its 2am im posting the friend i made for Derry since they looked lonely. they're partners in crime except not bc Derry is too sleepy to participate past the idea stage
jesterly is not their real name 💅 their pronouns are whatever is funniest in the moment 💅 also i would punch them in the face if given the chance and they would deserve it
Ya’ll really need to watch Yang frame by frame after the whole Ruby thing because that poor girl is so shaken to her core that she’s barely processing what’s going on around her.
I’m excited to see her next episode because I want to see exactly how Yang reacts to processing that she just lost her little sister to the unknown.
It caught me off guard but there’s this exchange between Hosea and Arthur that for me happened right after the bear hunt, where Arthur suddenly says his back hurts, and Hosea gleefully says “well lie down and let me get crackin” and Arthur is like haha NOOOooooo! no thank you I am backing away from this interaction haha! the implications are killing me
1. Hosea gives back massages
2. Hosea is extremely enthusiastic
3. Said massages are terrifying for the recipients, to the point that it has become a running joke in the gang.
here, i'm gonna spill some more ink over studio bones' decisions adapting ???% in mob psycho 100's confession arc... in a lighter color, perhaps.
some manga readers are upset at the lack of separation between '???%' and 'mob' in the anime vs the clear separation in the manga. that separation doesn't exist in the original japanese.
mob's 声優 (seiyuu) setsuo itō's voice acting in this scene from MP100's first season is by turns startling and visceral (tbh, most of the VA work in this scene is amazing, but i'm only referring to mob here).
youtube
given the above, i expected a voice come up from the depths of hell for ???% in the confession arc, but bones and itō-san did not indulge my whims here. what they gave us instead...
...actually reflects the source material.
while there is an audible distinction between ???%'s nonchalant contempt and mob's considerably-more-animated (thanks to all that emotional growth we've seen over the course of the story!) upset, they sound like the same person in the anime... because they are. i thought this a tidy way to convey that fact, and this subtle distinction is not that different in feel from what we see on the page in the original language.
inside the teenager's mind, shigeo (???%) and mob quarrel in the same font. tails on their speech bubbles eventually disappear as they continue to argue with each other. i found this pointed lack of separation a little confusing on first read, but eventually became used to it.
(for a breakdown of this full conversation in the manga, check out @exilepurify's awesome translation post.)
shigeo chafes at the thought of considering others' needs. he scorns mob for bending himself into a shape he thinks will suit tsubomi, mocks mob's desire to blend into the background and somehow escape notice. his own wish for tsubomi to accept him in all his explosive vainglory doesn't take her wishes into account, either.
and yet. his desires are subordinate to mob's.
he wants what mob wants -- only without that whole pesky 'consideration for other people' thing -- and he wants to keep mob alive. their full conversation reveals just how much shigeo actually loves mob.
for all practical purposes, any distinctions between shigeo and mob -- private vs public, subconscious vs conscious -- only exist in the boy's head. even then, they have been unfairly imposed... by mob himself.
the teenager laying waste to seasoning city?
the teenager his friends and family love?
one and the same.
his loved ones and allies address him with the names by which they know him; they assume he's the same person, just experiencing an involuntary loss of control and in need of some help. it's important to emphasize that. drastically different voices for shigeo and mob would have drawn a hard line between them where there is none.
studio bones removed and/or internalized ???%'s lines, apparently robbing him of speech. but ???% is talking to himself, and no one else can hear him.
in the manga, shigeo seizes control of the boy's speech centers and speaks out loud as ???%, in a scratchy, rough font meant to evoke a harsh voice. (it's the same font used for ???%'s last brief, conscious takeover when mob discovers the crispy fried corpses of his family in their merrily crackling home! you can hear itō-san's delightful interpretation of it in episode 9 from the second season.)
he says:
「僕の好きにやらせてもらう。」
boku no s'ki ni yarasete morau.
'i'll be free to do whatever i want.'
or more literally: 'i will take [from you] the allowance to do as i please.' his use of 貰う here emphasizes that he is forcing mob's hand.
this line and the shift in viewpoint serve to highlight the exact moment where shigeo gains the advantage in his argument with mob.
mob and shigeo squabble for external control for a while; ONE shows this by letting them both speak aloud in this same rough voice. both sides of the fight between the two (at least after 'i'll be free to do whatever i want') can actually be heard from the outside. we only get a few small panels of this as it's happening, but it's unnerving.
shigeo, who is winning this battle, not only gets far more lines as seen from without, but his harsh rasp even colors mob's external speech. this is mob's only line the mangaka lets us see in that font, and it's heartbreaking:
「だって… もしこれが本当の僕の姿だっていうなら…」
datte... mosh' kore ga hontou no boku no sugata datte iu nara...
'because... if this [???%] is what i really am, as you say...
the line continues within:
「本当の僕になんて誰も近寄らない。誰も… 誰も助けてくれない。そんなの嫌いだ。」
hontou no boku ni nante daremo ch'kayoranai. daremo... daremo tas'kete kurenai. sonna no kirai da.
'no one will come anywhere near the real me. no one... no one will be there for me. i won't have that.'
the full takeover, which happens a bit later, is marked by:
shigeo's dissolution of and absorption of mob's consciousness into himself;
reigen's 「すまない」 (sumanai, 'i'm sorry') for not knowing the nature of what his deshi was struggling to contain;
???%'s last glance back at the man before pressing on towards his goal... as reigen begs him to wait, running after him.
thereafter, we see ???% from without. we get two short glimpses of shigeo's internal perspective before dimple's reappearance, then rejoin him inside for his last explosion with mob.
the anime depicts the moment of full takeover thusly:
shigeo's dissolution of and absorption of mob's consciousness into himself;
a 「すまない」 from reigen, who senses something has gone even more wrong with the boy and renews his pursuit... begging him to wait;
shigeo's turning his back on reigen and walking on. we see him spurning his mentor from the inside, his face hardening against a stark black backdrop.
the outward shift happens on-screen too. while it eventually returns to an internal view just as the manga does, it largely stays there, owing to a serious expansion of the scene where shigeo indulges his thirst for revenge on reigen.
except for an audible sigh when teru remarks on how normal his friend's losing control of himself actually makes him, anime shigeo speaks to no one.
???% is alone when he speaks in the manga; reigen is nowhere within earshot and shigeo is only addressing mob. in other words, he's talking to himself. shigeo never utters a word to anyone else in either manga or anime, as if he owes no one an explanation for the choice to sack his hometown or injure his friends.
as bone-chilling and unsettling as ???% speaking out loud is on the page, as much as it enhances the reading experience... in my opinion, it adds nothing new to our understanding of this situation on the screen. viewers can see for themselves that:
an internal takeover has occurred in this boy's mind,
???% is sentient and human and ever so divinely enraged at having been chained up for so long;
???% is finally free.
so why should studio bones belabor this point by having him shout, in the middle of a tornado, to no one in particular? if a boy speaks in a tornado, and there is no one around to hear it, does he make a sound... ?
i also don't know that this would translate well to film. in real life, talking to oneself like that usually carries connotations of psychosis, and resolving it as is done here would honestly be an insult to real-life sufferers. i love it to pieces in the manga but understand why this was cut.
the only things removing ???%'s outward speech loses for me are:
one last opportunity for itō-san to flex that audible jump-scare STOMACH-TWISTING SNARL (oh, i will miss it so);
a slightly-less-vague sense of how shigeo might make his wishes known to tsubomi, were he to present himself to her like this... he wants her approval so badly, and is terrified of not getting it. would he be able to speak to her at all? in the manga the question becomes what would he even say to her?
My hyper-specific type when it comes to otome guys:
- Absolutely pathetic
- Cannot speak to a girl normally to save his life
- Tries to be calm/aloof, but turns tsundere when flustered enough
- A good and pure man at heart, yet does some questionable things
- ...Little Red Riding Hood???
I have found a beautiful perfect humble rock specimen that is light yellow with a weird dark yellowy brown lining, somewhat resembling a chunk of smoked gouda cheese... effervescent
i recently had the opportunity to commission the amazing @666chevy on twitter for a spread of diana (and wesker, of course) !! this came out perfect and i haven’t stopped staring at it since ♡ chevy is so kind and easy to work with, and he did diana so much justice, so i just cannot recommend him enough if you’d like to get a commission done !
What are your thoughts on the critisism that Neomuna, and more specifically cloudstriders, feel "out of place", or the feeling some have that Lightfall has a whole has thematically defied their expecations in a bad way? (insert that comparison of the key art from the BL reveal vs the current key art here.)
Really hard to critique any aspect of it currently before we know more and play it.
A lot of stuff in Destiny can feel really odd and out of place without any context! I remember similar doubt and questions about Lucent Hive for example. For any serious critique, I'll have to see the expansion first, learn more about Neomuna and Cloud Striders and see if their story fits and has something valuable to add to the setting.
So far, I don't think they're out of place. The ECHO ships and surviving human colonies outside of Earth have been seeded almost 3 years ago and I've quite literally accurately predicted how that specific lore is tied to Neomuna. I think it's a pretty cool way to tie in an older open-ended storyline with something new that they need for an expansion.
A story about "survivors of the Collapse" is pretty much a given, as that's something that we've always wondered about in the setting. Could some humans have escaped? Could they have survived? What would've happened if they did and how would've they developed if the Collapse hadn't stopped us? Going there and examining that story can give us valuable information about our past (Golden Age and speculation on what we could've achieved if it continued) and our fall (the Collapse, how it happened, what exactly happened, how to prevent it a second time). On top of that, it's giving us super cool scifi concepts about neo-human civilisations and advanced development through nanotechnology.
And yeah, the original key art was really striking; no colours, grim, very evocative with imagery of a Pyramid eclipsing the Traveler. It was of course simply just a base for the expansion. It was a placeholder. I've seen a lot of people saying that Bungie "robbed" us of something; they did not. They cannot rob us of something that never existed. Concept art is a really long process with millions of ideas being thrown around, especially placeholder concept art.
For what it's worth, from what we know about Lightfall, the base idea for the expansion is still the same. We are very much in deep trouble, especially if we're correct in our predictions that the Traveler is about to run and if the trailer's footage of a massive battle in Earth's orbit is anything to go by. Neomuna itself is under massive siege by a new disciple and the Witness itself. There are new enemies and enemy threats that we haven't seen for a long time acting up again (the Vex).
Is the expansion much more colourful in comparison with a black and white placeholder image? Yeah. But that doesn't remove the danger the system is in. I'm not sure what people expected. Destiny is not a super edgy setting of only doom and gloom. It certainly has a basis of incredibly terrible stuff going on, but it never presents it without a balance. Even in the Red War and Forsaken, things were still colourful and beautiful and had a lot of different vibes packed together.
To me, a massive fleet of Pyramid ships descending on colourful Neomuna is an incredibly powerful image with a really visceral theme of how nobody can successfully escape the Darkness forever. You can buy yourself time, but ultimately it will find you. I think that's a pretty doom and gloom theme. I feel like the only reason people aren't seeing it is because the original was black and white, while the current is colourful.
My only proper concern is that they're introducing a whole new aspect to the setting this late. Introducing it itself is not the issue as much as that we're 2 expansions (including Lightfall) until the end. There's still a lot of stuff to go through and solve and deal with so I'm not sure how wise it is to introduce a whole new set of characters and a setting of this scale. Of course, as with the rest of the question, we can't really fully make a judgement on that before we play.