara felt Chopper put something plastic over her nose and mouth, her eyes fluttered as she was lulled into a deep slumber. 
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When Chiara came to her senses, her whole body ached. Tongue sticking to the roof of her mouth, her eyes darted to the bedside table in hopes to find a glass of water. But in addition to finding a pitcher full of crystal clear water, she also found Sanji sitting next to her. He hadn’t noticed that she was awake, his eyes were glued to the side and he was shaking his leg furiously. He bit his bottom lip and Chiata recognized the signs of withdrawal. Has he been here long enough to crave a smoke so bad? 
“Oh you’re awake.” 
Sanji noticed her gaze on the pitcher and quickly filled her a glass of water, he helped her straighten up and placed the glass on her chapped lips. Normally, she would’ve just snatched the glass away from him and done it herself, but her arms felt too weak to actually do such a thing. 
The water was soothing as it went down her throat, with big gulps Chiara finished the glass in seconds. Sanji placed the glass back on the table and held the pitcher. 
“Do you want another glass?” 
“No,thanks.” 
Sanji removed his hand from the pitcher and started to tweak at the ends of his shirt. Chiara could sense something was off, but to be honest something always was off when the two of them were alone. She could tell there was something bothering him, something that he itched to just say. 
“How are you feeling?” he asked instead. 
“Better.” she replied simply. 
“Good.” 
“Just spit it out Sanji.” 
This seemed to take him by surprise. His only visible brow was raised as his eyes widened. The cook sighed and leaned back into the chair, scratching the back of his head, he stared at the ceiling. 
“Why did you jump in front of a bullet?” 
Chiara, her eyebrow raised with visible confusion, shot him a puzzled look. Sanji was unaware of this as he continued to stare at the ceiling, his leg still bobbing up and down. 
“I didn’t jump in front of it just for the fun of it you know,” she replied, slightly agitated. “If I hadn’t done that Usopp would’ve gotten shot.” 
“How is it better if you get shot?” 
Sanji had lowered his gaze back to her. Her eyes were cold and pierced through her. She started to sweat and her pulse quickened. Chiara was surprised that her body reacted so strongly towards a look, especially a look that Sanji gave her. She swallowed. Her mind scanned along all the things she could reply with and none of them felt like something the cook would be happy to hear and none of them held any consolation. But lucky her, Sanji continued to talk. 
“You shouldn't just sacrifice yourself like that,” his voice now raised a bit. “Usopp’s body can handle it, you’re a wo—” 
“You gotta be kidding me,” Chiara cut him off before he could finish. “I am so sorry Sanji,” she snapped rolling her tongue. “I’m not going to let one of my crewmates get shot instead of me because I’m a “woman”.” 
“You could’ve died!” he snapped back, his brow visibly twitching with anger. 
“Usopp could’ve died too!”  
“He should’ve been protecting you, not the other way around!” 
“What do you care, just leave me alone.” 
Chiara’s voice had grown eerily low, almost like a whisper. She sounded cold and her words were like weapons. Sanji had visibly stepped back with that, his leg finally stilling as he got up. He didn’t look at her, turning around, his heart felt heavy in his chest. 
“Fine, get well soon.” 
Chiara let her head fall back against the wall, staring at the sealing, tears stung the corner of her eyes. Why did he have to make everything so complicated for her? She was confused, confused as to why she felt so hurt, so angry. Whenever they were alone she ended up feeling so undeniably naked and bare in front of him. She had no right to feel this way and she certainly had no right to make Sanji feel like that as well. 
The door closed and she let out a long sigh. 
When was everything going to stop being so complicated? 
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After the incident everything was pretty much normal except for Chiara’s and Sanji’s relationship. Their friendship was already on thin ice but after their discourse it seemed like even that fell under water. They never talked, only if they had to, no one really seemed to notice but Chiara’s mental state was suffering. Despite being angry at the cook’s misogynistic words that she should be protected just because she was a “woman”, she did miss talking to him. 
Sanji had seemed to crawl into a shell as well, he seemed more dependent on Zoro. Sure, he would still flatter the females of the ship with countless desserts and sweet words but something was off in the way he did it. Chiara saw the two men fade into the back of the ship and converse for what seemed to take hours. Chiara was curious but then again she couldn’t really say anything. But the fact that she could so clearly feel Sanji’s distraught made her feel even worse. 
The days continued to go on like this, Sanji avoiding any kind of contact with her and her doing the same, only looking at him when his back was turned or during combat. He didn’t seem to notice any of it. It seemed like he was only focused on not bothering her in any way. 
And now Chiara sat among Nami’s tangerine trees, listening to the leaves rustled and taking in deep breaths of the citrus smell. She was trying to clear her mind, if such a thing was possible, and maybe try to figure out a way to fix everything. 
“Hey,” 
Chiara jolted and turned her head towards the voice. Zoro appeared between the leaves, he had a gentle smile on his face as he stared down at her. Chiara pulled her knees close to her chest and averted her eyes with a pout. She heard Zoro sigh and sit down next to her, cross legged. 
“You can avoid the cook forever you know?” he said and she could feel his gaze staring into her soul. 
“I know that,” Chiara mumbled. “I just don’t know how to talk to him, he makes me so angry.” 
“I get that, he pisses me off too.” 
Chiara shifted her gaze to Zoro, she was curious as to why Zoro was actually here, talking to her. To be honest Chiara always admired the swordsman and always felt some sort of closeness, she couldn’t quite name it and opted to call it an admiration of strength and level headedness. 
“He was really worried about you,” he continued, locking his dark eyes with hers. “I don’t agree with what he said, but believe me that he wasn’t trying to upset you.” 
“Well yeah I know that much,” she said, rolling her eyes. “But does his intentions really excuse his weird ass behaviors?” 
Zoro chuckled, “Well...no but you two could at least talk about it. You two might seem opposite from each other but you’re more similar to him than you think.” 
“Is that so?” 
Chiara’s mind faded into her own thoughts. It didn’t seem like Zoro was going to elaborate on what similarities they had. Maybe he wanted her to figure it out on her own? Or maybe he just wanted her to talk it out with Sanji. Chiara didn’t quite know how that conversation would go but then again she trusted Zoro and his views. If Sanji was bothered about the situation enough that Zoro felt like he had to intervene, the situation really must be dire. 
But then again she really wouldn’t know what to say so she decided to be straightforward. 
“What should I say to him?” 
Zoro thought for a bit as he looked off into the distance, then shrugged. 
“Just be honest.” 
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A week had passed since her conversation with Zoro. Chiara really wanted to talk with him but her overthinking and the fact that Sanji was avoiding her, as kindly as he could, made it difficult for her to catch him alone. 
Finally as a last resort she decided to ambush him while it was his turn to be on the lookout. She climbed up the crows nest as silently as she could, and gently creaked the door open. Chiara couldn’t help but smile when she saw Sanji looking out with a soft blanket around his broad shoulders. 
He flinched at the sound and turned around, Chiara couldn’t tell if he was relaxed or nervous to see her. 
“Hey,” she began, closing the door after her. “Whatcha doing?” 
Sanji gifted his gaze back to the window and continued to watch the horizon. 
“Lookout.” he said nonchalantly. “You?” 
“I…” Chiara quickly made her way and sat down next to him. Sanji stiffened but didn’t oppose to the fact that their shoulders were touching. “I wanted to talk.” 
“About what?” 
“Us.” 
That seemed to snap Sanji out of his trance. He looked at her, wide eyed and his eyes quickly scanned her features as he tried to understand if she was serious or not. His over the top reaction made Chiara sight and contemplate whether Sanji was ready or not to have such a conversation. Her eyes fixated on the floor she attempted to get up. 
“You know what, never mi—!” 
Before she could fully stand up, however, a strong grip took a hold of her wrist and pulled her back down. Chiara let out a groan as she fell back to the ground right next to Sanji, he was looking at her with a piercing gaze, seeming much more calm than before. 
“What did you want to talk about?” 
Sanji let go of her wrist and Chiara took in a sharp breath, startled. She pulled her knees up to her chest and directed her gaze towards the sea. 
“I think we’ve been misunderstanding each other and... I want to stop.” Sanji stood in silence, prompting her to go on. “It’s just… I hate it when you act as if I can’t be strong because I’m a woman but in reality I am strong and it pisses me off that you can’t see that-” 
Sanji cut her off, “I know you’re strong, it’s just… I was worried and hate it when you do stuff without giving a second thought of what might happen to you.” 
Chiara wasn’t ready to hear how Sanji’s voice trembled. Her eyes wide, they shifted back to him. The cook was staring directly at her with a pained expression. A knot forming in her throat, she swallowed. She wasn’t the type to think about herself when someone she cared for was in danger and she never thought that self sacrifice could so easily hurt another. 
“I…” 
Chiara was lost of words, gazing into each other's eyes, they inched closer without even knowing. The blanket that Sanji had laid across his shoulders pooled to the floor, the ship gently swayed them, she felt as if she was put into a trance. 
Then Chiara felt Sanji’s lips. 
It was soft, tender and full of love. Then Zoro’s words echoed in her jumbled up thoughts “just be honest” , the swordsman wasn’t talking about being honest with Sanji but to herself. She felt so afraid to be vulnerable in front of people, in front of them for the longest time. But truth be told, maybe she had fallen for two men instead of one. 
Sanji’s the one to break the kiss, his gaze immediately shifting to the floor. Chiara could read the traces of regret all over his face. 
“I’m sorry.” he quickly muttered, his fingers ghosting over his lips. “I wasn’t supposed to do that.” 
“It’s...okay,” she took in a shaky breath. “It was nice.” 
“Do...do you have a crush on me?” 
The question caught her a bit by surprise but she couldn’t help but smile at his shy tone. A hint of pink decorated his cheeks. 
“I do but...I’m a bit confused since it seems I might like Zoro as well.” 
“We actually talked about that.” 
Chiara shot Sanji a confused look, the cook was quick to explain what they had been discussing with the swordsman and apparently they had been discussing it for a while. Zoro liked her too but wanted both Sanji and her to work it out before they proposed anything. Chiara was both happy and worried. She didn’t want to disturb their already established relationship and...to be frank she felt like she was a mess. Way too much to deal with. 
“I don’t want to come in between you two,” she voiced out her thoughts. “I don’t want to disturb anything.” 
“You won’t.” Sanji replied, quickly. “We both care for you Chiara. Both of us and you care about both me and Zoro right?” 
“Y-Yeah.” 
Sanji pulled her into an embrace, he placed a soft kiss on her cheek. 
“You don’t have to answer right now, we can talk to Zoro before you decide anything.” 
Chiara nodded, happy that she could talk to both of them. After weeks of silence from Sanji, they were finally talking again. Realized that there was something more to share then friendship. 
Chiara was excited of what the future held. 
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beanghostprincess · 3 months
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You know, I was thinking a bit about the monster trio and how they all respect food a lot. And it got me thinking about their respective reasons to.
Sanji started resoecting it after being stranded and starving for 6 months, he knew how it felt to be hungry and he doesn't want anyone else to feel like this again. You also got the fact that he is a cook so of course he respects food.
Zoro I am not really sure since I don't remember any specific incident in his life, but its probably due to the strict discipline and culture he was raised in. After all he got raised with Wano costums and Wano is inspired by east asia, mainly Japan. And I might get it wrong but there is some kind of occurence where its rude to not finish your food, and its considered preciois.
Luffy has his whole thing that he just loves to eat and its mostly a gag but I dug in more deeply and...
Did Garp use to fucking starve that child?
I mean, its mostly an assumption, but when Luffy first went to Dadan's place to live she only gave him a bowl of rice and a cup of water and told him he had to work for his food. She excpected him to cry but he just went "Ok. Better than my grandad treats me".
Did Garp just fed Luffy if he completed his trainings (that involved him doing near death experience as a <7 years old CHILD) and/or only made him eat what he hunted? Is that what it is? This whole gag, of Luffy being a glutton, cherishing every piece if food he eats DEFEATING THE WORLD'S STRONGEST CREATURE, FOR A BOWL OF RICE comes from the fact that, as a child, food was quite literally just a rewards, and to him food = freedom, and he loves freedom?
Garp, I swear to Nika-
I've always loved the way OP treats food. Not gonna go full analysis on that because I'm pretty sure one already exists, but Oda keeps wanting to put food/eating in a good light. Food means life and happiness and whenever there's an important scene going on, somebody's eating. It's beautiful. It's surprisingly one of the main traits of Luffy's character. I find it beautiful how the manga keeps showing that food brings happiness and fulfillment. That everybody deserves to eat and that it could never be a bad thing.
We know already why Sanji respects food so much so there's no need to explain it. But you know. Starvation? The way his mom kept hyping up his passion for cooking? His whole character revolves around food and how nobody deserves to starve. Eating shouldn't be a privilege but most of the time it is and people should be thankful they're able to enjoy their delicious meals. So he doesn't waste food because he sees it as a life and happiness source that not most people have access to and it shouldn't be wasted.
Zoro's views are really respectful when it comes to everything. Traditions and rules? Zoro respects that. He's the one who knows the most about pirate language and tradition, so of course he's gonna respect Sanji's views on food. But it isn't just because of that because he already respected food way before joining the crew. It comes from his views on life. Food is necessary for people to live and he respects death a lot (ever since what happened to Kuina) and mortality is something real and present to him constantly. He respects food the way he respects death and life and mortality.
And Luffy... I'd say yes, perhaps it does have something to do with how Garp raised him. It makes sense although I've never actually thought about it that way. But it does look like he has always had to fight for food. But he doesn't only see food as something to fight for because Makino also prepared meals for him. I think the whole point about Luffy and food is freedom (I mean, obviously. God of the Sun and Freedom. We know how it goes). Eating is something necessary to live, but Luffy doesn't see it as a threat. It isn't "Eat or Die" for him. For him, he chooses to eat because food is good for his body and it's delicious, and eating out of pleasure and not just hunger is also part of his character. He's a man who's always starving but for more experiences and tastes and freedom, and he takes food without hesitating once because you shouldn't apologize never, ever for eating.
While Sanji sees food as something he can do for others (he's always starving and making food for everybody else because he's selfless like that and the show wants you to see it), Zoro respects food the same way he respects mortality because it's something necessary to live, and Luffy loves food because it's... Because it's just good, you know? Maybe it isn't that deep. Maybe he eats because he wants to and that's okay. He unapologetically eats and he's selfish about it and that's how it should be.
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kenbunshokus · 4 years
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this is a (super late) update to this fic rec post! i was planning to just keep editing and updating that post, but it’s been so old it no longer appears on tumblr search system and all, so here we are. be ready for some old school zosans in the mix
all complete
absolute favorites will be noted with a ♡
list will be updated as i find more
story count: 30 fics
last update: jan 5th 2020
CANON-VERSE
Goings On by clarify  ♡
Zoro and Sanji understand each other, and sometimes have a very similar sense of humor. Even though they're worlds ahead of most, sometimes they can't help but to act their age.
easily one of my favorites. zoro and sanji are completely in character, being themselves and comfortable in each other’s spaces. for anyone who thinks zoro and sanji can’t get along in canon, this fic can easily prove them wrong.
Part Timer by 8ball ♡♡
Sanji really, really doesn't want to give Zoro a job at his restaurant. Zoro doesn't really even want to work there in the first place, but, well, there’s this thing with Sanji, and this thing with feelings and the whole thing is pretty damn stupid all together.
Zeff just wants grandkids. He’s too old for this bullshit anyways.
a wonderful, heart-wrenching, roller coaster ride of a post-series fic. this fic is not just a mere fic — it’s a zosan magnum opus with guest appearances by so many other characters, lots of crew hijinks and a must-read for everyone who craves for a happy ending for these good boys.
Say It Again by 8ball
Zoro tells Sanji how he feels. And then again. And again. 
since we’re talking about 8ball i just want you to know i’d rec everything they’ve ever written, but special mention to say it again — a classic miscommunication trope fic done well where the miscommunication stems from fundamental misunderstanding of each other’s principles and views instead of just some plot-convenient coincidences. and soft zoro. god, he is soft.
The Wedding Night by cuethe-pulse (lj)
Zoro had never expected any of this.
major character death warning. don’t let the first few scenes fool you. note the warning; the last few lines were like a punch in the gut for me, except, you know, the good kind of punch. also, a quick rec of a drabble by the same author to soothe the pain after this one.
Roronoa Zoro: World’s Greatest Bug Killer by insaneidiot ♡
Sometimes, Zoro's life really sucks. He should've known better than to make fun of Sanji's bug phobia, though...
zoro’s internal monologue is hilarious  — until today, this author is still my go-to expert on zoro’s voice, especially his more sarcastic side.
Quitting’s Easy by insaneidiot
Sanji decides to quit smoking. This is not quite so easy as he thinks it will be. Also, his crewmates (excluding Robin and Nami, of course!) are assholes.
fun, fun strawhat hijinks and oblivious sanji. the crew dynamics and especially sanji’s voice are pitch perfect. there’s a hint of luffy/nami that you can easily scroll past if it’s not your thing.
I can’t stop thinking that i can’t stop thinking by hieiandshino ♡
In which Brook changes tactics and Zoro is not amused. Everyone else is, though.
holy shit is this fic hilarious. i love comedy fics that manage to slip in thoughtful observations and character study in between the hijinks, and this fic pulls that off with flying colors. 
The Walls See All by threesipsmore
Reiju hides a snail cam in her brother's room.
fun short fic from reiju’s pov. there’s never enough zosan set in whole cake island arc and this fic delivers.
Stormbird by Judin ♡
The Straw Hats' first landing in the New World is on Arashi Island, where it looks like they'll be spending a fun week attending the local festival and making new friends. Until they spot a strange pirate ship in the harbour, and Sanji starts behaving oddly. The Straw Hats become entangled with the mysterious Gently Pirates, a crew that harbour many secrets, and whose captain is a man out of Sanji's past who has the power to tear the Straw Hat crew apart. 
it cannot be overstated how wonderful this fic is, and how it could’ve fit into the canon just nicely, like a better-written one piece movie, except with zosan. not only are sanji and zoro in character, every strawhat gets a spotlight and has pitch-perfect voices. brook is especially lovely in this fic.
Unintended Consequence by itsmylifekay
A group of marines charge, Zoro slices through them, and in that instant Sanji feels his own eyes grow wide. Because there, on the arm now outstretched towards him, steel glinting in hand, is the stupid bracelet he’d given Zoro. The bastard is actually wearing it.
there’s a reason this is the most kudo-ed zosan fic on ao3 right now — it’s so soft without being ooc, and there’s a quiet undercurrent of affection laid throughout the fic that will warm you up from the insides.
Somewhere Between Sorrow and Bliss by srididdledeedee
Sanji has never cared for winter.
He can see himself, is the thing. There are bits and pieces that poke through, but it’s not all him. It’s like staring in a fractured mirror. He knows, intellectually, that the person staring back at him is himself, but his face is splintered and his shape is distorted and his body is wrong.
a fantastic character study on trans!sanji and how he comes to terms with his identity with the help of his crewmates. supportive strawhats are always a lovely addition to a zosan fic
Give In To Love by libbylune
Zoro knows better than to think about it too much, but between the rowdy festivals and ancient unexplained temples on this island, it's hard to forget about wanting Sanji.
i love how this fic puts as much focus on the boys after the confession as it does before the confession. a good case fic with its own unique island adventure and i’m always a sucker for soft!zoro
Laundry by libbylune
Dealing with Sanji makes Zoro develop a lot of opinions about clothes.
there’s absolutely nothing hotter than bi!sanji who’s completely comfortable with his gender identity and sexuality. also gay disaster zoro fumbling his words whenever sanji is around is 1) accurate 2) hilarious.
Language of Swords by HaveMyWeedCookies ♡
It took them for a while but finally, Zoro asked if Sanji wanted to hold his sword.
i love fics that explore zoro’s relationship with his craft and his swords, and adding zosan into the mix is something i didn’t know i needed. an interesting outsiders pov zosan in the pov of zoro’s swords.
Ghost of a Chance by sabershadowkat
“I know, for sure, that I didn’t expect to miss everyone so much, including you.” Sanji cut a glance at Zoro and rephrased correctly, “Especially you.”
this fic handles tropes that are usually associated with character death fics, but manages to end it with a happy ending. zoro’s devotion here is heart-wrenching.
Idiot Romance by sabershadowkat
"This has to be a joke," Sanji muttered, poking at the colored petals. Zoro couldn't have just given him flowers.
a classic  — this is literally the first zosan fic i’ve ever read — and a lovely one at that. sanji is oblivious and zoro attempts romance, not that zoro ever needed to.
festival night by thisislegit
“ANOTHER FEAT BY THE WORLD’S STRONGEST MAN, JORIRI.” The woman turned to Mr. Mohawk and with faux sympathy said, “Oh! Sorry, sir. Maybe next time. We can’t always beat the best, but we can do our best and that’s what matters. Do we have any other takers? ANY OTHER TAKERS READY FOR THE STRONG MAN CHALLENGE? HOW ABOUT YOU SIR? MADAM? YOU OVER THERE? ARE YOU INTERESTED?”
“What kind of shit name is Joriri,” said Zoro and Sanji in unison.
i’m an absolute sucker for fics that have zoro and sanji simply hanging out and enjoying each other’s company, comfortable in a way they couldn’t with their other crewmates, and this fic exemplifies that. just them being little shits and having fun with one another.
No Victory in Hesitation & the Past Has Its Lessons by EudaimonErisornae & vageege
Zoro has a lot of things he wants to say to Sanji, but he just needs one more day. || Zoro tries to fix a mistake he made in the past.
major character death warning. i died a little bit inside after reading this tbh. there are some devil fruits-explained time travel hijinks, but mostly it’s this looming, grim inevitability of death that’s written so pervasively throughout the fic that really got me.
Imperatives by dollcewrites
Zoro is confident in saying that Sanji is a man who doesn’t do what he’s told. Which is why, when a command accidentally slips from Zoro’s lips during foreplay, he is expecting to hear the cook’s scoff as he continues to do what he pleases.
i don’t tend to do pwp, but this isn’t just one — it’s a completely in-character piece about their relationship and dynamics.
when you say by bluewalk ♡
It's a long time in coming. Usopp can promise, but.
this fic is as much sanuso as it is zosan, and usopp here is — still very much usopp, but also a very beautiful take on his character as someone who spent a lot of time behind sanji’s back, and realizes that when he watches sanji’s back, he gets to see zoro’s, too.
a complete guide to falling in love by ThousandSunny
Sanji was trained in the Bridal Arts; this does not go unnoticed by the rest of his crew.
while the main ship is still zosan, the fic also focuses a lot on zoro and sanji’s relationship with the rest of the crew, and it’s one of those fics that really makes you realize how much of a family the strawhats is. a lovely read all around.
destructivity is a poison that run through our veins by wasteofmind
Zoro thinks that, someday, they are going to kill each other.
a dysfunctional take of their relationship. it’s fascinating in the same way a car crash is fascinating  — there’s an undercurrent of something violent, something visceral. this is one of the fics that inspired me to write migratory animals.
ALTERNATE UNIVERSE
Ocean’s Child by 8ball  ♡
Here's the truth: Zoro couldn't swim. He fell in the water and sank like a stone because there had never been anyone to teach him how to move his arms. He forgot that if he screamed for help the water would get in his mouth, and he even opening his eyes hurt.
Here’s the other truth, the one that stays a secret: a mermaid saved him.
a fascinating retelling of the one piece canon with mermaid!sanji. it feels a lot like a love letter to the seas, and it’s mesmerizing how sanji’s mermaid backstory is seamlessly weaved into the one piece canon.
with you by Cirro
How to find your life partner in three easy steps: 1. Punch them in the face 2. Insult their cognitive abilities 3. Embarrass them so much they agree to marry you
a wholesome two-part modern au series. my personal favorite is the second part, where sanji brings zoro home to meet zeff — complete with the two of them teasing sanji in their own ways.
The Proper Reaction (or What To Do When Your Son Brings His Boyfriend Home by three_days_late
Holidays at the Baratie were always hectic, but it's nothing Zeff can't handle. Sanji's new boyfriend, on the other hand...
on the topic of meet-the-family: the only thing more fun than zoro meeting zeff is zoro meeting zeff and the entirety of baratie staff. also includes one of my favorite line about bi!sanji: “sanji loves nice girls and bad boys”.
Exclusive by cuethe-pulse
Zoro loves Sanji, Sanji loves Zoro. Zoro wants to be exclusive, so Sanji should, too. Right?
this is a circus/bakery au. yes, you read that right, and yes, it works. i went into this fic with a lot of doubts and came out very satisfied with how fleshed out everyone in this au is, and i’m forever in awe with how the author can set up an entirely separate, vivid universe with so few words.
Delivery by styx_in_the_mud
Sanji is stuck delivering pizzas when Patty is out of commission for a while. Zoro likes to order pizza after training. Both of them are sort of idiots, but Zoro can be smooth as fuck if he puts his mind to it.
a fun, in-character au with good ol’ banter and cute get-together.
The End of It All by xpiester333xx
Humans have been forced underground due to the effects of a chemical weapon that has made surface life impossible. Sanji lives in one of these underground colonies and though he dreams of bigger things his life has been mundane; spent following strict rules and obeying higher commands. Or it was, until a stranger shows up and changes everything.
the author labelled it as sci-fi au, but I personally think it’s more dystopian-like? either way, while this fic is on the long side, it manages to keep everyone in character until the very end, which is something that can’t be said for a lot of fics.
well, there we go! feel free to drop me an ask if you want to rec me fics or ask for a more specific/themed rec list; i’ll also update this post regularly !!
i also have an ao3 donutsandcoffee if you want to see my take on these dorks o/
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where-s-all-blue · 4 years
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Okay so I've entered the Alabasta Arc now (I am actually pretty close to the climax in my rererewatch) so here's some thoughts:
Reverse Mountain:
I personally adored the mishaps the crew has on their way to the GrandLine, and the entire reverse mountain is very intriguing to me to this day. One day, I'll figure out just how on earth that thing works.
Laboon's story, tear jerking, absolutely devastating. Luffy being able to talk sense into a WHALE tells all you need about his ability to befriend beings. He also was the first one to hear Laboon, foreshadow for his later on found ability to Hear All Things or Haki?
Whiskey Peaks:
Ahh the time Vivi tried to be a villain. And Mister 9 is an absolute sweetheart. Honestly they made a pretty good team even if neither of them actually knew how fighting works. Personally I would've loved to see more of them, Mister 9 and Miss Monday seemed like interesting characters.
I keep forgetting about Zoro having supersonic speed in these, I kind of miss him just disappearing only to reappear right in middle of the group to mock their reaction of looking at the place he just was sitting on. The speed of him and his ability to momentarily cut through things he later on can't pretty much just tells you that he does have it in him, but it just isn't conscious thing yet. Also unconscious usage of haki spotted?
Vivi being The Vivi Nefertari is one of the more interesting and intense sequences in the pre-timeskip era, even if it takes less time than for example the Arlong Park does and shows just how devastatingly strong both Luffy and Zoro are. I can't believe that these idiots would retort to a fist fight mid battle.
Mister 5's ability is very unhygienic and I'd like to drown him in sanitizer, Miss Valentine needs to be silenced forever, her laughter creeps me out and she honestly doesn't add any value into the conversation. This is a duo I'd like to murder slowly.
Igram blowing up still gets me, the reactions of the characters, the devastated facial expression of Vivi, the sound design, the shocked looks, it's just so well executed.
Vivi's reaction of mixed feelings regarding Miss All Sunday/Robin, albeit just, is very confusing for me. I remember when I met her the first time and all I could think of was "She's a nice person" just based on her facial expression and the words she used.
I forgot that Luffy broke the eternal log pose Robin gave them. Not because he didn't trust her but because the choice Vivi would've been forced to make after the shock of loosing Igram would've been too much. Also because he didn't want anyone to dictate HOW they get there, he's the captain and as such it's his job to make the final decision, he also appears to have been convinced that this way Vivi would be safe.
Little Garden:
Aah, Little Garden, the island I'd simultaneously love and hate. Love because dinosaurs, hate because loud and probably insects large enough to use me as a quick caffeine filled pick-me-up. I might have a problem.
The fact that I can understand the thought process of these giants concerns me greatly. Is this the power of the Monkey Brain?
Mister 3 would be an amazing character if only we could see his self proclaimed genius in action and hear him go through plans etc. I feel like he's just trying to compensate on his lack of battlefield knowledge and experience. Miss Golden Week is highkey a mood and I love her. I, too, want to paint whatever I want and get paid for it.
Zoro actually started to hack through his own leg because he wanted to fight so badly, what a mad lad. Usopp honestly is flexing with his quick thinking and reflexes here. We love that for him. Go you funky little sniper.
Luffy might've used observation haki instinctively in the Mister 3 crowd.
Sanji managing to outright fool Crocodile to believe that he is Mister 3 indicates that Crocodile has never heard the voices of his underlings before and just assuming that the man who answered is Mister 3. The two also apparently have similar sense of humour. That Crocodile is aware of based on what Robin has told him.
Sanji both taking down the Unluckies without any hesitation nor stopping to think about where they came from really tells volumes about him. He also apparently lied so convincingly that Crocodile was 100% sure that it was Mister 3 fighting Luffy and not a chef beating up his long distance murder pets.
Nami was bitten by a bug, which was the carrier of a rare, nearly dead disease. Based on the amount of time one would usually need to wait for the sickness to develop, I'd say that they were about a week on the ocean before Nami developed the fever.
None of the crew members, Vivi included, thought about doing a full body check on her to see if there were any other symptoms than fever, ie her body actively fighting against the infection/sickness. Also her sickness isn't apparently something that spreads, so it's very unlikely for it to be virus based or spread similar to flu.
Drum Island/Sakura Kingdom:
Nami is capable of sensing the weather, and act upon her feelings, under 40C fever. If I have any level of fever, I am rendered near vegetative state until my fever either goes down or raises past certain level. What I'm saying is that Nami is some sort of Goddess or superhero because of being able to do anything with that fever.
Vivi needing to think about whether or not she can afford waiting extra days for being taken to Alabasta or to change the course to find a doctor is one of the stupidest things ever especially since the person who is sick with such a high fever happens to be the navigator.
Warm welcome by residents is warm. And by warm I mean freezingly cold. I can't believe that Luffy thought about yelling to the person before Vivi bowed her head prompting Luffy to do the same (though heavily "encouraged" by Vivi). Vivi saying that Luffy isn't fit to be the captain reflects very strongly her own views and beliefs, but she keeps forgetting something very simple, yet important. Background. She has no idea about Luffy's past nor how he grew up, she hasn't been long enough with the crew to be able to tell just why people follow Luffy, nor is she aware of how he communicates with people. She doesn't realise that when it comes to Luffy, humility isn't a word to describe him with nor that he would be able to set his own pride aside just yet, Luffy is a 17 year old, a mere child, who has just set out on the sea few months ago, who only knows the harshness of the world, where to survive, you must take things with force or be aggressive. She also isn't familiar with Luffy's way of helping others and going all in no matter the situation.
It's interesting to see how from the time Vivi is with them, Luffy is clearly paying attention to how she does things and how she presents herself, the mannerisms and the likes. It's not as clear idolisation and wish for being equal/better than someone as it was with Katakuri's use of haki, but he is striving to learn. If not because he acknowledges how important manners and humility are, but because it makes things easier on certain places. He especially starts to pay more attention to it once Ace joins them.
By the way the sickness Nami is struck with? It's most likely the same as the one that cost the life of Captain Yorkie of the Rumbar Pirates. After all, the ship doctor couldn't heal it, he didn't know how to, he could only prolong his death for a little while, few days max.
Chopper is a joy to have around and I'd physically fight Doctor Kureha at first sight because WOMAN! YOU'RE NOT SUPPOSED TO BE ATTACKING YOUR PATIENTS JUST BECAUSE THEY GOT OUT OF THE BED! What if they need to use the restroom. I don't care if you're a youthful 139 year old lady, you can't just do that. Also how the hell are you still able to move that well? Most people I see start to slowly loose their mobility at 60 as their joints are starting to wear out causing pain and their muscle mass is lowering due to the inability to move as much as during their prime.
I am surprised that a reindeer even cares about something like a blue nose. The devilfruit thing? Yeah sure, but not the blue nose. These local reindeer are dicks with human level of obsession to look like the "norm". News flash, there is no default anything. Your appearances are purely dictated by a set of genes that decide to either activate or deactivate as they please without any warning and genes can skip multiple generations. That's why I apparently look identical to my great grandmother.
Nami is kind towards other women and animals. Men not so much, my assumption is that she is carrying a trauma from the Arlong time that she hasn't yet processed and as such she is even now a bit guarded against the rest of the crew.
Hiriluk's character is closer to that of a mad scientist or a very enthusiastic chemist who keeps forgetting that people aren't test subjects. His curiosity and and enthusiasm are something to strive for even if his methods are questionable, all he does want is to bring people sense of hope, wonder and awe. Though I can't help but to wonder about his story. The thief (him) having a serious incurable heart condition and seeing cherry blossoms that cured him. A metaphor for his past self being relentless and uncaring while thieving, but the indescribable beauty of the scenery he saw changed his heart to be more generous and kind?
Hiriluk's death is one of the most important ones in the series if you ask me, it defined Chopper and who he became; Doctor hoping to be capable of curing any disease there is.
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monkeydluffy19920 · 5 years
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Respond: Is Sanji a pervert?
In reference to/inspired by [x] @cruising-on-pirate-dreams
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It’s always been an interesting topic to see how people interpret Sanji’s character, in general. Usually, if he is not liked in fandom, he is seen as a hardcore pervert who thinks nothing more than that and all the arguments are based on his will to peep women and his nose bleedings. Then, there are other thoughts, that consider that his ero- kappa side is partly an exaggerated gag made by Oda-sensei.
Ever since the beginning, it's been fun to ponder the reasons behind the characters’ behavior and Sanji is not an exception. Actually, he was one of the characters I didn’t completely like in the beginning, because back then, during the elementary school, it was hard to understand why would someone fall in love with (almost) every lady they meet. Then slowly his characteristic started to open more to my blind eyes and the more I saw the soft side of Sanji and how much he puts effort on his friends, the more reasonable it was to see why he is so popular among fans. It seems like the hate he gets is mostly because people pay attention to his lust-side and examine it only from one point of view.
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There was a very interesting analyze written by @cruising-on-pirate-dreams about Sanji’s personality and tendency to be called pervert. In comparison, the fellow fan used Absalom and there were good points to be lifted up:
Absalom without a shame used his devil fruit skills to lurk on both Nami and Robin and never gave a rat’s eye whether Nami or Robin liked his forceful style to approach them. Both of them were clear objects to him that he licked and touched without permission, he even said openly that he likes Nami more because she is weaker in his eyes and later he kidnapped her and made her unconscious so he could marry her by force.
Sanji has a tendency to put himself into the submissive position, especially when it comes down to interacting with women. Yes, of course, he has this “I need lady~!”-kind of side but it’s remarkable how the more familiar/closer the woman is, the more submissive he actually is, in other words, he never puts himself above the ladies, especially when it comes down to interacting with Nami and Robin.
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Before the Whole Cake Island arc was published, I’ve written in Reasons to love Mugiwaras - Sanji - post that I actually do believe that despite the reputation and what he gives out of himself in public (being tough and ladies man), deep inside he is actually very broken and vulnerable and once more of his past was revealed after the time skip, the more sense all the headcanons and speculations started to become logical.
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The flashbacks in the Baratie arc showed that he was on edge of dying after the shipwreck which gave a little pieces of information about him but after the Germa66 and Sanji’s links into it were revealed, it was even more clear that he indeed had a terrible and traumatic childhood and suffered from great amounts neglection and abuse by his biological family until he escaped. The new supplement/update of the background story finally gave a further and more detailed explanation of why Sanji doesn’t see self-worth in himself and always puts others in front of him. He has put himself under the target line for his nakamas many times without caring how his own life and his dreams of finding All Blue would be thrown into waste if the worst-case scenario happened.
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Thankfully, there was someone from the family standing by his side and therefore Sanji grew very close to his mother. Unfortunately, she passed away early due to the illness (that actually protected Sanji to become an emotionless killing machine like his brothers) and then he was again left all alone in his personal hell.  Sora’s death might’ve left a certain gap in his heart. Perhaps the reason he treats women kindly (especially the ones he really adores) has roots in Sora’s way to support Sanji and maybe inside his core, he decided to continue sharing her mother’s legacy of kindness. He might appear like a tough guy who swears like a sailor but only the fact that he has saved an enemy from starvation tells that Sanji truly has a heart of gold, just like Sora.
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It’s highly likely that behind the scenes and below the surface,  Sanji could be actually looking for similar acceptance and unconditional love he got from his mother. But why then do all that ero-kappa stuff and womanizing when being around women? Mainly I still believe that it’s a continuous character gag just like Zoro’s poor sense of direction or Nami’s greediness but somehow it feels that there might be logical reasons behind this behavior.
Of course, it’s easy to interpret and only think that he is just a lustful pervert from the fact that his locker is full of girl magazines and that especially during the crew’s reunion after the time skip when it felt like Sanji couldn’t control himself with his nose bleedings.
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However, if one takes a look to past 20 years One Piece has existed, it’s remarkable to see how much Sanji actually does pay respect to women, especially towards his crewmates. He doesn’t only give compliments on their appearance (i.e how cute they look) or use polite suffixes (”chan” and “san”) while communicating with them, he also praises openly and sincerely their skills and how strong they are. So, it’s obvious that Sanji definitely sees more than just their bodies.
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Then to body swap, what @cruising-on-pirate-dreams wrote as well in another post. It’s easy to be seen that Sanji was happy that Law happened to swap his and Nami’s bodies and yes, he took peeks and adored the body features. However, because of this ero kappa-gag, one perspective is easily being left out of the spotlights (if readers didn’t pay enough attention): He did take good care of Nami’s body and he was aware how his actions can affect on her body and reflected on them many times. He smoked in her body but felt bad for doing that. Now it could be easily argued: “If he cares about Nami, why did he smoke in the first place?” but the answer is simple, he is a chain smoker and besides, Nami herself did give him the permission and the cigarettes in Punk Hazard.
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Well, despite Nami’s warnings, he did take her jacket away when she wasn’t looking but he had a good reason (Kinemon’s torso was underwater and he happened to be the best swimmer out of the options) and besides, he apologized, just like he apologized for harming her lungs with his cigarettes. He also kept constantly worrying whether the diving would be too much for Nami’s body under the circumstances.
So, if Sanji really does only see Nami as a sexual object he wouldn't have feel an urge to apologize for things he did when their bodies were swapped. If she’d only matter to him for lustful reasons and for good looks, he could have taken the advantange on her by taking everything away and do more exploring (if he was alone) but he didn’t because obviously, they were busy solving the mess Caesar made but mostly, (putting aside the comedy-reasons) he knows that going further would have been way too disrespectful and would have violated their nakamaship (and would be against the fact that he has protected her purity back in Thriller Bark and tried to avoid to stain her) especially if he later got caught somehow and it would anyway make no sense if he wanted to hurt her in any way intentionally. 
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So, at least for me especially Punk Hazard was an arc that proved that despite the comedy, Robin and Nami are clearly not objects for Sanji and although he surely has felt some lust towards them, he respects the boundaries treats them well and speaks with much softer tones to them and even uses certain suffixes while addressing them. 
Someone asked the reasons behind the suffixes and whether there are any deeper meanings  Oda’s response was that he was basically inspired by his older staff members who wanted to be treated as they were younger. Zeff taught Sanji chivalry and perhaps this detail of the story was really based on Oda’s real life.
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Back to the previous topic, why is Sanji portrayed as a pervert? Well, mainly for sure to make balance with comics on heavy storylines and because being interest in opposite-sex openly seems to be part of who he is but then thinking below the surface, what if those wild nosebleeds and dreams about peeping women are all actually just a mask of him? Yes, he does have a crush easily on women he meets and flirts with them but what if there is more than that?
Actually, one of the headcanons I’ve had for years is that Sanji has experienced a traumatic loss that has given him the deep fear of losing the others he holds dear (and that’s why he'd be so sacrificial) and Whole Cake Island sort of supported that thought. It can be possible that because he was strongly bullied by his siblings and despised by his own father (being called a weakling and so on), this all has stained his self-confidence below zero for good and it still will take time to see that he is worthy. Hopefully, Luffy’s words back in Baratie and the retrieval team’s efforts and experiencing his lowest point before the tea party opened his eyes for good and gave his character the chance to grow.  
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Like many fans agree, the only place where Sanji has complete confidence is anywhere that is related on his profession, cooking because Zeff convinced that the “chibi-Nasu” really does have potential in becoming a chef, otherwise, he can be surprisingly insecure although he doesn’t show it up openly, perhaps he hides it with this kind of actions.  On top of that, Zeff raised Sanji to respect women so if he really was a pervert and didn’t care about what his foster father taught, then perhaps he would act more like Absalom. However, (again setting the comical aspects aside), I think Sanji himself knows where to cross the line when it really comes down to women. Most likely Zeff wouldn’t approve if Sanji really thought that women are just objects of lust and Sanji probably doesn’t want to disappoint (even unconsciously) someone who saved him from certain death and raised him as his own child. 
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Only Oda-sensei knows completely his character and knows the answers but Sanji’s behavior makes me wonder that what if actually at some point he has created kind of an “alter ego” to protect himself? What if he built himself a personality full of confidence so no one would see that deep inside, there is a fragile boy and a wounded man? Well, this is all just speculation so it’s hard to say whether there is any truth behind these thoughts or not but shortly said, Sanji is a great character and there are definitely reasonable reasons for his behavior, in general. However, he indeed is stuck in these ero kappa- gag and it’s sometimes a shame indeed that some (potentially shippy) moments are ruined by those weird faces or when he goes too lustful but on the other hand, it might be just Oda’s way to keep the series’ focus on the main points instead of romance
It’s really hard to believe that Sanji would actually be a pervert as in the term is officially described but once again, it’s all about interpretation. However, if one takes a closer look to the comparison between Sanji’s and Absalom’s interest in Nami (and other women) and comparing it to the facts of what perversion is in terms of human behavior,  it can be easy to tell that out of these two, Absalom is the true pervert.
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Text
Alone On The Ship
Zoro x Reader x Law (female reader) 
2.4K
Summary: The reader is left alone on the Thousand Sunny with Law and Zoro, and good times ensue.
Warnings: NSFW, threesome, vaginal fingering, biting, masturbation, dry humping, voyeurism
Notes: Requested by an anon. Requests are open! Also, make sure you check out my masterlist, because some of my fics haven't been showing up in the tumblr tag search.
Life had been…chaotic since the crew reunited at Sabaody. You were so glad that everyone was okay, and you were even more thrilled by the progress that everyone had made while training for the past two years. Of course, things had started to spiral out of control once your captain finally showed up, with the Marines trying to cut off your escape from Sabaody, and then all of the shenanigans in Fishman Island that followed that. Things didn’t get too much easier afterwards, but through the events of Punk Hazard and Dressrosa, at least you got to meet Law and make some new allies.
And even through all of the chaos, your newfound relationship with Zoro was still thriving. Ever since you had joined the crew, you and the First Mate had constantly been stealing glances at each other, with the ever-present sexual tension between the two of you nearly boiling over on several occasions. As your journey on the Going Merry and then the Thousand Sunny continued, those sexual urges were soon joined by a different desire, one of a more amorous persuasion.
If you had to pinpoint when those romantic feelings started, it was probably when the crew went to Skypiea and you were both electrocuted by Enel. Whether it was the sudden jolt to the brain or seeing each other in such an injured state that caused you both to realize how much you cared for each other, there was no telling. You both tiptoed around each other for a while after that, unsure how to go about your newly recognized feelings, and because of that, the two of you hadn’t been able to confess to each other before the crew was separated. Once you reunited, however, you both jumped at the opportunity that was presented to you, and you had been together ever since, training together, going on watch duty together…sometimes it was difficult to get away for some ‘alone time’, but you made it work somehow.
And speaking of needing some ‘alone time’, the crew had stopped at a small island to restock supplies, and they had left you, Zoro, and Law behind to watch the ship. They were gone for quite a while, and once the sun started to set in the horizon and darkness started to overtake the skies, Nami finally called in on the Den Den Mushi and told you that they would be staying at an inn for the night. It must have been one hell of an inn for her, of all people, to actually want to pay to stay there (although knowing Nami, she probably swindled her way into a free night’s stay), but you wouldn’t question it, not when such a delicious opportunity was presenting itself to you because of it.
It was no secret that you found Law attractive, and as fate would have it, so did your lover. You were both interested to see just what the Surgeon of Death had to offer, and now that the ship was empty except for the three of you…Zoro broke out the best sake that was on the ship (Sanji would be furious about that later, but honestly, that’s probably why Zoro got that particular sake in the first place) and you broke out a deck of playing cards. You both went to Law, claiming that you just wanted to kill some time while everyone was away, but your true intentions were far less pure.
You were a bit confused, though. When you and Zoro had suggested that you all play strip poker, Law may have given you a look that was both incredulous and disappointed at the same time, but he had still agreed to your suggestion, so long as he got to choose the card game. You were hoping that he would choose blackjack or something else like it, that way clothes could be shed at a much faster rate, but when he said Rummy…you weren’t quite sure what to make of it.
The stipulation was that the two players who had the lowest amount of points after someone ran out of cards would have to take off an article of clothing. It sounded good in prospect, but the rounds were taking forever to get through since it was more advantageous to try to put off the end of the game so you could try to round up more points. And on top of that, you had yet to win a round, and it was beyond frustrating.
Your sake sat untouched beside you, barely having a sip taken from it before your losing streak started and all of your attention went into the card game. Law had won the most rounds, but Zoro wasn’t far behind him, and that left you in nothing but your bra and shorts, with your panties still hidden from view. Zoro was obviously amused by your misery, the Cheshire grin never leaving his face as he drank his sake, not even getting a buzz in doing so.
“Oi, Y/N.”
“What, Zoro?”
“I win again.”
“…damn it.”
You would take your punishment like a trooper, though. You stood up quickly, hands going to unfasten your shorts as a nod from Zoro caught your attention. He was pointing his head towards Law, and once you briefly glanced over at the surgeon, you understood why the grin on Zoro’s face had gotten even bigger. The doctor’s eyes were glued to your ass, as if it had him under some hypnotizing spell. At least your loss had given you an idea for how to take the night even further.
Once you got your shorts unfastened, you slowly shimmied them down your legs, making sure to bend over as you stepped out of them. Given your hopes for the night, you had worn the most flattering pair of underwear that you had, and based on his continuous, heated stare, Law obviously appreciated them. Your panties hardly left anything to the imagination in the back, with half of your butt being exposed due to the cheeky cut. When you settled back down on the ship’s deck, you made sure to lay down on your belly, slightly bending your hips up to present your glutes even more.
“Now, Law, I’ve been wondering: why Rummy, of all things?”
“…In essence, for delayed gratification.”
“Oh? Are you looking forward to seeing us naked then?”
“Don’t pretend like your intentions for tonight weren’t obvious, Y/N-ya.”
“Neither of us ever claimed to be subtle. Of course, if you’re not interested…”
“I’d be lying if I said I wasn’t. I’m not exactly sure just how far the two of you want to go, however.”
“We’ll go as far as you want, Law. If you want both of us, then you’ll have us both. If you just want one of us, that’s fine, too.”
“And you’re fine with this, Zoro-ya?”
“We wouldn’t be here if I wasn’t. It’s not like I have many opportunities to see someone that I trust and find attractive fuck Y/N.”
“Ooh, you didn’t tell me you were a voyeur, Zoro.”
“Well, you know now. Well, Law? What do you say? Do you want to fuck Y/N?”
The doctor was quiet for a moment, trying to weigh the possible pros and cons of the situation he was in, but before he could think about it too deeply, his eyes were yet again drawn to you and the delectable curve of your ass. His mouth went dry as he thought of all the things that he could do with the both of you, but he wouldn’t push it too far yet. Maybe if this first time went well enough, then he’d push for more later on, although he wasn’t going to walk away from this moment without testing the boundaries. He couldn’t walk away, not with the arousal that was already flooding his system.
“If the you’re both sure about this, then yes.”
“Great. Just sit back for a moment while I make sure she’s ready for you.”
After throwing his haori to the side, Zoro walked over to you and kneeled behind you, before settling himself over your prone form. His body was pressed closely to yours, allowing to feel how hard his cock already was. There was a small tug at your back, and then your bra was being flung somewhere on the deck.
“Are you going to be good and give me a show, Y/N?”
“Oh yeah, definitely. I just need a little helping hand from you first, big guy.”
“Atta girl.”
Zoro brought one of his hands up to your neck, tilting your head back so he could bring his lips to yours. His other hand started at your shoulder, moving down and giving your breast a brief squeeze before it continued down your side and into your panties. His fingers immediately ran over your slit, and he hummed in approval as he gathered up some of the wetness there. His next target was your clit, which he rubbed short, tight circles over, causing you to lurch and grind your ass back against him.
The groan that he let out was enough to set your whole body on fire with desire, and once you let out a keen of your own, Zoro’s hand moved down so that he could prod your sodden opening. He easily slipped two fingers into you, curling them so they hit the sweet spot inside of you that had you writhing against him. The swordsman made sure that his wrist was still bumping against your clit as he thrusted his fingers in and out of you, rutting his hips against you the entire time.
With another low groan falling from his lips, Zoro leaned his head down so he could have access to your neck, licking the soft skin there before sinking his teeth into you. The mixture of pain and pleasure was enough to send you careening into an orgasm, one that Zoro kept working you through until you begged him to stop. He pulled away from you, sucking his fingers clean in the process and leaning down to kiss the red bite mark that he had left on you.
“Just remember that you’re mine, yeah?”
“How could I forget?”
With one last chuckle, he finally stood up, erection straining against his pants as he turned to Law.
“She’s all yours.”
You looked behind you, only to see that Law had already rid himself of his shirt. He had apparently enjoyed watching Zoro finger you, and the tightness of his pants was proof of it. He walked over to you, and settled himself over you much like Zoro had, although he spread your legs a bit so he could move between them.
“One last time, Y/N-ya. Are you sure you want to do this?”
“I’m positive, Law. Show us what the Surgeon of Death can do.”
He needed no further persuasion, and you heard his pants unzip before you were greeted by the heat of his cock as he rubbed it between your ass cheeks a few times. You felt him move your panties to the side, and after taking a moment to examine the wetness left in their wake, he lined himself up with your pussy and then entered you with a single, smooth thrust. You both sighed at the feeling, and he waited a moment for you to adjust before he slowly pulled his cock out of until just the tip remained inside.
He slammed back into you, causing your breast to scrape against the wood of the deck beneath you. You dug your nails into that same wood, holding onto it for support as Law relentlessly fucked you, each thrust being more powerful than the last. The poor man must have been pent up for a while, and you had no qualms with him letting that sexual frustration out on you.
Your voice was ragged as moans tore from your throat; you tried to push back against Law to give him some more leverage, but tattooed hands held your hips down as his own hips continued to piston into you. Zoro was kneeling in front of you, watching every expression that crossed your face. He was stroking his own cock in time with Law’s thrusts, and you imagined that he had a very good view of those thrusts considering how much lower you and Law were positioned compared to him.
The Heart Pirate snaked his hand around the front of you, pressing two of his fingers against your clit to give it more friction as he pounded into you. With that added stimulation, it didn’t take long for you to come apart again, with your second orgasm being even more intense than the first. Law swiftly pulled out of you, grinding against your ass until he reached his own climax, which was accompanied by a long, choked exhale of breath from the captain.
“Pull her up a little bit.”
Two strong hands immediately followed that request, and your torso was pulled up so that your chest was directly in front of Zoro’s pulsating cock. He came after a few more strokes, his cum landing on your chest and dripping down your breasts. Law helped you to sit back, and when Zoro came to support you instead, he used his Devil Fruit to quickly clean you off before he stood up and tucked himself back into his pants. He just stood there for a moment, silent with a contemplative look on his face, like he wasn’t sure what to do next.
“…Thanks for the good time.”
With a sudden flash of blue, the doctor was gone, leaving only his discarded clothes behind.
“…What horrible pillow talk.”
“How are you holding up, Y/N?”
“I am just perfect, love. You? Was that enough to satisfy that apparent voyeur kink of yours?”
“Damn straight it was.”
“Hm, I’m glad. How much do think we’ll have to pay Nami to keep everyone off the ship for another night? Because I don’t know about you, but I would love to see the doctor in action again.”
“Oh, I definitely want to have my turn with him. But, you never know, Y/N. We might be able to get him to come back to us tonight. I’m sure he’s still watching, so we’ll just have to work on giving him enough incentive.”
“Work on giving him incentive?”
With a sly grin on his face, your green-haired lover pulled you onto his lap, where you could feel that his length was already hot and heavy with desire again. Whether Law joined back in on the fun or not, it sure seemed like you had a long night ahead of you.
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