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anonbeadraws · 6 months
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I made a Room Building tutorial! Lemme know if it helps! 🧡
Tip me here| Commission info here!
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zegalba · 4 months
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Gero Schwanberg: helping hand balcony Location: Wien, Austria
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inky-duchess · 5 months
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Fantasy Guide to Building A Culture
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Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.
Hierarchy and Social Structures
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Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:
How is a leader determined within the culture as a whole and the family unit?
Is the culture matriarchal? Patriarchal? Or does gender even matter?
How would one recognise the different ranks?
How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?
Can one move socially? If not, why? If so, how?
Traditions and Customs
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Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.
How important is tradition?
What are some rituals your culture undertakes?
What are some traditional values in your world? Does it effect daily life?
Are there any traditions that determine one's status?
Values and Opinions
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Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?
How important are these ethics and core values? Could somebody be ostracised for not living up to them?
What are some morals that clash with other cultures?
What does your culture precieved to be right? Or wrong?
What are some opinions that are considered to be taboo in your culture? Why?
Dress Code
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For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.
Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?
Are there any rules around what people can wear?
What would be considered formal dress? Casual dress?
What would happen if somebody wore the wrong clothes to an event?
Language
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Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.
Arts, Music and Craft
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Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.
Food and Diet
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The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.
What are some traditional dishes in your world?
What would be a basic diet for the common man?
What's considered a delicacy?
Is there a societal difference in diet? What are the factors that effect diet between classes?
Is there any influence from other cuisines? If not, why not? If so, to what extent?
What would a typical breakfast contain?
What meals are served during the day?
What's considered a comfort food or drink?
Are there any restrictions on who can eat what or when?
Are there any banned foods?
What stance does your world take on alcohol? Is it legal? Can anybody consume it?
Are there any dining customs? Are traditions?
Is there a difference in formal meals or casual meals? If so, what's involved?
Are there any gestures or actions unacceptable at the dinner table?
How are guests treated at meals? If they are given deference, how so?
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reimenaashelyee · 6 months
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The Creator's Guide to Comics Devices is OPEN!!! comicsdevices.com
An online library of visual-narrative devices that are used in the medium of comics and other sequential art.
Happy Halloween! I'm really excited to be finally launching* what is maybe one of my most ambitious, largest work yet. This online library is the next phase of a research project that began in May 2020, when I first mused on how comics as a field doesn't have a resource that catalogues devices used in the medium. Like, theatre has devices, so does literature, and film! So why shouldn't comics? I always had an interest in comics studies and analysis. I love reading, making and thinking comics. However most of my knowledge was intuitive - I learned comics from osmosis and experience. This is true for many of my peers. Speaking about comics as a creator is hard, because we don't have a robust system of language. When we had to speak, many of us tend to reach for the language developed for film by film practitioners. If there is language specific to comics, it's either scattered in multiple blogs or hidden away in academic journals. The Comics Devices library is meant to aggregate everything and everybody into a single hub! After exploring some multiple resources, alongside some original, independent research, here is the first edition! * The Comics Devices project is still a work-in-progress! It's not final, nor will it ever be. This is why I am seeking contributors to help build this library. Translations, comics examples, etc. There is a lot of work to do! If you are interested, reply to this post or submit an expression of interest on this page.  Have fun everyone!! (Now time for me to melt x_x)
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tttyg era where vampire pete finds ybcpatrick and takes him home. sees a fucked up kid and goes. hm you're mine now:) sing in my emo band boy
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bluerosefox · 6 months
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Of Tiny Tots, Mistaken Identities, and Reunions
Seventeen year old Damian Wayne is dragged to a business deal outside of Gotham (along with his father and Drake), mostly to keep up appearances that the family does work outside of Gotham, networking, and because Damian does need to learn the ropes of the company, he decides to head outside the meeting with the Manson family to get a breather (mainly cause the Manson's were annoying him fully, it was like they were trying to suck up towards Damian and trying to push their daughter on him but at the same time he caught them almost insulting and hostile towards him before they would stop and correct themselves) when out of the blue a three year old toddler with black hair comes running over with a cheerful "Daddy!" and latches onto his leg.
Damian is stunned in place but feels frozen when he hears a voice, older and almost identical to his own but he can detect a familiarity in it, a voice he only hears in his dreams nowadays say.
"Ellie, no! That's not me Starlight! I'm so sorry dude-"
When Damian turned his head towards the voice he's meet with an near identical face, granted there were some minor differences, but very, very familiar pair of striking blue eyes staring at him. Eyes that were somehow full of life, which shouldn't be possible because the last time he saw those eyes they had been dim and milked over years ago. The speaker had become startled at the his sudden turn and the words that he had been saying had quickly died out when he too took in Damian's features.
"D...Damian?..." the name came out so soft and small that Damian almost didn't hear it but he did.
And before Damian could stop himself, he spoke a name he hadn't dared utter in years.
"Danyal."
His twin looked like he had just seen a ghost, and Damian was sure he looked the same. And given the last time they had last saw each other it was no wonder they both looked like death warmed over them for a moment.
After all... Damian had failed to protect his brother, Danyal al Ghul all those years ago on a botched mission.
His bother who... wasn't dead.
His brother who was looking like he wanted to run but was keeping himself rooted in his spot.
His brother whose eyes were glancing downwards and seemed so nervous.
His brother who knew the little girl, Ellie, still hugging his legs.
His brother who had... responded and corrected her mix up when she had called Damian 'Daddy.'
And oh, she's looking up at him and making grabby hands wanting to be picked up and she has Danyal's eyes and his nose and-
Oh... Damian.... Damian's an uncle it seems.
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ave661 · 1 month
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"Be careful who You trust, Sergeant. People You know can hurt You the most."
Some situations inspire you to create renders, like in this case. Turns out not every Ghost is trustworthy. Sometimes someone will stab you in the back and I guess that was my lesson.
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inkskinned · 3 months
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crows use tools and like to slide down snowy hills. today we saw a goose with a hurt foot who was kept safe by his flock - before taking off, they waited for him to catch up. there are colors only butterflies see. reindeer are matriarchical. cows have best friends and 4 stomachs and like jazz music. i watched a video recently of an octopus making himself a door out of a coconut shell.
i am a little soft, okay. but sometimes i can't talk either. the world is like fractal light to me, and passes through my skin in tendrils. i feel certain small things like a catapult; i skirt around the big things and somehow arrive in crisis without ever realizing i'm in pain.
in 5th grade we read The Curious Incident of the Dog In The Night-time, which is about a young autistic boy. it is how they introduced us to empathy about neurotypes, which was well-timed: around 10 years old was when i started having my life fully ruined by symptoms. people started noticing.
i wonder if birds can tell if another bird is odd. like the phrase odd duck. i have to believe that all odd ducks are still very much loved by the other normal ducks. i have to believe that, or i will cry.
i remember my 5th grade teacher holding the curious incident up, dazzled by the language written by someone who is neurotypical. my teacher said: "sometimes i want to cut open their mind to know exactly how autistics are thinking. it's just so different! they must see the world so strangely!" later, at 22, in my education classes, we were taught to say a person with autism or a person on the spectrum or neurodivergent. i actually personally kind of like person-first language - it implies the other person is trying to protect me from myself. i know they had to teach themselves that pattern of speech, is all, and it shows they're at least trying. and i was a person first, even if i wasn't good at it.
plants learn information. they must encode data somehow, but where would they store it? when you cut open a sapling, you cannot find the how they think - if they "think" at all. they learn, but do not think. i want to paint that process - i think it would be mostly purple and blue.
the book was not about me, it was about a young boy. his life was patterned into a different set of categories. he did not cry about the tag on his shirt. i remember reading it and saying to myself: i am wrong, and broken, but it isn't in this way. something else is wrong with me instead. later, in that same person-first education class, my teacher would bring up the curious incident and mention that it is now widely panned as being inaccurate and stereotypical. she frowned and said we might not know how a person with autism thinks, but it is unlikely to be expressed in that way. this book was written with the best intentions by a special-ed teacher, but there's some debate as to if somebody who was on the spectrum would be even able to write something like this.
we might not understand it, but crows and ravens have developed their own language. this is also true of whales, dolphins, and many other species. i do not know how a crow thinks, but we do know they can problem solve. (is "thinking" equal to "problem solving"? or is "thinking" data processing? data management?) i do not know how my dog thinks, either, but we "talk" all the same - i know what he is asking for, even if he only asks once.
i am not a dolphin or reindeer or a dog in the nighttime, but i am an odd duck. in the ugly duckling, she grows up and comes home and is beautiful and finds her soulmate. all that ugliness she experienced lives in downy feathers inside of her, staining everything a muted grey. she is beautiful eventually, though, so she is loved. they do not want to cut her open to see how she thinks.
a while ago i got into an argument with a classmate about that weird sia music video about autism. my classmate said she thought it was good to raise awareness. i told her they should have just hired someone else to do it. she said it's not fair to an autistic person to expect them to be able to handle that kind of a thing.
today i saw a goose, and he was limping. i want to be loved like a flock loves a wounded creature: the phrase taken under a wing. which is to say i have always known i am not normal. desperate, mewling - i want to be loved beyond words.
loved beyond thinking.
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kagoutiss · 22 days
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pelican town, ‘72
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fuckspn · 5 months
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imo one of supernatural's greatest weaknesses is what i'm going to call its locational homogeneity. like. obviously this is largely a side effect of filming a show set all over the united states in the same small area of canada for 15 years but there's just a certain sameness to every location and every episode that's uncanny at best and breaks immersion at worst. they should have gone all in on southern gothic horror and spooky old northeastern coastal towns and rural midwestern isolation and instead it's just episode after episode of identical suburbs with arbitrary location titles slapped over them. the seasons never change. the weather is always mild, never with extreme enough temperature or precipitation to require a change from the standard jacket-over-flannel-over-tee costuming even when we see snow on the ground. this episode is set in the summer in idaho. no, wait, it's set in the winter in kentucky. this episode is set in the summerfallwinterspring in kansachusettohiowa. sam and dean travel all over the country and yet stay completely still. supernatural shows us a massive world and it does not turn and absolutely no one lives in it.
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mumblesplash · 5 months
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live footage from the lethal company stream
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nikoco11 · 7 months
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spider nico (spider bot…. sometime i call him circuit too) ((he’s like what if spiderman sucked ass))
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financeprincess · 8 months
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I love Tumblr and Pinterest and YouTube but you seriously need to get off your phone as much as possible if you want to make actual changes. Stop the doom scrolling. Turn off notifications. Turn on DND. Log off. Delete apps. Delete accounts altogether. Unsubscribe from texts and emails. Put time limits on the apps on your phone. Unless social media is making you money, limit it as much as possible. Overloading yourself with information is just another form of procrastination. At some point you actually have to take action. Less consumption, more creation.
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honeypiehotchner · 20 days
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kiss her, you fool (Hotch x fem!Reader) -- one shot
Anyway I'm back in the fucking building again!!!! Listened to "Kiss Her You Fool" by Kids That Fly and had this one shot written in like an hour. The love for Aaron Hotchner never dies apparently
Summary: You're in the middle of spring cleaning when Aaron calls and says he forgot something at your place (he didn't).
Warnings: tooth-rotting fluff! I just wanted to write some romance
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It’s the middle of the day and you’re in the middle of a cleaning frenzy when your phone rings for what looks like the third time. It’s Aaron.
“Hey! Sorry,” you laugh, grabbing the TV remote to pause your music, phone pressed to your ear with your shoulder. “I’m spring cleaning and clearly way too far in the zone. What’s up?”
“That’s okay,” you can hear him smiling as you readjust your phone in your hand. “Would it be alright if I stopped by? I think I left something there last night.”
You furrowed your brows, spinning around the living room. You definitely would’ve noticed if he left something here last night. You’ve practically turned your entire apartment upside down to clean it.
“Are you sure?” you ask, moving to lift the couch cushions for a third time. “What was it?”
“I’m not sure,” he says, which totally isn’t suspicious at all. “Can I just come look?”
“I mean,” you let out an awkward laugh. “I guess you can. I’ve been cleaning since this morning, though, so I think I would’ve spotted it, but—”
“I’ll be there in fifteen,” he says. “If that’s okay?”
You sigh, selfishly glad you’re getting to see him again, two days in a row. It feels like you’ve hit the jackpot. “Yeah, of course it’s okay.”
“Great, see you in a few.”
“See you,” you bite back your grin, ending the call. You turn the music back on, a little lower so you’ll hear him when he knocks.
You have no earthly idea what he could’ve forgotten. He had his phone and jacket in hand when he left. He never took his wallet or keys out of his jacket pockets, so they must’ve stayed there. Unless either of them fell out, but again, you feel like you would’ve noticed.
Whatever it is, he’ll either find it or realize it isn’t here. Regardless, you’re getting to see him again, so you’ll take it.
With his job, the days that you do see Aaron are typically one long day spent together here and there. Yesterday was an exception, a rare dinner mid-work week because he happened to be done at the office early and you were free, so obviously the opportunity was taken advantage of. It’s only been a few weeks of seeing one another, so you both take any chance you can get. 
Despite this, though, things have moved…slow. Slower than you expected because, to be frank, every guy you’ve been with has been quick and to the point. Not that you always minded that. Sometimes you wanted the same thing — quick, hot, heavy. But those days have since left you, and you went through a period of seeing no one, aside from one guy who left as soon as you said you were interested in moving slowly. 
It’s nothing against Aaron, but when he first introduced himself at your local coffee shop, you kind of assumed he’d be the same. It’s hard not to assume when everyone acted that way, and when the men who frequent said coffee shop don’t exactly have the best track record for being polite and respectful.
Aaron, though, took weeks to ask for your number, let alone to join your table one morning to sip his coffee — and even then, you offered him the seat; he didn’t invite himself. That alone was enough for you to agree to give him your number, and then to an official first date.
He kissed your cheek after the first date, your forehead after the second, and kept to those areas alone. You found yourself wondering if something was wrong with you somehow, but he wasn’t disinterested. Quite the opposite, actually, from how he held your hand and kept his arms around you, how he made sure you were safely inside your apartment before heading off, how he still texted when he arrived home to ask you if you were still safely inside.
Or when he had to cancel a date last minute, and sent flowers to your apartment in lieu of his presence. He apologized over the phone, but the flowers had an apology note attached too. And another apology when he arrived at your door four days later, fresh off the plane, with a real explanation of his job and why he didn’t have time to explain it all to you before he left.
Your friends think it’s a little crazy, that it’s been almost a month of dating and there hasn’t been a single kiss — “On the cheek doesn’t count!” they argue. You think it does. If anything, you’re just happy there’s no pressure.
The underlying anxiety is there, sure, of what if it never happens? But you can’t bring yourself to entertain the thought. Mainly because you want to kiss him so bad, you’re practically going to leap onto him one of these days.
You’re mid-dance when a knock sounds on your door and you jump, having forgotten Aaron said he would be here soon. You turn the music down as you head for the door, unlocking it to let him in.
He stands there in his usual dark suit, sans tie this time so the top buttons are undone, bouquet of flowers in hand and dumb smile on his face.
“What are these for?” you ask when he hands them to you. 
He steps inside and shuts the door, pausing to press a kiss to your forehead. “Because I wanted to.”
You give him a look, cheeks feeling warm. “If you keep doing this ‘because you want to,’ I’m gonna need to open a flower truck,” you joke, gesturing to the other vase of flowers sitting in your window. And there’s another in the bathroom. And one in your bedroom. 
“Just let me know what kind of truck you want,” he teases.
You press the flowers to your nose to hide your smile. “Oh, what did you forget? You’re welcome to look for it, but—”
He lets out a laugh, scratching the back of his neck. “Well, I might have lied.”
“I knew you were, you idiot,” you swat playfully at his arm. You turn to head into the kitchen in search of another vase. “I got off the phone and paced around like what did he possibly leave here? I figured maybe your wallet or something, but I definitely would’ve found it earlier. You should’ve seen the living room this morning — I had the couch on its side and the coffee table in the middle of the hallway—”
You’re in the middle of rambling, digging around under the sink for a vase, when Aaron pulls you up by your hand, spinning you to face him.
“—it was a disaster trying to vacuum. Remind me never to do that unless you’re over here to lift all of it. I think I nearly—”
He’s smiling at you, and you don’t have a single moment to spare to register that he’s leaning in before his lips are on yours. 
You sigh into the kiss, pleasantly surprised to be interrupted in this way, and glad your hands are free so you can hold onto him. Maybe this is why it’s good he hadn’t kissed you yet — one second of it and you’re ready to collapse under the sweet weight of it all. His arms circle your waist to lift you up, and your arms circle his neck, keeping him close. As close as you’ve really wanted him.
When you finally break for air, it’s only to press your foreheads against one another’s, not wanting to move too far.
“Well,” you laugh.
“Technically,” he says, pausing to peck your nose, “that’s what I forgot last night.”
You roll your eyes. “You are so stupid.”
“Mm, just because it makes you smile,” he says, kissing your lips again, and again. “What are you doing tonight?”
“Ideally,” you pause, letting him kiss you again, “ordering dinner in and making out with my boyfriend until the sun rises. You?”
“You know, I was thinking about taking someone special out to dinner,” he pauses, pulling you closer again, “and then kissing her until she tells me to stop.”
“That could be forever, for all you know.”
“That’s fine with me.”
You grin and he kisses you again, pausing to say, “Sorry, I can’t help myself—”
“Trust me,” you move even closer, your eyelashes practically touching his cheeks when you blink, “you don’t need to apologize.”
He responds by kissing you some more, and more, until he’s lifting you into his arms and placing you on the kitchen counter. 
“Aaron!” you squeal, nearly crushing the bouquet. “Let me move the flowers at least!”
“I’ll buy you another,” he says, just a whisper away from kissing you again. 
“You know—” You have to pause in between words as he presses his lips to yours. “—I still have—cleaning—Aaron,” you giggle. “I need to put my apartment back together.”
“Do you?” he asks, relenting only slightly, his fingertips pressing into your lower back, keeping you against him. “Do you need help?”
“I do actually,” you chuckle, running your fingers through his hair. “The couch isn’t back where it was.”
He smirked. “I noticed.”
You tug on his hair slightly to tease him for that jab, only it lights a new spark behind his eyes. Your cheeks grow even warmer. “No, seriously,” you say. “It’ll stress me out if it’s not back in its spot, but then…”
He nods, kissing your lips. “Then we’ll get ready for dinner.”
“And then come back here for a movie?”
“We’ll see how much of the movie we actually pay attention to,” he smirks, eyes traveling all over your face. 
The urge to let him ravish you right now against the kitchen counter is so strong it nearly makes you lightheaded. But soon Aaron is helping you down, pressing another kiss to your forehead. 
“Did you get to vacuum under the couch all the way?”
“…kind of.”
“Come on,” he chuckles, pulling on your hand, leading you back into the living room. “Call me next time?”
“If I get kissed like that during spring cleaning then I’m doing it every day,” you reply, mostly joking. Kind of. “Fuck I forgot the vase for the flowers—”
Aaron kisses you to interrupt you once again. “One thing at a time,” he says.
The kissing doesn’t stop, and you never do get to vacuum under the couch. It can wait.
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ruporas · 1 year
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drank too much
[ID: Digital Art of Vash and Wolfwood from Trigun Maximum. Vash’s body is turned slightly away from the viewer as he holds a staggering Wolfwood by his shoulder. He has one foot ahead of the other, the foot in the back used to stabilize himself from tipping over. Wolfwood is tethering into Vash, his weight pressed into him with his arms wrapped around Vash’s waist and his face is hidden away as he leans against Vash’s shoulder. Vash’s expression can be seen, his eyes wide and mouth tight-lipped, and his face is flushed red. A speech bubble comes out from Wolfwood, saying a drawled “Spikeyyy...”. The background are desaturated pastels of blue and green, showing night time, as they stand in the middle of an empty street that is also lit by the moon not depicted. Yellow light is seen coming from the inside of a saloon. End ID]
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