Why I Don’t Experience Byler Doubt
It’s simple. One of the most essential techniques in storytelling: Show, don’t tell.
Show, don't tell is a technique that allows the audience to experience the story through actions, words, subtext, thoughts, senses, and feelings rather than exclusively through the creators' exposition, summarization, and description.
Even more importantly (assuming we want to enjoy ourselves bc this is supposed to be high quality entertainment), it adds drama. Rather than telling viewers what's happening, a filmmaker will use this technique to show drama unfold. 'Telling' is factual and avoids detail; while 'showing,' is detailed and places the human subject at the centre of the drama.
This technique is literally playing out in the narrative when it comes to Mike’s inability to tell El he loves her (or even simply write love Mike in his letters), which he never would have had to tell her (spell out) in the first place, if he had just shown her that he loved her.
It’s no fun having to spoon feed your audience. Instead, it's much more enjoyable for the storyteller to present the truth in the details, even sometimes contradicting very basic assumptions that are being outright told. Hence why, for example, when the Duffers were asked about the Vecna reveal, Ross used the opportunity to go on a mini tangent: 'the best twists are ones that you go, “Oh, I should have seen that coming.” As opposed to the twists that go, “Oh, well that just came out of nowhere.” So, “Oh, I missed these clues along the way.” But you get nervous when you’re writing it because you go, “Well, to me it seems obvious--'.
In fact, Show, don't tell is what largely allows surprise revelations to hide in plain sight. Because obviously, if a writer just tells their audience everything that's happening while it's happening, we would always see what's coming next.
And so the problem I have with downplaying or even completely refusing to acknowledge the importance of Show, don't tell, in the case of Stranger Things especially, is that, in order to comfortably subscribe to what is being told, I have to ignore what is being shown.
We see this play out all the time on Reddit in particular, which if I'm being honest is the only platform at this point that treats mere speculation about Will and Mike's relationship as if it is the end of the world. On the rare occasion the mods don't remove a byler related post, the post is either already negative towards byler or the comments are filled with fury over the poster simply thinking critically by speculating about byler. Even if you manage to get a fan over there in the comments to consider certain evidence pointing towards byler as incriminating, they'll still manage to end it by downplaying the Duffers and their abilities, because 'They're not that smart!'...
They'll ask for evidence, be presented with it, only to insist that it's all reaching because details mean nothing and everything about the show is actually just surface level, ie. it's not that deep.
Without even realizing it, they're low-key admitting that going the byler route would be smart, and yet here they are tirelessly defending a show that, according to them, has shit writers and no deeper purpose. All this does is prove that they are hoping this is the case. Because even despite being presented with strong evidence that the show might very well be epic, they would rather reject it altogether.
They would rather have one of their favorite shows suck and defend it religiously, then consider the possibility that it's good and gay...
Don't get me wrong, there are definitely fans on reddit that don't hate byler. I imagine out of the million in that sub, there's a silent majority that would be open to it. Keep in mind, most fans still active at this point in hiatus are hardcore fans, and so they're obviously opinionated, that goes for everyone on most platforms rn. And yet, I know there are very likely casual fans who are popping in there every now and then, the same people in the majority when after s4 dropped, saw that monologue and said What the actual fuck was that?
There’s a reason no other couple on the show has needed to hear the words I love you to believe it. Well, besides Steve and Nancy…
Because SHOW, DON'T TELL. That's why!
So, what do I mean when I say that Show, don't tell is why I no longer have byler doubt?
It's actually pretty ironic, but basically the moment Mike told El he loved her, that's the moment they showed us that he didn't.
I mean, for starters, how does one go about filming a romantic love confession? Because if we're being entirely serious right now, they made just about every artistic and creative choice possible to go against what a romantic love confession should look like to feel satisfying.
I mean, you'd probably want the atmosphere to be intimate, right? Make the audience feel like these two are the only two people in the room (world) for this moment?
Well, that's not the case for Mike and El, nor is it the case for literally any of their scenes in s4 (arguably a lot of their scenes in the series; Will the wise drawing in El's room, I'm looking at you). Almost all of the scenes with them together in s4 had Will in the background, often times in the literal frame between them. That is NOT how you film scenes for a romantic pairing that you want the audience to root for, from beginning to end.
You guys gotta understand, rewatch value is one of the most important aspects to this story for the Duffers. When talking about the prospects of s5, they mentioned that they rewatched all the Lord of the Rings, saying how important it was, despite what some fans might say about the ending being too long, or this or that, bc to them, it was necessary to watch it all, and to rewatch it and rewatch it, in order to appreciate the entire story as a whole, aka the way it was intended.
If you're a serious about Mike and El as a romantic pairing, but because of the way the show has set up their relationship over the seasons, you can't sit down and enjoy more than a quarter of each season bc they're either separated, broken up, or on the rare occasion they are together and happy, they're accompanied by a kicked puppy in every shot, maybe all of that's for a reason.
And that applies to the scene in Surfer Boy more than any other scene in the show, a scene that is supposed to be Mike's monologue to El... You mean a scene that directly parallels Mike's monologue to Will in s2?
When planning the end of s4, do we think the Duffers just decided they wanted this intimate moment between Mike and El to have Will in the frame behind Mike (visually piggybacking off of him, in an episode titled The Piggyback...) in almost every shot, including when he said I love you for the first time, for no reason at all? Or is it possible there was a reason for it? Just like there's been a greater reason for everything?
Like bro, I'm sorry, but even if what's being told in that scene is relevant, all of it still reads as either a lie, a partial lie, a lie of omission or a platonic truth hiding behind romantic phrasing: I don't know how to live without you = platonic (trauma bond), whereas I can't live without you/I don't want to live without you = romantic. The later is out of desire/want, the former is out of fear of the unknown.
The entire scene the lighting is blinking rapidly. And so the vibe they're going for here is uncertainty, which is quite odd for a love confession that's supposed to feel certain? Then we have El seeing all red the entire time. She's literally choking, hearing Mike struggle to muster up anything that could help her pull through, only to overhear Will calling Mike the heart, followed by Mike finally saying I love you????
And I guess according to the Duffers, nothing says true love like a love confession ending abruptly by a two day time jump...
Oh and how about, instead of them taking the time at the end of the season for El and Mike to have a private moment, where they could finally address their love for one another, let’s have them barely on speaking terms, and the one time they do talk, let’s have it be offscreen and mentioned in a private moment between Will and Mike, who in contrast to Mike and El, we're going to prioritize having a scene with them alone together at the end of this season...
In the last minutes, let’s have El look at Mike and Will, only to avoid them with visible annoyance. And THEN let’s show Mike visibly defeated by El's annoyance, instead prioritizing reassuring Will, aka his friend with whom he shares an I didn’t say it/ You didn’t have to bond...
I mean? Are we just not going to talk about it? The fact that I didn't say it/You didn't have to could pass off as a literal synonym for Show, don't tell...
It just kills me that even with all of that, the Duffers were like, You know what? Fuck it. Let's show them all the endgame couples lined up next to each other, with Will and Mike in the middle and El standing on her own in front of them. If by now they still refuse to consider it, after everything, this ending probably wont convince them anyways, but it makes for great rewatch value...
Seriously, if you're subscribing fully to the belief that what is being told is the whole truth and nothing but the truth (so help you god), then you're having to ignore all of that. And I can't ignore all of that, I just can't. Which makes it impossible for me to experience doubt anymore.
321 notes
·
View notes
txf30 day 4: favorite dynamic (besides the obvious): scully/mulder/skinner
y’all mind if i ramble for a second?? there are so many connections that are so important to this story, but i always come back to these three. i think everything does.
i say that memento mori is the most loving episode of the series, but when i think about that one, it’s not even the kiss in the hallway that stays with me. it’s skinner coming in to work, the first time scully was in the hospital, and finding mulder sitting in his office. and he’s just been sitting there. bypassed the secretary (lol), and just sat and waited. he doesn’t have anywhere else to go.
and the way that skinner tells him, no. don’t do it to yourself under any circumstances. that he is not to risk himself to try to save scully. ultimately, it’s not mulder that made the deal with the devil, it’s skinner who didn’t follow his own advice. (gave up everything he has, to save them both).
and these are just two weirdos who work for him in the basement!! he doesn’t owe them anything. but he’s the one there, at the end, no matter what. he’s the one who comes to get them when they’re hurt, or lost, or need help. they’re his emergency contacts, the people who show up, the people who advocate for him. the people who know him. (the bigfoot division are a.d. skinner’s silly rabbits etc etc etc)
in iwtb, after six years away, it’s skinner who comes to get scully, on the side of the road, next to mulder’s flipped car. tells her that they will find him, that he’s okay, to breathe. it’s skinner that holds mulder on the ground, in the end.
when mulder went back to bellefleur, it's skinner that scully sent with him. that girl has never trusted a single soul to so much as breathe mulder's air, but "i won't let you go alone," is immediately followed by skinner packing the car.
like trish said last night:
i think telling scully he "lost" mulder was the hardest thing he ever did. skinner loves mulder too, but mulder is scully's entire world. and this time around, he won't let scully be alone the way mulder was.
(and the kindest thing scully ever did: squeezing his hand, saying "i already heard.")
(skinner returns the favor: he tells mulder about william, so that scully doesn't have to.)
my favorite moment in requiem is the final scene, the two of them crying together. the only two people. the only two people who know.
when she tells him that she's pregnant, he's the first to know. the only person to know, for most of her pregnancy. 18 years later, he's still the first person thinking of their baby, looking out for him.
honestly, it always comes back to sein und zeit for me. when after 7 years, after 27 years, mulder says that it's just too much, and he wants to go home. he wants time away from work. the sequence in the car: mulder in the backseat, skinner behind the wheel, scully on the passenger's side. for so many years, mulder had to be searching, so that he wouldn't be alone. but now he stands in front of two people who love him, and admits to needing a break. to wanting it to stop. he's guided, he's guarded.
skinner is a hardass. it's not easy to manage their madness. it's not easy to write the footnotes, to be the person waiting, in this particular story. but like he tells mulder, 14 years after they last worked together: not a day goes by where he doesn't just wish they were there, trying to make things better.
33 notes
·
View notes
May, 19 (Evening) Devotion
“And he requested for himself that he might die.”
1 Kings 19:4
It was a remarkable thing that the man who was never to die, for whom God had ordained an infinitely better lot, the man who should be carried to heaven in a chariot of fire, and be translated, that he should not see death—should thus pray, “Let me die, I am no better than my fathers.” We have here a memorable proof that God does not always answer prayer in kind, though he always does in effect. He gave Elias something better than that which he asked for, and thus really heard and answered him. Strange was it that the lion-hearted Elijah should be so depressed by Jezebel’s threat as to ask to die, and blessedly kind was it on the part of our heavenly Father that he did not take his desponding servant at his word. There is a limit to the doctrine of the prayer of faith. We are not to expect that God will give us everything we choose to ask for. We know that we sometimes ask, and do not receive, because we ask amiss. If we ask for that which is not promised—if we run counter to the spirit which the Lord would have us cultivate—if we ask contrary to his will, or to the decrees of his providence—if we ask merely for the gratification of our own ease, and without an eye to his glory, we must not expect that we shall receive. Yet, when we ask in faith, nothing doubting, if we receive not the precise thing asked for, we shall receive an equivalent, and more than an equivalent, for it. As one remarks, “If the Lord does not pay in silver, he will in gold; and if he does not pay in gold, he will in diamonds.” If he does not give you precisely what you ask for, he will give you that which is tantamount to it, and that which you will greatly rejoice to receive in lieu thereof. Be then, dear reader, much in prayer, and make this evening a season of earnest intercession, but take heed what you ask.
Daily Bible and Devotional for Women - http://play.google.com/store/apps/details?id=daily.bible.for.woman
2 notes
·
View notes