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strangersteddierthings · 10 months

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The Response

Part Two of The Interview [Part One] [Ao3]

With no exact time given by Robin, Eddie's left to kill time. He drags himself from the YouTube spiral to try and track down Steve on social media. After two hours, he concludes that either Steve has his (and official Corroded Coffin's) socials blocked, or Steve just doesn't have any. He's a bit baffled that people can even find Steve to send hate mail to him.

He shoots a text to Gareth. Can you find Steve on any socials?

He gets an instant reply.

DO NOT CONTACT!!!

WAIT FOR RESPONSE

DONOT MAKE THISS WORSE MUNSON

Eddie frowns down at his phone but doesn't argue. He probably would make it worse. He sends back 'k' and looks back to the laptop. Watches it auto-refresh but Robin's feed hasn't changed.

God, what will Steve have to say?

It's mostly true, that Eddie hasn't thought about Steve in years. That's been deliberate. Eddie was so furious back then. Robin wasn't wrong about him venting his feelings into a song, but how was he supposed to know Hey Steve would be the song the catch the ear of the people? And yeah, the lyrics are very unflattering.

A lot of their first songs were filled with rage. The whole first album is just their collective high school experiences. Songs about growing up in Hawkins and how shit that was for them, a song about Eddie's complicated feelings towards his dad, songs about dungeons and dragons disguised as fantasy ballads, things like that. And, of course, Hey Steve.

He can admit that years ago he reevaluated the lyrics and found it to be more harsh than was warranted. But he figured there was no point worrying about that. People exaggerate in songs all the time. The song is out, people still plead for it to be played during encore performances. Eddie hadn't thought it was hurting anyone to play it.

Hey Steve had taken Eddie less than two days to write. He did almost nothing for those two days except write. Fuck. He was still just a dumb kid when he wrote it, barely graduated high school. And the reason for writing it...

Eddie had know Steve wasn't out to his parents when he'd asked Steve to essentially runaway with him. Steve had worried about things like money, and living situations, and getting food. It had all sounded like excuses to Eddie back then. Like Steve was picking the safety of Hawkins and his parents' house over going out into the world to be with Eddie freely.

They'd fought about it. The worst fight they'd ever had. Yet, here Eddie is, a decade later and unable to recall anything that was actually said. Just a summary of that conversation exists in his mind, now. Steve wanting to wait. To save more money now that his hours at the grocery store would be changing from part time to full with him no longer being in school and able to work the morning shifts. Wait to get his car fully transferred to his name from his parents.

All things that adult Eddie can now see as reasonable. Jesus Fucking Christ. He remembers he'd given Steve some sort of ultimatum. He was leaving on the last Grey Hound from Hawkins to Indy. Steve could meet him at the bus stop or stay, but Eddie was going, with or without him.

Steve had shouted back. He knows they just got louder and nastier until Steve finally told him that he would be going without him, then, because they were over. Even as angry as Eddie had been, he'd held out hope. But that last bus left Hawkins with Eddie on it and no sign of Steve in sight.

So Eddie did what he did best. Channeled that hurt into anger and wrote a song. Never in a million years did he think that, in the very first bar they played at in Indy, they'd meet a man who wanted to take a chance with them and get them a demo. All they needed to do was get from Indy to LA. Eddie had a van and the motivation. The next year of his life was too busy for him to even think, much less worry about Steve and his breakup.

Well, that was a lie. He thought about it constantly and shoved the thoughts aside as quickly as they came. Easier to do when he had no way to check up on Steve. He left Hawkins with no laptop and a pay-per-text flip phone he'd bought at a gas station. Wayne tried his best to provide for Eddie, and that meant they'd had one cell phone between the two, and Eddie had insisted that Wayne keep it.

By the time he got a laptop and internet, Steve had blocked him on Facebook and Twitter. That was the conclusion Eddie had come to when he finally worked up the nerve to swallow his pride and apologize and couldn't find Steve on either platform. Another thing that had filled Eddie with anger and hurt. Steve had broken up with him and then made sure Eddie couldn't reach back out.

Now he wonders, did Steve block him, or did Steve delete his socials to stop the hate mail?

Eddie feels nauseous.

Fuck!

What's worse is that, before the fight, Eddie had been so sure he was in love with Steve. But how can he say that with how quickly he dropped him? With how he's acted ever since? He could justify it to himself when he was still freshly broken up with and hurting but that faded away as fame took over.

Hard to be sad about not having a boyfriend when there were plenty of people lining up to be with him.

He pulls himself from his head to look at the laptop. A new tweet shows on Robin's screen and he scrambled to turn off the auto-refresher.

It's a short tweet, and Eddie sees she's changed her name as well.

Clicking the link takes him to a YouTube video.

It starts with the camera slightly jiggling, presumably from someone hitting record. It's been set up in a recording studio. A stool in front of a mic that's suspended from the ceiling is the only thing in the frame.

"Alright, dingus, last chance to change your mind about this," Robin's voice is picked up from off screen.

"You can't talk me out of this," says a male voice, and without any thought about it, Eddie's hand flings out and slaps the space bar, pausing the video. His heart is pounding, and he has to take a few deep breaths. That was Steve's voice. Of course, it was Steve's voice, it's his statement video, but hearing it again. Hearing it spoken softly but determined.

Swallowing feels difficult. Eddie's last memory of Steve's voice was screaming. This is... this is the Steve he never thought he'd hear again, and hasn't realized how much he desperately wanted to. With shaking hands, he presses play again.

Steve steps into frame, takes a seat on the stool. He looks in the direction of the camera, and Eddie has to pause again, to take him in. His hair is longer than it was in high school, the ends of it touching his shoulders. He's got it pulled up in a half updo, keeping the hair out of his face. His face is familiar and yet so different. He certainly looks older but not in a bad way. The biggest difference is his nose; it's not as straight as it once was, like it's been broken and healed wrong. His strong, square face is as handsome as it ever was, perhaps more so now. Eddie's eyes are drawn to the two moles on his cheek; his eyes have always been drawn there. It was his favorite place to kiss Steve.

He's wearing light wash jeans and a deep blue Henley. And fuck if it doesn't make him look good.

Eddie unpauses again, and waits to hear the retribution he deserves.

"This good, Robin?"

"Yeah, you're perfectly in frame."

"Good. Uhh, hi. I'm Steve. Robin told me that there was a lot of fuss regarding a certain Corroded Coffin song, and that people wanted to hear from me. Which is wild 'cause like, I'm just some guy and I don't really have much to say-" Steve is saying, with a shrug of his shoulders.

"Steve!" Robin interrupts him, "I just had to help you move because someone threw a brick through your window! What do-"

"Okay! I get it! But that's not Corroded Coffin's fault. They do that whole anti-bullying thing! It's not like they don't address harassment and bullying. I-" Steve cuts off, seeming to remember he's on camera. His face turns pink. "We can argue this later. Uhh, anyway. There is something I want to say to Eddie Munson, so I hope he's watching."

He makes a 'give it to me' gesture and Robin enters frame, handing him an acoustic guitar. "I thought I'd answer using the one thing Eddie understands best. Music. So, uh, I wrote this song with Robin's help. Lyrics are mine but the melody is Robin. The song doesn't have a title but, uh, okay. Here it goes."

And then, Steve starts to sing, looking down at the guitar for correct finger placement more than singing into the mic but it picks him up well regardless.

"Do you think I'd give up? That this might've shook the love from me? Or that I was on the brink? How could you think, darling, I'd scare so easily? Now that it's done There's not one thing that I would change My life was a storm, since I was born. How could I fear any hurricane? If someone asked me at the end I'll tell them put me back in it-" Eddie is sitting down, and still he feels the floor fall out from under him.

"-Darling, I would do it again, ah, ah If I could hold you for a minute Darling, I'd go through it again, ah, ah."

Eddie doesn't hear the rest of the song because of the blood pounding in his ears. This can't be- it doesn't mean- after all this time? After everything that's happened, everything Eddie let happen, unintentionally or not.

His phone buzzes against his leg. He ignores it in favor of restarting the video and listening to the video from the start. He listens to the whole song and it ends without anything else. Once Steve's strummed the last chord, he just stands up, walks to the camera and the video ends.

He restarts the video again, and again, and again. Hears Steve sing How could you think I'd scare so easily and I would do it again if I could hold you for a minute and though I know my heart would break I'd tell them put me back in it.

It's through the tenth, or eleventh, playback that his phone buzzes again and he fumbles to answer blindly, unable to pull his eyes away from Steve on the screen of his laptop.

"Gare- It's not- what did I do Gare? Everything I thought Steve would have to say never came close to what he just sang. I can't- I don't know what to do," Eddie sobs into the phone.

There's a pause of silence before what is very much not Gareth's voice says, "Well, dammit Munson. I was calling to rip you a new one but you're already crying."

It takes Eddie a moment to place the voice, "Robin?"

"Unfortunately, yes," Robin says. "I think Steve's let you off easily, but I also know I kick a hornet's nest with my interview so I think we should work on getting this cleared up, both publicly and privately."

"How did you get my num-"

"Gareth. Keep up, Munson. I'd like us to be able to call off each other's fans. Your PR team and whoever you employee to do that anti-bullying campaign have done a pretty good job so far in telling people to back off, politely. Helps that Jeff has been on top of this from the beginning. Honestly, I think the best decision you've ever made in your life was making Jeff the front man of your band and not yourself. He's much more pleasant to talk to, and so good with people."

"Robin!" Eddie has to shout because Robin keeps saying words and they don't make sense. "What?"

He hears a sign from the other end of the phone. "You are annoying. You know that, Munson? I'll work with Gareth to get this done. I think we should be seen together, publicly. Maybe getting a coffee. So everyone knows we've made up, or whatever it is Gareth and I decide is happening. We should also meet up privately. There's a lot to talk about."

"I'm so confused."

"Nothing new. Now, when are you free to get on a plane to Pendleton, Oregon?"

"Pendleton?"

"Munson!" Robin snaps, "we just established that you live in a perpetual state of confusion. Instead of questioning me, how about you answer my questions. Now, when are you free?"

"Anytime."

"Smart answer. Get your ass to Pendleton by the morning of the twenty-third. I'll work with Gareth for all the other concerns. He's easier to deal with."

"Can I ask one follow up question at least!?"

"You just did but I'll allow one more before I hang up."

"Why Pendleton?"

"It's the nearest airport to our destination. I am not having a private conversation with you in California. I don't want to be caught speaking to you until Gareth and I have a chance to work out the details."

And then Robin hangs up.

Eddie leans forward and restarts the video on his laptop before looking up plane tickets. Fixing things with Robin might be the first step in ever getting try and, he doesn't know, apologize to Steve? Maybe even have a conversation one day.

He doesn't deserve that chance, he thinks, but he's a bad enough person to want it anyway.

#steddie #my fic #the interview #the song steve sings is Francesca by Hozier #i dont do taglists so i linked to ao3 where u can subscribe and get updates #i feel like eddies an unreliable narrator so im adding that tag on ao3 #the boy has got NO CLUE what is happening at any point in time ever #hes just a ball of guilt and regret #also i didn't clarify in the fic because i couldn't find a good way to fit it in #but gareth is not an active CC member‚ he's the PR manager #he used to be in the band but quit to finish college and be a family man #Jeff is the front man so he does the interviews/public appearances/etc #Eddie used to but like rockstar life hit him hard and he had to let someone else take that role

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bored-platypus · 28 days

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the moon will sing (time traveling tim)

so. i saw this super awesome post by @puppetwoman17 about time traveling tim drake and got obsessed, so here's a small ficlet i wrote about it!

The thing is, Tim expects it. He’s faintly aware of the blood seeping from his stomach, staining his hands red— hands which are uselessly putting pressure on his wound. If he survives this, he doesn’t even want to think of all the weeks of pure agony and fever, brought on by the wonderful lack of his spleen and the fact that healing from wounds sucked, period.

Death isn’t surprising— he really didn’t think he would live past, what, twenty-five? Thirty? To live until beyond 50 with his lifestyle was, well. It sounded painful, anyways. And you would need to be a deeply paranoid neurotic. Like Bruce. Because as much as he respected his father and looked up to him, if Tim turned out anything like Batman, he’d probably find a bullet through his brain sooner or later.

Half because Tim was reckless and his plans were so convoluted and insane that nobody really knew what was going on either, just to confuse his opponent. The other half was, well. You can guess.

So. He’s bleeding out, the night is uncomfortably cold and the wind bites into his skin, sand grating against his back, and all Tim can think about is how much he hopes Ra’s al-Ghul doesn’t show up like a damned wraith and drag him kicking and screaming to the nearest surgery table and take out his kidneys or something.

Tim’s also thinking about his family. And the probable inconveniences that come with his death. Like arranging his funeral and all his assets and his Nest and the fact that Tim is a very integral part of the family and Dick will probably fall apart and Bruce will mourn and brood, and, and damn it. Tim should probably revoke his thinking process or something.

—

Tim is twenty three years old when he bleeds to death alone, and nobody finds his body until three weeks later when his family has scoured the Earth and his distress signal rings, rings, but nobody sees it. His predictions about his family come true.

But that isn’t quite relevant, because Tim isn’t aware of such a thing.

Instead, Tim closes his eyes and falls and jerks up on his bed, clutching his chest as years of memories flood his brain, too much for a mere eleven year old. It feels like his head has been cracked open and molten lava had been poured through, scorching his veins and circulation. It feels like agony of the highest level and Tim is faintly aware of the darkness creeping in, his mind too overwhelmed and overstimulated from years of memories flooding into his brain.

And so for the second time in a few minutes and a lifetime, Tim welcomes unconsciousness with open arms.

The next few hours are spent in pure agony, his body being too weak to move and his limbs too short for him to coordinate. He’s pretty sure that there’s a pool of dried blood underneath him from a nosebleed, but he’s too tired to turn around, so he just uncomfortably shifts away from it. Not for the first time, he thanks his lucky stars that his parents are neglectful, because he doesn’t even know how he would explain all of this.

Two days later, he musters the strength to stumble out of bed, gulp down the bitter, carbon dioxide-filled water next to him and get to the kitchen. It’s April 1st, twelve years ago, Tim is eleven years old, and his family doesn’t know him yet.

Half of the terrible things that have happened to Dick haven’t happened yet. Jason hasn’t died yet. Duke is still a kid and his parents are healthy. Babs hasn’t been put into a wheelchair by the Joker.

Steph is still living with her father. Damian and Cass are being trained as assassins.

Mrs. Mac is due to come in a few hours. Tim looks at the blood-crusted covers of his bed and his crumpled clothes.

Oh, shoot.

So instead of researching or training, Tim spends the next hour trying to get the bedsheets off with his tiny, noodle arms, half stumbling on his feet because he’s way too damn short, and making his way to the bathroom so he can take a shower and get some of the blood off so it doesn’t stain too badly.

It’s probably a lost cause. Not that his parents will notice or care about a missing bedsheet, but it feels wasteful to just throw it away to hide evidence of his unintentional time travel.

Two and a half hours later, Tim stumbles out of the laundry room, his bedsheets and pillow finally in the washer. He collapses on the nearest chair and scans the room for his father’s computer.

He lets out a shaky breath. His family is generally unscarred. Jason is Robin again. Jason. The boy who Tim had held with a certain degree of, well, disdain. Thinking about it kind of makes him want to punch is past self in the face, or cringe in the way that you can only do when you think of something embarrassing you used to do. Like victim-blaming your older brother for getting beat to death while trying to find his mother.

It wasn’t the only way he looked at Jason, but he had always thought of him as too reckless. Maybe he really did deserve the beating. Well, not that he believed that young teenagers should be beat up by young adults in Robin cosplay, but at least Tim wasn’t exactly traumatized by the experience. Better him than some other poor civilian kid Bruce could’ve adopted.

And Tim did get his revenge. By getting Jason on his private parts. But whatever. Revenge was revenge, and Tim was better than the whole crime lord setup his older brother had. In practice, anyways.

Chewing on the ballpoint pen, he writes down the first thing on his list (in code, of course) since coming back in time.

prevent jason’s death

Well. Now that he had a comprehensive list, Tim was down and ready to plan.

—

A hour later, Mrs. Mac appears, none the wiser to what happened to him. Tim greets her as she walks in, and she smiles and greets him back, putting lunch in the fridge. She notices nothing wrong about how he stays sitting on the chair in the living room, and Tim says nothing about it. When she leaves, he pulls the piece of paper out of his book and the pen from his hair, scratching down some extra points.

Hmm. Maybe the Court of Owls should go early. Or perhaps that would create too much change?

Dick would have a better time in the future if they were gone, though. Tim frowns, dragging his pen back and forth in a short line on the table.

He still needed to factor in the fact that he was an unknown to the family. The thing is, Tim loves their dysfunctional, broken family and he knows Bruce and Dick loved him back. But to be honest, it would be easier to change events if he wasn’t being scrutinized by Bruce every day. And it wasn’t like Tim had any shortage of money, with his parents still alive and his family fortune enough to cover whole lifetimes, so he wasn’t worried about his own safety.

It would be nice to go to college too. Maybe Stanford. He was smart enough to make it, and the location was close to the vigiliante community that if he so wanted to, he could probably join and watch his family from the outskirts. Last time around, Tim just couldn’t leave Gotham. Being a vigiliante was his life— he couldn’t even justify it as a temporary thing anymore. Their family had gone through so much tragedy and Gotham was still filled with crime and Tim had an obligation to keep her safe. It just… he couldn’t escape his mantle because he loved it, and Tim had a difficult time letting things go once he loved them.

But if Tim could change things from the start, he didn’t need to be pulled back into the life. (He couldn’t have it, even if he loved it, because it was never his in the first place.) He could start anew, be a vigiliante when he was in college and far away from the family he hopefully would’ve fixed by then.

Well then. First things first, he needed to remove a factor from Jason’s death so he wouldn’t die in the first place.

—

Mrs. Mac comes by and cooks him lunch, and they eat in silence. Typically, Tim would fill the silence with chattering, glad to have someone to talk to in the empty manor. But Tim’s mind is whirring, drawing up and discarding plans. By the time Mrs. Mac stands up and tells him she’s going to leave now, Tim has thought of three contingencies and twelve more future events he needs to address.

He mhms when Mrs. Mac prompts him to, and eventually she leaves out the front door, leaving him alone with his thoughts. It’s spring break and Tim doesn’t actually have anything to do because he’s in middle school now, so he mulls over the Jason problem for a few more hours.

It comes to him when he’s microwaving the leftovers from lunch, and Tim is pretty sure he’s a genius, or something. Sheila Haywood worked at a refugee camp in Ethiopia handling medical supplies, but she was embezzling funds from the organization she was working for. It wouldn’t be difficult for Tim to trace it and report her. By the time Jason began tracking her down, she would most likely be in prison, just for a few years and everything would hopefully blow over and the Joker wouldn’t blackmail her because she had no use to him in prison.

It was cold, perhaps. But her life wouldn’t be over with a few years in prison, and Jason would be alive. Nothing more than they deserved.

Jason, alive. Then Damian, Cass, and Steph. He would see to his family, whole and happy. Then perhaps, in the future, when he was older and safely out of Bruce’s adoption zone, Tim could perhaps work with them. Laugh about how he never expected the Wayne family to be vigilantes, just to throw them off his trail.

Tim allows himself this one selfish thought, because he has nothing else but the shattered remains of a future that will never come to be, and a family he left behind but still exists.

a/n:

i wrote this in two hours under an inspired haze of time travel and tim, two of my favorite things

tim is a super unreliable narrator if you haven't already noticed lmao

also if i get any characterization wrong feel free to leave some discourse or ping me on the head

but like please be gentle cause y'know constructive crit, not bashing

thanks for reading! :D

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