platonic!sagau seeing you cry behind the screen (freminet, yaoyao, ningguang, neuvillette, lisa)

notes: inspired by me having a rough day and crying while i farmed mats LOL (also neuvillette’s is mostly my own hc for him, sorry if it’s ooc)

freminet:

panic

probably keeps putting his helmet on. it’s not that he doesn’t want to help, it’s just that he doesn’t know how…

tries extra hard in any fights to try to make things a little easier. this, at least, is one way he can help, even if only a little. his damage output is higher, his cds are shorter, he’s powering through any hits he takes - not enough for you to notice anything odd, but enough to speed up any annoying commissions.

(lyney and lynette might be a little upset at him later for pushing himself too hard - though they understand more when he explains. they would do the same for you, after all.)

if he knows you like pers and who doesn’t, he’ll do his idle animation holding the mechanical penguin more often (hopefully you’re not paying too much attention, though, because you might find it odd that he’s wearing his helmet during the pers idle animation…)

yaoyao:

D:

surprisingly, she’s actually not too worried - even if she doesn’t like seeing you sad, she knows you’re strong enough to pull through whatever it is that’s upsetting you.

but just because you can handle it doesn’t mean she can’t help!

any of her voicelines that you think are cute, you’ll suddenly be hearing much more. (although it is a bit odd to hear her talking about the “silly frogs” when it’s not even raining.)

any cooking you do seems to go much better than usual - not only are you getting specialties first try, but you get high quality dishes without even trying.

(you might also find a few extra qingce household dishes in your inventory.)

ningguang:

she already wishes she could whisk you off to liyue. this is not helping.

whenever she sees you sad, she thinks about how well she could take care of you if you were in teyvat; thinks of the gifts she already has prepared, the spare room she keeps unoccupied just so she’s ready for whenever you decide it’s time to descend. seeing you cry just heightens those feelings.

her voice might sound a bit harsher than normal, but it’s not directed to you - rather, to whatever it is that has upset you.

whenever her idle animations play, she tries to summon brighter, sparklier gems than normal, hoping that the sight will lift your spirits, or at least take your mind off your problems.

if you stop at any shops in liyue, the prices might be mysteriously lower than normal. not by enough for you to notice, but enough to save you at least some trouble - the loss of a few thousand mora is nothing to ningguang, if it can help you even a little.

neuvillette:

hydro dragon, hydro dragon, don’t cry!

for some reason, when you’re sad, fontaine is always raining…

neuvillette hates seeing you upset. as someone who has spent much time crying himself, he knows what it’s like to suffer in silence - something he would never want for you. he hopes that being with him, even with a barrier inbetween, makes you feel less alone.

he longs to wipe your tears away, but that’s not an option behind the screen, so he’ll settle for smaller ways to cheer you up.

if you go underwater, you might notice more sea creatures than usual; not attacking you or even interacting with you, but just… hovering around, sharing neuvillette’s desire to brighten your spirits.

neuvillette’s voicelines will also sound quieter; not quite a whisper, but definitely softer than normal. it’s not an extreme difference, but he hopes you find his voice comforting.

lisa:

seeing her cutie sad just breaks her heart!

speaking of cutie, you might notice her tacking the nickname onto the end of voicelines that don’t normally have it.

lisa wishes she could rest your head in her lap and read to you - never has she hated the barrier between you so much!

similar to freminet, lisa puts her all into any fights you bring her to. it doesn’t matter if it’s a slime or the fatui, she’s hitting them with enough lightning to completely fry them, trying to wrap up any fights you need to complete as fast as possible so you can relax.

although she wants to spend as much time with you as she can, she knows that she shouldn’t be selfish, and that often sleep is the best medicine for heartache. for once, she’s not just upset when you leave - she’s also hopeful you’ll come back smiling.

If there were no girls like her in the world, there would be no poetry.

Willa Cather, My Antonia (1918)

hiraeth.

part II. synopsis: she watches as cassian falls for another, grappling with her own hidden affections and their newly snapped mating bond in the process. pairing: cassian x fem!reader fandom: a court of thorns and roses (book series by sarah j maas) genre: angst warnings: none a/n: house of balloons/glass table girls, this is his song... i love him. fluff part two coming up OBVIOUSLY, im not fucking ending it like this i cant do this to my #1 loverboy babygirl kitty princess beloved. @joyseuphoria hi <3

Cassian had always been the beacon of power and resolve, with a demeanor rugged and unyielding. But beneath the surface was vulnerability, and she knew that it was written in the stars for her to remain by his side as his closest friend and confidante, never to become one to uncover that side of him.

But it didn’t make it easier. Watching him as he fell for Nesta’s every glance, every touch, every word that escaped her mouth seemed to throw him deeper and deeper into a trance. And she was fine with that, and accepted it. Accepted that she would never be the object of his softened glances, his featherlight touches, his-

Her thoughts halted as Cassian stormed into the room, frustration radiating off him in waves. She glanced up from her book, her eyes immediately catching the tension etched onto his features. Without a word, she closed her book and shifted, making room for him on the couch.

Cassian collapsed beside her, his movements rough yet familiar. He stretched out, his feet finding their place on her lap almost instinctively. Y/N didn't flinch; instead, she settled into the comfortable silence, waiting for Cassian to speak.

"It's Nesta," he finally muttered, his voice heavy with frustration. "Training with her…it was like walking on eggshells. One wrong move, and she was tearing into me with those ice-cold eyes."

She listened attentively, her gaze soft as she absorbed his words. "It was like she was always testing me," Cassian continued, his voice growing softer with each word. "Pushing me to my limits, making me question everything I thought I knew about myself."

Her fingers instinctively started to massage his feet as he spoke. It was a small gesture, one born out of years of friendship and trust. Cassian didn't protest; instead, he leaned back against the cushions, allowing the soothing touch to ease the tension from his muscles.

As the minutes stretched on, their conversation ebbed and flowed, the weight of Cassian's burdens slowly lifting with each passing moment. Y/N listened, offering words of comfort when needed, but mostly content to provide silent support.

Cassian's breathing eventually evened out, his body relaxing against the cushions. Y/N glanced down to find him fast asleep, his features softened by the serenity of slumber. She smiled softly, her heart swelling with affection.

Suddenly, chains, bolts, and locks shifted, loosening, their weight growing just a little more tolerable. A soul peeked through. Broken, scarred, and trembling — with fear, she realized, but it stretched further and further. Yearning, searching.

It was as though a tether had snapped into place, an invisible thread binding her to Cassian in a way she had never felt before. Confusion flickered as she processed the intensity of the connection, the undeniable pull drawing her closer to him.

She was aware that this was not happening in the slightest. A mind trick. A dream, she thought. betraying once, the jolt of real-time that pushed through her. Burning her cheeks and stealing her breath. How the waking world slipped past the knobby parts of her fingers like a whisper, barely there, because dreaming was just a fancier word for getting lost. It held her there, suspended in imagination and for every second, it felt real. Like she could grasp the outlines and the textures. Like she could touch the weather, drink the clouds, and taste the sunlight.

The gods who had her in a chokehold withdrew.

Death feared her too, it seemed.

He was soaring in the air, and she was on the ground. She tried to reach him but he was far, far out of her reach. Seconds ticked by, and then minutes, and every thought that tried to sneak its way in, through this thick veil, bounced off and dissipated into thin air.

Because she then remembered… that beautiful things shouldn’t be broken. And she had a knack for breaking things.

The soft rays of dawn streamed through the windows of the House of Wind, casting a warm glow over the sitting room where she and Cassian had fallen asleep. As she stirred from her slumber, she found herself alone on the couch, the imprint of Cassian's presence still lingering in the air. She rubbed the sleep from her eyes, her mind foggy with the remnants of… dreams? Visions? She felt as though the very fabric of her existence had been torn asunder, leaving her adrift in a sea of uncertainty, but when has that ever stopped her?

So she stood on the ground and longed.

part II here >>

watched hazbin hotel with friends last weekend and oh my god guys i could feel it turning me into a reactionary conservative ive never gotten so pissed off at a piece of media before. free all those voice actors from their chains.

one of the few zelda youtuber guys that seems to actually love totk made a video about it (i guess bc so many talked about why they dont like it) and while i didnt watch it i took a peek into the comments and of course its full of people going "LMAO people only dislike it bc it didnt validate their crazy theories!!" "its always the same when a new zelda comes out lol at first they hate it and then later its a classic haha idiots" "people who dont like it are just caught up in their nostalgia and cant accept anything new being introduced!!"

also thanking him for "speaking up" about loving the game ... which i find kinda mind boggling bc the internet is full of praise and 10/10s for it

i obviously dont want to villainize people that love totk but like .. these kinds of comments are so unecessarily judgemental? how dare someone NOT like an entry in the franchise and voice legit criticism, how dare someone not worship the game just bc it has zelda on it! CLEARLY they are just made delusional by their own fantasy and will realize later just how wrong they were! hah! those fools!

on my rants there were quite a few people who actually said they like the game but agree with alot of my views on it regardless, it is very flawed but i can also see that the good things outweigh the bad stuff for others, even if i legitimately hate it; but i also had to block multiple people bc they got so butthurt about me criticising it

and i dont think its 100% just an opinion thing either, totk, even when i disregard my personal feelings on the matter, has alot of problems, moreso than the other zeldas (each judged for how it was in their time) and in pretty much every part of the game too (story, lore, continuity, gameplay and rewards, UI-) and i think alot of it stems from its conception, they have never done a true direct sequel before and it came from a DLC idea, and it shows (though i still believe even coming from that you could have done something way better..... bc they also made botw, which seemed to prepare fertile ground for more storytelling that was all discarded for NO reason)

BUT that doesnt mean you cant like it anyway! there are some very horribly shitty games out there that are beloved by people anyway! and thats fine! i love ww and botw, both of which HAVE flaws too! and thats okay!

you dont need to be dismissive of any hint of criticism like that, there is no holy honor to defend, it just makes you look like a jerk

the inevitable sharpe and temeraire crossover in my mind of course involves teresa moreno as a dragon-captain.

In today's episode of Shut Up Robin, Nobody Cares:

I finished Maison Ikkoku back in February, and I had a lot of feelings about the series. (It's good, do yourself a favor and go read it if you haven't.) As I read through it, I couldn't shake the thought: this is the caliber of romantic development Rumiko Takahashi can bring to the table?? We could've had this kind of relationship development in InuYasha??? 😭😭

The other thought I couldn't shake: InuYasha fans who still question the sincerity and depth of InuYasha's feelings for Kagome might benefit from reading Maison Ikkoku all the way to the end. They should read the final chapters of Maison Ikkoku, think for awhile about the blatant parallel themes found in InuYasha, and then try reevaluating InuKag's dynamic.

Now, I should clarify: I think the InuYasha series already makes it abundantly self-evident that the Inu/Kag/Kik "triangle" (🙄) is a complex situation that puts InuYasha in an extremely difficult position. (Well, it puts all of them in a difficult position, but you get the idea.) You just have to read the series with your brain on to see that. To review: teenage boy is tricked and terrorized by a demonic murderer; that demon successfully murders the boy's ex while masquerading as him; later his ex is revived from the dead against her will, wanders the earth as a vengeful spirit for awhile (who wouldn't be pissed about being brought back into that bullshit?), and is actively stalked by the demon who already murdered her once; teenage boy is falling in love with someone else when this happens, but he still wants to save his ex from being re-victimized by the demon who already brutally murdered her once. Anyone who sees that situation and describes it with a straight face as "InuYasha needs to make up his mind already" is probably never going to reconsider their assessment of InuYasha's character. They've already formed an opinion in defiance of the evidence. That ship done sailed.

But for some folks, I think experiencing the way Maison Ikkoku explores the same relationship themes—and particularly how it resolves those themes in the final chapters—could help them re-evaluate the emotional nuances in InuKag's relationship, and maybe help to re-contextualize the Inu/Kag/Kik conflict.

The parallels between Godai/Kyoko and InuYasha/Kagome are pretty obvious—Rumiko Takahashi consistently revisits this relationship dynamic in her work (it's present in Mao to a lesser extent). But I think Maison Ikkoku more directly confronts the emotional complexity of that dynamic. You can feel the difference in how RT more directly explores the messiness, complications, and pain of a) grieving a former relationship even while falling in love with someone else, and b) loving someone who is still tangled up in grieving their past. The InuYasha series obviously deals with those themes too, but Maison Ikkoku brings more focus and resolution to its exploration.

This may be for two reasons: 1) Maison Ikkoku had an older audience, as it was published in a seinen magazine geared for adult men between 18 - 40 years old, and 2) the relationship tension between Godai/Kyoko pretty much constitutes the main story of Maison Ikkoku; in InuYasha, the plot (such as it is) revolves around a vengeance quest and the monster of the week, and the relationship tensions between InuKag are second to that. Maybe that's why RT was more willing to get into the weeds with Godai/Kyoko and to more directly resolve the tension.

InuYasha does have some standout chapters where it explicitly deals with the tension of InuKag's situation (e.g., chapter 78, chapter 124, chapter 176, chapter 286, chapter 458, etc.), but there's this distinct hesitance in the narrative to resolve that tension in a substantive way. That's one of my beefs with the InuYasha series: it gives us moments of standout, concrete relationship development which then doesn't impact the future narrative all that much. The same relationship conflicts play out over and over again, well past their narrative expiration dates. See: Miroku flirting with women right in front of Sango after they've acknowledged feelings for each other; also the entire Kaō arc, which just... I do not understand the narrative purpose of that arc when it just exacerbates tensions that already existed and resolves none of them. Anyway. I digress.

You could argue this hesitance to permanently resolve relationship conflict comes from the episodic nature of InuYasha's storytelling. There's some truth to that, but that's not a satisfying explanation for why the main couple's relational status quo remains inert for the latter half of the series. Maison Ikkoku also does this to an extent—the "will they, won't they?" tension is strung along for as long as possible—but in general Maison Ikkoku does a better job of allowing relationship development to actually affect the narrative. Moments of emotional revelation and growth do change the relational status quo between Godai and Kyoko. They don't stay in quite the same relationship limbo that InuYasha and Kagome get stuck in for the latter half of the series. (It probably also helps that Maison Ikkoku is significantly shorter than InuYasha.)

All that to say: I think Godai/Kyoko is actually a useful mirror for examining InuKag, because they share the same themes and relationship dynamics without sharing the same narrative failings.

Okay, so: big time major spoilers ahead for Maison Ikkoku. Stop here if you don't want to see the conclusion of that series.

I want to look at how Maison Ikkoku's conclusion simultaneously revisits and resolves the main conflict between Godai/Kyoko.

Ahhhhhh my feelings!!! Man I love this series.

Okay, let's review the major takeaways from this scene:

• Notice how the tension between Godai and Kyoko—Godai's struggle with insecurity and Kyoko's feelings for her deceased husband—mirrors the tension between InuKag. And notice that the reader is encouraged to sympathize with both Godai and Kyoko. Godai is not "at fault" for struggling with insecurity and feelings of jealousy. That's a natural human feeling to have, especially in a relationship that hasn't been anywhere near secure until very recently. And despite whatever jealousy or inadequacy he may be feeling, Godai tries to see things from Kyoko's perspective. Part of Godai's struggle—the heartache of it—is his understanding that Kyoko is also not at fault. It's not her fault that she married before she ever met Godai, it's not her fault her husband died, and it's not her fault that she's struggling with the grief of that tragedy. She's trying to reorient herself to her new life after loss; she's falling in love with Godai, but she's also scared of betraying her husband's memory. (Let's hold that mirror up to InuYasha now, shall we? SHALL WE?) Moving on from Soichiro emotionally represents to Kyoko a breach of duty to a loved one.

• To reiterate: neither Godai nor Kyoko are "at fault" in this situation. That's precisely why it's a tragedy. They both have to process painful, messy feelings; both their feelings are valid and understandable. (Hold that mirror up to InuKag, girl. HOLD IT UP.)

• Notice how Godai explicitly acknowledges that loving Kyoko means loving the Kyoko who once loved Soichiro. "On the day I met Kyoko, you were already within her. That's the Kyoko I fell in love with." It's impossible to divorce Kyoko from her feelings for her former husband: that part of her life significantly shaped her into who she is. And I just love that Godai is hashing out his feelings at Soichiro's grave: it shows a sort of respect for Soichiro's memory, but more importantly it also shows that Godai knows his negative feelings can't ultimately be "fixed" by Kyoko. If she could fix them, he'd be having this conversation with her. (And by this point in the series they have had this conversation.) But Godai knows he's the only one who can truly work through/resolve his insecurity—especially now, when Kyoko has already assured him that she loves him—and I love how the scene's setting subtly demonstrates that. Soichiro's ghost is haunting Godai's feelings, not Kyoko's, and Godai is trying to work through that with Soichiro himself. There's no love triangle to resolve here: what needs resolving is Godai's own feelings of inadequacy which no amount of assurance from Kyoko can ultimately "fix." This is his ghost to fight. (We get an echo of this kind of inner conflict in chapter 458 of InuYasha: Kagome directly wrestles with the "ghost" of Kikyo and struggles toward some resolution of her own insecurities.... Only for the Kaō arc to come along later and materially damage that resolution and character growth for no clear reason, BUT I DIGRESS.) And this scene shows that Godai wins that fight: he comes to understand that loving Kyoko has to include accepting her past. Kagome reaches a very similar understanding in chapters 175 and 176 of InuYasha.

• To reiterate: Maison Ikkoku's conclusion is not the resolution of a "love triangle." It's the resolution of a series-long conflict, which is completely different. In order for love triangles to work—to actually function as love triangles—two competing love interests have to be viable options. This is quite evidently not the case in Maison Ikkoku: Soichiro is dead at the start of the series. It's literally impossible for Kyoko to choose him in any meaningful way. RT blatantly acknowledges this early in the series when Kyoko's father-in-law tells her she has to live her life. I cannot stress enough how self-consciously the series is not about a love triangle between Godai/Kyoko/Soichiro. (Mitaka is another matter entirely, for a different post.) Rather, the series is about the damaging power of grief in our lives, the rocky and painfully non-linear journey to healing from that grief, and how messy, fraught, and ultimately profoundly beautiful it is to love another person for exactly who they are — past pain/trauma and all. (Please for the love of heaven hold that mirror up to InuKag.)

• No, you know what? I'm not leaving that at a parenthetical. I'm just gonna say it: exactly as Maison Ikkoku is not about a love triangle, InuYasha isn't either. For the same reasons as stated above, the Inu/Kag/Kik dynamic is not ultimately a love triangle because Kikyo is dead at the start of the series. And while her spirit is magically revived—in an altered/diminished form—she is still not truly alive. The story conspicuously communicates this: her body is literally created from decomposing bones and cannot sustain itself (she needs to consume souls—other deceased spirits—to remain animated), symbolically suggesting she is of the dead even as she walks among the living. This is a facsimile of life. RT is not subtle about this. Kikyo is a tragic and complex character whose arc can be interpreted in many ways, but I think it's fair to say that the series self-consciously represents her as a past which can't be recovered. The damage has been done. She is dead, time continues to move forward, and there's no reversing that. (That's, again, why it's a tragedy.) Even her resurrected body symbolically represents this reality via death imagery. Ergo, from the very start of the series—just as we see in Maison Ikkoku—Kikyo is not a truly viable option for InuYasha. He can't choose her in any meaningful way. To "choose" her would be to essentially choose death—abandonment of life—just as Kyoko choosing Soichiro would make her "a wife who hadn't died yet." Kikyo represents an irrecoverable past just as Soichiro does. And the main thematic trajectory of each series does not suggest that Kyoko/InuYasha should give up on life by choosing death — it suggests they should choose life. Godai and Kagome conspicuously represent life, the possibility of living into the future. (Kagome is literally from the future, that's how unsubtle RT is about this.)

(A quick aside while we're here: no, Kikyo's not being a viable option does nothing to diminish the sincerity of InuYasha's feelings for Kagome. Kagome is not a "second choice," for the love of God the series blatantly addresses that very thing many, many times—like it's right there y'all—and I have already written a long ass post about why Kagome's insecurity over InuYasha's feelings for her shouldn't be taken as gospel truth.)

So, rather than being an actual love triangle, I think the Inu/Kag/Kik dynamic is a complicated emotional landscape that explores the same themes Maison Ikkoku does: how grief and trauma affect our lives, how painful and messy it can be to heal from that grief, and that loving someone—choosing to take that mutual risk with them—means trusting that they mean it when they tell/show us they love us, and choosing to trust them more than our own insecurities.

It's just that Maison Ikkoku explores those themes a little better. 😅 Which is why I think it makes a good mirror for re-examining InuKag: all the same themes without all the narrative failings and missed opportunities. ✌🏼

There is such a big racism and antisemitism problem in the nightvale fandom that its fucking crazy

You sketches are so precious and they always make my day! Thank you so much for posting them! 😭 What do you think of Cal's two sides? The one that turns to the dark side (and make him kill people violently) and the one that protects animals at all costs? 💕

Thank you so much! :D I'm glad you like my Cal sketches! I've been having a blast drawing a lot of fanart of my fave jedi again, and I'm happy you're enjoying them. I personally like good boi Cal more, and his desire to continue carrying on the jedi legacy. However, I do appreciate story wise that in Jedi: Survivor how they explore more of Cal's inner conflict with the Dark Side, and his own fears of possibly one day fully falling into darkness, and that he has to be careful not to stray away. When Dark Side Cal came out in Survivor I was like dang Cal you ok??? I liked how Jedi Survivor really helped to flesh out Cal more as a character, and how it explores Cal's own reflection on what it means to be a jedi in a post-jedi order galaxy.

bro why is there so little fan content of catwoman of thee batman 2022 she's literally everything fans usually love she's got those gay vibes and is played as queer by the actor she's sexy she's a bit of an antihero and has tons of COOL motifs she has tons of CATS and also she like drank a glass of cold milk and nothing else mid conversation with battinson and neither of them batted an eye LIKE?? what more could you want in a person. and also she is the best character in the movie full offense

Been trying to read some goku x reader fanfics (because I love him and cringe culture is dead) but there's soo few out there it's insane. I'm disappointed in this fandom for not loving goku more

arrival (sagau venti x reader)

notes: i have a few longer fics im working on very slowly but i started to write smth abt getting isekai’d into genshin while wearing, like, pajamas. and then i just kept writing and ended up here lol

imagine falling asleep at your computer with genshin open. you’d been dead tired, barely keeping your eyes open, but you wanted to at least do your daily commissions before going to bed. when you wake up, though, you find yourself not at your desk, but laying in soft grass.

as you slowly open your eyes, coming face to face with the sunset, you hear soft humming. turning your head, you practically jump to sit up when you see an oddly familiar bard in green lazily strumming a lyre. your sudden movement stills his hand as he turns to look at you.

“your grace, you’re awake!”

frantically looking around, you quickly realize you’re in windrise, near the statue of the seven.

and also that it’s cold.

venti frowns when you shiver. he’d given you his cloak, but it evidently hadn’t been enough the shield you from the oncoming night.

“sorry, your grace. i was hoping you’d wake up before sundown. i didn’t want to overstep by carrying you to town, especially since…”

you follow his gaze to your clothes. he quickly averts his eyes.

“not that there’s anything wrong with how you’re dressed, of course, but it might, ah, draw some unwanted attention.” venti smiles sheepishly. “thought you might want to get your bearings before your grand entrance.

…if you want a grand entrance, that is.” he smiles sadly. when you softly ask what he means, he says; “it’s up to you, of course, but if you reveal yourself as the creator, you probably won’t be getting much free time, y’know?”

he shrugs. “…being worshipped comes with a lot of responsibility. i don’t know why you decided to descend now, but i wanted to make sure you have options.”

of course, you were still too busy reeling from the realization that you were in teyvat to properly respond. venti returned to mindlessly strumming a tune on his lyre - one he’d dedicated to the creator, though he figured it would be better to keep that part to himself, for now. you seemed confused; and even if venti wanted to jump for joy at your arrival, he didn’t want to overwhelm you.

but in the back of your mind, you were glad that venti was the first person you encountered; thankful that he was giving you the freedom to decide on your next move.

At least Tarn's a tank and can help feeding the little ones when the nurse sleeps or works.

Unfortunately no. In the donor clause au, Tarn's a Seekerkin mech. Any kind of personal refineries or shared fueling systems will be incompatible with any frame he has.

Nickel had beat that into his head before the impulse to get a botch job from a catalog took root. Tarn simply gets a thing for your own wells and becomes a walking encyclopedia on various personal refineries and fueling systems.

Unless it's bottle feeding, then yes. Luckily, the nurse has fantastic production. There's a nice surplus in the medbay and Tarn's quarters. He gets the bottle for the newsparks can suckle. Thankfully, Seekerkin sparklings develop a fueling rhythm within the clutch, so only one or two (particular to the split-sparks) need to be fed at a time and around the clock.

Seekerkin femmes have unique refineries of pure protoform. The D.J.D. got a good look at yours and are highly curious because it's not the silicone bags that needs to be emptied out before packed away like they're used to.

Helex and Tesarus were in a room with their own out and went, "Oh yeah, those are different. Let's ask Nickel."

Nickel understands what they're asking about. It's the same quirk that's that was an issue in Prion among their own brand of Seekerkin. Because on Prion, everyone had multiple alt-modes. It came with its own challenges to get their frames and coding in smooth order. Depending on the mecha's spark, some alt-mode unique characteristics need to be suppressed or taken out to work with others.

Because Nickel enjoys her submarine alt-mode, she doesn't have personal refineries. She has an external fueling system that's similar to a convoy where the access points are hidden along her torso and the cables can be pulled to a certain distance where it's tapped into her internal hold.

so like, i was thinking about how bargain bin posse parallels the member they’re copying??? rabuta with his name meaning big love (to give to ramuda) and ramuda’s pink coloured love verse ‘everyone’s love given generously,’ and kentaro copying gentaro because he wants to make gentaro’s stories a work of art, and that’s why gentaro threw away his identity; to write his brother’s stories

but since dice’s backstory is arguably more untold than gentaro’s lol, it’s hard to see the angle daisuke is paralleling but what stood out to me was when he introduced himself, his way of speech was very formal and the most formal of his posse. he also has this mannerism very similar to otome, so i wouldn’t be surprised if daisuke’s dice parallel was a hidden, more formal upbringing

If you want good smut, always consult with the asexuals

So, uh...I've recently been reading the Emelan books by Tamora Pierce and Briar's Book hits a lot different in a post-Covid world, don't it?