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#anyway i also have to say that while watching bloopers from the show said character is from there is an outtake where they burp and uh.
ruelpsen · 6 months
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the urge to post about the character currently giving me brainrot (canonically fat, hot, bi-coded) vs. the fear of recognition (they are niche enough that people in separate circles would recognize me here if I talk too openly about said character since there are few quite as obsessed about them as I am)
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authorkun · 3 years
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𝓒𝓾𝓽! 𝓣𝓱𝓪𝓽'𝓼 𝓪 𝓦𝓻𝓪𝓹!
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"Good Morning everyone! How are you doing this fine morning?"
The crowd roared into cheers and shouts. The moderator waved at a few audience members. "Today, we have a few special guests with us! You might have seen before on your own tv. Please welcome the cast members of Jujutsu Kaisen, L/n, Kugisaki, Itadori, and Fushiguro!" The audience cheered again seeing the actors walk out from backstage. 
The four took a seat on the pristine couches, waving and smiling at the cameras. Their outfits seemed to match the colors of blue and white. Yuuji wore baggy denim jeans, a white hoodie, and a matching denim vest, and converse. A Fannypack slung around his chest. Nobara wore similar attire of a cropped zipped hoodie, loose jeans, and combat boots. 
M/n squished in between the two wore a loose button down with newspaper like designs, bleach patched jeans, and sneakers. Megumi, sitting at the other end of the couch wore an oversized blue and white jacket with a white t shirt underneath, black skinny jeans, and Nike shoes.
M/n sent a dashing smile towards the crowd earning an uproar of cheers. When the four had sat down the audience calmed down. 
"Alrighty then! How are you guys? It's great to finally have you on the show!" The host greeted warmly shifting slightly in her chair. "Ah I think I can speak for all of us, we're doing great! It's such a pleasure being here today!" L/n spoke taking the lead. A wide grin plastered on his face. 
"As you may know, Jujutsu Kaisen is a new uprising show. Popular among many young adults this year. Ranked number 2 in the shows most watched. Taking the cake as one of the fastest to gain audience grossing. So, how is staring in one of the most popular shows in Japan?" Small clips of the show played while the hostess talked.
The screen fading back to the four. "It's amazing, being apart of a show like this. It's almost scary seeing yourself on tv." Itadori explained, M/n chuckled at the small twinkle in his eye. "It's like a dream come true. Really, the director is one of the nicest person you could meet." Kugisaki added. "If I'm not wrong, your twin plays as Sukuna?" The attention adverted towards Itadori. 
"Uh, yeah. Actually when we auditioned, we tried out for the opposing role. Although we look alike his voice is a bit different. But the voice he uses in the show is purposely rougher." The memory of the shocked face of the director seeing the two. "Initially they were going to use one actor and mix the scenes together. But right before filming the idea had gone out the window." A picture of the two on set played on the tv. 
"This show was both of your big breaks. It was also one of L/n's and Fushiguro's major roles. Before you guys had starred in smaller productions right?" The hostess leaned her chin on her hand. "Yeah, I was in a few smaller films before an old friend suggested auditioning. That's actually a funny story of how I got the part. Do you guys want to hear it?" The audience cheered. "An old friend knocked on my door and shoved the script into my hands. 
It looked like he ran a marathon, as he basically slumped over in exhaustion. Standing in front of me he frantically starts yelling bits of sentences. He looked at me and was like," M/n had put his arm out panting slightly imitating the guy's stature. "Role....*pant*..... Big break *pant*....Audition for main role...*pant*." The crowd laughed at his portrayal.  "First, I actually auditioned for the main role, but then the twins came along and blew it out of the water." He playfully sent a glare towards his friend who sat next to him.
 "Your part is as a second-year with Zenin, Inumaki, and Kouichi (Panda) . But it seems your character has a lot of screen time." The hostess leaned in a little more interested. 
"Yeah my character likes to hang out with the first-years a lot more. Not that the other second-years are bad. Zenin is like my sister."
A soft smile never leaving his lips. "Speaking about cast relationships, what's the dynamics  with you guys?" Kugisaki, Itadori, and L/n gave each other looks before cracking up. Megumi rolled his eyes playfully at the three. "We're all pretty close, but ask anyone who works with us and they'll say these three are joined by the hip." Fushiguro explained with a small smile at the others. "Could you expand more on that?"
"At the beginning before the table read, the producers and director thought it was a good idea for us plus Shinji (Sukuna) to 'bond'...in response to that Gojo, shoved us into a room, locked it, and told us to 'get along." The audience laughed at the male's expression.
 "After like 5 minutes of silence these three start dying of laughter. After i think, two hours, Gojo comes back and slams open the door. By the time he did that we were already pretty close. He looked out of breath, and had this frightened look on his face. Then he tells us, he had forgotten that he locked us in the cramped room..." the audience laughed again as the raven head shifted in his seat.
"See they went on break for about an hour and a half, when they had gotten ready to continue, they realized we weren't there. Don't tell anyone this but, Gojo has a horrible memory. He said they looked for us for a half an hour and were about to call security, because none of them had our phone numbers. Anyways in summary, after those two hours these idiots come out attached at the hip, and became everyone's pain in the ass." He sent a sarcastic glare towards his friends.
The crowd was roaring in laughter at the story. "We actually have some bloopers and videos you guys have posted. Do you mind if we play some?" The audience cheered in a 'yes'. "Sure, why not?" M/n answered.
On the same tv they started playing the small compilation of videos. The first one qued was one Itadori had posted on his story. It showed him with his costume on. 
'So, just started filming today and this dumbass hurts himself doing absolutely nothing.' Yuuji had showed M/n holding a ice pack to his forehead with sunglasses on. The male shot up a peace sign towards the camera. The audience chuckled at the current L/n's embarrassment. 'This stupid f*cker made us redo the scene, because somehow he doesn't know how to stand. Randomly during the shot he's shown trying to lean on an invisible force and falls flat on his face.' 
The next video shown was the actual footage that Itadori explained. In the video it was zoomed in on M/n, who like he said was standing and leaned to his left. You could see the horror in his eyes as he fell. The caption being, 'This dumb bitch🥰'. Another fit of laughter came from the crowd. 
The next video that played was in the POV of M/n as the camera flipped showing the back side of Shinji with Sukuna's famous tattoos. He ran up and slapped a pie tin with just whipped cream in his face. "What the hell! Get back here you bitch!" You could hear M/n's laugh while the feed was a bit blurry. Karma seemed to hit has the male tripped and fell onto the concrete. 
The video ended with a blurry picture. The studio was filled in laughter as the male in the video sat embarrassingly between his friends who were also dying. Yuuji  was slumped over his friend, wheezing.
Timeskip
"Well as great as this has been, we have to say goodbye to these amazing actors."
The hostess said with a smile. The audience boo'ed at the statement. "It was such a pleasure to be here. Hopefully we'll get to be on here again in the future." With that, M/n sent a wink and signature dashing smile towards the crowd before walking off with the others. Getting off the stage he sighed out in relief. "Oí those interviews are exhausting."
"You can say that again." Yuuji smiled. "I'm starved who else wants to get out of here?" Nobara complained swiping through her phone. "How about that diner down the street. The ratings are pretty good." The (h/c) haired male suggested. "Yeah sure. I'm pretty sure we're off the hook anyways." Fushiguro said grabbing a water bottle from the table. 
 "I think the driver's waiting out back. I'm gonna leave, cause I'm not waiting on you slowpokes." Kugisaki snickered. "Hey! We're coming too!" Itadori yelled chasing after her with the two others trailing behind. Before M/n could walk out the exit a hand had tapped his shoulder. Turning back, it was the hostess with a innocent smile. "Can I help you?" The brunette had twirled a piece of hair between her index finger and thumb. "Would you perhaps want to go out sometime?" A confident smirk played on her face. "Ah, sorry most of my schedule is booked up with filming and interviews. If I would I could." He shyly scratched his neck sending an awkward smile towards the girl.
"I bet you could make time~" she persisted. "Sorry I-." "Oi n/n we're waiting on your slow ass!" M/n silently thanked Kugisaki for interrupting the girl's persistent flirting. "My friends calling, I've got to go. It was nice to meet you though!" He sent one last smile before running off to the car his friends were waiting in. "What took you so long?" Itadori whined. "The hostess insisted on going out with me." He shivered at the thought. "Yikes. I swear you always get hit on anywhere we go." Megumi groaned. "Hey it's not my fault I'm hot." M/n stuck his tongue out. A light blush dusted across Fushiguro's face.
"Aye stop flirting with each other. We're heading for the diner across 9th." Nobara once again interrupted, giving instructions to the driver.
"Next stop, food!"
To be continued
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okay so i’ve been going crazy these past few days. all about cockles/jensmish and obsessively watching their panels or reading the transcripts BECAUSE. THEY ARE LOUD. LIKE. i saw some fancams on twt and i thought people were just exaggerating but noooooooooo!!!???? so, getting to the point. you said that how do we know that jensen is performing masculinity? because jared isn’t and THAT IS A BIG BRAIN MOMENT. ON POINT. I CANNOT STRESS THIS ENOUGH. a particular moment from gag reel that jumps out (which you’ve talked about) when jensen goes ‘cas, you are my baby daddy’ and misha goes, ‘i know i love you too’ and jensen goes, ‘i didn’t say i love you’ and misha goes, ‘i know you wanted to’ and jensen says, ‘i love you’ WHAT THE FUCK! that was NOT a joke. yes, people took it as a joke and had a good laugh BUT I HAVE WATCHED IT TOO MANY TIMES AND IT LIVES IN MY MIND RENT FREE BECAUSE IT WAS NOT A PERFORMANCE. THAT WAS JENSEN. THAT WAS MISHA. jensen has a had trouble with the pda and being all touch feely (the breakup theory) and he gradually grew into it, accepted it and misha was right there all along, never pushed it. it was like a deancas au but tbh, 99% of destiel is because of cockles and we all know it. i just. jensen has latched onto dean as an emotional support because he tunes with it. understands it. projects on to it. yeah, i just had to say it and get it off my chest. (and what about those poetry pages on instagram? alma? what is your opinion?) btw, you have a lovely blog and your analysis are right on target.
so there is a LOT i’m going to address here(how dare you bring up [gunshot] i HAVE to talk about it now) so again!!!! under a cut it goes but i hope you appreciate my rambles anon it seems like you do :,)
1. jared vs. jensen and performing masculinity. hell yeah man. jared and jensen are both just ‘guys from texas’ but they are still so vastly different. today i actually had a revelation that i’m pretty sure has to do with me being bi. and it’s that i have a group of straight friends(that i love dearly but they care too much about hockey and pitbull imo could not be me) and i have a group of queer friends(who are also batshit[affectionate]). and it’s like whichever group i hang out with a different side of me emerges? they’re both me, it’s just that certain aspects of who i am as a person only surface depending on who i am around. however, i will say i feel like i watch what i say around my straight friends more. i see that very clearly in jensen as well. around jared during panels and on set, he’s definitely putting on an air of machismo and engages in typical guy talk. i do think an element of it is performative, because he wants validation from jared that they’re still just two dudes from texas taking on the world together despite his sexual identity. does that make any sense??? i hope so. but when he’s with misha he is an entirely different person and his sense of humour becomes wildly different. the machismo fades away, he’s way less caught up in what people think about him, lets his guard down, etc. to go back to my original point which is how j2 are different in that regard....jared does not do this. he is a constant. he does not flip a switch between ‘performing masculinity’ and ‘not’ because he isn’t performing any part of who he is. he just IS. so yeah these two are similar in many regards but there’s somewhat of a dissonance between them when it comes to how they perform masculinity because one of them is putting on a show and the other is merely being.
2. that crypt scene blooper(here just in case you need to see it again. do it. as a treat.) when i tell you i have easily seen this over thirty times??? since it first came out??? i mean it. it is such an overlooked(r*mantic) moment and it means so much more than people think it does. i’ve talked about the context behind it, and i think that’s why this blooper was so meaningful, so i’ll mention it again. jensen and misha had a LOT of trouble with this scene. the reason is that jensen couldn’t wrap his head around why dean would be saying these things, if i remember correctly, and both of them sat down and scoured over how they should play it for a while before filming(teamwork ;) teammates *ahem*). [to be honest we all know why jensen had a hard time with that scene and it is because it is blatantly romantic. rip to him but i would simply give in to it at that point but oh well] so anyway, their heads were scattered going into shooting, which is NEVER a good headspace to be in for a scene, ESPECIALLY not a pivotal one. but they had each other to help them through said weird energy on set that couldn’t possibly have invoked the best feelings, especially considering jensen STILL doesn’t think he played that correctly(but he praised misha on his performance :,) ). and with that context every single part of that video hits haRD 
-’stop pulling my face towards your crotch’ i think this is objectively hilarious because it really really looks like jensen is pulling HIMSELF towards misha’s crotch. again, you’re fooling no one, jensen. misha’s wheezing laugh and the way he wraps himself around jensen is also,,,sweet??? like i don’t know how else to describe how i see it but this moment really reads as jensen, in his weird ‘constructing elaborate rituals’ way is asking for security through a physical touch from misha and he happily obliges and gives jensen what he needs. because i mean...watch it again. jensen ‘fights back’, but not really at all, actually. pretty wimpy counterattack. he literally lets himself be smothered by misha, and i would literally describe what they end up doing as cuddling. 
-’i need you, cas. you’re my baby daddy’ i love having an actor’s perspective on things bc i think i can explain what’s going on here. jensen just delivered what was(in his own mind) a rotten take of the lines he’s most scared of delivering. so the scene was already messed up. therefore; ensuing fuckery is warranted to help him feel better. but there’s also for sure more than meets the eye for what he says here because of misha’s reaction after??? like he seemed genuinely touched. first of all, he’s saying ‘you’re my baby daddy’ as half-jensen, but not necessarily dean either(because he didn’t say the previous lines as true to his character...you get it), to misha, not cas. i think i’ve made this point before, but every single innuendo in the gag reels is to misha specifically, never once cas. therefore; logical conclusion: ‘you’re my baby daddy’ was for misha and it meant something deeper than we think because of what follows it
-this part. jensen’s giddy ass smile after he sees misha crack and then misha says ‘yeah, i know’ (can i just say his voice when he says this is so intimate???? like am i intruding guys??? sorry i’ll let myself out) also he is smiling SO BIG
- ‘i know’ ‘why are you laughing?’ ‘no i know i love you too’ this analysis is already so long but i still want to get into what THAT whole exchange means. ‘why are you laughing?’ to me sounds like jensen’s pretending to be affronted by misha laughing at something that is serious. and it’s serious because he quite literally meant ‘i love you’. he did. misha knows it. misha’s really REALLY good at cutting the bs and just getting to what people are actually trying to say. he has an innate sharpness to his sense of humour. so yes, misha is being 100% accurate when he says ‘i know, but you wanted to say it.’ misha isn’t lying here. jensen did want and mean to say ‘i love you’. and then he actually does say it(in a jokey way but not really). 
- so yeah. it is actually so romantic??? like in a weird way jensen was professing his love for misha here?????? and that’s why this clip will NEVER. ever. get old. 
3. jensen having trouble with pda and projecting onto dean: we can all call ourselves dean coded cas girls but NO one deserves that title more than jensen ackles himself. he is dean winchester but marginally less repressed because he actually did admit he was in love with his best friend and let himself be happy, and pretty early on too. one year and two months as opposed to twelve years. so. happy deancas au is correct. and yes about the pda thing: one day i want to write my own post about both of their body language when it comes to each other, but all i can tell is jensen, even in the early days, couldn’t help himself from flirting with misha, but if misha ever crossed a line, jensen would not be happy. clearly he’s come around, however. what i find sweet is that misha always follows jensen’s lead when it comes to how much affection they’re allowed to show each other onstage. it touches my soul
4. destiel is cockles fault. yeah. and the thing is everyone knows it, too. even non-cockles shippers will explain early destiel as entirely dependant on jensen and misha’s wild chemistry. and that chemistry is easily explained by the fact that misha and jensen are literally just wildly horny bisexuals who were crazily attracted to one another and were falling in love on screen before our very eyes. and when you have THAT insider info(which sounds cray doesn’t it!!!! the destiel actors are in love irl??? huh???) everything really does click into place. why destiel got SO popular when the show and actors never ever intended for it to happen.(i know some people think misha was playing cas as gay the whole time for shits and giggles, and i won’t deny that[especially considering he found out early on that destiel was why he was staying on the show], but i don’t think he really wanted it to amount to anything, nor did he care??? i mean he has the real thing with jensen, for one, so their characters aren’t really as important. for two, he loves joking about destiel because it’s a cultural phenomenon and it’s fascinating, and i’m sure he did ship it because he’s unhinged, but i don’t think it was vastly important to him either way.) destiel got popular because everyone was and is unintentionally reading into the real deal. i could pull up countless gifs that people have used as destiel proof that is actually just jensen and misha being messy. mainly jensen. if i’m being honest.  the symbiotic relationship between destiel and cockles is why i’ve stayed onboard the destielcule and shellerscape for three solid months now; because it is utterly fascinating to witness and kind of super beautiful, too. 
5. alma(and others). so. i do NOT want to really REALLY get into this in its entirety here and now so i will just give you my opinion on if i think alma is misha or not. also; i don’t want to mention the other poetry accounts here bc i feel like that’s a bigger breach in privacy, but a lot of people do know about alma now. way too many, actually. this is why we can’t have nice things. anyway-to answer your question-there is absolutely no doubt in my mind that yes, misha is running that alma poetry account. i am 100% certain. some people think it’s actually three people and they’re all connected to misha in some way but that is so needlessly complicated. as it goes in psychology; the easiest explanation is probably the right one. it’s just one person running that account, and it is misha collins. i don’t know why it’s so hard to believe KNOWN POET misha collins(who is known to spend most of his free time writing poetry anyway) would have created a secret poetry account to write about his intense secret relationship under an alias and also get legitimate feedback since no one used to know it was him. oh and the handwriting is identical??? you are blind if you do not see that i am sorry. and a million other things prove it’s misha too but yeah all you need to know is yes. it’s him. it would take a literal livestream from a random woman on that account to convince me otherwise. and honestly not even that because a random woman could technically still log in if misha asked her too. so. it would take a hell of a lot to convince me otherwise, clearly. that said DO NOTTTTTTTTTTTT GO ONTO THAT ACCOUNT WITH A SUPERNATURAL RELATED USERNAME AND COMMENT THINGS THAT ARE COCKLES RELATED. ARE YOU BRAIN DEAD WHY WOULD YOU THINK THAT’S OKAY. sorry i got heated but god please just don’t be dumb so many people have already gone way too far 
6. thank you for your lovely compliment on my analyses!!! i love doing them but i don’t know if people actually like reading them so i really appreciate it
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adamarinayu · 3 years
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Can you tell us more about your author au, back in action au, and Notre duck au? Sorry if I'm asking for a lot but I just saw them on your AU list and they caught my interest 😅
Haha sure! I haven’t worked on any of them in a while but here we go! It’s a bit long, especially the Back in Action section....
In the Author AU, Donald is an author who works under a pseudonym, so that he and the triplets can have some normalcy in life while also being able to support them comfortably. He’s the author of a best selling series, which is the Paperinik series (maybe in this AU it’ll be called Duck Avenger, idk). 
He began writing the PK stories during highschool, and they were published as shorts regularly in a small magazine. Of course, being a teenager, it began as a fantasy- it was how he vented his frustrations. Gladstone, of course, figured it out, as did Della, but Scrooge had no interest so no one else outside of Donald’s closest circle (that is to say, Mickey, Minnie, Daisy and Goofy) knew. It soon grew to be a hero story, rather than a story about vengeance. At this point there are no nephews in the story.
After highschool, his story got picked up by a publishing company and Uno was his agent. He ended up including the character ONE based off of Uno, which Uno is equal parts amused and exasperated by (”Honestly, I thought you said you wanted to be anonymous.”). The two don’t officially become friends, however, until a couple of years later, when Della went missing. Donald had taken a surprisingly dark turn in the story which would have resulted in killing off the main characters, at which point Uno decided to intervene and talk to him. With Uno’s support and growing friendship Donald rewrote the story, keeping the darker tone but ending it on a higher note with all the characters alive and happy.
Donald also gave PK a family of his own, having him be a single father to three children (hinted heavily at them being adopted, after PK saved them as eggs), a decision which forever changed the direction of the books from being about a duck who fights because it’s all he’s good for, to being about a duck who fights because he has something worth fighting for. He and Uno obviously become very close over this time.
Gladstone reads every book that comes out. He always wins a free edition but insists on buying it, as his way of helping Donald out. He uses the tone of each book and the events that happen in them to determine whether or not he needs to come and kick a little sense into Donald.
Donald ultimately concludes the book series after Della comes back, with the story having a happy ending all around. Which definitely includes ONE getting a physical body and joining the family. Unsurprisingly he and Uno get married. Scrooge and the kids find out he’s the author of PK after Scrooge announces his studio bought the movie rights to the film lol. Della and Gladstone are just like “wow seriously, you guys didn’t see the writing clear on the wall?”
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The Back in Action AU is basically, PK was a TV show and Donald was the titular character, PK. His co-star was Uno, who lent his voice and face to the character ONE (the names of all the characters in PK are changed, ofc, their real names are the actors’ names now, except for Uno and Xadhoom). The entire cast (yes, including Angus Fangus) were a pretty tight-knit family, of a sort. So while Della and Scrooge were adventuring (as he had left the adventure life behind, feeling as if he wasn’t contributing or seen as an equal among the group) he became part of a family of his own. Daisy also played PK’s love interest, though the two of them are actually more like Best Pals. They went to highschool together so. Daisy wasn’t in the main cast and was just a recurring character, as she had a main role in another series.
The triplets in PK were just babies, but PK wasn’t their primary caretaker. They were more like background characters, but occasionally PK would get roped into babysitting them and having to balance watching the children and saving the world because “oh god even if I stop the Evronian invasion if any of their feathers get singed my sister will kill me!” (Note, PK’s sister was only seen in photos and was a blonde, like in the original comics. You can hear her voice now and then though)
Donald was close with everyone (oh the bloopers he and Angus had.... and of course the Evronians, something ALWAYS went wrong with their costumes!) but Uno became his best friend (and his almost-more). The series was the most popular thing on TV for a while, and Gladstone and Fethry were so proud of their brother cousin and so sad that Scrooge and Della were missing the best moments of his life. Gladstone and Fethry are much more involved in Donald’s life than Della and Scrooge are in this AU. That isn’t to say they don’t all love each other very much, it’s just Della and Scrooge’s interests laid elsewhere.
Anyway, every series hits its end, and more often than not it comes much faster than planned. PK ended a whole season sooner than expected, due to the sudden buyout of their studio and the new owners choosing to shut PK down in favour of one of their own shows (couldn’t afford both at the same time, and their own show had a smaller budget). So the series ended on the cliffhanger of PK losing ONE and (Lyla’s character), the Evronians being defeated and PK choosing to hang up his cape because of just how much that final battle cost him. It was an ending that angered many people, extremely upsetting especially knowing that it hadn’t been the planned ending of the series.
The entire cast and crew split up, most still staying in acting but a few leaving. Donald went back to adventuring with Scrooge and Della while Uno went back to Italy with his brothers (Due and Tre, the former of which played a major part in 2-3 episodes) to work in their father’s lab. They ended up falling out of contact (not by their own choice, just due to the nature of their jobs). Then a few years later Della went missing and Donald was left caring for her three children- it was a bit ironic, perhaps.
In the 10-12 years Donald was taking care of them, a “sequel” movie and a spinoff came to be with different actors and stories, but neither were well received because they lacked the “spirit” and charm of the original series. Especially the spinoff, which was animated in a very Saturday-morning style.
The triplets don’t really know about the OG PK, only knowing it by the spinoff, or that their uncle used to be a big name actor. However, 10 or so years later it’s announced that PK is coming back.... with the original writers and actors (except for the kids). Including Donald Fauntleroy Duck, the actor who played the titular PK. They are shook.
The original children who played PK’s nephews were unavailable (”We were like 2 during all that, we really don’t care”) and, besides that, had already aged out of the roles (the comeback was a Ten Years Later kind of deal, and it had been more like 14 or 15 since the end of the show, so the original kids were already mid-late teens. Therefore, when the director discovered Donald was now caring for his three nephews (convenient that there were three) he suggested they play the role of the triplets. Donald left it up to the triplets, under the stipulation that they would have minor roles (as the triplets always did) and this wouldn’t interfere with school.
They actually made a whole new role for Webby in the show! Because the triplets agreed on the condition that Webby gets to join them. And that’s how Webby began to play the triplets’ younger sister. The director decided to take a page out of Donald’s real life and wrote PK’s sister out (this was also partially because the actress had died) so PK was now being a full-time father to his kids who had no idea who he really was.
But then Donald finds out that not only is Lyla there, not only is Angus there... so is Uno. Uno and both of his brothers. It’s quite a reunion. And of course everyone expects Donald’s most emotional reunion to be with Daisy, but no. It’s Uno. And Uno is the one he ends up on the front of a magazine with lol.
Also yeah they get married :3
Man I think I may have overspoke about this one XD But I really enjoy this one what can I say jkkghfdsjlk
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Notre Duck!! That’s another one I enjoy though it isn’t as in-depth as the last. So basically Everett came to Earth, and it’s kinda like.... a Duck version of medieval times. He came here for inspiration, then ended up building Uno, who became like a son to him. However, when other flesh-and-blood ducks realized he was an android, they became fearful and called him a monster, and tried to attack and run him out of town.
After that, Everett hid him away in a tower attached to a church, where no one but the church staff would go. He didn’t want to lose his android son. But Uno watches the world below his tower change, dreaming of a day when he could go out there too.
One day he meets Donald, who is a street performer with an association to Scrooge McDuck, a king in a neighboring kingdom. Donald finds out very quickly that he is an android and doesn’t judge him for it, instead encouraging him to leave the tower because “life is about the adventure.” This, of course, does not sit well with Everett, who forbids Uno from leaving the tower or seeing Donald.
Donald is wanted by the lord of the city, who wants to use him against Scrooge (and earn favour with his own king). There’s no creepy old men lusting after young women and no slurs being used casually so.
Also anyway this actually spawned from me imagining Uno to the song Out There so yeah.
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askaceattorney · 3 years
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Dear Anonymous,
That’s probably because the maker of Inga’s sprites requested that they keep the link to them a secret.  I doubt we’ll ever use his gun sprites in a letter though, so here are the talking and non-talking ones:
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(Link in Letter)
Dear Anonymous,
That's an interesting theory, all right, but I doubt it would hold up in court (either in the Ace Attorney universe or the real world).  Either way, from what I remember, it seems to like the game tried to make it clear that he was the culprit behind Manov’s death, completely for the sake of revenge.  Even if he didn’t, the guy clearly has some anger to work out, so hopefully a prison sentence will do him some good.  That’s my less-hot take, anyway.
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Dear Anonymous,
Clever, but I doubt puppy eyes are enough to sway His Honor’s opinion.  Heck, I doubt he even knows an iPhone from a Gameboy Color.
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(Previous Letter)
Dear trearoos,
Rrroooo got it!  That’s a line from Bubs, by the way.  I can’t remember where he said it, though...  Think you could help a fellow Homestar fan out?
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Dear skibot99, 
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I’ll do my best at answering, though.  I like to think of ask blogs as a way to “fill in the blanks” by showing what characters are like when they aren’t fulfilling their role in their game, movie, book, etc.  For example, what’s Sonic like when he isn’t busy thwarting Dr. Eggman’s plans, what’s Donkey Kong like when things are peaceful on his island, and what’s Henry Stickmin like when things are (ahem) normal in his world?  And if the character happens to be a silent protagonist (ex. Mario, Link, Kirby, etc.), that’ll give you even more blanks to fill in, which makes it more challenging, but also more fun.
So, the key ingredients for an ask blog are a deep love and knowledge of the series your character(s) are from and a good imagination.  If you know what your characters are like in their series and can fill in the rest with your imagination, it’ll be easy for your followers to go along with the illusion that they’re really talking to people from a fictional universe, which should be your main goal, aside from just having fun with it.  As long as you can make it convincing and fun, there’s no real right or wrong way to do it.
I don’t know very much about the Kingdom Hearts series, but I assume there aren’t any sprites you can grab from a resource page, so you’d either have to make drawings of the characters, find some still images, or clip some from gameplay videos (or even make gifs from them if you’re feeling up to it).  It might take some work to get it the way you want it, but like a lot of things, it gets easier over time.  And in my experience, the best source of motivation is your love for the series and its fandom, so keep that in mind if it starts getting burdensome.  I hope that helps!
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(Previous Post)
Dear starry-nightengale,
It was an announcement so much as something that wasn’t announced.  That letter was in reference to TGS 2020, which, unless I missed something, didn’t mention a new entry in the Ace Attorney series.  That may not be solid proof that it’s reached the end, but that’s what it’s beginning to look like.
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But, as I mentioned before, the fandom’s nowhere near dying, so that’s good news, at least.
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Dear Anonymous,
It’s an interesting idea, but I can’t say I feel the same way (and not just because I’m a closet Justicykes shipper).  Besides their considerable age gap, I see their relationship as more of a big-brother-and-little-sister one.  Whether they’re on the same side or opposing each other, Simon can’t seem to resist the opportunity to tease Athena, but he also knows how to provide help whenever she needs it.  In his own way, at least.
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I also have a hard time picturing Simon in a romantic relationship with anyone, to be honest.  I’m not saying it’s impossible, but any hopeful candidate would have to put up with his moodiness, his twisted humor, and his equally moody feathered friend.  I’m sure there might be someone out there who can deal with all that, but finding them would be a big challenge, to say the least.
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Dear clowncomputing2,
Not at the moment, unfortunately.  I don’t know about the other Mods, but I haven’t watched the anime, and even if I had, making sprites from it would be a bit tricky.  Perhaps that’ll happen somewhere down the road, but for now, characters and cases from the anime are off limits.  Sorry.
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Dear Anonymous,
Youse talkin’ to me!?
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Dear skibot99 again,
For me, it’d have to be Tahrust Inmee.  That might seem unfair, considering his murder was that of himself, but let’s not forget that he was willing to let an innocent woman and her lawyer lose their lives in order to hide the truth.  Normally, this would be enough to give me an overall negative view of a character, but his motive was to protect his wife and unborn child from certain death.  That may not excuse his actions, but it did put him between a rock and a hard place.  I’m honestly not sure what I would be tempted to do in his situation, but I know it’d be a difficult decision.
I definitely feel for Yanni Yogi, too, but we weren’t given as many details about his past, plus his only motive was revenge, so my sympathy for him isn’t quite as strong.  While we’re talking about tragic culprits, I should also mention Simon Keyes, who “was himself a victim,” as Edgeworth worded it, as well as the almost-killer Katherine Hall, who just wanted to find whoever was responsible for her adopted father’s unjust prison sentence.  Not to mention the overload of remorse she displayed afterward.
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(Previous Letter)
Dear trearoos again,
Yep, I’ve been a fan of the Henry Stickmin series since Infiltrating the Airship.  I’ve been meaning to buy the collection, but haven’t made the time for it just yet.  I’m looking forward to seeing all the fails.
In the meantime, here’s some distraction for you:
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Dear mungeondaster,
Not yet, but I like what I’ve seen of it...which mostly just includes the blooper reel (Strong Language Warning).  Your description of it makes it sound even more enticing, so maybe I'll get around to it soon.  I've been aching to give something a Co-Mod Seal of Approval lately, anyway.
-The Co-Mod
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thedeaditeslayer · 3 years
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Crash Palace Interview: Catching Up with Dana DeLorenzo.
This interview briefly brushes over Ash vs Evil Dead and Dana’s latest projects.
Even though it has been over two years since Ash vs Evil Dead has been on the air, fans still clamor for their favorite badass, Deadite slaying heroine, Kelly Maxwell. Dana DeLorenzo, the actress behind her is equally adored and cherished by admirers of the Sam Raimi legendary horror franchise.  
So, as always, I was thrilled to speak with her about life after Ash, her latest movie, the heartwarming holiday comedy, Friendsgiving and what she has on the horizon. Welcome to the Crash Palace Interview with Dana DeLorenzo…  
The Denouement of Ash vs Evil Dead Crash Palace: Thanks for speaking with me, Dana. It’s always a pleasure. Let’s talk about life after Ash vs Evil Dead. As you know, Lee Cronin is helming the latest installment in the Evil Dead franchise, Evil Dead Rise. Fans were hoping that the Ghostbeaters would be a part of that venture. While we know it is going in a different direction, do you think Kelly Maxwell could show up some time in the future?  
Dana DeLorenzo: One can dream, right? Let me take this moment, right off the bat to say something I say often because I mean it, and I can’t say it enough. People who know me know this is not fan service. I say it when I’m not doing interviews; I say it to my closest friends and my family on the regular.
I am so grateful to the fans of Ash vs Evil Dead and the Evil Dead franchise all over the world. They have truly been my Jiminy Crickets throughout this insane, bizarre year that is 2020. They have gotten me through so many of the toughest days, just by keeping the bloody love alive. With every year that passes, even though we haven’t filmed a season of the show for three years, it feels like it’s fresh because of the fans .
So, to all you Ghostbeaters out there: I thank you from the bottom of my heart. I hope I get to meet all of you someday. But I can’t convey enough how your passion and love of the show has gotten me through this 2020 roller coaster; thank you for keeping Kelly’s ass-kicking spirit alive! On that note, I have really missed the show, I’ve missed playing Kelly. I posted some things recently about Ash vs Evil Dead, photos I hadn’t looked at in a while. I miss it a lot. I like to keep hope alive that someday, somewhere, the Ghostbeaters will be reunited. Even just for a quick Ghostbeaters fist bump.
Is Kelly Maxwell going to show up in this film? No. I won’t say never, but from what I understand, this is an alternate universe for Evil Dead Rise, separate from Fede Alvarez’s movie with Jane Levy and it’s separate from Ash vs Evil Dead. It’s a new adventure in the Evil Dead universe. And I can’t wait to see the new blood and guts journey Lee Cronin takes us on. I would like to think in the Ghostbeaters’ universe, we’re still kicking it and we’re still fighting evil. But I am loving that the fans are clamoring for it! They can keep pestering Rob, Sam and Bruce the way they have for twenty-five years before Ash vs Evil Dead came to be — their persistence is what got me that dream job.
So, if they want to continue to pester to bring us all back, I won’t stop them! Because we know the fans have the power to persuade. It might take another twenty-five years. But I am always down to play with those guys and our great crew.  
CP: Do you keep in touch with anyone from the show?
DD: Yeah, I try and keep up with what everyone is doing and shoot them a message to tell them I miss them like the sap that I am. I just miss seeing their faces every day, you know?  I miss Lucy’s face pretty hard, and not just because she’s ‘Lucy Flawless’! She’s got new shows left and right, she never stops! Ray and I randomly text Pablo and Kelly’s catchphrases to each other. “How are you holding up? / What is happening?!” We said that pretty much every episode so it still makes me laugh. Arielle and I chat often even though she lives in Australia, she’s like my little sister! Bruce often responds “ in character” with the latest Snapchat filter. He loves those — just check his Twitter feed — and it’s all my fault. I showed him how to make them while filming Season 3. He could probably do a show solely with Snapchat characters — I’d watch.  
Fall from Perpetual Grace
CP: Let’s shift gears for a moment and talk about another series that you appeared on. You had a great run on EPIX with Perpetual Grace, LTD working with the talented Jimmi Simpson, Luis Guzman and of course, Jacki Weaver and Sir Ben Kingsley. There was some talk about a possible movie to tie up all the storylines after the show ended. Do you know if that is in the works?
DD: I have no idea, but I really hope that happens. Steven Conrad is a genius and so was that cast. If you haven’t seen or become a part of the cult following of Patriot on Amazon or Perpetual Grace, you should. But the people he casts and the stories he writes and the beauty of the cinematography, all  create a piece of art that is in its own category. He has such a strong point of view, aesthetic and vision, you always know when you’re watching a Steven Conrad show.
I’ve been very lucky to be part of two shows where both casts were like extended family. Like Luis Guzman. We  talked recently, I adore him. Side bar: I feel like in a crazy, crossover world, Luis could be Pablo’s other uncle because of his giant heart and comedic delivery. Anyway, we’re both working on my friend Joe Ahern’s indie comedy, The Disappearance of Toby Blackwood, which he co-wrote with Doug Mellard. And I can’t wait for people to see Luis slay the screen, yet again. The filming process is pretty innovative during COVID, where everyone but the two main characters filmed their parts at home using an app. These guys were doing it before anyone else, so kudos to them.  
Friendsgiving: The Gift that Keeps on Giving
CP: I had the pleasure of watching Friendsgiving the other night and it was an enjoyable holiday film. You had some hilarious bits as Kat Dennings’ wise cracking sister, Barbara. What drew you to the project?
DD: Thank you for watching the film and I’m so glad you enjoyed it! It’s the kind of original comedy we all need right now.
I knew I was auditioning for Kat Dennings’ (Abby)  sister Barbara, whose part of Abby’s Jersey-Italian family. Within the first two lines of that family exchange, I was cackling. I’m drawn to anything that grabs my attention on the page and holds it for the entire sitting of reading the script. Those lines of dialogue, the way the family members are unapologetically who they are, and the fact they mean well but are constantly giving you their two cents when you don’t want it or ask for it, hooked me. And that kind of art-imitating-life comedy held up for the rest of the script for me. Nicol Paone hit it out of the park, both on the page and behind the lens. And I’m pretty sure it’s loosely based on a Thanksgiving that Nicol and Malin Ackerman shared.
The subject matter was also relatable. I’ve celebrated Thanksgiving with my family as well as a couple of Friendsgivings. And the bottom line is, the holiday is just dysfunctional, always. It might be a lot more fun with your friends but it’s still going to be dysfunctional.
That concept makes me laugh. It’s not funny when you’re the one going through the stress and drama of Thanksgiving. However, it’s very funny watching someone else go through it. It’s cathartic. That’s why I loved it.  
CP: With so many talented actors in the cast, do you have any behind the scenes anecdotes?
DD: There was a lot of laughing in between takes. It’s always a good sign when the crew laughs. Abby’s (Kat Dennings ) Jersey-Italian family was cast perfectly, and the actors were so damn funny! Rose Abdoo plays our mom, Nadya Ginsburg as Aunt Anna and Johnny Williams plays Uncle Sal. Like I said, it was already funny on the page, and Nicol being a New Jersey Italian herself really captured the essence of those family conversations. The actors brought Nicol’s words to life, and on a few takes she let us riff.  In one scene the Aunt Anna character was telling the scripted story of a sexual gesture; I remember laughing so hard at her adlibbing additional euphemisms for that particular act by referencing Italian food.
One of my favorite things Nicol did was add some of the funniest ad-libs and bloopers in the end credits. I love seeing those! Now everyone who sees the film will get to see those behind the scenes moments.  
The Show Must Go On
CP: When we were coordinating this interview, you told me that you were going into the studio to do voiceover work. Can you give us a hint about this upcoming effort?
DD: The show features a cast of familiar faces that might have worked together recently. I just realized what everyone is probably going to think when they read this.  
CP: Sorry everyone, it isn’t Ash vs Evil Dead. However, you have more work on the way. According to IMDb, you have completed a short film called PCH. What else can your fans look forward to?
DD: The Disappearance of Toby Blackwood which I mentioned before but we’re still filming that. I am so excited about this voiceover project because it’s completely original in every way, it really hasn’t been done before. And of course, Friendsgiving is out now in select theatres and VOD. It’s the perfect film to watch this Thanksgiving when we can’t celebrate as we usually do. You can laugh at the characters’ holiday drama and maybe even be grateful to take this year off.  
CP: Will you be appearing at any virtual conventions like Bruce and Ted are doing for Wizard World events?
DD: There are a couple in the works. But in the meantime, I’ve teamed up with this new platform called, Real Talk Live, which is both an app and on the web. It’s like a virtual convention where you can live video chat one on one, basically like a Zoom call. You can schedule the video call in advance or whenever catch me whenever I’m live. I think it’s a great solution, and personally I’m really looking forward to connecting with Evil Dead fans this way until live events pick back up. And it’s accessible worldwide so this will be great to finally see the amazing fans I hear from overseas. I miss interacting with them in the flesh, hearing their stories and seeing their badass cosplays! And do I miss pose-punching them in our epic photos. So I end with this, because I can’t say this enough: “Thank you, Ghostbeaters! I love you more than Ash Williams loves his Delta!”  
Many thanks to Dana DeLorenzo for spending time with me at Crash Palace. For those of you that haven’t had the chance to catch Friendsgiving, it is available online by buying or renting it as a video-on-demand on iTunes, FandangoNow and VUDU.
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[INTERVIEW] 7ROPHY’s Eunah talks role in A-Teen
7ROPHY’s rise within the idol industry has brought with it a stream of new solo opportunities for some of its members, especially lead vocal Eunah, who has released three songs through the Portal digital music project this year and played the role of Cosette in the recent Seoul production of Les Misérables. The young idol is now making her transformation from stage to screen as she makes her webdrama debut as Kim Hana in A-Teen.  Exclusive got to have the first interview with Eunah about her first on-camera acting role. Read what she had to say below!
A-Teen is your on-camera acting debut. Why did you choose this project?
“My manager was contacted by the producers of the webdrama, I took a look at the role descriptions, and I thought the character of Do Hana was very interesting … because that was who I originally auditioned for. Then, they called and said they wanted me to play Kim Hana. I was really surprised, but I thought it would be a good challenge.”
You starred in Les Misérables recently. What has been the difference for you between stage acting and on-camera acting?
“There’s a big difference, which I expected. I had to tone down a lot of things, and it was really strange to not have to look at the camera at all. The camera is your audience, and when you’re performing on music shows, you have to make sure to look at them, and when you’re on stage, singing to the audience is part of the experience too, but when you’re acting for screen? No eye contact with the camera, the audience isn’t there! If they’ll allow me, maybe I’ll upload a blooper of me accidentally looking at it onto my Instagram.”
Speaking of Les Misérables, how would you compare the roles of Cosette and Kim Hana? Which one did you enjoy playing more?
“Well, how can you compare the two? Playing Cosette was a childhood dream come true, but it was scary to step into such a famous role. Kim Hana was another dream … to get to create my very own role. There hasn’t been another Kim Hana from the webdrama A-Teen, but there’s been hundreds of Cosettes. They were both fun to work on in their own way, but I think Cosette was more enjoyable for me overall. I’ve never worked on screen before, so I spent most of my downtime on set learning about the process. It was a lot more hands on, whereas the stage process is something I’m familiar with, meaning I could relax more.”
What challenges did you face while playing your character?
“Like I said, I spent a lot of time on set just trying to settle in. Those first few days were hard … I feel like I only really got into the swing of things during the second week of filming, so I’m grateful for everyone who helped me and put up with me. An ensemble cast is a really comfortable thing to work in, and it made things a lot easier on me. When I was feeling lost, I always had my castmates around me to bounce off of.”
Do you think you and your character share similar characteristics? Do you think this made it an easier or harder role for you to play?
“Kim Hana and I are very different, but we still have some things in common. I’m the type of person who keeps things close to my chest, I’m not very good at expressing the truth about myself. We’re similar in that regard. However, I was never popular in school, and I was definitely never top of the class … those things impact your school years more than you even realize. More than I realized anyways, until I found myself struggling to relate to KimHa. I didn’t have any experiences to draw on. I actually ended up calling my sister to ask about her life as an A+ student.”
Do you plan to explore acting in dramas more in the future? What type of roles would you want to take on?
“If I’m lucky enough to, I would like to do more dramas. Maybe on TV? Or a second season of A-Teen. I feel like Kim Hana’s story still has more to be explored. I’m still too young at the moment, but I always like the cool, tough older women in dramas. Nothing fazes them, which is so different to me. I’d also like to try taking on something in the horror or mystery genres. Like a Nancy Drew kind of character!”
Why do you think people should watch A-Teen?
“It’s a drama that captures the everyday life of teenagers! I think it deals with lots of relevant issues today, without being too over the top or overly serious, and I’m proud to make my drama debut in it! And the episodes are short, so it’s a drama that’s easy to fit in to your day, if you’re looking for something to watch but don’t have the time to sit down for a whole hour.”
Do you have any other comments you’d like to make to your fans?
“I hope you’ll give A-Teen a chance! International Pepe couldn’t come to see Les Misérables, but you can see A-Teen, so I hope you’ll watch! Thank you for streaming my portal release, and thank you for supporting Senorita. The seven of us are thankful for you every day!”
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sammyhale · 6 years
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J2 PittCon 2018 Main Panel
J2 jump onstage!
Jared: “As is obvious to everyone, we haven’t worked since the finale. So we’re a little beardy.” 
Boys are in great moods :)
“So without-” Jensen ...”further ado” - Jared. 
They are going around flipping back and forth between each side to decide where to start taking questions & being silly.
J2 are doing a bit of like a Laurel & Hardy bit. 
Fan: "I've been watching you guys since I was little." "How little?" "Since you guys started and I'm 18 now." Jared: So...four? Jensen: pretends to faint over that. Jared catches him, helped Jensen up after collapsing like an old man lol. 
Jared: “If I could be anyone else on SPN, I’d be Castiel so I could have the day off!” Jensen: Even when he’s working. Jared: That was my joke! You can’t explain my joke! Jensen: I was adding it! Jared says all jokes aside he would still play Cas because he thinks it’d be fun to help the Winchesters out with no agenda. 
Jensen would be Baby because she just sits around and gets pampered all day long. 
Fan: I think I would be Jensen actually. Jared: But then you’ll get to look at me!
What hair products do you use? Jared: Shampoo, conditioner, beanie. 
Jared doesn't know what hair product the on set hairdresser uses on him. Jensen: YOU LOOK AT IT EVERY DAY........actually, to be fair I also look at it every day and I have no idea. 
Jared had a quarter life crisis over his forehead, thinking he was losing hair.   
J2 shenanigans :P
Jensen: “I think she uses ‘mousse’.” Jared: “Coming to a store next summer: Moose Mousse.” 
How many miles do you think the Impala racked up?? Jensen: a lot.
J2 think Baby would have at least a half million miles on her. 
Fan: Why did Soulless!Sam smirk when Dean got turned by the vamp? Jared: That's just my face. Even when I sleep I'm like this... *does a grin* Says he always has a shit-eating grin on his face lol. Jared says that Soulless!Sam was smirking because he wanted to see where the story went from there. Jensen: I just assumed you were watching cat videos.
The boys joke about Cas/Misha. Jared: “[Cas] is not dead, just recast.” Jensen: “Cat’s outta the bag.” Jared: “CAS out of the bag.” 
Jensen would like Dean to come back in Season 14.  
Jared: I would love to see Dean come back, but I want to see Michael!Dean for a few episodes.
Jensen: Christian had a beard when he was playing Michael... so I should... 
Jared says he wants to take the opportunity while Dean is Michael to teach Jack what Dean taught Sam.
Jared: In Season 32, when Jack is 18, we’ll get him a girlfriend, boyfriend, whatever he wants! <3 
Jared: “The show is gonna end. I don’t think the SPNFamily has to end.” Says he hopes the conventions continue after the show ends. 
J2 laughing at each other and their attempts at French
Fan: “Do you need spécial French lessons?” Jensen: “Oh yeah he does!”
..and the dick jokes have begun.
Jensen just turned “process” into a dick joke.
Jensen: we should not be allowed to raise children. Jared: I’m not allowed that’s why Gen ships me away
Jensen: you go first, your process is longer. Jared: why yes it is... lol.  
They are being so naughty and Jensen is laughing so hard. Jared: it's all about your process...
Jensen just did the shocker lmao. 
Jared likes filming emotional scenes. Jensen likes the comedic scenes.
Jared: “I like emotional stuff.” Jensen: “You would.” 
Neither of them like exposition very much
Jensen looking dreamily at Jared 
Jared said exposition and asked if the fan knew what that was and Jensen immediately breaks out the Anchorman reference, “I believe it is an old, old wooden ship.” 
Jared says it was easy being directed by Jensen: I’ve known Jensen the longest and the best. Jensen knows how I work and vice versa. He knows what to say to me because we have such a rapport with each other. 
Jensen: We direct each other on a daily basis anyway. We’re constantly watching each other’s back. 
When Misha directed, Jared was more focused on messing with him. Jensen adds that Misha’s strategy wasn’t so much directing so much as survival.
The boys high-five at some point :P
Jared: Our directors know we care about Sam and Dean more than anyone else so they trust us with those characters.
When Richard directed he kept calling them by their character names. Jared: We've stopped trains together in Europe! Call me Jared! haha  
Fan: “I’m so nervous.” Jared: “All good, girl. You’re surrounded by family.”
Fan asks about actors’ idiosyncrasies before filming a scene? Jensen says Tahmoh would walk in circles grunting just before scenes. Jared: And he's a big guy. Jensen: So cut to Jared & I watching *stares forward terrified* like "are we gonna get hit??" 
Jensen said David gets his Ketch face on before cameras roll and that he keeps the Ketch accent between takes which helps them. 
Jensen on Jared: "If we're in the middle of a scene & it's his turn to say a line but he's like checked out, you see him realize he missed his line & he does a loud throat clear & then says his line as if the long dead air was so he could clear his throat." 
Jared just slapped Jensen’s thigh very enthusiastically.
Jared: Jensen would chew gum and he would stick it to the roof of his mouth when he was talking and Jared can sometimes see it.
Jensen says he ALWAYS knows the difference between when Jared is leaving a pause for emphasis or to do an action vs. if he forgot it's his turn to talk because of the throat clear. They know each other well :) 
Jensen also wants everyone to know that for 13 seasons, Sam and Dean have ALWAYS had gum in their mouths, in every scene. Just to spite his high school teacher who told him she could always tell when he had gum in his mouth.
What would they tell their characters? Jared: Go to Maui. Go to Spain. Cut your hair. There’s nothing for you here. Eat some cheese. Jensen: Maybe not to Dean about the cheese... Jared: You’ve had enough, Dean. 
Jared says he would thank Sam for stopping the apocalypse and that he would listen if Sam needed or wanted to unload some trauma. 
Jensen would tell Dean to get a little WD40 on the Impala doors. “They’ve been squeaking for 13 seasons” 
Jared: I would tell Sam and Dean, “Hey, stop chewing gum!” Sam, stop dying! 
Fan thanks J2 for mental health awareness and support of #MeToo movement. Jared acknowledges women and LGBTQ are not treated well still but thinks it’s great it’s being talked about. Jared just wants to listen to people and wants them to know he doesn’t want to hurt them. Wants to be emotionally available so he can listen and help. 
What can men do to help the #MeToo movement? Jared says they can shut up and listen to people as human beings. Let them know you see them as people and treat them as you want to be treated. 
Jensen: I try to lead by example showing and being the person you want to be and make people proud of. Says it’s something his father taught him (leading by example). If someone is being inappropriate show them by example how to be better. Jensen says you can call people out, but at the end of the day, showing people rather than telling them who they should be is more powerful. 
Jared: I think you need a genuine person to actually help you change. I try to be emotionally available to who do suffer. Treat others how you want people to treat you. 
J2 are both very proud of those coming forward <3 
Who makes the most bloopers? Jensen points at Jared lol. 
Jensen: Jared might be “the blooper” or else he’s probably responsible for it.
Jensen gives an example: Jared failing to enter the scene on time was how Jensen lip-syncing to “Eye of the Tiger” happened. Jensen: “I get a lot of credit for that - it was his fault.”  
Boys cracking each other up :)
Jared: Watching Supernatural during kids’ nap time should be called “Supernapural”. Stephen: *rim shot* Jared is so proud he finally got a rim shot!
Since Rob left the con early to attend the Felicity reunion at the ATX Festival in Austin, Jason takes Rob’s place to sing the last question with Jensen. He was very unsure what to do lol. 
Last question: Jared loves spending time in the vegetable garden with the kids and looking for bugs and animals like frogs and such.
Jared: I feel like a terrible dad. My kids love chasing bugs. It's Texas in the summer, 100 degrees. "Daddy, you chase bugs, too!" I say: "...I'll watch from the kitchen window." lol. Jensen: For me, it depends which kid...& whether I can remember their name at the time...
Jensen tells a story about how he put on a Led Zeppelin vinyl and just stared out the back window and listened to the album with Zeppelin on his lap. 
J2 fist bump!  
Info via: Fangasm, Michael, Cherie, Olivia, Jess, DWB, Sil’s livetweet list
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calliecat93 · 5 years
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RvB Season 16 Commentary Masterpost
This post details the commentary from the RvB16 DvD. I tried to add as much and be as detailed as possible and I apologize if I misconstrued anything. This was 12 pages long BTW... I hope you all enjoy!
Commentators
All Episodes: Joe Nicolosi (writer/director)
Episodes 1-5: Kyle Taylor (machinima director), Josh Ornelas (senior machinimator)
Episodes 6-10: Jason Weight (co-writer), Greg Slagel (show producer), Billy Burson (Visual Supervisor/Lighter)
Episodes 11-15: Phillip Sparn (Audio Mixer/Sound Designer), Ian Sheppard (Lead Animator), David Levy (Audio/Music Composer)
Episode 1
The intro scene with the knights involved zero machinima (Kyle very much appreciated that), IDK if this was a joke, but Joe said that he wrote the intro three years ago and sent it to Miles, who was confused by it. He thought this would be a good place to finally use it.
The Grif knight is now Sir Gryffandor and the Simmons one Simmtarian XD
Joe use to be in a time traveled-theme band and many of the unused ideas it's where he got several of his ideas for this season.
Joe felt that it took far too long to get into the action in S15, so he tried to have it go faster this time around. Hence why he sped through the setup in this and Season 2.
Kyle and Joe talk about how there was a joke in S11 where Caboose responded to his echo in a cave. Joe wanted the echo to have been time travel Caboose, but when they decided on the slideshow format he couldn't. Miles confirmed at RTX that it is now canon so yay!
Joe had gone back through the show and made notes about where the characters could mess with their past. He also has a fan theory that Two Coffee Mug Guy from the Freelancer Saga is the cause of everything bad that happened since if he didn't show up, North wouldn't have gotten caught, the mission would have gone fine, etc. I am on board with this theory!
In one shot, they forgot to put Huggins and Muggins in as the headlights and it was too late to fix when the time came to air it. Oops. Kyle jokes that they have to blink off every one in a while due to their anatomy XD
The scene where Donut has... broke I guess was apparently a pain in the ass to do. For example when there's like eight of him in a row, they had to time the shot exactly right to machinimate it properly. It involved a LOT of coordination. They all agree that the bit where Donut glitches/contorts is the stuff of nightmares.
Speaking of that bit, you'd think that would be easy since it's essentially glitched out animation. But doing it apparently broke all the rendering machines and they had long talks with the tech department to get it rendered properly. It got to the point where it actually went up to Gray Haddock, the Head of Animation. Daaamn.
Joe's original vision for Episode 1 was to have a long conversation about food that triggered a series of horrific events as it was going on. Kind of like a one act play. Only the Caboose bit with Donut made it through however.
Grif's love of Sammie Raphaello's is based on Joe's feelings about a similarly named place in New York, including eating it for 100 days straight. It had been worth it.
Starseat, the Cosmic Gods base. Is one of the only maps that they hadn't used form Halo 5. They used the majority in S15 so they needed to use some of the alien locations for this one. Since S16 has the Cosmic Powers, it worked out for them.
Episode 2
The forest area was a custom map made by Josh. They used several custom maps this season.
Josh calls layering trees the 'Bob Ross effect' XD
There's this lightning effect in this map that had to me timed perfectly to not mess up the shot. Lets just say that they had to redo several shots because they got the timing wrong or it was too distracting.
When there is a joke that has an awkward pause or silence in it, Joe likes to add a bird effect to it. In the bit with Caboose's 'Your Mama' joke, he used an owl effect
It is canon that Caboose has shy tinkle and can't do his business with others around XD
Because the Halo 5 models have this bad tendency with their coloring (ie, Simmons sometimes looks too much like Sarge), they hired a colorist for the first time in the series history. So every Simmons scene (IDK if they mean just this one or every single one) had to be hand colored to keep him as maroon as possible.
Kyle asked about what was going in on Chorus. Joe says that this is NOT canon, but in his mind Locus got arrested when he brought Wash back to Chorus. They want to try Locus as a war criminal where he COUDL escape, but since he swore off killing people he cna't without doing so. Apparently his ship has an AI ready to split the planet with him Locus gone so Kimball, whose in the middle of an election, has the choice to either let Locus go and save the planet, or not and not get re-elected. This is strictly headcanon, but Joe considered using it as a subplot but since it had nothing to do with the time travel, he opted against it.
Donut is now God Jesus Donut. Something that Joe was very excited to do.
Kyle had no idea how they were going to have Donut walk across water. Apparently Halo 5 has these invisible blocks that they were able to use to pull off the effect.
The music used in this scene is a genre called 'monk-step', which is like Gregorian chanting mixed with ETM (from what I can gather, it's some kind of electro music). Apparently this is a real genre.
The city and destroyed Sammie Raphaello's was made by Austin Clark and Kyle Moran.
Conner, one fo the editors, edited the scene pretty tightly as with most RvB scenes. Joe then made him go back and add a punch of long. pauses
The cop was indeed voiced by Jeremy Dooley. Joe's direction to him was that he thought he was the main character of the story and to just go off with it. He did so for several minutes and Joe had to cut it down, but you can see the full thing in the blooper reel.
Joe didn't want to lock onto a specific place aside form 'somewhere in America' for the city location. But since Grif said he went to Harvard in a PSA, he guesses that it's somewhere in Massachusetts.
Joe has this pet peeve about a truck in the shot as the exact same model was also there when we the place again in Episode 4. Kyle makes a backstory for it about being driven by a dump truck driver who cheated on his wife and was caught, left the truck there, and went on to become president. The truck is now a monument. I am all for this!
They storyboarded Donut putting the guns on the ground... and Joe decided at the last second to just have them flash and appear to not waste time just having him lay down guns for 20 seconds.
Kyle calls Grif a coward for not taking the bullet for Sammie's. That's not nice Kyle!
“Donut uses his shield powers that... never come up again” Thanks Joe...
To get Sarge and Simmons properly on the ground when they land in Egypt, Kyle simply had Josh kill them in-game. They landed perfectly XD
Episode 3
The snow scene with Grif and Doc apparently shows the horizon for the first time in the series due to using very boxed in multiplayer maps. It is also a custom map with the horizon point, which was green-screened, blending into the snow.
Sister and Tucker were green-screened into Halo 3. Apparently it wasn't too bad here, but it was MUCH harder for Halo 2. They VERY much appreciated having a green-screen within Halo 5.
The desert scene with Sarge and Simmons apparently had a shadow in it, so they had to color correct it to make it look more desert-like. Simmons color apparently overlapped with Sarge's a lot.
The storylines were supposed to be about the characters all trying to fix their past mistakes, but only make it worst. This was meant to tie into the season's theme on how fucking up is a part of life. Them not learning it, of course, causes what happens in the end. Joe does mention that it doesn't seem like it worked for everyone watching, however but Kyle mentions how rewatching it can get people to pick up on it more.
The map they used for The Battle of Broken Ridge went through several iterations. They went with one they called White Dwarf which was very detailed tot he point where they fuzzied it up to make it look less so. The rock formations are underwater rocks and have coral textures to them to make them look more alien.
Present!Sarge is wielding a sniper rifle in this scene, not his shot gun. They imply that he shot the previous CO so that his past self would be given the position. GDI Sarge.
Apparently Halo characters do NOT like rough terrain, so recording the soldiers running across it was difficult to make it look natural.
For the PoV shot with Caboose, apparently you can't move the camera much in Halo 5 but you CAN have the character walk closer into it. So Austin and Kyle Moran did so to get the shot and was one of the first they did on their own.
Lopez couldn't be color corrected apparently. They had to go with a shade nearly identical to Grif's because otherwise he looked onto much like Master Chief. As such he looks different in every scene. Thanks Halo 5.
Episode 4
Joe wanted to use all the main locations (Blood Gulch, Valhalla) at least once. He was able to use Halos 2 and 3, but didn't get around to using Halo 4, so we didn't get Chorus aside form the one we saw last season.
The Tucker and Sister storyline was the most changed. Originally, it was going to be about Tucker trying to stop himself from getting laid with all the women that got him a lawsuit last season. He succeeded... but his present self got seduced anyways. This however created a bit of a paradox (I assume since it was clear that Tucker remembered it last season) so he decided he wanted to do something more personal between Tucker and Sister.
Joe wanted this, Episode 5, and Episode 6 to feel more episodic. Hence why he get a major focus on Tucker and Sister here, Sarge and Simmons in 5, and Grif and Doc in 6.
Joe apparently cockblocked himself once. Oops.
Kyle wants to use a time machine to go back and mess with himself when past!him was working in a check out line. Joe would use it to go see old movies and bands when they opened up.
The Broken Ridge map made all the visors green.
Hammerspace exists in the RvB verse due to all the weapon shifts.
The machinima team used the PC version of Halo 2 (the same one used for the Blood Gulch remaster) due to technical reasons. The problem is all the servers, services, etc that were available when doing the remaster no longer exist in 2018. While they have copies of the game, to do what they need they had to use fan hacks, a laptop, and Joe's home computer to make the scenes properly.
Lindsay Jones (VA for Kimball) plays one of the three kids using her Space Kid voice form Camp Camp. Kyle thought one of the actors was the VA for Qrow in RWBY (Vic Mignogna) but it wasn't.
They had a lot of fun macinimating Grif's freakout and Joe outright called Geoff's performance Oscar worthy. They considered submitting it XD
The guy left the truck (form Episode 2) on this very day XD
Tucker asking Sister if she turned off her radio was a reference to O'Malley since at this time, he was still around and going through different people's heads. It was important to make sure that he paid attention to continuity in the time he was going to mess with. Since he felt that this was a memorable event in Blood Gulch, he wanted to go back to it and make sure that he wasn't accidentally messing up anything.
This is the third time they've gone back to this in RvB's history as Josh previously directed a S14 episode written by Barbara Dunkleman (VA for Jensen) about O'Malley in different headspaces. Wow, they must love this scene XD
Joe made Nico (one of the composers and part of Trocadero) make porno music for the cave pond scene. He said “On it Joe!”
Joe liked making Tucker dense when it comes to sex, especially in this scene.
There were talks about if Tucker and Sister should still be in Halo 5 armor when time travleing or if it should change. They ultimately decided to stick to the Halo 5 armor, which Joe felt was the right choice since he was no real reason to have them in the game's default. RvB14 had a similar philosophy where whatever time period the story is taking place, ti had to match that version of Halo.
Episode 5
The map used at the very beginning was a user-made map that's meant to be reminiscent of a Halo 3 map.
Using John Wayne was apparently a pain in the ass. They couldn't refer to him as John Wayne and several other names like The Duke due to legal reasons. It was at the point where they had to have Gus and Matt frequently come in to do re-recordings due to all the changes. They finally settled on Private John... and they hope that they don't get sued for saying it in the commentary.
To remake Desert Gulch, they had to use all the characters at the same time and do several different shots for several reasons.
George Washington was voiced by Todd Womack, a Creative Producer for Broadcast at RT. He also voiced the Simmons knight in Episode 1.
Chris Kokkinos, a Lead Audio Engineer for RT Animation, played Alexander the Great. They did ten minutes of Google searches to put together a voice that sounded accurate enough to what Ancient Masadonian (I think) would sound like.
There's a radio effect in the movie filming scenes where, if you listen close enough, you can hear someone trying to find the bestboy. When I rewatch this with commentary off, I am ging to listen HARD to find those lines.
Kohan Wooter, the producer Jax torments, was voiced by RT's 3D Animation producer Koan Wooten. Joe jokes that he's a 'pathetic ball of anxiety' so he based the character on him. Don't worry, he actually loves Koen XD Koen produced Seasons 13, 14, and 15, but 16 has a new producer, Greg who we'll hear in Episodes 6-10 commentary.
Apparently in Halo 5 (Kyle isn't sure if this was an update or he just never saw it there's an option to max character speeds. So when Jax, Simmons, and Sarge are walking through the set, they were able to set all three to the same speed without it looking like they're sprinting, something that is normally difficult to do in machinima.
In S15, Joe wanted Jax to get successful at some point... and then fall back down off his horse due to his ego. So he did it here!
They wish that they showed Jax's version of S15, though we do get a sample in Episode 12.
Austin and Kyle Moran worked on the scene where Sarge and Private John are doing lines.
For this scene, Matt was late for a CEO meeting so he had to do all of his lines in one take in quick succession. He nailed every single one of them.
I think most know this, but just in case, Atlus is voiced by SungWon Cho aka ProZD. Joe was a big fan of him and was really excited to cast him.
All the Gods we see who aren't Atlus, Kali, Genkins, and Burnstorm are Minor Gods and this is the only time we get to see them all. Kyle says one is the God of Anxiety XD
Kyle made Atlus' throne and used spaceship parts to make it. It was also a chore to decide on all the Gods guns.
Episode 6
Jason wrote Episodes 6, 7, 10, 11, 13, and 14 (Joe confirmed the latter four on Twitter).
Joe says that Grif and Doc are somewhere in Calabria, Ancient Italy. It is known as 'The Boot of Italy'.
Greg previously on a 2D show at another company (I couldn't make out what he said it was) before arriving at RT and being put on RvB. Since machinima is treated more like live action when filming, it was a very different experience along with storyboarding the animation. He had to learn a lot about what can and can't be done in machinima.
Billy previously worked on a live action RvB short (I assume the RvB14 finale but they didn't specify) and before this worked on RWBY and RWBY Chibi. He works on both lighting and composition.
Billy really liked working on the lens flare shots XD Which are also apparently hard to render despite how easy it looked at first.
Jason wrote most of Sister's dialogue, which had to be cut down a bit. Apparently one line he wrote was Sister saying “I want Lancelot to slay my p***y like a Dragon”. This once got cut because Microsoft told them to, which is a VERY rare occurrence.
Genkins was the one going crazy with the airhorn during Atlus' intro. They used up all their airhorn budget for that one XD
Joe credited Jason for Atlus' portrayal. Jason feels that Atlus is very human and fragile on the inside and the kind of characters that he likes to write.
They all laughed at Tucker and Sister being blown up, which they tried to reuse form other stuff, but Joe refused. They joke that they just got it off the internet.
Joe feels that he could have done this episode better as he didn't feel anything for Doc at the end like he had intended.
They have an animator specifically for O'Malley's finger motions. He'll be in the 11-15 commentary and is reffered to as 'The Fingerer'
Episode 7
Since this is an episode that mixes live action, they started working on this even before Episode 1. They were excited at first... until they finally started doing it.
Gus Sorola (VA for Simmons) played the Cyclops as well as his wife.
Joe knows that some people weren't happy with this episode, but he still liked it cause Tucker and Sister got to fight a giant cyclops. They do admit it is one of the stupidest thing they've ever done though XD
They went over budget doing the scene and had to go all the way up to Matt to get more. At RTX, Matt said that he allowed it when they said that Gus was going to be uncomfortable for several hours. Best CEO XD Joe brought in Koen to convince help him.
Huggins had several different animators, but most of the credit goes to an animator named Owen for giving a glowing sphere so much energy with the animation.
Gus' scenes were shot in one day, but because they had to change the lighting so much to correspond with Halo, it took a LOOOOOT of hours.
When the cyclops bit into the Tucker armor, Joe had it in the script that Gus just pulled the head off. Gus asked if he could eat it, which Joe allowed. Joe had to paint it the day before the shoot after Greg went and got it. They used a toy since animating Tucker in Gus' hand would have been too much work to get right.
Joe did a lot of the work on the scenes while listening to an audiobook, so now he just hears it whenever watching the episode. Fortunately, he has a lot of work with green-screen XD
David Levy composed the music for the scene and Joe had him listen to stuff from Jason and the Arganots and such things to give him an idea of what to do.
Tucker jumping to hit the Cyclops'... privates...w as a reference to Independence Day apparently.
Joe wished that, when we see the location again in the finale, he just showed the Cyclops' corpse rotting away... so I guess that confirms that he's dead. He thought of it after the fact however so he couldn't.
Joe deliberately told the Art Department about the female cyclops at the last second so that they would buy a shitty costume for Gus to put on. Greg was confused. The shot later for Episode 15 was a surprise shot Joe did since he was writing the finale around this time, so he wanted it just in case he wanted to use it... which he did XD
Episode 8
The map with the Chorus towers were a Live Map. IDK what that means, but apparently they can't use. So the machinimators had to go around it and take various shots of the towers to put them in the opening scene. It got several accounts banned as a result XD
After the last episode used so many different things (animation, machinima, live action), the fact that they were able to get an animation sequence into this one had Joe feeling good about the production flow for the season since the previous one would normally go over deadlines. Fortunately, the production went through seemlessly.
The animation team is mostly from RWBY Chibi.
Originally Carolina and Dr. Grey's talk was in Grey's office. Miles said that it wasn't weird enough to fit Grey though, so Joe change the setting to a morgue. The dialogue stayed the same though! The feet of the body were apparently hard to render XD
Joe wished that Carolina was holding some guy's intestines to further show how creepy it is.
With the cyclops, Joe apparently wanted him to have a giant, hanging dong cause he things it would be Tucker's worst nightmare. Greg immediately shot that down since no amount if pixilation would be able to hide it.
Joe wanted to give Grif a magic fairy companion, ehnce why we got Huggins and the two would learn form each other.
Huggins is based off of her actress, Ashley Spillers, in terms of personality.
Apparently doing shots showing tall buildings like in Chorus is much easier than getting a dead guy's feet in properly. Huh...
Joe got obsessed with doing different shots to make shots of a character just talking interesting and he felt he went a little too crazy.
Joe felt bad that he couldn't use more of Dylan, but he learned last season that RvB has a TON of characters and he needs to break them up when it's necessary. This is part of why the Reds and Blues were split up this season.
Billy did a lot of work on the wrestling scene in the finale due to how much lighting was needed. It also involved a lot of comp due to the amount of shots.
Wash's cat, Loki, is based off a cat Joe had in RL. Many of the same things happened to it and lived for over 20 years. Wow...
Episode 9
Joe makes it clear that he loves Koen and he only made fun of him because he loves him. Greg felt much of Kohan's portrayal hit too close to home XD
Since they used most of the maps in S15, Joe knew that they were going to have to reuse some of them and the filmset plotline was done in order to do so. Considering Wash's state, he felt that it worked well for character.
The Female Frozen Freelancer was voiced by Minni Clark, their Animation Coordinator.
Joe considered what Wash and Carolina would do with a time machine. For a while, he considered having Carolina use it to go to the future, but he felt that could botch future storylines so he decided to not use the future at all.
They liked the campfire map and giving Huggins sparkles. The sparkles got added late into production. Luckily they emphasized that no one was harmed in the making of this production XD
Huggins will only swear when quoting Die Hard. The lens flare in the movie was also Joe's favorite lens flare in film XD
Joe was originally going to have Grif come across Lopez's head after he sank in the titanic. But since Grif was in Ancient Italy, that would not work so it was cut.
Joe also intended for Grif to use a boat to get over the English Channel, but since it would have been a hard set-piece to make and they already had an underwater map, they went with that instead.
The effect to make past!Simmons portal appear/green-screen was apparently fun XD Joe also liked having Sarge stab Achilles in the foot.
This season has the most green-screen used in any season.
Apparently there are a LOT of time travel stories out there with very complicated rules. Joe went with the ones that he felt were the most common.
Joe got very mad because The Covlerfield Paradox came out sometimes before the season starts. He also gets mad in the finale cause Infinity War did what he did essentially XD
Joe found using time travel to test free will interesting as he doesn't recall anyone doing it before.
Matt improved his lines regarding the back and forth on deciding to open the door. He does that a lot XD
They didn't want to add a shot of Simmons pressing the keypad, so they just showed the door opening.
Episode 10
To make Caboose's vacation easier, they decided to go with the slideshow and just use stills. Most were easy to comp, but some like the monkeys were more difficult. It was orignally going to be animated.
With the shot of the RT Founders, they originally had a Halo helmet in the photo. Joe changed it to a bowling ball.
Joe was counting down the days of production and told no one. Greg was very confused when he saw '100 Days' on Joe's calendar.
Jason wrote Camelto and voiced Lancelot/Sir Gryffandor. Joe used all of his first takes XD
Jason writes long scripts, so Joe had to cut them down and he felt bad about it. Jason said that he got rid of the garbage bits XD
There is some kind of cannon by Tucker's shoulder when he meets with Grif. Joe headcanosn that Tucker just demanded that they make a cannon.
Even Joe points out that Grif's trying to push the plot forward now. They joke that it's just so it an end faster.
The reason why Tucker started the war with France they decided was because they ate snails, hence his line “Those fancy f***s eat snails!”
Joe clarifies on what turning into a shisno means. I wrote about this already, but I'll do so again here. It is not a form of corruption or mind control, but people like Tucker giving more and more into temptation and as such, the worst part of them comes out. He felt that them trying to make the past better is a big convenience in time travel and decided that them screwing it up and therefore still trying was an effect of Chrovos. It's not direct mind control however, it just makes your darker impulses stronger.
Joe confirms that Genkins was the PA who lead Wash to the scene recreating where he got shot solely to make him worst and keep the plan going in the right direction.
Joe, having grown up on films like Evil Dead, really likes bloody shots and thinks that his seasons have had the most blood effects XD
They checked over Donut and O'Malley's scene a LOT due to a lot of screw ups and using a large white void.
Billy's favorite thing to have lighted was Chrovos. They were very happy with the gears design.
Joe really liked Chrovos' VA
Episode 11
Phillip played one of the guards that got crushed by the horse in the finale. It is his proudest moment.
Doing work for Huggins was painful since she required several swooshing effects and her animation turned out to be much more work due to Ian deciding to make her more energetic to not make it boring.
Muggins is less energetic due to being older
Joe had to get special permission from Miles and Kerry to use the RWBY moon and now calls it canon... which he honestly isn't all that wrong if you've watched RWBY V6...
Audio liked adding the effects to Atlus' voice, something that ProZD apparently does in his videos.
When he decided to use God sin RvB, Joe had wanted to have a wish granting scene and the one we got is one of his favorites. He also mentions how most Gods go to places, mess with younger races, so he felt like this fit.
The music for this was challenging for David as Joe instructed him to base it on Danny Elfman-esque scores. The guitar rift when Grif makes the sword wish was treated like a sound effect.
Apparently they used a laughing seagull effect to laugh at Tucker. I need to listen for these things more.
They used a sunset map for Tucker and Sister's talk, and while lighting is often difficult in RvB, Joe felt that this worked very well. Using Halo 5 in general was hard, but after last year they had a good grasp on what they could and couldn't do. They'll be us9ig a new Halo next year, which since Halo 6 isn't out I assume is referring to Halo 2 Anniversary
Okay... so this bit is probably gonna be the biggest part. So the whole scene with Tucker and Sister's talk? Originally in the outline, Joe simply had Sister go 'And I don't care!' when she and Tucker realize that their s*xventures were coming to an end. Then he sent it off to Jason, who expanded on it in the script to have Sister's verbal beatdown to Tucker. Joe let it stick, and we got what we got.
Episode 12
This is the first episode of RvB shot in 4K
You know the opening shot where Actor!Wash dips Actress!Carolina? The scene was mo-caped by Joe as Wash an an animator named Harley (she works primarily on RWBY) as Carolina. When they acted it out, Joe tried to catch Harley when she fell back... except that he had recently dislocated his arm. So he ended up just dropping her and he fell over and hit his head. The mocap for it looked really funny though XD
The reason why Joe used 4K for this episode was in order to do wide shots so that After Effects could put in the shaky cam. He did it in one weekend. He's not a fan of 4K however due to feeling it adds too much production time, so he used it for only this episode.
They joke about making an RvB Soap Opera where Church has a twina nd Sarge goes into a coma. I WANT THIS!
Joe had not seen The Office when he went with the interviews idea.
This, and the later episodes, were written during the production.
This episode was the RvB equivalent of a Beach Episode like you see in anime. But because of armor and stuff, he couldn't go all the way. Also apparently if Halo characters hit the water unless it's an underwater map, they die. Huh...
Joe continues to make it clear that he loves working with Koen. Good job on making sure you don't piss your boss off dude!
The Chinese Finger Trap gag with Caboose was improved by Joel. The trap was composed in and they used the Huggins rigs to help with the stretching.
Joe felt he went a little too strong with the color correction in this episode and that the colors came off too strong, especially with Donut.
Joe liked the audio cue used for when Wash has one of his memory blocks.
There was a lot of improve done with the actors for Jax's movie. Phillip also didn't get the Rodney Dangerfield reference. Joe put that specific one in because the Private John actor did one for funsies in his session.
According to Joe, after he gets hit by Atlus' hammer, he forgets all of his movie ideas and is now in the next stage of his life in trying to figure them out. They ask if this is autobiographical for Joe XD
The gold club is an actual weapon in Halo 5 (some kind of multiplayer mode), huh...
In the original take where everyone is saying titles, Joel had Caboose curse. Joe found it funny... but since Caboose doesn't swear to that level (I think in another interview Joe said he used the F word), he decided two days prior to cut it and edit several takes together to get what we got. They added it back in for the Blooper Reel, and I can confirm that it is hilarious.
Episode 13
David used wall to wall music for this episode.
The first drafts for the final three episodes were over 70 pages long. The average is around 12-18 pages, so... yeah... he had to cut it down to 54 within about three days.
Joe didn't get to work a lot with Genkins' VA (Ricco Fajardo since he forgot the name in the commentary) since Genkins had very few lines. He really enjoyed working with him and the other professional voice actors since he can really push them and they love going along with it.
Jason did the script for this episode.
This episode, along with 13, had very little animation due to the finale going crazy with it. So they cut down on it in these two to make up for that time.
Joe's not a fan of exposition scenes, but since Starseat was a unique set design, he felt like it was a good place to do it.
The Cosmic Powers are always green-screened so that they can look much larger.
David wanted to listen to his master work XD
Joe hadn't told mahcinima what swords to give everyone and is happy with the options that they went with.
Burnstorm's VA is a theater actor in Dallas
Joe regretted that he wasn't able to have the Gods in action much and wishes that he was able to fit in one God fight at least. But he had gone over the animation budget, so even if he wanted to he couldn't.
The Neanderthals hair in Caboose's slideshow apparently didn't work at all, so they photoshoped it in.
Joe really enjoyed doing Carolina and Wash's scene, especially with how well Jen and Shannon performed it. He felt so much regret for what he did to these characters XD
Joe did research on brain injuries to make sure that he portrayed Wash's condition as accurately as possible.
Machinima built the room that the Reds and Blues were teleported to. It was originally a hallway apparently.
Episode 14
The intention of the episode was to be a runway into the finale and to be a bit of a cool down after the last one.
Jason once more did the script for this one.
Halo 5 armor in multiplayer apparently can't be black, so in shadows it just glows. Huh, weird.
No one aside from Joe saw the shot of the Fates. Ian never saw them as he handed them to someone else while doing 15, and they did them all without him having to check them.
Joe wrote the demo for The Fates song to give to the singers who auditioned.
Joe thought a lot about Carolina time traveling prior to this, but felt that she was too responsible and smart to use it the same way the Reds and Blues did.
Phillip was kind of glad that Huggins got 'killed' (I'm still denying it) since it meant no more swoosh sounds
The buildup to the... death scene... dropped the ambiance to build up the creepiness factor.
Joe did the black hole effect and went on until it made him too sad and he kicked his computer. You have only yourself to blame.
They like how the Cosmic Powers just become more and more normal acting as time goes on XD
Joe had been very nervous about The Fates and considers it the weirdest sequence in the season. He suggested the orchestral tuning build-up.
Joe explains how The Fates work. The Cosmic Powers are AI/computers, and that includes The Fates. They are like a series of quantum supercomputers who scan the atoms around them to determine the outcome of the future. Their prophecies are mere projections.
Episode 15 (Season Finale)
They call this 'The Beast Episode'
David added 15 minutes of music with no stop. It continues to accelerate as it continues on.
The episode was done more like a music video. All the animation was done first, and then David composed it to the animation instead of before it. He used bits of previous cues and themes as well. It took him two weeks to do.
The room that Carolina and the others hid in had been very bright, so they had to darken it.
This was very tightly edited in order to stay matched up to the music.
The strategy for the Donut vs O'Malley was to treat the finale as two episodes. The fight was done by one team and all the other stuff was done by another.
They like the 'Use what you learned' advice.
Audio used a program called Vocaline to dot he effects for Chrovos' voice and the gear ticking effects.
The edit for the episode was very different from the script as Joe did a lot of re-arranging of scenes to improve the flow. He got advice form Connor, one of the editors, to pace them better.
The pizza is a photoshopped Home Slice Pizzal
If you watch the scene where Caboose hits the Red with his golf club in slow mo, the body flies off but his soul stays put in an extra frame. If you watch it frame by frame, you can see the soul dissolve. Will make a note to do so later.
David wrote three separate tracks for each storyline in the episode (Donut vs O'Malley, Grif vs Genkins, and the others saving Wash) which all blend together as they go on.
The cue playing when Genkins goes on his boredom rant is Joe and David's favorite cue.
Genkin's rant was also much longer and was pretty much Genkins breaking up with the universe. Joe felt that it was losing momentum as it went on however, so he cut it down.
Phillip had a ringing bell sound effect play when Donut hit the plane on the commentary track. All of them lost it XD
The longest scene to animate was Donut jumping after The Hammer.
Each bit of the fight went to different animators. Ian worked on the Blood Gulch part and reference show he's known for being good at finger animation. Hence why we got O'Malley's evil finger wiggling XD They were bummed that they didn't have more time, but with so much going on, they had no choice. Everything was mo-caped and hand framed due to the uniqueness of all the scenes, all of which used no machinima, which normally has to be in a specific view. Joe was happy since he could move the camera around more.
The city for the final part of the fight was stolen taken from Gen:Lock. It's meant to be New York.
Joe has no regrets regarding the fight scene and was very happy with how it all came together.
There's a ticking effect during the episode that accelerates, but during the final part where Grif is running and stuff, the ticking significantly slowed down.
Grif's running was machinimated and they used an after effects plugin to slow him down properly.
Again, Joe was very mad that Infinity War came out during this time XD This happened a lot this season apparently, such as Legion.
The final scene is done in Halo 2 Anniversary. Joe chose this because it looks familiar, yet is different. He did this specifically to not make people think that they were rebooting it... which happened anyways XD
Again, they confirm that they are NOT doing a reboot. Joe tried to put in as many clues as he could (like Church not being voiced by Burnie) to demonstrate that. There is a reason for why things are like this and why the final three shots are in reverse order from the events in Blood Gulch.
Joe watched all of Deep Space 9 while editing the season. All 6 seasons! Two he watched during the cyclops episode!
Apparently the Security part of the credits (which lists pets) hjust gets added onto without chances, so many of them are probably dead... ending on a morbid note then!
This took like... five hours to type up. But I always like listening to behind-the-scenes stuff and I had a lot of fun doing this! To all of those who actually made it through the entire post, thanks for reading! Looking forward to S17!
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theonceoverthinker · 5 years
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OUAT 3X07 - Dark Hollow
After the BEST WEEKEND EVER, I’m back! Just giving you a heads up -- to say on the timeline, I’m gonna pump these guys out a bit faster than usual, so my reviews may end up a lot shorter.
Anyway, I hope your week wasn’t too...HOLLOW in my absence!
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The puns return!!!
Anywho, smart stuff under the cut!
Press Release
Mr. Gold and Regina send Ariel back to Storybrooke with an item that will allow Belle to locate a hidden artifact that could help take down Pan. But unbeknownst to them, two men have broken into the town with the intent to stop them - at all costs. Meanwhile, Emma, Neal and Hook attempt to find Dark Hollow, where Peter Pan’s shadow dwells, in order to capture it, and Mary Margaret is upset with David for keeping his poisoning a secret from her.
Main Thoughts - Characters/Stories/Themes and Their Effectiveness
Storybrooke
Conflicts where Belle gets to be in the role of hero always have the potential to be great, and while some *cough “The Outsider”* fail, this one does a fair amount better! Belle’s last conversation with Rumple and the little help she can provides makes her moping understandable (Albeit a little annoying) and Ariel’s encouragement and need for this to be successful acts as a great contrast.
I do wish that more went into Belle’s story here. As is, it’s Belle mopes, she hears a keyword or sees something, and she just solves the problem. There’s no either moment of realization on Belle’s part or a conversation that is communicated to Belle that states that she’s already a hero. Well, sort of scratch that because of her conversation with Archie at Granny’s, but it’s never reinforced by anyone. Because of that, while not badly put together, the problem that Belle had at the start of the episode isn’t really solved. It’s just dismissed. For an example of this done right, look at “Bear and the Bow.” There, Merida doesn’t believe that she can save her family on her own, needs to be pushed into solving the problem on her own, and when she does, there’s that moment of realization that she had that potential. This is a flabbier version of that story.
Neverland
“The fact that they both have feelings for you is dangerous, too.” Oh, the love triangle episode. Look, I’ll level with you. The best part of this segment is the end where Emma nips this in the bud and tells them both to fuck off until the mission is done.
And I get that the framing is supposed to be like that. Killian and Neal are so invested in their romances with Emma that they endanger everything, but it’s in no way anything less than an utter pain in the ass to watch. And it leaves such a bad mark on both men, having them prioritize a romance over Henry -- Neal’s son and the motivation of Killian’s redemption! What I would’ve done is stated that Dark Hollow would enhance feelings of bitterness towards one’s companions, making the pettiness here work better. That way, the almost cartoon-y and sabotage-y lengths that the guys went to would’ve been much better. As it stands, it’s annoying to watch and because the segment is from Emma’s POV, it doesn’t even serve to deliver a theme like some other stories of its ilk do for other characters.
Part of me feels like this episode was supposed to be a callout to shippers to tell them to focus on the main story over the ships, but for that to be truly effective and not make Neal and Killian come off so badly, there’d need to be either a lot more self awareness from the two guys (Which would end the story prematurely) or some agent that would artificially push those issues to a place of greater importance than Henry’s safety.
On the flip side, I love Pan’s gambit. It’s amazing seeing Pan and Felix plant the seeds of Pan’s next scheme in a way that makes it look like Henry’s solving the mystery. It’s such a treat seeing this and actually having the knowledge of knowing precisely what Pan is doing beforehand. We see how sharp Pan is as he checks the boxes of exploiting Henry’s goodwill (Wanting to be a hero, the connection between Henry and his father, the love of fairytales) and all the while making him feel clever. It’s not frustrating, but because of the POV, it makes an aspect of this kind of story that’s been so ingrained into our skulls at this point feel fresh! His use of Wendy to paint himself as a hero is fantastic, doing a great job to tilt Henry’s thought process.
Insights - Stream of Consciousness
-���They saved us.” I really love how much everyone cheers over the heroes saving them. Look, the heroes have their faults, but there’s a reason why the town at large stays loyal to them.
-I also ADORE scenes of Storybrooke at large working together. All of the major players are so great!
-I love the overall BIGNESS of the cloaking spell. It something that follows our characters throughout the rest of the series and it’s appropriately epic and not just in the sense that its an obstacle for our “villains.”
-I can’t look at that “Leaving Storybrooke” sign. I just can’t. It makes me so sad!
-”She’ll know exactly what to do.” Rum Rum, just because you can perceive vague shit doesn’t mean everyone else can!
-”Guess you’ll just have to trust me.” Reggie, you are lucky that Ariel is a trusting person because this is shady af!
-”Someone is leaving Neverland.” This line is utterly fantastic, especially with how subtly it’s said. You get a real sense of how embedded Pan truly is with Neverland as a whole.
-*Seethes in anger as fucking C*leman shows up* Fuck you, C*leman.
-”No giant stepping on my Miata!” If Anton were here, he’d take offense to that. ...Also, where IS he? Does he not show up for the rest of the series? If so, I honestly regret not honoring him in my last overview.
-I love how Archie was just anticipating slipping into therapist mode, hungry for that session like I am for that cheeseburger!
-”Now you’ve got a dress code? I seem to recall some Ruby outfits that are seared into my brain.” Grumpy! Bad!
-What is it with red-haired characters in this series ROCKING the color green? Ariel and Zelena just make it look so good!
-”He’s really into being cryptic, isn’t he?” Honey, you have NO idea!
-”It’s good to see you inherited his tunnel vision.” Snowy, you have NO idea.
-”I’m not holding your family prisoner.” I love that subtle bit of gaslighting. No, he’s not holding Henry’s family prisoner, but he is holding HENRY prisoner.
-”It’s a corkscrew, but it’s not what Rumple needs.” I don’t know about that, Belle. He could stab a Lost Boy or two. *shrugs*
-Wow! Some subtle acting from Emiliee! Look at her hands as she holds Pandora’s Box! The subtle shaking is amazing, saying so much about how powerful the box truly is!
-Pan is such a sneaky little bitch. I love how as soon as one plan is discovered, it only takes him another moment to create another plan that accounts for the failings of the last one.
-*Emma almost decapitates Killian with her sword* I’m pretty sure Colin said that that was a blooper that actually made it onto the show! XD
-Hey pre-Underworld Underworld filter! Good to see you!
-I can also understand why David wouldn’t want to tell Snow: For Emma’s sake. She just gets her parents back and then she’d have to lose at least one of them. David was trying to spare her from losing both of them too.
-”You want to tell me how that coconut works?” You should probably tell Jen too because WOW, she hated that prop!
-I’m gonna go out on a limb and say that 99% of Emma’s relief in that scene was Jen’s relief in finally closing that fucking coconut!
-”Providing motivation.” “For what?” “For doing what needs to be done.” Wow. Looks like Rumple’s cryptic-ness is rather genetic.
Arcs - How Are These Storylines Progressing?
The Mission to Find Henry - We now have a way back AND a way to defeat Pan! Things feel like they’re chugging along again, and it works pretty naturally with how the last two episodes went.
Killian’s Redemption - “Why would I have done that [Not tell the group about Neal]?” I like how even as he’s in this love triangle with Neal, Killian doesn’t regret saving him for even a second. That really speaks to Killian’s growth!
Regina’s Redemption - Regina keeping her part of their bargain is a BIG deal in terms of her redemption!
Rumple’s Redemption - Rumple actually says that he will do his best to honor Belle and Ariel’s request to help Wendy and that also is a BIG step! Also, Rumple pointing out that Regina’s jealous of having someone shows a fair amount of self-awareness!
Favorite Dynamic
Henry and Pan. I’ve gone on about them above, but Pan’s understanding of Henry’s personality and subsequent manipulation of that for his own gain is fascinating to watch! Despite only knowing Henry for less than a week, Pan’s got him pegged! He knows the qualities that Henry wants to see in someone he’ll trust and his own aspirations for himself. And though manipulated, Henry is so careful about Pan, showing a lot of intelligence. His “weakness” here is hs kind heart and it’s the perfect aspect on Henry to exploit once it’s clear that method of lying won’t work.
Writer
Kalinda Vazquez and Andrew Chambliss are up again, and I found their storytelling here to be a bit lackluster. The Storybrooke segment was enjoyable, but flabby in terms of delivery and the exact opposite could be said for the Neverland main story. It’s not terrible, but just a little half baked.
Rating
7/10. I wish things had been a bit tighter here. As it stands, this wasn’t OUAT’s best. BUT that’s not to say that there weren’t things I liked. Everything with Pan, Henry, and the Darling siblings was magnificent and Ariel (As usual) is simply a delight)! Also, Emma’s speech at the end where she put the issue of shipping to rest to focus on the mission was just fantastic and an utterly badass moment! I just wished they played more of (Or in the case of Emma’s speech, a better) a role in the main stories.
Flip My Ship - The Home of All Things “Shippy Goodness”
Grumpy Beauty - Once again, we get to see bits of these two working together early on and it’s just the best!
Captain Swan - Okay, I love how Emma’s big point in Killian’s favor was how he told her about Neal. That’s such an earnest, sweet, and Emma-like thing to adore. Also, “so when I win your heart, Emma -- and I will win it -- it won’t be because of any trickery. It will be because you want me.” I love that resolve of Killian’s to not only be with Emma, but to be with her honestly. It speaks to sentiments she values and shows his commitment to his own redemption. ALSO, “I’ve yet to see you fail.” Killian honestly does believe in her!
Swan Fire - I really enjoyed Neal’s apology at the end of the episode and I love how you can see how his returned resolve to focus on Henry had its effect on Emma and was so sincere! <3
Rumbelle - Just look at the way Belle basically blubbers as she first sees Rumple’s face through the sand dollar. It’s so beautiful. Honestly, this whole episode is a love letter to Rumbelle and just how much they mean to each other and trust in each other. “Tell Belle I love her. And that she’s right. I WILL see her again.”
Snowing - I love Snow and David’s argument. It’s so raw and it so clearly comes from this place of love.
Swan Queen - There’s really something to be said for Emma succeeding thanks to her understanding of Regina whereas both Neal and Killian sort of failed her! <3
-----
Again, thank you for your patience with these more rushed out reviews. I really want to stay on schedule and thankfully, there wasn’t a hello of a lot to say here.
Also, thank you to @watchingfairytales! It was lovely meeting half of you guys at the con!
Season 3 Total (66/220) Writer’s Scores: Adam and Eddy (19/60) Kalinda Vazquez (17/40) Andrew Chambliss (17/50) Jane Espenson (10/30) David Goodman (10/40) Robert Hull (10/40) Christine Boylan (10/20) Daniel Thomsen (10/30)
Operation Rewatch Archives
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mechanintendomaster · 7 years
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Chemistry (tentative title/ draft 3)
Chemistry (tentative title/ draft 3)
By: C. Mechayoshi
Created 5/30/17 (first draft)
6/4/17 (second)
7/7/17 (Third)
Summary: Not all Mario characters get along. When they get mixed up anyway, shenanigans occur. (Based on Mario Super Sluggers but is commentary on silly roster choices in a lot of Mario games)
Author note: Yes, this is silly. Enjoy.
Chapter1: Chemistry Crisis
Scenario 1: Shaggy Dog
Toadette marched down the street gang style with her good chemistry pals, Peach, Birdo, Toad, Toadsworth, Noki, and Pink Mii. It was a warm sunny day in the Mushroom Kingdom and they were heading down to the park where they would continue to own Toad Town with their tight friendship and good chemistry, or at least while playing baseball..
Peach whipped back her blond ponytail. She was wearing her signature sports attire consisting of a pink tank top and shorts. “It's great to have such amazing friends, isn't it?” she asked no one in particular.
Birdo straightened her bow. She had no special outfit, but she proudly wore a diamond ring (rumored to be a gift from Yoshi) that glistened in the sunlight. “Of course darling! We have the best fun!” However when the two girl’s eyes met, a spark ignited between the two.
“I can't stand you, Birdo!” Peach spat as she stopped walking and crossed her arms. “I’ve hated you since SMB2! You are always spitting eggs ever where you go! How unladylike!! Also as if-”
“Go there darling, and I will slap you to the dream world again,” Birdo warned, glaring back.
Toadette stepped in between them and held her arms out. “Guys! I mean, girls! Stop!!!”
Toadsworth laughed. “Indeed, young ladies! Cannot our mutual love for Toadette bridge the gap between us all?”
Toadette gave the elder a weird look. “Umm...don't say it like that... Let's keep it at having good results on the baseball field.”
“This is about baseball?” Jelectro Bond, the Noki asked. “I feel I am in the wrong story.”
BEEP BEEP. A car loudly honked at the septet. They were in the middle of the street after all. Everyone immediate got on the sidewalk but Birdo and Peach avoided eye contact, Toadsworth stood too close to Toadette, Jelectro was still confused, and Toad and Pink Mii continued to stand around.
Toad grabbed a handful of the popcorn he had. “Anyway, of course you belong. All Nokis love Toadette, and we're the Toadette Typhoons, right? So are we gonna have a cat fight or not?” Toad asked, looking at Peach and Birdo ammusingly.
“No!” Toadette yelled. “Let's just hang out at the park.”
“Yay, the park!” The pink Mii piped up. She was a really basic looking Mii. One might say she was a 'default' one, but she still got along with Toadette and that was all that mattered.
Just around the block, Toadette's arch-enemy Bowser, Goomba, and Paragoomba showed up before the gang could start moving again.
“Well look at these losers!” Bowser teased. He and the goombas stood in a line, taking up the whole sidewalk.
Toadette turned red in frustation. “We just wanna go to the park! Oh-” She abruptly leaned over, wrapping her arms around her self. A second later, the same happened to Peach, Toad and Toadsworth and they lay with Toadette on the hot concrete sidewalk.
“We... all hate Bowser, Goomba, and Paragoomba for…. obvious reasons.... Our fielding stats will now suffer...” Toadette gasped.
Bond scratched his head. “Excusez moi?”
Birdo shook her head in pittyance. “Bad chemistry, dear.”
“That's right pipsqueak!....Wait, I don't feel so good...” The extra large goomba stumbled forwards. “I just HATE Toad and Toadsworth! They think they're better than me!”
Bond lifted his sunglasses. “Richard? Is that you? I feel we should know each other.”
“I don't know you from Adam, shortie!” Dick stammered.
Bowser stepped past Dick. “That was weird.. So anyway, only the greatest king ever could reduce you all to-”
“Bad chemistry is mutual, honey.” Birdo said offhandedly.
Bowser then fell out to the ground in a thud, having bad chemistry with Peach, Toad, Toadette, and Toadsworth. “How is this happening?! Besides I secretly love Peach!!!”
Peach opened one eye despite her weakening. “Bowser, you fool, that's no secret!”
Now only Birdo, Bond, Pink Mii, and Paragoomba were left standing.
“What's it gonna be?” the Paragoomba teased. “I got no bad chemistry, what about you all?”
“I am still not sure why I'm here, but I have an odd dislike for Bowser Junior and Petey,” Bond replied. “Junior put a dent on my one million coin Aston Mushroom with his bike and never paid for it. Petey literally ate me on a spy mission, but I would rather not speak about that.”
The paragoomba thought for a moment. “Who knows where that Junior brat is, and Petey Piranha got departed somewhere when WiiU came out. I guess you're safe, spy dude. What about you?” He looked to Birdo.
She put her hand on her hip. “I cannot stand Peach, Tiny Kong, Wario, Blooper, and Waluigi.”
“Peach? Why did she not make you physically ill before?” Bond asked.
“I guess our mutual friendship with Toadette canceled it out the worse effects. And besides, Peach now is on the floor knocked out, like she should be!”
The paragoomba smirked. “Oooh! You two got some bad history, don't ya?”
Birdo huffed. “She's only the stupidest blonde ever! And Tiny? Such a tease. Wario, Blooper and Waluigi are just gross!”
“I do not think I understand how these chemistry rules work, but now what?” Bond asked.
“Leave?” Birdo asked. Birdo, Bond and paragoomba dropped what ever confrontation there was supposed to be, and left everyone else on the floor. Because their chemistry was bad with each other, no one was ever able to move again, thus making this a pointless (shaggy dog) story.
Scenario 2: Buddy Jump?
Mario and Bowser were in the center and left outfield together. Why a player would do that is unknown, but anyway King Boo was at the bat and predictably got a great hit, right between the hero and villain.
“Out of the way, plumber! It's mine!” Bowser growled. His heavy feet moved rapidly in an attempt to follow the ball's shadow.
“It's too high, we'll have to buddy jump!” Mario called, having reached the wall before Bowser.
The ball was still in the air, and about to leave the field when Bowser caught up.
“It's now or never! Trust me!” Mario urged.
Bowser shot him a look. “Well okay, come here!”
They stood by each other to activate the move, but something went wrong. Mario picked up Bowser instead of Bowser picking up Mario. The unnatural power of bad chemistry made Mario fling Bowser over the wall into the audience. Popcorn and hot dogs went everywhere as Bowser’s massive body belly flopped on the stadium seats and audience. Meanwhile, the ball continued souring and went into space resulting in a grand slam with King K. Rool, Funky Kong, and Wario already on bases. King Boo's team won 4-0.
Mario and Bowser,  were standing around in the baseball center lobby, because they weren’t allowed in the party room.
Bowser punched Mario’s shoulder.
“Oww!”
“That’s for making me lose, plumber.” Bowser growled.
Mario distanced himself from the Koopa King. “I think we did the best we could considering we were the only players on our team!”
Just then, Toadsworth entered through the glass doors to the lobby. He had a noticeable tan, as if he’d been lying in the sun on a sidewalk, but that’s oddly specific imagery, isn’t it? His shuffle became a brisk walk the moment he noticed Mario and Bowser.
“Tally ho, Master Mario! The Koopa King is right behind you!” Toadsworth called as he approached.
“I know,” Mario muttered, holding his sore shoulder.
“What did that old man just call me?” Bowser asked.
Toadsworth slowed down to his usual slow pace with a relieved look. “I apologize. It escaped me that you two were the losing team earlier. I had heard that you were partnered with someone unexpected but I assumed that to be anyone but that tyrant!”
“Watch it, old man!” Bowser warned, smoke threatening to pour from his nostrils.
“Well I am proud to announce this!”
“What?” Mario asked.
Toadsworth handed Mario a paper. He looked over it while Bowser stomp his foot impatiently and Toadsworth stood in front of him.
It read that Mario and Bowser's team would be given the win because King Boo was discovered to have been using illegal Boo vitamins, King K. Rool had threatened a coach, Wario had bribed someone, and everyone realized that it was ridiculous that Funky was using a surfboard as a bat.
“We won?!”
Bowser snatched the paper from Mario’s hand. “What? Hey, we did!”
“Congradulations-” Toadsworth’s praise was cut off Bowser’s flame breath.
Mario and Bowser were standing outside the baseball pavilion with ribbons around their necks. Mario looked at his appreciatively. “We might not work well together, but I guess it's good we didn't cheat!”
Bowser responded by punching him in the shoulder again as a spaceship came out of nowhere.
Rosalina came out of the spaceship disgruntledly holding a ball. “Who sent this ball into space? It broke a window in my bedroom and made all of the Lumas cry!”
“Run!” Mario said.
Author note: Jelectro Bond is the telekinetic spy from Mario and Bowser: Frenemies Forever, in case no one gets it. Richard/Dick the goomba is too.
A tale begins with a quote from “SuperLuigi13” of Gamefaqs.
“Bowser Jr.: Dad, what's the roster say about the baby count"
Bowser: IT'S OVER 9000!!!!!!!!!!!!!!....I mean 5...”
(Will be relevant later)
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floralmotif · 7 years
Note
So I was just reading somewhere that Jensen and the others have said that Destiel will never be cannon.. Is that true? (I'm new to the fandom, sorry). If they did say that, do you think their opinions have changed/is there hope?
Oh, it’s ok. No need to apologize. :) I’m also newish so I may not be the best authority but I was around during what I think you’re talking about so I’ll do my best using my experiences.
There was a panel earlier this year where Jensen answered a question saying “that doesn’t exist” There has not so far been anyone saying it “won’t ever exist” unless something happened in the last 4 hours but based on a scroll through my dash, everything seems to be normal.
The actors aren’t really allowed to answer questions that prompt for answers about the future. Even if he knew of something in the future, he wouldn’t be allowed to confirm it. Destiel would be a gigantic reveal if it were to become canon so him revealing it at a con would be disastrous. I can’t really say much about his thought process since I don’t know him and haven’t gone to cons, from the video, it looks like he was a mixture of nervous and judging the room. Questions that prompt information about not currently textually canon plot points seem to make him anxious. It makes sense really, since it’s not his job to even really know those things, but it’s even less his job to talk about them. I’d advise not to ask about non-current canon. It’s really not in the actors hands and they can get in trouble for revealing too much. While I understand the thought process behind those questions, the actors can’t really do anything with them and it’s not something they may even have information on. The writers work on eps waaaay in advanced of shooting.
In general, take what the actors say with a grain of salt. In my experience, actors are generally lovely people but often have very little idea of what’s going on story wise. They tend to live pretty in the moment during production and it’s not really their job to keep track of much outside of what they absolutely need. Their jobs can be very confusing on their own. They’re usually given some things but mostly just to get the desired performance. Whether they derive further information from what they’re given depends on the person. The nature of tv production really doesn’t lend well to actors knowing much about the story. They film out of order, what they’re reacting to may not be in the room with them, they sometimes do multiple takes of one scene, then jump into a new scene in the same place set several hours later and start over, they may not be on set for days, aren’t in every scene, etc. It’s the nature of the beast, really. 
I think Jensen is a fine enough dude. I don’t know him so I can’t give much but he seems like a decent guy. If you really want to know what I think his stance on destiel is, watch the blooper reels after Cas shows up (or even before a little). 
In general, the only real authority for canon is the show itself. PR and other businessy things prevent any real transparency. The show is the reality of the world. Even directors don’t always know what they’ve filmed until they watch the dailies and some actors never see the dailies or the works they’ve been on at all. Production of tv is many many hands in a cookie jar and the actors hands are some of the smaller ones. That doesn’t mean they aren’t important or don’t highly contribute to why these characters are so loved but they don’t really have a say what happens to their characters in an overarching sense.
There’s no current indication of an actual destiel shut down. Even if an actor decides they disagree with destiel, they don’t have a say. The actors for Mulder and Scully /hated each other/ for a long time, but on screen married they were eventually, anyway. That doesn’t mean I’d want destiel to happen against an actors will, but I’m trying to convey the level of say actors usually have over the production. I also don’t think the actors of SPN would mind really. Some people would say they would, but I /really/ doubt it.
Hopefully this helped. 
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hockeychik13 · 7 years
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Honest Reviews: The Die Hard Franchise
I would like to start a series with this blog called Honest Reviews. In it, I will honestly review some of my favorite pieces of entertainment. Believe me, I am truly passionate about the things I enjoy, but I'm also not completely blind to their flaws or the things about them that may alienate certain audiences. Plus, I just genuinely love talking about movies and TV shows. To kick things off, today I want to talk about the Die Hard franchise.
    I will preface this review by saying I enjoy some of the movies much more than others, but I do not hate any of the films in the series.
Die Hard
    This is by far one of my favorite films of all time. It is witty, entertaining and is a perfect example of an every-man turned hero. It also introduced us to the late, great Alan Rickman and I think we owe this film a sincere amount of gratitude for that piece alone. It is also the first time we got to see Bruce Willis as a badass.
    Believe it or not, the studio didn't want to cast him in the role because of his fame for the TV show Moonlighting. Which had a similar feel to Castle as being a funny, witty crime sitcom type show. That's not really the image you get when you think of Bruce Willis now, is it? Me either. However, at one time, that's what he was typecast as and we almost didn't get the ass-kicking Bruce Willis we know and love today.
    Anyway, the film itself is entertaining. There are sort of bloopers and perceived plot holes (I, for one, never questioned how McClane knew Bill Clay was really Hans Gruber), but from start to finish it keeps you interested. There's enough personal backstory to make you care about the characters emotionally. And Rickman managed to create a new kind of villain in Gruber that almost had you rooting for him out of sheer respect. Die Hard gave us a lot of things that cinema had been missing up to that point and countless films have tried to re-create that magic to no avail. I will also point out that it is a Christmas film. So, if you're anything like me and have a distaste for traditional Christmas films, this makes an excellent replacement.
    Now, comes the criticism: It didn't exactly age well. Now, it is pretty much a timeless classic and those of us who experienced life before high speed internet and smart phones seem to have a better appreciation for films that have outdated technology, however to a newer audience I think all of this films charm would be lost. There are far too many things in the movie that could easily have been solved by the institution of modern technology that for audiences who have never lived life without these modern conveniences would just not make any sense. Also, there have been so many copies and homages of this original film at this point that it wouldn't be new even for a first time viewer. The fashions are very dated and someone laughable at this point, which is something newer viewers would be quick to point out. Unfortunately, at this point in our lives this movie requires a lot of explanation to new audiences to express its true significance. And people really don't like things that they need explained to them.
Die Hard 2
    I will start off by saying that despite the many, MANY times I have seen this movie, it is truly forgettable. Despite bringing back familiar characters and introducing a new and fairly impressive villain, the plot is really quite weak and it seems like a rehashing of the original without the heart, wit or simplicity. The plot is overly complicated and the happenstance by which John McClane gets involved seems really kind of forced. There's a terrorist plot at an airport where his wife is supposed to be landing that makes her plane unable to land and then there's a war criminal that the terrorists are trying to release who is supposed to be flying into said airport. Also, there's a snowstorm.
    So, John McClane is back, doing what we love him doing. Fighting bad guys, saving the day, doing the impossible because if not him, then who? The movie's setting is really what will ruin it for modern audiences. Anyone who has traveled in the last 10 years can tell you that if you even mention certain words in the airport you're rush tackled and smuggled away for questions and a cavity search. In this movie we have people firing guns in airports, baggage claim attendants being murdered and no one noticing, terrorists dictating flight patterns and whatnot. And yet, the airport seems to be pretty business as usual. Today, it would be a media frenzy and the entire airport would be shut down before anyone could blink. For anyone watching the movie today, the airport and security response would be unfathomable. And the need for McClane's involvement would be completely laughable. Also, the bit about his wife being trapped on a circling plane running out of fuel (with the dickish reporter from the first movie no-less that she punched in the face) just feels tacked on to add a human element to a film that seems to have dropped any semblance of character development in favor of a confusing plot and lack-luster action sequences. It's a good watch for a lazy day of silly entertainment, but it is easly forgotten and that isn't a bad thing.
Die Hard: With a Vengance
    This movie makes a triumphant return to the franchise's roots with a clever plot and engaging characters. They went simple and moved the action to John McClane's home turf of New York. They introduced Samuel L. Jackson as a new every-man hero to play off of McClane's tired and too-often tested anti-hero at this point. I call him an anti-hero because when we first see him he is a rough-looking, hungover shell of the man that we came to know and love. We learn that things never did work out between he and Holly and he has been living with the consequences of the previous two movies in the time we have not seen him. We don't usually get a glimpse into the reality of the weight being a hero can put on a man and it's refreshing to see a movie deal with that head on. There are also touches on the issues of racism that are dealt with in a far more realistic sense than I've seen previously. The lines aren't black and white between bigotry and acceptance and that is depicted beautifully in this film.
    The plot itself is simple. A so-called terrorist is sending John and his reluctant partner Zeus on a series of scavenger hunts and having them solve riddles to find and diffuse bombs around the city. It all turns out to be a cover up for a heist, which is wonderfully reminiscent of the original film. It manages to pay homage to its origins without copying what has already been done. The villain is engaging and interesting, much like Hans Gruber was and Jeremy Irons manages to create a villain that keeps us guessing and wanting more. The pairing of Willis and Jackson was also a fantastic choice as they play well off of each other with banter but they are also equally intelligent. They work as an equal team, not hero and sidekick.
    This film has actually aged a little better than it's predecessors. Although the use of pay phones wouldn't make any sense to modern audiences (what's a pay phone? lol) there is little else that wouldn't make sense overall. The police responses make sense with current times and the cast is more recognizable to newer viewers. Given that it came out in 1995, the fashions were less dated the locations in New York were more recognizable. The film also has a more updated look instead of the grittier look of the older films. It is smooth and higher definition which is a medium that modern audiences are much more accustomed to.
    My only criticism of this film would be the somewhat tacked on personal relationship stories. Despite Bonnie Bedelia's (Holly McClane) absence from this installation completely, there is still the underlying theme of John calling his wife to try to reconcile. Given the fact that the first two films take place two years apart, it is conceivable that after the events of the first film they would be able to reconcile and still be in a good place by the second film. However, there are 5 years between the second film and this one, making it probable that the issues the two had at the onset of the first film would have become issues once again (they were never actually solved by the events in the first movie. She was just really happy because he saved her from terrorists and stuff). It's evident from the first film that they have very different expectations for their relationship and their love for each other really wasn't enough to overcome any of that. There's also the random relationship between Jeremy Irons' Simon and his right hand henchwoman Katya. Although it's completely conceivable that they grew close and forged a relationship while working together for their shared cause, it seemed tacked on and served little purpose other than to add a sex scene somewhere in a movie where it doesn't really fit.
    This movie is worth watching multiple times. It's a great Saturday afternoon bit of entertainment and the nice thing is it can be watched completely independent of the other films. Although they are still dealing with McClane's failed relationship, you don't need to know their rocky background to assume that the cop who started the movie as a drunk would have an estranged wife. Even if you're not a fan of the original, give this one a look. You might find your interest in this franchise piqued.
Live Free or Die Hard
    This installment came out 12 years after the previous film in 2007. It gives us a John McClane whose life has gone pretty much in the direction we could have assumed from the last film. However, this movie chooses to address his relationship with one of his children. Lucy McClane was present in the first film and her brother John was only mentioned given that he was the baby of the family. She makes her adult debut in this film as a central character with closer ties to the plot, giving John that personal element to his heroism that was slightly lacking in Die Hard with a Vengance (although this isn't a bad thing in this film).
    The movie itself deals with more technological themes which makes it much more complicated. However, the addition of Justin Long as his sidekick in this film helps to diffuse some of the tech jargon with wit and bits of comedy. Although the joke is that McClane doesn't understand modern technology, few of us actually understand the technology (besides cell phones) being referenced in the film. McClane is us and that's part of the joke. However, Justin Long's Matt is also us. He isn't a fighter or a physical hero like McClane. He needs McClane to protect him and I'm fairly certain we would need that too. This movie allows us to be more involved in the story because we can see ourselves more clearly in it. Yes, there are unbelievable moments and things that aren't physically possible in the real world, but that doesn't diminish the movie's entertainment factor.
    Also, part of the fun of the film is that they chose not to use CGI and instead rigged up incredible special effects to get what we see on screen. So, yes, they did actually throw a real car at a real helicopter. The movie is worth a watch just for the special effects knowing that they didn't use computers to create them. They also actually demolished pieces of freeway (a piece that was scheduled to be demolished anyway and the film was able to use for their special effects) as well which makes for both a more realistic feel to the effects and fantastically interesting behind the scenes footage of how things were created.
    Unfortunately, the technology is actually a detriment to this film. Although it was attempting to move the franchise into the modern era with its inclusion as a main plot point (not a bad idea given our reliance on technology), it actually serves to date the movie even more than the use of pay phones. Technology is growing and changing at an alarming rate in modern times, which means that even when a piece of it is brand new, it is quickly outdated in a matter of weeks now. Which means that the technology used in a movie now 10 years old seems ridiculously antiquated and silly by today's standards. Which is sad because this is actually a very enjoyable film. But, modern audiences are fickle. And I'm not sure that Justin Long's charm, Bruce Willis' reluctant hero shtick, Timothy Olyphant's sociopathic villain and a guest appearance by Kevin Smith are enough to entice new viewers to look away from their cell phones long enough to appreciate anything this movie has to offer.
    Once again, it's an enjoyable film. Fun on a day when you have time to watch special features along with this film to see how things were done. Although it doesn't work as well as a stand alone film. Without knowing the backstory of the McClane family and why Lucy may be angry with her father, this movie feels more like a rip-off of Taken with some tech thrown in than it does a Die Hard movie. So, it's really something that should be watched in context, not out of it.
A Good Day to Die Hard
    This movie was released six years after the previous film in 2013. Since the last movie dealt with the relationship between McClane and his daughter Lucy, this one deals with his relationship with his son John. This seems like a great idea on paper, but in practice it lacked a lot. Overall, the movie felt out of place in the Die Hard franchise. Instead of being the every-man hero, McClane is shown as the antiquated dad with good intentions who is really just in the way. It is obvious from the start that the sole purpose of this film was to kick start a revitalization of the franchise following John Jr (or Jack as they like to call him so we don't get confused) as the new hero.
    There are two huge issues with this movie that made revitalizing the franchise virtually impossible:
   The first is the plot. For the first time in the Die Hard franchise we leave the country. A big part of McClane's appeal was his quiet patriotism. Doing what's right for his country and the people he protects despite great personal sacrifice. This film has him in Russia trying to bail his son out of a Russian prison. Then it turns out his son is really special ops. And is an angry child even though he's a grown man. He has no respect for his father or the lengths to which his father has gone previously to do the right thing (which plays into the cliched "daddy didn't love me enough" theme so common in action films). The plot is way overly complicated and involves double crosses and sub plots and a climax in Prypyat (which is the city now laying abandoned after the meltdown of the Chernobyl nuclear reactor) that never really seem to come together to form a coherent plot. Although the plot didn't seem to be what was important. At the center of it all seemed to be the desire to introduce Jack as the new hero who will step up so his father can retire.
    Which brings us the the second issue with this movie. The casting choice of Jai Courtney as John Jr/Jack just didn't work. He isn't horrible. Don't get me wrong, I don't hate him and he is a good action star. However, to take the place of John McClane both on the big screen and in our hearts there needs to be a certain spark that he just doesn't have. He's not an every-man. He's insanely muscular, which is impressive but really just makes him another Schwarzenegger-like invincible hero. Which has been done to DEATH. Looking at him, he's the hero we expect. But he isn't he hero that we know. He's not the beat cop who would show up to a routine 911 call and save the day. He's not the guy on the street who would help someone because it's the right thing to do. He's the guy in the movie who saves the world and looks good doing it. Fitness aside, he doesn't have the personality for the role. Yes, he's good as an action hero, but he's not a McClane. He doesn't have witty one-liners and when he tries they don't work. And the way his character was written in the film, I found myself rooting against him and pitying his father. Which made the whole "saving the world" plot fall into the background and seem sort of useless.
    I'll be perfectly honest, despite having seen this film multiple times, I don't actually even remember what the main plot really was. I know that the relationship between father and son felt forced, but not in the way they were hoping. The previous film addressed the tensions between McClane and his children but allowed that tension to have layers that made sense given the history we know about John. This movie just goes right to the cliches and never lets up. Jack is angry at his father, rebelling in every way (despite being way old enough to have established his own life and moved on from the anger at his father) and seeming to consist of nothing but a distaste for his father. He is the embodiment of an angry teenager dealing with his parents divorce inside the body of a grown man. Even though they end up working together for the greater good, just like there was no true resolution of the issues between John and his wife, there isn't between John and Jack either.
    Jack also isn't likeable. I can't imagine following him on similar adventures like we've seen John, but only because I can't see Jack being humble enough to take on the role of a true hero without his pride getting in the way. If I were to suggest a better casting decision for Jack it would have been Channing Tatum. I know, I know, but hear me out. He's good looking, much like Bruce Willis was when the series started (he's still good looking but not exactly heartthrob status anymore) and he's in good physical shape so his ability to fight bad guys wouldn't be questioned. However, unlike Courtney, Tatum has an endearing quality about his features and has proven to be quite adept at both comedy and wit. Although the movie wasn't fantastic, White House Down had a feel of Die Hard in the White House because of his ability to be a believable every-man hero and give the audience the wit and humor needed to break up the tension and violence of an action film. He's also proven more than once that he has the ability to carry a feature film on his own or work beautifully with ensemble casts. Courtney has also struggled in these areas with his other films making it next to impossible for him to be able to carry the franchise beyond this film. Tatum's humor would have also played well with Willis' and as a duo they would have been more believable as father and son with a rocky relationship. Tatum also has more similar features to Willis like a trademark smirk and softer eyes, whereas Courtney never seems to be able to break serious face.
    Although I'm not saying that this film isn't worth a watch, if you haven't seen it, you're really not missing much. It was a disappointing installment in an otherwise impressive franchise. If you're a fan of the franchise already, give it a watch, but if you're new to it I wouldn't bother. It wouldn't encourage new audiences to give the rest of the franchise a shot and is really quite forgettable as a stand alone movie.
Overall
    I know this has been a long-winded post, but if you have made it this far with me, I thank you! This franchise holds a very dear place in my heart. I know I got a bit harsh with the last installment, but that's mostly because my expectations have been set so high by the rest of the series. I'm proud to own all of the movies. I'm happy to introduce new people to the series and I'm always thrilled to discuss it with other people. It's a great set of action movies and Bruce Willis is a great hero to root for. Now excuse me while I settle in for a Die Hard movie marathon.
Yippee-Ki-Yay!
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uta-no-knb · 7 years
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FNAF "Was That Golden Freddy!?" (Kise x Reader)
It was a peaceful night at your place. The dog was sleeping next to you and your family was out for the night (and by family, you mean your older brother). You were calmly sitting in the little nook on the windowsill watching Supernatural Bloopers.
Sadly, all peaceful things come to an end-especially when you're dating the hyper active, blond model Kise Ryouta.
"(Y/N)-chii!" a familiar voice shouted excitedly.
You let out a startled yelp as you fell out of your seat, landing on your butt.
"Damn it, Kise! Was that really necessary?" you complained, as he helped you up from the floor.
"Sorry, (Y/N)-chii."
"Now, what did you want, you idiot?" you said, grabbing your laptop from the floor, thanking God that there were pillows on the floor that cushioned the fall of your laptop.
"(Y/N)-chii, you're so mean~suu!" he pouted. "But I want to play a game with you!"
"....what game?"
The blond's smile turned into a wide grin. "You have a steam account on your mac, right?"
You stared at the blond in front of you. "Yes I do, however, I play those games on my PC. Why?"
"Because one of my fangirls was talking about a game and since you love playing computer games, I figured you would have the game and I really want to play the game and-"
"What game?" you asked, cutting off the hyper blond. "If it's a modeling game or something along those lines, I swear I will-
"No its not that, (Y/N)-chii!" he exclaimed, putting his hands up in front of him. "It had something to do with a bear called Freddy-"
"You mean Five Nights at Freddy's?" you asked, raising an eyebrow.
"Thats the one!" he said.
You let out a chuckle as you shook your head. "Ryouta. Trust me when I say that you don't  want to play that game. You wouldn't last-"
"Kasamatsu-senpai said the same thing," he pouted, "and I want to prove him wrong."
"It's a horror game you know."
"So?"
"Idiot, you get frightened very easily."
You weren't wrong; he does jump at the slightest things when you learned the hard-way on Halloween Night (let's just say that Aomine wasn't able to walk for a week).
"Do not," he pouted, crossing his arms like a two year old. "Don't even mention the Aomine incident," he said, as he saw your mouth open.
You sighed as you rubbed your temple. "Fine. Which one do you want to play? Five Nights at Freddy's 1, 2,3, or 4?"
"Theres more than one!?"
"Dumbass," you groaned as you started up your laptop. "Fine, we'll play the first one."
"Yay!"
"However," you started, "Don't say that I didn't warn you about it."
The blond just ruffled your hair. "How scary can it be, (Y/N)-chii?"
"So whats the game about, (Y/N)-chii?" Kise asked, as he watched you open your laptop, excitement in his eyes.
"In the first game, the main goal is for you to survive the night shifts at Freddy Fazbear's Pizza for five nights, while avoiding getting caught and killed by the animatronic characters, while tracking their movements via the restaurant's security cameras (1)-"
"That sounds easy!" he exclaimed interrupting you.
"However, there is a catch," you said, as you clicked on the icon and booted up the game.
"What is it?!" he asked, curiosity bouncing in his eyes.
The only thing you did was smirk. "You'll find out my dear Ryouta," you chuckled, as you went to turn off the light.
Before you even got back to where you and Kise were originally sitting, there was a loud shriek that came from said male.
The game hasn't even started and he was scared.
"(Y-Y/N)-chii! The bear!"
You walked over to where he was and saw that he was on the "main title page". You sighed. "Thats Freddy," you reply, sitting down next to him. "Are you sure you want to continue, Ryouta? The other-"
"I'll do this" he said, clicking on the new game button.
"Again. Don't say I didn't warn you," you warned him.
"What could possibly go wrong?!
Night 1 6 am
You don't know how it happened, but the blond idiot that is your boyfriend managed to survive the first night without any of the animatronics moving. Granted, there was the occasional gasp and yelp when he peered over the security cameras and their faces appeared, but other than that, the creatures were well behaved.
Night 2 12 am
It was the third night and you could see the blond getting full of himself; after all, he hasn't died yet. Being the girlfriend that you were, you were going to make sure that he does. You couldn't help but smirk as you realized that Foxy has been out of the "fox hole" but hasn't fully appeared.
...You secretly hoped that she appeared. That damn fox is scary-especially "Robo-Foxy" in the second one.
"This game is easy!" he said with a triumphant smirk. "You and Kasamatsu-senpai were wrong! I can totally do this!" He continued to check the lights on the right and left side, as well as the security cameras.
You couldn't help but notice that as he was gloating, the mouse kept skimming over "Pirate Cove"-also known as Foxy's den. From watching the youtuber, Markiplier play these games, you knew that if you constantly check the camera in "Pirate Cove", it would make Foxy appear faster.
By the time the blond closed out of the security camera tablet, his battery life was already down to 39%-and it was only 2 a.m. You opened your mouth to tell him that he should save battery life, but then you decided not to; after all, you need to have some fun too.
"(Y/N)-chii! I'm down to 39% battery!! How did it happen?!"
You were also curious yourself. Leaning over, you realized that he had kept the doors locked and the lights on. "You kept the doors locked you moron. That massively drains the battery life."
"But how am I supposed to be safe!?!"
"That I cannot tell you, dear Ryouta. It will ruin the fun of the game."
"MEAN~SU!" he exclaimed, clicking the buttons to unlock the doors. He also went to check on Foxy, and he flinched. "Is that a fox?"
Once again looking over, you realized that Foxy was completely out of the hole. "Yes it is."
Night 2 5 am
Your eye was twitching. Foxy still hasn't appeared. That damn fox.
You felt Kise jump as Chika appeared by the door. You couldn't help but recall the little chant that Markiplier sang when he played the game.
"Ducky, ducky go away. Ducky, ducky, no one loves you." (2)
"What did you say, (F/N)-chii?"
"Oh, just a little chant I picked up from somewhere. I say it whenever Chika appears."
The blond nodded and turned his attention back to the game. Once again, the idiot forgot to stop checking the security cameras; especially since his mouse was on the camera that showed the hallway; the hallway that Foxy runs through.
You realized your prayers have been answered.
Foxy has finally appeared, but sadly, your boyfriend managed to survive that attack as well.
"Ha! I told you that having the doors closed would work!"
"....Yea, but now you're down to 15%"
"It's 5 am anyway, (Y/N)-chii. I can make it if the battery dies."
Before you could reply, the face of a golden bear appeared, as it attacked the screen.
"You died Kise! You died!" You began laughing hysterically. You were too excited for the fact that he died, that not only did you not hear him let out a blood curling scream, but also that the blond wasn't there.
"Kise?"
Picking up the laptop and placing it on the bed and turning on some lights, you noticed that the closet door was opened.
"Kise?" you said, peering inside. The moment you did, your eyes widened.
You saw Kise covering his eyes in the corner, with his knees brought to his chest. What made it worse, he was shaking.
"I'm sorry Kise," you said, as you sat right next to him.
"What the hell was that thing?" he exclaimed.
"That was Golden Freddy," you replied as you sat down next to him. "I did warn you, Ryouta." You wrapped your arm around his shoulder as you brought him towards you.
"I don't think I'll be able to sleep tonight, (Y/N)-chii," he whimpered.
"I'll let you stay the night," you replied, kissing the top of his head and getting out of the closet.
"You're the best, (Y/N)-chii," he said, looking at you with a smile.
"Oh, by the way Kise?" you said, as you recalled something, a hint of mischief in your eyes (which he completely missed). "In the fourth game, Foxy hides in the closet. And I remembered that I have a fox plushie in there." And with that, you closed the door to your closet, leaving the blond model inside.
"WAAAH! (Y/N)-CHII!!"
FOOTNOTES
(1) Info taken from the "Five Nights at Freddy's" Wiki Page (http://freddy-fazbears-pizza.wikia.com/wiki/Five_Nights_at_Freddy%27s)
(2) "Ducky Chant" was said by Markiplier
OMAKE
Fukuda: Hey, Furi! Have you seen this video of an otter stealing fish? Furihata: What's it called? Kawahara: ...Grand Theft Otter. Hyuuga: *appears out of nowhere* I'M GOING TO KILL IZUKI!
QUOTE FROM @incorrectknb
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the-gsos · 6 years
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“I’ve Got A Baaaad Feeling About This”
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SPOILERS!
Now, I didn’t want to bore you all with this, but here we are two days after I watched The Last Jedi and I’m still unable to A) process quite how bad it was, and B) find a respected critic anywhere in the world who agrees with me (and trust me, I’ve trawled right down to the very depths of Rotten Tomatoes to find one.)
Although there does seem to be a bit of a wider schism going on, it’s one between warring clans of fans, not critics, and the malcontents are mostly being depicted as real-life versions of Comic Book Guy from The Simpsons - bearded, bespectacled Eggo eaters who recreate the Battle of Endor with figurines in their mum’s attic every day. People who weren’t going to give TLJ a chance whatever Rian Johnson did with it, basically.
Though I do have a bit of empathy with the mum’s attic demographic - I still curse my own mum daily for throwing out the original model of the Millennium Falcon which was my most prized possession circa 1991 - I wouldn’t say I’m one of them, mainly because I was more than willing to give TLJ a chance.
Granted, I was very sceptical when Disney took over and announced the new trilogy, but then The Force Awakens came along, and while I wasn’t exactly blown away I was pleasantly surprised. Some of the characters were a bit thin and the film as a whole was somewhat light on menace, edge, the Dark Side - whatever you want to call it, but essentially what JJ Abrams had done was supply us with a solid foundation stone, one that more interesting characters and plotlines could be layered upon. The success or failure of the new trilogy would therefore hinge on its decisive middle chapter.
And now it has arrived, and, well, I, it’s…it’s just awful. There are so many issues that I almost don’t know where to start, but the central problem is this - The Last Jedi is EXACTLY the film you feared Disney would make when they got their hands on Star Wars. No opportunity is missed to introduce cutesy, whacky alien critters that have absolutely no bearing on the story but can be turned into toys and monetised, from the porgs to the fish nuns to the snow foxes to those massive wheezing ballsacks Luke milks green mucus out of.
Then there’s the question of tone. Again, this has been debated at length on social media and elsewhere, but if TLJ was a person it would be a teenage stand-up comic in their debut public performance. It desperately, desperately wants to make you laugh, every ten seconds if possible, but just doesn’t really know how to. Consider that scene in the opening sequence where Poe Dameron dials in to the bridge of General Hux’s star destroyer to prank call him. Sorry, but that sort of scene belongs in a Guardians of the Galaxy film and nowhere else.
Maybe it’s just the way of the world; the average person is a lot more sarcastic and self-aware than they were back in 1977 and blockbusters are merely reflecting that (although the complete absence of this form of glib, self-satisfied humour from Blade Runner 2049 partially explains why that film felt like such a refreshing alternative.) But isn’t there anything to be said for a bit of moderation?
Think of that scene where Luke and Leia are finally reunited after so much time apart…with so many tragic events having happened in the intervening period…and the first thing she says is a joke about her hair? I mean, really?
Or how about those spectral Skype chats where Rey and Kylo Ren confront one another from afar? Personally I found these to be among the more effective, engrossing scenes TLJ has to offer, but even here Johnson pulls the rug out from under his own feet with a crap joke about Rey wanting Kylo to put some clothes on. Throw all these japes together and it feels like TLJ is millimetres away from being the type of film that has a blooper reel over the end credits.
The main charge that appears to have been levelled at Johnson is his failure to collect the relay baton from Abrams and tie up loose ends left over from TFA, mostly regarding Rey’s parents and Supreme Leader Snoke’s identity. I’m sort of on-board with this, but it’s not exactly at the top of my list of gripes. I do, however, agree that Snoke gets killed off far too early, and that’s mainly because the complete lack of character development in Kylo Ren up till this point leaves him totally underequipped to take over as the main antagonist in Episode IX. He’s still stomping around throwing tantrums, he’s still rubbish at fighting and he’s still got the exact same clothes and hair. This last point might seem a strange one but think of the way characters like Luke, Han and Leia developed and matured over the course of the original trilogy and how that was subtly reflected in their appearance (from Luke’s angelic garb and wide-eyed, smiley demeanour in A New Hope to his much colder presence and all-black ensemble in Return of the Jedi.) Also, the backstory of Kylo’s betrayal of Luke and destruction of the new temple could have absolutely stolen the show if done right, but instead all we got was a couple of oddly truncated snippets, one told from each character’s perspective.
I could go on and on, but I’ll stop there, for your sanity and mine. Suffice to say, no, I didn’t understand a word Benicio del Toro’s ‘DJ’ was saying either, and yes, I also found the entire Canto Bight sequence pointless and perplexing. Strangely, this second point seems to have been freely acknowledged in loads of the reviews yet that hasn’t stopped the critics in question dishing out a five-star rating. And also, please, no more of these articles with headlines like ‘The Last Jedi Killed My Childhood/ Doesn’t Care What You Think - And That’s Why It’s Brilliant’. This to me seems like the worst kind of modern ‘hot take-ery’, whereby the author has had one reaction, their natural reaction, but then seen where the prevailing wind is blowing and somehow contorted said reaction to the point where it fits in with the “Last Jedi is amazeballs, Johnson is a genius” consensus.
Anyway, I fully expect to be pouring similar contempt on Episode IX in two years’ time so see you then, maybe I’ll even have a dedicated blog for this kind of stuff by then instead of this defunct one...
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