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#between lips
chekhovs-tantrum · 7 months
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All of the kisses in the Locked Tomb series thus far, organized chronologically and described accurately
Inspired by @wifegideonnav's post on Tamsyn torturing us:
Suicidal ten-year-old makes out with corpse; gets possessed
^Same kid gets eyebrow kissy and baptism from hometown butch who she's definitely killed a few times
^Same kid sticks vomit-covered tongue into throat of vicious socialite immediately after lobotomy to forget dead girlfriend
Honorable mention because it happens offscreen: Dead Girlfriend's Mom (haunting same kid) (different haunting) vent-reminisces in memories about her unholy thruple-with-two-bodies
Socialite delivers averted cheek kiss with a womp womp womp
Sloppy bisexual thruple (different thruple) fuck God after lemon queen's ex-husband takes her cannibalized nun-wife's name in vain 
Dead planet baby feeling herself; kisses own reflection
DILF distributes daddy forehead smoochies
Dead planet baby perfectly mimics dead bestie's knuckle kiss to codependent bodysharing cousin
Honorable mention because there's plausible deniability: "horrifying noises" made by twins upon reunion 
Dead Girlfriend sees girl who owned/tortured her for years, stares longingly; dead planet baby rolls with it 
DILF gives real kisses to members of thruple (different thruple-in-two-bodies) before besties mutually explode in death-by-codependency
Dead planet back in second body. Bite. 
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transthatfag · 4 months
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the saltburn script that livesin my brain
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poorly-drawn-mdzs · 4 months
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The girls are plottinggggg
[First] Prev <–-> Next
#poorly drawn mdzs#mdzs#wen chao#wang lingjiao#Realizing she was supposed to have an upper lip mole was a cold slap in the face. So sorry ma'am. I won't forget again.#They are evil dumbass 4 evil dumbass and I think we are all missing out on the sheer potential of the comedy between these two.#They have way too much power and are using it for the wrong reasons - which makes them truly great villains.#And when things don't go their way they become piles of whining sludge.#Wang Lingjiao is forever fascinating to me even though we only get crumbs about her.#She's a servant girl who's greatest asset is her beauty and her attractiveness.#Meaning she's had a life being in the gaze of people with significant positions of power over her.#I can't help but read her childishness and petty tantrums as someone who has finally been given the chance to not feel powerless.#If she was a more virtuous type we might 'like' her more but honestly...I don't think she would have survived to this point.#WLJ has only known power hierarchies her whole life. Probably accused of seduction before she even understood what that meant.#I love contrasting her with mianmian because they have similar(ish) backgrounds but different approaches to moving forwards#But WLJ's story is about flying too close to the sun and mianmian's is about going too close to the water.#Like the sea mist dragging her down into complacency - all the sect powerplays are mandatory to 'go along with' if she wants to climb-#-the social ladder. Yet she is the cautionary tale (and a foil to JGY as well) she leaves before sacrificing her own morals.#Mianmian flies away with her wings only slightly plucked while those who sacrificed everything to reach for the top crash and burn.
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heich0e · 3 months
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every year on your wedding anniversary osamu convinces you to take your ring off and go wedding cake tasting at local bakeries while pretending that the two of you are still engaged
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tired-teacher-blog · 6 months
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I love the idea of Aizawa sitting up in the middle of foreplay to tie his hair in a bun because it's time for him to dive in and eat you out.
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arealtrashact · 8 months
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i LOVE how you draw homelander with fangs
I love that the man who plays him has unusually sharp teeth. I tend to draw characters with fangs regardless of if they have them or not but in this case, I have some substantial reference to point to if someone asks me why I draw him like . . . this
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Life’s a beach
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At least that’s true for northern elephant seals along the central coast of California during breeding season.
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Between December and March, pregnant moms give birth to and raise adorable little pups, while the bulls are busy battling and honking for territory and harems. All the hus-seal and bus-seal makes for a busy beach… and LOTS of napping!
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Don't get us wrong, crowded beaches are a good thing! Thanks to protections in Mexico and the United States, a species once on the brink of extinction is thriving today. That seartainly gets our seal of approval!
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awearywritersworld · 3 months
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mona mona!!! in my head, modern bf sukuna likes to bake for reader !! in your au, do you think sukuna ever attempts to cook or bake something for reader that he used to enjoy eating? MWAH much love to you <3
aali aali!!! i'm in tears thinking about this evil man in an apron.... better yet, let's say he uses reader's and it's pink and has little strawberries on it or somethin cute. wah!!!!! he's so adorable.
yessssss tho!! he appreciates it when reader cooks for him and so he'd wanna return the favor. this idea is so sweet!! sending u all the love<333333
you find him in the kitchen one evening, staring at the stove looking exceptionally confused.
"what are you doing?"
"nothing."
"clearly," you tease. "what is it you're trying to do."
"where are you supposed to light the fire?"
"...fire?"
"yes, fire." he says it as if you're the foolish one in the situation. "you know, that thing you use to cook."
"you're going to cook?" you question, rather amused.
he sighs, a dramatic show of irritation. "is that so hard to believe? are you going to help me or not?"
the word help sounds rather strained coming from his lips and he seems to be in an exceptionally grumpy mood, so you suppress a giggle and make your way across the kitchen.
"that's sweet of you," you hum, pressing a kiss to his jaw.
you don't miss the way the small show of affection makes his shoulders relax. reaching out, you twist one of the stove knobs to the right and the burner turns red. "there's no fire. it's just electric."
his brows furrow as he looks between you and the stove. "oh."
it takes him a while to adjust to the electric stove, so he burns things pretty frequently at first. eventually he catches on though and you're quite impressed with his culinary skills.
sometimes you can't help but stare as he prepares food, because he handles the cooking chopsticks so adeptly. there's just something about the way it makes his knuckles and the tendons on his hands more pronounced that you struggle to tear your eyes away from.
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wormswurld · 5 months
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his thumb…h..h..his thumb oh…
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fimbry · 11 months
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Had Ace out for a cleaning today. ♥
Leiopython albertisii
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nintendont2502 · 1 day
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idk just. hal constantly referring to dirks decapitated head as 'me' yknow
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lesbianshepard · 1 year
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tumblr is the best social media platform regarding classics because if you see someone on other sites post about ancient roman stuff you gotta do some digging to see if they're a white supremacist.
but on tumblr if you click the blog and the first post is a painting/sculpture/etc of two roman guys and the comment is like "prev tags: #they should have fucked nasty and avoided the whole war thing bestie the sex being bad is why they started a civil war"
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Happy Fir Pri to them!!🌈
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heycarrots · 2 months
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There’s been a lot of discourse about the nature of James and Miranda’s relationship. There’s even been a lot of discussion on my podcast about it. One thing I want to make clear is that my podcast is a platform for discussion on all points of view. I’m not going to agree, 100%, with everything that’s said, but it makes the views of my guests no less valid. There’s no right or wrong, here, because this is art and therefore, it is subject to interpretation.
My intent, however, is to attempt to get as close to the original intent of the actors as possible because we look at a show or a film or a play as going through several layers of distillation. Each level purifies the intended narrative leaving its truest essence.
When we make a reduction sauce using an alcohol of some kind, let’s say a red wine, the heat applied to it burns off things we don’t need for flavor. You’re never going to get drunk off of red wine reduction because there’s almost no alcohol left in it. That all gets burned off, leaving only the flavor components, which is what we wanted all along, anyway. We want that extra element that enriches the flavor of the steak, by adding nuance.
So let’s take apart that meal.
We start with the birth of the idea. The story kicks around in an author’s head, trying to get out, growing bigger and more persistent until it outgrows the confines of the mental box inspiration is stored in and has to be let out. That idea, that’s the cow.
The author raises that idea, feeds it, watches it grow, and then, ultimately slaughters it. That sounds awful, but once you have that idea pulsing, growing, evolving and then finally commit the final draft on paper, it is a kind of death. The life of the story comes to an end and it becomes memorialized in a mausoleum. Readers will come to visit, spend time with it, lay down flowers, cherish it, and mourn its passing.
The next level is adaptation. That’s the steak. There are many ways you can slice the story, large roasts encompassing the whole story or a smaller, hyper-focused character study fillet mignon.
A writers room gets hold of the cow and carves it up. They choose what gets cooked and what gets tossed. A GREAT group of writers saves the bones. They take in the entire supporting structure of the piece and while the whole story may not make it onto the screen, they will have slow roasted the bones for a stock. When you watch a show like Black Sails, where themes are introduced that won’t fully be explained or explored until several seasons later, that’s what that is. It is the stock being used to flavor the whole dish. You’ve distilled the entire cow to its purest essence and so every scene, every line of dialogue, every acting choice, encompasses the entirety of the story. A line from episode one is defined by knowledge of the finale and in regard to dialogue, defined by an actors’ knowledge of a character’s backstory. There are many writers rooms who are creating the bones of the story as they go, which means they aren’t starting with a rich stock. You can’t trace back character motivations or choices to begin with because those motivations changed throughout production.
Black Sails, again, isn’t one of those shows. Steinberg and Levine came into the writers room with their stock pot full and sloshing, spilling story everywhere. The richness of the details they were laying can make season one a bit hard to consume unless you are ready for a story on that level. Viewers need to come to the table with some bread to sop up all those character details because we WILL need them later.
Over the course of finalizing scripts and blocking out episodes, the steak is cooked. Like any great steak, this story is medium rare. More juice comes out with every bite. It’s what makes the show infinitely rewatchable. It continues to cook on the plate, but because it wasn’t overdone, it never dries out.
When the actors get ahold of it, that’s the reduction sauce we were talking about. That sauce provides nuance and flavor. That’s the emotion. A line of dialogue on a page is just ink. It’s nothing until it’s spoken aloud. And like any bit of language in this world, it’s subject to interpretation. In this case, it’s the actor who does the interpreting.
I spoke on the podcast about the art of subtext and how huge a role it plays in Black Sails. One example we used is Jane Eyre. It’s one of the most frequently adapted novels in the English language and with each adaptation, we get a new version of our characters. The most volatile and subject to change is Rochester. There are MANY versions of Rochester that I find appalling (including the original beast in the book), but each actor has formed him into something else, based on their performance. Toby Stephens takes Rochester and turns him into a silly tragic romantic, broken many times over by a society he never really fits into, despite the status of his birth. He connects with Ruth Wilson’s Jane because she fully and happily inhabits that space on the fringes that Rochester thinks he needs to climb out of. Jane takes his hand on the outside of the wall, turns him away from the guarded palace and shows him the wild world that was at his back this whole time.
This is what Toby Stephens, Luke Arnold, Louise Barnes, Zethu Dlomo, and really all the actors for whom their subtextual choices make them reflect like prisms, have done with their performances.
In the final distillation, character motivations and emotions are finalized by the actor. Writers can pontificate, the source material lies dead in its lovely tomb, but stories live and breathe by their storytellers.
What we’re left with is Toby’s face telling the world how deeply Flint loves Silver. Every single choice tells this story.
We’re left with Luke showing us how much Silver is repressing in his feelings for Flint. Luke’s face shows us an incredible depth of feeling and a door slamming shut.
We’re left with the incredible intimacy between James and Miranda, which speaks of a decade of shared physical intimacy. There’s an openness, a freeness to it until the moment in episode 3 when Miranda learns that James has found the Urca and is leaving soon to pursue it. She gives some of it away when she says “I thought I’d have you all to myself”. She is mourning the loss of intimacy that she only gets in short windows of time. They aren’t strained because James isn’t attracted to her, but because he’s rarely there. She has him for a few days at a time before he’s off on another hunt. The coldness starts from the moment he tells her he’s leaving in a few days because I believe she thinks he won’t be coming back, that this is the hunt he won’t survive and she’ll finally have lost both James and Thomas. From the moment Richard Guthrie darkens her door, she’s looking for a way to weaponize him and get them out. For her, it’s a race against the clock and she’s willing to sacrifice a bit of her relationship with James in the present to secure happiness for them in the future.
This is also why James still has sex with her before leaving, even though he’s furious for her reading Meditations to Richard. This is how they connect. They connected through physical intimacy in the flashbacks, as well. Him stroking her thumb in the carriage before the kiss. Tactile contact to seal their understanding of each other. Miranda bracing her hands on his chest during important moments in the Hamilton’s home, something she also does to Thomas, to show physical connection, physical intimacy. Miranda thrives on physical touch.
To think that, for 10 years, James is lying there like an object for Miranda to use, is, to me, short sighted. To think that James doesn’t love Miranda outside of a group, is also ignoring the fact that, 10 years on, James will not leave on a hunt (angry as they both are) without physically connecting with her, trying so hard to reach beyond his anger and the wound freshly opened from sight of that book he’s chosen not to look at for probably the better part of those 10 years. The way his hands hover over her back after she comes and he desperately wants to be with her in that moment, like the best of their moments, but he just can’t, speaks to the depth of his love for her.
So many fans of the show point to this sad sex scene as one of the most important character moments for James and Miranda, but I consistently come to the opposite conclusions about WHY it’s important and what we learn from it, because I’m taking my cues from the actor’s choices, not the director or the writers. On the page, in plain ink, he hates having sex with her. Toby and Louise show us, however, that they are trying to recapture a thing that is fleeting, reaching out to each other to patch up an old wound from which the scab has been picked off, leaving it seeping and raw.
From Toby’s performance, regardless of the words he uses years later to describe it, we see not a character who “loves men” or a character who “loves women”, but a character who LOVES. I don’t see Flint defining that love in terms of boxes and parameters. He’s a character who must be coaxed out, but then loves without reason, without a safety net, as he proves with his love of Silver. As was also referenced by a guest on the podcast, he places a sword in Silver’s hand and says “do it”.
Anyway, this post got away from me and took several turns, but the love between James and Miranda being dismissed by so many in the fandom has been bugging me for a while and I just needed to emotionally vomit on tumblr.
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rottengurlz · 9 months
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lover, don't touch me // leave, i am a danger to you // but ooh, i hunger for you
#this is leona's vampire lover audra#i guess you could say the first time they met was when audra nearly killed her in a blood lust because she hadnt fed in so long#idk how to describe it well but audra suddenly stopped devouring her when leona looked at her with no fear in her eyes#but looked at audra like she was something to worship#she whispered that audra was so beautiful even as her own blood was splattered between them and staining her lips#leona had never seen someone or something so perfect and powerful#power that she wanted and knew exactly how to get when audra whimpered over the slightest bit of praise#i never talk about them but i am CONSTANTLY thinking about them <3#some fun little facts is leona killed her husband in cold blood because he was pitiful and boring#she married the first person to show any interest in her just to get away from her family#he would have been a perfectly good husband for anyone else#but the best part of their marriage was when she stabbed him in the stomach 47 times and felt his blood splatter against her skin#for audra OBVIOUSLY had to make another oc who would do anything to be loved even if it means destroying herself#audra was turned very suddenly and without any guidance#she murdered her lover without even realizing it she opened her eyes to find them splattered across every surface of the room#because of that shes done everything she can to protect herself from others even if it means starving herself of blood#until she goes into a frenzy#leona is the first person she has ever willingly fed off of#idk if willingly is the right word since leona practically begs her to do it#i really want to remake leona now.........#i like how leona looks but i want her to match audra better#mysims#the sims 4#simblr#sims 4 screenshots#sims 4 cas#ts4 cas#sims 4 edit#ts4
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