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#because i know what the overall story feels like; i've had years to develop it
bookshelf-in-progress · 7 months
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There's always a danger of caring too much about a story, and then getting paralyzed by the need to do it justice, so it never gets written.
I've solved this problem in the past by writing stories so fast that I don't have time to get too invested, or writing stories that I'm not that attached to.
But maybe the trick is to love the story so much that I want to share it any way I can, even if it's imperfect. To feel that any version of this story is better than the story never getting written at all. To get out of my own way and stop worrying about what other people will think of my writing, or even what I think of my writing, and love the story for its own sake, love the readers enough to want to have the joy of sharing the story with them.
Maybe it'll work. Maybe it won't. But so far it feels like a much better approach.
#adventures in writing#i think inklings has finally born fruit for me#other years i've stayed far away from beloved story concepts#for just this reason#and then i mentally shelved most of those story concepts#recognizing i'd likely never write them in a way that lives up to my imagination#and that probably gave me the distance i needed to pick some of them up again#for one thing the short time frame of inklings forces me to get down to the heart of the concept to fit it into a short story#and the long development time means i've had time to figure out what the core of the concept *is*#what keeps this story lingering in my imagination; which means i know what the good parts are#and then the deadline also forces me to try to write it fast and short#because if i don't write it for inklings i likely never will#and that's a tragedy i want to avoid#having such a clear concept of the story's core#means i can put up with ugly haphazard drafts#because i know what the overall story feels like; i've had years to develop it#so instead of a bad draft proving a story's not worth writing#i *know* that the story's worth writing because it's stuck with me this long#so the ugly drafts are just the building blocks necessary to create the final product#of course the danger is that i'll put out a story and it won't be as cool outside my head#and people will hate this piece of my soul i've poured out to them#but if i love it enough maybe it'll reach that special status#where it means so much to me personally that the wider audience reaction doesn't matter#but before i worry about this i gotta write a draft first
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dalia1784 · 3 months
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I feel as though enough time has passed that I can be open about Ducktales and the fandom at large. Though in all seriousness the fandom can be a bit uptight when it comes to anyone leaving anything but praise.
Ever since Ducktales (2017) ended, I've had a lot to think about in regards to how I feel about the show as a whole.
Throughout the run of the show and as of recently I found that I lean in favor of the comics that inspired the franchise as a whole. By the time the series was coming to an end my feelings overall were inherently mixed.
On one hand there were moments, characters, and lines that worked and even made me laugh; but on the other it felt at times I was watching what essentially felt like a multimillion dollar fanfiction that tried to alter characters (the results varied from character to character), make some changes that were questionable, and left lots of character development and major plot points unresolved in favor of cramming in references to other Disney Afternoon shows as well a Millennial and Gen Z humor that was extremely hit or miss.
You can't even blame solely the cancellation for any of the unresolved stories and unanswered questions, because in all honesty it's complicated as to who is to blame. But these tend to come to mind: Writers/Showrunners, Disney's Standards and Practices, out of touch focus groups, and of course Disney themselves.
Other than the show itself, the fandom experience was just as mixed, I love all the friends and fans I made over the years and am forever grateful for them. What I found to be abhorrent was how many fans were chased away for the most petty and nonsensical reasons.
Didn't like a popular ship? You were chased off and called a terrible person.
Didn't support popular a headcanon (especially ones in regards to neurodiversity, sexuality, and gender)? You were instantly labeled as (fill in the blank)-phobic.
Liked a villain that wasn't Magica, The Beagle Family, Bradford, or Glomgold? You were instantly shamed and falsely accused of a laundry list of things.
Had concerns or criticisms about certain popular characters and plot points? You were called every name in the book and labeled as not a real fan.
I know this has always been a common thing in all fandoms but with Ducktales it got out of hand quite a lot.
Remember when Moonvasion first aired and how everyone reacted to Launchpad asking Penumbra out, it unleashed the most rabid and vile fans who managed to chase away a sizable portion of the fandom.
Remember when some fans were critical of the fact that Della was never told how much her disappearance had caused turmoil for her friends and family or how she didn't face any serious confrontation about her actions from her family? You still have fans to this day labeling anyone who brings this up as misogynistic haters because god forbid anyone has some problems with a character story wise.
Bottom line I still enjoy Ducktales for what it's worth, but the fandom can sometimes be hypocritically obnoxious.
Sorry I needed to vent this out completely and with that, I shall return to minding my own business and drawing.
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askew-d · 1 month
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Can I ask your top 10 fav fics ever (from any fandom, if you don't mind)?
Also, just curious, is there a story behind your name "askew-d "?
hello, there! sorry for the long wait, i forgot to check my notifs :( i will do better next time. thank you for this question! i feel like i’ve waited ages for someone to ask me exactly that, lol. i could talk about well-written fanfics forever!! can i give you a hug? because this is wonderful, really.
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let’s go for it! my range of fanfiction that i enjoy vary, but one thing remains: i will adore your fic, no matter the fandom, if it’s written with passion and if it contains good, poetic introspection. i love poetry. for me, if there’s melancholic tropes of any kind i’m into it. immortal character and reincarnation? give me now. supernatural elements or slice of life with doomed narrative? i’ll ignore sleep to read it. angst with happy ending? my endgame, for sure.
however, i also adore silly, comedic, cute pieces of domestic life or otherwise. i had a hard time choosing from my bookmarks for this, and i also reviewed some of my favorites, it was fun. before we continue, here are some of the tags that i don’t dive into for whatever reason: porn without plot (it personally just doesn’t interest me at all), non-con, gore, a/b/o dynamics, soulmates au. sorry if you were hoping for it! i’ll try classify them into an order of what i like most.
1. jellyfish, by mystery twin, for the haikyuu!! fandom — i read this when i was finishing high school and coincidentally the story talks about finishing high school! i have a personal attachment that makes me reread it every year. it’s some sort of tradition at this point. not to mention i love kagehina dearly.
2. teen project to change the world, by animeloverhomura, for the mo dao zu shi fandom — respectfully speaking, i would find this author and give them a big hug. their writing is spetacular! if you've never seen this one and you're into mdzs, know it's a story where the characters get to see every event from the novel and donghua, even the dead characters. they watch wei wuxian journey, can you believe it? so goddamn entertaining. promptly waiting for the next update!
3. a hundred or so hellos, by iwillstillopenthewindow, for the haikyuu!! fandom — remember i said i love melancholic stories? well, this one broke me so hard, i had to mention how i hold it with tenderness (we love things that breaks us, dont we?). this fandom manages to write the cutest, most unhinged things sometimes. even it's an anime about sports. i always get amazed by it.
4. no certainty of doors between us, by betts, for the mo dao zu shi fandom — certainly the most silly little fanfic i've ever seen, it's hilariously sweet. i want everyone to read this masterpiece because, seriously, whoever did this deserves only the best. so, so, cute. it had to be in my top 10!
5. their kindred encounters, by fireflavoredwhiskey, for the untamed rpf fandom (bjyx) — you know those kinds of shows, books, any piece of media, that tears up apart? well, this one was it for me. it's a very famous one that deserves all praise, certainly well-written and enjoyable to the core, with doses of angst, romance and beauty overall.
6. as the clouds part and clear, we finally meet again, by 12262325, for the mo dao zu shi fandom — aaaaa, i was truly torn between putting this in the third or fourth place, but i ended up putting it here. come on, i love an age difference kind of story, especially for wangxian, and this one was perfectly done. sweet and funny. the development? the yearning?? outstanding!! i read this many times already, i'll never get tired.
7. pursuit, by emleewrites, for the haikyuu!! fandom — mystery, romance, lawsuits, poker games, adventure, slice of life, AMAZING depictions and so, so goddamn well-written? that's what you're looking for in any fanfiction. the author dedicated herself entirely for this story, and, like i said, i love stories that are written with passion, you can see it pouring through every paragraph. besides, highly entertaining. i'm not very into long fics, but once i started it off, i couldn't stop. that's how addicting it is.
8. linger by the door (i’ve always been yours), by piecrust, for the mo dao zu shi fandom — epistolary?? have i mentioned how i love it?? some of the phrases in this are gold, in my bookmarks you can check some of them (i ought to make a list of my favorite fic quotes, btw, i will sure do it). through each letter i could comprehend more of wei wuxian's feelings and his internal conflict. i love feeling this connected to a character.
9. all the world is ours to take, by khrys, for the fugou keiji fandom — i have more than one favorite fanfiction for this couple. you know these kinds of developing relationship where the transition from (maybe enemies too) friends to lovers happens so smoothly that it feels like they've been soulmates first and foremost at the end? i don't even know how to explain. i just love how, when they finally are together, it's like they've been together for years. and they just... made it official? i like it. i love my mr. kambe haru.
10. he won’t tell you that he loves you, by hellshandbasket, for the house m.d fandom — i found this to be the most fitting, perfect story for this specific couple. they deserved more stories like this, but we dont see it anymore. i would hightlight the feelings realization in this one, that is so fucking real? haha in any case, it's a fanfic that i enjoyed a great deal.
that's it, i guess! i wanted to add link click fanfics also, however i barely started reading fanfictions from its fandom, i'm drowning in it lately but it's just a start. perhaps very sooon!
oh, i’m gonna finish explaining about the name! in my native language, i’ve heard someone tell me before that ‘life’s a little askew, nothing’s ever perfect’, and that quote remained in every biography of any english website i ever went to. then in literature class someday i had to write about historical women and came across this one named anne askew (i wanted to write about the mostly barely-spoken women). it was the second time i saw this word. i didn’t think of it as a proper name before, but then i had to create a nickname for my ao3 profile and thought, humn, why not just ‘askew’? the quote has been engraved in my heart anyway, so i went for it. we’re all flawed and askew. so, yeah, it just… fit? the ‘d’ here on tumblr it’s only because my surname has a ‘de morais’ in it. i also liked that it resembled ‘alaska’, the john green character i was kinda of obsessed with back in my teenager grunge phase. i don’t like these kinds of books anymore, but i guess some details stay with you. do you think it’s weird? never thought of changing.
thanks for this outstanding ask, it certainly entertained me. and hope you have a nice sleep today, big hugs coming your way! 🤍
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xiaolanhua · 25 days
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So here are my thoughts about In Blossom!
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This post may have some spoilers!
I finished watching it yesterday and decided to make a post about my opinions while the drama is still fresh in my mind.
So, the drama made me interested from beginning till the end and overall it's great! It's nothing really revolutionary in terms of plot/story (historical dramas tend to have some similar stories) but it delivered what was promised: mystery, romance, investigation, a bit of thriller with amazing shots and gorgeous costumes!
About the leads:
Liu Xue Yi as the male lead really raised the level of this drama. His performance was one of my favorite things while watching it and i'm so grateful to whoever casted him as the lead because he deserves it (enough with playing the bad guy who never gets his happy ending or the girl 🥲).
At first, I was a little bit concerned about watching because I wasn't a fan of Ju Jing Yi's acting from the dramas I've watched with her but after finishing this one I think she made a solid performance (it's not the best one but definitely her best one yet) and it didn't compromised the drama at all. I've seeing a bunch of not so nice comments towards her specially because people were not happy with the actress "swapping" and although I think the "original" Yang Cai Wei did a great job I'm still satisfied with how things turned out and I like both "Cai Wei".
About the main couple:
For me, it's really poetic how Pan Yue loved Cai Wei since childhood, got to reunite with her after 10 years from being apart of each other, to think he finally married her and then "she" dies on the eve of the wedding, and how he goes insane about her death that get white strokes on his hair and goes on a mission to know who is behind her murder WHILE Cai Wei it's alive by his side but with the face of someone he despises (Shangguan Zhi) and when they start to work together on the cases, they begin to be close to each other and he hates himself for developing feelings for Shangguan Zhi thinking he's betraying Cai Wei's memory. It get's even better because he's falling in love again as she's behaving like the Cai Wei he knows so he get's even more confused and watching all of this was a delight!
They had chemistry, their scenes were fun, interesting, tender and sometimes even hot so it's a win for me actually.
About the second couple (SPOILER!!!!):
Their interactions were pretty cute and they had chemistry but it's a shame what happened to them, specially with Lan Jiang (he deserved better). I always felt that they were a "doomed" couple and I'm sad that I was right about it, my heart hurts for them both as the characters themselves and the ship that didn't sail.
About the cases and the story:
Another thing i liked about this drama is how the cases were introduced, they were directly or indirectly related to the main "mystery" and every case were solved so they didn't left any loose ends. Some dramas of this genre tend to abruptly solve the cases and they end up not adding much to the narrative so I'm glad this were not the case here.
The pacing of the drama was pretty good but I do feel like the last two episodes were a bit rushed. We can't have it all, can't we?
The ending was good as expected (not for some characters I would say) but still good. SPOILER!!! I liked that the cliffhanger did not affected the characters so it could have a second season if the producers wanted but it's not necessarily needed (My Journey to You can't relate).
Overall, it was a pleasant watch so I rate 8.9 out of 10. It's not perfect but I would totally recommend!
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cinnamontails-ff · 19 days
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The incredible @kittenintheden tagged me for this, so I'll give it my best shot!
1) How many works do you have on AO3?
Four.
2) What’s your total AO3 word count?
224,051 - which, honestly, is insane because that means I've written (and edited) pretty much two entire novels over the course of last 12 months. The vampire elf is too powerful, guys.
3) What fandoms do you write for?
BG3
4) What are your top 5 fics by kudos?
I'm a fandom newbie, so I don't even have 5, but here are my babies:
Accountant's Guide - Pre-Canon Astarion teams up with a human accountant to frame Cazador for tax fraud. It's exactly as whacky as it sounds.
Magistrate's Advocate - The Magistrate Astarion longfic someone had to write.
Vampire Stay-at-Home Trophy Husband - Reverse Isekai EA oneshot
An Empirical Science - My contribution to the Holy Rolan Empire
5) Do you respond to comments?
Always. Obsessively so. Love responding to comments and chatting with readers.
6) What is the fic you wrote with the angstiest ending?
My fics have a good bit of angst and tension and heartbreak, but I always strive for an overall "warm" feeling in my writing, so those moments tend to get resolved at some point. No angsty endings in my portfolio (yet).
7) What’s the fic you wrote with the happiest ending?
Accountant's Guide is where I gave Astarion everything I wish he could have. Zero regrets.
8) Do you get hate on fics?
Occasionally, but it's pretty rare. Not to make excuses for people hating on fics (because that is despicable; we're working for free here), but I don't think my fics are controversial enough to attract a lot of hate. They're cute. They're wholesome. They don't take themselves too seriously, so I think it's pretty difficult to hate on them.
Although someone once called Scarlett a b**** and sometimes I remember that and I become wrath.
9) Do you write smut? If so, what kind?
Explicit smut is something I've really only started doing when I got into fanfiction this past year. I like incorporating it into my longfics to emphasize key moments for my characters and their development, so it's part porn, part plot.
It can get kinky, but it will always be consensual. Dubcon/noncon is a big no for me, personally.
10) Do you write crossovers? What’s the craziest one you’ve written?
No crossovers, but An Empirical Science is where I have a lot of fun butchering adapting Pride & Prejudice lines. I mean, it's a Rolan fic. How could you not?
11) Have you ever had a fic stolen?
Not that I know, but I have seen coincidences of very similar concepts and ideas popping up after I've introduced them in my fics.
12) Have you ever had a fic translated?
Yes, there's an ongoing Ukrainian translation for Accountant's Guide! I translate the comments every now and then and readers are really praising the language skills of the translator, so that's awesome!
13) Have you ever co-written a fic before?
No, but we chat a lot about my stories on my Discord server, so that's often a little like writing together.
14) What’s your all time favorite ship?
Shalladin (Kaladin x Shallan from Stormlight Archive). I love Brandon Sanderson with all my heart, but for this, I will never forgive him.
15) What’s a WIP you want to finish but doubt you ever will?
I get very hyperfocused on my stories and rarely work on more than 1 project at a time, so I tend to finish what I start.
16) What are your writing strengths?
Look, my social anxiety makes me a pretty rizzless person to talk to in real life, but my writing is funny. It's charming. I am great at character voice. I keep things real. My OCs don't need to be perfect flawless beauty goddesses to woo the guy; they recite a few paragraphs and swing their fountain pen and the guy is on. the. floor.
Sometimes literally.
17) What are your writing weaknesses?
According to a rather charming public bookmark on my fic, I struggle with "pacing issues" and "questionable narrative choices". Clearly, this person knows what they're talking about, so let's accept it as fact.
18) Thoughts on writing dialogue in another language in fic?
I think this is generally really difficult to pull off without being confusing (check out "The Wee Free Men" by Sir Terry Pratchett for a really good example how to do it). So unless I had a very specific reason for it, I would prefer to write around it as I've done with Infernal in An Empirical Science.
19) First fandom you wrote for?
Still BG3. First and last? Who knows.
20) Favorite fic you’ve written?
Accountant's Guide. It's the story I wrote when I hit rock bottom and thought I couldn't write anymore. It's the story that made me believe again. My first story in English and by far the easiest thing I've ever written. It's the story I reread when I'm sad, when I'm happy, when I want a hug that reaches all the way into my soul. I am never happier than when people tell me this is a comfort read for them, just as it is for me.
I'm tagging @thedreamlessnights, @purdledooturt, @larvasmoon, @karinamay and @davenswitcher if they feel like sharing their answers!
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despairforme · 4 months
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HAPPY NEW YEAR EVERYONE!
[ Oh man this post got long (and surprisingly serious) fjfjfjffjjf I wrote this 2 days ahead of time because I was so excited about it ahahaha --- I'm wishing you all a wonderful 2024!!!!!
2023 was a year of surprising development for me. I don't know if it's because I'm getting older, or if I'm simply moving into a different mindset. I loved this year! It was awesome, and I'm so happy to see that I've written MORE for Nnoitra this year than I did in 2022 ( even though my overall word-count went down from 290 000 to 280 000 ). I can't say I completed many of my goals ( or any of them LOL ). I had lots of goals for 2023, but I was unable to complete them. The past few months, especially, have brought forth big changes in my creative flow and focus.
I've realized that I need to change my priorities, to better fit my new mindset.
Roleplaying is no longer going to be my main focus. In the past, whenever I've wanted to write, I've always focused on finishing drafts, asks ect. I've mostly written on here, since that's what I prefer. Or, rather - what I used to prefer. This is not to say I don't have muse for Nnoitra, because I always feel inspired for him. What's changed are my priorities. I've come to the conclusion that what's important to me is creating stories. Since Nnoitra's story ( main verse ) has become so stagnant, it feels less important to me. I know I can drive the story on, push it forward and thus find it important once more, but - I don't want to do that. I want to create my own, original stories instead. Becoming a professional writer has always been my dream, and that's simply not possible to do when I'm prioritizing rping. Roleplaying is going to have to take the backseat.
--- That being said, I'm absolutely not quitting! I can't imagine myself not writing for Nnoitra, so I'll be writing on here like before, and I'll even try to be more consistent. An enemy of mine in 2023 has been procrastination. One of my goals for 2024 is to conquer this, so that I can be more efficient with my time. I think that by dedicating less time to roleplay, I'll be more efficient when I do sit down and write for my muses. My activity the past few months have been spotty, so I'd love to get into a better flow.
2024 GOALS:
FOCUS ON PERSONAL PROJECTS. I have a lot of them. Two (three?) book projects, two long OC-centered fanfictions.
WRITE FANDOM PROJECTS. I have a lot of ideas for fanfictions, and I want to make the time to write them. Some are long, some are short. Getting feedback on my stories has always been a great feeling, and fanfiction is the best way to get that serotonin.
CHANGE MY WRITING HABITS. My habits are bad. They lead to a ton of procrastination and wasted time. I want to be more structured when it comes to my writing time (and my time in general, but especially my writing time). I want to stick to schedules, word-count goals, page goals ect. Conquering procrastination is going to be key.
CONSISTENT RP POSTING. Even though I won't be focusing on roleplaying, I still intend to do it regularly and get replies and asks out in a more timely manner. I'll probably set off some time in the evening to get replies done, and have some fun on the dash when others are online. I'll try to be consistent across my blogs, not just on Nnoitra.
CREATE THINGS THAT ARE PHYSICAL. I've come to realize that I love things that translate to the real world. Not just words on a screen, or a digital artwork, but things that you can touch. It's why I've absolutely fallen in love with watercolor painting. I'm going to try to print some of my writing work so that I have physical copies. I'm also going to print my art so that I can hold it in real life.
FIND A SHIP FOR NNOITRA. It's been so long since I wrote a ship for him, and I need it back in my life. I've been looking for a ship for him the whole time, but I need to put more effort in, and let him interact with more characters, as well as continue to develop the relationships he does have ( in case one of them turns romantic? ). I'd love for 2024 to be the year Nnoitra falls in love again.
I am SUPER excited for 2024! I love new years and fresh starts, and I feel so incredibly inspired by the changes in my mindset. I feel like I've been stuck for a good while with rping. Don't get me wrong, I've loved every second of it, and I've learnt so much about writing - and met the most amazing people. It's just that it's time for a change. Time for me to create other kinds of stories. I thought that things were aligned for me to write books last year, but I really didn't have the right mindset - but now I do! I'm hyped!! Hope you're ALL going to have the most amazing 2024 guys!! ]
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monkey-network · 4 months
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Good Stuff: Best Movies of 2023
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This was NOT a great year for blockbusters, huh? This was probably Disney's worst in years, multiple flops including what was meant to be their centennial anniversary film. It looked remarkably by the numbers, but think of the conglomerate's losses... Anyway, this to me was a pretty great year for films. Like 2022, I'm amazed at the variety we got that says more about the shifting tides of people's interest in movies. It was the most times I've been to the theater. We got a big worker's strike over the summer, especially large push back against degenerates trying to push AI to do more than just shitposting. And it was enough for me to know Adam Sandler, Godzilla, and Hayao Miyazaki could get the better of Disney. With this said, let this be a first for Good Stuff and count down my favorites of this year.
12. Renfield
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My suspicions were on the money and I'm glad I gave this a shot in the theaters. Cage was the best Dracula I could've asked for in what you might say was an Adult Swim-esque dark comedy. It definitely has that style of gruesomeness and humor given Robert Kirkman and the Writer/Director behind Moral Orel made this. Unfortunately, Ben Schwartz stuck out like a sore thumb even if he fulfills his purpose in this, reminding me of Christopher Mintz-Plasse in KickAss; I feel he or Jason Schwartzman would've been better suited. Plus it can feel all over the place, an identity crisis that you can't even grasp after it finishes. Then again, I just had fun watching and would gladly rewatch for Cage and Hoult who are the highlights of this.
11. Migration
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Call it blasphemous, but I enjoyed this more than the Mario movie. It's essentially Rio mixed with National Lampoon's Vacation, with a lovable cast, solid animation, and an eazy breezy road trip story. I've always looked to Illumination for simple enjoyable romps and I got what I expected here. Gave me Amphibia vibes in a way, replace frogs with birds. Everything surrounding the villain is my only real issue, he was an obvious and very nothing bad guy, but it's overall better paced than Super Mario Bros where it felt like you watched an eternity in 3 minutes. Still don't get the air of folk looking down on this for just being serviceable when it's honestly become my favorite Illumination movie next to the first Despicable Me.
10. Killers of the Flower Moon
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Sad to say this is the weakest Scorsese movie for me, mainly because it felt like we're following the wrong main character. Lily Gladstone is incredible in this, among the other great performers, but she felt sidelined in favor of DeCaprio and De Niro's perspectives. It's like if in 1995's Casino, we just follow Ginger throughout the moment Sam introduces her. I liked the turmoil Leo's character goes through, but it paled in comparison to Mollie who was more affected by his and Hale's actions. That does not mean it's all bad. This can be a beautiful, dynamic, and ruthless movie that just made me feel bad for watching it; running with the words "harsh reality" throughout the 3 and a half hour runtime.
9. Good Burger 2
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I watched Good Burger 1 & 2 this Thanksgiving weekend, and just had a blast. These are the kind of movies that are charmingly stupid but not insultingly so. Kel Mitchell's Ed is emblematic of how much dumb fun this duology is where he's actively comical but not smoothbrained to ruin your time. This I say is like Home Alone 2 where it is just beat for beat the 1st movie with minor developments but that doesn't really matter when it's just as well put together. It never feels like Kenan nor Kel missed a beat and the drama not overstaying its welcome. It is just "Good Burger Again" without it feeling like diminishing returns compared to other rehashing sequels.
8. Leo
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Can you believe this got better publicity than Disney's Wish? Even YMS could appreciate this movie, that's how you know Sandler has his recognizable game when you least expect it. But Leo is a surprisingly good comedy that has actually sincere moments. Being Happy Madison's 2nd ever animation, it's like Adam waited to refine the production as opposed to putting a cash grab together like one would expect. It's not all good, especially trying to be a musical, but seeing it once you'd be impressed how much good it does with the risks it takes.
7. Nimona
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Like Migration, everything surrounding the villain is the one big issue I have with this, especially when it comes to affecting the film's message. At the same time, she pales in comparison to the dynamic pairing of Ballister Blackheart and the titular shapeshifter. Nimona is my favorite character of 2023, her energy and confidence matched by the struggle she bears existing alone and the facade made to band-aid it. Her and Ballister's journey alone made me glad this got out of development hell, being Blue Sky's final production posthumous. To me it wasn't about being a take that to Disney, it was about the fact a movie like Nimona got to exist as great as it did. Hoping Stevenson is satisfied with their adaptation, because it definitely earned its flowers.
6. Emesis Blue
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Offhand, it openly sucks that Letterboxd refuses to let this stay on the site to log, but it can't be overstated how much of a marvel this was. Repurposing not just the characters, but the lore and mechanics of Team Fortress 2 into a feature length horror thriller. The animation's top notch where it can have godly framing that was on par with the known legends of horror film making. SFM animations can be beautiful on their own, shitpost or otherwise, but Emesis Blue goes a step beyond by having a compelling story fitting for the universe on top of, again, every frame being a painting.
5. Shin Kamen Rider
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I've never really saw any Tokusatsu shows. Not that I hate the genre, just could never get into it while recognizing the glorious looking chaos found in clips. Knowing Hideaki Anno directed was what got me into seeing this film and it opened my mind quite a bit. This was the legacy film that definitely had Anno's touch in both the action and drama. While the climax can notably drag, you never feel left out of what was essentially the original Kamen Rider's origin story. It doesn't have the complex VFX of stuff like Marvel, but the costumes and fight scenes makes me wish we got more of this in America beyond Power Rangers.
4. TMNT Mutant Mayhem
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Advertising before release really didn't make this appear like a promising film. If there's anything I learned from this year though, appearances can be deceiving. Like Nimona was for her movie, the creative choices for this made it the TMNT movie I never knew I wanted. To me this felt akin to the Lego Batman movie where it's not only a good love letter of the franchise for more than its fanservice, but this spin on the characters is able to have a new sincere view of them without overhauling everything about the TMNT. That and it has the greatest needle drops I've had in a long while like how do insert He-Man Fabulous Secret Powers and expect me to hate this?
3. Godzilla Minus One
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I call this a great year for films because it marks the first time I got to see a Toho produced Godzilla, with subtitles, in an real movie theater. Needless to say, it felt like I got to enjoy the 1954 film again anew. Not a remake mind you, but the parallels were uncanny and this spins here work just as well, if not more here than with the original in a couple places. Both are still strong movies nonetheless. Minus One is a refurbish that dishes out what people always wanted and uniquely giving a little more while never sacrificing why the OG is that timeless. With it getting more than a limited release, I'm glad this got to be more than a niche celebration of the kaijuu king.
2. Oppenheimer
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This film's been meme'd to heaven, hell you could say it got meme'd to success thanks to its dual release with Barbie, but it didn't undermine getting hooked to watching this anyways. This really has become my favorite Nolan film, a compelling biopic that doesn't exactly herald its titular lead in the best light thanks to the paradoxical storytelling. Oppenheimer gives us the largest ensemble I know, and delivers in the most breathtaking moments I never knew I could get. Cillian killed it among the many who made the three hours of people sitting and talking in rooms actually tense and intriguing to thread. Plus it gave us the beauty of Josh Peck being the guy to detonate the test bomb like cherry on top of this cinematic cake.
1. The Holdovers
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I remember watching Alexander Payne's Sideways with Paul Giamatti as a high schooler but couldn't appreciate it until rewatching this year. It's one of the best mid-life crisis comedies you could see, still fresh in its easy going presentation and music. The same can be said for this film, made to feel like it came from the late 70s or 80s with the old opening logos that I didn't think you could do in these times. Out the gate, this was the holiday story I was shocked would be as relatable as it was, with the trio of Giamatti, Randolph, and Sessa each having their story that resonated with me strongly. With the right amount of time, Payne offers an remarkably cozy, down to earth movie where from reserved to outgoing, it did a lot for me emotionally. Like Netflix's Klaus, I kinda want this to be a traditional rewatch for the holiday seasons. One that everyone should try at least once, especially if they feel the disillusionment of the season where this might lift their spirits one way or another.
If there's anything to learn from this year, it's that the meta has definitely shifted. Even when the many on my list didn't make billions like the Avatar films, the variety and risks made spoke more than the big dogs like Disney and WB putting out unprofitable blockbusters that ranged from very by the numbers to you don't need to see The Flash to know how god awful it just was. More people are & should branch out beyond the major mainstream names. Not that the big dogs aren't ever gonna make great films in the coming years, but we should appreciate more than the big budget features you can tell are playing it safe. Time can be patient for great cinema, sleeper hits or not, so take advantage while you're young.
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variousqueerthings · 5 months
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My granny used to put things on tumblr
It's! The Infamous! Kill The Moon! otherwise known here as the pro-life Doctor Who episode. so that's... something that was on my mind while watching. To be honest, I don't think I'd go that far, I think it was mainly politically completely unsure of what point it was trying to make at all
but yes, it makes the suggestion that Tumblr is not only around but a hit with the teenagers in the year of 2049, which is actually its best and funniest statement
sexism rank objectification (female character is ogled/harassed/turned into a sex joke by the doctor and/or a lead we’re supposed to root for and/or the camera): 8/10
sexism rank plot-point (lead female character is only there to serve plot, not to have her emotional interiority explored, or given agency to her emotional interiority): 8/10
interesting complex or pointlessly complex (does the complexity serve the narrative or does it just serve to be confusing as a stand-in for smart, this includes visually and philosophically and emotionally): 3/10
furthers character and/or lore and/or plot development (broader question that ties into the previous ones, at least two of these, ideally three should be fulfilled): 7/10
companion matters (the companion doesn’t always have to be there, but if the companion is there, can they function without the doctor– and overall per season how often is the companion the focus or POV of the story): 5/10
the doctor is more than just “godlike” (examines the doctor’s flaws and limitations, doesn’t solve a plot by having it revolve entirely around the doctor’s existence): 4/10
doesn’t look down on previous doctor who (by erasing or mocking its importance, by redoing and “bettering” previous beloved plotpoints or characters, etc.): 4/10
isn’t trying to insert hamfisted sexiness (m*ffat famously talked a lot about how dw should be sexier multiple times, he sucks at writing it): 10/10
internal world has consistency (characters have backgrounds, feel rooted in a place with other people, generally feel like they have Lives): 3/10
Politics (how conservative is the story): 2/10
FULL RATING: 54/100 (if I can count….)
this episode.........
OBJECTIFICATION: we brought back fan-favourite ORANGE SPACESUIT (orange spacesuit my beloved). Actually genuinely, hi bby I miss you every time I don't see you. It's been in this season twice for some reason
apart from Clara, we also have Courtney the teenager, and um... science space lady whom I recognise from back when I watched all of Spooks just to get to Richard Armitage in s7 of that. but enough about MI6 propaganda, this is um... Moon Propaganda? listen, I know exactly why it's called the Pro-life episode, and technically that is its worst implication with what it's doing, but I think there's so much else we can tear it to pieces for
however, objectification of its female characters is, blissfully, not one of them
PLOT-POINT: so as of time of beginning this sentence, I've rated this one quite highly, because it's all about Clara's trust and faith in the Doctor being shaken, when he treats her badly just one fucking time too many
I'm unsure if it'll continue being highly rated, because unfortunately the way the episode went about all of it was sooooooooo "forcing something into the correct shaped hole in order to make this exact point and so as consequence I feel like Clara almost suffers as a character, rather than grows"
but this may be an issue to come at in other points. Technically it fulfills this remit!
COMPLEXITY: moon's an egg. [gets a nuclear bomb]. moon's an egg.
oh boy oh boy does it try to do something emotionally complex with this one, but really all it's about is that ostensibly all of humanity is wrong for being worried about a Thing Happening that they've had exactly no knowledge of since like. less than an hour before they have to make a decision, and even then have barely any info on
seriously, listening to Clara's speech, I was wondering if I was on earth, how would I react to that? Ok so wait, moon's an egg- oh it's hatching, right now? and we want to blow it up to... turn it back into the moon? BBC science advisors what do you make of this, oh hallowed of totally unbiased news? doesn't the moon doing all of this mean the earth is fucked either way, I mean... something with tides right? ahhh we have vote by turning off the ligh- well the council roadworks shorted out the building again mate, so idk. guess I'll die. or the moon dies. or we both die? do I have enough mobile data to check in with this one?
so wait, if the moon's an egg- [episode ends]
they should not have involved the whole earth in this one for starters. secondly the Doctor leaving is bonkers yonkers. thirdly the scifi bullshit is streeeeetched thin. sooooo thin in this one. fourthly Science Lady with the nukes, I don't understand your motivations very well beyond Space Scary so this might be scary also. fifthly Clara being in the middle of something that makes so little sense, means that I'm having to engage with her emotions about something that makes no sense, so how can I take her arc seriously? this is ostensibly a Clara-centric episode that has her reevaluate her whole feelings about the Doctor based on being warned about Red Flags numerous times, but the science fiction underlying concept is "would you kill this unborn child if it would save billions of people" to which the answer is... yes?
(aaaand we come around to the pro-life vibes of the plot eyyyy we got there)
but mainly "would you kill this unborn child if it would save billions of people" is then peppered with so many "uhhh ignore this logic flaw" moments that I can't get into the actual ostensible philosophical point it's trying to make, because not only is it a bad point, it's also made badly -- it's not "would you kill this unborn child to save billions," it's "this hypothetical child is the moon, and whether or not you kill it doesn't matter, because the earth is gonna be without a moon either way, so you're basically fucked might as well let it live" or even (as it turns out to be) "this unborn child is the moon in a system that deliberately makes sense to allow earth to continue, so there's no real stakes here actually"
ironically M*ffat-era did this better in s5ep2 with The Beast Below, and there was more to it than "just" people kinda suck. like yeah, that episode struuuuggled with justifying its political structure, but its central philosophical ideas are quite interesting and Amy's journey in that is about growing and changing and seeing
Kill The Moon has such a simple premise that you can't see anything but the question it's asking and the more you look at it the more you go... "wait, what?"
CHARACTERS/LORE/PLOT: this is the episode where Clara finally goes, "hey fuck you!" at the Doctor and yeah, it better be, however I have so many questions about what the heck the Doctor is doing in it
a. leaving Clara behind just to see what she'll do b. "lol if the child that crucially I am the only own who knows doesn't have to die dies, then that's a learning opportunity for... someone" c. this episode starts because the Doctor told a clearly-struggling teenage girl that she "wasn't special." not onscreen or anything, just at some point, just cos -- I have been reminded several times (by others and also by myself) that Ten could be quite unthinking at times, and this is true. it brings to mind when Ten says to Donna that she's not important, but the context there is that Ten sometimes says/does things without thinking and in this instance, crucially, is having a bit of a rough time, and then spends the rest of their time together basically apologising for his own words. now not that this is a "competition," they're not real etcetc. but Twelve is. A Dick. To Everyone. and that is kind of just... there. I am waiting for something to happen with that, I am seeing where this is going, but seeing as I brought up Eleven and The Beast Below a second ago, "you couldn't bear to watch a child cry" is one of the most interesting things about that character, and other Doctors bear this out too. they are -- for the most part -- not massive dicks to kids
Twelve has a line in this where after Clara rebukes him for being a bastard to the kid for the whole episode, goes "she’s fine, what are you 35?" (Courtney then replies, "15")
it's fascinating that this Doctor not only doesn't like people, this Doctor doesn't even see people
and Clara is now reacting to this at last by going, hey buddy, fuck you
but I am definitely reaching a point where I hope all of this makes some sense, because oh boy is the Doctor just not likeable, and the more that is stretched out, the less fun I have watching these episodes, especially when it feels like it's being leaned on for comedy
COMPANIONS MATTER: I have feelings about M*ffat having a couple of episodes where some kids that Clara knows are brought on a space adventure, and those feelings are... it was bad
I think the actress who plays Courtney is better than the two kids in Nightmare In Silver, but she is -- like them -- such a badly written teen, do you not know how 15 year olds speak? what is the purpose of having kids in these stories, if you're not telling a story for that age group? "Hey, you too could fly on the Tardis and have an adventure and do something incredible," but instead it's "hey you too could... tag along, get bored, sit on your phone, make stupid comments, and be ragged on by adults the entire time"
I will give Courtney is 100% going "uh let's not kill this creature" the whole time (weirder vibes with the pro-life undertones, fine if you just consider that like... it doesn't make sense to kill it anyway, because once again, have to say, the scifi is so bullshit as to be unintelligible)
meanwhile Clara asks the earth for advice, decides not to kill the moon against earth's advice and everything is fine and dandy (no consequences within the actual episode, because it's really just a backdrop on which to cause Doctor and Clara Drama), it's... the more you think about it, the less she has to do in this episode, other than to emote (understandably) at the Wildness of the Doctor just deciding to leave her alone, just... because.....
but yeah, technically none of them need to be there. even Science Lady is barely an antagonist
“GODLIKE” DOCTOR: HE'S A DICK WITH A TIME MACHINE WHO DECIDES TO PLAY 5D CHESS FOR NO REASON FUCKYOU MATE
PREVIOUS DOCTOR WHO: HE'S A DICK WITH A TIME MACHINE WHO DECIDES TO PLAY 5D CHESS FOR NO REASON FUCKYOU MATE <- this was the previous point also, and I think that may be unfair to call "totally against every way the character has been written thus far," but then again.... is it?
we've had Machiavellian Doctor. we've had Doctor makes decisions for others, because they don't trust people with their own agency (literally from the beginning). we've even had Doctor who tries to unwrite a fixed point in time because of being mad with grief
we've had many flavours of this kind of Doctor. but have we had a Doctor who just... leaves.... because fuck this noise. not leaves out of defeat. not leaves out of disgust with people. not leaves because of idk, exhaustion. leaves because "hey why not let you deal with this one, even though I have all of the information to defuse the situation instantly, but I just don't like anything anymore"
there's some grains of something that could be interesting there -- and even is interesting in other episodes of this season, but maaan do I feel like they gambled on how far they could push things with this episode, but failed to make anything in it compelling, and so the Doctor comes out the other side an incomprehensible asshole
there are fun references to classic who in this episode, but at least one of them feels bastardised (the earth isn't my home) in order to justify the Doctor simply not caring anymore. it's like the inverse journey of Nine, but an endless endless slog
boy oh boy does this season/era have a lot of legwork to do to make me care
“SEXINESS”: I guess at least this is fine?
INTERNAL WORLD: *I wish I could take a massive swig of wine but I do not drink. sips tea with disgust instead* the moon is an egg could be fun. it is not. political situation on earth that merits earth being involved in this episode? nah none of that
Tumblr is still around though. should I vote it one down or up for that assumption?
POLITICS: ohhhhkay we've covered this I feel, in all the other points, but to summarise: it's so incomprehensible, with a dash of I think definitely unintentional pro-life stuff going on, but mainly just there to justify the Doctor's continued bleak, cynical, utter lack of faith in humanity As A Statement
sure there's a breadcrumb at the end of "and now I guess you'll get better" but it's just... it's like you know how Rise Of The Guardians has this whole Thing where children stop believing except for this one persistent light that won't get snuffed out, and so the Guardians all gather around that light as a way to regain their powers and protect the children
this episode doesn't even have one persistent light, never mind a coherent political statement. I think the one persistent light was meant to be Courtney, but it failed so hard at having purpose on any fronts that of course she was barely needed in it either
we also get an added nugget of Danny as he uses his experiences in the army to mirror Clara's experience with the Doctor (which, even that is just... bleak as hell comparison to make here)
Danny: I left the army Clara: You loved the army Danny: Yep. And then one day I didn’t
seriously hope we get something more in-depth about Danny versus the military industrial complex at some point -- I mean, orphan who found structure in a system, the violence of which eventually drove him out? that's interesting. Potentially
FULL RATING: 54/100 (if I can count….)
this episode should not be rated this highly, but its crimes do not extend to literally treating its female characters as garbage for being women, although I do have some questions about Courtney as a Black teen who's told she isn't special as what sounds like a casual aside and acts out as the setup for this episode to happen in the first place
at least we hear she does well at the end of the episode, but urgh, why is she there for this story, when so much of it is pointless, her being there is just as pointless as the rest of it
at the end of it, we are left to question: okay but does the Doctor's character regression at least get better after this?
and what is Clara's whole... deal (at least that, I think, is answered at the end of the next one)
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cosmicjoke · 3 months
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okay cosmic. i am back again for another analysis from you. we have talked a bit about megumi fushiguro but not in depth and as you know he’s my favorite jjk character. so i was just wondering your in depth thoughts/analysis on him. lots of people call him “boring” and “useless” which i disagree and i always love reading what you have to say about characters even if it isn’t the same as me(which it almost always is tbf). anyway it’s ok if you don’t have anything to say about him just would love to hear your thoughts if you do 🩵
It's funny, because Megumi was initially my favorite character on JJK too, before it became Gojo, and Megumi still remains my second favorite, so we have essentially the same characters in our top two spots, haha.
Overall, I never enjoyed JJK the same way I do say Attack on Titan, so I've never put as much thought into it. I only read it once through, and I admit that the fatigue of getting through so many battles, with so many pages of exposition explaining how some characters cursed technique works, made me pay less attention, so I've forgotten a LOT of the details of the story, including character names, etc.... I would have to re-read it I think to really develop a better understanding of it and its characters. So I'm afraid I won't be able to offer a great deal of insight or really thoughtful analysis the way I try to with AoT and its characters. But I'll try my best here.
I have no idea why anyone would call Megumi useless or boring. Maybe because Sukana was able to bring out the full potential of the Ten Shadows technique, and people think by comparison, Megumi is a failure. But it's an absurd comparison to begin with. Sukana is literally ancient and has been around forever, while Megumi is, what, 15 or 16 years old? He's just a kid who hasn't had any kind of chance yet to develop or reach his full potential. And even still, calling him useless is a purposefully false accusation. He's been integral in numerous battles and conflicts in JJK, essential in his friends ability to walk away with their lives.
As for calling him boring, again, I don't know why anyone would say that about him. Maybe because he generally tends not to show a great deal of emotion? But then, you and I both know how stupid it is to assume a character doesn't feel anything just because they don't engage in dramatic displays of emotion. I think it's obvious that Megumi is dealing with a lot of repressed trauma, both from the abandonment by his father, and the situation with his sister. That, on top of the horrors he and the other jujutsu students have to face daily, and I think it's just made him a very guarded person. But the devotion he feels toward his sister betrays what a caring person he really is. He never abandoned her, even when she fell into a coma. He would always make time to visit her, and did everything in his power to protect her. So while Megumi affects an attitude of detachment, I think it's pretty obvious how much he actually cares about everyone around him. Like when he first meets Itadori, he acts like he can't stand him and doesn't care what happens to him, but it's Megumi who first requests Gojo's help with Yuuji, and we see over and over again how much he actually cares for him, and all his friends, and how deeply it impacts him whenever any of them gets hurt or dies.
I actually think Megumi is probably going to be essential in some way to defeating Sukana. I haven't been reading these last, several chapters, but I've been keeping up with spoilers, and that's just the sense I'm getting. There was so much build up to Megumi's potential, with Gojo's lessons with him, with Gojo telling him he had the potential to surpass him, Sukana's taunting and then stealing his body and technique, etc... So unless Gege drops the ball on his own foreshadowing again (which is always possible, considering the shitshow that his writing has been lately), I think Megumi is likely to become the actual hero of this story. I think he's been being set up to take on that role since basically the beginning. The character that, on the surface, seems the least invested, or declaring his own detachment from people, being the one to actually save the day, would be a classic hero trope. Our main players right now in Itadori and Yuta falling to Sukana, and needing Megumi to overcome him in order to save their lives, would make a lot of sense to me. Like defeating Sukana from within, after being underestimated and after Sukana's attempts to destroy Megumi too.
Of course, I could be totally off base, and whatever happens with Megumi could just be another, underwhelming bleh moment, kind of like what just happened with Kenjaku and his story and connection to various characters going absolutely nowhere, lol. So who knows. I don't really trust Gege as a writer at this point. But maybe he'll actually manage to pull off something worthy of Megumi's character. He's due for something like that, considering the way he butchered Gojo's ending.
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ineffable-endearments · 9 months
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This is not meta, I'm just venting boringly and feeling very sorry for myself YET AGAIN lol. Season 2 spoilers.
If I'd known for sure. For the past two years. If I'd had a vague idea. "Season 2 will end on a big cliffhanger." "Season 2 will end in a bit of a dark place." "Season 2 is gonna be a tough one."
I'd have experienced some sadness and disappointment on hearing that news, but it would have happened slowly, over time. I'd trade away a few of the deliriously excited moments I've had over the past couple of years in order to soften what I'm feeling now. Of course, that would go against many fans who would have wanted to be totally unspoiled, and it wasn't the way Neil and the rest of the creative team wanted to tell the story, so that's okay. I accept it and can't blame anyone for how they approached it.
Like I said, I did know that act 2 of 3 usually ends with a massive flare-up of conflict. But I'm not a professional storyteller; knowing that fact in the abstract didn't keep me from wondering if maybe you could get around that somehow, or if maybe it could be...mitigated.
Rob did say "it will break your heart." That definitely put me on the alert a bit. But since it wasn't particularly corroborated by anyone else, it was easy for me, in an excited and hopeful state, to wonder if maybe he was talking about something that happens mid-season.
Intellectually, I KNOW how good this development could be for the overall story. I know. I know. But it doesn't fix the uncanny sadness of losing a favorite fantasy - losing something that only ever existed in my head, that is technically still there but feels changed now by this knowledge.
Almost nothing ever seems to get my blood pressure up in a way that I'm conscious of - but this season does. Sometimes, when thinking about it or worrying about the future, I can feel my heart start to pound and the blood rushing up the sides of my throat. Even now, two days later.
What's more, I'm realizing that I am just not very good at catching certain details. I didn't even notice, for example, that Aziraphale and Crowley were on the opposite sides from where they usually are during the ending credits. I completely missed a number of plot threads that were left hanging and didn't even notice a bunch of dialogue that is demonstrably bizarre. I was hoping to do more analysis and probably will continue to do it anyway because I can't help it, but it doesn't feel great knowing that I might be wrong about most things because I am maybe just not that good at analysis.
These characters, Aziraphale and Crowley, really do feel like two halves of me. And I'm stuck with all these massively strong, frankly irrational feelings about where they were left off, fractured.
It's weird having big feelings about this because people in real life don't get it, and they would not be totally unreasonable to wonder why I can't just compartmentalize and let go. My partner and family have been incredibly sweet, have never belittled me for feeling strongly (about anything), and have in fact been very reassuring. But I'm still aware that they would be a bit bemused and maybe concerned if I voiced the continued intensity of my feelings to them.
Anyway. That's what I'm doing here. If you've somehow read to the end, thanks.
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y0d00p · 2 months
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since i'm no longer viscerally opposed to seeing ex-besties OCs or having them on my page, i wanted to share some old art i still like that happened to feature them :) the first pic here has what i consider to be one of the cutest/best looking Lad's i've drawn. overall i just like the little homage to Computers I Like
the posing in the second one is really cute, and i love the composition in the third one! the story with the third one is that in our RPs, multiple characters had become corrupted/infected by Soed, excluding VR specifically, despite him really wanting it. funny (?) in hindsight now that he's Soed spawn himself
more ↓↓↓
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i drew TONS of these tiny comics of just OCs saying funny quotes from videos or tumblr posts. i'm sharing this one because i like how everyone is drawn here and because Lad is in it
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pokemon AU Lad and (the other one) was one of the last major things we RP'd together and actually "finished" and it was really special to me. asocial middle aged man living off the grid after escaping a criminal organization and the pathetic 35 year old shmuck he meets that just lost everything and doesn't know how a pokeball works. human Lad (as a separate character) got a lot of his development from this
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comics from an RP we had where their kaiju OCs showed up from an interdimensional portal or something and started causing havoc. back when Lil was into dudes lmao
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i'm sad about archiving this one because it's a cute little moment with Tro and Icha but i feel like the set up with (that guy) is too good to just cut out (sorry these are long, if the text is hard to read, you can click -> right click -> open image in new tab to zoom in)
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this was drawn back in Splatoon 1 time... before playable octolings and new hairstyles... the pacing in this makes me laugh
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to finish up here's some doodle pages focusing on Lad and (the slot machine), including a fusion. i love the Lads in these so much ubububu he's so cute
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Lad reading I Have No Mouth and I Must Scream to (the slot machine). little Lad is so cute LOOK AT HIM!!!
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msmargaretmurry · 6 months
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writing meme
i was tagged by @postoperation AND @bropunzeling AND @vivathewilddog wow ily friends but calm down (❤❤)
Rules: Go to your published works on AO3 and list the first fic you ever published there, the last fic you published, any fic that you wrote for a fandom/ship only once, your favorite fic you wrote in the fandom/ship that has the most works, the fic you wish more people read, the fic you agonized over the most, the fic that sprang fully formed from your mind without any effort, and a work you are proud of—for whatever reason.
first fic: the oldest timestamped fic on my ao3 is Golden Boys, a quick little pk subban/john tavares fic from 2012. i want to say it's short and sweet but i honestly haven't read it in ten years, so who knows 😂 there are some bandom fics and a tsn rpf fic on there that are older than that one but i imported them from livejournal in like 2015 and didn't backdate them properly, and i don't feel like figuring out which one is actually the oldest, and also don't want to draw attention to them because woof, that is some old old writing of mine.
last fic: this is for keeps, the one-year anniversary timestamp for head above water ❤ i had actually wanted this to be longer/a richer story but i've been struggling a lot with writing this year and so i just ran out of time and decided short and sweet was better than nothing. i am happy with it, though; i think it hit the most important beats i wanted to hit!
any fic written for a fandom/ship only once: homeland, the mighty ducks adam/charlie fic i wrote for yuletide a couple years ago. i feel like i answered an ask about this one recently so sorry to reiterate but if this hadn't been on a deadline it would have been five times as long and five times as angsty, lol. but also if it hadn't been for yuletide i probably wouldn't have written it at all, so it's all a wash i suppose. despite the deadline of it all though i enjoyed writing this one and think there are some really lovely bits of writing in it.
favorite fic in the fandom with the most works: this is one direction, which i wrote exactly one fic for, so i guess it's my favorite by default: the very best of, which i wrote in the complete haze of peak pandemic quarantine and now feels like a total fever dream. but it was fun! i love the bits of fake journalism and fake songwriting i did for it.
a fic you wish more people had read: come and make the hymns of you, which i can't really complain about fewer people reading because it is a fic for a relatively small fandom written twenty years after the thing came out and about a decade after that fandom's fic-writing peak. i'm really proud of it, though! i think it's one of the best things i've written! it was really fun getting to write in a style that i don't usually get to use for present-day rpf stories, and i love the character voice i developed for webster.
the fic you agonized over the most: i agonized a LOT over HAW, but i think that the land between our bodies still wins here. writing that fic was truly like pulling teeth. like i am very glad i finished it for the exchange and also i'm very glad people enjoyed it — tbh people enjoying it is the only reason i have any fondness for it 😅 — but from a personal standpoint i don't know if i'll ever get over how shitty i felt while writing it to properly enjoy it for myself. but maybe i will! i certainly hope so!
fic that sprang fully formed from my mind: The Next Next One, for sure. what a fun and fulfilling writing process that was. i mean, it's a long fic, so there were definitely parts that were a little tougher to get through than others, but overall it was such a smooth creative process. all of the plot pieces just fell into place. huge shoutout to @postoperation and @moregraceful for being my very encouraging captive audience as i word-vomited it into emails until i got the whole story out ❤
a work you are proud of: okay okay yes fine it's head above water ❤❤ i was actually super unsure about it when i posted it, but after taking some time to let it breathe (and to talk with so many of you all about it) i did end up really proud of it, and i've had such a good time continuing to play in that universe 💞
i am tagging (and attempting to tag folks i haven't seen tagged 😂): @irrelevanttous @grittyreadsfic @loveisworry @the-ships-to-rule-them-all @lilcrickee if you want to! no pressure!
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barrenclan · 1 year
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This is, very possibly, either kind of pretentious and “I’m fourteen and this is deep” sounding or bland redundant babbling, but this issue did actually make me think about these things in my inexperienced teenager-y way and I wanted to share. Probably messy no matter what. I wouldn’t mind if you just deleted this because of that.
I feel like this issue really dives into some of the thematic issues of this comic. (Not issues as in, these are done poorly, issues as in the characters are talking about them/they are present in the story.) Mostly some stuff about society.
Basically every society or social group is concerned with the problem of creating more of themselves, or continuing their traditions or preserving what makes them them in some way. I can understand where Cootstorm is coming from because of this, she desires the continuation of Barrenclan in its current form, even if largely for their self-immolation, their need to be “punished for what they did.”
And if you want to continue your group, and are not interested in moving elsewhere and possibly don’t want to bring outsiders in? (Don’t know/remember if Cootstorm is xenophobic) Well, you can’t have four she-cats in a litter, that’s for sure. The feelings of the other cats don’t matter and the most important thing is Continuation.
Which is how we get the situation Pinepaw where he’s being forced to have kids because of what I would describe as a toxic dedication to continuation, to reproduction. “You better be attracted to mollies and able to reproduce or otherwise you are being useless and ignoring your responsibilities” kinda thinking. And like. Yeah that’s Really Bad. Not cool, Cootstorm. But I also understand why she is doing these bad things and what philosophy has led her to this point and think it’s interesting.
What I’m really trying to say about Cootstorm here is “interesting motive, still murder” you know? Just trying to make that clear.
So yeah, cool issue. Love grumpy kit Cootstorm.
If someone writes out a personal, in-depth, and thoughtful message about my characters, I won't delete it (unless you ask me to, in which case I will).
I like your thoughts about Cootstorm a lot. It's definitely close to the themes I've been aiming for in the story, and how BarrenClan's desperation drives them to even worse suffering in the end. The problem with toms is two-fold; in the recent years, around since when Cashew showed up, 1.) loners have started to avoid BarrenClan territory even more than before, meaning there is no outside genetic material, and 2.) many toms have died out in the Clan and only Pinepaw had been born, leaving it with mostly she-cats and many of the BarrenClan cats related. That's where the story starts.
I'm very glad overall that people responded well to Cootstorm's further character development.
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utilitycaster · 1 year
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Some of the resentment I've seen of FCG's coin feels like it stems from viewing FCG as less a character than a vehicle for Sam to do bits. They view the coin as Sam doing a bit that isn't landing and is taking up time and space that could go to the actual characters in the group that have stories instead of what they view as a bunch of disconnected jokes. I saw this with FCG going into the Grand Ring, too. People on Twitter saying that that was Sam trying to get the group killed for a laugh.
Truly I have to believe there is either one server or just like...a bunch of very stupid people who all follow each other and parrot each other's takes because the reaction to the Grand Disk especially is absolutely batshit fucking nuts:
If you give a heroic adventurer a weird noise, they are probably going to investigate it. If they investigate it, they are probably going to check it out. If FCG hadn't run in, someone else would have.
This show has been on for literally 8 years now and there has never been a main campaign TPK. Truly the Otohan fight is the only one where I take serious issue with the balance and signaling, and even then, so what, half the party died, they fixed it. Why is this fight different from all other fights?
On top of that this happened before we knew resurrection was broken, too, so like, the reaction during the episode truly makes no sense; the audience knowledge was that this party has THREE people who have revivify and two with Raise Dead and only one true glass cannon. They are arguably better positioned to take on threats than like, Bells Hells the regular party.
If a character dies the cast member will play another character and just based on the track record of past replacement characters the chances are high that they will be just as good if not better. If you don't want to watch a show in which permanent character death is an option then go do that.
I have, recently, actively tried to push back on the "bro do you even play TTRPGs" attitude people sometimes have regarding really stupid criticism, and to be fair this is narrative criticism too but like...unless a TPK is explicitly the goal or baked into the setting as a possibility (eg: Calamity; Neverafter; games designed for it like the Tomb of Horrors module or Call of Cthulhu or something) the GM absolutely does not want a TPK. Do you know how much fucking PAPERWORK is wasted in a TPK. If they had a TPK Matt would have had to look at an entire encounter and backstory regarding, say, Oltgar and Drixlitch, that he had lovingly designed, and go "well, guess that's fucked."
So anyway if you saw FCG go through the gates and your thought was not "ooh, combat" but rather "this will be a TPK" idk work on your breathing exercises or something because that's a wild leap.
Anyway the funniest thing in all of this is that the most recent episode made it clear that it's not just a bit. Also though it's like. Which "actual" characters? Chetney has been pretty decently served as a character, all things considered; the entire solstice plot revolves around Imogen so it's time for Laura to get a well-deserved break so Imogen can actually process and develop as a person rather than just be under constant nonstop stress; I love Fearne but this arc is just not really about her whole deal; and both FRIDA and Deanna have gotten plenty to do. Honestly while balance between characters is not really a thing in the sense that some people make D&D characters with tons of hooks and things to do and paths to take and some do not, and also the overall narrative of the party is important to consider*, the character balance of this particular arc has been the best of the whole campaign.
*most people get this intuitively UNLESS they are particularly stupid, or have either shipping or My Blorbo Is The Protagonist brainrot, to the point that you can diagnose these conditions when someone's previously decent understanding of story falls off a cliff
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smilingformoney · 1 year
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intro post/shameless self promo
is it me or have there been a bunch of new Snape blogs lately?
I’ve certainly had a lot of interaction from blogs I haven’t seen before thanks to my gifsets, so hello new friends 👋🏻
I wanted to do a quick promo post as it’s a little harder to get new readers when I’m not posting new chapters anymore
so! if you haven’t yet come across my lil (not so lil, it’s pretty long) pet project, may I interest you in my fic, Soul of Ice?
specs:
completed (but I am still writing one shots a plenty, so there’s still new content!)
46 chapters
317k words
available on Ao3 or WattPad
here’s what you should know:
Dad Snape. It is so Dad Snape. I’m not trying to say I inspired a new wave of Dad Snape in the fandom, but part of the reason I started writing it was the lack of Dad Snape, and now there’s plenty of Dad Snape, so take of that what you will 😌
The main love story is not romantic, but platonic - it’s the father/daughter relationship that’s the love story here
That said, the romance is a key part of the story!
Snape’s love interest is not a student or a professor. She is one year older than him and their relationship developed while he was a Death Eater. (She is not a Death Eater though!) I find this is a fairly rare dynamic to find with Snape ships so hopefully it’s of interest for people looking for something a little different!
There is frequent spicy smut 🌶️
The daughter character is gay and her sexuality is a key part of the storyline
There are also two canon characters I wrote to be gay
🚨 BEGIN SPOILER ALERT 🚨 Snape lives and has a happy ending 🚨 END SPOILER ALERT 🚨
And don’t just take my word for it…
“I did not think it would be here for the daddy/daughter mutual longing, but I am HERE FOR IT.” - @missmeasured
“I adore the relationship between Snape and Abbie and I love the interactions between them 😭💕” - @waddyaknow
“I'm a very picky reader because I easily stop reading when writers make Snape too much out of character, like him being too affectionate or showing too much emotions in public especially in front of his students or colleagues. But I have to say, this is so far one my favorite stories to read about Snape having a daughter and a partner.” - a_pink_sheep on Ao3
“I love love LOVE Abbey and Sev's banter. I've been reading this whenever I can since yesterday. I can't put it down!” - Ninafia on Ao3
“I love the way you write the Malfoys. I love your Lucius so so SO much. I love the way you write them all as much as I love *them*.” - @sevsnapes (aka queen of Snucius so this is incredible praise tbh)
“I loved your Snape, he is wholly in character while loving both Sephy and Abbie. Abbie feels like a young Severus Snape who got love of his parents and overall happier for it. Persephone has similarities with Snape and they complement each other. You really write well and I liked your OCs and their relationship with Snape.” - Naaga on Ao3
If I have your interest, head to my pinned post for reading links for both Ao3 and WattPad! 💚🦇🐍
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I like you’re shadow and jolt comic giving me insperstion to create my own comic with my oc and shadow tbh I pictured my oc and shadow doing the same as shadow and jolt which is giving me courage to do my own comic with them fancomic obviously but do you have any tips on how development of a comic would work how long did it take for you to plan the comic
I've been working on this comic for about five years this coming November. From the start of developing the story to when the first comics were posted, it was about a three or four month long period of early development.
To be honest, I'm never NOT developing the comic. Each update is sort of treated as a self-contained session and while I have a plan of how everything connects, you don't really know how it'll actually work out until you're making the pages themselves and piecing the puzzle pieces together to make it all coherent. If you go to my Patreon, you'll see all the raw, first drafts of my comics and how much they changed in the final pages.
The following are my personal tips but I highly recommend also reading this post by the creator of Lackadaisy on the same subject. I followed her example for my work a lot and thankfully she's open about her secrets. :)
Tip #1: Know what your End Goal is for your comic
A lot of eager hopefuls start with a strong passion for their stories and it seems clear in your head how it will pan out. Over time, your interest starts to dwindle, passion is replaced with procrastination, writer's block occurs and you wonder why this thing you loved so much has become a total chore.
This is often due to not knowing the overall POINT to making your comic at all. What's the theme? The message? What do you and your audience GET out of it?
Shadow and Jolt has a clear progression and ending in mind that all relates to the Themes and Messages I want to impart to my readers. Try dissecting your favorite Sonic stories (or any story in general) and analyze why you like them and what made them impactful to you. Determine their themes and messages then observe how each part of the story, character arcs and such were written to serve them. What were the creators trying to tell you or make you experience?
That's the difference between a story with intention versus one that's confused or directionless. Because even during writer's block, if you know what message you're trying to tell, it gives you a lighthouse to paddle towards and keep you from getting lost in the ocean of vague notions.
Tip #2: Script It Out!
Before I ever drew a single comic for Shadow and Jolt, the first thing I did to help me develop a more solid plan was to write scripts. Some were fully realized with dialogue and action sequences. Others were outlines to help me see the full picture from beginning to end.
I've written over 30 different scripts. Many are just a few pages each but some are about 50+ pages.
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And guess what? Every single one of them STINK.
These are not my best work because they don't need to be. They're meant for playing around with character dialogues, motivations, relationships and manner of speech. If a script resonates with me enough, I'll try doing a draft of it in comic form to see how it feels on paper and continue tweaking things from there. It was such a horribly cliche story at first but it's ok because to determine what's wrong, I need to see it actually in front of me and not as some ethereal mess of images in my mind.
Tip #3: Gather, Research and Conceptualize
I cannot stress enough how much doing this has helped with this project.
References I used included the games I liked the most, their production history, interviews with Sonic Team, compiled images/inspirations I found around the internet, etc. I used all this material to strengthen the ideas I had so I could start drawing concepts.
Characters, vehicles, environments.... everything and anything gets concepts. Lots of sketches, sometimes with color. I've possibly gone through almost 10+ sketchbooks for just Shadow and Jolt alone. There were a lot of things that needed testing and fleshing out, especially because it's such a big project. (and I'm just one little ol' me ;-;)
From the beginning, the plan was that Shadow and Jolt would be based on the games so my research was spent digging into the entire timeline and reminding myself of what the games are about and how to capture their essence as close as I can. I'm not sure what setting you plan to base this story on but you'll have a different set of research to do if you plan to include things from something else like Archie, Boom or whatever.
Tip #4: BEWARE SCOPE CREEP
In game development, teams start by deciding on the full scope of the project and settle on what's going to be in the game. The team makes projections on how long it'll take to complete it, set deadlines and then move to act on it.
A few weeks into production, maybe you decide to add a new animated action for the main character. Maybe then you add in a new weapon that will require another full move set to program and animate. Maybe you want to add a new character that you came up with during lunch. Maybe you have a whole extra side quest that adds a whole new plot point that adds even MORE characters who all have unique functions and animations you'll have to make-
See how quickly that can happen? That's scope creep. You start adding way more than was initially planned, thus it ends up extending the time it takes to actually finish the project.
Obviously, it's less dire than a product meant for sale but the lessons are the same. With any changes you make, be mindful of how that's going to effect you getting the story done and if it even really adds anything to your End Goal.
Remember, you only have so much energy in a given day to dedicate to your comic. Manage it wisely!
Tip #5: Live life!
This is a bit of an odd one maybe but for me at least, it's super valuable.
I've mentioned in previous posts how real world experiences helped inspire my comic. Part of what makes Sonic's world feel so lived in is the dedication the team put into making each level feel that way! Sonic Unleashed is maybe the best example of this point. I feel that Sonic was made by people who not only wanted to make a fun game series but who use it to celebrate the actual act of adventure. Living life, seeing new sights, meeting new people, eating unique cuisine, you catch my drift!
Some of my best ideas came from having a lived experience. You won't be able to write authentic stories staying in a bubble of your own making. Outside of my fancomic, I like going on long walks, exploring places or simply hanging out with my friends. So my final suggestion for you is to live a full life and be inspired by it! Nothing beats reality anyway. :)
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